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Understanding by Design http://www.authenticeducation.org Delsea Regional School District November 2, 3 and 4, 2009 Slides/Handouts Enduring Understandings and Essential Questions Presented by Hilde McGeehan [email protected]
Transcript

Understanding by Designhttp://www.authenticeducation.org

Delsea Regional School DistrictNovember 2, 3 and 4, 2009

Slides/HandoutsEnduring Understandings and Essential Questions

Presented by

Hilde [email protected]

Why should teachers use UbD?

What does it mean to understand?

What are ‘good’ Essential Questions andEnduring Understandings?

4 5

Backward DesignPlans need to be

well aligned to beeffective

Aimless activity& coverage

Transfer as goal

It is the essence ofunderstanding and

the point ofschooling

Focus on big ideas

That’s how transferhappens, makes

learning moreconnected

Students fail to apply,poor learning

Meaningful learningThat’s what is most

engaging and invitingYou lose many kids

over time

Learning is fragmented,more difficult,less engaging

UbD big ideaWhat’s the

Point?If not…

We do like teaching… but

• How do we get our students to Think?

• How do we get our students to Learn?

6

There is a big differencebetween Just Knowing

andReally Understanding.

7

Why UbD? –

• Too many students learn withoutthinking and just repeat what theteacher says.

• Most exam questions are recallquestions.

• Too many lessons focus on learningfacts and skills but notunderstanding.

12

Stages in the Backward Design Process

1. IdentifyDesiredResults

2.

3

DetermineAcceptableEvidence

. PlanLearningExperiences

Wiggins and McTighe

What is it that I want thestudents to understand andknow and to be able to do?

How will I know thatthey know what I wantthem to know?

What do I need to do in theclassroom to prepare them to dowell on the assessment 14

- 1-

Meaningfulcontent is exploredthrough essentialquestions.

15

Stage One

What is worth

understanding?

16

You’ve got to gobelow the surface...

to uncover thereally ‘big ideas.’

17

Identifycentral key‘big ideas’

for your unit

“Unpacking” Priorities

worth beingfamiliar with

important to

know & do

‘big ideas’worth

understanding

19

Stage 1 – Identify Desired Results

Consists of 4 components plus the Transfer

Goal:

“established goals” (content standards,

course/program objectives, district

goals)

enduring understandings

essential questions

knowledge and skills

u

C S

q

k

20

Key Design Elements - Stage 1

Established Goals/Standards

Transfer Goals

EnduringUnderstandings

Essential Questions

Students Will Know Students Will Be Able toDo

Unit Topic:

21

- 2-

Drafting a Designfrom Big Ideas

22

EnduringUnderstandings

Goals/ContentStandards

Big Ideas

Essential Questions

Knowledge and Skills “Big Ideas”- What are they?- How can we identify them?

Is it a big idea?

a core idea or process at the “heart” of thediscipline?

enduring - having lasting value?

transferable to other topics?

a connecting idea - will it help to link discrete

facts and skills?

require “uncoverage” (since it is an abstract

or often-misunderstood idea)?

23

adaptationperspectivecharityprejudicefreedominteractioncommunication

Examples of concepts -- as transferable ‘big ideas’

examples...justicemigrationpatternschangesymbolsdiversityculture

harmonyconflictcyclesfairnessbalanceracismorder

24

From Big Ideas to Understandings andEssential Questions

Understandings• What specific insights will

students take away about themeaning of ‘content’ via bigideas?

• Understandings summarizethe desired insights we wantstudents to realize

• Understandings make sense offacts skills, and ideas: they tellus what our knowledgemeans; they ‘connect the dots.’

27

Essential Questions• Important questions that

recur throughout our lives

• Core ideas and inquirieswithin the discipline

• Helps students effectivelyinquire and make sense ofthe big idea(s) and requiresstudents to make decisionsabout answers

• Engages a specific anddiverse set of learners

What is the Difference?What is the Difference? (Compare Columns A and B)

Preface the statements with---Students will understand that…

1. True friendship is morelikely revealed duringdifficult times, not happytimes.

2. The interaction of heredityand experience influencebehavior.

3. Statistics and charts help toreveal patterns

4. The causes and effects of theCivil War

5. DNA

6. True friendship

7. How to tell time

8. Linear Functions

9. The Great Depression

28

List what you believe are thecommon characteristics of EU’s?

Stage 1 –Identify Desired Results

• Enduring Understanding Framed as a generalization

The Big Picture/Big Idea

Something beyond the specificcontent

The heart of the discipline

Insight into the Standards (Unpacking)

The “Aha”29

- 3-

1.Content/LearningStandards

May Give Clues toAppropriate EU’s

2. Through Your Experienceand Knowledge- You knowwhat is important tounderstand

30

►Nouns containthe Big Ideas

►Verbs containthe ideas forAssessment

Two Ways to Think AboutCreating Enduring Understandings

Then, make sureit is aligned withthe Standards

Framing Enduring Understandings

Properly Framed

The student willunderstand that…

Improperly Framed

The student willunderstand….

31

Essential Questions

• Ex. Essential questions1. To what extent does “form” derive

from function in biology?

2. How do effective writers hook andhold their readers?

3. Who wins and who loses whentechnologies change?

4. Should it be an axiom if it is notobvious?

5. What distinguishes fluent foreignersfrom native speakers?

6. How would life be different if wecouldn't measure time?

• Ex. Non-Essential questions7. How many legs does a spider

have? How does an elephant useits trunk?

8. What is “foreshadowing?” Canyou find an example?

9. What does is a definition oftechnology? (Root – techne)

10. By what axioms are we able toprove the Pythagorean theorem?

11. What are some Frenchcolloquialisms?

12. How many minutes are in an hour?Hours in a day?

34

generative: spark inquiry andraise other questions

doorway: raise importantquestions related to subject

matter.

open-ended: no“single” answer;arguable; require

reasoning

recur: can(and should)be revisited

Essential Questions...

35

The weakest questions….

• Do not provoke thought or take us deeply intothe subject.

• Ask only for a glib or superficial personalreaction or response.

• Yield only a list of initial and uncriticalresponses.

• Signal that there is a ‘right” answer.• Are irrelevant to what we really want students

to learn in the unit.

37

Samples that “work”

• What’s the best way to count this?

• What’s the smartest buy?

• What story is the graph telling?

• Is there enough information for a solution?

• What’s important here?

39

- 4-

The best skill-focused questions…

• Refer to issues and challenges in using theskill - purpose, strategy, value, limits:

When is it best to…?

How should I most effectively…?

What should I do if ….?

When is it unwise to ….?

40

It is the intent that matters, notthe wording

• Does the unit take thequestion seriously?

• Is it thoroughlyinvestigated in stage 3? Arestudents engaged inexplorations?

• Do the assessmentsdemand a considered andsynthesized response?

41

Some Tips for UsingEssential Questions

1. “less is more”--list a reasonablenumber

3. post the questions/studentsorganize notebooks around thequestions

2. edit to make them “kidfriendly”

42

Example of a “Kid Friendly” Edit:

Student-suggested revision -Why do kids sometimes act‘stupid’ when they’re in groups?

Initial teacher question -How are adolescent beliefsand actions influenced by peerpressure?

43

Misconception Alert:Essential questions are meant to

stimulate and focus inquiry.!

Beware of questions that are -

rhetorical - leading toward “the”

answer the teacher wants

simple facts or definitions

bland and uninviting; trite statements

the “duh” factor; the obvious 45 4848

Work Time – Work in Groups of 3 to 4Identify the Big Ideas in one of your units

and then write at least 2 to 3 EnduringUnderstandings & Essential Questionson the chart paper. We will then do aGallery Walk and provide feedback.

- 5-

‘Big Idea’ Understanding:

Statistical analysis and display oftenreveals patterns in data, enabling us tomake predictions with degrees ofconfidence.

Mathematics Understanding/Question

Statistics

Essential Question:

Can you predict the future? Whatwill happen next? How sure are you?

50

Social Studies QuestionsCommunities

‘Big Idea’ Understanding:

Everyone holds membership in avariety of groups.

Essential Questions:

Which groups did I join at birth? Whydo people join groups? What groups do Ibelong to? Can I leave a group?

51

Understanding:

In a free market economy, price is afunction of supply and demand.

Social Studies Understanding/Question

Economics

Essential Questions:

Why do prices go up and down so much?Why is there a big shift in gasolineprices?

52

Understanding:

Geography is an important factor in thesuccessful development of nations.

Geography Understanding/Question

Essential Questions:

Why is location so important to thedevelopment of a nation?

53

‘Big Idea’ Understanding:

Great literature from various cultures

explores enduring themes and reveals

recurrent aspects of the human condition.

English/Lang. ArtsUnderstanding/QuestionWorld Literature

Essential Question:

How can stories from other places

and times be about me?54

Understanding:

History is messy: historians can and dodisagree.

History Understanding/Question

Essential Questions:

Is my textbook always right? Why dodifferent history books say differentthings about the same events? Whatshould I believe?

55

- 6-

What words, phrases and thoughts come to mind when you hear

Knowing and Understanding?

Knowing Understanding

- 7-

The

Lun

cheo

nD

ate

Big

Ide

aEn

du

rin

gU

nd

ers

tan

din

gEs

sen

tial

Qu

esti

on

- 8-

From Moving Forward with Understanding by Design User’s Guide, Wiggins & McTigh

Understanding by Design Classroom Episode: Unit on Hamlet

Content Standards/Goals The student will comprehend, respond to, interpret, or evaluate a variety of texts of increasing levels of

difficulty. (Reading) The student will produce, analyze, or evaluate effective communication. (Writing)

Enduring Understandings In Hamlet, Shakespeare explores many issues of the human condition that are still relevant today. People respond to crisis situations in a variety of ways that reveal much about human psychology and

experience.

Essential Questions To what extent do our personal choices have consequences? How do people respond to crisis? Why study old books? Is revenge ever OK? Why or why not? To what extent do ghosts of the past haunt us?

Use the check list to evaluate the quality and levels of use of the three stages of “Understanding byDesign” in the classroom. You may consider using the following rating scale:

3 = Highly evident of effective use2 = Some evidence of effective use, but may need further development1 = Minimal evidence of effective use

Stage 1: Desired Results Stage 2: Assessment Evidence Stage 3: Learning Activities

The teaching episodeclearly reflects establishedstandards and goals.

Students are actively engagedin the assessment process andshow a clear understanding ofthe desired results they areresponsible for.

The instructor appears to useactivities to monitor anddiagnose how individualstudents are progressingrelative to desired result.

All learners are clear aboutthe “Big Ideas” of the unitor lesson.

Assessments appear to bebalanced; there is a range ofassessment evidence.

At key points in the lesson,students have opportunities toevaluate their level ofunderstanding using a varietyof modes.

Lessons and unit objectivesclearly articulate what alllearners are expected toknow and do.

Assessments focus on thetransfer of skills or keycontent. (Performance Task)

Where appropriate, theinstructor appears to tailorlearning activities toaccommodate the differentlearners.

The Essential Questionsdrive the learning.

Overall, the instructors appearto use assessment for a varietyof purposes, includingdiagnostic, formative, andsummative assessments.

Overall, the lesson reflectsstudents’ growth towardconceptual understanding,transfer, and independent useof content in authentic, real-world settings

- 9-

ENDURING UNDERSTANDINGS

64

Math = “Equivalence”Understandings about this ‘big idea’ in math:

Quantities can be converted into many equal symbolicforms: fractions - decimals; factoring and regrouping,etc.

The essence of problem solving is finding the mostuseful equivalences - i.e. turning complex into simple,unfamiliar into familiar, unknown into known.

The same mathematical ideas can be representedconcretely, graphically, or symbolically.

Context determines which is most appropriate.

Big Idea in Math Enduring Understanding

65

Examples ofEnduring Understandings for Various Grades

Laws and rules prevent chaos.

Fairy tales often illustrate profound philosophicaltruths.

The words of poetry stir up feelings and ideas inthe reader or listener.

In music the silence is as important as the notes.

Mathematics is a language consisting of symbolsand rules.

Living things grow and change, sometimes inpredictable patterns.66 67

• Available natural resources, tools andtechnologies influence the ways in whichartists express their ideas.

• Great art addresses universal themes ofhuman existence.

• Movement can be created through thecombination of one or more of the key artelements.

• Line defines shape and adds meaning. • Color creates mood.

Enduring Understandings - Arts

ESSENTIAL QUESTIONS

68

Sample Essential Questions

• Does a ‘good read’ differ from a ‘great book’?

• What’s the pattern? How can I best represent it in numbers?

• By what criteria and standards should I judge thisperformance?

• What’s the point?

• What kind of problem is this?

• What is a valid and defensible interpretation of these events?

• Why do people eat so poorly if we know so much aboutnutrition?

• What do I need to understand about the culture to understandthe language? And vice versa?

69

- 10-

Essential Questions in English

• What makes a good story great?

• How much truth is there in fiction?

• How does poetry reflect the world differentlythan stories, novels and reports?

• What makes someone a hero? Can anyone bea hero?

• How do I read between the lines?

• What do good readers do?

70

Essential Questions: Speaking & Listening

•When should I talk? When should I listen?

•In case of misunderstanding, how can I tell when it’sme and when it’s not? What can I do to fix theproblem?

•Have I understood? How do I know?

•What should I do when I don’t understandthe speaker?

•What do the best speakers do?

•How does the audience affect the way I should speak?

•Have I been clear? Effective? How do I know? Howshould I fix it?

71

Essential Questions in Social Studies

• What is a just war?• Whose stories are told? Whose stories are not told?

Why? How do we know what to believe?• Why does someone in an American history class

have to think about global issues?• How can diversity be strength?• Can social problems ever be corrected?• What does it mean to be a good citizen?• What responsibilities do we have to others in the

world?• What causes conflict? Why do people abuse their

power over others?72

Essential Questions in World Language

• Why study another culture? Why learnanother language?

• How will knowledge of word choice, syntax,intonation and physical expression help me tounderstand another language?

• How will grammatical patterns help me withlanguage acquisition?

• What can I do when I do not have the words to saywhat I am thinking?

• Why isn’t a dictionary enough to learn a language?• To what extent is formal and proper usage

necessary to communicate effectively?73

74

Essential Questions - ArtsWhat is art? What is the difference, if any, between artand craft?Where can we find art?Why create art?How does art communicate?How does art reflect as well as shape culture?In what ways do artists influence society? In what waysdoes society influence artists?What makes art “great”?How/where do artists get their ideas?How do artists best use tools and techniques to expressideas?Are some media better than others… (for communicatingparticular ideas, emotions to particular audiences)?

Essential Questions in Math

• Which rules apply here? What changes if this rulechanges? What strategy should I use this time?

• What story does this graph (data) tell?• How accurate (precise) is it? How precise is precise

enough? How sure are you?• To what extent is this a “new thing” or an “old thing”

in disguise?• When is the “correct” answer not the best solution?• What are real numbers?• How are these connected?

75

- 11-

Essential Questions in Science

• What is gravity, really?

• How can weather help us? How does weather causedestruction?

• How do organisms survive in harsh or changingenvironments?

• How would the universe be different if one or more of thelaws of motion were suspended?

• How do we know that things have energy?

• How does what we measure influence how we measure?

76

Essential Questions in Health/Phys Ed

• How does the media influence our perceptionsof self?

• Why exercise?

• What is wellness?

• What are common practices for attacking ordefending “space?”

77

Twelve questions for today’s science:1. Does Science Matter?2. Is War Our Biological Destiny?3. Could We Live Forever?4. Are Men Necessary? ... Are Women Necessary?5. Why Do We Sleep?6. How Did Life Begin?7. What Is the Most Important Problem in Math Today?8. Where Are Those Aliens?9. Can Robots Become Conscious?10.Can Science Prove the Existence of God?11.Is Evolution Truly Random?12. Do Paranormal Phenomena Exist?

From the New York Times...

78

Essential Questionsfrom the “leading edge”

www.edge.org

79

“What do collapses of past societiesteach us about our own future?”

From the leading edge...

Jared Diamond, Biologist, UCLA Medical SchoolAuthor of The Third Chimpanzee andGuns, Germs, and Steel

80

“Why is music such a pleasure?”Nicholas Humphrey, Psychologist, New School for Social Research

Author of Consciousness Regained and A History of the Mind

“What goes on in the head of a baby?”Freeman Dyson, Physicist, Institute for Advanced Study

Author of Disturbing the Universe and From Eros to Gaia

Questions about questions:

“What questions were once popular but havenow been answered?”“What questions should never have beenasked in the first place?”“What questions have disappeared althoughthey never received a satisfactory answer?”

From the leading edge...

Richard Dawkins, Evolutionary

Biologist, Oxford University

81

- 12-

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- 13-

UbD

in

a N

utsh

ell

Stag

e �:

Des

ired

Res

ults

Stag

e 2:

Ass

essm

ent

Evid

ence

Stag

e 3:

Lea

rnin

g Pl

an

UbD

is a

way

of

thin

king

pur

pose

fully

abo

ut c

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r pl

an-

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and

sch

ool r

efor

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tool

s, a

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gn s

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not

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gid

prog

ram

or

reci

pe.

The

end

goal

of

UbD

is s

tude

nt u

nder

stan

ding

and

the

abi

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to t

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fer

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to e

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ake

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to

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• • • • •

Wha

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By w

hat

crit

eria

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be a

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• • •

Wha

t ac

tivi

ties

, ex

peri

ence

s, a

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ns w

ill

lead

to

achi

evem

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of t

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ss a

t th

e as

sess

men

ts?

How

wil

l th

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it b

lend

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met

hods

of

Acq

uist

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M

eani

ng M

akin

g, a

nd T

rans

fer?

• •

- 14-

2

UbD

in

a N

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Stag

e �:

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ired

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ults

An “

unde

rsta

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is t

he “

mor

al o

f th

e st

ory”

of

the

unit

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n im

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infe

renc

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THAT

...”

• • • • • •

A qu

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it –

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can

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y)

rais

es o

ther

impo

rtan

t qu

esti

ons:

if

the

que

stio

n it

self

can

be

frui

t-fu

lly q

uest

ione

d

natu

rally

ari

ses

in e

very

day

life,

an

d/or

in “

doin

g” t

he s

ubje

ct

cons

tant

ly a

nd a

ppro

pria

tely

re

curs

; it

can

use

fully

be

aske

d an

d re

-ask

ed o

ver

tim

e, a

nd a

rise

s an

ew f

rom

fur

ther

lear

ning

• • • • • A tr

ansf

er g

oal –

stat

es w

hat

stud

ents

sho

uld

be

able

to

do w

ith

know

ledg

e an

d sk

ill,

on t

heir

ow

n, in

gen

eral

te

rms,

in t

he lo

ng r

un.

fram

es c

onte

nt s

tand

ards

as

per-

form

ance

sta

ndar

ds

answ

ers

the

“Why

?” a

nd “

Wha

t ca

n yo

u do

wit

h th

is?”

que

stio

ns

• • •

Know

ledg

e &

Ski

ll –

stat

es w

hat

stud

ents

sho

uld

know

an

d be

abl

e to

do

as a

res

ult

of

the

unit

.

reflec

ts b

oth

the

targ

eted

kno

wl-

edge

and

ski

ll an

d th

e en

ablin

g kn

owle

dge

and

skill

impl

ied

in t

he

unde

rsta

ndin

g-re

late

d go

als.

• •

STA

GE

A ke

y fo

cus

in S

TAG

E 1

is “

big

idea

s” -

mak

ing

sure

tha

t le

arni

ng g

oals

are

fra

med

in t

erm

s of

the

impo

rtan

t co

ncep

ts,

issu

es,

them

es,

stra

tegi

es e

tc.

that

are

at

the

hear

t of

lear

ning

for

und

erst

andi

ng.

Rese

arch

on

lear

ning

has

con

clus

ivel

y sh

own

that

st

uden

ts n

eed

to s

ee ‘

the

Big

Pict

ure’

if t

hey

are

to b

e ab

le t

o m

ake

sens

e of

the

ir le

sson

s; a

nd,

espe

cial

ly,

tran

sfer

the

ir le

arni

ng t

o ne

w le

sson

s, n

ew is

sues

and

pr

oble

ms,

and

rea

l-w

orld

sit

uati

ons.

A fo

cus

on u

nder

stan

ding

mea

ns t

hat

we

mus

t be

m

indf

ul o

f po

tent

ial s

tude

nt m

isun

ders

tand

ings

and

ty

pica

l tra

nsfe

r de

ficit

s. In

oth

er w

ords

, es

tabl

ishi

ng

appr

opri

ate

goal

s m

eans

als

o pr

edic

ting

the

tro

uble

sp

ots

that

are

like

ly t

o ar

ise

in t

each

ing

and

asse

ssin

g.

A lo

ng in

disc

rim

inat

e lis

t of

goa

ls is

not

a s

et o

f de

sign

pr

iori

ties

. Id

enti

fy o

nly

thos

e St

anda

rds,

kno

wle

dge,

sk

ills,

und

erst

andi

ngs,

and

que

stio

ns t

hat

you

plan

to

asse

ss in

STA

GE

2 an

d te

ach

to in

STA

GE

3.

It is

impo

rtan

t to

mak

e ex

plic

it t

rans

fer

goal

s at

the

he

art

of t

he u

nit,

eve

n if

suc

h a

goal

is n

ot e

xplic

it in

th

e st

ate

stan

dard

s pl

aced

in t

he G

OAL

S bo

x of

the

Te

mpl

ate.

“Tr

ansf

er”

refe

rs t

o th

e ul

tim

ate

desi

red

acco

mpl

ishm

ent:

wha

t, in

the

end

, sh

ould

stu

dent

s be

abl

e to

do

wit

h al

l thi

s ‘c

onte

nt’,

on

thei

r ow

n,

beyo

nd y

our

clas

sroo

m,

if t

his

and

othe

r re

late

d un

its

are

succ

essf

ul?

1. 2. 3. 4. 5.

UbD

WKB

K =

UbD

Pro

fess

iona

l D

evel

opm

ent

Wor

kboo

kU

bD b

ook

= 2n

d ed

. of

Und

erst

andi

ng b

y D

esig

n

UbD

WKB

K =

pp.8

8 -

106

UbD

boo

k =

Ch 5

, pp

. 10

5 -

125

UbD

WKB

K =

pp.1

07 -

118

UbD

boo

k =

Ch 6

, pp

. 12

6 -

145

UbD

boo

k =

pp.

39 -

43;

78

- 81

UbD

WKB

K =

pp.1

19 -

125

- 15-

3

UbD

in

a N

utsh

ell

Stag

e 2:

Ass

essm

ent

Evid

ence

Oth

er E

vide

nce

is n

on-p

erfo

rman

ce-b

ased

evi

denc

e co

llect

ed t

o as

sess

va

riou

s D

esir

ed R

esul

ts o

f St

age

1.

is t

he p

lace

to

iden

tify

con

vent

iona

l tes

ts,

quiz

zes,

and

as

sign

men

ts t

hat

roun

d ou

t th

e as

sess

men

t pi

ctur

e of

St

age

1.

can

over

lap

the

perf

orm

ance

-bas

ed e

vide

nce,

the

reby

in

crea

sing

the

rel

iabi

lity

of t

he o

vera

ll as

sess

men

t (e

s-pe

cial

ly if

the

per

form

ance

tas

k w

as d

one

as a

gro

up)

• • •Perf

orm

ance

Tas

k(s)

:

prov

ide

evid

ence

of

unde

rsta

ndin

g be

caus

e w

e ha

ve t

o se

e if

the

lear

ners

can

app

ly a

nd a

dapt

the

ir le

arni

ng t

o va

riou

s pr

oble

ms,

sit

uati

ons,

and

con

text

s.

shou

ld b

e as

fai

thfu

l as

poss

ible

to

real

-wor

ld c

onte

xts,

de

man

ds,

mes

sine

ss,

audi

ence

s, a

nd p

urpo

ses

shou

ld b

e w

ritt

en in

the

GRA

SPS

form

at t

o m

ake

asse

ss-

men

t ta

sks

mor

e au

then

tic

and

enga

ging

mus

t be

ass

esse

d us

ing

valid

cri

teri

a an

d in

dica

tors

, re

flec

tive

of

not

only

qua

lity

perf

orm

ance

but

rel

ated

to

the

Des

ired

Res

ults

of

Stag

e 1.

reflec

t th

e 6

Face

ts o

f un

ders

tand

ing:

exp

lana

tion

, in

terp

reta

tion

, ap

plic

atio

n, p

ersp

ecti

ve,

empa

thy,

and

se

lf-u

nder

stan

ding

• • • • •

STA

GE

2

The

focu

s in

STA

GE

2 is

“va

lid e

vide

nce”

- m

akin

g su

re t

hat

wha

t w

e as

sess

an

d ho

w w

e as

sess

fol

low

s lo

gica

lly f

rom

the

STA

GE

1 go

als.

Asse

ssin

g fo

r un

ders

tand

ing

requ

ires

evi

denc

e of

the

stu

dent

’s a

bilit

y to

in

sigh

tful

ly e

xpla

in o

r in

terp

ret

thei

r le

arni

ng -

to

“sho

w t

heir

wor

k” a

nd t

o “j

usti

fy”

or “

supp

ort”

the

ir p

erfo

rman

ce/p

rodu

ct w

ith

com

men

tary

.

Asse

ssin

g fo

r un

ders

tand

ing

also

req

uire

s ev

iden

ce o

f th

e st

uden

t’s

abili

ty

to a

pply

the

ir le

arni

ng in

new

, va

ried

, an

d re

alis

tic

situ

atio

ns -

“do

ing”

the

su

bjec

t in

a s

itua

tion

(tr

ansf

er)

as o

ppos

ed t

o m

erel

y an

swer

ing

pat

ques

tion

s ou

t of

con

text

.

The

6 Fa

cets

of

Und

erst

andi

ng p

rovi

de a

hel

pful

fra

mew

ork

for

build

ing

appr

opri

ate

asse

ssm

ent

task

s:

Expl

ain:

the

stu

dent

gen

eral

izes

, m

akes

con

nect

ions

, ha

s a

soun

d th

eory

Inte

rpre

t: t

he s

tude

nt o

ffer

s a

plau

sibl

e an

d su

ppor

ted

acco

unt

of t

ext,

dat

a,

expe

rien

ce

Appl

y: t

he s

tude

nt c

an t

rans

fer,

ada

pt,

adju

st,

addr

ess

nove

l pro

blem

s

Pers

pect

ive:

the

stu

dent

can

see

fro

m d

iffe

rent

poi

nts

of v

iew

Empa

thy:

the

stu

dent

can

wal

k in

the

sho

es o

f pe

ople

/cha

ract

ers

Self

-und

erst

andi

ng:

the

stud

ent

can

self

-ass

ess,

see

the

lim

its

of t

heir

un

ders

tand

ing

GRA

SPS

is a

n ac

rony

m t

o he

lp d

esig

ners

con

stru

ct a

uthe

ntic

sce

nari

os f

or

perf

orm

ance

tas

ks:

Goa

l: t

he g

oal o

r ch

alle

nge

stat

emen

t in

the

sce

nari

o

Role

: th

e ro

le t

he s

tude

nt p

lays

in t

he s

cena

rio

Audi

ence

: th

e au

dien

ce/c

lient

tha

t th

e st

uden

t m

ust

be c

once

rned

wit

h in

doi

ng

the

task

Situ

atio

n: t

he p

arti

cula

r se

ttin

g/co

ntex

t an

d it

s co

nstr

aint

s an

d op

port

unit

ies

Perf

orm

ance

: th

e sp

ecifi

c pe

rfor

man

ce o

r pr

oduc

t ex

pect

ed

Stan

dard

s: t

he s

tand

ards

/cri

teri

a by

whi

ch t

he w

ork

will

be

judg

ed

1. 2. 3. 4.

• • • • • •

5.

• • • • • •

UbD

WKB

K =

pp.1

59 -

179

; G

RASP

S pp

. 17

0 -

172

UbD

boo

k =

pp.

146

- 17

1

UbD

WKB

K =

pp.1

42 -

154

- 16-

UbD

in

a N

utsh

ell

Stag

e 3:

Lea

rnin

g Pl

an

The

lear

ning

act

ivit

ies

shou

ld b

e de

rive

d fr

om t

he g

oals

of

Stag

e 1

and

the

asse

ssm

ents

of

Stag

e 2

to e

nsur

e th

e al

ign-

men

t of

the

pla

n an

d th

e ef

fect

iven

ess

of t

he

acti

viti

es.

shou

ld r

eflec

t a

bala

nce

of t

he g

oals

and

met

hods

of

Acq

uisi

tion

, M

eani

ng M

akin

g, a

nd T

rans

fer

can

be h

elpf

ully

tho

ught

thr

ough

in t

erm

s of

W

HER

ETO

:W

here

is t

he u

nit

head

ed?

Hoo

k th

e le

arne

r w

ith

enga

ging

wor

kEq

uip

for

unde

rsta

ndin

g, e

xper

ienc

e an

d ex

plor

e th

e bi

g id

eas

Reth

ink

opin

ions

, re

vise

idea

s an

d w

ork

Eval

uate

you

r w

ork

and

adju

st a

s ne

eded

Tailo

r th

e w

ork

to r

eflec

t in

divi

dual

nee

ds,

inte

rest

s, s

tyle

sO

rgan

ize

the

wor

k flow

to

max

imiz

e in

-de

pth

unde

rsta

ndin

g an

d su

cces

s at

the

su

mm

ativ

e ta

sks

shou

ld r

eflec

t th

e te

achi

ng a

ppro

ach

that

is lo

gi-

cally

req

uire

d by

the

goa

ls,

not

the

teac

hing

ap-

proa

ch t

hat

is m

ost

com

fort

able

for

or

fam

iliar

to

the

teac

her.

• • •

‡ ‡ ‡ ‡ ‡ ‡ ‡

STA

GE

3

The

focu

s in

STA

GE

3 is

“al

igne

d” le

arni

ng a

ctiv

itie

s -

mak

ing

sure

tha

t w

hat

you

teac

h an

d ho

w y

ou t

each

fol

low

s lo

gica

lly

from

the

STA

GE

1 go

als

(ins

tead

of

from

hab

it).

Teac

hing

for

und

erst

andi

ng r

equi

res

that

stu

dent

s be

giv

en

num

erou

s ca

refu

lly-d

esig

ned

oppo

rtun

itie

s to

dra

w in

fere

nces

an

d m

ake

gene

raliz

atio

ns t

hem

selv

es.

Und

erst

andi

ngs

cann

ot b

e ha

nded

ove

r; t

hey

have

to

be r

ealiz

ed b

y th

e le

arne

r.

WH

ERET

O is

an

acro

nym

for

con

side

ring

and

sel

f-as

sess

ing

the

key

elem

ents

and

logi

c of

a le

arni

ng p

lan:

Whe

re:

ensu

ring

tha

t th

e st

uden

t se

es t

he b

ig p

ictu

re,

has

answ

ers

to t

he W

hy?

ques

tion

s, a

nd k

now

s th

e fin

al p

erfo

rman

ce d

eman

ds a

s so

on a

s po

ssib

le

Hoo

k: g

etti

ng t

he s

tude

nt in

tere

sted

imm

edia

tely

in t

he id

ea a

nd

issu

es o

f th

e un

it,

enga

ging

the

stu

dent

in t

houg

ht-p

rovo

king

ex

peri

ence

s/ch

alle

nges

/que

stio

ns a

t th

e he

art

of t

he u

nit

Equi

p &

Exp

erie

nce:

pro

vidi

ng t

he s

tude

nt w

ith

the

tool

s, r

esou

rces

, sk

ill,

and

info

rmat

ion

need

ed t

o ac

hiev

e th

e de

sire

d un

ders

tand

ing;

ex

peri

enci

ng t

he b

ig id

eas

as r

eal,

impo

rtan

t

Reth

ink:

tak

ing

the

unit

dee

per

by s

hift

ing

pers

pect

ive,

con

side

ring

di

ffer

ent

theo

ries

, ch

alle

ngin

g pr

ior

assu

mpt

ions

, in

trod

ucin

g ne

w e

vide

nce

and

idea

s, e

tc.

Also

: pr

ovid

ing

the

impe

tus

for

and

oppo

rtun

ity

to r

evis

e pr

ior

wor

k, t

o po

lish

it

Eval

uate

: en

suri

ng t

hat

stud

ents

get

dia

gnos

tic

and

form

ativ

e fe

edba

ck,

and

oppo

rtun

itie

s to

sel

f-as

sess

and

sel

f-ad

just

Tailo

r: P

erso

naliz

e th

e le

arni

ng t

hrou

gh d

iffe

rent

iate

d as

sign

men

ts

and

asse

ssm

ents

, as

app

ropr

iate

, w

itho

ut s

acri

ficin

g ri

gor/

valid

ity

Org

aniz

e: S

eque

nce

the

wor

k to

sui

t th

e un

ders

tand

ing

goal

s (t

hus,

of

ten

ques

tion

ing

the

flow

pro

vide

d by

the

tex

tboo

k, w

hich

is

typi

cally

org

aniz

ed a

roun

d di

scre

te t

opic

s)

1. 2. 3.

• • • • • • •

UbD

WKB

K =

pp.2

12 -

237

; W

HER

ETO

pp.

214

- 2

26U

bD b

ook

= Ch

apte

rs 9

& 1

0; W

HER

ETO

pp.

197

- 2

22

- 17-


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