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Sonata No. 10 In G Major Op. 14, No. 2 Ludwig van Beethoven
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Sonata No. 10 In G MajorOp. 14, No. 2
Ludwig van Beethoven
Exposition
Theme IFrom measure 1 to measure 25
0:00- 0:40
Contains a phrase followed by a sentence
Phrase: measures 1- downbeat of measure 8
(In tonic and ends in a Perfect Authentic Cadence)
0:00- 0:11
Exposition
Theme IContinuing to measure 25
0:11- 0:40
Contains a sentence
Sentence: measures 8- 25
(In dominant till measure 18, then goes into V/V till measure 25)
0:11- 0:28- 0:40
Exposition
Theme IIFrom measure 26 to measure 47
0:40- 1:14
Contains a parallel period and a sentence
Parallel period I: measures 26-29
(In the dominant key and ends on V/V in measure 29)
0:40- 0:46
Exposition
Theme IIContinuing to measure 47
0:46- 1:14
Contains the second phrase parallel to the first and a sentence
Parallel period II: measures 30- downbeat of measure 33
(In V/V and ends in a V chord in measure 33)
0:46- 0:52
Exposition
Theme IIContinuing to measure 47
0:52-1:14
Contains a sentence
Sentence: measures 33- the downbeat of measure 47
(In V/V until measure 37, then in V until measures 41-42 where it returns briefly to tonic then returns to dominant in measures 43-47 ending on a V
chord)
0:52- 1:05- 1:08- 1:14
Exposition
Closing ThemeMeasures 48-63
1:14- 1:43
Contains new thematic material in the bass line
Closing theme: Measures 48-63
(In dominant throughout ending on a half cadence)
1:14- 1:43
Repeat of exposition
Exposition
Theme IFrom measure 1 to measure 25
1:45- 2:27
Contains a phrase followed by a sentence
Phrase: measures 1- downbeat of measure 8
(In tonic and ends in a Perfect Authentic Cadence)
1:45- 1:57
Exposition
Theme IContinuing to measure 25
1:57- 2:27
Contains a sentence
Sentence: measures 8- 25
(In dominant till measure 18, then goes into V/V till measure 25)
1:57- 2:13- 2:27
Exposition
Theme IIFrom measure 26 to measure 47
2:27- 3:00
Contains a parallel period and a sentence
Parallel period I: measures 26-29
(In the dominant key and ends on V/V in measure 29)
2:27- 2:32
Exposition
Theme IIContinuing to measure 47
2:32- 3:00
Contains the second phrase parallel to the first and a sentence
Parallel period II: measures 30- downbeat of measure 33
(In V/V and ends in a V chord in measure 33)
2:32- 2:37
Exposition
Theme IIContinuing to measure 47
2:37- 3:00
Contains a sentence
Sentence: measures 33- the downbeat of measure 47
(In V/V until measure 37, then in V until measures 41-42 where it returns briefly to tonic then returns to dominant in measures 43-47 ending on a V
chord)
2:37- 2:47- 2:52- 3:00
Exposition
Closing ThemeMeasures 48-63
3:00- 3:29
Contains new thematic material in the bass line
Closing theme: Measures 48-63
(In dominant throughout ending on a half cadence)
3:00- 3:29
Development
Theme I returnsMeasure 63
3:30
G harmonic minor
Development
Theme II returns
Measure 74
3:48
G minor
Development
Theme I Returns
Measure 81
4:01
Theme is in the bass line
Development
Theme I Returns
Measure 86
4:08
Theme is in bass line
Development
Theme I returns
Measure 98
4:28
Theme returns in treble in Eb Major
Development
Second part of theme II returns
Measure 107
4:41
Theme of running 32nd notes comes back
Development
Theme I returns
Measure 115
4:56
Simplified version of the opening statement returns and brings the development section to a close
Recapitulation
Restatement of Theme IMeasures 124- 152
5:13- 6:00
Contains a phrase and a sentence
Phrase: Measures 124-132
(in tonic and ends in a Perfect Authentic Cadence)
5:13- 5:25
Recapitulation
Restatement of theme IContinuing to measure 153
5:25- 6:00
Contains a sentence
Sentence: measures 132-153
(in dominant and ends on V)
5:25- 6:00
Recapitulation
Restatement of theme IIMeasures 153- 174
6:00- 6:34
Contains a parallel period and a sentence
Parallel period: measures 153-160
(the first phrase is in tonic and the second phrase is in dominant and ends on a Perfect Authentic Cadence)
6:00- 6:06- 6:11
Recapitulation
Restatement of theme IIContinuing to measure 174
6:11- 6:34
Contains a sentence
Sentence: measures 160- 174
(primarily in tonic ends on major tonic)
6:11- 6:34
Recapitulation
Restatement of closing themeMeasures 174- 187
6:34-6:58
Contains melodic material in the bass line
Closing theme: measures 174-187
(restates the closing theme except in tonic and ends on a Perfect Authentic Cadence)
6:34- 6:58
Recapitulation
Quasi-return of theme IMeasures 187- 200
6:58- 7:23
Contains a sentence
Sentence: measures 187- end
(in tonic until measure 196 where it starts hinting at a cadence with I-V-I-V then it goes to V7 getting you ready to return to tonic for a settling end
then doesn’t and ends on iii instead)
6:58- end
