Inkjar Publishing Company www.garrop.com • mail@garrop.com

Sonnets of Love and Chaos

For SATB (div.) chorus

Stacy Garrop

 

 

Sonnet Texts

I. What lips my lips have kissed, and where, and why What lips my lips have kissed, and where, and why, I have forgotten, and what arms have lain Under my head till morning; but the rain Is full of ghosts tonight, that tap and sigh Upon the glass and listen for reply, And in my heart there stirs a quiet pain For unremembered lads that not again Will turn to me at midnight with a cry. Thus in the winter stands the lonely tree, Nor knows what birds have vanished one by one, Yet knows its boughs more silent than before: I cannot say what loves have come and gone, I only know that summer sang in me A little while, that in me sings no more. “What lips my lips have kissed” Copyright 1923, 1951 by Edna St. Vincent Millay and Norma Millay Ellis. All rights reserved. Text used by permission of Elizabeth Barnett, literary executor. II. I will put Chaos into fourteen lines I will put Chaos into fourteen lines And keep him there; and let him thence escape If he be lucky; let him twist, and ape Flood, fire, and demon --- his adroit designs Will strain to nothing in the strict confines Of this sweet order, where, in pious rape, I hold his essence and amorphous shape, Till he with Order mingles and combines. Past are the hours, the years of our duress, His arrogance, our awful servitude: I have him. He is nothing more nor less Than something simple not yet understood; I shall not even force him to confess; Or answer. I will only make him good. “I will put Chaos into fourteen lines” Copyright © Norma Millay Ellis. All rights reserved. Text used by permission of Elizabeth Barnett, literary executor.

 

 

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Soprano

Alto

Tenor

Bass

Piano(rehearsal

only)

!

œ œ# œ œOoo

!

˙ œOoo

œ œ# œ œ˙ œ

slide

q»!¢ Calm, reflectiveCon rubato

"slide

"

"

!

œ œ# œ œb œ!

œ ˙#

œ œ# œ œb œœ ˙#

p

p

!

œ œ ‰ jœ œ œb œb œOoo

!

œ œ Œ œOoo

œ œ ‰ jœ œ œb œb œœ œ Œ œ

p

!

œn œb œ œ œ!

.œ jœ œ

œn œb œ œ œ.œ jœ œ

I. What lips my lips have kissed, and where, and why

Sonnets of Love and Chaos

Sonnets byEdna St. Vincent Millay Stacy Garrop

Music © 2001 Stacy Garrop • All Rights Reserved. • Inkjar Publishing Company • www.garrop.com“What lips my lips have kissed” © 1923, 1951 by Edna St. Vincent Millay and Norma Millay Ellis.

“I will put Chaos into fourteen lines” © Norma Millay Ellis.All Rights Reserved. Text used by permission of Elizabeth Barnett, literary executor.

March/April 2001

Commissioned by the Dale Warland Singers with major funding provided by the Jerome Foundation with additional support from the Alice M. Ditson Fund of Columbia University.

Duration: 8 minutes

 

 

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˙ œŒ Œ œ

What

.˙

˙ œ.˙

p

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.œb jœ œ œlips my lips have

.œ Jœb œ œlips my lips have

˙ Œ

..œœb jœœ œ œœ˙ Œ

"

‰ jœ .œ œb œb œb œb œ œOoo

˙ Ókissed,

˙# Ókissed,

‰ Jœ .œ œb œb œb œb œ œOoo

‰ jœ .œ œb œb œb œb œ œ˙b‰ Jœ .œ œb œb œb œb œ œ

pslide

pslide

" p

œn ‰ jœ œ œb œ œ(Hum)

‰ jœ ˙# œ œnand where, and

Œ ‰ Jœ ˙Nand where,

œn ‰ Jœ œ œ œ œ(Hum)

œn œ œ# œ .œn jœœn ‰ J

œœ œœ œœb œœ œœ

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œ ˙ 

œb œ œ .œb œwhy, I have for -

‰ Jœ ˙b  and why,

œ ˙ 

œb œ œb œb .œb œbœœ ˙

(stagger breathing)poco

P

poco

Œ ‰ jœ œ œb œb œOoo

œb œ ˙got - ten

.˙

Œ ‰ Jœ œ œb œb œOoo

Œ ‰ jœ œ œb œb œœb œ ˙Œ ‰ Jœ œ œb œb œ

p

p

p

.œb œ œb œb œŒ Œ ‰ œb œ

and what

Œ Œ ‰ œ œand what.œb œ œb œb œ

.œb œ œb œb œ œœb œœ

.œb œ œb œb œ

poco

p

p

poco

poco p

‰ jœ .œ JœbAh

.œ jœn œbarms have lain

.œ Jœ œbarms have lain

‰ Jœ .œ jœbAh

œ œ œ œœn œœbb œb‰ Jœ .œ jœb

4

What

 

 

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13 ˙b Œ œœbbAh

‰ jœ 3œ œ# œ# .œ Jœun - der my head till

‰ Jœ3

œ œ œ .œn Jœun - der my head till

˙b Œ œœ##Ah

˙b œœ## œœ‰ Jœœ3

œœ œœ# œœ# œœ˙b Œ œœ##

Div.

P

P

P

Div.P

P

..œœnnjœœ œœ œœ## œœ

œ# ˙ Œmorn - ing;

œ ˙# Œmorn - ing;

..œœ Jœœ œœ œœ œœ

œœœ# œœ# œœ œœ œœ## œœ..œœ J

œœ œœ œœ œœ

F

F

F

F

F poco

˙ Œ ‰ œ œ#but the

˙

˙ ˙Ah

!˙ ˙˙ Ó

‰ œ œ#˙ Ó˙ ˙˙ ˙˙ Ó

P pTutti

P p

P p

p

.œ jœ œ# œrain is full of

!

‰ jœ# œ œ œ œOoo

!

.œ jœ œ# œ‰ Jœ# œ œ œ œ

"

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.œ- jœ œghosts to - night,

!

.œ# Jœ œn 

‰ jœ# .œ œ œ#Ooo Ooo

..œœ# jœ œœn‰ jœ# .œ œ œ#

P

"Tutti slide

P

‰ jœ .œ Jœbthat tap and

Œ ‰ jœ œthat tap

Œ ‰ Jœ œbthat tap

.˙

‰ jœ œ œœ œœb œb.˙

PTutti

p

p

.œ Jœb .œb œsigh up - on the

œ œ œ œand sigh

œ œb ˙band sigh

˙ Jœ ‰

œ œœb œœb œb .œb œ.˙

slide

œb ‰ Jœ3œ jœ œ œ œ

glass and lis - ten for re -

.œ ‰ Ó 

.œ ‰ œb œ œ  Ah

œ œ œb œAh

œœb ‰ Jœb 3œ jœ œ œ œœ œ œœbb œ œ

F

P

P

P

poco

5

 

 

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˙ Œply,

Œ Œ ‰ jœWhat

.˙

˙ Œ

œ Œ ‰ jœ.œ Œ Œ

P

"

p

p

p

!

.œb jœ .œ œblips my lips have

‰ Jœ œ œ .œ œWhat lips my lips have

!

.œb jœ .œ œb‰ Jœ œ œ .œ œ

( )

"

!

œ ‰ jœ œb œbkissed, and where, and

œb ‰ jœb œb œnkissed, and where, and

!

œ ‰ jœ œb œ#œb ‰ Jœ# œ# œ

poco

poco

poco

œ œ# œ# œOh

˙n Œwhy.

Jœn ‰ œ# œ# œwhy. Oh

!

œœ œ# œ# œœn œ# œ# œsub.

slidep

slidep

P

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25 œ œb œ œ œ 

!

.œ jœ# œ 

Œ ˙Oh

œ œb œ œ œ.œ jœ# œŒ ˙

F

F

F

F

œ œb Œ Ó

Œ œb œb œ œ œOh

.œ ‰ œ œ œOh

˙ ˙

œ œb œ œb œ œ œ˙ œ œ œ˙ ˙

F!

œ# œ œn œ œn

.œ ‰ œOh

‰ jœ œ œOh

œ# œ œ œ œn.œ ‰ œ

œ œ œ œ

!

œ œ ˙œ ‰ œ œ œ  Oh

œ ‰ œ œ œ  Oh

œ œ ˙œœ ‰ œœ œœ œœ

Accel.

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‰ jœ .œb œAnd in my

!œ Œ

œ Œ

‰ jœ .œb œœœ Œ

( )

q»§£ §§ Passionate

F

f

œ ‰ Jœb œb - " œ œb œheart there stirs a qui - et

œ œ œb œbIn my heart there

3œ œ œb œ œb œ œb ‰ JœbIn my heart there

.œ jœ œ , œb œbIn my heart there

œœ œ œb œœbb " œ œœbb œœb3œ œ œb œ œb œ œb Œ

.œ Jœœ œb œb

P

P

P

P

œ Œ ‰ œb œpain for

.œb - œb œ œ œstirs a qui - et pain

œ- ‰ Jœb œb œstirs there stirs a

œ- .œ jœstirs a

...œœœb œb œ œœb œœb œœb œœ .œ jœ

f F

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F

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32 .œb œb œ œb œb œbun - re - mem-bered lads

‰ jœ .œb œb œ œ œfor un - re - mem-bered

3œb œb œb ‰ jœ œqui - et pain for lads

œb ‰ jœ œpain for lads

œb œ œb œb œb œœb œœb œ œ3œb œb œb ‰œb ‰ J

œœ œœ

P

P

P

P

œ œb œb " œb .œn ,Jœ

that not a -gain will

.œb jœ œ " œ œlads that not a -gain

œb Jœb ‰ œ œthat not a - gain

œb jœb ‰ œ œthat not a - gain

œb œb ..œœb œ œœn " œ œ œœœbb œœbb œœœ

œœ( )

.œ œ .œ œb œ œ ‰ œ œturn to me at mid-night with a

.œ œ œ œb œb œturn to me at mid - night

œb œ œ œ œ œturn to me at mid-night

˙ ,œ œturn with a

...œœœb œœ ...œœœ œœbb œœœb œœ œœ œœ œ

˙ œ œ

f

F

F

F

F

7

 

 

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Soprano

Alto

Tenor

Bass

Piano(rehearsal only)

~~~~~~~~~~~~~~~~~~~~~~~

~~~~~~~~~~

~~~~~~~~~~~~~~

~~~~~~~~~~~~~~

~~~~~~~~~~~

~~~~~~~~~~~~

~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~

œ> œbI will

Ó œ> œI will

!

!

œ!

( )

Chaoticq»¡º•

ƒ

ƒœ œn> Œ"I will

œ œb> Œ"I will

!

!

!!

œ œI I

œ œI I

!

!

!!

ƒ

ƒœ œb >I will

œ œ>I will

Ó >I

Ó >I

Ó >Ó >

f

f

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~~~~~~~~

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5 œ œb œ> œ I will put put put put put

œ œ œ> œ I will put put put put put

˙˙> ˙˙˙# >will put

˙˙> ˙˙˙# >will put

˙> ˙˙˙# >˙˙> ˙˙˙# >

‹> .‹ ‹> .‹Cha - os Cha - os

‹> .‹ ‹>

.‹Cha - os - Cha-os

˙˙˙# > ˙˙˙b#Cha - - - os

˙˙˙# > ˙˙˙b#Cha - - - os

˙˙˙# > ˙˙˙b#˙˙˙# > ˙˙˙b#

Ó"

Ó"

˙˙˙ Ó"

˙˙˙ Ó"

˙˙˙Ó

˙˙˙b Ó

ƒ

ƒ

ƒ

ƒ

Œ ‹ ‹ ‹I I I

Œ ‹ ‹ ‹I I I

.˙# œ#in - - - to

.˙# œ#in - - - to

.˙# œ#

.˙# œ#

f

f

Tuttif

Tuttif

11II. I will put Chaos into fourteen lines

Sopranos & Altos: Repeat each gesture as fast as possible.Move at your own speed (this should NOT be unified - the more chaotic, the better).

S&A:Follow line contour.

Sopranos: sing/speak random high notes.Altos: sing/speak random low notes.

S&A: Speak/shoutrandom notes - coveryour entire range.

Div.

Div.

 

 

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~~~~~~~~~~~~~

~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

9 ‹ ‹> ‹ ‹>I will I will

‹ ‹> ‹ ‹>I will I will

˙˙# ˙˙˙#four - teen

˙˙# ˙˙˙#four - teen

˙˙# ˙˙˙#n˙˙# ˙˙˙#

‹ � kee kee kee

‹ � kee kee kee

œœœ# > Œ Œ œœœlines and

œœœ# > Œ Œ œœœlines and

œœœ# >Œ Œ œœœ

œœœ# > Œ Œ œœœ

3

‹> ‹> ‹> ŒU Ókeep him there;

3

‹> ‹> ‹> ŒU Ókeep him there;

3

œœn> œœ> œœ> ŒU Ókeep him there;

3

œœn> ‰ œ> .Ukeep and

3œ>> œ> œ> ŒU Ó

3

œ> œ> œ> .U

ƒ

ƒ

ƒ

ƒ

ƒ

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‹ ‹ ‹ ‹ j‹ ‰let him thence es - cape

‹ ‹ ‹ ‹ j‹ ‰let him thence es - cape

œ œ œ œ œ# œlet him thence es - cape if

.˙

œ œ œ œ œ# œ.˙

whisper

whisper

Childlike; everyone sing with no vibratofq»¢•

!

f !

p

"

p

e»e !

!

œ Jœ œ œ ‰he be luck - y;

.œ Œ .

œ œ œ jœ ‰.œ Œ .

poco

Œ ‹ ‹ ‹ ‹let him twist and

Œ ‹ ‹ ‹ ‹let him twist and

Œ œ œ œ œlet him twist and -

.˙and

Œ œ œ œ œ.˙

whisper

whisper

f

f

Tutti

j‹ ‰ Œ Œape

j‹ ‰ Œ Œape

Jœb ‰ Œ Œape

.˙

jœb ‰ Œ Œ.˙

!

!

12S&A: follow line contour up to m. 11.

Div.

Div.

 

 

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!

!

Jœ ‰ œ œb ‰ jœFlood, fire, and

.˙ 

jœ ‰ œ œb ‰ jœ.˙

! U

! U

œ œ# Œ Œ Ude -mon

! U

œ œ# Œ Œ U

!

!

!

!

‰ œœ œœ œœ jœœHis a - droit de -

!‰ œ œ œ jœœ

Sing normally (with vibrato)qk»§º

Div.p

p

!

!

!

œœ ‰ œœ œœ œœsigns will strain to

!œœ ‰ œœ œœ œœ

!

!

!

œœ jœœ œœ ‰ œœ œœnoth - ing in the

!œœ jœœ œœ ‰ œœ œœ

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!

!

!

œœ jœœ œœ ‰strict con -fines

!œœ jœœ œœ ‰

!

!

.œ œ jœHis a -

œœ œœ œœ œœb jœœof this sweet or - der,

!.œ œ jœœœ œœ œœ œœb

Jœœ

p

!

!

œ jœœ œœ ‰droit de - signs

..œœ Œ .

!œ jœœ œœ ‰..œœ

Div.

!

!

œœ œœ œœ œœb jœœwill strain to noth - ing

!

!œœ œœ œœ œœb jœœ

Accel.

!

œœ jœœ œœ jœœHis a - droit de -

..œœ Œ .

œœ jœœ œœ jœœHis a - droit de -

œ jœ œ jœœ..œœ Œ .œ Jœ œ Jœœ

qk»§§

Div.P

P

P

P

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.œ .œHis his

œœ ‰ œœ œœ œœsigns will strain to

.œ .œHis his

œœ ‰ œœ œœ œœsigns will strain to

.œ .œœœ ‰ œœ œœ œœ

.œ .œœœ ‰ œœ œœ œœ

P

Tutti

Œ . .œhis

œœ Jœœ œœ ‰ œœ œœnoth - ing in the

Œ . .œhis

œœ jœœ œœ ‰ œœ œœnoth - ing in the

.œœœ Jœœ Œ œœ œœ

.œœœ Jœœ Œ œœ œœ

‰ œœ œœ œœ Jœœhis a - droit de -

œœ Jœœ œœ ‰strict con -fines

‰ œœ œœ œœ Jœœhis a - droit de -

œœ jœœ œœ ‰strict con -fines‰ œ œ œ jœœœœ Jœœ œœ ‰

‰ œ œ œ jœœœœ Jœœ œœ ‰

Div.

Div.

œœ ‰ œœ œœb œœsigns will strain to

œœ œœ œœ œœb œœ ‰of this sweet or - der

œœ ‰ œœ œœb œœsigns will strain to

œœ œœ œœ œœb œœ ‰of this sweet or - der

œœ ‰ œ œœb œœœœ œœ œœ œœb œœ ‰œœ ‰ œœ œœb œœœœ œœ œœ œœb œœ ‰

Accel.

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‰ œœ œœ œœ JœœbHis a - droit de -

œ œ œ œ .œ œHis a - droit de - signs will

‰ œœ œœ œœ JœœbHis a - droit de -

œœ œœ œœ œ .œ œHis a - droit de - signs will

‰ œ œ œ jœœbœ œ œ œ .œ œ‰ œ œ œ jœœbœœ œœ œœ œ .œ œ

qk»¶™F

TuttiF

F

FTutti

F

œœb ‰ œœ œœ œœsigns will strain to

..œœb œœ œœb œœ ‰ œœ œœstrain to noth - ing in the

œœb ‰ œœ œœ œœsigns will strain to

..œœb œœ œœb œœ ‰ œœ œœstrain to noth - ing in the

œœb ‰ œ œœ œœ..œœb œœ œœb œœ ‰ œœ œœœœb ‰ œ œœ œœ..œœb œœ œœb œœ ‰ œœ œœ

Div.

Div.

œœ# Jœœn œœ œœ œœnoth - ing of sweet

..œœb œœb œœ œœ œœ œœstrict con -fines of this sweet

œœ# Jœœn œœ œœ œœnoth - ing of sweet

..œœb œœ œœ œœ œœ œœstrict con -fines of this sweet

œœ# jœœn œœ œœ œœ..œœb œœb œœ œœ œœ œœœœ# jœœn œœ œœ œœ..œœb œœb œœ œœ œœ œœ

Accel.

14

 

 

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33 ..œœb œœ ‰or - der

..œœ œœ ‰or - der

..œœb œœ ‰or - der

..œœ œœ ‰or - der

....œœœœbb ....œœœœ

..œœ ..œœ

qk»¶§f

f

f

f

f

œœb œœ œœ œœ œœbb œœbbwhere, in pi - ous

!

.œ .œwhere, in

.œ .œwhere, in

œœb œœ œœ œœ œœbb œœbb.œ .œ

f

Tutti P

TuttiP

F

Jœœ Œ ..œœrape, I

œœb œœ œœ œœ œœbb œœbbwhere, in pi - ous

.œb .œpi - ous

.œ .œpi - ous

œœb œœ œœ œœ œœbb œœbb..œœb ..œœ

fœœb Jœœbb œœ J

œœhold his es - sence

Jœœ Œ ..œœrape, I

œ ‰ ‰ œrape, I

œ ‰ ‰ œrape, I

œœb Jœœbb œœœœ Jœœ

œ ‰ ‰ œ

‰ œ œb œ œ œband a -mor - phous

œœb jœœbb œœ jœœhold his es - sence

œ Jœ .œhold his es -

œ Jœ .œhold his es -‰ œ œb œ œ œbœœb Jœœbb œœ Jœœ

œœ Jœ ..œœ

Tutti

&

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&?

44

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38

œb ‰ .œshape, till

‰ œ œ œb œb œand a - mor - phous

œ ‰ œ Jœbsence and a -

œ ‰ œ jœbsence and a -

œb ‰ .œ‰ œ œ œb œb œœ ‰ œœ J

œœbb

slide

Tutti

.œ ..œœ#he with

œ ‰ œ œ Jœshape, till he with

.œb .œmor - phous

.œb .œmor - phous

.œ ..œœœ ‰ œ œ Jœ

..œœbb ..œœ

Div. ..œœn ..œœbOr - der

.œ œb jœOr - der

.˙shape

.shape

..œœ ..œœb.œ œb Jœ

..˙

œœ Jœœb œœ œœb œœmin - gles and com -

œ jœ œ œb œmin - gles and com -

.˙

.˙œœ jœœb œœ œœb œœœ Jœ œ œb œ

..˙

..œœ Œ .bines.

.œ Œ .bines.

.œ Œ .

.œ Œ .

..œœ Œ ..œ Œ .

..œœ Œ .

f

f

f

f

f

15

 

 

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43 œœ## > ..œœ# œœ œœ# ‰ JœœPast are the hours, the

œ# > .œ œ œ ‰ JœPast are the hours, the

œ# > .œ œ œ ‰ JœPast are the hours, the

œ# > .œ œ œ ‰ Jœ#Past are the hours, the

œœœ### > ...œœœ# œœœ œœœ# ‰ Jœœœœœ## >> ..œœ œœ œœ ‰ J

œœ#

q»•¢ƒ

ƒ

ƒ

ƒ

ƒ

œœn - œœ# œœ œœ Jœœ ‰years of our du - ress,

œ- œ œ œ jœ# ‰years of our du - ress,

œ- œn œ œ jœ# ‰years of our du - ress,

œ- œ œn œ Jœ# ‰years of our du - ress,

œœœ# - œœœ œœœn œœ jœœ# ‰œœ- œœn œœn œœ Jœœ## ‰

˙## œœ# > œœ œœ#His ar - ro - gance,

˙# œ> œ œHis ar - ro - gance,

˙# œ> œ œHis ar - ro - gance,

˙# œ> œ œHis ar - ro - gance,

˙### œœœ# > œœœ œœœ#˙## œœ> œœ œœ

‰ Jœœ# œœn œœ œœn œœour aw - ful

‰ Jœ œ œ œ œour aw - ful

‰ Jœ œ œn œ œour aw - ful

‰ Jœ# œ œ#our aw - ful

‰ Jœœœ# œœœ œœœ œœœn œœœ‰ J

œœ# œœ œn œœ# œ

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44

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47 œœ œœb œœ Œ œœ œœbser - vi - tude: I

œ œ œ Œ œser - vi-tude: I

œ œ œ Œ œser - vi - tude: I

Œ œI

œ œ œser - vi - tude:

I

œœ œœb œœ Œ œ œŒ œœœœ œ œ ˙

˙- Jœœbb ‰have him.

- jœb ‰have him.

œ- œb œhave him.

- œb.œ Jœ- œhave him.

have

˙- œœœbbbœœ- œb œœb.œ Jœ œ

œœn ˙-I have

œ -I have

.œ ‰ œI

.œ ‰ œn.œ ‰ œI

I

him.

œœœn ˙-˙ œœn˙ œ

˙# ˙##him. I

˙ ˙him. I

œ# - œ# œ œ#have him. I

--

œ œ#œ œ ˙#have him. I

have him. I

˙# ˙#œœ# - œ# œœ œœ##œ œ ˙#

(stagger breathing)

(stagger breathing)

Rit.

16

 

 

 

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