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Space - Carnegie Mellon University

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Space SPACE —— The most complex visual component It’s an optical illusion….
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Page 1: Space - Carnegie Mellon University

Space

SPACE —— The most complex visual component It’s an optical illusion….

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Visual Space AssignmentDue Sept 13 @ 11:59

• Photograph three examples each of the following visual story components on space.

• Deep Space (At least two shots with a person)

• Flat Space (At least two shots with a person)

• Limited Space (Must use a person in all the shots)

• Ambiguous Space (Do NOT use a person)

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SpaceThe most complex visual component

Space is a beautiful illusion

SpaceThemostcomplexvisualcomponent

Widthandheightaretangible.Depthisnot.

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4 Basic Types of SPACE

• DEEP SPACE

• FLAT SPACE

• LIMITED SPACE

• AMBIGUOUS SPACE

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Theillusionofathree-dimensionalworldonatwo-dimensionalsurface.

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Depth within the frame is an illusion

Five major conventions of Depth Perception are: Convergence(the road); Relative Size(near and far balls); Density gradient (shade on left, lines on right); Overlap; Color

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Emphasis on two dimensionality in a 2-D medium.

Emphasisontwodimensionalityina2-Dmedium.

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Moonrise Kingdom (2012), Wes Anderson

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20Oldboy, 2005Chan-wook Park

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LimitedSpaceisaspecificcombinationofbothdeepandflatspacecues.ThekeytoLimitedSpaceisusingsurfacedivisionstoseparatethekeyobjectsweneedtolookat.

Thisisoneofthehardestvisualspatialcomponentstofollow.

AlfredHitchcokandIngmarBergmanwereuseditformanyoftheirfilms…..RearWindow….Atour-de-forceoftheuseoflimitedspace.

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Surface Divisions

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Surface Divisions

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Limited Space = Surface Divisions

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Flat & Deep Space & Surface Divisions “House of Flying Daggers” Yimou Zhang (2004)

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Creates a state of confusion in the viewer

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AMBIGUOUS SPACE

• How to create ambiguous space:– Lack of movement– Unfamiliar shapes – Confusing tonal and textural patterns (camouflage)– Mirrors and reflections– Objects of unknown size– Disorienting camera angles

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Ambiguous Space“Fight Club”, David Fincher, (1999)

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Contrasting Space

FLAT SPACE

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Contrast and Affinity of Space

FLAT SPACE

DEEP SPACE _______________________________

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How to control SPACE:One-Point Perspective

Two-Point Perspective

Three-Point Perspective

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One-Point Perspective

Onevanishingpoint….That’swhatthatmeans.

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Stanley Kubrick and One-Point Perspective

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Limitless (2011) Neil Burger

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Twovanishingpointoffintothehorizon.

Outsidecornerofabuilding.Flipitaround…nowit’stheInsideofaroom

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Two-Point Perspective

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Three-Point Perspective

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Here’s an artist who LOVES three-point perspective.Loves low angle shots. Low angel shots are a particular signature of his style of image making.

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Tips to Control Deep Space

✓Vanishing points increase depth✓More vanishing points create more depth

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Using color to control Space

• Warm colors appear to advance• Cool colors appear to recede

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Color Separation can create Space Warm colors appear closer. Cool colors further away.

Cool colors recedeWarm colors appear closer

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Warmobjectsmoveforward,Coolobjectsrecede

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Visual Space AssignmentDue Sept 13 @ 11:59

• Photograph three examples each of the following visual story components on space.

• Deep Space (At least two shots with a person)

• Flat Space (At least two shots with a person)

• Limited Space (Must use a person in all the shots)

• Ambiguous Space (Do NOT use a person)

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Whataboutanartformlikecomics?HowdocomicsdealwiththeissuesofMovementTimeInference

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HowdoyoudefineComics?

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http://www.drewweing.com/puppages/13pup.html

http://graphicnovel-hybrid4.peugeot.com/start.html

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big questions to think about…

➢How do the properties of a medium, (video games/film/video/graphic novels), shape it’s form and meaning?

➢What common properties do they share and what are their significant differences?

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TIME

Wecanaltertime.Jumpfromonepointoftimetoanother,fromthedeserttoanArcticmountainrange.Weacceptjumpsinlocationasthoughturningthepageofabookoraswedoinourdreams.

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