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Speculation on Spoilers: LOST Fandom, Narrative Consumption & Rethinking Textuality

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Presentation for MIT5 Conference, paper written by Jonathan Gray & Jason Mittell, April 2007; full paper forthcoming on participations.org
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Page 1: Speculation on Spoilers: LOST Fandom, Narrative Consumption & Rethinking Textuality
Page 2: Speculation on Spoilers: LOST Fandom, Narrative Consumption & Rethinking Textuality

Speculation on Spoilers: Lost Fandom,

Narrative Consumption, & Rethinking Textuality

Jonathan Gray & Jason Mittell

forthcoming in http://participations.org

Page 3: Speculation on Spoilers: LOST Fandom, Narrative Consumption & Rethinking Textuality

Key question:Why do fans read

spoilers?

Page 4: Speculation on Spoilers: LOST Fandom, Narrative Consumption & Rethinking Textuality

Key question:Why do fans read

spoilers?

Conducted online qualitative survey in May 2006

Solicited on fan boards & email list

179 completed surveys - 150 “spoiler fans”

Page 5: Speculation on Spoilers: LOST Fandom, Narrative Consumption & Rethinking Textuality

Extra-Textual Pleasures

Page 6: Speculation on Spoilers: LOST Fandom, Narrative Consumption & Rethinking Textuality

Extra-Textual Pleasures

•Spoiler fans consume spoilers as a game in and of itself, a contest between fans and producers

Page 7: Speculation on Spoilers: LOST Fandom, Narrative Consumption & Rethinking Textuality

Extra-Textual Pleasures

•Spoiler fans consume spoilers as a game in and of itself, a contest between fans and producers

•Not substantiated by survey

Page 8: Speculation on Spoilers: LOST Fandom, Narrative Consumption & Rethinking Textuality

Extra-Textual Pleasures

Page 9: Speculation on Spoilers: LOST Fandom, Narrative Consumption & Rethinking Textuality

Extra-Textual Pleasures

•Spoiler fans are anti-fans, resisting the pleasures of the text in an oppositional manner

Page 10: Speculation on Spoilers: LOST Fandom, Narrative Consumption & Rethinking Textuality

Extra-Textual Pleasures

•Spoiler fans are anti-fans, resisting the pleasures of the text in an oppositional manner

•Not substantiated by survey

Page 11: Speculation on Spoilers: LOST Fandom, Narrative Consumption & Rethinking Textuality

Extra-Textual Pleasures

Page 12: Speculation on Spoilers: LOST Fandom, Narrative Consumption & Rethinking Textuality

Extra-Textual Pleasures

•Spoiler fans seek the communal relations of the spoiler-circulating community

Page 13: Speculation on Spoilers: LOST Fandom, Narrative Consumption & Rethinking Textuality

Extra-Textual Pleasures

•Spoiler fans seek the communal relations of the spoiler-circulating community

•Relevant, but not primary motive

Page 14: Speculation on Spoilers: LOST Fandom, Narrative Consumption & Rethinking Textuality

Extra-Textual Pleasures

Page 15: Speculation on Spoilers: LOST Fandom, Narrative Consumption & Rethinking Textuality

Extra-Textual Pleasures

•Spoiler fans regard the spoilers themselves as enjoyable texts to be studied and parsed

Page 16: Speculation on Spoilers: LOST Fandom, Narrative Consumption & Rethinking Textuality

Extra-Textual Pleasures

•Spoiler fans regard the spoilers themselves as enjoyable texts to be studied and parsed

•Looking for “foilers” is pleasurable, extending paratexts beyond weekly episode

Page 17: Speculation on Spoilers: LOST Fandom, Narrative Consumption & Rethinking Textuality

Pleasures of the Spoiled Story

Page 18: Speculation on Spoilers: LOST Fandom, Narrative Consumption & Rethinking Textuality

Pleasures of the Spoiled Story

•Spoiler fans seek pleasure & comfort of the known, enabling enjoyment of familiar text on first viewing

Page 19: Speculation on Spoilers: LOST Fandom, Narrative Consumption & Rethinking Textuality

Pleasures of the Spoiled Story

•Spoiler fans seek pleasure & comfort of the known, enabling enjoyment of familiar text on first viewing

•Tempered by regret; rereading aesthetic

Page 20: Speculation on Spoilers: LOST Fandom, Narrative Consumption & Rethinking Textuality

Pleasures of the Spoiled Story

Page 21: Speculation on Spoilers: LOST Fandom, Narrative Consumption & Rethinking Textuality

Pleasures of the Spoiled Story

•Spoiler fans see plot revelations & suspense as minor pleasures, obscuring more enjoyable textual qualities such as narrative mechanics, romance, & production values

Page 22: Speculation on Spoilers: LOST Fandom, Narrative Consumption & Rethinking Textuality

Pleasures of the Spoiled Story

•Spoiler fans see plot revelations & suspense as minor pleasures, obscuring more enjoyable textual qualities such as narrative mechanics, romance, & production values

•Suspense & mystery still central; operational aesthetic

Page 23: Speculation on Spoilers: LOST Fandom, Narrative Consumption & Rethinking Textuality

Pleasures of Spoiler Fans (n=150) Reasons to Watch

Primary Reason to Watch

I want to discover the answers to the island's mysteries 91% 28%

I enjoy the suspenseful plot 90% 24%

The show surprises me 77% 1%

The show is unlike anything else on the air 75% 9%

I find it exciting 71% 3%

I enjoy the innovative way the show tells its story 68% 9%

I am interested in the philosophical issues raised by the show 60% 5%

I like to discuss the show on websites or with people I know 59% 1%

I find some of the actors attractive 54% 0%

I want to solve the show's puzzles before they are answered 51% 3%

I am impressed by the show's production values 43% 1%

I am invested in the relationships that exist or that could form between characters

38% 4%

The show makes me laugh 37% 0%

It's a ritual that I watch with friends or family 33% 5%

It reminds me of playing a game 31% 1%

I find the show to be a good distraction from my own life 31% 1%

I want to see the characters escape the island 22% 1%

I want to be able to relate to other people I know who watch it 21% 0%

I find it scary 18% 0%

The show makes me cry 13% 0%

The show reminds me of other programs I enjoy 10% 0%

It teaches me something useful about the world 9% 0%

Other (please specify) 2% 3%

Page 24: Speculation on Spoilers: LOST Fandom, Narrative Consumption & Rethinking Textuality

Most significant pleasures(more than 2/3 responding)

• I want to discover the answers to the island's mysteries

• I enjoy the suspenseful plot

• The show surprises me

• The show is unlike anything else on the air

• I find it exciting

• I enjoy the innovative way the show tells its story

Page 25: Speculation on Spoilers: LOST Fandom, Narrative Consumption & Rethinking Textuality

Pleasures of the Spoiled Story

Page 26: Speculation on Spoilers: LOST Fandom, Narrative Consumption & Rethinking Textuality

Pleasures of the Spoiled Story

•Spoiler fans view Lost’s narrative practices differently from traditional stories, using spoilers to participate in a puzzle-solving quest

Page 27: Speculation on Spoilers: LOST Fandom, Narrative Consumption & Rethinking Textuality

Pleasures of the Spoiled Story

•Spoiler fans view Lost’s narrative practices differently from traditional stories, using spoilers to participate in a puzzle-solving quest

•Spoilers as additional clues to be discovered within game logic; adding to & extending mysteries

Page 28: Speculation on Spoilers: LOST Fandom, Narrative Consumption & Rethinking Textuality

Pleasures of the Spoiled Story

Page 29: Speculation on Spoilers: LOST Fandom, Narrative Consumption & Rethinking Textuality

Pleasures of the Spoiled Story•Spoiler fans take control of their

emotional responses and pleasures of anticipation, experiencing suspense on viewers’ not creators’ terms

Page 30: Speculation on Spoilers: LOST Fandom, Narrative Consumption & Rethinking Textuality

Pleasures of the Spoiled Story•Spoiler fans take control of their

emotional responses and pleasures of anticipation, experiencing suspense on viewers’ not creators’ terms

•Heighten suspense & anticipation; reduced surprise & curiosity; strategy for managing serial form

Page 31: Speculation on Spoilers: LOST Fandom, Narrative Consumption & Rethinking Textuality

Pleasures of the Spoiled Story•Spoiler fans take control of their

emotional responses and pleasures of anticipation, experiencing suspense on viewers’ not creators’ terms

•Heighten suspense & anticipation; reduced surprise & curiosity; strategy for managing serial form

• Continued on http://justtv.wordpress.com


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