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Spring Concert...Bacchanale from Samson & Delilah C. Saint-Saëns Arr. by Merle J. Isaac (1835-1921)...

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Spring Concert Sunday, May 10, 2015 - 2pm Bend Senior High School Auditorium Youth orchestras create community; they infuse the growing, youthful spirit with goodness Julia Bastuscheck and Eddy Robinson, Conductors Amy Goeser Kolb, Founder and Executive Director
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Page 1: Spring Concert...Bacchanale from Samson & Delilah C. Saint-Saëns Arr. by Merle J. Isaac (1835-1921) Iza Ngomso Christopher Tin Conducted by Christopher Tin (b. 1976-Conductors, Julia

Spring Concert

Sunday, May 10, 2015 - 2pmBend Senior High School Auditorium

Youth orchestras create community; they infuse the growing, youthful spirit with goodness

Julia Bastuscheck and Eddy Robinson, ConductorsAmy Goeser Kolb, Founder and Executive Director

Page 2: Spring Concert...Bacchanale from Samson & Delilah C. Saint-Saëns Arr. by Merle J. Isaac (1835-1921) Iza Ngomso Christopher Tin Conducted by Christopher Tin (b. 1976-Conductors, Julia

COYO’s commitment to youthful music making in Central Oregon is a promise. Thank you families and teachers for supporting and sharing your wonderfully spirited and musical children. Your presence this afternoon is vital and essential to the beauty of our music. Enjoy with love, pride and joy.

Amy Goeser Kolb, Founder and Executive Director

We are the music makers, And we are the dreamers of dreams,

Wandering by lone sea-breakers And sitting by desolate streams;

World-losers and world-forsakers, On whom the pale moon gleams: Yet we are the movers and shakers

Of the world forever, it seems.

Arthur William Edgar O’Shaughnessy O’Shaughnessy,

Ode from Music and Moonlight (1874)

www.centraloregonyouthorchestra.org

The Central Oregon Youth Orchestra is a tax exempt, non-profit public charity, IRS code section 501 (c) (3). All donations and contributions are tax-deductible.

Music in the foyer presented by the Gracioso Guitar Ensemble Greta Harris, Mikayla Pohl Plunkett, Shaene Smith-Jackson, Diego Marrs, David Raley,

Henry Lowe, Laura Clem, Abbey Leis, Sheldon LongDirected by Robin Jackson

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PROGRAM

The Earle of Oxford’s Marche William Byrd 1539/40 or 1543 – 4 July 1623

Amazing Grace American TraditionalArr. by Jari Villanueva The Pink Panther Henry ManciniArr. by Arthur Frackenpohl (1924-1994)

COYO Brass ChoirTrumpet: Timothy Dickinson, Justin Irby, Ryan Pierce

French Horn: Lizzy Wienert, Abigail JeffcottTrombone: Peter Lund, Brendan Tetz, Euphonium: Allison Forman, Tuba: Isaac Spackman

Percussion: Hunter Slawosky, Mathew Meade, Stevie Fawcett, Wilson WellsDirected by Dan Flagg

The Central Oregon Junior Symphony

Dance of the Tumblers N. Rimsky-KorsakovFrom “Snow Maiden”, arr. by Sandra Dackow (1844-1908)

Rhythm ‘N’ Blues Soon Hee Newbold Electric Sinfonia Lauren Bernofsky (b. 1967-

Rhythms of Africa Soon Hee Newbold

Curse of the Rosin Eating Zombies from Outer Space Richard Meyer (b. 1957-

String Quartet No.1 in E minor “From My Life” (1876) Bedrich SmetanaAllegro vivo appassionato (1824-1884)

Armer String QuartetJohn Fawcett, violin, Sarah Kilroy, violin

Benjamin Kroeker, viola, Caitlin Wulf, celloCoached by Sam Taylor

Page 4: Spring Concert...Bacchanale from Samson & Delilah C. Saint-Saëns Arr. by Merle J. Isaac (1835-1921) Iza Ngomso Christopher Tin Conducted by Christopher Tin (b. 1976-Conductors, Julia

The Central Oregon Youth Orchestra

Pines of Rome (Finale) Ottorino RespighiArr. by Stephen Bulla (1879-1936) American in Paris Suite George GershwinArr. by John Whitney (1898-1937)

1812 Overture, Op. 49 P. TchaikovskyArr. by Jerry Brubaker (1840-1893)

Bacchanale from Samson & Delilah C. Saint-SaënsArr. by Merle J. Isaac (1835-1921)

Iza Ngomso Christopher TinConducted by Christopher Tin (b. 1976-

Conductors, Julia Bastuscheck and Eddy Robinson

Please join us in the lobby for a post-concert reception withguest artist Christopher Tin

Flowers graciously donated by ~ Trader Joe’s

Page 5: Spring Concert...Bacchanale from Samson & Delilah C. Saint-Saëns Arr. by Merle J. Isaac (1835-1921) Iza Ngomso Christopher Tin Conducted by Christopher Tin (b. 1976-Conductors, Julia
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Program Notes written by Central Oregon Youth Orchestra musicians

This Jazz standard, prevalent in our society now for half a century, has been given a new, catchy and classical treatment by Frackenpohl. In this arrangement, the trumpets are given wonderfully furtive solos, accompanied by a light solo by our wonderful tuba, as well as a litany of other solis. All of this is kicked off by a well-executed triangle solo, played by one of the impeccable percussionists, who all have beautifully enhancing parts, composed by the beautiful Ms. Redgrave. We hope you enjoy this classical take on a cultural standard. Hunter Slawosky, COYO Percussionist

William Byrd (c.1540-1623) is considered the greatest composer of the English Renaissance, and perhaps of the entire Renaissance. Byrd was eager to rise in the world, and was aided by influential patrons, including Queen Elizabeth and the Earl of Oxford. William Byrd and the Seventeenth Earl of Oxford were both at the Court of Elizabeth I from about 1572 on ~ both were involved in activities that provided music for the Court. The Earl of Oxford's March was probably written after 1588 when England was in a mood of national celebration after victory over the Spanish and French Armadas.

When I play the Earl of Oxford's March, I feel the power of the brass sound that gives me the majestic feeling of being surrounded by royalty. It is a wonderful brass selection embedded with history. Ryan Pierce, COYO Trumpet

John Newton composed the words of Amazing Grace to signify his conversion from slave trader to abolitionist in 1772. About 60 years later, William Walker set the words to the music that we know today. The abolitionist movement embraced the song and its popularity became solidified during the Civil War and its aftermath. The pentatonic-based melody still resonates in its simplicity and familiarity. Allison Forman, COYO Euphonium

Bedrich Smetana’s String Quartet No.1 in E minor “From My Life” is a joyful work based on a timeline of his life. Mr. Smetana was becoming an elderly gentleman at this time; he lost his hearing. This inspired him to write this quartet, as a reflection of his entire life that was soon to end. It carries a variety of key changes, alternating note patterns and double stops. The piece opens by a potent viola solo, and concludes with a hushed pizzicato (pluck of the string). I love playing the melodic lines and speedy phrases. Try listening for similar melodies through out the piece. They will tell a beautiful story. Sarah Kilroy, COYO Violinist Bedrich Smetana vividly describes the pain, love, and joy of his life journey in his first quartet, titled “Of My Life”. In 1876, Smetana wrote this piece after being deaf for two years. He would die only eight years later. The movement we will play has

Page 7: Spring Concert...Bacchanale from Samson & Delilah C. Saint-Saëns Arr. by Merle J. Isaac (1835-1921) Iza Ngomso Christopher Tin Conducted by Christopher Tin (b. 1976-Conductors, Julia

one of the most dramatic openings you will here in classical music. As we progress through the piece, Smetana sings about his youthful enthusiasm for art, his romantic feelings, and his longing for something he could not define. These concepts are only to be interrupted by the hint of the coming of chaos and crisis. The intensity keeps its strength until it finally dies down to a whisper; one that only the great Czeck composer himself can hear, John Fawcett, COYO Violinist

Dance of the Tumblers is a classical piece written by Nikolay Rimsky-Korsakoff, originally from the opera “Snow Maiden.” I think that it is a very energetic, powerful, and dramatic song. Dance of the Tumblers is a song that is constantly changing from loud to quiet; soft to intense. That is one of the many things that make it so beautiful to me. Emma Peltier, COJS Violinist

Rhythm ‘N' Blues is a variation on the style of cultural African American music that originated in the 1940's. This piece offers many different styles of pitch, stomps, and claps. I enjoy Rhythm ‘N' Blues because it gives an old school sensation that other songs cannot meet. I hope you enjoy the COJS's take on the vibes from the 50's. Calvin Kolar, COJS Violinist

Electric Sinfonia is a fast paced, electrifying piece. The composer, Lauren Bernofsky, has composed over 100 works, not only for string orchestras, but for choral, ensemble, and solo too. This is a new piece, debuting in April, 2014. Unlike many other pieces for musicians our age, this does not focus mainly on the first violins. All the instruments have a key part in bringing this music to life. As a cellist, I enjoy this piece due to the shared melody, and I believe the audience will enjoy its truly electric feel. Mirella CaJacob, COJS cellist

The opening of Rhythms of Africa kind of sounds like the rhythms of China. But the middle of the piece makes me think that Soon Hee Newbold actually went to some part of Africa and studied rhythms of Africa. I hope you enjoy this piece as much as I do – it really has something that hooks you! Alexander C. Kolb, COJS Cellist

Curse of the Rosin Eating Zombies From Outer Space is a string orchestra written by Richard Meyer as a sequel to his previous work, Rosin Eating Zombies From Outer Space. Meyer’s creativity in combining both eerie music and exciting sound effects makes it a virtually unforgettable experience. Expect the unexpected in this very unique piece. Mary Joy Wystma, COJS cellist

Composed in 1924, Pines of Rome is a symphonic poem, the second orchestral work in Respighi’s Roman trilogy. All four movements depict pine trees in different locations all across Rome; the movement we played is named Pines of the Appian Way. It is an elegant, yet earthbound poem representing victorious troops, returning under the bright banner of dawn. The beginning evokes an image of

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heavy footsteps, tired yet cautiously light, thudding against a carpet of pine needles and releasing their spicy aroma into the crisp morning air; the ground trembles and tremors under the soldiers’ cumbersome feet. But as the sun awakens, stretching and yawning, flitting through the pine foliage and shifting through the veil of mist that surrounded the soldiers, it is as if the true glory of victory begins. Sunlight strikes against armor, releasing blazing bright bursts of luminous music that chase away the gloom and despair of the forest. Triumphant trumpets announce the troops’ return, joined by the joyous calls of woodwinds and aching, soaring strings alike. Playing this piece, to me, was like being a god for just one fleeting moment; I felt as if I was looking over a world where a movement of my finger, a flick of my wrist, could influence the fate of an entire empire. I hope that listening to this piece transports you to the Appian Way, where you watch the return, and welcoming, of both heroes and civilians: it takes all kind of people to make a world. Joan Song, COYO Clarinetist

George Gershwin wrote an American in Paris in the 1920s as his impression of an American visiting the famous city’s bustling streets. In the music, many different scenes occur that create a dynamic piece. The music allows one to easily picture sights and sounds of a busy city street. It has an orchestrated jazz feel, a nice change from standard classical. I enjoy the changes from upbeat, to relaxed, then back again. Spencer Schmitt, COYO Saxophonist

Pyotr Ilyich Tchaikovsky was a phenomenal Russian composer, whose works included symphonies, concertos, ballets, chamber music, and of course, this highly recognizable piece: The 1812 Overture. Many of his compositions have landed themselves in the most popular theatric classical repertoires. The overture was conducted by Tchaikovsky himself in 1891 at the dedication of Carnegie Hall. The overture itself is most well-known for its climactic yet tasteful percussive use of the cannon; made possible today by our bass drum, seeing as we couldn’t afford a real cannon. This work was composed in commemoration of Russia’s defense of its motherland against the tyranny of Napoleon Bonaparte’s invading army in 1812. In this piece you may find yourself recognizing many classic and patriotic tunes throughout its duration. This piece begins with the plaintive Russian melody of the Eastern Orthodox Troparion of the Holy Cross, (also known as "O Lord, Save Thy People"). In addition, La Marseillaise, the French National Anthem can also be heard, along with several other incredibly discernable melodies. The French horn is a staple for Tchaikovsky’s many compositions, and I know personally I enjoy 1812 most for its driving French horn melodies. I do hope our rendition of such a pleasing piece can be equally pleasing to you as an audience!Lizzy Wienert, COYO French hornist

Close to a hundred and fifty years ago, French composer Camille Saint-Saens' operatic interpretation of the story of Samson and Delilah was ready for the stage. The work was rejected though, throughout France, on the basis of its biblical

Page 9: Spring Concert...Bacchanale from Samson & Delilah C. Saint-Saëns Arr. by Merle J. Isaac (1835-1921) Iza Ngomso Christopher Tin Conducted by Christopher Tin (b. 1976-Conductors, Julia

content. The Opera was finally accepted into a theater in Weimar, Germany and has since gained influence and profound appreciation through its performances worldwide. The best-known segment of the piece is the Bacchanale, a climatic and technically challenging dance between Samson and his treacherous lover Delilah that comes to an abrupt close when Samson collapses the House of the Philistines, killing himself and 3000 Philistines along with him. The Bacchanale is an orchestral score, beginning light and enigmatic and building up to its animated conclusion. COYO Violinist, Olivia Schmitt

Iza Ngomso is a bold melody written and arranged by Christopher Tin. It is a part of a compilation of songs titled "The Drop That Contained the Sea", that all are about or refer to water. Iza Ngomso, written in Xhosa, is translated as "Come Tomorrow". Originally a vocal arrangement, it tells a story of the landscape of Africa, including lyrical verses such as "like a bird I fly, holding onto the wind". The orchestra arrangement conveys the same tale, capturing the intensity and beauty as the story unfolds. Iza Ngomso starts as a distant, persistent chord in the strings, while the melody moves between the brass and the winds. As the piece continues, instruments and countermelodies layer in, building up to what would be the chorus in the vocal arrangement. Throughout, the piece swells with a feel-good theme, continuing to drive forward until the last chord. As that chord dies away, you are left with an overwhelming feeling in your soul. Iza Ngomso embodies the power of music. Emma Smith, COYO Cellist

The Central Oregon Youth Orchestra to perform in Carnegie Hall June 2015

Last year, COYO received a most honorable invitation to perform at Carnegie Hall in New York City this coming June 14th, 2015. Distinguished Concerts International New York (DCINY) selected the Central Oregon Youth Orchestra from hundreds across the country! For any musician, Carnegie Hall is a dream come true as one of the most prestigious performance venues in the world for classical music. DCINY is a creative producing entity, which taps musical talent from around the country for educational and innovative performance opportunities.

COYO will take 68 students to perform at Carnegie Hall in a little over a month. Your donations today will have tremendous impact and help make that final difference for our fundraising goal of $100,000, for which $87,000 has been raised and committed to date. Your contribution also marks a solid commitment for the future of exceptional opportunities.

Please join us in our mission to establish the future of a deserving and youthful artistic community in Central Oregon.

Thank you kindly and sincerely

Amy Goeser Kolb, Founder and Executive Director

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The Central Oregon Youth Orchestra - Staff

Amy Goeser Kolb, COYO founder and executive director, launched COYO in 2012. Growing up in Minnesota, Amy participated in one of the finest youth orchestra programs in the country, The Greater Twin Cities’ Youth Symphonies (GTCYS). As a professional musician, she has engaged with youth orchestra programs across the country. In addition to her passion and commitment with youth orchestras, Amy is a professional oboist. She holds degrees from the University of Wisconsin-Madison, the Cologne Conservatory in Germany and a doctoral degree from the State University of New York at Stony Brook. She has held teaching positions at Wichita State University and the University of Oregon. Amy is the principal oboist of the Amarillo Symphony in Texas and Central Oregon Symphony, in the summers she performs with the Oregon Bach Festival in Eugene. She is also proud Karate Mom!

Julia Bastuscheck, COYO conductor, is retired from a 21-year career teaching beginning strings and orchestra in Juneau, Alaska. In Bend, Julia teaches private viola and violin students. Julia received her B.A. in music at Western Washington University, studying viola with Charmian Gadd and chamber music and orchestra with Barton Frank. In 1985, at the University of Washington, Julia completed her teaching certification, and studied viola and chamber music with acclaimed violist Paul Coletti. Julia is the principal violist of the Juneau Symphony in Alaska, she also plays with the Central Oregon Symphony, North State Symphony in Chico/Redding, CA, and the Proteus Chamber Players, a diverse ensemble of fine, local musicians including her husband, Nathan.

Eddy Robinson, COYO conductor, began playing the bass at age nine. Growing up in Salem, he was a member of the Salem Youth Symphony. In 2004 he received his Bachelor’s Degree in Music Education from the University of Oregon. In 2005, Eddy started the orchestra program, in Florence, AZ, where he taught for seven years. Eddy currently teaches orchestra at Sky View Middle School and Mountain View High School and is also a director for the Awesome After School Orchestra at the Cascade School of Music.

Dan Flagg, COYO brass choir, holds a BM in Trombone performance from California State Universities Northridge and Sacramento and a MFA in Trombone performance from California Institute of the Arts. Dan's principal teachers were Miles Anderson, San Fracisico Symphony and L.A. Philharmonic, Ralph Sauer, and Normon Bolter, Boston Symphony Orchestra. At 16 Dan won his first orchestra position as Principal Trombonist with the Sacramento Symphony Orchestra then with the Pacific Symphony 5 years later. Dan has performed with popular artists such as Engelbert Humperdink, Anne Murray, The Kruger Brothers, Manhatten Transfer, Paul Stukey, Arlo Guthrie,

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Frankie Valle and others. Most recently Dan performed a world premier of Grammy winning composer Christopher Tin's work, Seirenes. In Bend, Dan plays with the Central Oregon Symphony and is a founding member of the Summit Express Jazz band. He and his wife Shelly, have two children Michael and Sarah.

Sam Taylor, COYO chamber music coach Sam is from Montana, where he was Concertmaster of the Glacier Symphony Orchestra and 1st Violinist of the Glacier String Quartet. Sam holds graduate degrees from the Royal Conservatory of Music in Belgium and the Musikhochschule of Zurich, Switzerland. Sam is a teacher for Suzuki and traditional violin, viola and classical guitar. He is a member of Central Oregon Symphony and teaches strings for the Waldorf School and the Cascade School of Music in Bend. Sam is the director for the recently formed Central Oregon Community Orchestra in Bend.

Robin Smith-Jackson, Gracioso guitar ensemble is a vocalist, songwriter and teacher. Robin received a BA in social sciences and an AA in Commercial Music and Jazz Studies and a Masters in teaching from Gonzaga University. She is a credentialed Suzuki teacher and proud to be a part of growing arts education in the Central Oregon area, promoting the guitar as an instrument of depth and beauty that is affordable, accessible and above all joyous for all who endeavor to play.www.robinjacksonguitarstudio.com

COYO CoachesSerianna Rosberg Lorell GirardJake Ortman Wendy BloomLeslie Knight Cheri RedgraveTyler Cranor Jeff Briggs

COYO Board of DirectorsPresident: Erin Mcguire GarzaVice President: Dan FlaggSecretary Sandi Perl Treasurer: Robert GooldWendy Bloom, Lorene Forman, Judy Fuentes, Deb Kilroy, Julie Keener, Leslie Knight, Sandi Perl, Akiko Oncken, Kim Sarao, Brenda Simmons, Mike Hughes, Desray Hustler Lithgow

For more information about the COYO program, please visit our website: www.centraloregonyouthorchestra.org

Like us on Facebook: https://www.facebook.com/COYouthOrchestra

Page 12: Spring Concert...Bacchanale from Samson & Delilah C. Saint-Saëns Arr. by Merle J. Isaac (1835-1921) Iza Ngomso Christopher Tin Conducted by Christopher Tin (b. 1976-Conductors, Julia

Christopher Tin www.christophertin.com

Christopher Tin is a two-time Grammy-winning composer. His work covers diverse terrain: from thrilling fusions of orchestral and world music, to brooding reinventions of 90s electronica, to award-winning scores for film, video games, and commercials. His debut album Calling All Dawns won two Grammys at the 53rd Annual Grammy Awards: Best Classical Crossover Album, and Best Instrumental Arrangement Accompanying Vocalists for the song 'Baba

Yetu'. Both wins were historic: Calling All Dawns was the last album ever to win the Best Classical Crossover Album category, and 'Baba Yetu' made history as the first piece of music written for a video game ever to be nominated for, or win, a Grammy.

He received his undergraduate education at Stanford University, studying Music Composition, Conducting, and English Literature. After a brief stint as an exchange student at Oxford University, he won a Fulbright Scholarship to continue his studies at the elite Royal College of Music in London--the alma mater of many of the giants of British composition: Benjamin Britten, Ralph Vaughan-Williams, Gustav Holst and others. There, he earned an MMus with Distinction, graduating with the highest marks in his class, and winning the Horovitz Composition Prize. He is also a Sundance Institute fellow.

His music has been performed live by many distinguished orchestras, including the National Symphony Orchestra, Hollywood Bowl Orchestra, Philharmonia, and hundreds of amateur ensembles around the world. He is a signed Warner/Chappell songwriter, and his sheet music is published by Alfred Publishing.

In addition to his album work, he is also an active composer of music for films, video games, advertising, and other media. He has won awards for his video game music, for titles such as Civilization IV and Pirates Of The Caribbean Online. He has written mu-sic for such Hollywood blockbusters as X2: X-Men United and Lilo And Stitch 2, and a host of independent features, documentaries and TV specials. Major advertising clients include Puma, Verizon, Guess, The Gap, and others. (More information on his custom work can be found at his online portfolio, www.tinworksmusic.com.)

His career is also marked by many unusual distinctions; he has both co-created the startup sound for Microsoft's Surface operating system, and a demo song for Apple's Garage Band software, now found on every new Mac computer. His hit song 'Baba Yetu' is both the theme song to the video game Civilization IV, and is also used as a featured segment for the Dubai Fountain, the world's largest choreographed fountain, situated at the base of the Burj Khalifa, the world's tallest skyscraper. In recognition for his edu-cational work, the city of Mt. Vernon, IN declared May 4th to be Christopher Tin Day. Christopher Tin currently lives in Santa Monica, CA.

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Summer Music Camps – 2015

COYO Summer Strings ~ Goes to the Movies! Come explore famous movie highlights. Costumes welcomed! Day-camp for string players, June 22-25, 9-12pm, $100

Young Musicians & Artists, Salem - Students rehearse and perform great symphonic mu-sic under the direction of Michael Gesme. http://ymainc.org/ June 21 - July 3, 2015

Marrowstone Music Festival is the Pacific Northwest’s premiere orchestral and chamber music training program. www.marrowstone.syso.org/ms/program July 26 – August 9, 2015

Chamber Music Camp of Portland – Registration opens, January 1, 2015. Camp: June 29-July 3, 2015 www.chambermusiccampofportland.com/

Oregon State University - Chamber Music Workshop July 6-11 and July 13-18, 2015 Music Camps at Lake Wallowa – Music Camp in the heart of the Wallowa Mountains. Brass Camp June 14-20 - Woodwind Camp July 26 – August 1, 2015

Ashland Chamber Music Workshops July 12-17 and July 19-24, 2015http://www.sou.edu/music/acmw/index.html

Interlochen Summer Music Programs - $5,000 String Scholarship for a student from Cen-tral Oregon, sponsored by the Bob and Betty Armer, please contact Amy Kolb for more details.

SAVE the DATE - JOIN COYO in 2015-2016

Central Oregon Junior Symphony (COJS) Meet The Conductor

NEW Welcoming Woodwinds, Brass and Percussionists next season!!

When: Monday, September 28 2015 from 5:30-7:30pm Who: All instruments! One to Two years experience recommended

Where: Mountain View High School, 2755 NE 27th St. Bend, OR 97701Skill level: Basic note reading, rhythm recognition,

playing ability in C, D, G and F Major

Application fee: $15NO audition required to become a member of the Central Oregon Junior Symphony

Central Oregon Youth Orchestra (COYO) 2015-2016 AUDITIONSSeptember 21 and 22, 2015

Applications ~ www.centraloregonyouthorchestra.org

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Applause and many thanks to our 2014-2015 program contributors and donors with special recognition and appreciation to our generous Carnegie Hall supporters!

CoEnergy Propane Strictly Organic CoffeeJust Joe’s Music Abracadabra Printing Oxford Hotel Group Fidelity Charitable Trust C.T.S. Partnership Subway (Simpson Ave) Croutons Combined Communications Downtown Bend Business Association KPOV, KBND, KTVZ Deschutes Brewery, Inc Eberhards Dairy Fred Meyer Community Rewards Kent L. GatlingHendrix, Brinich, Bertalan, LLPDr. Blair Struble, OrthodonticsDr. John P. Renton, Central Oregon Ear, Nose and ThroatCentral Oregon Radiology Associates, PCStop and Go MiniCharles Hens/Strings and ThingsBald Eagle Music Education Sisters, ORKirk Isaksen, Avon, MALisa Bertalan and Kurt Giesler Gil Kanat, Scottsdale, AZ Alfred and Pat Smith, Amarillo, TX Norma Wilson and Chris Houghton, Eugene, ORWilliam Bertalan, North Las Vegas, NV Todd Jensen, Madison, WI Tim and Linda Kolb, Aurora, ILCindy and Bill Lundy, Jefferson, OR Julie May, Phoenix, AZ Joy ConradtAmy Jo Rhine, La Crescenta, CA Sharon Schuman, Eugene, OR Meg Voedisch and Dan Broadley, Redmond, ORPrapti Kanani, Allison Park, PA Carolyn Smith, West Linn, OR Raymond McGuireIsabelle & Francis SengerAndrea BarssMitchell Salamon, New York, NY FAS, Phoenix, AZPeggy SwansonMarian WoodallAdam Kuenzel, Minneapolis, MNHavern Cabinetry & Design, IncHeide Landouw Steve and Terri Loveland, Sisters, ORBend Costco WarehouseMark and Charlotte ReedMary Goulian, Gilbert, AZ

Dr. Nicholas Misischia, Central Oregon Pediatric Associates Margaret Gardner, Bound Brook, NJCook Family, Redmond, ORSunriver Music FestivalCrosswater Owners Association, Sunriver, ORTimm Family DentistryCliff Wells, Lynnwood, WASusan Fish, Topeka, KSDave Cauble, Shevlin Dental CenterJane PhillippsRob Fincham, Fincham FinancialWinco, Inc., Aurora, ORSummers Wood Flooring Co.Vicki KippDr. Michael L. Bell, Bend Neurological AssociatesChip and Susie Bell, Asheville, NCRosemary Jensen, Maplewood, MNLydia DudleySara Gray Designs, Whitsett, NCGay BakerBeta Sigma Phi, Beaverton, ORFloy SittsThomas McGirr, Salem, ORSherpa Wealth Strategies, LLCJessica Boyne Bennett FamilyMadras Band, Madras, ORJohn SpeckmannJA Marketing, Inc,Christ Mahr, CPA and AssociatesB. Dicoskey and A. Kaufmann, Santa Rosa, CA

*Donor from Bend, OR, unless otherwise noted

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O COYO RUMMAGE

SALE

70+ Families

Saturday, May 30, 2015

9-4pm

Bend Factory Outlet Stores(Next to Coach)

Final Fundraiser for New York

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CENTRAL OREGON YOUTH ORCHESTRASPRING CONCERT SPONSOR 2015


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