ST IVES PRINTMAKING 1949-2002

PAUL FEILER

TERRY FROST

NAUM GABO

DAVID HAUGHTON

PATRICK HERON

ROGER HILTON

BRYAN INGHAM

PETER LANYON

ALEXANDER MACKENZIE

DENIS MITCHELL

BEN NICHOLSON

JOHN WELLS

BRYAN WYNTER

Austin/Desmond Fine Art

St Ives Printmaking

1949-2002

1. PAUL FEILER £2,000.00

B. 1918

Balcony With Beach, 1954

Lithograph

Signed and dated in pencil lower right. Printed on white

wove paper, from the numbered edition of 20 impressions.

With margins.

30.2 x 45.5 cm

2. TERRY FROST £3,750.00

1915-2003

Untitled, Double Quay, 1952

Linocut

Signed and dated lower right. Printed by the artist on wove

paper. There was a proposed edition of fifty impressions

printed in black only. Although early numbered copies exist,

the full edition was never realised. A small number of colour

variants proofs were printed. With margins.

15 x 15 cm

Ref: Austin/Desmond Contemporary Books, Terry Frost:

Prints 1948-1990, 1990, No.7-8

Dominic Kemp, Terry Frost Prints: A Catalogue

Raisonné, Lund Humphries, 2010, No.7

Coll: Tate Gallery, recorded as Boat Shapes (printed in

black and brown) P07982

3. TERRY FROST £3,000.00

1915-2003

Scammel, Banbury, 1967

Drypoint with hand colouring and collage

Signed and dated lower right. Printed on heavy wove paper

by the artist, Banbury. An extremely rare, and possibly

unique early state. The plate was extensively reworked.

No edition.

27.8 x 21.2 cm

Ref: Dominic Kemp, Terry Frost Prints: A Catalogue

Raisonné, Lund Humphries, 2010, No.31

4. TERRY FROST £2,600.00

1915-2003

Quadrant and Circles, 1967

Etching

Signed and dated lower right. Printed by the artist at the

University of Reading. On heavy wove paper. No

edition, a few proofs exist.

21.2 x 27.5 cm

Ref: Dominic Kemp, Terry Frost Prints: A Catalogue

Raisonné, Lund Humphries, 2010, No.40

5. TERRY FROST £2,400.00

1915-2003

April, 1984

Linocut with hand colouring

Signed, titled and dated lower left, signed and dated

verso.

Printed by the artist on wove paper, at his Newlyn

studio. A hand coloured proof . Edition of 5 (printed in

black only).

29.5 x 20.8 cm

Ref: Dominic Kemp, Terry Frost Prints: A

Catalogue Raisonné, Lund

Humphries, 2010, No.83

6. TERRY FROST £2,200.00

1915-2003

Untitled, c.1983/89

Linocut with hand colouring

Signed and dated lower right

Printed by the artist on wove paper at his

Newlyn studio, No edition. A reworking of Kemp

No.81.

23 x 23 cm

Ref: Dominic Kemp, Terry Frost Prints: A

Catalogue Raisonné, Lund

Humphries, 2010, No.81

7. NAUM GABO £6,500.00

1890-1977

The Lyre Bird (Opus Four), 1950

Monotype

Signed and titled in pencil, printed from an end-grain wood block on thin

wove paper. With margins.

15.9 x 13.7 cm

Ref: Gabo Estate WE 299

8. DAVID HAUGHTON

1924-1991

St Just, 1960

Etching

Signed in pencil lower right. Printed on wove paper.

Published by the artist/St Georges Gallery Prints. Edition

of 10.

30 x 50 cm

Lit: Norman Levine, David Haughton’s St. Just, The

Painter and Sculptor, Vol. 4 No.2, Summer 1961

9. PATRICK HERON

1920-1999

Assisi, 1953

Etching with drypoint

Signed and date d in pencil; signed in the plate top left.

Inscribed in pencil verso: Eric: Christmas 1953/Here is a

print of my first (and, so far, only) etching. I hope you like

it. It’s subject – reverse of course – is the church at Assisi

with Giotto and Chimabue frescoes and in the crypt of

which is the tomb od St Francis./See you in the New

Year./Pat. Extremely rare. No edition.

19.2 x 27 cm

10. PATRICK HERON £1,600.00

1920-1999

Grey and Black Stripes,1958

Lithograph

Unsigned proof. Printed on white wove paper by Stanley

Jones at Fore St Studios, St. Published by the artist.

Edition of 25. Full margins.

52.1 x 41.6 cm

Exh: Tate Gallery, Artists at Curwen,

1977, Cat. 296

Lit: Pat Gilmore, Artists at Curwen, Tate

Gallery Publications, 1977, Pg. 145

Coll: Tate Gallery (DP.6287)

11. PATRICK HERON £1,600.00

1920-1999

Grey and Brown Stripes, 1958

Unsigned proof. Printed on white wove paper by Stanley

Jones at Fore St Studios, St. Ives. Published by the artist.

Edition of 25. Full margins.

52.1 x 41.6 cm

Lit: Pat Gilmore, Artists at Curwen, Tate

Gallery Publications, 1977, Pg. 145

Coll: Tate Gallery (DP.6710)

12. PATRICK HERON £5,000.00

1920-1999

Interlocking Pink and Vermilion with Blue, 1970

Screenprint

Signed and dated lower right. Printed by Chris Prater at Kelpra Studios on

wove paper. Published by Waddington Galleries. Edition of 100. Full margins

59.4 x 78.7 cm

Coll: Tate Gallery (P04275)

13 .PATRICK HERON £5,000.00

1920-1999

Interlocking Scarlet and Pink in Deep Green, 1970

Screenprint

Signed and dated lower right. Printed by Chris Prater at Kelpra Studios on wove

paper. Published by Waddington Galleries in an edition of 100. Full margins

59 x 78.5 cm

Coll: Tate Gallery (P04276)

14. PATRICK HERON £6,000.00

1920-1999

Monotype VI,1994

Monotype

Signed , titled and dated verso. Printed to the edge of the

sheet by the artist at the Camden Arts Centre. A group of

approx. 8 variations of this image were produced at a

workshop during Patrick Heron: Big Paintings exhibition,

Sept.- Nov. 1994.

75 x 57 cm

15. ROGER HILTON £2,200.00

1911-1975

Untitled (Nudes and Dog), 1945-49

Etching.

Printed on laid paper by the artist. A very rare proof, only

one other proofed copy known. With margins.

13 x 17.8 cm

Prov: The Artist’s brother

16. ROGER HILTON £1,400.00

1911-1975

Put it in Your Pipe - Up You, 1974

Lithograph

Initialed and dated lower right, inscribed Artist's Proof. Drawn

by the artist onto a zinc lithographic plate supplied by Peter

Barton who arranged the printing. On lightweight cartridge

paper. Published by the artist, edition of 12. With margins.

41.5 x 32 cm

Coll: Tate Gallery (P07481)

17. ROGER HILTON £1,200.00

1911-1975

Untitled (Seated nude), 1974

Lithograph

Initialled and dated in the plate. Drawn by the artist onto a zinc

lithographic plate supplied by Peter Barton who arranged the

printing. Inscribed verso Mr Barton Tmx 20 ½ flat Gold. On

lightweight cartridge paper. Published by the artist Edition of 12.

With margins.

31 x 45 cm

Coll: Tate Gallery (P07480)

18. BRYAN INGHAM

1936-1997

Morning, 1978/79

Etching

Signed , titled and dated in pencil . Printed by the artist on

cream wove paper. Edition of 75. Full margins

49 x 64 cm

Lit: John Russell Taylor, Bryan Ingham: Sculpture and

Related Prints & Drawings, The Book Gallery, St

Ives, 1996.

19. BRYAN INGHAM £800.00

1936-1997

Stilleben Worpsvede (2), (pink and green), 1984

Etching, aquatint with hand-colouring

Initialed, dated and inscribed viii/xii in pencil. Printed

and published by the artist, on white wove paper. With

margins.

12.5 x 7.5 cm

20. BRYAN INGHAM £800.00

1936-1997

Red and Blue Still Life, 1985

Etching ,aquatint with hand-colouring

Initialed , dated and inscribed iv/xii in pencil. Printed and

published by the artist, on white wove paper. With margins.

16.5 x 9 cm

21. PETER LANYON £9,000.00

1918-1964

In the Trees, 1951

Screenprint

Printed by the artist on thin pale green paper. A colour variant

proof. Edition of 8. Trimmed to edge of image.

21.5 x 19.4 cm

Prov: The Reba and Dave Williams Collection

Lit: Carey/Griffiths, Avant-garde British Printmaking 1914-1960,

British Museum Publications, 1990, No.165

Coll: The British Museum (1990, 0127.5)

Tate Gallery (P11093)

22. PETER LANYON £900.00

1918-1964

Figure Study, c.1958

Etching

Signed and titled in pencil by Shelia Lanyon; with the PL studio

stamp lower right. From the posthumous edition of 25. On white

wove paper. With margins.

17.5 x 10.7 cm

23. ALEXANDER MACKENZIE £2,000.00

1923-2002

Drawing May 14, 1956

Monotype and collage

Signed and titled in ink. Constructed using four layered and/or

collaged paper sheets, each with printed and drawn surfaces.

Worked to the edge of the top sheet.

37 x 41.5 cm

Prov: Michael Snow

24. ALEXANDER MACKENZIE £1,800.00

1923-2002

Hillside, 1973

Hard and soft-ground etching.

Signed and dated in pencil. Printed on white wove paper

at the Penwith Gallery print workshop. Edition of 50.This

is plate 6 from a portfolio of fifteen images produced by

members of the Penwith Society of Artists to contribute to

the cost of the new Penwith gallery and museum in 1973.

Full margins.

27 x 45 cm

25. ALEXANDER MACKENZIE £1,200.00

1923- 2002

Scrimshaw, 2002

Etching and aquatint

Signed and dated lower right in pencil. Printed by Hugh

Stoneman on Velin Arches Blanc 270gram paper.

Published by Austin/Desmond Fine Art . Edition of 20. Full

margins.

14.5 x 30 cm

26. ALEXANDER MACKENZIE £1,200.00

1923- 2002

Winter Fields, 2002

Etching and aquatint

Signed and dated lower right in pencil. Printed by Hugh

Stoneman on Velin Arches Blanc 270gram paper. Published by

Austin/Desmond Fine Art. Edition of 20. Full margins.

14.5 x 20.5 cm

27. DENIS MITCHELL £2,200.00

1912-1993

Flags, 1951

Colour woodcut

Signed and dated in pencil lower middle; signed, titled

and dated on the original frame backing board. Printed

by the artist on thin cartridge paper. Unknown edition

(if any). No margins.

27 x 25 cm

28. BEN NICHOLSON £2,500.00

1894-1982

Paros with Balcony, November 1965

Etching

Unsigned proof. Printed by Ateliers Lafranca, Lonarno. Published by

Ganymed and Marlborough. Unrecorded edition size. Full margins.

18.5 x 24.8 cm

Prov: The François Lafranca Collection

Ref: Lafranca, Ben Nicholson: Etchings printed by Lafranca, No. 8,

this copy illustrated

29. BEN NICHOLSON £3,000.00

1894-1982

Olympia, 1965

Etching

Signed and dated lower right. Printed by Ateliers

Lafranca, Lonarno, on Zerkall Bütten paper. Published

by Thames & Hudson, London. Edition of 50. Full

margins.

18.3 x 22.6 cm

Ref: Lafranca, Ben Nicholson: Etchings printed by

Lafranca, No. 10

30. JOHN WELLS

1907-2000

Topsail, 1950

Engraving with plate tone

Signed and dated lower right; inscribed Trial Proof /25

lower left. Dedicated in pencil verso To Gillie from John

Wells . An extremely rare early state, printed before the

reworked ‘early impression’ in the British Museum

collection and the later state in the Tate Gallery collection.

Printed by the artist on wove paper. Proposed edition of

25, this total may include all states and proofs. There was

a later restrike of the plate in 1996. Printed by the artist.

Full margins.

14 x 12 cm

Prov: Henry Gilbert, owner of the Wills Lane Gallery,

St. Ives and a close friend of the artist

Coll: British Museum (2002, 0324.21)

Tate Gallery (P77130)

31. JOHN WELLS

1907-2000

Cliff Figure, 1950

Engraving

Signed in pencil lower right; dated and inscribed

T.P. (Trial Proof) in pencil lower left. Dedicated in

pencil verso To Gillie from John Wells . A very rare

impression of the 1st state (of 3). Proposed edition

of 25, this total may include all states and proofs.

There was a later restrike of the plate in 1996.

Printed by the artist. Full margins.

11.5 x 15 cm

Prov: Henry Gilbert, owner of the Wills Lane

Gallery, St. Ives, and a close friend of the

artist

Coll: British Museum (2002, 0324.72/73/74)

Tate Gallery (P77132)

32. JOHN WELLS £1,200.00

1907-2000

Untitled (Red Abstract), 1959

Monotype

Signed and dated lower right. Printed by the artist on light

wove paper. No Margins.

18 x 22.5 cm

Exh: Mottisfont House, New Connections: Modern British

Art at Mottisfont, Hampshire, April – June 2011

33. BRYAN WYNTER

1905-1975

Prawn Cocktail, 1949

Lithograph

Signed and dated in pencil. Printed on light wove paper, in an

intended edition of fifty impressions. With margins.

20 x 30 cm

Exh: Michael Parkin Gallery, Cornwall 1925-1975, No.148, 1985

34. BRYAN WYNTER £2,200.00

1905-1975

Untitled (Abstract), 1958

Lithograph

Signed and dated in pencil. Printed on wove

paper by Stanley Jones, at Fore St Studios, St.

Ives on behalf of the Curwen press. Edition of

50. Full Margins.

48.5 x 32.5 cm