Steam Punk Magazine 6

8/8/2019 Steam Punk Magazine 6

http://slidepdf.com/reader/full/steam-punk-magazine-6 1/108

t h e p r e- i n d u s t r ia l r e v o l u t i o n

Lifestyle

Mad Science

TheoryFiction

6#





As the Liberty lads o’er the seaBought their freedom, and cheaply, with blood,

So we, boys, weWill die fighting, or live free,

And down with all kings but King Ludd!

When the web that we weave is complete,

And the shuttle exchanged for the sword,We will fling the winding-sheet

O’er the despot at our feet,And dye it deep in the gore he has pour’d.

Though black as his heart its hue,

Since his veins are corrupted to mud,Yet this is the dew

Which the tree shall renewOf Liberty, planted by Ludd!

–Lord Byron

Song to the Luddites

The cover was illustrated by Molly Crabapple.



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narrative

Of Mice & Journeymen. . . . . . . . . . . . 15by Dylan Fox

The Catch-Valve Journal . . . . . . . . . 27by Austin Dyches

Yena of Angeline in“Lizard Town Woes” . . . . . . . . . . . .55by Margaret Killjoy

Doppler and the Madness Engine . . .75by John Reppion

The Useless Pistol . . . . . . . . . . . . . . . .97by Leah Dearborn

interviewsGhostfire . . . . . . . . . . . . . . . . . . . . . . . .58

by Dylan Fox

poetryLa Lotería de San Leonardo . . . . . . 42

by Joshua Gage

Freedom . . . . . . . . . . . . . . . . . . . . . . . .43by A.M. Paulson

features

Reviews . . . . . . . . . . . . . . . . . . . . . . . . . 8

The Luddites. . . . . . . . . . . . . . . . . . . . . 10by Carolyn Dougherty

Steampunk Sculpture . . . . . . . . . . . . 30by Keith Newstead, Robin Martin, & AndyClark

On Alchemy . . . . . . . . . . . . . . . . . . . . .44by Benjamin Bagenski & C. AllegraHawskmoor

A Corset Manifesto . . . . . . . . . . . . . . 62by Katherine Casey

Chasing the Will O’ Wisp . . . . . . . . . 64by Charles Eberhardt

Baritsu, Bartitsu, and theJu-Jutsuffragettes. . . . . . . . . . . . . . . . . . . 70by John Reppion

Waterloo . . . . . . . . . . . . . . . . . . . . . . . 80by Richard Marsden

Blowin’ in the Wind . . . . . . . . . . . . . . 84by Professor Offlogic

The Angels of Insurgence . . . . . . . . 88by C. Allegra Hawksmoor

Contents



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Correspondence | 5

CorrespondenceDirect any letters to [email protected]. Lettersmay be trimmed for space reasonsand/or edited slightly for “proper”grammar.

on steampunk in brazilD SPM,I B , www.steampunk.

com.br. W S ? A - (W’

S ), I S , S M-, . I j , - S, x , -x B.

–Lend Bntt



6 | SteamPunk Magazine Issue #6

two missives on formattingA 3 4 ?

–Alex

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. I , 11x1 - 3 4 ? A, I’ A-, A3 .

–Fze

Alleg espnds: Hpeully, we will be elesing issues #3 nd #4 in 11x17 impsed mt vey shtly, hweve we e nly ble t d this becuse

ssistnce m u edes. Untuntely, we simply d nt hve the time tht we need t e the mgzine in s lge viety mts s wewuld like. Tt sid, shuld nyne tke the timeequied t cnvet StemPunk Mgzine int th-e mts tht e useul u edes, we will hppily ewd them with cpy thei vuite

issue the mgzine.

on utopia and infernal instrumentsI P . H -, I x



Correspondence | 7

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Mget espnds: Tee e ew stes und the wld tht cy StemPunk Mgzine, nd mst them e in Ptlnd, Oegn. Tt’s wheethe mgzine is pinted nd miled m, t themment. Yu best bet is pbbly the nchist

bkste Blck Rse Bks, n Mississippi in Nth Ptlnd, Reding Fenzy in dwntwn, ight ne Pwell’s. Hweve, nne these stes e gunteed t hve it in stck, s we d suggest -deing it diectly m u publishes nline t www.

tangledwilderness.org.




Book

Jonathan Green

Unnatural History

Aban B, 2007

www.abaddonbooks.com

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eel cunts s stempunk enugh t wnt eview.

We will, hweve, nly eview physicl submissins

(the thn pd bks mp3 lbums). Cntct us

t [email protected] t nd ut

whee t send things!

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Ghostfre

Drunk Lullabies

www.myspace.com/ghostire

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Reviews |

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IllustrAtEd ChAPBookSteven Archer

Red King Black Rook

ra dg sceaing Pe, 2009

www.rawdogscreaming.com

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| SteamPunk Magazine Issue #6

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steampunk sculpture




Part 1 - A Steampunk Romanceby Keith Newsted

R

ecently, I discovered Steampunk. I elt

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steampunk sculpturean introduction to creating works

of art in three dimensions, by three

adventurers in the field of sculpting. cing pge, illusttin by Allisn Hely pts 1 & 2, illusttin by thei uths

Keith Newsted hs been mking utmt (mving

gutive sculptues) the lst 20 yes, nd dwshis style m wide suce inuences. His wk hs been exhibited wldwide, nd is n pemnent disply t the Eden pject, the Ntinl Glley, nd the Ntul Histy Museum, t nme but ew.

Yu cn nd pictues dcumenting thecnstuctin this wk n his Fcebk gup,“Mechnicl Adventues,” nd cn see me

his stempunk cetins n his website: www.

keithnewsteadautomata.com






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Part 2 - Making FriendsBeing a Study in the Construction of

Steampunk Art Dollsby Rbin Mtin

Practicalities

M

aterials and inspiration are, to me,. I V -

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Rbin Mtin is n tistic exple wh enjys nthing me thn delv-ing int new methds, mteils, nd

schls thught—edy t shehe ddly tilted pint view with iends ld nd new. Since he seen-dipitus discvey stempunk ltelst ye, she hs mde numbe delightul iends: cdemicins,vitixes, nd dventues mng

them.

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Steampunk Sculpture | 7

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Hee illustted e the cting hnds, the stepping n stls, nd the peeing thugh scpes.

Part 3 - A Victorian Flea Circus Chariotby Andy Clk




y y

Flea Circuses became popular in

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chit; the tuning d suppted n bth ends;the nished xle; m-chining the wheels.

Andy Clk is eseching the histy

the e cicus nd hs n inteest in nimtin nd nything mechni-cl. F the lst cuple yes he hsbeen living in Nth Lndn mking nd epiing things in shed t thebttm the gden.

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La Lotería deSan Leonardo

by Jshu Ggeillusttin by Sh Dungn



by A. M. Pulsnillusttin by Benjmin Bgenski

Poetry |

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As Above - The World of Outer Alchemyby Benjmin Bgenski

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On Alchemy | 5



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keep e in glsse, tht whilest the glsse is shut will nt bune, but s sne s it is pened will be inmed. Fist extct the buning spiit the slt tin in glsse Rett well cted;

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It is cnceived tht such kind e s thisws und in vults when they wee pened,which mny cnceived t be pepetull bun-ing Lmp, when s indeed it ws inmed t the pening the vult, nd the letting in ietheeby which bee it lcked, nd theeeculd nt bune. F it is t be cnceived tht

thee is n e bunes lnge thn its mtte en-dues, nd thee is n cmbustible mtte cnendue eve. Tee my be mny uses such e s this, ny mn my cy it but with him nd let it bune n sudden when hehth ny ccsin e.

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seil ctin by Mget Killjyillusttin by Amnd Rehgen



Yena o Angeline | 55

y g

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Yena o Angeline | 57

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Ghostire | 5

Dylan: Yu hve cuple inches n the plybill t sell yusel t pssing tde. Hw wuld yu en-cpsulte eveything tht Ghste is?

Andii: A O P F.

Dylan: Sy we’e in sme ded-end tven, with p lighting nd swdust n the . Yu’ve mnged

t cx us int ne the glmie, dnke cnesnd bught us dink. Wht’s in tht btteed ld bx yu’e tying s hd t sell t us?

Andii: A, , , P 1, , ’ . … C .

Dylan: I d hpe it’s cpy pe-Rupet Mudchimes. O, i nt, it’s wpped und sme sh nd chips …

Andii: I’ - “T” — T S ( “ ” …)

Dylan: Yu music nd yu lyics sund dieent tmst the sel-cnessed stempunk bnds— ex-mple, thee’s distinct lck synthesises, dummchines nd iship pites. Ae yu pupseullytying t dene dieent sund yuselves?

Andii: D! W’ . W ’

E —V - — . W — - A P— E

’ G . I “” , —’ , , .

Dylan: Wht’s yu getest tiumph?

Andii: T S— . I’ q H.

Ghostre are a London-based steampunk rock band who co-aece an ei giai, Anii. Feging e e f aiipand lairs of mad scientists, they instead shufe down the dark and

i-i ie-ee f e Vician , pcing begge, e-e, an f e ay an caing e in enac-

ing eaa, pi-inge faiy ae an acic baa.Anii iny agee ane a fe qein ie e a in atybn ay, aing e jeie ee ie e pe a be-ing ie.

Dylan: Cn yu ecll time when yu wished tht the lights wuld dim nd the guy with the hk wuld huy up nd pull yu stge?

Andii: S




Andii: S

. T j C — C, , ’ , x, . W , S …

Dylan: Wht is yu peeed methd tnsp-ttin? Aiship, pddle steme, smething meextic?

Andii: P A1 P - 4--2. “.”

Dylan: D yu think tht the UK stempunk scene isdieent t the scene in the US?

Andii: T US -. O , , .I’ “ ,”

x. I’ I -, UK ( ), US.

Dylan: D yu think tht divesity is ging t be

mintined s the scene gws, e sme tists ging t split wy nd nd dieent pth?

Andii: M , x- UK , - , j . I ’ -

te ic pe i aep pigen-e eapn via afe ban, en a a f in-fei cpyi ban i jp

n e banagn. I appenve an ve again an i’epeing becae i ayen p eying cene aee iniiay viban, niqe,an icay exciing.

, q, x. I ’ , ’ - … T -



Ghostire | 6

, x I .

Dylan: Yu EP, D L , cme ut in Octbe lst ye. Yu’vehd cuple pesnnel chnges since then nd plenty time n stge. We he tht yu hve n lbum due ut in ely 2010. Hwwill it cmpe t Lullbies?

Andii: I ! W D L’ . R, , I ’ .T 12 / x . W EP, G . W’ , ’ x — O.

Dylan: When the pclypse hppens, wht skills e yu ging t bing t yu g-tg gup suvivs?

Andii: W — ! L f S.

Dylan: Whee d yu s bnd, nd yu s peple, expect t be in ve yes time? Will thee be cke?

Andii: W F: -

, G C . T -.

Ghse hve pmised t entetin the cwds t Te Asylum, theUK stempunk cnvivil, in Septembe. In the mentime, thei music cn be enjyed thugh thei ethe-net site t www.myspace.com/

ghostire , whee ne cn ls mke puchses thei EP nd the sundy items.



C , A E - . R ,

, q ?

N! T x j . O ’



A Corset Maniesto | 6

x , q .

—E A. S , On Te Pliticl Situtin Expeienced In Ou E, S M 1

W ere you to seek an international

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, N, . L,

the zenith and decline of the tramp printer

by Chles Ebehdt Chasing the



Chasing the WIll O' he Wisp | 65

Will O’ The Wisp , ‘’ B, N-, :

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S, , . A T W. H, D W A 1920. E “D” j , D W E.I , W

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190; FBI

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Technology Finally Kills the DreamFor decades, innovations - j , j . T .

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A.

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Further ReadingTe mp Pinte: Smetime Juneymn the

Little Hme-twn Ppes In Dys Tt Cme N Me, B H L, M P,1934.

Adventues mp Pinte: 1880-1890, JE H, M P, 190.

mpgphy: Reminiscences Rvin’ Pinte 1913-1917 , L B, 194.

mp Pintes, J H M D-, D P, 199.

A Ctsh in the Bdni: And Othe les Fm the

Glden Age mp Pintes, O J. B,N S P, 190.

Lie in the Bck Shp: Pintes ell Tei Sties,1900-1965, R MG S, S- L C, 2004.

A L’ F S, H P. R-, C H. K P C,

200.

In December 8, a crime was committed

R

( D. W

) F




I . R- Stnd Mgzine

, , - : S H .

A x x, AC D G D-

Te Finl Pb-lem. D’ H . T, , . I 1903, S , D -q S H

Te Adventue the Empty Huse. R G D’ x-, —H R F - . B ? S , , P M, -

, H ?

W .I , , , J , . I , -

. B , . W I . T , , .

H, x

, D

) . F, 1903, Te Adventue the Emp-ty Huse 193, x 190. S, “” B.

T A C D Te New At Sel Deence: Hw

Mn My Deend Himsel Aginst Evey Fm Attck, q Pesn’s Mgzine M 199. E- S— q q.I , M. E W B-W, V : 10

B, B L S, E . I 190 B-W J. T, , Jj S

F R (“ G”) J (“ ”). B - q - , E F x, E x B— Jj.

H J L 19B-W q. C - E , ’ ,, , , . S Punch

(141—1992) --

a

n d

Baritsu Bartitsu



nd

t h

e J u - J

u t s u

f f r a g

e t t e s

by Jhn Reppinillusttin by Jun NvBaritsu, Bartitsu,

Ptent Antigtte Cll (“wnted t withstnd the gip the mst mus-cul un in the metplis […] highly plished nd elegntly studded with the shpest spikes”).

I , , , ,

j, T S J S D, P C. S S U’ M. R [E-] W Te Fine At

Jujitsu— E K




I , , , , , -. P “” E B--W, , .

T B C L’S A 199, J Jj , F -, S , E -, . M B. B-W’

V ’ , - j. O , q . W q - “-”

, 1902 TB C .

T -, B-W’ q E (Q V 1901). T Jj E 19, B . T J jj - E B-W’ : K. , S. Y, Y . K. Y J , Y , j jj S U-. A T B C, U

L Jj

Jujitsu E K j . I T B C—x (B-W -).

W S U

J 190, P C W E G ( - -). W G Te Cmplete Jujitsun ( 1914) E .E’ -

. A Lndn Sketch J 1910 M.G - jj , . T -

, ’ , “ MsGud, well-knwn Sugette, demnsttes themethds jujitsu she hs tught the W.S.P.U. ‘bdy- gud.’” T W.S.P.U (W’ S PU), O 1903 E C P M, 1910 - W’ UK. T “” S . M.

G , J 1910,

H & S Dmsel v. Desped. T :

In pptin s the Sugettes incese innumbe nd in pwe, s ls d the JU-JU-SUFFRAGEES. (I believe it ws Helth &

191, ’ .

I 2001 Electnic Junl Mtil Atsnd Sciences - B-W’ ( ) . I-

B q ,



Baritsu, Bartitsu, and the Ju-Jutsuragettes | 7

SUFFRAGEES. (I believe it ws Helth & Stength wh st cined tht ltte phse.)Te dily ppes, by thei witticisms, smt thewise, t the expense the Sugette wh ges in ju-jutsu in de tht she my il he suppsed ntul enemy, the mn in blue [e.g., plice cnstbles ttempting t stp vilent

wmen’s ights demnsttins], hs cetinlyhelped t ppulise tht mde sel-deencewe we t the Jpnese mngst u wmen,whethe they clmu the vte nt.

Punch J-J - . I Lndn Sketch

— V W — , . T “TeSugette Tt Knew Jui-Jitsu—Te Aest .”

U E B-W,

T B C, x Jj . T UK W 1900, B-W .E B- 1920 , , .H “-” L - T-P M-, U-V R L . T

, E

q , T B S - “T N A S D.” T B S - “C B”—

— “N-B”— -. A , - , 200 B--W . T K-

C S, L. T B S : Te Btitsu Cmpendium, Vlume I: Histy nd Cnnicl Syllbus (200) Vlume II: Antgnistics (200), M. E W-

B-W. P “ In memy the mn wh sved the lie Shelck Hlmes.”

Reference:en.wikipedia.org/wiki/Bartitsu

www.bartitsu.org

www.victorianlondon.org

www.scclub.com/history/udo-hist-e.shtml

martialhistory.com/8//uutsu-suragettes

Te New Anntted Shelck Hlmes L- S. K (W. W. N & C), 200.

“T C M” A K—T C41, O/N 200.




Doppler and the Madness Engine Pt Tee Tee

by Jhn Reppinillusttin by Jun Nv



Doppler and the Madness Engine | 75

Extct m Dpple’s Junl N. 27.

January the 12th [1866]

Almost two months have passed since

M. S T.M - — - .T

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“T , D!”




for a new age to rise an old one dies:

Waterloo



Waterloo | 8

T he world o Victorian-age steampunk -, G-

D. M’ Aq- . I

E-, B G. B E ?

I B 11. A x f , O G, P. T P

, - “,” N F’ , “E.”

T E A - , F, N .T N’ F . T E F R- N’ I. N , - . O E N

x E 114. I 11

by Richd Msdenillusttin by Suznne Wlsh

Waterloo N . P C

. O - N: B P.

N , “I , I .” H F, , A . M , N B

Aé N B-Aé N B- B- P . O J 1 1 N-’ B P . H , - M E, A , .

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N , P,

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, A-D .W N’




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, O G E, N’ , J .

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Waterloo | 8

. A , . A O G W’ . B , W- , B , F.

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, N- . W ; O G . T B , ’ . T .

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, . B , , N . T . N . N .

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E W , , 0,000 .

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, x C. T N E , , P B, - . F .

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F , W - . T V , . O , . W N’ -, I R E. I-

, E - . F B, M A, P ( G) . A P, W , 11 P P— G.

A , W B , N . B, ’ F E? Vive

L’impeu!

t d th t ti f i d illBlowin’ in the




Sea-aring people have been using the 4,000 , - ’ -

P (00-900 CE) .

W , : eveybdy nybdy -

. T , , .

W : -, , , - q. U , !

So, Just How Much Power is in the Wind?T q :

P = 1/2 ρ Π 2 V 3W:

P =

ρ = ’ “,” (K/3), 1.22

= ( )

V = ( /)

D’ ; j

q

a study on the construction of windmillsby Pess Ofgic

“,” ( q), “V,” ( ): - ‘ , . S, ‘ 0 , ’ 400 1 . F- ‘.(N: ! P “1000”

: YEEE-HAW!).

Mechanical to Electrical Conversionhanks largely to H P, dul t xil ux ltent - .T

( ), -, . U DC /, x fx - “” ( /, “” ) - , . T

.

Two TribesWindmills all into : H Ax W (HAW) V Ax W (VAW).

T HAW, ’ -

,

Wind



Blowin' in the Wind | 85

; VAW “-” ’ . B , , .

Horizontal Axis Wind TurbinesHAWs are well RPM. T ,

20 . T ( “ ”), .L, - q , x .

S (~1-4 KW) (

, “”, , , -, .).

-. I - .

“Whirling Blades ’o’ Power!”Many scratch-builders have PVC/ABS -( ) x- HAW. T .

A x x -, ‘ ,

.

Watts “Betz” Got to Do With It?wa a ea a Bez

a in. In 1919 e

Gean pyici AbeBez anee e ica

qein: “J c

pe can e ge f

e in?”

hi anayi e

a 16/27 (ab 59%)

f e a avaiabe

enegy a e eei-

ca ii f a c

be anee. ti i i

nn a e “Bez lii.”

In pacica e, e be

in genea i a-

ne ny 20-40% f e

avaiabe enegy, p!

B HAW, , . VAW “,” HAW : HAW x , !

Vertical Axis Wind TurbinesVAWs are good q ,




q , , . E - , - - , HAW.T q ( ), , .

The Savonius VAWThe most common, , VAW S . T S (AKA “S-rotor”) , F S J. S, -

1922. W “S” “-” , gue 1.

T S- HAW:

· sipiciy. tey can be cnce f cnge aeia (pi

2-liter bottles, 55 gallon barrels, scrap ooring materials, wheel-barrow

b even fae fabic ania in). le rPm a ae e

e eniive in ecanica ibaance.· s- can a p in vey in-pee (~3 mPh) an i eive

signicant torque. Unlike HAWTS over-speed conditions aren’t a prob-

e f s-.

· s- cac in f any iecin an fncin e in e ben

air ow down low to the ground.

· S-rotors are unique in that they also work well as watermills in “ow of

river” installations without earthworks or dams; just anchor two oats ine ae an ay e - af ac e i e “cp” af-

bege: exceen f pping ae!

Just Want to Get Your Feet Wet?A DC (

f) ,

Wind Turbinology, in Brief

Cut-In Speed: e in pee

eqie pce ain.

ti ince vecing e

ficin f e ye, an i

inuenced by the number andaeynaic f e bae.

Start up Speed: e in pee

eqie geneae eeciciy.

F a 12 v baey ye,

i be e in pee

ge 13.5 v f y gen-

ea.

Maximum Power Output: i

i e anpaen e

ee, e pea pe eve n

e pe p cve (a p

f pe ve in pee

f a given paiing f bine

an a).

Tip Speed Ratio: e ai f

e pee f e bae ip

e pee f e in iving i.

s- ae pey c iie

e .8-1.1 egin; hAwt

iney acieve 5-6.

gue 1: VAW, seen m bve

. I , DC , (AC &

).O 100 .

-.

S , , I 10

1 ¼” . I x / .



Blowin' in the Wind | 87

, . K ) DC , ) RPM ) ( ).

Rolling Your Own S-Rotor: Smaller is BetterSince I’m airly , I - S-. O - - $3 . I j- . T

“” S-.T S- “”

, , “” ’ . I 2 , 20% .

T S- ( ) ’ -10% x , . I , 30 .

M ( )

, 90 . T -: - x , .

F x I / . I -

11 - x,

I “F B” S- ( - -). A $10 RPM . I - . I’ x- 233 RPM, 20 MPH q I ’ x ( !).

W x 0- ( - ), ’ -

$0. C , ’ !

The Future PastAt present, there “-” - /- . T f “

,” “ ,” “ ” ( shuldn’t x).

H C ,$100+- : sttus qu ’ . A

, -( , “-” “j”) .

E - O B, ,

.

The Angels of Insurgencethe life and timesof the romantics,




o most o us, the early 8’s j

: q- - ; ;

. A . H,

’ : A R - E f; -

, , , - .B Bx H, , -

x

R. I , , .

D V

G,

and their worldby C. Alleg Hwksm

illusttin by Amnd Rehgen

Government is an evil; it is only the thought-

lessness and vices of men that make it a

necessary evil. When all men are good and

wise, government will of itself decay.

–Percy Bysshe Shelley,

An Address to the Irish People, 1812

T J A

. A ’ , R- - .

H,

, R- .

- . F , —

. T ’ .

T



he Angels o Insurgence | 8

At War Against the PastAlmost every age ( ) , R- . I ,

. T A E - , N S .

O - , R- : , R- x , q N .

At War Against the FutureAt the start I- R j , - . M , -

j - . A ( x- ), R --q j - .

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,” - R - —j R E , j , V.

W - . L

, , R .

A ’ R, .

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T , , x …

A History RevealedBeore the Romantic A, E -

R E. H, -

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, - , -R E - C -C

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R F R -: A .

B, F R N-’ E E , R . A ,

), , .

The Rise of a New Classhe last o R - . W , , -

I R . A x. M R - - - .

W

.T - -. S — —

q, .

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, E , . H,

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.M, E

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he Angels o Insurgence |

j .

The Infinite Horizon

One o the R x — - x.

N- , , . I, R N :S , - H, S . R -

, N .

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.A

C , . I W, IM D - ,

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( W ) W E. M- S, - C, P,

x - R .

A , R- - , . I , - R

:B x , . A , R , -

— . T x -

The Building of a Brave, New World“I must cete system, be enslved t nthe

mn’s”—Willim BlkeIn February o 112, L B ( - “, ” ) H L L.

B E ,




j , N x.

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- , . T - , j - . C x.I , , B . A , S C- “ ”: x , -

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R . H - . L, H, . U . I B , G B,

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, q . I

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. D , S U K

R W x , .

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x .

E M W- A, j W G -



he Angels o Insurgence |

S B S , , M F.

B B S B- , ( E F R) - R W . N j f - N. A , .

S .B E, -

: W G ,

, W- G . G -

— j . H S - , . S, M W- V

, R .

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E, . S C ,

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The Rights of WomanAlthough it is , -, R q j , x .

M W; C : R

-G. T, 11,

G’ . B W G U S : , W G B



. M M S-’ , R- .

F , S - ,

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V x B



he Angels o Insurgence | 5

, . A , M A - -

. A “ - ,” S .

B R - . I U S, , M S 11. M, E, R V , A C P-RB.

A , . T R- -, “ ” B , G x -

. A ?H , x- ?

M, x - q,

, x . B, . M -

j ( ) - R A. P x , , x, .

I , ’ .



Picture me today as you would the amous painting o J P M

he Useless Pistolby Leh Debn

illusttin by Ivn McCnn



he Useless Pistol | 7

P , J-P M, . F ,

F R, I x— . M

O B, I M 1, 19.A I

’ , I . B I , - x . A I I d : . A . T

. S , I . ,, I .

P I . E , I .

D, , . M . I , , P . H , . T : . A , . H Bj

F, .H . T

A— — . A B — - - — - . W ,

A

, -j B. T - , - .W ’ - ( )

, .“T !” . “A -, . I’ ? N !”

“W ” F

. B . S, ,

. E , K L XVI, 2,190 lemnde.

I q I Ij




W, , F , “T’ I’ P.”

I’

-. F F , . B - F .

I , . T -

, . T , -- . B . I T E— F — S- E, , ’ FE: . T ncien egime, , G K .

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x . S . T S E un l’âne d’un t . T , .

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I . Ij, , - I .I ’ I ’. E,

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. A . T I

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T . T L f . I , I I . T , I f . H .

I , “J .”I I I’

. I j B L T



he Useless Pistol |

T I .

“A !” I . “ Je veux que vus tus de eme vte putin de buche!”

S . T I x . I , .

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“A , , I’ ’ ’ .”

T . O , , ’. I , . T . I : , ; ; , . I .

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. H I .

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I - . A x

I .

. B L . T .

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, , . I’ : I q- .” H — . “Y’ ,

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I ’ ’ . “B

will ’ .”

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I , I’ve cught his sn’s pecius bide.“ I

. H -

x .”I - .“M — x-

.”T ’ R .“M x ?”“Y, ’ I .”W , . I

. L -, I’ .




, I .I . I L. I . S ,

I . H q. D , x .

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S ’ .“D’ , M,” I . “T .”T L

.“T ,” . “I

.”C . T

P.“P,” I . “H ?”H . “A 20,000 .”“Ex.” I , . “N I

. I . I ’ , . F I . F I . O , q -

j . T , L,” I , “x . M . S , . W ,- . F , . S j

! S!”

I I . M -.

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B . “I ’ —

. I I , . A , . I q , - .

T — , I — -



he Useless Pistol |

ncien egime. I ’ , ’ I . I ,

. T , , . My . A -, , . A

, . A f—’ , ’ .”

I M’ . B I - , , .

T q click x- , I x. T I : f.

T L’ — .

My net conscious . I . A ( ’ I ) . I , .

I I

, I

I . A Rô ,

. -

, , , . H SC , L H ê. A .

“T’ étile chnceux, ! H , ?”I , H’

, j .“S, !” . H

j . T , . “I j T. I I I . M’ , .”

“W I?” x .

“Y . C: wee . I x

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.“I M E,

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. H

, f

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. B I , - . S I , I , I -. I x ,’ I? S ?”

I I

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. S - . W I fx , I .

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. E -, .”

I ’ . I , ’ q .

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A .“T I . S

. I , I -. S ?”

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, . I , .

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I . I .”

. I L —

. I j.

W M E , I . T x . I

, , f . I M, I I . S , , - .

B I . A x I : O B -, .

And now I , . M , . N . Ex

, I . I , I j . B I I I .

A : I -. A I .



x. W - . W , - . W - , ,

; , - . S- . . .

Poetry: W T

Issue #6 edItorIal team:

C. Aega ha (managing Ei)magae kijy (lay Ei)libby Bff (Cnibing Ei)dyan Fx (Cnibing Ei)

ContrIbutIng artIsts:

Benjain Bageni (Page 68, 95)Beaynne Bajea (Page 11)Pa Baa (Page 28)my Cabappe (Cve)saa dngan (Page 48 94)



. T , . W ,

40 0 . A , . . , .

Illustration: W , -. I, , , .

A (300 ), q .IFF . T , 00.

How-tos: W . W DIY, , . W

, .

Comics: W . C !

Reviews: W , , , , . .H, , x.

Fashion: A q

, DIY - x x . I , , !

Other: S ! W’ .

@.

saa dngan (Page 48, 94)d. Gef (Page 4)Ain heay (Page 33, 62)Ivan mcCann (Page 96)Jan Nava (Page 65, 72)Aana reagen (Page 54, 86)szanne wa (Page 58, 78)

Colophon:

we’e geing bee a n ing anyfn. ti ie, e e: oldstyle, Headline One, Headline Two, an Persnickety fe h.P. lvecaf hiica sciey. Nars (Na), by Ea recife. tenie Cen-y, by s he. An by fn iW P, eigne by rbe si-bac.

publIshed by:

sange In A tange wienewww.tangledwIlderness.org

ti i e fee, inene-iibe ve-in, if y n in i pine ,g n eve i e pining! uneey i y, in ic cae ey aean ae.

wie i’ e fa f iny—an ndIY pce—a e fe ae beingeye, e’e i in 100% ecycepape.





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