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Storyboard (1)

Date post: 17-Feb-2016
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This is a closeup of the central character applying her lipstick; this shot is acts like a mirror as This shot is a worm’s eye view long shot directly looking a t the central characters In the background is non-diegetic music, which is played throughout to connote the build up of the climax. However on top of this starts the voice over, this acts as the mind of the In the background is non-diegetic music, which is played throughout to connote the build up of the climax. However on top of this starts the voice over, this This shot is when we see the central character flipping back the wig in the same camera shot and last time. However as this is happening the title of the film In the background is non-diegetic music, which is played throughout to connote the build up of the climax. However on top of this starts the voice over, this acts as the mind of the central character which is stating evil quotes making her seem In the background is non-diegetic music, which is played throughout to connote the This zoom into a fade shot of the title of the opening sequence to connote that what the film is about also this
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Page 1: Storyboard (1)

This is a closeup of the central character applying her lipstick; this shot is acts like a mirror as the central character is using the camera to apply the lipstick.

This shot is a worm’s eye view long shot directly looking a t the central characters facial expression as she goes to apply the wig.

In the background is non-diegetic music, which is played throughout to connote the build up of the climax. However on top of this starts the voice over, this acts as the mind of the central character which is stating evil quotes making her seem sinister.

In the background is non-diegetic music, which is played throughout to connote the build up of the climax. However on top of this starts the voice over, this acts as the mind of the central character which is stating evil quotes making her seem sinister.

This shot is when we see the central character flipping back the wig in the same camera shot and last time. However as this is happening the title of the film fades in and starts to zoom in until it’s just on the screen on its own.

In the background is non-diegetic music, which is played throughout to connote the build up of the climax. However on top of this starts the voice over, this acts as the mind of the central character which is stating evil quotes making her seem sinister. However this is when the voiceover finishes.

In the background is non-diegetic music, which is played throughout to connote the build up of the climax.

This zoom into a fade shot of the title of the opening sequence to connote that what the film is about also this creates tension, as it gets bigger then disappears.

Page 2: Storyboard (1)

This shot is a mid-shot pan of the makeup set on the sink. This is over layed by another image, which helps to contrast that the central character could be to blame for the girl being tied up, due to it playing on her mind.

In the background is non-diegetic music, which is played throughout to connote the build up of the climax. However on top of this starts the voice over, this acts as the mind of the central character which is stating evil quotes making her seem sinister.

This shot is a side wide mid shot, which captures the hostage and the central character in a conversation. This is over layed on the central character doing her makeup shot to connote that it is on her mind and it’s her guilty conscience.

In the background is non-diegetic music, which is played throughout to connote the build up of the climax. However on top of this starts the voice over, this acts as the mind of the central character which is stating evil quotes making her seem sinister. However the conversation is muted which helps to connote she is focusing on her evil side rather than her mistakes.

This shot is a pan mid-shot of the hostage tied up begging for help. This is over layed on the make up to connote that she has this on her mind.

In the background is non-diegetic music, which is played throughout to connote the build up of the climax. However on top of this starts the voice over, this acts as the mind of the central character which is stating evil quotes making her seem sinister. Also the hostage is screaming and pleading for help due to being tied up.

This is a pov shot of the central character looking in the mirror whilst dong her makeup, this connotes that she is desperate to mimic these images tat she is trying to manipulate. This is also then a close-up of the brush against her face.

In the background is non-diegetic music, which is played throughout to connote the build up of the climax. However on top of this starts the voice over, this acts as the mind of the central character which is stating evil quotes making her seem sinister.

This shot is a pov shot of the central character applying her mascara in the mirror; this also helps to portray her desperation to mimic the Polaroid’s. Also this is over layed by the next shot to connote that she has a guilty conscience.

In the background is non-diegetic music, which is played throughout to connote the build up of the climax. However on top of this starts the voice over, this acts as the mind of the central character which is stating evil quotes making her seem sinister.

Page 3: Storyboard (1)

Due to this shot being pitch black it doesn’t really matter what shot is taken due to you not seeing anything but black on the screen. On top if this is our production company logo fades in and out of the shot to help the audience know who created the film.

In the background there will be diegetic sound, which is of someone screaming connoting an enigma, as the audience will be wondering whom the mysterious character is and why they are screaming.

This shot of the main central character will be a side tilt to connote what she is wearing, after panning across her face to signify what she looks like.

There will be non-diegetic sound in the background, which will be synchronous and parallel creating tension and building the climax.

This shot will be a mid-shot pan connoting the struggle and the desperation for the mysterious character to escape. This shot is important as it connotes her facial expressions and what she looks like creating an enigma for the demographics making them wonder who’s he is and why she is beaten up.

There will only be the non-diegetic sound of the background music creating the suspension for the demographic, however due to her struggling there is no noise present of her screaming or heavily breathing connoting she is inferior and has no voice.

This shot will be a blurred shot which is an extreme close-up and it is zoomed out into a clear unblurred close up which connotes yet another mysterious character which is in the polaroid’s. This also creates an enigma with the demographics, as they will be wondering why the central character has picture s of this mysterious character over the mirror.

In the background is the non-diegetic sound, which is synchronous, and parallel, it creates tension and builds the climax for the demographics.

This shot is a low angle long shot of the central character tying her hair. This helps to capture her full body image, which connotes that she is a very sophisticated woman, which can be contradicted by her personality.

In the background is non-diegetic music, which is played throughout to connote the build up of the climax. However on top of this starts the voice over, this acts as the mind of the central character which is stating evil quotes making her seem sinister.


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