In this first sequence, the antagonist is walking along a dimly lit corridor, with only his shoes being visible. This creates an air of mystery around the character. The camera follows him along the corridor. Shot type is a close up. Camera angle is a mid angle.

The camera slowly raises up the antagonists leg, revealing a gun by his side, camera angle and distance from subject does not change. Music becomes darker when the gun is shown.

The camera pans round as the antagonist enters the room, to show the door, him opening it, and his gun still by his side. His face still remains hidden throughout these first few sequences to continue the mystery surrounding the character. As he goes through the door, the camera stays on the door as it closes.

Upon entering the room, the camera stands behind the antagonist, and looks down at the weaker victim. The shot pans as the man sits down to the next establishing shot. He looks down at the victim to show authority, and yet again his face is still hidden until he sits at the table.

The man sits further forward while the woman sits back, afraid. This shows the mans confidence. Shot type, mid-shot.

The over-the-shoulder shot complies with the 180 degree rule and reveals the males face properly for the first time.

Storyboard – Thriller SceneMatt Olver, Eloise Preen, George Davison and Nathaniel Gadd

Here is another over the shoulder shot, showing the females reaction to the mans comment or question.

Here the camera pans slightly lower on the shoulder of the male, this is when the female is admitting to the allotted offence that she is being accused of. The camera pans down to the show the calmer ending to the scene, and the now calmed man who is accusing her.