The Lee Strasberg Theatre & Film Institute is the only school in the world that offers training of Lee Strasberg’s Method acting in its pure form.

For over 40 years, the Institute has built its outstanding reputation on the

proven value of Lee Strasberg’s teachings, the astonishing achievements of

our students, and an unwavering commitment to excellence.

We challenge our students to be bold in their choices, original in their

ideas, and passionate in their pursuit of creative individuality.

Our highest goal is to ensure that each student masters Lee Strasberg’s

technique and its disciplines, as well as encouraging every student to

become a successful artist within his or her chosen field.

OurMission

OurLegacy

The birth of the Institute was a natural evolution which began in

1931 with the formation of the Group Theatre. Co-founded by Lee

Strasberg, Harold Clurman and Cheryl Crawford, the Group was

created as a progressive theatre company devoted to producing

socially-conscious plays, as well as formulating a cohesive system of

training for the actor. With its pioneering Broadway productions,

many of which were directed by Strasberg, the Group quickly

distinguished itself as one of the most revolutionary theatre

companies in history.

After the Group disbanded in 1939, Strasberg began teaching private

classes at both Carnegie Hall and The New School for Social Research.

In 1951, he became the Artistic Director of the Actors Studio, a position

he would hold for over 30 years. The legion of legendary actors,

directors, and playwrights trained by him at the Studio skyrocketed the

New York-based workshop to international prominence.

In 1969, the emergence of a new generation of teachers trained by

Strasberg enabled him to establish The Lee Strasberg Theatre &

Film Institute. Later that same year, Anna Strasberg became the

Artistic Director of The Lee Strasberg Creative Center, a non-profit

organization that offers scholarships to promising artists from the

inner city. The Institute immediately gained national recognition and

distinguished itself as a major force in professional dramatic training.

The success of Strasberg’s teaching, coupled with the overwhelming

demand to study his technique, required that the Institute operate

in both Los Angeles and New York City. The roster of successful

actors trained at the Institute continued to flourish, making the

name Lee Strasberg synonymous with superb acting.

Lee Strasberg, along with his wife Anna, established The Lee Strasberg Theatre & Film Institute to offer the very special and individual nature of his work to a wider public. Since its inception, the Institute has remained a world-class leader in performing arts training.

Strasberg lectured at Harvard, Yale, UCLA, and

Brown University, where a theatre has been

dedicated in his name. He also became the recipient

of an Honorary Doctor of Fine Arts degree from the

University of Florida. Abroad, Strasberg represented

the American theatre at the Stanislavski Centennial

in Moscow, lectured on Stanislavski in Paris,

and held seminars in Argentina. His seminar in

Bochum, Germany remains one of the most sought-

after references on acting in that country.

Lee Strasberg’s Method is well-known throughout the

world, and its influence endures. At any given time,

students from more than 39 countries arrive at the

Institute with a desire to learn Strasberg’s Method.

For over three decades, The Lee Strasberg Theatre

& Film Institute enjoyed an association with

New York University’s Tisch School of the Arts,

developing some of the most accomplished artists

working in the entertainment industry today.

In 1974, Strasberg made a triumphant return to

acting in Francis Ford Coppola’s masterpiece,

The Godfather Part II; his performance earned him

an Academy Award® nomination as Best Supporting

Actor. He continued to star in such films as

The Cassandra Crossing, Boardwalk, Going in Style,

and ...And Justice for All. On television, he starred in

Macbeth, Emmy® Award-winning The Last Tenant,

and the critically-acclaimed Skokie.

As a respected authority on acting, Lee Strasberg

was a frequent contributor to numerous publications

and became the only teacher invited to write the

definition of acting for the Encyclopedia Britannica.

His top-selling book, A Dream of Passion, is

considered required reading for all students of the

performing arts. The Lee Strasberg Notes, based

on the tapes from his Institute classes, is regarded

as one of the most illuminating books on acting

ever published.

Since Lee Strasberg’s passing in 1982, the

Institute has continued to thrive under the

artistic leadership of Anna Strasberg, who has

passionately upheld his uncompromising standards.

In 1999, Lee’s son, David Lee Strasberg, joined the

Institute as Creative Director.

For over four decades, actors, directors, and writers

from around the globe continue to acknowledge

The Lee Strasberg Theatre & Film Institute as the

place to discover, define, and explore their own

unique talents.

ABOVE: Leading The Lee Strasberg Theatre & Film Institute, 1969-1982. Opposite TOP: As Co-Founder of the Group Theatre, circa 1930s.

CENTER: As Artistic Director of the Actors Studio, 1951-1982. BOTTOM: Touring the world conducting ground-breaking seminars.

Karen AllenAlec BaldwinJames BaldwinAnne BancroftEllen BurstynJill ClayburghClaire Danes

Rosario DawsonJames DeanRebecca De MornayRobert De NiroLaura DernKevin DillonMatt Dillon

Jennifer EspositoSally FieldBridget FondaJane FondaJohn GarfieldTeri GarrBen GazzaraKathy Griffin

Martin LandauJohn LeguizamoRay LiottaRobert LoggiaPaul MazurskySteve McQueenBurgess MeredithBette Midler

Sienna MillerMarilyn MonroeCatalina Sandino MorenoKathy NajimyPatricia NealPaul NewmanMike NicholsKelli O’Hara

“An actor’s tribute to me is in his work.” — Lee Strasberg

Jennifer EspositoSally FieldBridget FondaJane FondaJohn GarfieldTeri GarrBen GazzaraKathy Griffin

Linda HamiltonJulie HarrisJeffrey HaydenCatherine HicksDustin HoffmanCeleste HolmDennis Hopper

Michael ImperioliScarlett JohanssonAngelina JolieHarvey KeitelCallie KhouriNastassja KinskiShirley KnightDiane Ladd

Al PacinoGeraldine PageEstelle ParsonsAnthony Perkins Franka PotenteMickey RourkeEva Marie SaintAdam Sandler

Sissy SpacekKim StanleyBarbra StreisandBrooklyn SudanoMarlo ThomasUma ThurmanFranchot Tone

Christopher WalkenEli Wallach Christoph WaltzLesley Ann WarrenGene WilderChandra WilsonShelley Winters

“An actor’s tribute to me is in his work.” — Lee Strasberg

LEFT: Lee Strasberg at the Institute. Opposite TOP: Co-Founder Anna Strasberg continues her husband’s

acting technique in a Master Class.

Lee Strasberg clearly understood the needs of actors and designed

a series of sensory exercises to train them to respond truthfully

– expressing what they feel but cannot articulate – and to live

through the imaginary circumstances described by the playwright.

These exercises develop the actors’ craft and provide them with a

clear, logical process for working. This Method is brilliant in its

specifics and is essentially an art form - the study of life, human

behavior, and the world we inhabit.

Lee Strasberg’s Method, as taught at the Institutes bearing his

name, is more necessary than ever in this multimedia world. It is

thorough, organized and prepares actors to handle the demands

of any role, empowering them to create compelling, nuanced, and

fully-realized performances.

This class serves as the foundation for all of our classes – from

Movement for the Actor, Dance, and Singing to Script Analysis

and Technique for Film & Television – and it allows our actors

to integrate and refine all aspects of their craft, creating a

finely-tuned instrument.

At the Institute, our teachers have been selected for their skills and

expertise and are among the most accomplished artists in their

professions today.

To view a current teacher roster, please visit our web site at

www.strasberg.com

Lee Strasberg’s Method

CENTER: Mr. Strasberg’s son, David, guides actors through a scene. BOTTOM: Sasha Krane,

Mr. Strasberg’s nephew, teaches an Acting for Film & Television class.

OurClasses

New York City Classes

Acting for Film & Television introduces actors to the challenges of performing in front of a camera. Confidence and skill are gained through scene study, script analysis, rehearsals, and set etiquette. Techniques learned in our acting classes allow students to be free and imaginative on-camera.

100 Eyes: The Art of Acting in a Feature Film examines the special collaboration between actor and filmmaker through a series of screenings and lectures. The class addresses the technical demands of delivering a truthful performance under the pressure and rigor of film production.

Audition Technique teaches our students how to find representation, impress casting directors, and become professional working actors. Students learn how to define an image that works, market themselves effectively, and launch a practical strategy for success. Agents, managers, photographers, and casting directors participate in select classes.

Character Work allows the actor to model animal behavior (animal exercise), real people (life study), paintings, and photographs to illuminate character traits beyond the playwright’s words. Classwork involves exploring a character’s perspective through a highly advanced approach.

Dance gives students the opportunity to find expression through bodies in motion. Electives vary each session; our range of classes include:

Ballet demonstrates the fundamentals of the steps, technique, and musicality of the form. Emphasis is placed on repetition and discipline, while utilizing every aspect of the actor’s mental and physical capabilities.

Basic Dance I is designed for students with no prior experience. Actors engage in the joy of dancing through a series of simple exercises that teach body awareness, coordination, and style.

Basic Dance II offers a grounding in dance through a series of advanced techniques. Experience in ballet and jazz terms is required.

Jazz I is structured with a ballet, modern, and Afro-Caribbean warm-up, progressing to an across-the-floor choreography, and concluding with routines that imbue technique with emotion.

Jazz II demonstrates how to further engage audiences by infusing emotion and physical expression into advanced choreographed routines. A working knowledge of ballet, modern dance, and jazz is required.

Stretch and Turn shows students how this technique aids in unlocking and strengthening the body, as well as promoting greater flexibility and control.

Tap is offered for students with no prior experience. All the essential single, double, triple, and quadruple tap sounds are taught through energetic exercises and routines.

Dialects introduces students to distinct American and international accents, the International Phonetic Alphabet, and the formation of sounds. This highly technical process provides the actor with the skill to fulfill the demands of a character’s specific voice.

Movement for the Actor focuses on each student’s individual physical potential. Actors learn how to recognize and release habitual patterns and to understand the role breathing plays in all physical expression.

Musical Theatre integrates three disciplines - acting, singing, and dancing - into one comprehensive class. Students work as an ensemble and experience how storytelling comes alive through the power of music. This class culminates in a public performance. (Audition required.)

Physical Characterization introduces an external approach to truthfully portraying a character vastly different from the actor. This outside in method helps students learn how to transform themselves and connect to their character’s physical life as required by the material.

Physical Technique emphasizes strength/release warm-ups, based on the influences of Moshé Feldenkrais and Joseph Pilates, and movement improvisations that sharpen the student’s focus on being centered, relaxed, and open.

Script Analysis provides the invaluable skills to discover the subtext and logic within a play. Students carefully study text in order to bring the playwright’s vision to life, as well as articulate their understanding of the story through clear, playable actions.

Singing develops the skills necessary for the actor to achieve effective vocal control and placement. Using standards from the American Musical Theatre repertoire, students are taught to select, prepare, and perform music appropriate to their individual vocal ability, quality, and personality.

Speech I is designed for students with no prior vocal training or those for whom English is a second language. The International Phonetic Alphabet is applied to achieve Standard American Speech, while also eliminating foreign or regional sounds.

Speech II is offered for native speakers of English or those with previous training. The class integrates voice, speech, and various dialects. Each student presents a weekly monologue, which is coached and critiqued to help guide vocal development.

Stage Combat demonstrates the safe use of the body to execute strikes, falls, slaps, punches, and kicks. Students are eligible to participate in fight tests adjudicated by outside judges from the Society of American Fight Directors.

Tai Chi is an ancient form of Chinese meditation based on the Taoist principles of balance and harmony. Students enhance their concentration, will, and awareness through the practice of controlled breath, posture, and movement. Emphasis is placed on how to be present and responsive to stimuli.

Technique for Film & Television is specifically designed to gain a working knowledge of the fundamentals of a production. Students are exposed to camera operation, continuity, blocking, lighting, and sound to gain a deeper understanding of set operation.

Vocal Production teaches a vocal technique that is open, flexible, and endowed with a vast and colorful range. Based on the work of Stanislavski, voice production is a powerful technique offered to complement the work of the Method actor.

Working with the Director examines the collaboration between director and actor during rehearsal. This is experienced through specific scene work, as the actor learns how to use his or her creative process cooperatively to fulfill the director’s vision.

Acting for Film & Television is conducted on our James Dean Soundstage, utilizing high-definition digital equipment to capture students as they gain invaluable experience performing on- camera. This class prepares actors for the challenges of working on a professional set.

Accent Reduction is designed for those who speak English as a second language and natives with a prominent regional accent. Students are instructed on how to be understood in Standard American English by solving speech problems and readjusting vocal habits through practical vocal exercises.

Audition Technique teaches our students how to find representation, impress casting directors, and become professional working actors. Students learn how to define an image that works, market them-selves effectively, and launch a practical strategy for success. Agents, managers, photographers, and cast-ing directors participate in select classes.

Dance I is designed for those with no prior experience. Students engage in the joy of dancing while learning a series of simple exercises aimed to teach body awareness, coordination, and style. Dance II is available for advanced students with prior experience. Actors are taught original choreography and selections from Broadway and movie musicals. Knowledge of ballet and jazz is required.

Los Angeles Classes

Film Fighting I demonstrates various styles of martial arts and how to maintain safety in the midst of full-contact action. By examining their work on camera, students discover how to transcend fight choreography in order to convey a story physically and express them-selves through movement.

Film Fighting II challenges the actor to grow mentally, physically, and spiritually through intensive training in self-defense and advanced fighting techniques. Jumping, acrobatic movements, and weapons are incorporated into the stunt choreography. This class emphasizes fundamental combat skills, while preparing actors for filming a complete fight sequence.

Improvisation provides students with a powerful act-ing tool that helps explore material on a spontaneous and collaborative level. Students delve into a diverse range of unscripted scenes aimed to stimulate the imagination and engage the impulses of discovery.

Lee Strasberg Legacy examines the legendary teacher through exclusive audiotapes, archival footage, and video recordings. Students participate in interactive discussions and physical demonstrations to expand their understanding of how Method acting is relevant to our times and their work.

Movement for the Actor focuses on each student’s individual physical potential. Actors learn how to recognize and release habitual patterns and to under-stand the role breathing plays in all physical expression.

Performance Workshop is structured to teach actors how to apply sensory exercises to the roles they portray. Students learn how to articulate the subtext in a scene, make meaningful choices, and use physical behavior to enhance their sense of storytelling.

Rehearsal Procedures explores this important process that is critical to the success of a film or play. Unlike traditional classes where the director conducts the rehearsals, students take the lead. Actors utilize their unique insights and learn to develop an efficient approach to scene preparation. (Advanced students.)

Sensory Intensive focuses on the student’s physical and mental awareness and addresses individual acting problems. Sense memory exercises strengthen the actor’s ability to respond to stimuli, follow impulses, and trust his or her intuition. (Advanced students.)

Tai Chi is an ancient form of Chinese meditation based on the Taoist principles of balance and harmony. Students enhance their concentration, will, and awareness through the practice of controlled breath, posture, and movement. Emphasis is placed on how to be present and responsive to stimuli.

Voice addresses breath control, projection, articulation, and controlled movements that help foster a more versatile and distinctive vocal quality. Students develop the unique attributes of their voice while actively expanding their own range.

Scene Study offers students the opportunity to move beyond classwork and act in fully-rehearsed scenes on an actual stage. This class guides students as they gain a deeper grasp of the complexities of a scene by examining the dramatic elements of the material.

Our Program explores the creative process and inspires young actors to develop skills in teamwork, leadership, and acting techniques for stage,film, and television.

Young Actors at Strasberg

Lee Strasberg’s MethodThis core class, which is central to the curricula, is introduced with an approach appropriate to age and maturity. Students develop improvisational skills, perform scenes, and recite literary texts with a focus on basic stage awareness and building each young actor’s unique ability to perform.

Saturday Sessions This program runs throughout each fall, winter, and spring session and meets on Saturdays. Each 12-week session culminates with an Open House on the final Saturday of the session. Our Open House is an opportunity for family and friends to attend classes and observe the students’ artistic progress.

Due to this program’s popularity, all applicants’ parents/guardians should contact the Institute and ask that the prospective student be placed on our wait list.

Summer Intensives Our Summer Intensives are in high demand; therefore, to guarantee admission, we strongly recommend early registration. International applicants require a student visa to attend our

program. Our Summer Intensives provide a comprehensive training program with daily Method acting classes and a wide range of engaging electives for ages 7-17.

Student BodyOur young actors are placed in a specific curriculum, determined by age, which is structured to help develop their inner strengths. Elective classes are designed to complement the core Method acting training.

FacultyOur teachers, all working professionals, create an exciting, nurturing, and positive environment. They empower the personal growth of each student by promoting self-confidence, self-discipline, and creativity through the medium of theatre.

RegistrationPlease contact our Program Directors to schedule an appointment. All admissions are based on a personal interview and completed application form, which may be downloaded from our web site (www.strasberg.com).

Ages 7-11

Our young actors enjoy an energetic day of exploration and discovery designed to build their creative expression and confidence.

Our acting class ignites the imagination and empowers our young actors to express themselves truthfully within dramatic circumstances.

Dance is designed to expand the young actor’s physical coordination, body awareness, and range of expression.

Musical Theatre presents classic Broadway repertoire, beginner music theory terms, and choreographed group numbers. Our weekly rehearsals enable our young actors to strengthen their memory and physical coordination.

On-Camera class provides our young actors with the technical skills and experience required to creatively perform on screen.

New York City

Ages 12-17

Our Method acting class nurtures the young actor’s creativity through special exercises designed by Lee Strasberg.

These exercises are applied at a level commensurate with teenage experience. Essential acting skills are explored through monologues and scene work. Teens may also take advantage of performance experience opportunities on stage or on-camera through a variety of electives.

Film & Television provides young actors the opportunity to tailor their work for the camera. Commercials, auditions, scene work, and other exercises highlight the differences between stage and film performances.

Musical Theatre teaches our young actors to perform stunning Broadway numbers. The class trains the students in the vocal technique and physical dexterity necessary to capture the magic of acting on Broadway.

Production offers valuable experience exploring and developing a character. From the first read, young actors are challenged to make creative choices that they then pursue in rehearsal. The process culminates in a staged performance for family and friends.

Ages 7-12Young actors are introduced to Lee Strasberg’s Method acting technique through age-appropriate exercises that help children concentrate and express themselves with greater confidence and truth. This curriculum consists of a 2-hour acting class in combination with an elective.

Comic Improv calls for collaborative storytelling, along with a vivid imagination. Young actors learn the principles of improvisation, especially the willingness to say “yes” to the ideas of others.

Movement, Mime & Mask examines the Method from the outside in as young actors learn the physicality of acting and creating a character. The performance of an adapted classical fairy tale, fable, or myth rounds out the class.

Musical Theatre is designed to showcase classic Broadway songs and dances. Selections from musicals are used as a foundation for learning basic vocal technique. Show-stopping routines teach coordination, timing, physical expression, and body awareness.

Ages 13-17Young actors explore Lee Strasberg’s Method acting technique in greater depth as concentration, relaxation, and sensory exercises are applied to monologues and scene work. This curriculum consists of a 3-hour acting class with an elective option, along with the integration of acting on camera.

Broadway Performance Workshop immerses teens in the vibrant world of musical theatre production. Young actors learn how to act in an ensemble as they master song lyrics and choreography, culminating in a show on a professional stage.

On-Camera Workshop is a comprehensive hands-on approach to teaching the intricacies of working both behind and in front of the camera. Young actors film and act in short scenes, while learning the subtleties of acting for camera and essential filmmaking techniques. (Summer only.)

Stage Production provides teens with a total theatrical experience from casting to curtain call. During rehearsal, young actors challenge their imagination while taking risks and making artistic choices. Class culminates in a performance in one of our in-house theatres.

Los Angeles

OurProgramsComprehensive training is necessary for actors to achieve their maximum potential. �e Institute carefully designs programs to empower our actors to face every challenge with courage and con�dence.

12-Week Program Designed for students interested in beginning Method acting training. Classes are conducted Monday through Friday, and students may study full or part-time. If successful in their classes, they may re-register.

One-Year Conservatory Program

Method acting, while delivering the core elements of training for the body and voice. It shares the initial focus

Method Acting (technique) Movement & Voice History, Production & Performance Filmmaking Upon successful completion of the One-Year Conservatory Program, students receive a Certi�cation of Completion in LA location only.

Two-Year Conservatory ProgramThis program offers students a broad-based performing arts education, in addition to our core Method acting training. The program consists of five major areas of focus: Method Acting (technique) Movement & Voice History, Production & Performance Filmmaking Upon successful completion of the Two-Year Conservatory Program, students receive a Certificate of Completion.

From Shakespeare to O’Neill to original one-acts, for over four decades the Institute has offered our actors the experience and excitement of performing in professionally produced plays. Following are highlights of our critically-acclaimed, award-winning productions.

OurProductions

10 Tiny Love Stories by Rodrigo Garcia /Directed by Louis Alfaro

A Bicycle Country by Pulitzer Prize Winner Nilo Cruz

A Detective Story by Sidney Kingsley / Directed by Anna Strasberg

A View from the Bridge by Arthur Miller

Brain People by José Rivera

The Have Little by Migdalia Cruz

Jesus Christ Superstar by Andrew Lloyd Webber / Directed by Scott Flaherty

Jose Gregorio Written and Directed by Patricia Cordosa

The Laramie Project by Moises Kaufman and members of the Tectonic Theater Project Directed by William Balzac

Lessons by Wendy Graf / Directed by Gordon Davidson

A Life in the Theatre by David Mamet

Lovers and Other Strangers by Renee Taylor and Joseph Bologna

Masque of St. George and the Dragon Directed by Anna Strasberg

The Medea Project Adapted and Directed by Liesl Tommy

A Moon for the Misbegotten by Eugene O’Neill / Directed by Salome Jens

The Moonlight Room by Tristine Skyler

Names by Mark Kemble / Directed by Adam Davidson

Nine The Musical by Arthur Kopit / Directed by Scott Flaherty

Redemption by Leo Tolstoy / Directed by Anna Strasberg

Three Sisters by Anton Chekhov / Directed by Robert Ellermann

The Strasberg experience may begin at any time. The Institute provides the freedom and flexibility for prospective students to enroll in classes year-round over four 12 week sessions. Please allow ample time to apply for the session you wish to attend.

Admissions

ApplicationAn application form can be downloaded as a PDF from our web site (www.strasberg.com) by clicking the Admissions tab. When completing the form, it is important to select a campus (New York City or Los Angeles). Application forms may also be acquired via email, fax, or in person. Applicants are accepted all year (winter, spring, summer, and fall). Applications will not be processed without all required documentation.

Personal InterviewA personal interview is required of all prospective students; a phone interview for international or out-of-state applicants may also be arranged. Please contact the Institute Monday through Saturday during office hours to schedule an appointment for in-person interviews. All applicants, regardless of experience level, will be considered and no audition is required.

Photograph & RésuméA required photograph is used only to complement the applicant’s submitted materials. A current résumé detailing prior training and experience is requested. Applicants with no prior training and/or experience may include previous employment and/or education, regardless of field.

Statement of PurposeThis typed essay describes career goals and intention of studying at the Institute. The statement of purpose should not exceed 250 words.

Recommendation Letters Two letters of recommendation are required to apply: one personal, one professional. Each letter should provide an appraisal of the applicant on the basis of his or her past performance in a professional and/or academic setting, perception of the applicant’s talent and experience, potential for a career in performing arts, and commitment to his or her craft. The letter should also describe how the applicant can benefit from the training offered at The Lee Strasberg Theatre & Film Institute.

International StudentsDue to strict immigration policies, we strongly advise that all completed applications be submitted at least 6 weeks prior to start date of any session to ensure admission into your session of choice. A student visa issued by the U.S. Immigration Department is required to study at the Institute, and a commitment of 22 hours per week for a minimum of 12 weeks is required. In addition to the completed application from USCIS, all applicants must provide a bank statement indicating that there are sufficient funds available to cover living expenses while studying in the U.S. International students may not work while studying in the U.S.

Domestic and international applicants are required to pay a $50 non-refundable application fee payable by U.S. currency only; money order or certified check is preferred. Tuition may be paid by American Express (New York City only), Discover Card, Mastercard, Visa or in person, or by mail, fax, or email by using the Strasberg credit card authorization form.

Reapplication PolicyAcceptance to the Institute is valid for one year from the issue date. Students unable to attend the session for which they applied should immediately notify the administration office. After the one-year period has expired, students who wish to attend must reapply and pay the non-refundable application fee.

The Lee Strasberg Theatre & Film Institute awards scholarships and work-study positions through a discretionary fund designed for inner-city and underprivileged applicants. The Institute does not discriminate in its admissions on the basis of national origin, ethnic background, race, sex, sexual orientation, disability, age, or religion.

Graphic Design: Ron Pasillas

NEW YORK CITY115 East 15th Street / Lee Strasberg Way

New York, NY 10003212.533.5500

newyork@strasberg.com www.strasberg.com

LOS ANGELES7936 Santa Monica Boulevard West Hollywood, CA 90046323.650.7777losangeles@strasberg.com