Studio Visual Art II - neptune.k12.nj.us · 5/19/2020 · Studio Visual Art II Curriculum Grades...

NEPTUNE TOWNSHIP SCHOOL DISTRICT

Studio Visual Art II

Curriculum Grades 9-12


Office of the Superintendent

60 Neptune Blvd.

Neptune, NJ 07753-4836

August 28, 2019 Document C1#1

NEPTUNE TOWNSHIP BOARD OF EDUCATION

Dorothea L. Fernandez, President

Laura G. Granelli, Vice President

Brady M. Connaughton Nicole M. Green

Jerome H. Hubbard Jason A. Jones

Mark A. Matson Michelle A. Moss

Donna Puryear Antonio Lopez, Neptune City Rep.

SCHOOL DISTRICT ADMINISTRATION

Tami R. Crader, Ed.D.

Superintendent of Schools

Matthew Gristina, Ed.D.

Assistant Superintendent of Schools

Peter J. Leonard

Business Administrator/Board Secretary

Peter I. Bartlett

Assistant Business Administrator/Assistant Board Secretary

Sally A. Millaway, Ed.D.

Director for Curriculum, Instruction & Assessment

Kathleen M. Skelton

Director of Special Services

Lakeda Demery-Alston

Supervisor of Humanities & ESL

Charles Kolinofsky

Supervisor of Data & Information

Kathleen M. Thomsen

Supervisor of Early Childhood Education

ELEMENTARY SCHOOL ADMINISTRATION

Principals

Lori B. Burns, Ed.D., Early Childhood Center

Joshua Loveland, Gables

James M. Nulle, Green Grove

Mark K. Alfone, Ed.D., Midtown Community

Janelle Williams, Shark River Hills

Jerard L. Terrell, Ed.D., Summerfield

MIDDLE SCHOOL ADMINISTRATION

Arlene M. Rogo, Ed.D., Principal

Thomas Decker, Vice Principal

Michael V. Smurro, Vice Principal

HIGH SCHOOL ADMINISTRATION

Jennifer C. Joseph, Principal

Titania M. Hawkins, Ed.D., Vice Principal

Kevin McCarthy, Vice Principal

James H. Whitson, Vice Principal

Richard Arnao, Administrator for Athletic & Co-Curricular Activities

DEPARTMENT CHAIRPERSONS

Kelly Baldino

Juan Beltran

Dawn Reinhardt

Nicole Sanyigo

Tara L. Stephenson

Karen Watt

Hillary L. Wilkins


STUDIO VISUAL ART II

CURRICULUM

Table of Contents

Acknowledgements ............................................................................................................i

District Mission Statement ............................................................................................... ii

District Educational Outcome Goals ............................................................................... iii

Course Description........................................................................................................... iv

Curriculum

Unit Title Page

Pacing Guide ..................................................................................................................... 1

Integrated Social and Emotional Learning Competencies ................................................ 2

Creating ............................................................................................................................. 3

Presenting ........................................................................................................................ 15

Responding ..................................................................................................................... 24


Studio Visual Art II

Acknowledgements

The Studio Visual Art II Curriculum guide was developed for Neptune High School through the

efforts of Ms. Michelle Bowers and Mrs. Mary Dansereau, Neptune High School Visual Arts

Teachers. In cooperation with Karen Watt, Department Chairperson for the Visual and Performing

Arts, and under the guidance of Sally A. Millaway, Ed.D., Director for Curriculum, Instruction and

Assessment.

The teachers are to be commended for their dedication in formatting this curriculum into UbD and

her expertise in the area of Visual Arts Education. It is our hope that this guide will serve as a

valuable resource for the staff members who teach this course and that they will feel free to make

recommendations for its continued improvement. In addition, it is our hope that this guide will

support and advance the Arts in our school district.

The Studio Visual Art II Curriculum guide was written in alignment to the New Jersey Student

Learning Standards for Visual and Performing Arts (2014), and the National Core Arts Standards

(2014).

i


DISTRICT MISSION STATEMENT

The primary mission of the Neptune Township School District is to prepare students for a life-

long learning process in a complex and diverse world. It is with high expectations that our

schools foster:

• A strong foundation in academic and modern technologies.

• A positive and varied approach to teaching and learning.

• An emphasis on critical thinking skills and problem-solving techniques.

• A respect for and an appreciation of our world, its resources, and its people.

• A sense of responsibility, good citizenship, and accountability.

• An involvement by the parents and the community in the learning process.

ii

Neptune Township School District

Educational Outcome Goals

The students in the Neptune Township schools will become life-long learners and will:

Become fluent and critical readers, writers, speakers, listeners, and viewers who can

comprehend, respond to, and produce across multiple modalities.

Develop mathematical skills, understandings, and attitudes to apply to the types of

problem-solving and mathematical discourse that are needed to be successful in their

careers and everyday life.

Understand fundamental scientific principles, develop critical thinking skills, and

demonstrate safe practices, skepticism, and open-mindedness when collecting, analyzing,

and interpreting information.

Demonstrate proficiency and responsibility in utilizing and producing technology in an

ever-changing global society.

Demonstrate proficiency in all New Jersey Student Learning Standards (NJSLS).

Become globally responsible citizens with a high degree of literacy in civics, history,

economics and geography.

Develop a respect for their own and different cultures and demonstrate trustworthiness,

responsibility, fairness, caring, and citizenship.

Become culturally literate by being aware of the historical, societal, and multicultural

aspects and implications of the arts.

Demonstrate skills in decision-making, goal-setting, self-compassion, empathy, and

effective communication, with a focus on character development.

Understand and practice the skills of family living, health, wellness, and safety for their

physical, mental, emotional, and social development.

Develop consumer, family, and life skills necessary to be a functioning member of

society.

Develop the ability to be creative, inventive decision-makers with skills in

communicating ideas, thoughts, and feelings.

Develop career awareness and essential technical and workplace readiness skills, which

are significant to many aspects of life and work.

iii

STUDIO VISUAL ART II

CURRICULUM

COURSE DESCRIPTION

(5 credits)

Studio Visual Art II is a course for students who have a serious interest in art. The in-depth

exploration of advanced concepts, materials, and techniques is stressed, along with a historical and

cultural awareness as a resource for students’ creative efforts. Career awareness is developed along

with drawing, painting, and mixed media techniques. Students will develop a comprehensive

portfolio of personal artwork for presentation. Students will be able to critique works of art in a

professional way both orally and in writing.

Prerequisites: ● Successful Completion of Studio Visual Art I OR

● Recommendation of the Department based on a Visual Art Portfolio Review

iv

1

Pacing Guide

During each lesson an instructor will address the three artistic strands: Creating, Presenting, and

Responding. By addressing these strands the student will connect to their artwork and the

process to create art.

Approximate amount of lesson time spent focusing on Units

Creating 70%

Presenting 15%

Responding 15%

Projects: The instructor will create a variety of projects to meet the appropriate standards,

utilizing the Elements of Art, and the Principles of Design.

● Projects will take approximately three to four lessons, based on a school period.

● The instructor will determine the timing of the project, based on various factors including

school calendar, events, and cultural and community awareness.

Project Cycle

● Instructor plans project, choosing specific standards, elements of art, and principles of

design to focus on.

● Instructor will explain specific artistic concepts to students, including a demonstration.

● Students will practice the artistic technique and use the technique in creating the artistic

work.

● Students and instructor will critique and respond to artistic work.

● Revisions may be made, based on critique.

● Instructor will work with students to present work to the school community.

Major Assessments

Students in this course will complete two department created major assessments. A midterm and

final exam will be given. These assessments will include a visual art project, encompassing

multiple standards, response/critique, and other concepts at the discretion of the department.

2

INTEGRATED SOCIAL AND EMOTIONAL LEARNING COMPETENCIES

The following social and emotional competencies are integrated in this curriculum document:

Self-Awareness

x Recognize one’s own feelings and thoughts

x Recognize the impact of one’s feelings and thoughts on one’s own behavior

x Recognize one’s personal traits, strengths and limitations

Recognize the importance of self-confidence in handling daily tasks and challenges

Self-Management

x Understand and practice strategies for managing one’s own emotions, thoughts and

behaviors

Recognize the skills needed to establish and achieve personal and educational goals

Identify and apply ways to persevere or overcome barriers through alternative methods

to achieve one’s goals

Social Awareness

x Recognize and identify the thoughts, feelings, and perspectives of others

x Demonstrate an awareness of the differences among individuals, groups, and others’

cultural backgrounds

x Demonstrate an understanding of the need for mutual respect when viewpoints differ

Demonstrate an awareness of the expectations for social interactions in a variety of

settings

Responsible Decision Making

x Develop, implement and model effective problem solving and critical thinking skills

x Identify the consequences associated with one’s action in order to make constructive

choices

Evaluate personal, ethical, safety and civic impact of decisions

Relationship Skills

x Establish and maintain healthy relationships

x Utilize positive communication and social skills to interact effectively with others

Identify ways to resist inappropriate social pressure

Demonstrate the ability to present and resolve interpersonal conflicts in constructive

ways

Identify who, when, where, or how to seek help for oneself or others when needed

3

Unit Plan Title

Creating

Suggested Time

Frame

Continuous and ongoing

Overview / Rationale

The creation unit will introduce professional materials and intricate methods and techniques.

Students will use these materials and techniques to further refine their artistic skills. Students

will explore both conceptual and abstract ideas as they pertain to each individual artist’s

expression. Students will create a body of work that documents continuous progress throughout

the semester.

Stage 1 – Desired Results

2014 New Jersey Student Learning Standards for Visual and Performing Arts

1.1-The Creative Process All students will demonstrate an understanding of the elements and principles that govern the

creation of works of art in dance, music, theatre, and visual art.

1.2-History of the Arts and Culture

All students will understand the role, development, and influence of the arts throughout history

and across cultures.

1.3-Performance

All students will synthesize those skills, media, methods, and technologies appropriate to

creating, performing, and/or presenting works of art in visual art.

1.4-Aesthetic Responses & Critique Methodologies

All students will demonstrate and apply an understanding of arts, philosophies, judgement, and

analysis to works of art in visual art.

National Core Art Standards for Visual Arts

Students who successfully complete this course will meet the

High School Advanced standards.

Artistic Strand: Creating

Anchor Standard 1: Generate and conceptualize artistic ideas and work.

VA:Cr1.1.IIIa

Investigate -

Planning

Visualize and hypothesize to generate plans for ideas

and directions for creating art and design that can

affect social change.

VA:Cr1.2.IIIa Investigate -

Planning

Choose from a range of materials and methods of

traditional and contemporary artistic practices,

following or breaking established conventions, to plan

the making of multiple works of art and design based

on a theme, idea, or concept.

Anchor Standard 2: Organize and develop artistic ideas and work.

VA:Cr2.1.IIIa Investigate

Experiment, plan, and make multiple works of art and

design that explore a personally meaningful theme,

idea, or concept.

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VA:Cr2.2.IIIa Investigate Demonstrate understanding of the importance of

balancing freedom and responsibility in the use of

images, materials, tools, and equipment in the creation

and circulation of creative work.

VA:Cr2.3.IIIa Investigate

Demonstrate in works of art or design how visual and

material culture defines, shapes, enhances, inhibits,

and/or empowers people's lives.

Anchor Standard 3: Refine and complete artistic work.

VA:Cr3.1.IIIa Reflect - Refine -

Continue

Reflect on, reengage, revise, and refine works of art or

design considering relevant traditional and

contemporary criteria as well as personal artistic

vision.

Artistic Strand: Connecting Anchor Standard 10: Synthesize and relate knowledge and personal experiences to make art.

VA:Cn10.1.III

a

Synthesis

Synthesize knowledge of social, cultural, historical,

and personal life with art-making approaches to create

meaningful works of art or design. Anchor Standard 11: Relate artistic ideas and works with societal, cultural, and historical context to deepen understanding.

VA:Cn11.1.III

a

Relate Appraise the impact of an artist or a group of artists on

the beliefs, values, and behaviors of a society.

Essential Questions:

● What conditions, attitudes, and

behaviors support creativity and

innovative thinking?

● What factors prevent or encourage

people to take creative risks?

● How does collaboration expand the

creative process?

● How does knowing the contexts

histories, and traditions of art forms

help us create works of art & design?

● Why do artists follow or break from

established traditions? How do artists

design or redesigning objects, places, or

systems?

● How do artists and designers create

works of art or design that effectively

communicate?

● How do artists work?

● How do artists and designers determine

whether a particular direction in their

work is effective?

Enduring Understandings:

● Creativity and innovative thinking are

essential life skills that can be

developed.

● Artists and designers shape artistic

investigations, following or breaking

with traditions in pursuit of creative

artmaking goals.

● People create and interact with objects,

places, and design that define, shape,

enhance, and empower their lives.

● Artists and designers experiment with

forms, structures, materials, concepts,

media, and art-making approaches.

● Artists and designers balance

experimentation and safety, freedom

and responsibility while developing and

creating artworks.

● Artist and designers develop excellence

through practice and constructive

critique, reflecting on, revising, and

refining work over time.

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● How do artists and designers learn from

trial and error?

● How do artists and designers care for

and maintain materials, tools, and

equipment?

● Why is it important for safety and

health to understand and follow correct

procedures in handling materials and

tools?

● What responsibilities come with the

freedom to create?

● How do we determine what resources

are needed to formulate artistic

investigations?

● How do objects, places, and design

shape lives and communities?

● What role does persistence play in

revising, refining, and developing

work?

● How do artists grow and become

accomplished in art forms?

● How does collaboratively reflecting on

a work help us experience it more

completely?

Knowledge: Students will know…

● The principles of art and the elements

of design and how to identify them in

diverse works of art.

● Concepts of Color.

● Fundamental drawing techniques and

concepts in the areas of portraiture,

architectural drawing, observational

drawing, drawing from life,

experimental drawing, shading and

composition.

● Basic techniques and materials used in

a variety of media including sculpture,

collage, drawing, painting,

printmaking, crafts and photography.

● Characteristics of genres and styles.

● Possible career choices in the arts.

● The meanings of relevant art

vocabulary.

Skills: Students will be able to…

● Demonstrate an understanding of the

principles of art and the elements of

design.

● Demonstrate an understanding of

drawing concepts.

● Demonstrate an understanding of color

theory and harmonies.

● Create a variety of mixed media

artwork using a range of techniques and

materials.

● Demonstrate the techniques of

portraiture, including facial proportions

and human anatomy.

● Create observational drawing from life

in a variety of settings.

● Demonstrate a working knowledge of

basic art vocabulary.

● Develop a reference sketchbook and

portfolio.

6

● Articulate an understanding of the

characteristics of various historical

periods in art.

● Demonstrate the proper care and use of

equipment, using approved safety

practices.

● Demonstrate an ability to manage and

organize materials, information, and

time in completing assignments.

● Demonstrate the proper care and use of

equipment, using approved safety

practices.

● Explore career opportunities in the arts.

In this unit plan, the following 21st Century Life and Careers skills are addressed:

Check ALL that apply –

21st Century Themes

Indicate whether these skills are:

● E – encouraged

● T – taught

● A – assessed

Career Ready Practices

9.1 Personal Financial Literacy T CRP1. Act as a responsible and

contributing citizen and employee.

X Income and Careers A CRP2. Apply appropriate academic

and technical skills.

Money Management CRP3. Attend to personal health

and financial well-being.

Credit and Debt Management A CRP4. Communicate clearly and

effectively and with reason.

Planning, Saving, and Investing CRP5. Consider the environmental,

social and economic impacts of

decisions.

Becoming a Critical Consumer A CRP6. Demonstrate creativity and

innovation.

Civic Financial Responsibility E CRP7. Employ valid and reliable

research strategies.

Insuring and Protecting A CRP8. Utilize critical thinking to

make sense of problems and

persevere in solving them.

9.2 Career Awareness, Exploration,

and Preparation

CRP9. Model integrity, ethical

leadership and effective

management.

X Career Awareness E CRP10. Plan education and career

paths aligned to personal goals.

7

X Career Exploration E CRP11. Use technology to enhance

productivity.

Career Preparation CRP12. Work productively in teams

while using cultural global

competence.

Interdisciplinary Connections

New Jersey Student Learning Standards for English Language Arts

Key Ideas and Details -NJSLSA.R3. Analyze how and why individuals, events, and ideas

develop and interact over the course of a text.

Craft and Structure -NJSLSA.R4. Interpret words and phrases as they are used in a text,

including determining technical, connotative, and figurative meanings, and analyze how specific

word choices shape meaning or tone.

New Jersey Student Learning Standards for Social Studies

6.2 World History/Global Studies: All students will acquire the knowledge and skills to think

analytically and systematically about how past interactions of people, cultures, and the

environment affect issues across time and cultures. Such knowledge and skills enable students to

make informed decisions as socially and ethically responsible world citizens in the 21st century.

Student Resources

Primary Source

Readings

The North Light Artist’s Guide to Materials & Techniques, Phil

Metzger, F & W Media, Inc., 2001

Secondary Source

Readings

Scholastic Art Magazine, Scholastic Inc.

Supporting Text pages Appropriate Visual Art Supplies at the discretion of the instructor.

Teacher Resources

Texts:The Acrylics Book, Barclay Sheaks, Crown Publishing Group, 2000

Acrylic Water Color Painting, Wendon Blake, Dover Publications, 1998

Altered Books Workshop, Bev Brazelton, North Light Books, 2004

Amazons In the Drawing Room: The Art of Romaine Brooks, Whitney Chadwick, University of

California Press, 2001

Andy Goldsworthy: A Collaboration With Nature, Andy Goldsworthy, Harry N. Abrams, Inc.,

1997

The Beginner’s Guide: Figure Drawing, Patricia Monahan, New Holland Publishing, 2006

Calder 1898-1976, Jacob, Taschen America, 1999

Portraits, A Step by Step Guide, Barnes and Nobles Books, NY, 2004

The Encyclopedia of Art Techniques, edited by Tesla Clark, Walter Foster Publishing, Inc., 2003

Art Class, A Complete Guide To Painting, Harper Collins Publishing, 1999.

8

Oil Pastel, Materials and Techniques for Today’s Artist, Kenneth Leslie, Watson-Guptill

Publications, 1990

Still Life, Step by Step Art School, Jack Buchan and Jonathan Baker, Octopus Publishing Group

Ltd. 1993.

Collage, Assemblage and Altered Art, Diane Mauer-Mathison, Crown Publishing Group, 2008

The Complete Guide To Perspective, John Raynes, F & W Media, Inc. 2005

Creative Acrylics Painting Techniques, Eaglemoss Publishing Ltd., 1996

Drawing the Human Head, Burne Hogarth, Crown Publishing Group, 2002

Dynamic Anatomy, Burne Hogarth, Crown Publishing Group, 2003

The Game of Mix-Up Art, Herve Tullet, Phaidon Press Inc., 2011

Land Art, Michael Lailach, Taschen America, 2007

A Landscape for Modern Sculpture, Storm King Art Center, John Beardsley, Abbeville Press,

1996

Making Books That Fly, Fold, Wrap, Hide, Pop up, Twist and Turn, Gwen Diehn, Lark Books,

2006

Mixed Media Collage: An Exploration of Contemporary Artists, Methods and Materials, Holly

Harrison, Quarry Books, 2007

Mixed Media Journals: Creatively Chronicling Your Life, Katherine D. Aimone, Lark Books,

2009

The Artists’ Handbook, Ray Smith, DK Publishing, Inc., 2003

The North Light Artist’s Guide To Materials And Techniques, Phil Metzger, F & W Media, Inc.

2001

Oil Painting: The Workshop Experience ,Ted Gerschner, F & W Media Group, 2001

The Portrait & Figure Painting Book, Wendon Blake, Crown Publishing Group, 1997

Portraits in Oil the Van Wyk Way, Helen Van Wyk, Art Instruction Assoc., 2001

Print Workshop: Hand Printing Techniques, Christina Schmidt, Crown Publishing Group, 2010

A Shared Vision: The Garman Ryan Collection, Sheila McGregor, Merrell Publishing, 2000

The Watson Drawing Book, Ernest Aldren Watson, Dover Publishing, 2003

Supplemental Workbooks: Scholastic Art Magazine, Scholastic Inc.

Websites: www.dickblick.com

www.youtube.com

www.incredibleart.org

www.artsednow.com

www.artlex.org

www.metmuseum.org

www.fiberartnow.net

Worksheets: Scholastic Art Magazine, Reading Review and Summary

http://www.dickblick.com/

http://www.youtube.com/

http://www.incredibleart.org/

http://www.artsednow.com/

http://www.artlex.com/

http://www.metmuseum.org/

9

Videos: Abstract Expressionism, Double Diamond Corp., 2001 (60 min.)

African American Art: Past & Present, Wilton Art Programs, 1992 (3 vol. set)

Alberto Giacometti, FACETS, 2001 (116 min.)

Alexandra Nechita, Crystal Productions, 2002 (20 min.)

Andy Warhol: A Life On The Edge, A & E Television Networks, 1998 (50 min.)

The Art Of Quilting, PBS Home Videos, 2007 (60 min.)

Art Smart: Portrait Drawing, Crystal Productions (30 min.)

Basic Perspective Drawing, Crystal Video (VHS)

Biography: Salvador ,Dali A & E Television Networks, 2004 (50 min.)

A Century Of Quilts: America and Cloth, PBS Home Videos, 2006 (77 min.)

Drawing On the Right Side Of the Brain, Bay Area Video, 1999 (120 min.)

Drawing With Line Series: Composition, Fones Production, 2000.

Easy Way To Draw Faces, Discover Art, 1994

Edward Hopper, Microcinema, 2007 (30 min.)

Faith Ringgold: The Last Story Quilt, Home Vision, 1998 (28 min.)

The Fantastic World of M.C. Escher, Acorn Media, 2006 (50 min.)

Frida Kahlo, A & E Home Video, 2005 (50 min.)

Magritte: Monsieur Rene Magritte, Image Entertainment, 2001 (15 min.)

Modern Art: 20th Century Trends, Davis Publication, 2004 (30 min)

Optical Illusions: How to Create Them, Crystal Productions, 2010 (24 min.)

Exploring Your Creativity Series, Sandra Angelo’s DVD Art Class

Van Gogh: A Museum For Vincent, Vanguard Productions, 1990 (32 min.)

Van Gogh’s Van Gog, Homevision, 2002 (57 min.)

Stage 2 – Assessment Evidence

Performance Task(s):

● Two and Three Dimensional Self

Portrait Sculpture

● Fantasy Art: Interpreting Obscure Fairy

Tales into Visual Art/Modern

● Reproduction Grid Drawing

● Cultural and Personal Flag Art Design

● Collaborative Group Large-Scale

● Painting/Technology Time-lapse

● Video/Street Art/Public Art

● Recontextualizing Artwork from Art

History

Other Evidence:

Formative:

● Aesthetic analysis responses

● Google Classroom response questions

● Collaborative learning activities

● Feedback sessions

● Class critique

● Notebooks

● Do now activities

● Quizzes

Summative:

Department created common summative

assessments

10

● Value Drawing: Still Life and Figure

Drawing

● Concepts of Functionality vs Non-

functionality in Art &

Design/Transformative Sculpture

● Portfolio Development

● Presentations

● Final Critiques

Stage 3 – Learning Plan

Instructional

Strategies

Descriptions

● SPACED PRACTICE: Space out studying time.

● RETRIEVAL PRACTICE

Practice bringing information to mind without the help of materials.

● ELABORATION

Explain and describe ideas with many details.

● INTERLEAVING

Switch between ideas while you work.

● CONCRETE EXAMPLES

Use specific examples to understand abstract ideas.

● DUAL CODING

Combine words and visuals.

● Other learning activities at the discretion of the instructor, used to

meet appropriate standards.

Suggested

Learning

Activities

● Refine artistic techniques through practice.

● Refine their portraiture and human anatomy drawing.

● Use value to create volume while using different media.

● Study artists, genres, and themes and use their influences to create a

unique body of work.

Accommodations and Modifications

Below please find a list of suggestions for accommodations and modifications to meet the

diverse needs of our students. Teachers should consider this a resource and understand that they

are not limited to the recommendations included below.

An accommodation changes HOW a student learns; the change needed does not alter the grade-

level standard. A modification changes WHAT a student learns; the change alters the grade-level

expectation.

Special Education and 504 Plans

All modifications and accommodations must be specific to each individual child’s IEP

(Individualized Educational Plan) or 504 Plan.

11

Pre-teach or preview vocabulary

Repeat or reword directions

Have students repeat directions

Use of small group instruction

Pair visual prompts with verbal presentations

Ask students to restate information, directions, and assignments

Repetition and time for additional practice

Model skills/techniques to be mastered

Extended time to complete task/assignment/work

Provide a copy of class notes

Strategic seating (with a purpose - eg. less distraction)

Flexible seating

Repetition and additional practice

Use of manipulatives

Use of assistive technology (as appropriate)

Assign a peer buddy

Emphasize key words or critical information by highlighting

Use of graphic organizers

Scaffold with prompts for sentence starters

Check for understanding with more frequency

Provide oral reminders and check student work during independent practice

Chunk the assignment - broken up into smaller units, work submitted in phases

Encourage student to proofread assignments and tests

Provide regular home/school communication

Teacher checks student planner

Provide student with clear expectations in writing and grading criteria for assignments

(rubrics)

Testing Accommodations:

Students should receive all testing accommodations for Benchmark assessments that they receive

for State testing.

Setting: Alternate setting for assessments, small groups, screens to block distractions

Presentation: large print, test readers, use of audio, fewer questions on each page

Response: answer verbally, use large block answer sheet, speech-to-text dictation, accept

short answers

Allow for retakes

Provide study guides

Use of reference aids such as glossary

Choice of test format (multiple-choice, essay, true-false)

Alternate ways to evaluate (projects or oral presentations instead of written tests)

Open-book or open-note tests

English Language Learners:

All modifications and accommodations should be specific to each individual child’s LEP level as

determined by the WIDA screening or ACCESS, utilizing the WIDA Can Do Descriptors.

12





Scaffold language based on their Can Do Descriptors

Alter materials and requirements according to Can Do Descriptors

Adjust number of paragraphs or length of writing according to their Can Do Descriptor

TPR (Total Physical Response-Sheltered Instruction strategy) Demonstrate concepts

through multi-sensory forms such as with body language, intonation



Model skills and techniques to be mastered

Native Language translation (peer, assistive technology, bilingual dictionary)





Use of self-assessment rubrics

Increase one-on-one conferencing; frequent check ins

Use study guide to organize materials

Make vocabulary words available in a student created vocabulary notebook, vocabulary

bank, Word Wall, or vocabulary ring

Extended time

Select text complexity and tiered vocabulary according to Can Do Descriptors

Projects completed individually or with partners

Use online dictionary that includes images for words:

http://visual.merriamwebster.com/.

Use online translator to assist students with pronunciation:

http://www.reverso.net/text_translation.aspx?lang=EN.

Students at Risk of Failure:

Use of self-assessment rubrics for check-in


Ask students to restate information and/or directions

Opportunity for repetition and additional practice


Extended time

Provide copy of class notes

Strategic seating with a purpose

Provide students opportunity to make corrections and/or explain their answers

Support organizational skills

Check daily planner

Encourage student to proofread work

Assign a peer buddy

http://visual.merriamwebster.com/

http://www.reverso.net/text_translation.aspx?lang=EN

13

Build on students’ strengths based on Multiple Intelligences: Linguistic (verbal); Logical

(reasoning); Musical/Rhythmic; Intrapersonal Intelligence (understanding of self); Visual

Spatial Intelligence; Interpersonal Intelligence (the ability to interact with others

effectively); Kinesthetic (bodily); Naturalist Intelligence; and Learning Styles: Visual;

Auditory; Tactile; Kinesthetic; Verbal

High Achieving:

Extension Activities

Allow for student choice from a menu of differentiated outcomes; choices grouped by

complexity of thinking skills; variety of options enable students to work in the mode that

most interests them

Allow students to pursue independent projects based on their individual interests

Provide enrichment activities that include more complex material

Allow opportunities for peer collaboration and team-teaching

Set individual goals

Conduct research and provide presentation of appropriate topics

Provide students opportunity to design surveys to generate and analyze data to be used in

discussion

Allow students to move through the assignment at their own pace (as appropriate)

Strategies to Differentiate to Meet the Needs of a Diverse Learning Population

Vocabulary Sorts-students engage with the vocabulary word by sorting into groups of

similar/different rather than memorizing definitions

Provide “Realia” (real life objects to relate to the five senses) and ask questions relating

to the senses

Role Play-students create or participate in role playing situations or Reader’s Theater

Moving Circle-an inside and outside circle partner and discuss, circles moves to new

partner (Refer to Kagan Differentiated Strategies)

Brainstorm Carousel-Large Post Its around the room, group moves in a carousel to music.

Group discusses topic and responses on paper. Groups rotate twice to see comments of

others. (Refer to Kagan Differentiated Strategies)

Gallery Walk-Objects, books, or student work is displayed. Students examine artifacts

and rotate.

Chunking-chunk reading, tests, questions, homework, etc to focus on particular elements.

Think Pair Share Write

Think Talk Write

Think Pair Share

Note-taking -can be done through words, pictures, phrases, and sentences depending on

level

KWL (Know, Want to Know, Learned)/KWHL(Know, What to Know, How Will I

Learn, learned)/KWLS (Know, Want to Know, Learned, Still Want to Know) /KWLQ

(Know, What to Know, Learned, Questions I Still Have) Charts

Corners Cooperative Learning Strategy:

http://cooperativelearningstrategies.pbworks.com/w/page/28234420/Corners.

http://cooperativelearningstrategies.pbworks.com/w/page/28234420/Corners

14

Circle Map strategy- place the main topic in a small circle and add student ideas in a

bigger circle around the topic. Students may use their native language with peers to

brainstorm.

Flexible grouping -as a whole class, a small group, or with a partner, temporary groups

are created: http://www.teachhub.com/flexible-grouping-differentiated-instruction-

strategy.

Jigsaw Activities -cooperative learning in a group, each group member is responsible for

becoming an "expert" on one section of the assigned material and then "teaching" it to the

other members of the team: http://www.adlit.org/strategies/22371/.

Technology Integration

8.1 Educational Technology:

All students will use digital tools to access, manage, evaluate, and synthesize information in

order to solve problems individually and collaborate and create and communicate knowledge.

8.1.12.A.2 Produce and edit a multi-page digital document for a commercial or professional

audience and present it to peers and/or professionals in that related area for review.

8.1.12.A.3 Collaborate in online courses, learning communities, social networks or virtual

worlds to discuss a resolution to a problem or issue.

http://www.teachhub.com/flexible-grouping-differentiated-instruction-strategy


http://www.adlit.org/strategies/22371/

15

Unit Plan Title

Presenting

Suggested Time

Frame

Ongoing and Continuous


Objects, artifacts, and artworks collected, preserved, or presented either by artists, museums, or

other venues communicate meaning and a record of social, cultural, and political experiences

resulting in the cultivating of appreciation and understanding. Within this unit students will

learn:

The importance of presentation of their work.

● The importance of art preservation

● Matting techniques including: cutting, window size, materials, and selection of color.

● The importance of collecting your work over time to show progress.

● How to create a portfolio.

● The importance of keeping a journal or sketchbook.

● How to label their work.

● How to present their work in a gallery or display case.








1.3-Performance



1-4-Aesthetic Responses & Critique Methodologies






Artistic Strand: Presenting

Anchor Standard 4: Select, analyze, and interpret artistic work for presentation.

VA:Pr4.1.IIIa Select

Critique, justify, and present choices in the process of

analyzing, selecting, curating, and presenting artwork

for a specific exhibit or event.

Anchor Standard 5: Develop and refine artistic techniques and work for presentation.

16

VA:Pr5.1.IIIa Analyze

Investigate, compare, and contrast methods for

preserving and protecting art.

Anchor Standard 6: Convey meaning through the presentation of artistic work.

VA:Pr6.1.IIIa Share

Curate a collection of objects, artifacts, or artwork to

impact the viewer’s understanding of social, cultural,

and/or political experiences.


VA:Cn10.1.III

a

Synthesis




VA:Cn11.1.III

a



Essential Questions:

● How are artworks cared for and by

whom?

● What criteria, methods, and processes

are used to select work for preservation

or presentation?

● Why do people value objects, artifacts,

and artworks, and select them for

presentation?

● What methods and processes are

considered when preparing artwork for

presentation or preservation?

● How does refining artwork affect its

meaning to the viewer?

● What criteria are considered when

selecting work for presentation, a

portfolio, or a collection?

● What is an art museum?

● How does the presenting and sharing of

objects, artifacts, and artworks

influence and shape ideas, beliefs, and

experiences?

Enduring Understandings: ● Artists and other presenters consider

various techniques, methods, venues,

and criteria when analyzing, selecting,

and curating objects artifacts, and

artworks for preservation and

presentation.

● Artists, curators and others consider a

variety of factors and methods

including evolving technologies when

preparing and refining artwork for

display, or when deciding if and how to

preserve and protect it.

● Objects, artifacts, and artworks

collected, preserved, or presented either

by artists, museums, or other venues

communicate meaning and a record of

social, cultural, and political

experiences resulting in the cultivating

of appreciation and understanding.


● The importance of art preservation.

● Matting techniques including: cutting,

window size, materials, and selection of

color.


● Create a portfolio.

● Develop a sketchbook over time.

● Matte art for display.

● Arrange visual art for display.

● Preserve their artwork.

17

● The importance of collecting your work

over time to show progress.

● How to create a portfolio.

● The importance of keeping a journal or

sketchbook.

● Methods of labeling art work.

● How to present their work.

● Label their artwork.

● Present a body of art to an audience.



21st Century Themes



● T – taught

● A – assessed


9.1 Personal Financial Literacy A CRP1. Act as a responsible and








Planning, Saving, and Investing T CRP5. Consider the environmental,


decisions.


innovation.

Civic Financial Responsibility E CRP7. Employ valid and reliable






and Preparation


leadership and effective

management.



X Career Exploration T CRP11. Use technology to enhance

productivity.

X Career Preparation CRP12. Work productively in teams


competence.

18













Student Resources

Primary Source

Readings

The North Light Artist’s Guide to Materials & Techniques, Phil

Metzger, F & W Media, Inc., 2001

Secondary Source

Readings



Teacher Resources

Texts: The Encyclopedia of Art Techniques, edited by Tesla Clark, Walter Foster Publishing, Inc., 2003


The North Light Artist’s Guide To Materials And Techniques, Phil Metzger, F & W Media, Inc.

2001




www.youtube.com


www.artsednow.com

www.artlex.org

www.metmuseum.org

www.fiberartnow.net








19



● Sketchbooks

● Journals

● Portfolios

● Preservation of art

● Preparing art for display

● Display and label work

Other Evidence:

Formative:





● Class critique

● Notebooks


● Quizzes

Summative:


assessments.


Instructional

Strategies

Descriptions




● ELABORATION


● INTERLEAVING




● DUAL CODING


Suggested

Learning

Activities

● Matting techniques under teacher supervision.

● Guided discussion on different ways to use space to display art

effectively.

● Discussion on the use of color while matting work.

● Discussion about the importance of preservation.

● Show examples of quality sketchbooks.

● Portfolio preparation.

● Discussion about the importance of showing progress over time.

● Presentation of work.


20






expectation.















Flexible seating




Assign a peer buddy











(rubrics)



for State testing.



21


short answers

Allow for retakes































Extended time












22




Extended time





Check daily planner


Assign a peer buddy






High Achieving:




most interests them







discussion






to the senses








and rotate.


23


Think Talk Write

Think Pair Share


level








brainstorm.



strategy.
















24

Unit Plan Title

Responding

Suggested Time

Frame

Ongoing & Continuous


Through demonstrations and analyses of artworks by educators, artists, and critics, Responding

to visual art provides students with the tools they need to describe, analyze, interpret, and

evaluate works of art. Students will be able to complete these critiques both in writing and orally.

Students will also practice responding to critical feedback. At this level, students will be able to

respond not only to the artwork, but also to the responses of others (critique the critique).

Students will be asked to use content specific terminology in making a evaluation of the artwork.

History of the visual arts will be woven into this unit, asking students to make personal

connections to historically important works of visual art.








1.3-Performance



1-4-Aesthetic Responses & Critique Methodologies






Artistic Strand: Responding

Anchor Standard 7: Perceive and analyze artistic work.

VA:Re.7.1.III

a

Perceive

Analyze how responses to art develop over time based

on knowledge of and experience with art and life.

VA:Re.7.2.III

a

Perceive

Determine the commonalities within a group of artists

or visual images attributed to a particular type of art,

timeframe, or culture.

Anchor Standard 8: Interpret intent and meaning in artistic work.

VA:Re.8.IIIa Analyze

Analyze differing interpretations of an artwork or

collection of works in order to select and defend a

plausible critical analysis.

25

Anchor Standard 9: Apply criteria to evaluate artistic work.

VA:Re.9.IIIa Interpret

Construct evaluations of a work of art or collection of

works based on differing sets of criteria.


VA:Cn10.1.III

Ia

Synthesis




VA:Cn11.1.III

Ia



Essential Questions: ● How do life experiences influence the

way you relate to art?

● How does learning about art impact

how we perceive the world?

● What can we learn from our responses

to art?

● What is an image?

● Where and how do we encounter

images in our world?

● How do images influence our views of

the world?

● What is the value of engaging in the

process of art criticism?

● How can the viewer "read" a work of

art as text?

● How does knowing and using visual art

vocabularies help us understand and

interpret works of art?

● How does one determine criteria to

evaluate a work of art?

● How and why might criteria vary?

● How is a personal preference different

from an evaluation?

Enduring Understandings:

● Individual aesthetic and empathetic

awareness developed through

engagement with art can lead to

understanding and appreciation of self,

others, the natural world, and

constructed environments.

● Visual imagery influences

understanding of and responses to the

world.

● People gain insights into meanings of

artworks by engaging in the process of

art criticism.

● People evaluate visual art based on

various criteria.

● The critique of a piece of art by others

can influence future critiques, and

future creation of visual art.


● How to analyze differing interpretations

of an artwork.

● Responses to art develop over time

based on knowledge of and experience

with art and life.


● Write a detailed visual art critique,

using content specific vocabulary.

● Articulate a visual art critique in front

of others.

● Respond to written and oral visual art

critiques.

26

● How to evaluate the effectiveness of an

image or images to influence ideas,

feelings, and behaviors of specific

audiences.

● The criteria used to effectively write an

art critique.

● “Critique the critique” of others

regarding works of visual art.



21st Century Themes



● T – taught

● A – assessed


9.1 Personal Financial Literacy A CRP1. Act as a responsible and








Planning, Saving, and Investing A CRP5. Consider the environmental,


decisions.


innovation.

Civic Financial Responsibility A CRP7. Employ valid and reliable






and Preparation


leadership and effective management.



X Career Exploration T CRP11. Use technology to enhance

productivity.

X Career Preparation CRP12. Work productively in teams


competence.



27











Student Resources

Primary Source

Readings


Secondary Source

Readings



Teacher Resources

Texts: The Encyclopedia of Art Techniques, edited by Tesla Clark, Walter Foster Publishing, Inc., 2003


The North Light Artist’s Guide To Materials And Techniques, Phil Metzger, F & W Media, Inc. 2001




www.youtube.com


www.artsednow.com

www.artlex.org

www.metmuseum.org

www.fiberartnow.net




● Oral critiques

● Written critiques

Other Evidence:

Formative:









28

● Response to both oral and written

critiques



● Class critique

● Notebooks


● Quizzes

Summative:


assessments and rubrics.


Instructional

Strategies

Descriptions




● ELABORATION


● INTERLEAVING




● DUAL CODING


● Other learning strategies at the discretion of the instructor, to meet

appropriate standards

Suggested

Learning

Activities

● Group critiques after the completion of a project.

● Individual writing of formal critiques.

● Responding to a peers critique.

● “Critique the critique”.







expectation.






29










Flexible seating




Assign a peer buddy











(rubrics)



for State testing.




short answers

Allow for retakes











30





















Extended time













Extended time





Check daily planner


Assign a peer buddy






31



High Achieving:




most interests them







discussion






to the senses








and rotate.



Think Talk Write

Think Pair Share


level








brainstorm.


32



strategy.
















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2019

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