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BROUGHT TO YOU BY SUBMIT BEFORE Entry form included 3 OCT 2017 THE POWER TO SHAPE TOMORROW LIES IN YOUR HAND. UNLEASH YOUR POTENTIAL NOW!
BROUGHT TO YOU BY
SUBMIT BEFORE
Entry form included3 OCT 2017
THE POWER TO SHAPE
TOMORROW LIES IN YOUR HAND.
UNLEASH YOUR POTENTIAL NOW!
Pg 2
CONTENTSNote from Mr. Yaw Seng Heng, Group Managing Director of Nippon Paint Malaysia Group
The Architectural Brief
The Interior Design Brief
Design Concept Statement
Entry Form
Rules and Regulations & Submission Method
Amazing Prizes
Judging Panel
AYDA Architectural Winners 2016
AYDA Interior Design Winners 2016
Sample Presentation Board
Judging Criteria
Submission Criteria
Tips & Notes
Overview of Asia Young Designer Award 2017
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Pg 06Pg 07
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Group Managing DirectorNippon Paint Malaysia Group
Yaw Seng Heng
For 2017, we have identified another key competency we believe will complement the boldness and
individuality that we are instilling in the younger generation – Future Forward Thinking. It is not enough
that we are bold, or are able to design environmentally sustainable buildings, but we also need to possess
a future-forward thinking that will help us to envision the lifestyles and environments of tomorrow,
ultimately shaping the designs we pen down today. Thus, the theme You For Tomorrow. Tomorrow is
moulded by visionaries of today, structures and spaces that we design today are expected to transcend
seasons, and stand the test of time. So, how would you mould tomorrow?
“
”
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Yaw Seng Heng Group Managing Director
Nippon Paint Malaysia Group
To all young designers
out there,
Firstly, I would like to congratulate you for taking the difficult first step
in leaving your mark in the Asian design scene. For the past 10 years, Asia Young
Designer Award (AYDA) has been taking young talents like you out of your classroom
and into the deep end, for a once-in-a-lifetime experience that you will be proud to talk about
for many years to come.
But this experience is no stroll in the park; our past winners and alumni can testify that AYDA takes young
designers out of their comfort zone, demands commitment, and challenges all that young designers have
learnt in the classroom. Celebrating its 10th anniversary in 2017, AYDA was birthed in 2008 as a commitment
to nurture and develop the creative minds of the next generation. It has since expanded to be an award with a
presence in 15 countries across Asia. Walking through the halls of AYDA, we see AYDA as a platform for budding
designers from across Asia to cross-learn with industry experts who are excited to share their thoughts and
experiences. We will also see iron being sharpened by iron as participants go through gruelling judging sessions,
putting both their technical knowledge and interpersonal communication skills to the test.
In previous years, the Award placed emphasis on aspects such as community centricity and environmental
sustainability. Progressing with the industry, we acknowledge that such themes and design aspects have matured
and become an inherent component of any given structure. Thus, for 2016, we took on a change to focus on key
competencies that would elevate the standards of design. With that, we launched Be Bold. Be Free. Be You.
for AYDA 2016 that promoted individuality and boldness which helped the designers to push beyond
their existing design paradigms.
For 2017, we have identified another key competency we believe will complement the boldness and
individuality that we are instilling in the younger generation – Future Forward Thinking. It is not enough
that we are bold, or are able to design environmentally sustainable buildings, but we also need to
possess a future-forward thinking that will help us to envision the lifestyles and environments of
tomorrow, ultimately shaping the designs we pen down today. Thus, the theme You For Tomorrow.
Tomorrow is moulded by visionaries of today, structures and spaces that we design today are
expected to transcend seasons, and stand the test of time. So, how would you mould tomorrow?
I welcome you to join me on a journey equipped with
your passion, foresight and technical capabilities
as we create design concepts that are relevant,
meaningful and most importantly, meeting the
needs of tomorrow’s dwellers and society.
Pg 4
In a forward-looking and
advancing society, it is critical that
we anticipate our needs of
tomorrow
themselves in the social, economic and environmental context of the future dwellersin its entirety. Each time and space has its own wonders and great structures to capture those moments from its conceptualisation stage, as envisioned by the designer. We also need to be cognisant that whilst creating purposeful ‘brick-and-mortar’ designs, we should always be reminded to incorporate and subsequently build the ‘heart-and-soul’ elements into the project intent.
YOU FOR TOMORROW: FUTURE LIVING,
AS ENVISIONED TODAY.
YOURMISSION
Overview Of Asia Young Designer Award 2017
The needs of each individual dweller, the needs of the specific community and the needs of the society as a whole – how do we envision the living of tomorrow? How would one, as a visionary designer, craft the structure and space that would meet the needs of tomorrow? And how would the design be resilient through the years? By ‘future proofing’, we can predict the way we live, work, play and interact with the environment in the coming years. Thus, it is paramount for designers to take into consideration and fully immerse
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THECHALLENGE
INTERESTED
?
In its 10th instalment, the Asia Young Designer Award pays homage to the term ‘future-proof designs’ through its theme – You for Tomorrow. The theme aims to challenge the foresight and technical ability of today’s designers to create a design concept that is relevant and meaningful, and meets the needs of tomorrow’s dwellers and societies. Merit is given to those whose designs transcend the trends of today and stand the test of relevance of the future.
Every design submission will be carefully considered by our selected panel of judges. If you’re ready to unleash your ideas and design something great, turn the page for more details needed for your journey towards the extraordinary.
Pg 6The Architectural Brief
Envision for the communities of
tomorrow
How would you envision the living of tomorrow? Share with us your most compelling iteration of how designs and concepts are crafted for communities of tomorrow. A visioning exercise is required, to ensure that your signatory individualities are reflected in the eventual concept whilst you envisage the structures and facilities required for tomorrow’s
mankind and living. Design a piece of architectural marvel which is inspired by tomorrow’s living that will stem beyond space and the built environment. How would the inhabitants of tomorrow interact with your structure? Let your design solve issues of tomorrow faced by the inhabitants within a community space.
REMEMBER TO CONSIDER
Does your design portray originality in its execution?
Does your design possess the ability to transcend time?
Does your design offer practicality and have the ability to drive commercial value?
Does your design facilitate the ease of use for its inhabitants?
CREATIVITY EFFICIENCY COMFORT SUSTAINABILITY1 42 3
HOW WOULD YOU CHANGE THE
WORLD THROUGH ARCHITECTURE?
Pg 7The Interior Design Brief
Does your design successfully fulfil a need? Is it purposeful?
Does your design cater to the surrounding communities’ needs?
Is your design made up of sustainable and eco-friendly elements which help preserve the wonders and beauty of Mother Earth?
PURPOSE HEART FOR THE COMMUNITY GREEN DESIGN65 7
As a designer for tomorrow, envision the pattern of future spaces, be it a workplace, living space or public space. Take into consideration the activities that will shape the lifestyle and movements of the citizens of tomorrow, then craft purposeful spaces that fit into your vision of what future living is all about. Preserve your very own persona whilst foretelling the fundamental needs of tomorrow’s society via your design.
Envision and create spaces
of tomorrow
CAN YOU PUSH THE
BOUNDARIES OF INTERIOR
DESIGN?
Demonstrate your vision and foresight in helping the people of tomorrow live in an optimised yet comfortable space. Let your artwork and design concept statement go hand-in-hand in bringing to life the tomorrow that you envisaged.
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DESIGN CONCEPT STATEMENT
What was your research method like?
Who was your main source of information during your research? What questions did you consider during your research?
YOUR RESEARCH PROCESS
YOUR DESIGN PROCESS
Your write-up (with a maximum of 1,000 words) will be the first component on the presentation board to be reviewed by the judges. It needs to answer the following:
Your content must be well organised and appropriately elaborated, with a succinct explanation for the audience’s understanding.
You may present it in table form.
Your design concept statement should consist of a maximum of 1000 words.
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Was the research method you used sound?
What did you learn from your research findings?
What is your future-proof design concept
aiming to solve and how does it benefit
the communities and societies around it?
How would you envision the ecological,
sociological, and technological aspects that
may contribute to the well-being of humanity?
What is your design’s impact on the environment
based on its concept, materials, maintenance,
energy usage, and water and waste management?
In your opinion, what is the one key
component that must exist in future-
proof designs?
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6-MONTH INTERNSHIP
WITH IJM LAND
6-MONTH INTERNSHIP
WITH IJM LAND&
MALAYSIA LEARNING
PROGRAMME & TRIP
Compete against winners from 14 other countries to win the Platinum Award and
USD 1,000 cash.
*8 Finalists to receive RM200 cash respectively
RM5,000 CASH CASHCASH
RM3,000 RM1,500
AMAZING PRIZES
All AYDA 2017 GOLD WINNERS from the
15 countries will compete for the AYDA
2017 Platinum Award and a (USD 1,000)
cash prize at the Malaysia Learning
Programme and Trip in 2018!
BESTMENTOR
CashRM 1000
BEST COLOUR CHOICE
CashRM 500
BESTCOLLEGE/
UNIVERSITY
CashRM 1000
BESTGREEN
INNOVATION
CashRM 1000
BESTSUPPORTING
COLLEGE/ UNIVERSITY
CashRM 1000RM 1000 PAINT VOUCHER
GOLDAWARD
HONORARYMENTION
SILVERAWARD 1
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JUDGING PANEL
• Manager, Architectural and Product Development, IJM Land Berhad
• Managing Director, Neu Innerspace Kinetics Collaborative Sdn. Bhd.• Immediate Past President, MIID
• Design Director, PDI Design & Associates• Council Member, MIID
• Chief Executive Designer, Blu Water Studio Sdn. Bhd.
• Principal, MZ Design Consultancy• Deputy President, AMPLE• Member, MIID, IPDM & BIM
• President, Geoffrey Thomas Associates Sdn. Bhd.
MR CHONG TONY
MR RONNIE CHOONG SWEE BENG
MR OOI BOON SEONG
MR LAI SIEW HONG
MS MONIE MOHARIFF
MR GEOFFREY THOMAS
Interior Design
Category
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• Principal, ADJ Architecture Sdn. Bhd.• Honorary Secretary, Architecture for Humanity Kuala Lumpur• Honorary Secretary, Arcasia• Council Member, PAM
• Principal, Arkitek Jazsidhu• CEO, DezignWerkz Asia• Editor, Designscape• President, Association of Consulting Architects Malaysia (ACEM)
• Director, GRA Architects Sdn. Bhd.• Past President, PAM
• Chairman, Green Building Index Accreditation Panel (GBI)• Immediate Past President, PAM
• Principal Lecturer, TARUC• Editor-In-Chief, Architecture Asia• Member, GBI Accreditation Panel
• Principal, Sarly Adre Sarkum Architecture Sdn. Bhd.• President, The Malaysia Green Building Confederation (MGBC)• Elected Member, PAM Council
• Principal, P.I. Architect• Registered GBI Facilitator• Director, Healthscan Malaysia
• Senior Manager • Property Development, IJM Land Berhad
AR ALVIN LIM HAI SEAH
AR JASMEET SINGH SIDHU
AR BOON CHE WEE
AR CHAN SEONG AUN
AR LEE CHOR WAH
AR SARLY ADRE BIN SARKUM
AR DATUK TAN PEI ING
AR KOH WAI TUCK
ArchitecturalCategory
Pg 12
AYDA
2 0 1 6
David Nee Zhi KangUniversiti Teknologi
Malaysia
ARCHITECTURAL WINNERS
AYDA enabled me to go beyond the classrooms,
into the deep end where our concepts were
challenged by experienced judges from the
industry. These industry experts gave us a dose
of reality and I learnt so much in expressing my
concepts in an effective manner.
Kalam Research Centre
Nur Syazana binti Ah Khaliludin
Yeow Yann Herng
Ooi Soon Theng
Universiti Teknologi Malaysia
Universiti Teknologi Malaysia
Universiti Teknologi Malaysia
– David Nee
Gold
Silver
Honorary Mention
Honorary Mention
Makespace Visual Art Centre (M.V.A.C)
[Insta] Ractive Museum
Convertible Community Centre
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AYDA
2 0 1 6
INTERIOR DESIGNWINNERS
AYDA elevated me intellectually and emotionally
as a designer and I can attribute it to the
engagement with the industry professionals.
The AYDA experience will definitely stay with me
for a long time; perhaps even after I have joined
the working world!
Chai Min LiTaylor’s University
The Common Place
Marissa Wong Chia Ying
Devina Amelia
Taylor’s University
Taylor’s University
Reclaiming The Soul Of Chinatown
Klmemoryscape
The Learning Meteor Garden
Lim KenTaylor’s University
– Chai Min Li
Gold
Silver
Honorary Mention
Honorary Mention
To view more designs, log on to www.asiayoungdesigneraward.com
Pg 14
GREEN & SUSTAINABLE DESIGN CONCEPT
DESIGN INNOVATION
DESIGN CONCEPT STATEMENT & ORAL PRESENTATION
COLOUR CONCEPT
COLOUR HARMONY Create a harmonious colour palette and balance between the selected colours. COLOUR COORDINATION Ensure that colours work together in highlighting the design elements. COLOUR INNOVATION Implement creative use of colours to produce a prominent design that stands out.
Your write-up will be the first component on the presentation board to be reviewed by our judges. Refer to page 8 for the full requirements. Your oral presentation should be properly structured to convey your design concept/message to the judges.
JUDGING CRITERIA
CLIMATE, ENERGY & WATER Demonstrate optimisation of the usage of energy and other resources in order to reduce load, increase efficiency, and utilise renewable energy resources.
FUNCTIONALITY Design must be appropriate for their intended use and have a positive impact that benefits the community as a whole. SPACE PLANNING Appropriate design and planning of individual spaces as suited to their specific needs, with an emphasis on anthropometric and ergonomic principles.
25%
20%
30%25%
30%
25%
25%20%
REDEFINITION OF SPACE The design idea must be innovative, creative, and beneficial to the users and public at large. CONTEXTUAL APPROPRIATENESS Innovative design that creates hope for a better world and also becomes the ideal model for other areas to follow.
BUILDING MATERIAL & ECOLOGICAL ENVIRONMENT Demonstrate the use of eco-friendly materials and construction techniques aimed at reducing environmental pollution. These will help prevent negative health effects and create safer working environments. INDOOR ENVIRONMENT QUALITY (IEQ) The IEQ of a building has a great impact on its occupants' health, comfort, and productivity.A sustainable building will maximise the use of natural lighting and ventilation, as much as the building typology and other site-specific conditions allow.
GREEN INNOVATION PRACTICE The design should include, where appropriate, both passive design strategies (usually low-tech) as well as active systems (usually high-tech) that require less maintenance, less resources, fewer chemicals, and are cost-effective throughout the lifespan of the building.
INTERIOR DESIGN
INTERIOR DESIGN
INTERIOR DESIGN
INTERIOR DESIGN
ARCHITECTURE
ARCHITECTURE
ARCHITECTURE
ARCHITECTURE
Pg 15
Design Statement
Design Statement
Project Elevation
Project Elevation
Existing Site Photos (if applicable)
Existing Site Photos
(if applicable)
Project Plan & Furniture Layout Plan
Project Plan & Furniture Layout Plan
Students should provide captions for selected perspectives with reasons why the colours are applied in regards to the concept.
Students should provide captions for selected perspectives with reasons why the colours are applied in regards to the concept.
Colour chips with the corresponding Nippon Paint colour codes and names.
Colour chips with the corresponding Nippon Paint colour codes and names.
Project Profile
Project Profile
-Project Name -Project Category -Concept
-Project Name -Project Category -Concept
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All entry submissions need to include existing site photos.(If applicable)
All entry submissions need to include existing site photos.(If applicable)
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ARCHITECTURAL CATEGORY
INTERIOR DESIGN CATEGORY
SAMPLEPRESENTATION BOARD
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Explanation of the green elements and green paint products used in the project.
Explanation of the green elements and green paint products used in the project.
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Perspectives of the Projects in 3D Students can place perspectives according to their own preference.
Perspectives of the Projects in 3D Students can place perspectives according to their own preference.
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Pg 16
YOU FOR TOMORROW
INTERIOR DESIGNCATEGORY
THEME
PROJECT CATEGORY
PROJECT LAYOUT SIZE
PARTICIPANT REQUIREMENT
SUBMISSION LIMIT
PROJECT REQUIREMENTS
ARCHITECTURE
OPEN CATEGORY
Below 30,000 sq ft
Diploma Year 2 students
and onwards
Diploma Year 3 students
and onwards
Below 10 acres
1 PROJECT, MAXIMUM
Colour Chips and Product Names Students must use Nippon Paint products
and colours in the project Green Elements
Students must state clearly what eco-friendly products, as well as the elements, are used in the project
Colour Scheme Justify how the colours associate with the design starting with
the projects’ title and theme / concept Name and Theme / Concept
All projects must start with the projects’ titleand theme / concept
SUBMISSION CRITERIA
Pg 17
• A minimum of 3 boards or a maximum of 4 boards are to be submitted, based on the soft copies.
• Board 1 must show: existing site photos (if applicable), property/site developer (if applicable), floor plan, elevation, furniture layout plan and site analysis.
• Boards 2, 3, and 4 must show: 3D perspectives with Nippon Paint colour chips and codes.
• Presentation boards must be designed in a vertical layout format.
• In the digital copy of the project on CD/DVD, the design of the A2 board must be saved in a folder named “Presentation Board”, with the file name set as “Your Name – Board 1”. The design statement needs to be included.
• The design statement should not be more than 1,000 words and must be saved in a Microsoft Word file format.
• All colours used in the project must be from Nippon Paint’s product range.
• All colours used in the design must be clearly illustrated with Nippon Paint’s colour names, colour codes, and product ranges. Please visit www.asiayoungdesigneraward.com to download the colour chips.
• Label all areas on the floor plan.
• Perspectives in A2 Boards 2, 3, and 4 must be in A3, A4 or A5 sizes and pasted on the boards.
• The Entry Form must be attached or affixed as a cover page when submitting the entry in a CD/DVD.
• Submissions should not have the participant’s profile and education institution details on top of the presentation board to ensure anonymous judging of the competition.
• Provide your recent personal photo in JPEG format.
• All required image files must be 300dpi, in JPEG format ONLY.
• The individual perspectives in JPEG format, high resolution (300dpi) and A4-sized (minimum) must be saved in a folder entitled “Perspective”. The file name of the JPEG shall be saved in a naming format based on “areas”. For example: Living room / Lobby.
PRESENTATION BOARD - A2 Sized
PHOTOGRAPHS
DESIGN STATEMENT
LABELLING
COLOURS USED
TIPS & NOTES
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For more information, please log on to www.asiayoungdesigneraward.com
!
Pg 18
Student’s Name
College
Course
Year
IC No.
Address
City / State
Competition Category
No. of Presentation Boards
Project Location (If Applicable)
Lecturer's Name
Applicant's Signature
Please read the rules and regulations located on the last page of the AYDA 2017 entry kit. By submitting this entry form, I hereby accept and agree to abide by the rules and regulations of the competition.
Architectural Interior Design Interior Architectural
Postcode
Mobile No.
Architecture / Interior Design
Diploma Programme :
Degree Programme :
Year 2 Year 3
Year 1 Year 2 Year 3
SUBMISSION CHECKLIST• Completed registration form • CD/DVD which contains: • A folder named "Presentation Board" which has JPEG formatted files of your presentation boards set at 300dpi and named "Your Name - Board 1.jpeg" , “Your Name - Board 2 .jpeg", “Your Name - Board 3.jpeg", etc. • A folder named "Perspective" with each perspective file in JPEG format, set at 300dpi with a suitable name (e.g. "Living Room" or "Lobby"). • Your design statement saved in a Microsoft Word file named "Design Statement.docx" and written in not more than 1000 words. • Your recent personal photo in JPEG format set at 300dpi with your name set as the file name (e.g. "Participant Name.jpeg").
ENTRY FORM
Pg 19
Submission DeadlineAll completed entries must be postmarked by
SUBMISSIONMETHOD
Mail Your Entries(Entry Form And CDs) To The Address Below: Attention: Ms. Veronica / Ms. Serene The Red Tag Sdn Bhd (AYDA 2017 Event Organiser) D-6-3, Sunway Nexis Soho No 1, Jalan PJU 5/1, Kota Damansara, 47810 Petaling Jaya.
For Enquiries, Please ContactMs. Veronica : 016 - 291 9433 or Ms. Serene : 016 - 620 3191 You can also email [email protected] / [email protected] log on towww.asiayoungdesigneraward.com for more information.
Participants must be enrolled in an educational institution of interior design or architecture.
This contest is open to all second-year and onwards interior design students, as well as third-year and onwards architecture students.
Only one entry is allowed per student.
Final date of entry is 3 Oct 2017, Tuesday.
All entries shall become the property of Nippon Paint Group of Companies.
Judges' decisions are final.
Prizes are non-transferable and non-exchangeable for cash or credit.
The organiser reserves the right to substitute the top prizes with another product of similar retail value without prior notice.
Participating students must have international passports.
Shortlisted candidates will be notified to make an oral presentation as a final judging procurement.
Winners will be notified to attend a ceremony. Winning entries may be featured in marketing and promotional materials as deemed appropriate by the organiser and sponsor.
Winners will bear all the expenses for travel costs and other incidentals relating to their appearance at the launch, oral presentation and award ceremony.
Entries must conform strictly to the submission guidelines and must be submitted to the contest coordinator of each school.
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3 OCT 2017TUESDAY
RULES & REGULATIONS
In Association With Supporting Companies
NIPPON PAINT (M) SDN BHD (7516-H)
Lot I-17, Taman Perindustrian Subang Utama, Jalan SU 4, 40300 Shah Alam, Selangor Darul Ehsan, Malaysia.
IN PARTNERSHIP WITH
BROUGHT TO YOU BY
WWW.ASIAYOUNGDESIGNERAWARD.COM
AsiaYoungDesignerAward - Malaysia
1-800-88-2663
