Date post: | 24-Jul-2016 |
Category: |
Documents |
Upload: | rizal-ambotanguniwork |
View: | 245 times |
Download: | 5 times |
rizal ambotang | [email protected] <<
T h e s e c r e t is
A-A
B-B
1 4 m 2 8 m
elevation - south east - entrances
SITE PLAN
elevation - south west - exit
N
1 4 m
twothe furthest between
the Maze @ h e r r i n g i s l a n d
The concept The Maze ● the journey ● child-like curiosity ● hide & seek ● elaborate staircase ● discovery ● surprises ● feast of vision vs. feast of curiosity ● reveal and not reveal
S T U D I O E A R T H | S E M 1 | 2 0 1 4
This project explored the opportunity of introducing a playful architecture that induce curiosity and disocvery while maintaining the natural environment of Herring Island. The design
introduced a “secret” marker within the composition as per the Brief requirement.
The design uses the basic tectonic grammar of point-line-plane, mass and frame and infill for its composition. The point line plane is represented by the timber piles which also act as structural support for the training wall . The mass syntax is used in composition through te cutting into the slope while the use of gabion wall and concrete further establishes the syntax. An anechoic chamber within the core uses the frame and infill composition with timber louvers and translucent infills to create a japanese screen effect.
A sun and shade study were done to panctuate the openings to improve the natural lighting of the paths due to the tall wall. Similar to a maze garden, the low lighting created by the tall walls creates drama and reduce orientating capability which further enhances the effect of the journey of discovery. The composition also offer direct acces and exit out of the maze as well as a overhead view of the overall maze. The secret is inserted into the composition and can only be accessed indirectly through visual attention.
RIZALAMBOTANG
Present
2011 - 2012
2005 - 2010
2013 - present
2002 - 2003
2004
1989 - 1992
CONTACT ME EDUCATION
PERSONAL QUALITIES
PROFESSIONAL CERT./TRAINING
ENVIRONMENT (ARCHITECTURE) B.at The University of Melbourne Melbourne
Melbourne
Melbourne
COMPUTING (APPLIED IT) P.DIP.at Monash University
EBUSINESS 7 COMMUNICATION P.CERT.at Swinburne University of Technology
Troy, NY, USA
AERONAUTICAL ENGINEERING B.SC.at Rensselaer Polytechnic Institute
Dean’s List
STUDENTat The University of Melbourne
Dean’s Award 2014
Melbourne
IT OFFICERat The University of Queensland
Primary support & development of OneStop receipting system & POS terminal. Application support for specialised financial applications in Finance team in University of Queensland.
Brisbane
APPLICATION & INFRASTRUCTURE ADMINISTRATOR
at Willis Australia
Principal IT support and administration of Willis Sydney. Planning, testing and deployment of IT infrastructure.
Sydney
WORK EXPERIENCE
EnglishMalaySpanish
LANGUAGES
Adobe PhotoshopAdobe Indesign
MS Office Suite
McNeel Rhino
Adobe Illustrator
AutoCAD Revit3D Studio Max
Adobe Lightroom
GrasshopperVray / Maxwell
PC WINDOWS & MAC ENVIRONMENT
PROFESSIONAL SKILLS
+61 467 893 404
SCAN CODE FOR ONLINE PORTFOLIO
18 Stephen Crescent, Croydon, 3136 VIC
A confident and dedicated student who comes to you with diverse technical know-how and work experience. Rizal is a self-starter with good communication skill and proactive member in a team enbvironment.
Parametric Design Masterclass - 400Hrs - ControlMAD, Madrid Spain 2015
MCSE , MCP, CCNA
anticipated graduation July 2016
REL
IABL
E
ANALYTICAL CREATIVE
TEA
M P
LAYE
R
SEL
F-STARTER ORGANISED RESU
LT OR
IENTED
RIZAL
A
B
B
A
SECTION A-A
SECTION B-B
Dissipated r
Noise waves
Sound deadening wave diffuserPlywood/glulam laminated timber
Bolt connection to glulam member
Bolt connection to platform
Hot rolled steel shoeslift cells above ground
s o u n d d i f f u s i n g c e l l s
“The fundamental strategy of Critical Regionalism, is to mediate the impact of universal civilization with elementsderived indirectly from the peculiarities of a particular place”
Kenneth Frampton
“Towards a Critical Regionalism: Six Points for anArchitecture of Resistance,” in Hal Foster, ed
Noise barrier wall Noise barrier wall
opaque opaque
transparent for view
x= u + v
y=(2 + sin (u+v)/4 )cos (u)
z = (2 + sin (v) /4)sin (u)
{(u,v) | 0 ≤ u ≥ π, 0 ≤ v ≥ 5π }
“adding u to the x coordinate sheared the tunnel to extend the corner forward. “
Regionalism - site response
>> rizal ambotang | [email protected]
SC
AN
CO
DE
FO
R C
OM
PR
EH
EN
SIV
E O
NL
INE
VE
RS
ION
>>
Site analysis
Mapping - noise distribution
Generate voronoi pattern
Rectangle with points
Math recipe
EvalVoronoi
CullPartition
Crv CP
Map Srf
Re-generate voronoi pattern with site in�uence
MoveCullPt
Voronoi
SrfGridCurve attractor
Project pattern to surface
x= u+ v
y=(2 + sin (u+v)/4 )cos (u)
z = (2 + sin (v) /4)sin (u)
{(u,v) | 0 ≤ u ≥ π, 0 ≤ v ≥ 5π }
Math recipe
x= u
y=v
z = sin (u) cos (v)
{(u,v) | 0 ≤ u ≥4 π, 0 ≤ v ≥ 4π }
Crv CPP Cen
Vec2PtExtr
Python script- boolean trim
BBoxSbox
Morph
Extrude pattern inwards
using the sine surface
Morph to surface
This project looked at the issue of noise pollution generated by traffic over the bridge at Blyth and Atherton road. The problem impacted the user of the Merri Creek trail as well as the fauna
specifically the indigenous birds in that area. The project used digital design to mitigate the environmental impact through an architecture that is site responsive and can be classified by the idea of critical regionalism.
Inspired by the source of the problem i.e. noise and its mathematical representation, a feasible geometrey was idealised into architectural form that responded to the site condition and can lessen the impact of the pollution to the area. Parametric design was used in form finding, modeling and digital fabrication.
The architectural geometry of barrel vault provides the structural basis of the form while the 2D voronoi pattern which was site responsive, was mapped over the form and extruded inwards to create the sound diffusing cells
throughout the form. Through the concept of critical regionalism, this project attempt to define its role as responding to continuity of universal values i.e. mass production and technology while being critical and responsive to the geographical context and situation (traffic pollution).
S INESOUNDp e r f o r m a t i v e N O I S E B A R R I E R
S T U D I O A I R | S E M 1 | 2 0 1 5
Sine wavey(t) = A sin (2 π ft+ φ)
x=vy=cos (u)z = sin (u)
{(u,v) | 0 ≤ u ≥ π, 0 ≤ v ≥ nπ }
Barrel vault Modulatedx=v
y=(2 + sin (v)/3 )cos (u)z = (2 + sin (v) /3)sin (u)
{(u,v) | 0 ≤ u ≥ π, 0 ≤ v ≥ 5π }
>> rizal ambotang | [email protected]
HORIZONTAL BEAM
COLUMN
CROSS BEAMSTUMP WITH WELDED SLEEVE& BRACKET
BEAM SLIDE THROUGH SLEEVE
HORIZONTAL BEAMTRAFFIC IN TRAFFIC OUT
30 MM RIBS
DRILLED HOLESSUPPORT BRACKETS
HEX BOLTS
CROSS BEAM
COLUMN WITH WELDED SLEEVE& BRACKET
BEAM SLIDE THROUGH SLEEVE
R I B S U P P O R T B R A C K E T S J O I N T D E TA I L S
3100MM 6000MM
2100MM
500 MM
LibPARA [para] metric + [lib]rary
This is a final thesis project as part of a 400-hours
Masterclass in Parametric Design at ControlMAD,
Madrid, Spain, 2015. The basis of this project was
to explore a public space (a structure) that offer
free access to traditional books through a trust system
and public donations. The design of the structure will
be unique and can attract passerby. The structure is also
intended to be demountable and can be easily assemble
and disassembled by minimal number of people, at least
4 people. It is intended to be placed in high traffic area
specifically metro/train stations.
Parametric design was used in form finding, parametric
modelling, structural analysis and optimisation as well as
digital fabrication. The outcome of the project opened
up opportunity to have various designs using the same
parametric definition(Grasshopper) as well as a basis for
further exploration in “flat-pack” structure in the future.
The project also offers opportunity in redefining the role
of traditional library through architecture.
The motivation for this project was the disappearing act
of reading traditional books. With the proliferation of
smartphones and tablets, the once ubiquitous physical
books are now becoming extinct. The concept revolves
around the idea of the fish in a bowl. The space is an
abstraction of the environment we live in. World of
personal bubbles detached from the outside world with
our obsession of digital media consumption. We can see
the outside world however we live in a transparent bowl
of isolated environment.
This abstraction also include the concept of water and
bubbles (air) which is essential to our survival in this ever
increasing private world. The water also represent the
immense volume of knowledge which we can extract
from “books” which again is a dying breed in the physical
world. The form of the structure follows the undulating
water waves and elements of bubbles exist inside the
volume representing the inherent nature of its existance.
The sinous waves also represent the quiet nature of
this environment which imitate the world that we are
engulfed into when we are concerntrating when reading
books.
Despite the dynamic form of the waves, the overall design
I am trying to convey is a quiet and reflective space
which can attract people out of curiosity while offering a
functional space that allow flow of local traffic of people
to take a short moment of their time and grab a book
on their way to work and return them on their way back.
END POINTS 0.905 MM
END POINTS 5.616 MM
MID POINTS 7.582 MM
50 X 50 SHS STEEL S235
MAXIMUM DISPLACEMENT AT NODES
MAXIMUM DISPLACEMENT AT NODES
INITIAL SPECIFICATIONS
OPTIMISED SPECIFICATIONS
AS 1170.1 Minimum design loads on structures (known as the SAA Loading Code)
maximum allowable deflection SPAN /300 = 6 M/300 = 20MM
NODE 11
NODE 11
NODE 1
STRESS ANALYSIS - KARAMBA
NODE 1
ZOOMED VIEW
20 x 20 SHS STEEL S235
< < E L E VAT I O N S
<
<
SC
AN
CO
DE
FO
R C
OM
PR
EH
EN
SIV
E O
NL
INE
VE
RS
ION
Water - Bubbles - Fish in a bowl - Isolation
PARAMETRIC DESIGN MASTERCLASS SEPT- DEC 2015 | CONTROLMAD | MADRID,SPAIN