SurbQlartocL Music 599 Fall 1999

BIBLIOGRAPHY

Baiky,Ttra~m 7%e Proce~ions of Smwn and tk Western Church. Tuont~: Ploatificrrl Institute ofM*val studies, 1971.

Borders, James. Emly MdievcJ Cirrrntsfiom Noluultokx. Pt.. 3, ProcCSSiOllQI C h . Recent Re- seadm ia the Music of the Middle Ages d M y Renaissance, vd. 3 2 Madi- A-R Editions, Inc., 19%.

Brockett, Clyde W. "Farmulaic Cadeati;al Neumes for Deutenrs Mode Finalis Cognition." Paper pmmtd at Cantus Planus meeting, Visegrid, Hungary, August 29-3 1 . 2 0 .

Brydm, John R, and Ihvid G. Hughes. An In& of Gtcgorion Chant. Vd. 2.7hmaic I&. Cambridge: Hanard university Ress, 1 w .

Einsiedeln St Gngory Mass Antiphoner (CH E 121). PuMisbed in facsimile as Pddogruphie mu- sicak: Lcs princijnaux manusm'ts & c h grCgorien, ambmsien, motmrrbc, galliean, publids en fbc-similCs p h o t ~ i q w s , wf. 4, Le Codcx 121 & la BWtlrLqw d'-h (Xe-WJilck): AntiphonrJc missonun SMCti Gregorii. Bern: Editioas Herbert Lang & Ue. SA, 1414.

Gradual of Albi (F Pa 1.776). Paris: BiMiotbbque nationale Foods latin, MS. 776. Microfilm facsi- mile.

Gradual of Benevento (I BV V1.40). PuMishcd in facsimile as Bemento, Wblioseca Ca;pitolarc 40, Codices p p r h i , no. 1. Nino Albama and Dom Alberta T w o , eds. Mur: Linea, 1991.

Gradual of Beaevento (I BV V1.34). Published in facsimile as PalCogreplric musicale: Lcs princi- pawr mol~usm~ts & chant grdgorun, ambrosien, mozarabc, gdlican, publils en fac-simifds pho- totypiqucs, wl. 15, Le Coda W34 de kr Biblwthtqrcc Capitrrlaite dc B&vent (He-XIF sitck): Gr&f & BCndwnt ovcc pmsaite et tropain. Dom Joacph Gajard, ad. Bern: Editions Herbat Lang & Cie. SA, 197 1.

Gradual of St BCnigne of Dijon (F-MO H 159). PuMishcd in facsimile as Paltogrcrlphic m i - cafe: Les princijnaux m~lluserits & chant grdgorien, ambrosien, mozarabc, gaUican, publids en fm-SMUS phototy ' ucs, vol. 8, Antighonurim tonale &SMU~ (XT sitck), Cadcx H. 159 & kr a Bibliotfdgrrc & I' & mWccine & lCIbsltpcUier. Dom Dom Mocqucreau, ed. Bern: Hwbm Lang & Cie. SA, 1972.

Gndual of Klasterneuburg (A Gu 807). Published in facsimile as P&gny,hie rmcsicule: Les pnpn~ipluu: rnanuscrikr & chant gdgoricn, Mlbrosien, mozambe, gallican, publih en&-simifds photogralphiqws, wf. 19, Le A h u s d t 807, Universit(Ytsbiblwtkk Graz (XIF sitck): Gredruf de Klasterneubwg. Bern: Editions Hdmt Lang & Cie. SA, 1974.

-&add d St. Y neix (F Pn 1.903). PuMisbed in facsimile as PalCograpiric nusicale: Lcs princi- -12-

pnlu mMusctits & chant grtgorim, ambrosien, WwtOrebc, ggallicrm, publils en*-SimiICspiroto- typiques, wl. 13, LC Codex W3 & lo BibliothLque Nationcllc & Paris (XIC sikle), Gmkl& Saint-Yricix. Dom AndrC Mocqucreau, ed. Bern: Herbert Laag & a. SA, 1971. Gradual of S t Yrieix (F Pn 1.903). Paris: Biblioth4que nationale Faads latin, MS. 903. Miclo- film facsimile of fds. 133v- 147~.

Hamen, Finn Egeland. "Editorial Problems Connected with the TmnscripCion of H 159, oatp pel- lier: Toaary of St BCnigne of Dijon." Erudcs Grtgoricnnes 16 (1 977): 161 - 172. Hiley, David Wes&rn Plainchant: A fhndbmk Oxford: Clamdon Pnss, 1993.

Moderini, Ave. Lu NotaLjone N e m di Nommtola. Instituta ct Monumeatll, pubblicati dalla BiMi- govedva e civica di Cnmona e dalla Scuda di paleografia musicale dell'Umvetsit8 di Parma, Sene 2: Instituta, N. 311. Cnmona: Athenaeum Cnmonense, 1970.

St. Gall St. Gregory Mass Antiphoner (CH SGs 339). Published in fwimile as Paldogrcyllhic ~ & : ~ s p r i n c r ' i p a r c x ~ & c h m r t g r t g o r i c n , O m b P O ~ i c n , m o t a r e b c , g a l l i c a n , ~ m &-simiICs plrototypiques, wl. I , LC C d x 339 & la Biblwtlr2que & Saint-Gall (Xc si2ck): An- t@brrcr lc missarm Sancti Gmgorii. Bern: Editions Herbert Lang & Cie. SA, 1974.

Schlaget, Karl-Heinz. TIicmatiSclrcr KbEalog rdcr Ukesten AUcIrcia-hodicn aus Handschrij?en cics 10. und 11. Jahrhdkrts. Erianger Arbtiten zur Musikwissenschaft 2. Munich: Walter Ricke, 19s.

Tropcr -h r from San Silvestro di Nomutola (I Rn 1343). Rome: Biblioteca Nazionale, MS. 1343 (Sessoriano 62). Microfilm facsimile.

Troper-Roser from San Silvestro di Nonanbda (I Rbcasanat. 1741). Rome: Biblioteca Casana- tense, MS. 1741 (C.IV.2). Publishad in facsimile as Tmpcrrirmr Saq- Nomntulruuun= Cod. Casanat. 1741. Mmumenta Lyrica Medii Aevi Italica 1: Latina. Giusepge V d , ad. Me dens: Acrdemia Seientiarum Li- Artium, 1955.

Table 1. Chat Tides by Fonnula at Nommtola

hbbrev./Transp. 1 Chant 1 Antiphon Mods (Ambitus) FC;IC~ ~ ~ a r p ~ a r p n ~ s t c t * i I n ( c + ~ )

. . F d c d

FG /cd

FdCd

FdCd

FdCd

FClCd FGICd FdCd

FdCd

FdCd

FdCd F d c d

FdCd

Wmnt with full alleluia in 1741.

Mseme Dominc pkbi tuae I (C-d)

Dominc Rex DcrrP Abreham

11 W-dt I or n (A-6); 1.776 toaary: I1 A-d 11 ( A - a ; 1.776.1.780 tonaria: I1 I1 (A*); 1.776 tonary: I1 11 (A-6); 1.776 ~MIBI~: I1 I or I1 ( F c ) ; ~ 1.776 tonary: I1

(A-GI; 1.776 tonary: I1 1343: n ( r ~ )

tTmsposition in 1741; ambitus for b w p d c4aats interpetad at the mode's true rngistet.

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Table 1. Chant Titles by Fonnula a No~ullltola

+chant with full alleluia in 1741.

Chant - Signum srJIltir

PopuruS Swn

Antiphon Mode (Ambitus) 1343: 11 (ru)

....................................................................... I.776tomuy: III Ffinal in 1741 and 1m V1 (m); nI a E final ......................... -. ........................... - - ............ 1 . n 6 ~ : IV Ffinal in 1741 and 1343: V1 (C-b); I11 or IV if E finel

, ;77G.. ,;,wa&:.. .. .* K-... Efinal m d in 17411 F final in 1343: Vl (Dd); UI il E f i d ..................... ............ ......I.....---------""I...7..?I: u1 (M 1.776 tonary: III

TTmnsposition in 1741; ambitus for tmnsposled chants imtctpmtcd at the mode's true ngistet.

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Table 1. Cbant Tides by Formula at Nonanbola

~bbrev./~rmsgt!~] - - Chant ... EGG 1 Ambuhntessancti ingredimini " ....................-.............. ....- .....................................................................

lEGG ~ e s a n c t i D t i .. .locum

....----...- ..... 1 ........................... 1 Numquid est

t i

I peccavimus i i i I i I I 1

1 1 1343: Alleluia abbreviation is 1 . : i Gb dd. .............................................. .2 .....-....-..................-............-..-.-.......... .. .........

[ Pcamlhmimpata*

i 1 I 1 ,

i

I i

) Conptcmini Domino* .*is..- ............................................................................

ic-eDominc - - -

i 1 Trim ~ G F F/& 2;-- 1eominc-

i; ., ................ ,i- ! ; ........................................................................ I :" Trim i GF F/& c i Non nos dmragat

j ip-"""

*Ch&nt with full alleluia in 1741.

Antiphon Mode (Ambitus) III a IV (C4

--- - - - .- -. I.776,1.780 tonuies: IV ".... 111 (C-e):

....................................................................... F+ in 1741; G-cc in 1343 wl G final 1.780 tonary: V

.................................. - ....... -.- .... - ............ VI (G-g)t

....................................................................... VI (G-g)t ....................................................................... VI (C-c) 1.780 tonary: VI VI (C-c) 1.780tomy: VI

fTmnsposition in 1741 ; ambitus f a t m q m d chants intqmtd at the mode's true register.

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Table 1. Chant Titles by Formula at Nanaatda

Ianeria I ~ b b r e v J ~ r a n s p , resardu~ la;-

(. ............................................ retrardu~ jn GM;~,

.... ("." ................. retrardu~ i n i;~;o

FD

F'D

FD

*Chant with NI alleluia in 1741

Chant -- - - ]Antiphon Mode (Ambitus] ,i C~mjl~mdita3t? I (F-f)

..... Lk J e t u f a h i VII ~r VIII (F-d) ; ; ~ o m i n c D ~ W MS~W .. 7-7 vm (c-c) !I patribus* i

Exc:lanurmc~omncr : vn (G-g) ..................... ..--....-...... ............................ 1.. ......................................... ..-. kEfnommm WI or Vm (F-e)

.j

1

VII or VIII (F-d)

DcurqUit?sbellCdiCtus... VIII(Dc) suscipe

? Gregem tuum \ VII or VIM (F*)

. . . . . . . i.v n.or. (F-c) Nos peamhdT

tTt11118P09j.ticm in 1741; ambitus fop transposed chants interpreted at the mode's true register.

f i

:B?pwJ ~'~ - - ...... ................. ............................................................................................. . . . . J' : =W?@WWIW' a3d3adT -̂ ; 1 - ............................... --- ..................... 3.d a. - i .................... ...... ...... ............ .... .................................. ................................. ......... ~ . . . . . . . . . . ~ . . P i -snylxpn#3. m 3 a m .l.. ....-..... .& :::...; ...-.............-. ............-... ; ........-........ J(4" -......A .......-.... -- .- .............................-.~........ -- :le: -

. . . . . . . ............. .. ........................................ -i ................................... --. -.-.--- -rrr ............... I - - - - - - ......-.... _-e .....- L - -..?Y- .*- *.-...;-. .... - ""P" ,;,,,.,..-..~..... .--- md3am 1 ! r r r o l ~ l p r r ~ m I i (-PIP ddd3 w W ) ~ /' .....-...... * I: ..................................................... ............. ................................... ............................. ........................................ -.... --...-. .+.& ,...... ~ -- ..... - -- ......... P: *--......-- ? s n 2 l l r , t n u o u ~ : .- = u a 3 a m 1, - iBpIPlplmq&p/Ai - ...... ................................. ............................... .... ......... .. ............................-........ -L. I . ...-" ".,"& ..-......... 1 W W ~ r l r p v W W r ; iiiiii - C13d3am - i P: LI ! - m w w z aajr3am ........-........................-. 4 ...... ..i ............ . . . .. .. . . . . . " ....... ......... ................................ .......

(.-) P i -, p L . . . - ; ............. ......................................... *,."" ........- . ........-.... p- ... ,___..." .....-.....-..... -- -- .........+-......a i.-.+- ..!....>.>............ + - - ! :I

. . . i .-.. ---... .. .............. ......... .......................... ................. '2.. ............. --A. ...................................... -- -.----. .........-... i.b....Li;'j.'j.ii;i,;i ......... ;i;i .............. .................... . . . . . . (1Cwp sw

&d ow "'W" IC *i * B .............................. .--.......... ................................................................ ............... ......................................................................... . ~ ... -=wbW :mPd ..; ,.....- ;...;,;.

............. ................. .................................................. ......... ..........~~................................... .! .................-......-,.......... +. ;..."".'--........ 1_-- -....-.---.. "..L -........-- i Wl diffamt i - i w , n ~ n o g t i o a

! .. .................................................. ........ j .......--......... _. + ......&... ii"Liiiii.iiii.iiiiii....ii~~. ...i.~i...i.ii..... -.- ...I ......................... - .................. .__...___....________..__.._........................................... - 4 4'------ -7 - - .4 i CDF FEF GDG FE ' ~ c m y s dik~tissM 4 i *(witaEGGaUduia) i (abbrev.)

Continusti011 frmn Graz 807, in which this famula appears with eight pocesgioaPldpboas.

Gresorhn gamut nnb mo2d rmga

b w Mode IV

*;$ I""