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Talent Scout

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Talent Scout Job Role
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Music Industry Talent Scout /A & R www.musicstudentinfo.com Chris Baker 9 th October 2012 www.musicstudentinfo.com
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Page 1: Talent Scout

Music IndustryTalent Scout /A & R

www.musicstudentinfo.comChris Baker

9th October 2012 www.musicstudentinfo.com

Page 2: Talent Scout

Music Industry Job RolesA&R aka Talent ScoutA & R = Artists & Repertoire

Page 3: Talent Scout

A&R Primary Function

• Artists and repertoire / Songs and Performers.• Responsible for talent scouting. • Overseeing the artistic development of recording artists. • Acts as a liaison between artists and the record label.

Page 4: Talent Scout

A&R Responsibilities

• Responsible for discovering new recording artists.• Expected to understand current tastes. • Be able to find artists that will be commercially successful. • A&R people are often young.

Page 5: Talent Scout

A&R Responsibilities Cont.

• Contract negotiations will typically be carried out by rival entertainment lawyers.

• Increasingly look to social-media web sites myspace, & youtube.

• A&R executives rely mostly on the word of mouth, critics and business contacts.

• Their decisions are rarely based on unsolicited demo tapes.

Page 6: Talent Scout

A&R The Recording Process

• The A&R oversees the recording process. • Helping the artist find the right record producer. • Scheduling time in a recording studio & advising on

making a recording. • Choose the best songs to record. • Assist in finding songs and songwriters (if artist does not

write)• Maintain contact with their counterparts at music

publishing companies to get new songs. • May assist in suggesting ‘the single’ track which can be

used to market the record on radio.

Page 7: Talent Scout

A&R Additional Duties

Assisting with marketing and promotion

• Once the record is completed, the A&R department (with assistance from marketing, promotion and the artist) chooses a single to help promote the record.

Page 8: Talent Scout

A&R Signing ArtistsGetting offered a record contract is a small step towards a

career in the music industry but it is not a guarantee (1:9)

Artists should consider

• If they have empathy with the company.• How many people at that company like the artist (key

man clause)• The record companies ability to ‘break’ new acts.• How much control is being offered.

Page 9: Talent Scout

A&R Signing Considerations Cont.

• The ‘reach’ of the company. Are they strong only in the UK or other countries?

• The reputation of the company.• What artists on the label are saying about it.• The press perception of the label.

Page 10: Talent Scout

Types of Record Contract• Singles deals.• Leasing deals.• Production deals.• Combined publishing and recording contracts.• Some contracts offered can be exploitative and not

signing.• Full funded recording contracts.• Check any written contract before signing with an industry

lawyer.

Page 11: Talent Scout

A&R Recent Changes

• Digital distribution has changed the relationship between consumers and the music they choose.

• Some commentators argue that the wide selection of music on digital services has allowed music consumers to bypass the traditional role of A&R.

• Declining record sales, a large number of A&R have been terminated.

Page 12: Talent Scout

A&R Classroom Exercise

• Name some famous Talent Scouts.• Name the artists they discovered.• What music ‘crazes’ were generated by A&R / Talent Scouts?

Page 13: Talent Scout

The End


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