Page 1
Ted Greene Baroque Improv Part 1http://willkriski.com
Will KriskiModerate h = 80
:DDD44
c
k
l
Trac
k 1
1 Q
'
starts at 0:32 play A and C# with index finger!
B
(
B
*
B
&
B
*
B
'
let ring
B
(
BL
&
B
*
B
(
B
*
B
)
BF
'
let ring
B
&
B
*
B
'
BF
(
B
'
let ring
BD
(
B
'
B
*
B
(
B
'
B
)
BF
'
Ted stops
let ring
BF
*
B
(
BD
'
BF
Q
'
B B
)
ADL
k
l
Trac
k 1
5
(
0:44 - one finger bar!
B
*
B
&
B B
*
B
(
B
&
BQ
'
B
(
B
'
B
*
B
)
BF PL
*
let ring
A P
#
A34
0:58F#m
11---1
Q
#
B
#
let ring
B
'
BF
#
BD
&
BH
%
A
%
G#dim
3
143--1
B
'
B
(
let ring
B
'
BF
%
B
(
B
&
A
&
A
3
-32--1
B
'
B
(
let ring
B
*
B
&
B
*
B
Page 1/9
(
Ak
l
Trac
k 1
10
(
Bm
7
B
(
let ring
B
)
BD
"!
BF
(
BD
*
B
"!
A
"!
D7
10
-1---1
B
"#
B
"$
B
"!
B
""
B
"$
B
""
AD
"!
D7b9 (Ebdim)
10
-1---2
B
""
B
"$
B
"!
B
""
Ted stops
B QH
Q
"$
BF
"%
BD
""
B
"#
B
"%
BL
"#
@1:11 bass line focus
A
"%
B
""
B
"$
BD
"&
AF
""
BD
"%
B
"&
BF
"%
BH
Q
"'
B
"&
BF
"$
BD
""
B
"%
BL
"#
Ted is talking while playing too!
B
"#
B
"%
B
Page 2
"#
A Pk
l
Trac
k 1
16Q
""
B
"!
BF
""
BD
"$
B
"%
BH
"&
BF
"$
BDQ
"%
BL
B
"$
B
"%
B
"'
B
"%
B B
"'
B
"%
A
"'
slight pause in timing
AD
"%
BQ
"#
B AL
"%
F#m
B
"%
let ring
B
"$
BF
"%
BD
"%
B
"$
AF
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C#7
B
"%
let ring
B
"$
BF
"%
BD
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B
"%
A
"(
B
"%
let ring
B
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B
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Ak
l
Trac
k 1
22
@1:28
P
"%
B
"$
BF
"%
BD
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BQ
"#
B
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B
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B
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BD
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A
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AQ
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B
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B
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B
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BH
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BF
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BD
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B
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B
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B
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B
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A24
"&
cycle!
B
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B
"%
let ring
B
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B
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B
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B
"%
B
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let ring
B
"%
B
"%
let ring
B
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B
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Bk
l
Trac
k 1
28Q
"%
B
"'
B
"%
let ring
BH
Q
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B
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B
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BL
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A
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B
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B
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B
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B
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B
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let ring
B
"%
A
key change
Q
""
B
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BF
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BH
Q
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B
"%
B
"#
BL
"#
Em
AF
""
B
"!
B
A7
Q
"#
BF
""
D
B
"#
BH
*"!
AFA
G
Q
(
B
*
B
)
BDH
Q
"!
BF
""
B
*
BL
*
C
A
Page 2/9
Q
*
B B
(
BL
k
l
Trac
k 1
36
)
F#dim
BD
*
BB
*
B B
)
BF
*
B
(
B
)
BD
*
BL
P
(
BB
('
BDB
"!
BF
(
BDslow down in timing
B
'
BDB
(
BL
(
A
('
ADAB
(
B
)
BF
(
B
(
A
(
slight misplay
B
%
BD
!
B
%
let ring
B B
#
B
$
BD
%
B
%
BD
&
B
Page 3
#
Ak
l
Tra
ck 1
44
#
B
%
BD
%
B
%
B
!
A
!&
Ted tunes E string
BB
!
B
!
B 34
!
B
!
B
!
B
!
let ring
B
!
ADFF 24
@2:00
Q
$
B
# ,$-
\ZZ
\ZZ
B
&
BH
%
!
BB
!
B
$
BB
#
B Q
&
BH
#
B
%
#
BB
$
B
&
B
#
B
%
BDA
&
B
#
B
%
BD
%
B
$
A34
k
l
Tra
ck 1
51
&
B
&
let ring
B
&
B
%
B
&
B
&
B
&
AQ
%
B
&
B
(
B
'
BF
(
BDH
(
A
)
B
%
B
&
let ring
B
&
B
*
B
&
let ring
B
*
A
(
B
"!
B
*
B
(
B
"!
B
(
B Q
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B AL
*
B
"!
B
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B
(
B
*
B
"!
B
""
AD
"&
B
"#
Bk
l
Trac
k 1
56
"#
B
"#
B
"%
B
""
B B
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B
"#
B
"%
B B
"%
BB Q
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B
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BH
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A
"!
BQ
"!
B
"#
B
*
B
""
B
"#
BH
*
A
"!
D
B
"#
B
"!
slight pause
B
"!
BH
(
A
)
C - diff. fretting from Ted
B
*
B
"!
B
)
B
)
B
&
A
(
B
(
D
B
(
B
)
B
(
B
&
B
Page 3/9
$
Ak
l
Trac
k 1
62
$
C
B
&
B B
%
B
&
B
$
B
#
A
#
B
%
BD
%
B
#
B
%
B
%
B
!
AP
%
B
%
BD
#
B
%
BQ
$
B
#
B
$
B
&
B
#
BL
&
A
#
AB
&
B
%
BD
#
BD
%
B
#
B
Page 4
B
%
BD
#
B
%
B
'
BDk
l
Trac
k 1
67
&
A Q
%
BH
B
%
BD
'
B
(
B
%
B
&
A
%
B
'
BD
&
B
(
B
'
BD
%
BD
&
B
(
B
$
B
&
B
(
BQ
%
B
'
BD
)
BDL
)
@2:38
B
&
B
(
let ring
B Q
&
BH
P
)
BD24
(
flub
A
*
B
'
BD BP
)
B
"!
B
*
Ak
l
Trac
k 1
74
P
)
B
(
B B
)
BD
)
A A
)
B
(
B
)
B
"!
B
"#
A
"#
B
*
BD
*
B
"#
let ring
BP Q
"!
BL
"$
BF
*
BD
"#*
BDB
*
AAQ
"!
B
*
BD
"!
BH
""
AD34
"#
B
*
B
"#
B
*
B
"#
B
"#
Ak
l
Trac
k 1
81
"$
B
+
C
*
B
"$
B
*
BQ
""
BD
"%
AL
"&
B
"&
B
"$
B
"#
BH
"#
B
"#
B A
"$
B
"&
B
"#
B
"#
B
"$
B
"%
A
"%
BQ
"#
B
"&
B
"#
B
"$
BF
"&
BH
"#
A
"#
B
"%
inner line starting on G string
BD
"#
B
"&
B
"%
B
"#
B
"&
B
""
"#
AA
"!
BF
"$
B
"!
B
"$
B
"!
B
"#
B
"!
B
Page 4/9
*
"#
AAk
l
Trac
k 1
87
Ted hits E/G string with one finger!
Q
)
B
"#
B
)
B
"!
B
)
BH
"$"#
BBD
"$"#
BB
"$"#
BBQ
"#
B B
"#
B B
"#
BH
"#"#
BBQ
"$
Ted talks, timing not steady over this section
BH
P
"%
B
"$
BD
"&
A
"#
A
""
B
"!
AF
"#
BP
Q
"$
B
"#
B
"!
BH
B
"#
A
*
B
"$
B
"#
B
"!
BH
Page 5
"$"#
BBD
"#
AF44k
l
Trac
k 1
94
Q
"#
B B Q
"!
B
*
BD
"#
BH H
Q
"!
B
*
B
"#
B
*
B
"!
BL
34
"!
A
"#
B
""
BD AP
"!
BF
*
B B
"!
AP
"#
B
*
B
"#
B
""
BD
*
A
(
B
(
let ring
B
*
B
"!
B
(
B
*
B
Q
)
BF
(
B
)
B
"!
B
)
BL
k
l
Trac
k 1
99
"!
A
(
AQ
*
B
"!
B
(
B
*
B
"!
BH
'
AD
*
Ted stops
A
"#
AF
i minor
P
"!
B
*
let ring
B
""
ADV7
P
"#
B
"!
let ring
B
*
B
"!
A
""
I7
BD
"#
B
*
B
"#
B
""
B
*
B
*
AD
(
IV
B
(
B
"!
B
)
A
)
Bk
l
Tra
ck 1
106
iv minor
Q
*
B
"!
B
(
B
"!
let ring
B
*
BH
(
A
&
i
B
(
let ring
B
*
B
&
B
(
B
*
B
'
AD
(
V of V (II)
B
(
let ring
B
%
B
(
B
'
BD
%
B
&
A
%
BD
'
V7
BD
%
B
(
Ted stops
B
%
B P
"#
A
diatonic bass line Am G F
Q
*
B
""
BD
*
B
"!
B
"#
BH
Page 5/9
"!
Ak
l
Trac
k 1
111
"$
B
*
B
"#
B
"!
B
*
BD
"!
B
)
A"#
B
"!
B A
"#
Ted explains bass movement, diatonic vs chromatic
B
"!
B
)
B
"#
B
""
BD
"!
BF
*
BD
)
BF
(
B
'
BD P P
"#
AQ
*
w/ one finger!
B
"!
B
)
B
"#
B
"!
BH
Page 6
""
ADk
l
Trac
k 1
118
"#
B
*
B
"#
B
"!
B
)
1 finger!
B
"#
B
"!
AQ
*
B
)
rubato, 1 finger bar
B
"#
B
"!
B
)
BH
"!*
ADA
"#
F#o
B
*
BD
"!
B
"#
B
"$
B
*
B
"#
A
Am to E7 (i V7)
Q
*
B
"$
B
"#
B
"$
B
"!
BH
""
AD
"#
B
*
B
"!
B
*
B
)
1 finger!
B
"#
B
*
Ted stops
A
"#
Ak
l
Trac
k 1
124
@4:17
Q
*
B
)
B
"#
B
"!
B
)
BH
""
AD
"#
B
*
B
"!
B
)
B
"#
B
*
B
"!
AB
*
B
"!
B
"#
B
*
BD
"!
B
*
ADP
"!
B
"!
B
)
AQ
*
B
"!
B
(
B
)
*
BB
"!
BH
(
A(
B
"!
B
*
B
"!
B
(
B
)
B
(
(
AAk
l
Trac
k 1
130
(
B
*
BD
"!
B
(
B
*
B
"!
B
)
ADTed stops
Q
"!
B AH
(
A
(
BQ
*
B
"!
B
(
B
*
B
"!
BH
""
AD
"!
B
*
B
"#
B
"!
B
*
B
"#
BQ
*
BD
"#
B
"!
B
"#
B
*
BL
"!
A
""
ADQ
"!
B
*
B
"#
B
"!
B
*
BH
Page 6/9
(
B
*
BD
""
BDL
k
l
Trac
k 1
136
(
B
*
B
"!
B
Ted stops
Q
*
BH
&&&((&
rubato
AAAAAA
!
=44
)
*
I IV V free time
BB
(
let ring
B
)
B A
!
A
!
BQ
*
B
)
B
(
B
"!
B
(
"!
pause
BBH
!
=P
"!"!
BB
(
let ring
B
)
B
(
B
!
=
(
"!
BB
"!
B
(
A
Page 7
)
Bk
l
Trac
k 1
142Q
*
BD
"!
B
(
B
*
B
"#
B
&&&((&
BBBBBB
&&&((&
BBBBBB
(((&
BBBBD
(((&
BBBB
***(
BBBBD
***(
BBBB
,*-,*-,*-,(-
BBBB
&&&((&
BBBBBB
&&&((
AAAAAA
!
=
)
*
I IV I V @5:45 free time
BB
(
let ring
B
)
B A
*
B
"!
B
(
B
)
B
"!
B
(
B
!
=k
l
Trac
k 1
147
I use open string
Q
)
"!
BB
(
let ring
B
)
A
(
A
(
B
"!
B
)
B
"!
B
"#
BQ
(
B AL
"!
B
(*
BDB
(
B
"!
B B
*
B
&
=
&
B
(
B
)
B
'
B B
&
B
&
free time, discussed mel. minor
B
)'
BB
&
B
'
B
&
B
)'&
&
BBBB
k
l
Trac
k 1
152
'&$
&
we hear F b6 as root
BBBB
)&&
&
BBBB
)'&
&
BBBB
(
BD
&
A
(
B
(
B
)&
discuss flat/raised 6th, freely
BB
&
B
(
BD
*
BD
&
B
)
B
(
B
&
B
&
A34
)
B
(
B
&
B
*
BD
(
BD
&
B
(
A
(
B
&
B
*
BD
(
BD
&
B
(
B
(
B
&
B
*
BD
(
BD B
Page 7/9
(
(
AAk
l
Trac
k 1
157
(
V
B
&
B
*
BD
(
BD
&
B
(
B
&
!
AA
(
(
AA
(
V using b9 (b6 of Am)
B
&
B
*
BD
'
B
&
B
(
B
&
!
AA
(
Ted repeats
B
&
B
*
BD
(
BD
&
B
(
B
(
B
&
B
*
BD
'
B
&
B
(
B
Page 8
k
l
Trac
k 1
163
&
B
(
avoiding straight scale
B
&
B
'
B
%
BD
(
B
&
B
%
BD
&
B
'
B
&
Ted pauses to explain
B
%
B
(
B
&
B
%
BD
"
B
!
B
$
B
"
B
)&&(
&
@7:07
AAAAA
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B
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B
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B44
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IV V i start with key of C
A
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Q
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BL
k
l
Trac
k 1
169
Q
"#
B
"%
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"#
B
"$
B
"#
BLP
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cycle of 6ths (keys)
B B
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B
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""
BD
*
BD
"!
B
*
B
key of Am
Q
"!
B B
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B
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B
)
AH
(
B
&
B
'
A
key of F
Q
'
BE B
)
B
'
B
&
AFH
*
B
'
BD
(
Ak
l
Trac
k 1
173
Dm
Q
)
B B
"!
B
)
B
'
AH
Q
"%
B
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Ted repeats/explains
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B B
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)
B
)
let ring
B
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B
)"!*
plays Am
AAA
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(
B
*
B
"!
B
"!
BL L
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key of F
BE B
)
B B
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BF
)
B
"!
B
Page 8/9
*
B
""
BD
(
B
)
BL
k
l
Trac
k 1
178
key of Dm
Q
(
B B
)
B B
"!
B
*
B
"!
B
(
BH
"!
B
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B
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)
key of Bb
BE
)
BE B
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B
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BF
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let ring
B
"#
flat finger
B
"%
B
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BE
"%
B
"!
B
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B
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BD
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B
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B
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key of Gm
B
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let ring
B
"%
B
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let ring
B
"&
BE
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let ring
B
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let ring
B
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B
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B
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B P
"&
Cm? (skipped Eb)
B
"#
let ring
B
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BE
"#
let ring
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Page 9
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=D=
