Thankyouforauditioningfor

AnOfficerandAGentleman

Workshop

ROLE:ZackMayo

Videowillbeviewedbydirector,musicsupervisor,choreographer,producingteam&casting.

PleasePrepare:ThisentirepacketofsidesandmusicMp3’sareprovidedforthesongs“UpWhereWeBelong”and“NeverSurrender”.Note:Inside#1itwouldbepreferredtocombinethesideandthesong“NeverSurrender”withinthesceneaswritten.Wewouldalsoliketohearyourownpop/rocksongfromthe80’s/early90’s.PleasesendasaYouTubelinkoraVimeolink.Pleasedon’thesitatetoreachoutifyouhaveanyquestions.Stayhealthyandsafe!

Thankssomuch!W|SCasting

AN OFFICER AND A GENTLEMAN 07/27/20 Act I, Scene 4 Zack & Paula

! 1

ZACK enters, having just slipped out of a reception where ADMIRAL WORLEY is, in ZACK’s opinion, disrespecting SID, ZACK’s best friend. PAULA is sitting outside the reception with a textbook, reading and highlighting, interrupted by ZACK’s outburst. THEY’ve never met.

SCENE 4

ZACK slips outside. PAULA is engrossed in her textbook.

ZACK Son of a bitch! Asshole! Pompous bastard!

PAULA Tough day at the office?

ZACK Admiral dickhead!

PAULA Couldn’t you be arrested or something for saying that here?

ZACK Let ‘em. Sid is my hatch mate—

PAULA Hatch mate?

ZACK Roommate. His old man’s in there talking about Sid like he’s—and Sid’s a great guy. Deep down, good. You know how many people I’ve known who are deep down good?

PAULA

I’m guessing not a lot… which doesn’t mean there aren’t more of us than you think.

ZACK “Us?” I don’t know you, but if you operate anything like your friend in there—

PAULA Lynette? What’s wrong with her?

ZACK She’s a human target missile set to admiral’s son.

PAULA Hey, if you spent all day, every day at a casket factory—

AN OFFICER AND A GENTLEMAN 07/27/20 Act I, Scene 4 Zack & Paula

! 2

ZACK

She makes caskets? That sucks.

PAULA I know. I make them too.

ZACK

That what you’re good at?

PAULA What?

ZACK You say you’re good. Good what: casket maker? Kisser? Lay?

PAULA Now who’s a dickhead? I’m out here, studying for my criminology exam—

ZACK You want to be a criminal.

PAULA Paralegal—like a lawyer, but no law school. That’s what I’m good at: seeing what’s wrong and righting it.

ZACK So why not be a lawyer?

PAULA

Working full time, it’ll take me six, seven years to complete a two-year program. Actually becoming a lawyer… I’d be in school till I’m ready to retire.

ZACK I’m hearing excuses.

PAULA Okay, then, back to my textbook. Oh look, sociopaths. And there’s your picture.

ZACK I’m not psycho, I swear. Not even an asshole, not really.

PAULA You do a pretty good imitation. But you do have one quality I like: they way you were upset for your friend. That means you’re loyal.

AN OFFICER AND A GENTLEMAN 07/27/20 Act I, Scene 4 Zack & Paula

! 3

SONG 4: NEVER SURRENDER

ZACK

Loyal to myself. Try it. You’ll be a lawyer sooner than you think.

JUST A LITTLE MORE TIME IS ALL I’M ASKING FOR. ‘CAUSE JUST A LITTLE TIME COULD OPEN CLOSING DOORS. JUST A LITTLE UNCERTAINTY CAN BRING YOU DOWN. AND NOBODY WANTS TO KNOW YOU NOW. AND NOBODY WANTS TO SHOW YOU HOW. SO IF YOU’RE LOST AND ON YOUR OWN, YOU CAN NEVER SURRENDER. AND IF YOUR PATH WON’T LEAD YOU HOME, YOU CAN NEVER SURRENDER. AND WHEN THE NIGHT IS COLD AND DARK, YOU CAN SEE, YOU CAN SEE THE LIGHT. ‘CAUSE NO ONE CAN TAKE AWAY YOUR RIGHT TO FIGHT AND TO NEVER SURRENDER. WITH A LITTLE PERSEVERANCE YOU CAN GET THINGS DONE. WITHOUT THE BLIND ADHERENCE THAT HAS CONQUERED SOME. AND NOBODY WANTS TO KNOW YOU NOW. AND NOBODY WANTS TO SHOW YOU HOW. SO IF YOU’RE LOST AND ON YOUR OWN, YOU CAN NEVER SURRENDER. AND IF YOUR PATH WON’T LEAD YOU HOME, YOU CAN NEVER SURRENDER. AND WHEN THE NIGHT IS COLD AND DARK, YOU CAN SEE, YOU CAN SEE THE LIGHT. ‘CAUSE NO ONE CAN TAKE AWAY YOUR RIGHT TO FIGHT AND TO NEVER SURRENDER. TO NEVER SURRENDER!

You know… I get liberty in a few weeks. Maybe we could—

PAULA No.

ZACK I told you, not an asshole.

AN OFFICER AND A GENTLEMAN 07/27/20 Act I, Scene 4 Zack & Paula

! 4

PAULA

You’re a Navy boy. Don’t want a Navy boy.

ZACK

Isn’t that kind of, I don’t know, prejudiced?

PAULA No. Prejudiced is when you hate a group of people for no reason. I have reasons.

ZACK Huh. Know what you sound like?

PAULA

What?

ZACK A lawyer.

NO ONE CAN TAKE AWAY YOUR RIGHT TO FIGHT AND TO NEVER SURRENDER. TO NEVER SURRENDER. OH, TIME IS ALL WE’RE ASKING FOR TO NEVER SURRENDER, OH!

!

AN OFFICER AND A GENTLEMAN 07/27/20 Act II, Scene 6 Zack, Foley & Sid

! 1

SID, ZACK’s best friend, has just tendered his D.O.R., i.e. he’s quit Officer Candidate School. FOLEY is accepting SID’s D.O.R., and ZACK intervenes on SID’s behalf.

ZACK

Sir, Officer Candidate Worley’s got two weeks left. Two.

FOLEY I’ve seen ‘em drop the last day.

ZACK

Look, he’s been going through a lot.

FOLEY That doesn’t matter.

ZACK He’s got a girl in town. She’s pregnant.

FOLEY (To SID.)

Worley, for what’s it worth, I think you just made the first adult decision of your life.

ZACK Sir—

FOLEY And I think it’s the right decision. Let’s go.

(FOLEY and SID start to exit. ZACK addresses FOLEY.)

ZACK I’m talking to you, asshole!

(FOLEY stops in his tracks.)

FOLEY What did you call me?

ZACK (To FOLEY.)

What kind of human being are you?

FOLEY You better lock it up boy or you’ll be going home with him.

AN OFFICER AND A GENTLEMAN 07/27/20 Act II, Scene 6 Zack, Foley & Sid

! 2

ZACK

He’s the best candidate in the class.

SID

I’m not.

ZACK (To FOLEY.)

Best leader, best friend… to everybody.

FOLEY He failed Firefighting. He failed Damage Control. He froze during Abandon Ship.

ZACK

Can’t you bend your goddamn rules for once?

SID I’m glad it’s over, buddy. I wasn’t here for me. You said so yourself.

ZACK I said? What’d I say?

SID Everything I do, I do because my father said do it. And this—right here, right now—this where I draw the fucking line!

(SID runs off, leaving FOLEY and ZACK alone.)

ZACK Sid? SID!

(To FOLEY.) Request permission to carry on, sir.

FOLEY Get out of my face. !

&?

# #

# #

44

44

1 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

wD(add2)

CUE (PAULA): You do a pretty good imitation.

Moderately q = 106

P

2 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œwD(add2)/F#

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# #

3 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ.œ jœ œ œ

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PAULA: But you do have one quality I like: the way you were upset for your friend.4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

w

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# #

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5 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

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PAULA: That means you're loyal.6 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

wD(add2)/F#

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# #

# #

7 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ.œ jœ œ œ

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ZACK: Loyal to myself. Try it. You'll be a lawyer sooner than you think.8 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

.œ jœ jœ .œ

Never Surrender

Music byCorey Hart

Lyrics byCorey Hart

Piano-Vocal

[Rev. 08.23.19]

An Officer and a Gentleman 4

© 1985 Saphir Music. All Rights Reserved.

Arrangement byDan Lipton

ZACK

V&?

# ## #

# #

9 Œ œ œ œ œ œJUST A LIT TLE MORE...œœœ

jœœœ ˙̇̇

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ZACK: 10 œ œ œ .œ jœTIME IS ALL I'M

...œœœjœœœ ˙̇̇

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11 œ œ œ ˙ASK ING FOR.

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12 ∑

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# ## #

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13 ‰ jœ œ œ œ œ œ'CAUSE JUST A LIT TLE MORE...œœœ

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14 œ œ œ Jœ .œTIME COULD O PEN

...œœœjœœœ ˙̇̇

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15 œ œ œ ˙CLOS ING DOORS.

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16 ∑

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- - -

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# ## #

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17 Œ œ œ œ œ œJUST A LIT TLE UN...œœœ J

œœœ ˙̇̇

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18 œ œ œ .œ jœCER TAIN TY CAN....œœœœ

jœœœœ ˙̇̇̇

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19 œ œ œ ˙BRING YOU DOWN.

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20 ∑

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# ## #

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21 Œ œ œ œ œ œ œAND NO BOD Y WANTS TO

wwwwGF

22

œ œ œ ˙KNOW YOU NOW,

˙̇ ..œœ jœœœ˙̇ ..œœ

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23 Œ œ œ œ œ œ œAND NO BOD Y WANTS TO

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24 œ œ œ œ œSHOW YOU HOW.

œœœœ œœ œœœœ œœ œœœ

..˙̇ œœ

- - - -

– 2 – 4 . Never Surrender [Rev. 08.23.19]Piano-Vocal

V&?

# ## #

# #

25 œ œ œ œ œ œSO, IF YOU'RE LOST

œœœ œ œœœ œœœ œ œœœ

œ œ œ œ œD

26 œ œ œ œ œ œ œAND ON YOUR OWN,

Jœœœ œ jœœœ œœœ œ œœœ

œ œ œ œ œ

27 œ Œ ‰ œ JœYOU CAN

˙̇̇ ‰ œœ Jœ

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28 œ œ œ œ Jœ œ JœNEV ER SUR REN DER.œœœ œ œ œœœ Jœœœ

œœœ jœœ

œ œ œ œ œ

- - -

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# ## #

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29 Œ œ œ œ œ œAND IF YOUR PATH

œœœœ œ œœœ œœœ œ œœœ

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30 œ œ œ œ œ œ œWON'T LEAD YOU HOME,

Jœœœ œ jœœœ œœœ œ œœœ

œ œ œ œ œ

31 œ Œ ‰ œ JœYOU CAN

˙̇̇ ‰ œœ Jœ

œ œ œ œ œG

32 œ œ œ œ Jœ .œNEV ER SUR REN DER.œœœ œ œ œœœ Jœœœ

...œœœ

œ œ œ œ œ

- - -

V&?

# ## #

# #

33 ‰ œ Jœ œ œ œAND WHEN THE NIGHT

‰ œœœ Jœœœ œœœ œ œœœ

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34 œ œ œ œ œ œIS COLD AND DARK,

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35

œ œ œ Jœ œ jœYOU CAN SEE, YOU

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36 jœ œ Jœ Jœ .œCAN SEE LIGHT.jœœœ œ Jœœœ Jœœœ ...œœœ

œ œ œ œ œ

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# ## #

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37 ‰ jœ œ œ œ œ œ'CAUSE NO ONE CAN TAKE

‰ jœ œ œœœ œœœ œ œœœ

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38 œ œ œ œ œ œA WAY YOUR RIGHT

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39

œ œ œ Jœ œ jœTO FIGHT AND TO

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40 œ œ œ œ Jœ œ JœNEV ER SUR REN DER.˙̇̇ ‰ œœ jœœœ

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- - - -

– 3 – 4 . Never Surrender [Rev. 08.23.19]Piano-Vocal

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41 œ Œ Ó...œœœ œœœ œœœ œœœ ˙˙˙

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42 ∑‰ . rœœœ œœœ œœœ ˙˙˙

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43 ∑‰ . rœœœ œœœ œœœ œœœ œœœ

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44 ∑

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45 Œ œ œ œ œ œ œWITH A LIT TLE PER SE...œœœ

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46 œ œ œ Jœ œ JœVER ANCE, YOU CAN GET

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47

Jœ œ jœ œ ŒTHINGS DONE

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48 ∑

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49 ‰ jœ œ œ œ œ œ œWITH OUT A BLIND AD HER...œœœ J

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50

Jœ œ Jœ Jœ œ JœENCE THAT HAS CON....œœœœ

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51

Jœ œ jœ œ ŒQUERED SOME.

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52 ∑

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# ## #

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53 Œ œ œ œ œ œ œAND NO BOD Y WANTS TO

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54

œ œ œ ˙KNOW YOU NOW,

˙̇ ..œœ jœœœ˙̇ ..œœ

jœœ

55 Œ œ œ œ œ œ œAND NO BOD Y WANTS TO

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56 œ œ œ œ œSHOW YOU HOW.

œœœœ œœ œœœœ œœ œœœ

..˙̇ œœ

- - - -

– 4 – 4 . Never Surrender [Rev. 08.23.19]Piano-Vocal

V&?

# ## #

# #

57 œ œ œ œ œ œSO, IF YOU'RE LOST

œœœ œ œœœ œœœ œ œœœ

œ œ œ œ œDf

58 œ œ œ œ œ œ œAND ON YOUR OWN,

Jœœœ œ jœœœ œœœ œ œœœ

œ œ œ œ œ

59 œ Œ ‰ œ JœYOU CAN

˙̇̇ ‰ œœ Jœ

œ œ œ œ œG

60 œ œ œ œ Jœ œ JœNEV ER SUR REN DER.œœœ œ œ œœœ Jœœœ

œœœ jœœ

œ œ œ œ œ

- - -

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# ## #

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61 Œ œ œ œ œ œAND IF YOUR PATH

œœœœ œ œœœ œœœ œ œœœ

œ œ œ œ œD

62 œ œ œ œ œ œ œWON'T LEAD YOU HOME,

Jœœœ œ jœœœ œœœ œ œœœ

œ œ œ œ œ

63 œ Œ ‰ œ JœYOU CAN

˙̇̇ ‰ œœ Jœ

œ œ œ œ œG

64 œ œ œ œ Jœ .œNEV ER SUR REN DER.œœœ œ œ œœœ Jœœœ

...œœœ

œ œ œ œ œ

- - -

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# ## #

# #

65 ‰ œ Jœ œ œ œAND WHEN THE NIGHT

‰ œœœ Jœœœ œœœ œ œœœ

œ œ œ œ œA

66 œ œ œ œ œ œIS COLD AND DARK,

œœœ œ œœœ œœœ œ œœœ

œ œ œ œ œBm

67

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68 jœ œ Jœ Jœ .œCAN SEE LIGHT.jœœœ œ Jœœœ Jœœœ ...œœœ

œ œ œ œ œ

V&?

# ## #

# #

69 ‰ jœ œ œ œ œ œ'CAUSE NO ONE CAN TAKE

‰ jœ œ œœœ œœœ œ œœœ

œ œ œ œ œA

70 œ œ œ œ œ œA WAY YOUR RIGHT

œœœ œ œœœ œœœ œ œœœ

œ œ œ œ œBm

71

œ œ œ Jœ œ jœTO FIGHT AND TO

œœœ œ œœœ Jœœœ œ jœ

œ œ œ œ œG

72 œ œ œ œ œ ‰ JœNEV ER SUR REN DER, TOœœœœ œ œ œœ ...œœœ Jœ

œ œ œ œ œ œ

- - - -

– 5 – 4 . Never Surrender [Rev. 08.23.19]Piano-Vocal

V&?

# ## #

# #

73 œ œ œ œ Jœ œ JœNEV ER SUR REN DER.œœœœ Œ ‰ œœ jœœœ

œœŒ Ó

74 œ Œ Ó...œœœ œœœ œœœ œœœ ˙˙˙

œ œ œ œ œD(add2)P

ZACK: You know... I get liberty in a few weeks. Maybe we could--75 ∑

œœœ œ œœœ ...œœœ jœ

œ œ œ œ œF#m7

76 ∑œœœ œ œœ œœ œœœœ

.œ jœ œ œG G6(add2)

- - -

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# #

# #

77 wwww.œ jœ jœ .œ

PAULA: No.ZACK: I told you, not an asshole.

78 œœœ œœœ ‰ œ œ œ œ œœœ

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79 jœœœ ...œœœ ...œœœ œ œ

œ œ œ œ œA/C#

PAULA: You're a Navy boy. Don't want a Navy boy.ZACK: Isn't that kind of, I don't know, prejudiced?

80 œœœ œ œœœ œœœ œ œœœ

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# #

# #

81 www

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PAULA: No. Prejudiced is when you hate agroup of people for no reason. I have reasons.

82 œ œ œ œ œ œ œ Jœ ...œœœ

œ œ œ œ œ

ZACK: Huh. Know what you sound like?PAULA: What?ZACK: A lawyer.

83 œ œ œ œ œ œ œ Jœ œœœ Jœœœ

œ œ œ œ œ œ

V&?

# ## #

# #

84 Œ œ œ œ œ œNO ONE CAN TAKE

‰ jœ œ œœœ œœœ œ œœœ

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85 œ œ œ œ œ œA WAY YOUR RIGHT

œœœ œ œœœ œœœ œ œœœ

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86

œ œ œ Jœ œ jœTO FIGHT AND TO

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87 œ œ œ œ œ ‰ JœNEV ER SUR REN DER, TOœœœœ œ œ œœ ...œœœ Jœ

œ œ œ œ œ œf

- - - -

– 6 – 4 . Never Surrender [Rev. 08.23.19]Piano-Vocal

V&?

# ## #

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88 œ œ œ œ Jœ œ JœNEV ER SUR REN DER.œœœœ Œ ‰ œœ jœœœ

œœŒ Ó

89 ˙ ‰ .œOH,...œœœ œœœ œœœ œœœ ˙˙˙

œ œ œ œ œD(add2)

90 œ œ œ .œ jœTIME IS ALL WE'RE

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91 œ œ œ œ ‰ JœASK ING FOR, TO

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- - - -

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# ## #

# #

92 œ œ œ œ Jœ œ JœNEV ER SUR REN DER, OH!œœœœ œœ œ œœœœ J

œœœœ œœ Jœœœœ

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93 œ œ œ ˙ Œœœœœ œ œœœ ...˙̇̇

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94 ∑‰ . rœœœœ œœœœ œœœœ ˙˙˙̇

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95 ∑‰ . rœœœ œœœ œœœ œœœ œœœ

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96 ∑

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- - -

– 7 – 4 . Never Surrender [Rev. 08.23.19]Piano-Vocal

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##

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44

44

1

..œœ jœœ œœ œœ œœ3

..œœ Jœœ œœ œœ œœ

3

D G/DA/D G/D A/D

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Soulfully (q = 69)

2 œœ ≈ œ œ œ ..œœ œ .œ œ œ˙̇ .œb œ œ˙

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3

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5 ˙ œ œ œ3

Who knows what to

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6

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7 ˙ œ œ œ3

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8

˙ Óvive?

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˙̇̇ ..œœb œ œ

G/D Gm/D

- - -

AN OFFICER AND A GENTLEMAN

Up Where We Belong(ZACK audition cut)

Music by Jack Nitzsche & Buffy Sainte-MarieLyrics by Will Jennings

Arrangement by Dan Lipton

3/1/20

© 1982 All Rights Reserved.

V

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##

# #

# #

9 œ œ œ œ Œ ‰ œ œAll I know is the

..œœjœœ œœ œœ

œœœ ≈ œ œœœ ˙̇̇

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10œ œ œ ˙ ‰ œ œway I feel; when it's

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11 .œ jœ œ œ œ œreal, I keep it a live.

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D D7/F#

12

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13

˙ Œ ‰ œ œroad is

œœ œ œ œ .œ œ œ œ œ œ œ

œ ..œœ ..˙̇

Em9

F

14

˙ Œ ‰ œ œlong. There are

œœ œ œ œ .œ œ œ œ œ

œ ..œœ ..˙̇

A

15 .œ œ œ œ .œ .œ œmoun tains in our way,

œœœ œœœ œœœ œœ..œœ jœ

..œœjœœ

D D/F#-

V

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16

˙ Œ ‰ œ œbut we

œœœœ œœœœœœ œœ œœœœ œœœœ œ œ

˙̇ ˙̇

G G/B

17 .œ jœ .œ œ œclimb a step ev 'ry

...œœœn jœ œœœ œœœ œœœ3

œœnn ..œœ œ ..œœjœ

C D/C

18

˙ Óday.

œœœ œ œ œ œ œœœ œœœœ˙̇ œœ œœ

A G A

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19 ‰ jœ œ œ œ œ œ œ œLove lift us up where we be long,

œœœ œœœ œœœ œœœ..œœ

jœœ ..œœjœœ

D D/F#

f

20 œ Œ Œ œ œwhere the

...œœœ œœœ≈ œœ œœ œœœ œœœ

œœ ..œœ œ œœœœ

G Bm

21 .œ œ œ œ œ ‰ œ œea gles cry on a

œœœ œœœ œœœ œœœ

œ œœœ œ œ

œ œ

Em D/F#- -

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22 .œ Jœ œ Œmoun tain high.

œœœn œœœ œœœ œœœœ#..œœnn

jœœ œœ œœ

C G A

23 ‰ jœ œ œ œ œ œ œ œLove lift us up where we be long,

œœœ œœœ œœœ œœœ..œœ

jœœ ..œœjœœ

D D/F#

24 œ Œ Œ œ œ œfar from the

...œœœ œœœ≈ œœ œœ œœ œœœ

≈ ...jœœœ

..œœ œœŒ œœ

œœ

G Bm

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25 œ œ œ œ œ œ œworld be low; up where the

œœœ œœœ œœœ œœ

œ œ œœ œ œ œ œ

Em D/F#

26 œ œ œ œ œ Œclear winds blow.

jœœœ# œœœjœœœ œœœ œœœb

jœœ## œœjœœ œœ œœbb

F#/A# Bm Gm/Bb

27 ∑

Óggg˙̇̇wwww

ww

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