The Art League School Catalog 2013/14

The Art League School

2013/14

Classes in Fine Arts and Fine Crafts

School CalendarSeptember 2013 — August 2014

Fall Term 2013Registration starts August 5, 2013

Start Date End Date

September 16 November 17

Winter Term 2014Registration starts November 4, 2013

Start Date End Date

January 6 March 9

Spring Term 2014Registration starts February 10, 2014

Start Date End Date

April 6 (Sunday) June 8

Summer Term 2014Registration starts May 5, 2014

Start Date End Date

June 23 August 24

Summer Art Camps 2014Registration starts February 10, 2014

Start Date End Date

June 16 August 22

COVER: Carol Dupré–OilInside Cover: Abby Goldblatt–Copper, Wood, & Enamel

Executive Director: Suzanne BethelSchool Director: Kathi Cohen

Catalog Design: Liz Aukamp LaGarde, Suzanne Bethel

Imitation is the sincerest of flattery.—Charles Caleb Colton

Be that as it may, this catalog or any portion thereof may not be reproduced or used in any manner whatsoever without the express written permission of The Art League.

Copyright © 2013 by The Art LeagueAll rights reserved.

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ContentsThe Art League School

General Information/Policies ....................................................... 2–3

Location and Parking ..................................................... 3, back cover

Registration Form ................................................................................... 4

Faculty ........................................................................ inside back cover

Classes

Drawing ................................................................................................. 5–7

Watercolor ........................................................................................... 8–9

Painting ............................................................................................. 10–14

Printmaking ...................................................................................... 15–16

Photography ........................................................................................... 16

Arts & Technology ................................................................................. 17

Teen/Children ................................................................................... 17–21

Ceramics .......................................................................................... 22–23

Sculpture ......................................................................................... 23–24

Jewelry & Metal ............................................................................. 24–25

Glass, Paper & Book .................................................................... 26–27

Fibers ................................................................................................ 28–32

Workshops

Teen/Children ................................................................................ 18–20

Claymation ............................................................................................. 20

Ceramics .......................................................................................... 22–23

Fibers ................................................................................................ 28–32

Drawing ............................................................................................ 33–34

Watercolor ...................................................................................... 35–36

Painting ............................................................................................ 37–42

Printmaking .................................................................................... 42–43

Photography .................................................................................. 43–44

Arts & Technology ................................................................................. 17

Sculpture ........................................................................................ 44–45

Jewelry ............................................................................................. 45–46

Glass, Paper & Book .................................................................... 26–27

Becoming Professional ...................................................................... 47

Travel ......................................................................................................... 47

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“By nurturing the artist, we enrich the community.”

The Art League develops the artist through education, exhibition, and a stimulating, supportive environment, while sharing the experience of the visual arts with the community.

You may be new to The Art League through participation in exhibits in our gallery, or through studies at our prestigious school. Whatever your introduction to us is, you’ll enjoy our dynamic and comprehensive visual arts offerings as well as exhibition and art sales opportunities in the largest gallery at the landmark Torpedo Factory Art Center (TFAC). These opportunities are presented by the League’s hundreds of artists, patrons, and volunteers.

Development/Outreach 703-519-1741

Outreach/ Scholarships/ Internships The League partners with the Alexandria Court Service Unit on our award-winning outreach project, SOHO—A Space of Her Own. The project teams mentors with at-risk girls who receive intensive art instruction and develop essential life skills. Working in groups, the girls redesign their personal spaces using their artwork and visual concepts learned during the program. To become a mentor or learn more, contact the Development Office.The Geri Gordon Scholarship Fund was established in 1998 to celebrate former Art League School Director Geri Gordon’s remarkable vision and 20 years of service and dedication. Scholarships are awarded for League art classes. Donations to the fund are welcome.Unpaid internships are available throughout the year. They provide excellent work experience in the visual arts and meet college internship requirements. For details, contact the Gallery.

Become a Benefactor and Support The Art LeagueThe Art League is a 501(c)(3) nonprofit organization that generates revenue from the various activities of its gallery, school, and store. To offer exceptional services to a broad audience at reasonable cost, we solicit additional support in the form of contributions, corporate gifts, bequests, in-kind services, and grants. For more details on supporting the League, visit us online or contact the Development Office.

The Gallery 703-683-1780The gallery is located on the first floor of the TFAC, in studio 21. Hours are 10:00am–6:00pm, Monday through Saturday, and 12:00pm–6:00pm on Sunday. The Gallery stays open late on Thursdays, 10:00am–9:00pm.

Join as an Artist Member for Full Benefits Membership in The Art League is open to all, and provides a fellowship of over 1,000 artists, as well as excellent exhibition opportunities. Members may enter monthly shows that are judged by art professionals such as art critics, educators, and museum curators. A reception opens each show, and works remain on display for one

month. Members receive a monthly newsletter, which includes notices of events, projects, and programs. The gallery sponsors lectures and technical seminars free of charge or at nominal cost. The gallery maintains a lending library of art history, biographical, technical, and media books. Members are invited to volunteer as aides or to help with painting, hanging shows, and other projects. For information, contact the gallery at 703-683-1780 or [email protected].

The Store 703-548-8127Our store is located in room 217 of the TFAC and is open 9:15am– 4:00pm, Monday through Saturday, while classes are in session. The first two weeks of each term, extended evening and weekend hours are 6:00pm–8:00pm, Monday through Thursday, and 10:00am–4:00pm, Sundays. For the remainder of the term, evening hours are 6:30pm–7:30pm Tuesday and Wednesday. Hours between terms are 10:00am–4:00pm Monday through Saturday. The store may close for lunch.

Art Supplies As a non-profit organization, The Art League Store sells supplies at a discounted price to League students and members. Every effort is made to stock items requested by instructors, as well as popular materials for the fine artist. Our staff of professional artists can guide you in your selection.Most class supply lists are available in the store. Due to our large enrollment, we are unable to email, fax, or read lists over the phone. To receive a class supply list by mail, send a self-addressed stamped envelope to the store.

The Art LeagueWebsite www.theartleague.org Development 703-519-1741 Gallery 703-683-1780 Store 703-548-8127 School 703-683-2323

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David Carter–Graphite

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The School 703-683-2323The school office is located on the 2nd floor of the Torpedo Factory Art Center (TFAC), room 216. The office is open 10:00am–5:00pm, Monday through Friday, and occasional Saturdays. Classes are held in TFAC and Madison Annex.

ClassesThe Art League School is a non-accredited institution and is open to all. A full range of day, evening, and weekend courses is offered in virtually all of the fine arts and many fine crafts. Our instructors are professional artists. The school offers youth classes for ages five through seventeen, and camps throughout the summer. Information is available on our website or by contacting the school during office hours.

WorkshopsArt League instructors, as well as distinguished visiting instructors, offer concentrated week or weekend sessions in specific media, techniques, and subjects. Travel workshops to international and domestic locations are also offered year-round. For information on travel workshops, contact Margaret Cerutti at 703-549-5450 or [email protected].

WeatherIn case of inclement weather, go to our website home page, call the school office, or tune in for announcements on TBD (WJLA ABC 7 and NewsChannel 8) as well as WTOP 103.5 FM.

HolidaysClasses do not meet on Thanksgiving, Easter Sunday, Memorial Day, or July 4. These holidays, or any additional days designated by the instructor, will have make-up dates.

Student/Faculty Show The public is invited to attend our annual Student/Faculty Show in The Art League Gallery, February 19–March 2, 2014. The reception will be held on Sunday, March 2, 2014.

School PolicyNo student will be denied admission on the basis of race, sex, or ethnicity. However, because of the need for group cooperation in classes, The Art League reserves the option of refusing admission to any person deemed incompatible with any class group due to disruptiveness, or for any impediment to the learning process of the group as a whole. Safety precautions and proper use of art materials and chemicals are rigorously practiced. Please use discretion when registering for classes, as The Art League cannot be held responsible for adverse reactions that may arise in some individuals. If you are pregnant, or think you may be, please consult a physician before registering. The Art League reserves the right to substitute an appropriate instructor when it is necessary.The Art League is not liable for personal injury or loss of property, including artwork belonging to students enrolled in the school.

To Register 1. Updates, corrections, and additions to our catalog are published on our website throughout the year. Please go to www.theartleague.org/school routinely and check for updates. 2. After making your selections, you may enroll online using Visa, Mastercard, or Discover Network, or enroll by mail, fax (703-683-0167) or in person. 3. If by mail, fill out the registration form and send it with your payment made out to The Art League School at 105 North Union Street Alexandria, VA 22314.Upon receipt of your registration form and payment in full, unless the class is full or cancelled, you are registered. If the class is full or cancelled, you will be notified and are entitled to a full refund.You may begin classes in any term and register for workshops at any time.Late registrations will be honored for available classes only. A transfer fee of $20 will be assessed for each transfer from one class to another, unless the transfer was a result of an administrative decision. All transfers must be made before the third meeting of the class.No workshop and camp refunds are given unless The Art League School office is notified at least ten days prior to the start of the camp or workshop. No class refunds are given unless we are notified by the Friday prior to the start of the term (see calendar on the inside of the front cover of the catalog). There is a non-refundable registration fee of $20 that is included in the tuition.

LocationThe Art League School is located in the Torpedo Factory Art Center (TFAC) at 105 North Union Street, Alexandria, VA 22314. Classes are also held in one other location: our Madison Annex, which can be entered at either 305 Madison Street or 808 North Fairfax Street, Alexandria, VA 22314.

MetroTake the Yellow or Blue Line to the King Street Station; then take the Alexandria Dash Bus #2 or #5, eastbound. For the Madison Annex, stay on the bus until the Madison and North Fairfax Street intersection. For the TFAC, leave the bus at the King Street and Fairfax Street intersection then, walk 2 blocks east on King Street to North Union Street. Turn left on Union Street, and the TFAC is a half block down on the right. In addition, the free King Street Trolley runs every 15 minutes from the King Street Station to Union Street, seven days a week from 11:30am–10:15pm.

ParkingFor students in the TFAC classrooms, there is inexpensive evening and weekend parking at the City Hall lot at 108 North Fairfax Street. For students in the Madison Annex, free parking is available after 6:30pm at Colonial Parking on 267 Montgomery Street.

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Registration Form 2013/2014 MailorFaxthisformwithfullpaymentto: SchoolOfficeInfo: THE ART LEAGUE SCHOOL Fax: 703-683-0167 105NORTHUNIONSTREET Tel:703-683-2323 ALEXANDRIA,VA22314 www.theartleague.org Hours:Mon–Sat,10:00amto5:00pm

STUDENT INFORMATION

Name _______________________________________________________________________________________________

Email (for class confirmation) _________________________________________________________________________

Address (check if new address) [ ] _____________________________________________________________________

City _________________________________________________________________ State ________ Zip Code ________

Day Phone _______________________________________ Eve Phone ________________________________________

Minor’s Age ___________ Minor’s Adult Contact ___________________________________________________________

Emergency Contact & Phone __________________________________________________________________________

New to our School? [ ] yes [ ] no New to the Course(s)? [ ] yes [ ] noHeard about the school by: [ ] Word of Mouth [ ] Radio [ ] Catalog [ ] League Social Media[ ] Web search [ ] Torpedo Factory [ ] Other _________________________________________________________

COURSE INFORMATION

Term: [ ] Fall [ ] Winter [ ] Spring [ ] Summer and/or: [ ] Workshop* [ ] Camp

Course Title ______________________________________ Course Title _______________________________________

Instructor Instructor _________________________________________

Day/Time ________________________________________ Day/Time _________________________________________

Cost _____________________________________________ Cost ______________________________________________

*Workshop Date(s) ________________________________ & ________________________________________________

PAYMENT INFORMATION

[ ] Payment enclosed (check/money order payable to The Art League, no cash by mail please).

[ ] Yes, I would like to include $1 with my payment in support of the Student Scholarship Fund (ie: cost + $1) or other amount: _______________________[ ] VISA [ ] MasterCard [ ] Discover Network

Card # ___________________________________________________________ Exp. Date _____ / _____ 3-Digit Security Code ________

_________________________________________________________________________________________________________________________________Cardholder’s name (please print) Cardholder’s signature required

All Students: By submitting this form you indicate that you agree to abide by the school policies (see page 3) including the refund policy that states —No refunds are given unless we are notifiedten days prior to a workshop or camp, or the Friday prior to the start of term for classes (see school calendar). There is a nonrefundable registration fee of $20 (this fee is included in the tuition).

Signature required __________________________________________ Name (please print) _________________________________________

For Office Use Only

Cash Receipt No. Register Online at www.theartleague.orgor

(please specify)

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Basic Drawing (adult)Peter Böttger Jim Burford Scott Hutchison Joe Kabriel Tania Karpowitz Patrick Kirwin Fred Markham Priscilla Treacy Nick XhikuThis class provides first-time/beginning students with a solid foundation in drawing. Working with pencil and charcoal, students learn to use line, value, gesture, and perspective. Students also develop the ability to “see” as artists. The class works with a variety of subjects including still life, figure, and landscape. Model fees are extra.

Fall, Winter & Spring (9 weeks)$180 Monday 7:00pm–9:30pm Hutchison$200 Tuesday 9:30am–12:30pm Karpowitz$180 Tuesday 7:00–9:30pm (W only 8 wks, sts: Jan 28, $160) Böttger$180 Wednesday 9:30am–12:00pm Xhiku$180 Wednesday 7:00pm–9:30pm Treacy$180 Thursday 7:00pm–9:30pm (Fall only) Kirwin$110 Fri 7:00–9:30pm (5 wks sts: F–Oct 18; W–Feb 7; Sp–May 9)Burford$180 Saturday 1:00pm–3:30pm Kabriel$180 Sunday 10:30am–1:00pm Markham

Summer (9 weeks)$180 Monday 7:00pm–9:30pm Hutchison$180 Tuesday 9:30am–12:00pm Burford$180 Tuesday 7:00pm–9:30pm Kirwin$180 Wednesday 9:30am–12:00pm Xhiku$180 Wednesday 7:00pm–9:30pm Treacy$110 Friday 7:00–9:30pm (5 wks starts: July 25) Burford$165 Saturday 1:00pm–3:30pm (8 weeks) Burford$165 Sunday 10:30am–1:00pm (8 weeks) Hutchison

SketchbooksStephen ProcopioThrough practice and demonstration, participants learn methods for developing more coherent and engaging sketchbooks. A portion of each class is spent examining and discussing works of other artists, including the masters e.g. Leonardo, Michelangelo, Rembrandt and contemporaries e.g. Eleanor Dickenson, James Jean, Craig Thompson. Time is spent drawing both in and out of the classroom.

$130 Fall, Winter & Spring (6 weeks)Thursday 9:30am–12:00pm

Gesture DrawingJackie SaundersStudents capture the spirit and vitality of the human figure with pen and ink. Contour, cross-contour, and rhythmic lines interact with washes of diluted ink to create expressive, lively figure drawings. Model fees are extra.

$170 Fall (7 weeks)Sunday 2:00pm–5:00pm (starts: Oct 6)

Portrait DrawingJin Chung Lisa SemeradStudents develop consistency, accuracy, and confidence before using color. Weekly demonstrations and drills train students to see proportions, planes, values, and learn systematic human head construction. Continuing students may use their preferred media to draw from photos, or 2- and 3-week poses. Basic Drawing is a suggested prerequisite.

Fall, Winter & Spring (9 weeks)$185 Monday 7:00pm–9:30pm Chung$200 Tuesday 9:30am–12:30pm (F & W only) Chung$200 Sunday 10:30am–1:30pm Chung

Summer $165 Wednesday 7:00pm–9:30pm (8 wks starts: Jun 25) Chung$185 Tues&Thurs 9:30am–12:30pm (4 wks starts: Jul 8) Semerad$185 Sunday 10:30am–1:30pm (8 wks starts: Jun 29) Chung

Pencil Techniques and ProjectsLisa SemeradIn this class students learn to use the various hardnesses of graphite pencils on many kinds of papers. The first seven weeks cover techniques such as blending, powders, washes, erasing, and line in expressive and realistic styles. Participants may use their own photos and props or those supplied by the teacher. The last few weeks may be devoted to personal projects. This class is suitable for all levels and provides a great opportunity to work with a versatile draftsman and designer at your side. Supplies are inexpensive and uncomplicated. Some previous drawing experience is required. A $10 materials fee, payable to the instructor, covers papers.

$185 Winter (9 weeks)Monday 7:00pm–9:30pm

Classical FigureMarjorie ForguesThis class explores the classical process of painting and drawing the figure from start to finish. Students learn to understand form by drawing from the cast and then moving to the figure. An emphasis is placed on proportion, construction, and lighting as well as modeling of the form to create a realistic surface. Instruction includes demonstrations as well as one-on-one time.

$190 Fall, Winter & Spring (9 weeks)Friday 7:30pm–10:30pm

$175 Summer (8 weeks) Friday 7:30pm–10:30pm

Drawing

Jin Chung–Conte & Charcoal

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Figure DrawingLisa Semerad Scott HutchisonCapture the figure quickly, accurately, and confidently. Drawing is from male or female models each week. Measuring, webbing, value, foreshortening, the head, and gesture drills are emphasized to build strong, well-placed “beginnings.” Weekly demos and simple materials are used. Basic Drawing is helpful. Model fees are extra.

$185 Fall, Winter & Spring Thursday 9:30am–12:00pm (9 weeks) SemeradThursday 7:00pm–9:30pm (9 weeks) Semerad

$165 Summer Tues & Thurs 1:00–3:30pm (4 wks starts: July 8) SemeradThursday 7:00–9:30pm (8 wks starts: June 26) Hutchison

IntermediateFigure Drawing: Long PoseLisa SemeradLonger poses allow for more focused, complete or experimental study. Using both clothed and nude models, poses range from 1–6 hours long. Composition, narrative, accuracy, style exploration, and creative approaches are emphasized. Numerous drawing materials are demonstrated. Prerequisites are basic drawing and beginning figure. Model fees are extra.

$200 Fall & Spring (9 weeks)Thursday 12:30pm–3:30pm

Pencil Rendering, Drypoint Etching,and Silverpoint DrawingPriscilla TreacyTwo weeks of sharpening drawing skills using graded graphite pencils on refined, rendered drawings prepare the student for two weeks of drypoint etching. No chemicals are used in this type of printmaking as all one needs are a steel or diamond point and a piece of plastic or metal. This long revered method produces beautiful, seductive prints. Two weeks of drawing with a piece of silver in a holder on specially prepared paper concludes the class. A materials fee is payable to the instructor for certain supplies.

$185 Winter (9 weeks) Wednesday 10:00am–12:30pm

Composition & Design FundamentalsLisa SemeradThe foundation of strong imagery is design—a vital element to all art forms. Students learn to recognize and control movement within the picture plane through study of shape, value, pattern, line, texture, and color in multiple formats. Most exercises are in abstract form, which are then related to both abstract and representational art. No previous drawing experience needed.

Fall & Spring (9 weeks)$200 Saturday 1:00pm–4:00pm (Fall only)$200 Monday 7:00pm–10:00pm (Spring only)$185 Tuesday 1:00pm–3:30pm (Spring only)

Composition & Design ApplicationsLisa SemeradThis course builds on the concepts learned in Composition and Design Fundamentals. Students use a variety of visual concepts to create more inventive, emotionally powerful, cohesive works of art. Representation, depth, transparency, movement, narrative, and color are added to the design equation. Students enjoy success applying these universal theories and techniques across a range of media, subject matters, and styles. Weekly concepts are applied to personal subjects or teachers assignments. Group critiques enrich the class. The instructor has a broad knowledge of drawing materials, but previous experience in individual chosen media is required. Acrylics, oil bars, oil and chalk pastels, and abstract artists are welcome. Sorry, no oil paint.

$200 Winter (9 weeks)Thursday 12:30pm–3:30pm

$185 Summer (4 weeks)Tues & Thurs 7:00pm–10:00pm (4 wks starts: July 8)

Introduction to Artistic Anatomical DrawingThanasi PapapostolouArtistic anatomy is considered by centuries of artists and art academies to be the indispensable bedrock of the figurative arts. This class introduces students to the basic principles of figure structure and anatomy. Progressing sequentially, the student learns to “see” anatomical form and render it effectively. This class is a must for those who are seeking to further their understanding and perception in drawing, painting, or sculpting the human form. Students work from a live model and lectures. Drawing materials are required, and model fees are extra.

$200 Fall, Winter & Spring (9 weeks)Tuesday 1:00pm–4:00pm (no Spring)Sunday 3:00pm–6:00pm

$185 Summer (8 weeks)Sunday 3:00pm–6:00pm

Advanced Artistic Anatomical DrawingThanasi PapapostolouProgressing from the introductory class, and providing more detailed lectures and instruction, this class explores the relationship between anatomy and form. This class is best suited for those who have experience in figure drawing, painting, or sculpting and are looking to hone their skills and elevate the quality of their work. Students work from a live model. Drawing materials are required, and model fees are extra.

$200 Fall, Winter & Spring (9 weeks)Tuesday 1:00pm–4:00pm (Spring only)Sunday 6:30pm–9:30pm


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Fred Markham-Charcoal

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Figure Drawing in Varied MediaPriscilla TreacyBeginning to advanced students learn to draw the figure model expressively through observation. The exercises are designed to sensitize the mind and eye to the human form’s dynamic design and provide an understanding of its anatomy, proportion, and symmetry. Different media (both wet and dry) are used each quarter. Short and long poses provide both gestural and study opportunities. Experienced students may work in the media of their choice. Model fees are extra.

$200 Fall, Winter & Spring (9 weeks) Saturday 9:30am–12:30pm

$185 Summer (8 weeks) Saturday 9:30am–12:30pm

IntermediateThe Figure and Portrait: A Modern Approach to Classical DrawingRobert LiberaceThis class explores beautiful master drawing techniques and the artists that used them. Using both authentic and contemporary materials, students study artists from Michelangelo to Ingres in order to develop a deeper understanding of the richness and power of their methods and materials. The fall and spring classes focus on red chalk, pencil, and silverpoint, while the winter class focuses on charcoal, pastel, and watercolor. Model fees are extra.

$345 Fall, Winter & Spring (9 weeks)Friday 10:00am–3:00pm (Spring starts: Apr 4)

Colored Pencil DrawingLisa SemeradParticipants explore drawing with this f lexible, fabulous, controllable color feast, and leave class with hands and clothes clean. Through study from still life and photos students learn about color, layering, mixed media, and solvent technique, along with the rich color and texture possibilities of various paper surfaces. Previous drawing experience is recommended. Experienced students may pursue personal projects. Supply list is in the store. Bring supplies to first class.

Fall (9 weeks)$185 Monday 7:00pm–9:30pm$200 Tuesday 12:30pm–3:30pm

Winter (9 weeks)$200 Tuesday 12:30pm–3:30pm

Summer (4 weeks)$105 Wednesday 9:30am–12:30pm (starts: July 9)$105 Wednesday 7:00pm–10:00pm (starts: July 9)

Colored Pencil Drawing ContinuedLisa SemeradThis class is for people who have a basic understanding of color selection and technique and want to work on their own projects. Topics covered include composition, continuity, concept, and finish. The last hour each week concludes with a lesson for increasing creativity and originality. Supply list is in the store. Bring supplies to first class.

$200 Fall, Winter & Spring (9 weeks)Tuesday 9:30am–12:30pm

The Art of CaricatureDavid CarterThe form and communicative potential of the face is a poignant means of expression for the artist. The art of caricature extends this visual vocabulary beyond nature’s normal repertoire. Whether for humor, satire, or the creation of fictional characters, caricature is “hyper-portraiture.” Students learn to combine anatomy with creative techniques for exaggerating and distorting the rhythms, gestures, and proportions that make each face unique. Prior drawing/portrait experience is helpful. Model fees are extra.

$155 Winter & Summer (6 weeks)Thursday 7:00pm–10:00pm (starts: W–Jan 16; Su–Jul 10)

Mastering Cartooning (ages 10 to adult)Dana YangStudents further develop their skills and methods in cartooning using a step-by-step process of various styles and techniques. The emphasis is on storytelling in comics—from writing a script, to drawing single panel and three-panel comics, and finally developing a one to two page story. This class aims to create fully finished portfolio pieces.

$185 Fall, Winter & Spring (9 weeks)Sunday 11:00am–1:30pm

$170 Summer (8 weeks)Sunday 11:00am–1:30pm

Open-Life Drawing SessionsThis monitored open studio is for participants of all levels who like to work from the model using their own media. Sessions require a set enrollment, thus registration is encouraged over drop-in. Drop in* is for currently enrolled students, Art League members, and Benefactors of the League only. Five-week sessions are held twice each term (one immediately following the other). Fall, Winter, Spring & Summer (5 weeks)$65 Monday *$20 10:00am–3:00pm $65 Wednesday *$20 10:00am–3:00pm (long pose)$55 Friday *$20 1:00pm–5:00pm (long pose)

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Scott Hutchison–Graphite

Remember to check for updates andadditions at www.theartleague.org


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IntermediateCreative WatercolorSusan HerronThe focus in this continuing class is a loose and painterly approach to watercolor. Students are encouraged to simplify design plans and look for abstract shapes, contrasts, emotions, and moods. The emphasis is on inventive use of color and development of style.

$200 Fall, Winter & Spring (9 weeks)Thursday 1:00pm–4:00pmSaturday 1:00pm–4:00pm

$155 Summer (6 weeks)Thursday 1:00pm–4:00pmSaturday 1:00pm–4:00pm

The Watercolor ExperiencePeter UlrichStudents work to develop confidence, consistency, and an individual style. Instruction is supported by class critique, demonstrations, and individual attention in solving problems in composition, value, and color harmony. The goal is to exploit the uniqueness and “magic” of watercolor with a variety of approaches. Beginners with some experience in drawing or other media are welcome.

$200 Fall, Winter & Spring (9 weeks)Friday 1:00pm–4:00pmSaturday 9:30am–12:30pm

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Gwen Bragg–Watercolor

WatercolorBeginning in WatercolorSusan HerronThis class introduces the basics of color mixing, brush handling, and composition in watercolor with emphasis on creative interpretation and developing a unique point of view. Students receive individual attention while painting a variety of subject matter. The class includes some outdoor painting, weather permitting.

$200 Fall, Winter & Spring (9 weeks)Thursday 7:00pm–10:00pm Saturday 9:30am–12:30pm

$155 Summer (6 weeks)Thursday 7:00pm–10:00pm Saturday 9:30am–12:30pm

Watercolor from Start to FinishGwen Bragg Rachel CollinsThis class introduces classic watercolor techniques and builds slowly from the simple to the more complex. Topics include use of value, control of the medium, color mixing, and composition. Demonstrations are part of the class, but painting from still life and photographs is emphasized. Experienced students focus on assignments to improve color handling, composition, and specific painting challenges.

Fall, Winter & Spring $200 Monday 9:30am–12:30pm (9 weeks) Bragg$185 Monday 7:00pm–9:30pm (9 weeks) Bragg$185 Wednesday 7:00pm–9:30pm (9 weeks) Bragg$200 Thursday 9:30am–12:30pm (9 weeks) Collins

Summer $175 Monday 9:30am–12:30pm (7 wks starts: July 7) Bragg$160 Monday 7:00pm–9:30pm (7 weeks starts: July 7) Bragg$160 Wednesday 7:00pm–9:30pm (7 weeks starts: July 9) Bragg

Faces in WatercolorJackie SaundersLearn to draw and paint human faces using shape, proportion, sighting techniques, contour, and cross-contour line. Students learn to mix warm and cool flesh tones from fresh washes of watercolor pigment and define features with clean, descriptive shadow shapes. Correct placement of the features is taught to capture not only the likeness but the spirit of the model. Model fees are extra.

$180 Winter (8 weeks)Sunday 2:00pm–5:00pm

Watercolor: A Complete ApproachSteve FlemingClasses focus on a loose and expressive approach to transparent watercolor giving both the beginner and the intermediate painter the knowledge to improve and understand this exciting medium. Brush work, color mixing, interpreting light, application of paint in various styles, and some basic design ideas are explored. Each week includes a complete painting demonstration with a specific lesson, painting time, and group critique. Some watercolor experience is helpful.

Fall $170 Tuesday 7:00–9:30pm (8 weeks)$155 Thursday 9:30am–12:30pm (6 weeks starts: Oct 10)

Winter & Spring $185 Tuesday 7:00–9:30pm (9 weeks)$200 Thursday 9:30am–12:30pm (9 weeks)

Summer $145 Tuesday 7:00–9:30pm (6 weeks)$155 Thursday 9:30am–12:30pm (6 weeks)

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The Watercolor StudioSteve FlemingThis class offers a unique, creative atmosphere where engaging the right brain in the painting process is the fundamental goal. Each week’s lesson is based on the core concept of moving one’s work to the next level. A discussion of concepts and artists as well as complete demonstrations and lectures establishes the direction of each class. Students are encouraged to work in their own personal style and direction, and there is no preferred method. Experience in watercolor painting is required.

Fall $185 Thursday 1:00pm–5:00pm (6 weeks starts: Oct 10)

Winter & Spring $265 Thursday 1:00pm–5:00pm (9 weeks)

Summer $185 Thursday 1:00pm–5:00pm (6 weeks)

Intermediate Watercolor:Figures in the LandscapeSteve FlemingThis class makes figures the central theme of the landscape. Using subject matter from photographs, participants achieve loose and impressionistic compositions which make the figures an integrated and important part of the painting. Practicing control of color choices, values, edges, and lighting is emphasized. Each class includes a lesson, complete demonstration, and painting time followed by a critique.

Fall $155 Thursday 7:00pm–10:00pm (6 weeks starts: Oct 10)

Winter & Spring $200 Thursday 7:00pm–10:00pm (9 weeks)

Summer $155 Thursday 7:00pm–10:00pm (6 weeks)

IntermediateWater/Color/PaperDeborah EllisIn this class the emphasis is on working with the elements that make watercolor unique and challenging—the water itself, the hues of different paints, and the complexities of various paper surfaces. Composition, exposure to works of other artists, and critique of our own work are a large part of the sessions. Class includes interior, still life, outdoor sources, as well as an occasional life model, and museum/gallery visit. The individual participant’s objectives are a primary focus.


Watercolor: Moving OnGwen BraggThis class is designed for students with some experience in watercolor. Delve into challenging topics including mixing and using color, composing a successful painting, experimental approaches in watercolor, developing style and theme, and seeing and capturing the effects of light.

$200 Fall, Winter & Spring (9 weeks)Tuesday 9:30am–12:30pmTuesday 1:00pm–4:00pm

$170 Summer (7 weeks)Tuesday 10:00am–1:00pm (starts: July 8)

Opaque Watercolor in MiniaturePriscilla TreacyMiniature painting has had a rich tradition ranging from ancient Rome and medieval illuminated manuscripts, to India and Persia, to the Renaissance. The small format encourages the artist to create something intimate and personal. Gouache is the perfect medium for this type of work. Gouache is a heavy, opaque watercolor paint that has been used for centuries. It is easier to handle than transparent watercolor because it can be continually reworked, or “corrected.” Students learn techniques and use of tools and materials while the instructor provides examples, designs, and source materials for paintings. Different surfaces and formats are explored and demos of the medium are included.

$155 Fall, Winter, Spring & Summer (6 weeks)Tuesday 7:00pm–10:00pm (Winter only, starts: W–Jan 21)Wednesday 10:00am–1:00pm (starts: F–Sep 25; no W; Sp–Apr 23; Su–Jul 9)

Sumi-É: Oriental Brush PaintingAiko Erickson Charlene Fuhrman Schulz Betzi RobinsonThis class is for artists interested in the techniques of the East Asian brush painting art form. Classes include lessons for beginning through advanced level painters. Each of the artist instructors brings a personal specialization. Different schools of this ancient art, from traditional to experimental, are explained over the year’s curriculum and include composition and design. The fall and spring sessions are team-taught by Betzi Robinson and Aiko Erickson. Charlene Fuhrman Schulz teaches the winter session. The summer session is team-taught by Charlene Fuhrman Schulz and Betzi Robinson.

$200 Fall, Winter & Spring (9 weeks)Monday 1:00pm–4:00pmTuesday 7:00pm–10:00pm (Winter only)

$155 Summer (6 weeks)Monday 1:00pm–4:00pm (starts: July 7)Tuesday 7:00pm–10:00pm (starts: July 8)

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Betzi Robinson– Sumi-É



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Beginning/IntermediatePainting (Oil or Acrylic)Scott Hutchison Joe Kabriel Tania Karpowitz Patrick Kirwin Matt PinneyThis class introduces the underlying concepts of oil and acrylic painting and provides a solid foundation for further exploration. Composition, value, color, materials, and techniques are covered. Students paint from still life or the figure. Model fees are extra. Drawing experience is helpful.

$200 Fall, Winter & Spring (9 weeks)Monday 7:00pm–10:00pm KabrielTuesday 1:00pm–4:00pm KarpowitzWednesday 7:00pm–10:00pm HutchisonSaturday 1:00pm–4:00pm KarpowitzSunday 12:30pm–3:30pm Pinney

$185 Summer (8 weeks)Monday 9:30am–12:30pm KirwinWednesday 7:00pm–10:00pm HutchisonSaturday 9:30am–12:30pm HutchisonSunday 12:30pm–3:30pm Pinney

Intermediate Painting (Oil or Acrylic)Joe KabrielThis class is designed to enhance the methods and techniques of the student with some exposure to painting. Students develop observational skills and knowledge of various subjects, including landscape, still life, and the model. Model fees are extra. Prerequisite is drawing/painting experience.

$200 Fall, Winter & Spring (9 weeks)Saturday 3:45pm–6:45pm

IntermediateOil or Acrylic PaintingMike FrancisThis class is designed for those with some background in painting and drawing, as well as for the more advanced. Students choose subject matter from photographs or still life, and learn new ways of improving the painting. Demos and short art history lectures, with emphasis on color and design, are given as time allows. Discussions focus on ongoing work, materials, techniques, and painting methods.

Fall, Winter & Spring (9 weeks)$200 Tuesday 7:00pm–10:00pm$265 Friday 10:00am–2:00pm

Progressive PaintingPriscilla TreacyStructured to accommodate beginners through more advanced painters, this class guides participants from black and white cubes to the subtle shade of a reflected color in shadow. Several still lifes, of varying degrees of difficulty offer graduated levels of study in each class, giving students the chance to progress at their own chosen rate. More advanced students may also work from photographs. Painting and the mechanics of color are explored. Class includes demos of blocking-in a painting, along with the development of color and form. All work is done on canvas using either oil or acrylic in the “alla prima” technique. Much attention is paid to composition and color harmony. Basic Drawing is a highly recommended prerequisite, but all are welcome.

$200 Fall, Winter, Spring & Summer (9 weeks)Tuesday 9:30am–12:30pm

Painting Projects in Oil or PastelLisa SemeradThis class is for students who are familiar with their media and who need time and counsel to bring their ideas to fruition. Any style of painting is welcome as are additional media such as oil pastel or charcoal. Emphasis is on composition, narrative, color, technique, and utility. Class time includes mostly individual help with group critiques every other week during lunch or at the end of class. Students must supply their own photos or still life items. Instruction includes using these items as a launching point for learning what to include or leave out of the composition. Teacher demonstrations are also included.

Fall & Winter (8 weeks)$300 Wednesday 9:30am–2:30pm$180 Wednesday 6:45pm–9:45pm

Spring (9 weeks)$320 Wednesday 9:30am–2:30pm$200 Wednesday 6:45pm–9:45pm

Pastel PaintingJoe SpollenUnder appreciated through the years and considered a fragile art form despite its beauty and spontaneity, pastel is now one of the fastest growing media in the country. This class examines the capabilities, surprising stability, and accessibility of this resurgent painting process. In this course participants use only a minimum amount of supplies that are tailored for producing quick results. Any complexities of this medium are simplified to create successful pieces of artwork.

$170 Fall, Winter & Spring (8 weeks)Thursday 7:15pm–9:45pm

$155 Summer (7 weeks)Thursday 7:15pm–9:45pm (starts: July 10)

Beginning–AdvancedExploring PastelNancy FreemanFor the beginner and intermediate pastel artist, this class provides an understanding of the basic concepts and techniques of soft pastels and drawing. Various subjects, textures, papers, and application techniques are explored. Continuing and advanced students develop facility, personal style, and a deeper understanding of the medium. A $10 material fee is payable to the instructor.

$340 Fall & Spring (9 weeks)Wednesday 10:00am–3:00pm

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Kurt Schwarz–Oil


Painting


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Oil PaintingTed ReedThis class is designed for students with a basic knowledge of the fundamentals of oil painting. Beginners learn the fundamentals including color, composition, form, and materials. Intermediate students hone existing skills and explore new challenges. Advanced students work with painting theory and focus on completing professional-quality work. Portrait, figure, and still-life painters are welcome. Model fees are extra for all students regardless of chosen subject matter.

$200 Fall, Winter, Spring & Summer (9 weeks)Tuesday 7:00pm–10:00pmWednesday 9:30am–12:30pm

All Media PaintingMike FrancisParticipants who wish to work in oil, acrylic, watercolor, drawing, or mixed media are welcome in this course. Class discussions and demonstrations focus on paint handling, composition, methods, materials, and techniques in relation to old and modern master artists. Beginning students should have some drawing experience and are encouraged to start with oil paint, although acrylic paint may be substituted. Advanced students may choose and provide their own subject matter.

$200 Fall, Winter & Spring (9 weeks)Monday 10:00am–1:00pm

Independent PaintingJohn BleeThis course provides an outlet for development of a personal pictorial language for both the beginner and the advanced painter. Painting subjects include the figure, still life, landscape, and the imagination. Abstraction is also an area of concentration. Instruction is geared towards the individual student.

$200 Fall, Winter & Spring (9 weeks)Sunday 5:30pm–8:30pm


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Ted Reed–Oil

Danni Dawson–Pastel

All About AcrylicsPatrick KirwinParticipants paint the images they are interested in, either abstract or realist, while exploring the new and exciting breakthroughs in acrylic paint. Acrylics have undergone enormous technological advances in recent years to improve color quality and increased viscosity variety. Mediums and glazes have been added to control drying time and texture. The instructor gives painting demonstrations, lectures on the use of materials, and suggests applications and imagery suitable for their use. Participants supply their own paints, and a $30 materials fee payable to the instructor covers unique mediums and paints for shared class use.

$200 Fall & Spring (9 weeks)Tuesday 7:00pm–10:00pm

Trompe L’oeil and Photo RealismPatrick KirwinThe difference between Photo Realism and Trompe L’oeil is one of composition. This class includes instruction on those differences, techniques for making texture, and creating a perfect illusion. New students work on an introductory project encompassing various techniques. Experienced participants have a choice of independent projects or projects designed by the instructor. Acrylics are used to speed up the process of learning but experienced artists are encouraged to use oils. Any media may be used.

$200 Fall, Winter, Spring & Summer (9 weeks)Monday 7:00pm–10:00pm

Painting and Drawing with Linear PerspectivePatrick KirwinThe goal of this class is to learn the rules of linear perspective and apply them to create accurate paintings and drawings. Key elements such as station point (point of view of the artist), and cone of vision (area of focused vision) are explained in detail so that distortion is controlled or eliminated. Drawing media, oil, or acrylic paints may be used.

$200 Winter (9 weeks)Tuesday 7:00pm–10:00pm

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Potential Space and the FoundCarol Dupré“Creative evolution” and “structural components” form a balancing act on the edge of the unknown—with “unknown” accepted as one of these: abyss, uncanny, or sublime. Artists consider them as one, and separate, for well-rounded exploration. With two canvases underway, first is the spectral notion of the cityscape, second is the spectral portrayal of the figure. The spectral includes consideration of initiation (where concept is still immaterial) and then development of structural components in association with concepts, genres, corpus of texts and fictional theories or a meta-theoretical perspective: doubt, transgression, play, the peculiar, and so on. Participants discover that genealogy of a concept rips beyond boundaries of containment in an “endless deferral of meaning” that operates between the seductive arts—film, theater, literature, painting—to include theory and psychoanalysis: leading to the historical genre or the fantastic-realist blend. Class includes: painting time; printed lectures; discussion; films; preparation for series and exhibition.

$210 Fall & Winter (8 weeks)Tuesday 1:00pm–4:00pm

Portrait and Figure PaintingKurt Schwarz Jin ChungStudents improve their observational skills and gain an understanding of color and value. Emphasis is on completing and refining one’s work in oil or pastel painting. Model fees are extra. Supplies are discussed on the first day of class.

$200 Fall, Spring & Summer (9 weeks)Wednesday 7:00pm–10:00pm Schwarz

$200 Winter (9 weeks)Wednesday 7:00pm–10:00pm Chung

Four Weeks One PoseMarjorie ForguesThis class provides an opportunity for painters with some previous experience to concentrate on classical painting techniques while capturing a single pose. Model fees are extra.

$165 Summer (4 weeks)Sunday 10:30am–3:30pm (starts: July 13)

IntermediatePortrait Painting (Oil or Pastel)Danni DawsonStudents of the long pose enjoy a 3- to 5-week pose to produce a finished painting. Participants study the structure of the head, the skull, the muscles, the planes on the face, and the features. Students also learn to create skin tone through color studies. Homework assignments deal with clothing and background. The instructor demonstrates “alla prima” painting and glazing. Various materials and techniques are analyzed. Model fees are extra.

$340 Fall, Winter & Spring (9 weeks)Thursday 9:30am–2:30pmSaturday 9:30am–2:30pm

Intermediate/AdvancedThe Classical Portrait and FigureRobert LiberaceThis class focuses on the two most important traditions in classical painting—Disegno and Colore. The first half of the term looks at the sculptural Tuscan approach of Disegno which involves a developed grisaille and subsequent layers of glazed paint. The second half of the term features the painterly Venetian practice of Colore which relies on direct application of paint.

$275 Fall, Winter & Spring (9 weeks)Friday 3:30pm–7:30pm (Spring starts: Apr 4)

Still Life in OilKurt Schwarz John MurrayStill-life painting offers a way to hone skills. This class includes demonstrations of “blocking in” a painting. Students construct a permanent palette and produce archival quality paintings. Participants work to express value, light, and space in their work. Layering and “alla prima” are also covered.

$200 Fall, Winter & Spring (9 weeks)Wednesday 1:00pm–4:00pm Schwartz: F & Sp; Murray: WThursday 7:00pm–10:00pm Murray

$200 Summer (9 weeks)Wednesday 1:00pm–4:00pm Schwartz

Landscape PaintingFred MarkhamThis outdoor class focuses on composition, value organization, and color relation. Students examine the property of light and how it reveals form and color. Demonstrations clarify procedures for newcomers to plein air painting. Class is held indoors during inclement weather. Locations may not be metro accessible and students are responsible for their own transportation.

$155 Fall & Spring (6 weeks)Saturday 9:30am–12:30pm (Spring starts: May 3)

IntermediatePlein Air Landscape PaintingSara Linda PolyThis class concentrates on simplifying complex elements found in nature and building a solid composition. Students explore their personal reactions to landscape while learning design, value, color, light patterns, atmospheric perspective, and paint application. Demonstrations, critiques, and discussion of materials and techniques are included. Any medium is welcome as long as the student is experienced in its use. Class meets in a new local park each week, unless inclement weather is expected. Locations may not be metro accessible and students are responsible for their own transportation.

$200 Fall & Spring (7 weeks)Tuesday 10:00am–2:30pm (Fall starts: Sept 17; Spring starts: Apr 22)

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Robert Liberace–Oil

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Painting the LandscapeBobbi PratteStudents explore the genre of landscape painting and how to depict the world that surrounds us. Both realist and expressive approaches are covered. The challenge of showing space on a 2-D surface through linear and atmospheric perspective is explored, as well as composition, color, and technique for the landscape painter. All levels are welcome. Oil and acrylics are the mediums of choice.

$200 Fall, Winter & Spring (9 weeks)Monday 1:00pm–4:00pm

IntermediateLandscape Painting: Above and BeyondSara Linda PolyThis indoor class covers choosing subject matter when working from photos or sketches, achieving a strong composition, and progressing to a better painting. The use of contrast, strong or subtle light, and color to show distance are explored. Participants are taught to “see” the landscape along with techniques for expressing their emotional reactions to any landscape. This includes painting skies, cloud formations, sunsets, sunrises, and night scenes. Demos, critiques, and personal attention are offered. Any medium is welcome.

$170 Winter (5 weeks)Tuesday 12:00pm–4:00pm (starts: Mar 4)

Abstract PaintingDeanna SchwartzbergStudents of all levels develop a working knowledge of abstract painting and acrylic that challenges them to see and interpret in new ways. Color, line, movement, and form are taught through individual instruction and group discussion. Subjects include landscape, still life, and figure as well as non-representation. Model fees are extra.

$275 Fall, Winter, Spring & Summer (9 weeks)Friday 10:00am–2:30pm

Abstract Painting & Beyond(Acrylic and/or oil, alkyd, mixed media)Jim BurfordThis class develops students’ painting skills through the self-expression of color and form. Students use color concepts from Post-Impressionism to Action Painting. The motifs of landscape, figure, and still life are examined. There are critiques, slide presentations, and gallery field trips.

$200 Fall, Winter, Spring & Summer (9 weeks)Saturday 9:30am–12:30pm

Beginning/IntermediateAbstracting with Acrylic PaintsMarsha StaigerFind the fun and freedom of acrylic paints in this class. The versatility of acrylic allows a myriad of possibilities in technique and surface. Each class emphasizes an important element of strong visual art (e.g. color, composition, or value). Each term offers a unique focus: Fall—figure (model fees extra), Winter—mediums and techniques (supply fees extra), Spring—landscape (classes offsite).

$200 Fall, Winter & Spring (9 weeks)Monday 7:00pm–10:00pmWednesday 1:00pm–4:00pm

$185 Summer (8 weeks)Monday 7:00pm–10:00pmWednesday 1:00pm–4:00pm

All LevelsWildly Abstract LandscapesBrenda BelfieldThis unique process empowers painters to respond to their landscape experiences and translate the essential elements into an abstraction. Those who have a deep connection to nature and the need to express this without actually representing nature learn to “trust the process” using unconventional tools and media along with liquid acrylics and paper. By stimulating the intuitive responses to “wild” nature, painters of all levels discover a new level of creativity and possibilities for new work. A small fee is payable to the instructor for supplied materials.

$160 Summer (6 weeks)Thursday 10:00am—1:00pm (starts: July 17)

All LevelsAbstract Art— New & Creative ApproachesDelna DasturStudents explore imaginative ways to create abstract art by using a wide array of materials such as charcoal, pastel, ink, and paint. New methods to create texture, layers, and bold marks are taught along with the study of line, color, and composition. A different contemporary artist is introduced in each class to inspire new approaches to abstraction. Critiques and demonstrations contribute to this intuitive process.

$185 Fall (8 weeks)Tuesday 1:00pm–4:00pm (starts: Oct 1)

$200 Spring (9 weeks)Tuesday 1:00pm–4:00pm

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John Murray–Oil

Sara Linda Poly–Oil

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Intermediate/AdvancedEmerge: Advanced Acrylic / Mixed MediaMarsha StaigerThis multi-faceted class stimulates participants to f ind personal ways to create their art. Course includes instructor demonstrations, weekly problem solving warm ups, and critiques. Individual and class brainstorming sessions generate new ideas and directions for growth. This class helps develop technical skills and fosters an intrepid approach towards painting. Each nine weeks focuses on a specific project: Fall—elements & principles, Winter—gels & mediums, and Spring—series work.

$340 Fall, Winter & Spring (9 weeks)Monday 10:00am–3:00pm

Developing the NarrativeBeverly RyanStudents find ways to link storylines and visual elements to say something with paint. By approaching content through personal experience, gestural drawing or painting, and experimentation with seemingly random ideas, discoveries are made that lead to individualistic narrative work. Risk-taking, intuitive problem-solving, and discussion are encouraged and lead the student to insightful solutions. The building of one’s own vocabulary of forms is a goal.


Abstract in Oil or Acrylic — Beyond the TangibleBeverly RyanThis class focuses on the development of non-objective paintings. Beginners concentrate on painting basics and composition while the advanced reach into 20th century and contemporary abstraction. All students explore personal expression, mark-making techniques and painting on a variety of surfaces. Pulling from the “real” world of figures and objects, the course investigates formal issues and new ways of working.

Fall, Winter & Spring (9 weeks)$265 Thursday 9:30am–1:30pm$200 Sunday 11:30am–2:30pm

Collage: When 2 + 2 > 4Rosemary LuckettStudents explore several ways to enliven collage surfaces and integrate materials using various adhesives. They discover the excitement of working from the heart, accessing the intuition, and making personal imagery by creating fantasy worlds, probing social issues, and transforming old items into new collaged pieces.

$200 Fall (9 weeks)Wednesday 1:00pm–4:00pm

Beginning/Intermediate

Abstract Drawing and PaintingJoyce McCartenThis class is for students at all levels who want to learn the abstract painting process. There are no limits to what an artist can create if they learn the basic language of abstraction and how to manipulate paint. The pure excitement of color, the mystery of line, the safety of structure, and the fun of mixed media are emphasized as the student begins to explore a different, more freeing way of painting. Still life and figure are often used as a starting point. Model fees are extra.

$155 Summer (6 weeks)Monday 1:00pm–4:00pm (starts: July 7)Tuesday 7:00pm–10:00pm (starts: July 8)

Collage: Art of TransformationRosemary LuckettThis is the perfect opportunity to finally use those papers, images, odds and ends, and other stashed away ephemera. Students integrate both disparate and complimentary fragments into new collage compositions. Participants are encouraged to ask questions, learn about adhesives, transform materials and ideas into new forms, and enjoy the play of creativity.

$155 Winter (6 weeks)Wednesday 1:00pm–4:00pm (starts: Jan 22)

Painting with Pixels: Creative AppsNancy FreemanExplore the wide range of drawing and painting apps on tablets or smart phones. Starting with the basics of using apps, students learn useful tricks to aid composition and visualization out in the field or in the studio. Students learn to work with the versatile features and powerful abilities unique to digital media. Apps covered range from image editors and specialized media simulators (digital charcoal, watercolor, oil painting), to full “artists’ studios” with multiple media and serious controls. Both Apple and Android apps are covered. Participants must bring their own tablet or smart phone.

$200 Fall & Spring (9 weeks)Monday 7:00pm–10:00pm (Spring only)Tuesday 12:00pm–3:00pm (Fall only)

Studio PaintingNo InstructorArtists who like a place and time to paint in any medium find this setting ideal. There is no instructor.

$150 Fall, Spring & Summer (9 weeks)Sunday 10:00am–4:30pm

$135 Winter (8 weeks)Sunday 10:00am–4:30pm (no class Feb 16)

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Delna Dastur–Mixed Media

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PrintmakingSilk Screen PrintingNancy McIntyreSilk screen printing can fill a page with color in a single stroke, or build layer upon transparent layer of intricate detail. Screen prints may be vibrant or subtle, sharp-edged, or brushy and textured. Students create hand-painted, hand-cut, and photographic stencils, and then print through them using water-based non-toxic inks. Lab fee of $50, payable to the instructor, covers supplies and screen.

$215 Fall, Winter, Spring & Summer (9 weeks)Monday 7:00pm–10:00pmTuesday 7:00pm–10:00pm (Fall only)

Continuing Silk Screen PrintingNancy McIntyreFor those who have already taken screen printing at The Art League or have significant silk screen experience elsewhere, this class offers individual instruction as students follow their own path working in this versatile medium. Course limited to two students.


Silk Screen Open StudioNancy McIntyreThis studio is for students who are taking or have taken Silk Screen Printing at The Art League. It offers an opportunity for currently enrolled or former silk screen students to work independently, on a drop-in basis, for $10.00/hour.

Fall, Winter & Spring Monday 4:00pm–7:00pm

Summer Monday 4:30pm–7:00pm

The Art League, through association with Discover Graphics Atelier, Inc., offers a wide range of printmaking classes. Discover Graphics is a fully equipped printmaking studio under the direction of Penny Barringer with two etching and two lithographic presses and all the necessary equipment for quality printmaking. Experienced printmakers may apply to be an affiliated artist and pay a monthly fee to cover basic supplies and equipment during open studio hours. For information call 703-549-1381.Supplies: Most supplies are available in the classroom. Other supplies are available in the Art League Store and are discussed by the instructor at the first class.

Beginning/ IntermediateEtching and Intaglio TechniquesPam Day Nancy WolfEtching is a technique that allows the printmaker to achieve wide tonal range and unlimited detail. Students, using zinc plates, learn to produce images and print editions with line etching, aquatint, soft ground etching and dry point techniques. A $40 lab fee is payable to instructor.

Fall, Winter & Spring $205 Tuesday 7:00pm–10:00pm (9 weeks) Day$205 Thursday 11:00am–4:00pm (5 weeks) Aldrich-Wolf

Summer $145 Tuesday 7:00pm–10:00pm (6 weeks) Day$205 Thursday 11:00am–4:00pm (5 wks starts: Jul 3) Aldrich-Wolf

Intermediate/ AdvancedPrintmaking Projects and TechniquesPenny BarringerThis class is designed for students with some background in printmaking, as well as for more advanced students. By working with a master printmaker students refine their skills in intaglio, lithography and/or monotype printing by focusing on individual or class projects. New and more advanced techniques are introduced for student exploration. A $40 lab fee is payable to instructor.

Fall, Winter & Spring $235 Wednesday 10:00am–3:00pm (6 weeks; Fall starts: Oct 23)$185 Thursday 7:00pm–10:00pm (8 weeks; Fall starts: Oct 17)

Summer $195 Wednesday 10:00am–3:00pm (5 weeks starts: Jul 2)$145 Thursday 7:00pm–10:00pm (6 weeks starts: Jul 3)

All LevelsLithography (stone & metal plate)Penny BarringerLithography enables artists to use a wide range of techniques to achieve multiple prints including crayon and pencil shading, washes and pen and ink. Students learn to grind a stone and/or prepare a metal plate, develop an image and print a small edition. A $45 lab fee is payable to instructor.

$235 Winter (6 weeks)Tuesday 10:00am–3:00pmSaturday 10:00am–3:00pm

Pam Day–Monoprint


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Introduction to Monotype PrintmakingPenny Barringer Harriet LawlerWhether monotype or monoprint, “the painterly print” calls for work in color. Wide ranges of inking techniques, both abstract and realistic, are used. Some experience with color is helpful. A $40 lab fee is payable to instructor.

Fall $145 Monday 7:00pm–10:00pm (6 weeks) Lawler$205 Thursday 10:00am–3:00pm (5 wks starts: Oct 24) Barringer

Winter $205 Tuesday 10:00am–3:00pm (5 weeks) Barringer$145 Saturday 1:00pm–4:00pm (6 weeks) Lawler

Spring $205 Saturday 10:00am–3:00pm (5 weeks) Barringer

Summer $145 Monday 7:00pm–10:00pm (6 weeks) Lawler

Introduction to PhotographyAndargé Asfaw Donna JonesLearn the fundamentals of photography using either a film or a digital camera. Students become proficient in the use of their cameras including aperture, shutter speed, and exposure. Class includes camera exercises, lectures, discussions, critiques, home assignments with reviews, and class field trips held during regular class time or on a Saturday. Field trips enhance the learning experience by providing one-on-one hands-on instruction. Please bring your camera manual to each class.

Fall $200 Wednesday 7:00pm–9:30pm (9 weeks) Asfaw$200 Thursday 7:00pm–9:30pm (9 weeks) Asfaw$200 Sunday 6:00pm–8:30pm (9 weeks) Asfaw

Winter $200 Monday 7:00pm–9:30pm (9 weeks) Asfaw$200 Wednesday 7:00pm–9:30pm (9 weeks) Asfaw$200 Sunday 6:00pm–8:30pm (9 weeks) Jones

Spring $200 Wednesday 7:00pm–9:30pm (9 weeks) Asfaw$200 Thursday 7:00pm–9:30pm (9 weeks) Asfaw$200 Sunday 6:00pm–8:30pm (9 weeks) Asfaw

Summer $200 Monday 7:00pm–9:30pm (9 weeks) Asfaw$185 Thursday 7:00pm–9:30pm (8 weeks) Asfaw$185 Sunday 6:00pm–8:30pm (8 weeks) Jones

Intermediate Photography IPete DuvallThis class is for those who are familiar with their camera and would like more in-depth discussion on developing composition and style while honing and adding techniques, and discussing equipment choices. Included are weekly critiques of student work. A manually operated camera, film or digital, and comfort shooting in manual mode is required.

$200 Fall & Winter (9 weeks)Wednesday 7:00pm–9:30pm

$185 Summer (8 weeks)Thursday 7:00pm–9:30pm

Intermediate Photography IIPete DuvallThis class is for those who have completed Intermediate I and are looking to further their study of photography. With a concentration on fine art photography, this class focuses on refining technique and composition, as well as developing themes into cohesive bodies of work. Class includes weekly assignments and critiques.

$200 Spring (9 weeks)Wednesday 7:00pm–9:30pm

Night PhotographyPete DuvallWe see with our mind’s eye rather than our physical eye. This class explores time exposures at night, limited or controlled light sources, and catching movement on film. Students participate in bi-weekly shoots in the area, critiques, and technical discussions. A camera with manual capability, a small notebook, a tripod, and a working knowledge of photography are required.

$200 Fall & Spring (9 weeks)Thursday 7:00pm–9:30pm

Alison Duvall–Photograph


PhotographyIntroduction to PhotographyAlison Duvall Pete DuvallLearn the fundamentals of photography, using either a film or a digital camera. Students become proficient in the use of their cameras including aperture, shutter speed, and exposure. Each class includes both a lecture and critique. Students shoot on their own each week and bring images to class for discussion. Instructors may hold off-site photo shoots.

$200 Fall, Winter & Spring (9 weeks)Thursday 10:00am–12:30pm A. Duvall Thursday 7:00pm–9:30pm (Winter only) P. Duvall

$200 Summer (9 weeks)Wednesday 7:00pm–9:30pm P. Duvall

Darkroom & Film PhotographyAlison DuvallLearn the basics of traditional black & white photography including proper film exposure, film development, and printing of negatives. Any skill level is welcome from beginner to advanced. 35mm and medium format cameras are welcome, but not required. There is also an opportunity to experiment with the plastic Holga “toy camera.”



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Painting with PixelsNancy Freeman This workshop introduces students to tablet and smart phone apps for artists. Discover helpful apps to improve traditional drawing and painting experiences, including useful tricks to help composition and visualization. Participants also learn apps that enable drawing or painting directly in various simulated media, such as charcoal, ink on paper, watercolor, pastels, or oils. Other non-traditional media and special effects apps are also covered. Participants must bring their own Apple or Android smart phone or tablet.

$175 January 4 & 5, 2014 (Sat–Sun) 10:00am–4:00pm

Painting with Pixels: Creative AppsNancy FreemanFor a full description, please see page 14.$200 Spring (9 weeks)Monday 7:00pm–10:00pm

Teen ClassesManga Character CreationDana YangStudents learn to create an original Manga (Japanese-style comic) character. Participants explore new methods for designing different expressions, poses, and costumes. Character construction, face development, body proportions, inking, shading, coloring, and final design are covered.



Exploring Multiple MediumsMatt PinneyStudents learn the fundamentals of art making practices through projects that emphasize different skills and media. Using drawing, painting, some multi-media techniques, and sculpture, participants explore different ways of making an effective work of art. This course is ideal for portfolio preparation. Students demonstrating proficiency are encouraged to pursue independent projects approved by the instructor. All skill levels are welcome. A $15 materials fee is payable to the instructor.

$185 Fall & Spring (9 weeks)Sunday 4:00pm–6:30pm

Motion, Light, And Sound: Dynamic Sculptures And InstallationsJohn KauffmanLearn how artists create interactive installations and kinetic sculptures. This workshop teaches how to incorporate motion, light, and sound into your work with a simple, inexpensive device called a microcontroller. Without any prior knowledge of electronics or programming, participants learn to achieve interactive pieces that respond to environmental changes. Students bring a laptop and, prior to the workshop, directly order a kit of parts ($80). Parts are reusable and students can continue to experiment in the future with no further investment in tools.

$180 August 6 & 7, 2013 (Tues–Wed) 10:00am–4:00pm$180 December 14 & 15, 2013 (Sat–Sun) 10:00am–4:00pm$180 June 14 & 15, 2014 (Sat–Sun) 10:00am–4:00pm

Photoshop WorkshopAlison DuvallCome learn the basics of Adobe Photoshop and how to apply these skills to photos. Everything from adjusting and correcting photos to creating new images is discussed. This class is taught using Adobe Photoshop Creative Cloud. Students should bring a laptop and download the free trial from www.adobe.com prior to the first class.

$100 Sept 3 (Tu), 5 (Th), 10 (Tu) & 12 (Th), 2013 7:00pm–9:00pm$100 Mar 18 (Tu), 20 (Th), 25 (Tu) & 27 (Th), 2014 7:00pm–9:00pm

Lightroom WorkshopPete DuvallLearn to use Adobe Lightroom as the centerpiece for digital photography workf low and integrate it with Photoshop. Participants learn to use the program to organize, edit, print, or share images. This class is taught using Lightroom 4. Students should bring a laptop and download the month-long trial of Lightroom 4 from www.adobe.com prior to class.

$95 September 7, 2013 (Saturday) 11:00am–4:00pm

Art on the Go… With Your iPadBobbi PratteExplore the possibilities of “digital plein air” painting and sketching. Bring your iPad, enjoy a day of making art outside of the studio and find new ways to enhance the painting experience. Digital artists who work inside discover the benefits of working from nature, while traditional painters discover the benefits of traveling light. Ways to show those images immediately to your fans on Facebook or email them to friends and family back home are also discussed. Participants visit a near-by outdoor venue or two, to show the portability and possibilities of “Art on the Go.”

$95 October 5, 2013 (Saturday) 10:00am–4:00pm

Nancy Freeman–Digital Painting

Rebecca Adams–Mixed Media

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Creative Drawing and Painting for TeensKaren DayThis course is designed for teens wishing to expand their artistic skills, personal expression, and visual understanding within a structured format. Students use a variety of media as they explore relationships between form, texture, and color. An emphasis on design and composition is encouraged, and traditional as well as abstract methods are employed.


Photography for TeensAlison DuvallLearn the fundamentals of photography, using either a film or a digital camera. Students become proficient in the use of their cameras including aperture, shutter speed, and exposure. Each class includes both a lecture and critique. Students shoot on their own each week and bring images to class for discussion.


Manga Comic Workshop for TeensDana YangStudents learn to draw manga-style characters in this fun and creative workshop. Common Manga methods, designs, and techniques for creating engaging heroes with expressive eyes, unique hair, and awesome costumes are explored. Materials are included.

$155 July 7–11, 2014 (Mon–Fri) 9:30am–12:00pm$155 July 21–25, 2014 (Mon–Fri) 1:00pm–3:30pm

Painting & Drawing for Teens (ages 14 & up)Jim Burford Karen DayThis course is designed for strengthening artistic skills. A variety of media is explored using traditional and abstract subject matter. Each lesson emphasizes composition and design. Projects are generally completed by the end of each class session, leading to a larger body of work for those developing a portfolio. Please come with all supplies.

$175 July 7–11, 2014 (Mon–Fri)

9:30am–12:30pm or 1:00pm–4:00pm

$175 July 28–August 1, 2014 (Mon–Fri)

9:30am–12:30pm or 1:00pm–4:00pm

Darkroom Photography for Teens (ages 12 & up)Alison DuvallStudents explore a variety of techniques: cyanotypes, photograms, basics of black and white darkroom, and pinhole camera. Bring a 35mm film camera. Loaner cameras available, contact school office for info. All other materials provided.

$180 July 14–18, 2014 (Mon–Fri) 1:00pm–4:00pm$180 July 28–August 1, 2014 (Mon–Fri) 1:00pm–4:00pm

Ceramics Workshop for TeensA balance of hand building and pottery wheel skills is taught, with emphasis on creativity and fun. Students are encouraged to explore their own ideas/projects. All work fired for permanence. Tuition includes clay, tools, & firing.

$190 July 14–18, 2014 (Mon–Fri) 9:30am–12:00pm

Life Size Paper MachéLisa SchumaierStudents delve into realism, fantasy, or the whimsy in creating 3-D, life-size figures out of paper, chicken wire, paint, and miscellaneous objects. A $20 materials fee payable to instructor.

$190 July 21–25, 2014 (Mon–Fri) 9:30am–12:30pm

Jewelry Workshop for TeensNick BarnesParticipants complete three projects. Project 1: forging and soldering techniques using sterling silver to make a finger ring. Project 2: cold connection techniques such as riveting, entrapping, and bolting as they make a pin or pendant using Plexiglas, aluminum, brass, and cubic zirconia. Project 3: explores linking various materials using a combination of fabrication and soldering techniques. Students are encouraged to bring personal items to include in their final project. A $45 materials fee, paid to the instructor, covers the cost of project specific materials.

$240 August 11–15, 2014 (Mon–Fri) 10:00am–3:00pm

Summer Art CampsIs your child yearning for something new? Art camp provides a wonderful way of introducing children to several forms of visual art. In our basic art camp, each day brings a new project which may include drawing, painting, printmaking, or sculpture. In the specialty camps the focus is on immersing the children in one media. Camps come in whole and half day sessions over a five day week. Tuition for the all-day camps includes a supervised lunch hour. Create your own all-day session by combining a basic camp with a media specialty camp. (*Combinable camps are denoted by an asterisk.*) When creating your own all-day session, there is an additional $35 per week charge for the supervised lunch hour. Campers in any all-day session should bring their own lunch for the midday break.

Drawing CampStudents concentrate on the concepts, skills, and fun of drawing. Open to all levels to build rendering skills in a relaxed and imaginative environment. Curriculum includes the basics of line, perspective, gesture, and form. All materials provided.

$155 June 23–27, 2014 (Mon–Fri) ages 8–11 9:30am–12:00pm* or 1:00pm–3:30pm*

$155 July 14–18, 2014 (Mon–Fri) ages 8–11 9:30am–12:00pm* or 1:00pm–3:30pm*

$155 August 11–15, 2014 (Mon–Fri) ages 8–11 9:30am–12:00pm* or 1:00pm–3:30pm*

Cartooning CampThis camp explores the methods, techniques and procedures which are used in the creation of comic strips and comic books. The focus is on the basic principles of visual storytelling and drawing techniques that relate to the cartoon art form. All materials are provided.

$155 June 23–27, 2014 (Mon–Fri) ages 8–12 9:30am–12:00pm*

$155 July 14–18, 2014 (Mon–Fri) ages 8–12 9:30pm–12:00pm*

$155 August 4–8, 2014 (Mon–Fri) ages 8–12 9:30pm–12:00pm* or 1:00pm–3:30pm*


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Basic Art CampEnjoy the experience of art for five days. Each day brings a new project, and each week is different. All materials are provided.

$155 (Mon–Fri) 9:30am–12:00pm or 1:00pm–3:30pm$345 (Mon–Fri) 9:30am–3:30pm

June 16–20 ages 5–7 ages 8–11 am, pm*, or all-day am*, pm, or all-day

June 23–27 ages 5–7 ages 8–11 am, pm, or all-day am*, pm*, or all-day

June 30–July 3 (four days only, half day $135/full day $295) ages 5–7 ages 8–11 am, pm*, or all-day am*, pm*, or all-day

July 7–11 ages 5–7 ages 8–11 ages 12 & up am, pm*, or all-day am, pm*, or all-day pm*

July 14–18 ages 5–7 ages 8–11 am, pm, or all-day am*, pm*, or all-day

July 21–25 ages 5–7 ages 8–11 am, pm, or all-day am*, pm*, or all-day

July 28–August 1 ages 5–7 ages 8–11 ages 12 & up am*, pm, or all-day am*, pm*, or all-day am*

August 4–8 ages 5–7 ages 8–11 am, pm, or all-day am*, pm*, or all-day

August 11–15 ages 5–7 ages 8–11 am, pm, or all-day am*, pm*, or all-day

August 18–22 ages 5–7 ages 8–11 am, pm, or all-day am, pm, or all-day

Painting CampOpen to all levels to build painting skills in a relaxed and imaginative environment. Curriculum includes the basics of value, perspective, and color mixing. Projects may include acrylics or watercolors. All materials provided.

$135 June 30–July 3, 2014 (Mon–Thurs) ages 8–12 9:30am–12:00pm*

$155 July 21–25, 2014 (Mon–Fri) ages 8–12 9:30am–12:00pm*

Photo CampAlison DuvallStudents explore a variety of photography techniques including cyanotypes, photograms, the basics of black and white darkroom, and pinhole camera photography. Bring a 35mm film camera. Loaner cameras are available, contact the school office for information. All other materials are provided.


Ceramics CampStudents concentrate on developing ceramic skil ls in a relaxed and imaginative environment. All materials provided.

$190 July 7–11, 2014 (Mon–Fri) ages 10–13 9:30am–12:00pm* or 1:00pm–3:30pm*


$190 July 28–August 1, 2014 (Mon–Fri) ages 10–13 1:00pm–3:30pm*

Ceramics Camp II: Wheel TechniquesStudents concentrate on developing wheel techniques in a relaxed and imaginative environment. Each day students work on the potters’ wheel. All materials provided.

$190 August 4–8,2014 (Mon–Fri) ages 10–13 9:30am–12:00pm*

Sculpture CampThe diversity of clay and other media is the focus of this camp on the third dimension. All materials provided.

$190 June 16–20, 2014 (Mon–Fri) ages 5–7 9:30am–12:00pm*

$190 June 16–20, 2014 (Mon–Fri) ages 8–11 1:00pm–3:30pm*

$170 June 30–July 3, 2014 (Mon–Thurs) ages 5–7 9:30am–12:00pm*

$170 June30–July 3, 2014 (Mon–Thurs) ages 8–11 1:00pm–3:30pm*

$190 July 28–August 1, 2014 (Mon–Fri) ages 8–11 9:30am–12:00pm*

$190 July 28–August 1, 2014 (Mon–Fri) ages 5–7 1:00pm–3:30pm*

Jewelry CampNick BarnesStudents explore various materials and techniques as they produce jewelry projects. All materials are included.

$195 August 4–8, 2014 (Mon–Fri) ages 9–12 9:30am–12:30pm* or 1:00pm–4:00pm*

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Children’s ClassesArt Fun-damentals (ages 5–8)Suzanne Kordalski Parrish Joann LiuJean Stark Ali Wunder Jennifer YamaneChildren discover the world of texture, line, shape, and color as they create original artwork. A wide range of basic media skills are developed including painting, drawing, collage, printmaking, and sculpture. Each term expands the artistic horizon of the children, whether they are new to art or repeating the class. A $15 materials fee is payable to the instructor at the first class meeting. Students need to purchase a few basic supplies in addition to those in the fee.

Fall, Winter & Spring $170 Wednesday 4:00pm–6:00pm (9 weeks) Wunder$170 Thursday 4:00pm–6:00pm (9 weeks) Stark$170 Saturday 10:00am–12:00pm (9 weeks) Yamane$170 Saturday 1:00pm–3:00pm (9 weeks) Yamane$170 Sunday 11:00am–1:00pm (9 weeks) Liu$170 Sunday 1:30pm–3:30pm (9 weeks) Liu

Summer $100 Tuesday 1:00pm–3:00pm (4 wks starts: July 8) Parrish$150 Thursday 1:00pm–3:00pm (7 wks starts: July 10) Parrish$150 Saturday 10:00am–12:00pm (7 wks starts: July 12) Yamane$150 Saturday 1:00pm–3:00pm (7 wks starts: July 12) Yamane

Beyond Art Fun-damentals (ages 8–10)Karen DayBuilding on the skills learned in Art Fun-damentals, children expand their knowledge through a range of media including painting, drawing, printmaking, and collage. A $15 materials fee is payable to the instructor at the first class. Students need to purchase a few basic supplies in addition to those in the fee.


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Fiber CampEnjoy the experience of art through fiber for five straight days. Each day brings a new fiber technique such as weaving, surface design, basketry, felting, and more. All materials are included.



$170 August 4–8, 2014 (Mon–Fri) ages 7–11 9:30am–12:00pm*

Clay Animation Movie Camp (ages 8–12)Andrew MorganThis camp is ideal for anyone who has ever wanted to make his/her own animated movies. Students go through all the steps the pros take—from character creation to construction, sometimes even destruction! Students use real animator’s clay, design sets, and work in small groups to make a 3-minute movie with sound and voices! Participants should bring a bag lunch. Twelve students maximum, no adults.

$340 August 12–15, 2013 (Mon–Thurs) 10:00am–2:30pm$340 August 19–22, 2013 (Mon–Thurs) 10:00am–2:30pm $340 June 23–26, 2014 (Mon–Thurs) 10:00am–2:30pm$340 August 11–14, 2014 (Mon–Thurs) 10:00am–2:30pm$340 August 18–21, 2014 (Mon–Thurs) 10:00am–2:30pm

Halloween Clay Animation (ages 8–12)Andrew MorganParticipants design an original Halloween creature with professional animation clay and see it come to life on the big screen in this one-day clay-animation workshop! Working in small groups, students create a 3-minute spooktacular movie with sound effects and voices. Participants should bring a bag lunch and get ready for haunting! Students are mailed a DVD of their movie. Twelve students maximum, no adults.


Clay Animation Workshop (ages 8–12)Andrew MorganHow do they make those clay-animated movies? This one-day course shows how it’s done. Students use real animator’s clay, design sets, and work in a small group to make a 3-minute animated movie with sound and voices! Each student receives a DVD-copy of their movie. Who said movies can’t be made in a day? Bring a bag lunch! Twelve students maximum, no adults.

$130 April 5, 2014 (Saturday) 10:00am–3:00pm

Clay Animation

Jean Stark–Oil



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Drawing and Painting (ages 9–12)Karen DayStudents study basic drawing and painting concepts. A multimedia approach helps the student gain confidence with varied materials. Visual concepts such as composition and color theory are explored. Students are introduced to a variety of artists’ works that can be motivational.

$180 Fall, Winter & Spring (9 weeks)Saturday 9:30am–12:00pmSaturday 1:00pm–3:30pm

The Art of Cartooning (ages 8 to adult)Dana YangStudents learn to create interesting and expressive characters using step-by-step methods. Emphasis is on learning to draw a human character through facial expressions, hair, costume, and different poses. Each week demonstrates specific techniques that allow the student to find his or her own style whether it be “traditional western” heroes, manga characters, or “indie” comics.



Mastering Cartooning (ages 10 to adult)Dana YangStudents further develop their skills and methods in cartooning using a step-by-step process of various styles and techniques. The emphasis is on storytelling in comics—from writing a script, to drawing single panel and three-panel comics, and finally developing a one to two page story. This class aims to create fully finished portfolio pieces.



Mixed Up Mediums (ages 9–12)Rebecca AdamsThis course is designed to expose young artists to a variety of materials and techniques ranging from drawing, painting, and collage to fundamental three-dimensional principles. Participants learn to combine mediums through projects such as portraits, still lifes, landscapes, and abstractions. Examples in Modern and contemporary art and design serve to develop a strong understanding of current modes of creativity. Independent thinking, problem solving skills, and self-expression are at the core of this unique survey course. A $15 materials fee is payable to instructor.


Basic Drawing for Young People (ages 9–13)Tatyana LeykinStudents are introduced to classical and contemporary notions of drawing. Participants learn the language of two-dimensional space as they explore composition, mark-making, line, light and shade.



Exploring the Third Dimension (ages 8–12)Rebecca AdamsThis course is designed to introduce young artists to a survey of traditional and non-traditional methods of sculpture and three-dimensional design. Examples in Modern and contemporary art and architecture serve to encourage experimentation in a variety of mediums and techniques. Projects in clay, wire, plaster, paper, wood, and assemblage provide an excellent foundation for building and mastering the language of sculpture and spatial problem solving skills. All levels of experience are welcome. A $25 materials fee is payable to instructor.

$170 Fall, Winter & Spring (9 weeks)Wednesday 4:00pm–6:00pm

Handbuilding Ceramics (ages 10 to adult)Kathlyn Avila-ReyesParticipants with all levels of experience explore clay in a supportive atmosphere, guided by a skilled instructor. A variety of hand building skills are taught, with an emphasis on creativity and having fun. Students are encouraged to explore their own ideas and projects. All work is fired for permanence. The fee includes 25 pounds of clay, glazes, and firing in the electric kiln.


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The Art League Ceramics Studio is located at our Madison Annex in Old Town, Alexandria. The studios are large, bright, and well equipped, easily stimulating creativity. Open studio time allows students to practice and expand their skills outside of class. Students interested in a complete clay experience may participate in our assistant work-study program and have the opportunity to learn how to mix glazes, recycle clay, and load kilns. Participants in the assistants program are eligible for tuition reduction. Please call The Art League School for details.The Art League offers daytime, evening, and weekend classes accommodating beginners and those with advanced skills. Students may choose to make pieces on the potters’ wheel, handbuild, or take a sculptural approach to their work. Most instructors can teach all methods of construction. Additional workshops are available during the year for students to work with well known, established artists from around the country.The Art League fires the majority of its work at cone six oxidation in electric kilns at no additional cost. The facility also fires with gas reduction, raku, or wood kilns for an additional fee.

Jumpstart in CeramicsBlair MeerfeldHave you always wanted to try pottery? In this one-day event, participants explore the creativity and diversity of clay in a fun, relaxed environment. Supplies are included.

$45 September 14, 2013 (Saturday) 10:00am–12:30pm$45 December 7, 2013 (Saturday) 10:00am–12:30pm$45 March 22, 2014 (Saturday) 10:00am–12:30pm$45 June 21, 2014 (Saturday) 10:00am–12:30pm$45 September 13, 2014 (Saturday) 10:00am–12:30pm

Handbuilding Ceramics (ages 10 to adult)Kathlyn Avila-ReyesParticipants with all levels of experience explore clay in a supportive atmosphere, guided by a skilled instructor. A variety of hand building skills are taught, with an emphasis on creativity and having fun. Students are encouraged to explore their own ideas and projects. All work is fired for permanence. The fee includes 25 pounds of clay, glazes, and firing in the electric kiln.


Throwing/Handbuilding CeramicsCarlos Beltràn Baldiviezo Susan Cohen Susan Greenleaf Jack Heimerman Lori KatzBlair Meerfeld Stacy Snyder Allison Severance Joan UlrichThe materials fee includes 25 pounds of clay, glazes, and firing in the electric kiln. New students may buy tools for approximately $15 at the first class. Students of all levels are welcome.

Fall, Winter, Spring & Summer (9 weeks)$245 (includes$75materialsandfiringfee)Monday 7:00pm–9:30pm CohenMonday 7:00pm–9:30pm KatzTuesday 10:00am–12:30pm MeerfeldTuesday 1:30pm–4:00pm SeveranceTuesday 7:00pm–9:30pm MeerfeldTuesday 7:00pm–9:30pm SeveranceWednesday 10:00am–12:30pm KatzWednesday 7:00pm–9:30pm MeerfeldThursday 5:30pm–8:00pm UlrichThursday 7:00pm–9:30pm (no Summer) SnyderThursday 8:00pm–10:30pm UlrichFriday 10:00am–12:30pm GreenleafFriday 1:00pm–3:30pm MeerfeldFriday 7:00pm–9:30pm MeerfeldSunday 9:30am–12:00pm Heimerman Sunday 12:30pm–3:00pm HeimermanSunday 3:00pm–5:30pm HeimermanSunday 6:00pm–8:30pm (handbuilding only) Beltràn Baldiviezo

Tiles & MosaicsCarlos Beltràn BaldiviezoKitchen back splashes, garden carpets, small fountains, and tiles to be hung as works of art are just a few of the projects students create in this beginning to advanced class. Instruction includes techniques such as slip trailing, bas relief, scraffitto, gold, lusters, and more.

$245 Fall, Winter, Spring & Summer (9 weeks)Thursday 10:00am–12:30pm

Allison Severance–Clay

Jack Heimerman–Clay

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Making Pots for the Wood KilnBlair MeerfeldThis course focuses on making forms and surfaces appropriate for the wood firing process. Students are encouraged to think of the effects of the flames on their wares as soon as the clay touches the wheel. Textures and surfaces left thick and defined catch ash and encourage natural ash glazes. Class participants experiment with different clay bodies and learn about their possibilities, which seem endless! Discussions include historic pots and firing techniques, and what these bring to contemporary work.

$90 Spring (3 weeks)Friday 1:00pm–3:30pmFriday 7:00pm–9:30pm

Raku Firing WorkshopStaffExperience the Raku firing process and learn about its vibrant possibilities. Each participant may bring up to six pieces of previously bisque-fired ware. Glazes are included with the firing fee. Raku tongs and safety gear are furnished. For further information regarding this fascinating method of firing your work, contact Blair Meerfeld at The Art League Ceramics Department: [email protected].

Woodfiring WorkshopBlair Meerfeld Allison SeveranceParticipate first hand in the magic of firing pots in a wood kiln! This is a unique opportunity to experience the entire process of firing a woodfired salt kiln as pots are naturally decorated by the flames, wood ash, and salt. Students begin by loading the kiln on Saturday morning and allowing it to preheat through the night. The main firebox is lit early Sunday morning and finishes Sunday evening. Along with a lot of shared food and conversation, Blair and Allison place a strong emphasis on their glazing, stacking, stoking, and salting techniques. Participants may bring 12–18 pieces. This workshop is held offsite at the instructors’ studio in Maryland. For details please contact Blair Meerfeld at The Art League Ceramics Department: [email protected].

$195 Dates to be decided Begins at 10:00am

What is ClayJudit VargaGoing back to basics of clay and starting from the origin of this malleable substance, students build their own artistic voice. During this hands-on workshop participants have the opportunity to extend their clay vocabulary, mix slips and engobes with special additives and colorants, pinch, coil and slab with a different attitude, and find inspiration from artists around the world. Suggested websites, books, and recipes are discussed.

$5 November 8, 2013 (Fri Potluck/Slide Show) 7:00pm-9:00pm OR

$100 November 8, 2013 (Fri Potluck/Slide Show) 7:00pm-9:00pm & November 9–10, 2013 (Sat–Sun) 10:00am–2:00pm

Large Scale CeramicsTony ClennellVisiting ceramic artist and The Art League’s Tabletop juror, Tony Clennell, teaches participants to throw special occasion, large-scale vessels—casseroles, pitchers, bowls, and plates. Utilizing sectional throwing, participants who normally throw a few pounds of clay learn to manage 3-5 times as much to create capacious pieces. Next, participants are guided in attention to surface detail, resulting in captivating works. Exploration of textures includes using roulettes, stamps, and found objects, as well as creating interest via maker’s marks and leaving process details within the finished work.

$5 June 6th, 2014 (Fri Potluck/Slide Show) 7:00pm-9:00pm OR

$180 June 6th, 2014 (Fri Potluck/Slide Show) 7:00pm-9:00pm & June 7–8, 2014 (Sat–Sun) 10:00am-4:00pm

SculptureBeginning/Intermediate SculptureThanasi PapapostoluThis course introduces students to the possibilities of artistic expression through volume. Students discover the main principles of proportion along with the mysteries and surprises that accompany the creative process. Participants work with a model to better capture the physical and psychological character of nature. The fee includes two bags of clay. Model and firing fees are extra.

$245 Fall, Winter, Spring & Summer (9 weeks)Tuesday 9:30am–12:30pm (no Summer)Tuesday 7:00pm–10:00pm

Wood and Stone SculptureNick Xhiku George TkabladzeCarving these ancient mediums is a great experience for every sculptor. This class provides students with the techniques and skills needed for stone and wood carving, starting with the sketch and continuing to the carving, finishing, patina, and mounting of the piece on a base. Students work on an individual project in the medium they choose. The studio is equipped with power and hand tools. Wood and stone are available for purchase in class.

$225 Fall, Winter & Spring (9 weeks)Thursday 7:00pm–10:00pm XhikuSaturday 9:30am–12:30pm Tkabladze

$210 Summer (8 weeks)Thursday 7:00pm–10:00pm XhikuSaturday 9:30am–12:30pm Tkabladze

Figure SculptureCharles JohnsonWhat could be more fascinating to sculpt than the human figure? Sculpt a hand, head, torso, or entire person. This class encourages full development of each student’s artistic talent through one-on-one instruction. Life models are used for the creation of small clay figures or larger figurative fragments. The fee includes three bags of clay. Model and firing fees are extra. El maestro habla español.

$255 Fall, Winter, Spring & Summer (9 weeks)Friday 9:30am–12:30pmSaturday 1:00pm–4:00pm

Judit Varga–Clay

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Sculpture from ScrapRosemary LuckettLearn how to integrate collected materials and ideas into a 3-D sculpture using adhesives, fasteners, and shaping where necessary. Drawing on the tradition of Miro, Rauschenberg, and Nevelson, students balance objects and ideas into a free standing sculpture. A $5 materials fee is payable to the instructor.

$165 Winter (6 weeks)Sunday 1:15pm–4:15pm (starts: Jan 19)

Mystery Solved: Facial ReconstructionJoe MullinsEver wondered how experts recreate a face when the subject may have been dead for thousands of years? By utilizing modern forensic techniques and materials, each student puts together a sculpted reconstruction of a human head starting with only a skull as a reference. At the end of the course, the real subjects are revealed, solving a 7-week mystery! Cast skulls and plasticine are included, other supplies are extra.

$250 Fall, Winter & Spring (7 weeks)Wednesday 7:00pm–10:00pm

Life Size Paper MachéLisa SchumaierStudents delve into the realm of realism, fantasy, or the whimsical in creating 3-dimensional, life-size figures out of paper, chicken wire, paint, and miscellaneous objects. A $20 materials fee is payable to the instructor.

$195 July 21–25, 2014 (Mon–Fri) 9:30am–12:30pm

Metal SculptureBrian KirkStudents learn basic metalsmithing techniques, focusing on oxyacetylene welding, brazing, and an introduction to arc welding. Ferrous and nonferrous metals and their applications are discussed. Students create a free-standing mask, or independent projects, in steel. Supplies are discussed at the first class.

$280 Fall, Winter, Spring & Summer (9 weeks)Monday 7:00pm–10:00pm

Nick Xhiku–Bronze

Metal SculptureDonna ReinselThis course is designed for both the absolute beginner and the experienced artist. Students learn oxyacetylene welding and cutting, metal-bending, drilling, grinding, finishing techniques, and the use of proper safety precautions. Working with the instructor, students design their own projects and create sculptural works while they hone metal working skills. Individual attention and a hands-on approach address the needs of students at all skill levels.

$280 Fall, Winter & Spring (9 weeks)Monday 10:00am–1:00pmSunday 10:00am–1:00pm


Open Studio for SculptureThis monitored open studio is for currently enrolled students in sculpture or ceramics. Beginners and professionals are invited. If a model is desired by the group, the monitor collects additional model fees. Students must bring their own materials.$85 Fall, Winter & Spring (9 weeks)Wednesday 10:00am–2:00pm

Mary Ellen Trozzo–Silver, Gold, Gem Stones

Jewelry & MetalThis program covers various aspects of designing and creating art jewelry and small metal objects. Each class is suited for beginners, unless noted. The classroom is equipped with an extensive assortment of tools and machines. Personal tools and supplies are discussed during the first class. A $20 lab fee is payable to the instructor at the first class to cover consumables. Basic jewelry tool kits may be rented or purchased for home use for the duration of any jewelry class.

Silver Jewelry the Easy Way—Wax ModelingGretchen RaberThis fast and fun approach allows students to design jewelry with simple tools and inexpensive materials. Participants explore various wax working and model making methods used to create rings, earrings, pendants, or bracelets from start to finish. Completed models are sent out to be cast in metal. Finishing techniques are covered upon return of the cast work.

$250 Winter (5 weeks)Thursday 10:00am–3:00pm (starts: Feb 13)

$250 Spring (5 weeks)Saturday 10:00am–3:00pm (starts: Apr 12)

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Wax CarvingMary Ellen TrozzoHard wax carving techniques are one aspect of model making in jewelry design. Through demonstrations and hands-on experience, students explore techniques such as layout, carving hollow forms and mirror images, texturing, faux granulation, and flame finishing. Although models are sent out for completion, upon return, finishing techniques are explained. Prior use of basic jewelry hand tools is prerequisite.

$175 Winter (5 weeks)Monday 7:00pm–10:00pm (starts: Jan 6)

Metal JewelryNick Barnes Michael BrehlTina Chisena Gretchen RaberLearn how to design and create stunning art jewelry from silver sheet, wire, and other metals. Traditional tools and their uses are covered in depth. Beginners explore the basic jewelry-making skills of layout, sawing, soldering, forming, surface texturing, chain making, simple stone setting, and finishing. More advanced students expand their basic skills with an emphasis on creativity, design, and play. By exploring the properties of materials such as colored metals, woods, Lucite, and precious metals, along with cold connection riveting and stamping, participants increase their design and jewelry-making palette in a broad and exciting way. Beginners and more advanced students benefit from individual attention as they build their jewelry skills.

Fall $250 Monday 10:00am–3:00pm (5 wks starts: Sept 16 or Oct 21) Raber$250 Wednesday 10:00am–3:00pm (5 wks starts: Sept 18 or Oct 23)Barnes$175 Wednesday 7:00pm–10:00pm (5 wks starts: Sept 18 or Oct 23) Barnes$250 Thursday 10:00am–3:00pm (5 wks starts: Sept 19) Brehl$175 Thursday 7:00pm–10:00pm (5 wks starts: Sept 19) Brehl$250 Saturday 10:00am–3:00pm (5 wks starts: Sept 21) Barnes$250 Sunday 11:00am–4:00pm (5 wks starts: Oct 13) Brehl

Winter $250 Monday 10:00am–3:00pm (5 wks starts: Jan 6 or Feb 10) Raber$250 Wednesday 10:00am–3:00pm (5 wks starts: Jan 8 or Feb 12) Barnes$175 Wednesday 7:00pm–10:00pm (5 wks starts: Jan 8 or Feb 12) Barnes$250 Thursday 10:00am–3:00pm (5 wks starts: Jan 9) Brehl$175 Thursday 7:00pm–10:00pm (5 wks starts: Jan 9) B r e h l$250 Saturday 10:00am–3:00pm (5 wks starts: Jan 11) Barnes$250 Sunday 11:00am–4:00pm (5 wks starts: Jan 12) B r e h l

Spring $250 Monday 10:00am–3:00pm (5 wks starts: Apr 7) Ra b e r $210 Monday 10:00am–3:00pm (4 wks starts: May 12) Raber $250 Wednesday 10:00am–3:00pm (5 wks starts: Apr 9 or May 14)Barnes$175 Wednesday 7:00pm–10:00pm (5 wks starts: Apr 9 or May 14) Barnes$250 Sunday 11:00am–4:00pm (5 wks starts: Apr 6) Brehl$210 Sunday 11:00am–4:00pm (4 wks starts: May 18) Brehl

Summer $175 Monday 7:00pm–10:00pm (5 wks starts: July 14) Chisena$250 Wednesday 10:00am–3:00pm (5 wks starts: June 25) Barnes$175 Wednesday 7:00pm–10:00pm (5 wks starts: June 25) Barnes$250 Thursday 10:00am–3:00pm (5 wks starts: June 26) Barnes$210 Saturday 10:00am–3:00pm (4 wks starts: June 21) Barnes

Jewelry ProjectsGretchen RaberThis fun and inventive course is designed for those silver jewelry students who have some basic metal working knowledge and wish to expand their skills and repertoire. The design and execution of personal jewelry projects serves as the vehicle for the student to explore various techniques and additional materials.

$250 Fall & Spring (5 weeks)Thursday 10:00am–3:00pm (F–Oct 24; Sp–Apr 10)

Enameling on MetalAbby GoldblattBasic enameling techniques for beginners are taught every term. Advanced students may work on their own projects with teacher’s instruction in specialized techniques including cloisonné and the etching techniques of bassetaille and champlevé. There is a $20 lab fee for all enameling classes; this covers the cost of studio consumables and enamels, not metal.

Fall, Winter & Spring $250 Tuesday 10:00am–3:00pm (5 wks: F–Sept 17; W–Jan 7; Sp–Apr 8)$210 Tuesday 10:00am–3:00pm (4 wks: F–Oct 22; W–Feb 11; Sp–May 13)$250 Tuesday 7:00pm–10:00pm (9 weeks)

Summer $250 Tuesday 10:00am–3:00pm (5 wks starts: June 24)$175 Tuesday 7:00pm–10:00pm (5 wks starts: June 24)

Pound It Out—All Things HammeredMichael BrehlStudents learn to transform sheet copper, silver, or gold into hollow forms; a cone, cube or sphere. Participants are also introduced to the art of repoussé— an ancient technique of working metal from both sides to create a bas relief sculptural surface. Emphasis is on using various types of hammers, steel forms, chasing and repoussé tools, and soldering methods as students explore metalsmithing techniques that change metal into detailed jewelry, containers, or small sculptures.


Jewelry with Gems: StonesettingMary Ellen TrozzoThrough stone setting demonstrations and discussions of stone characteristics, students realize various projects to improve their setting skills. Bezel, tube, and flush setting are among the techniques taught as well as some setting construction tips. A basic kit is available for purchase from the instructor and includes stones, sterling settings, burrs, and polishers.

$175 Winter (5 weeks)Monday 7:00pm–10:00pm (starts: Feb 10)

$250 Spring (5 weeks)Thursday 10:00am–3:00pm (starts: May 15)

Nick Barnes–Gold

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Glass, Paper & BookStained GlassJimmy PowersBeginning students learn basic techniques for making a small stained glass panel: design, cutting, foiling and/or leading, soldering, puttying, applying a patina, and framing. Intermediate and advanced students hone skills and learn new techniques to be used on advanced projects. (Pregnant women should check with their doctor before registering.) Supplies are discussed at the first class.

$200 Fall, Winter, Spring & Summer (9 weeks)Monday 7:00pm–9:30pmTuesday 7:00pm–9:30pmSaturday 10:00am–12:30pmSaturday 1:00pm–3:30pm

Introduction to Kilnformed GlassUrsula MarcumStudents explore the possibilities of kilnformed fused and slumped glass as they learn the basics of glass cutting, firing schedules, glass compatibility, and annealing. Participants experiment with design possibilities using a wide variety of frit, stringers, confetti, sheet glass, and iridized glass to create a set of example tiles and two fused and slumped bowls. A $100 fee payable to the instructor covers all materials. This workshop is held off-site.

$195 November 23 & 24, 2013 (Sat–Sun) 10:00am–4:00pm$195 May 17 & 18, 2014 (Sat–Sun) 10:00am–4:00pm

Intermediate Kilnformed GlassUrsula MarcumThis workshop is the ideal next step for the student who has taken a beginning course or has worked on their own. This workshop covers the technical aspects of fusing glass along with an increased knowledge of glass cutting skills. Students design and create a plate and two coordinating pieces of tableware. A $100 materials fee is payable to the instructor. This workshop is held off-site.

$225 September 28 & 29, 2013 (Sat–Sun) 10:00am–4:00pm$225 February 1 & 2, 2014 (Sat–Sun) 10:00am–4:00pm

All LevelsGlass: Imagery with PowdersJudith Conway Kevin O’TooleUnderstanding the effective use of glass powders allows participants to break out of the limits of sheet glass as they become more painterly in their work, using soft lines and delicate shading rather than the harder lines of cut glass pieces. Mix and overlay powders to create new colors and subtle hues. The workshop includes a demonstration on making powder wafers and students create both a floral study and a landscape as they explore these techniques. A $100 materials fee is payable to the instructor. This workshop is held off-site.

$225 November 2 & 3, 2013 (Sat–Sun) 10:00am–4:00pm$225 April 18 & 19, 2014 (Fri–Sat) 10:00am–4:00pm

Contemporary Glass JewelryUrsula MarcumStudents create fused glass pendants, earrings, and pins while learning to exploit the transparency and depth of glass. The techniques of layering colored glass, using dichroic coatings, shaping blanks, and using multiple firings to create a professional look are explored. Setting up a basic home studio for small scale jewelry fusing and coldworking are discussed. A $100 materials fee is payable to the instructor. This workshop is held offsite.

$195 March 8 & 9, 2014 (Sat–Sun) 10:00am–4:00pm

Mosaic Table WorkshopGene SterudStudents design and produce a table top using glass tiles, cement, and grout. A $70 fee covers a wrought iron table base, all materials, and the use of tools.

$95 Sept 22, 29, & Oct 6, 2013 (Sunday) 1:30pm–3:30pm

Mosaic Mirror WorkshopGene SterudStudents design and produce a mosaic mirror frame using a broad selection of decorative materials, including glass tiles. If time allows, a second piece may be produced. A $30 fee covers the mirror, construction materials and supplies, and the use of tools.

$50 October 13, 2013 (Sunday) 12:00pm–4:00pm

MosaicsGene SterudParticipants learn the ancient techniques of ceramic and glass mosaics. A kit fee of $100 is payable to the instructor.

$185 Fall, Winter & Spring (9 weeks)Wednesday 7:00pm–9:30pmSunday 1:00pm–3:30pm (Winter & Spring only)

$170 Summer (8 weeks)Wednesday 7:00pm–9:30pm

CalligraphyHermineh MillerThis class is structured to give beginning students solid basic skills in the calligraphic arts and help intermediate students learn new hands. Working with dip pens and large nibs, students learn control of ink and paint, letter structure, rhythm, alphabet analysis, spacing, and basic page layout. Students are supported in their skill development by progressive instruction that builds upon previously given information. A number of small calligraphic projects are assigned to build confidence in newly acquired skills.

$185 Fall, Winter & Spring (9 weeks)Saturday 10:00am–12:30pm

Ursula Marcum–Kilnformed and Coldworked Glass with Precious Metal Inclusions


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Paste PapersHermineh MillerOriginally used as wrapping and end papers in the 1650’s, paste papers offer exciting design possibilities to modern calligraphers. This workshop delves into a variety of tools and techniques used to make patterns on paper. Paper selection, making and coloring paste, and drying methods are also discussed. Paste making is demonstrated. Participants leave with hand-made samples of paste papers, several recipes for different pastes, and a bibliography.


Japanese Papermaking and BeyondSaaraliisa YlitaloJapanese paper known as washi is characterized by its thinness and strength and the technique is applicable to all plant fibers. This class covers all the steps of Japanese papermaking, starting with pulp preparation, cooking and scraping the fibers clean, and then beating them into pulp. Participants form sheets using the nagashizuki method with flexible screens as is practiced in Japan with kozu, gampi, and abaca (Philippine hemp) fibers. Students also explore decorative and very large sheets of paper. This method does not demand expensive Japanese screens (sugeta) and equipment, but instead is adaptable to our own western studios. No papermaking experience is required. A supply fee is payable to the instructor, and varies depending on the materials used.

$150 Fall & Winter (4 weeks)Thursday 10:00am–2:00pm (starts: F–Oct 10; W–Feb 6)

Spinning Thread from PaperSaaraliisa YlitaloThe art of making thread and using it to weave cloth dates back to 7th century Japan. In this class students prepare Japanese papers to make shifu; twist the paper into thread using a rough brick, hand held spindles and spinning wheels; and finally weave a small piece of cloth on a simple card loom from these hand spun threads. Participants also explore coloring on the paper and discuss contemporary uses for paper thread such as book binding, knitting, and weaving. A supply fee is payable to the instructor, and varies depending on the materials used.

$115 Winter (4 weeks)Thursday 9:30am–12:30pm

Joomchi: Textured Handmade PaperSaaraliisa YlitaloJoomchi is a Korean technique for making textured, handmade paper. Students combine layers of mulberry papers of various shapes and colors to create a new piece of paper. This technique is similar to felting, but uses paper instead of wool. The resulting crinkled papers can be used in surface design, bookmaking, collage, or anywhere one would use decorative paper. A supply fee is payable to the instructor, and varies depending on the materials used.

$90 March 29, 2014 (Saturday) 10:00am–4:00pm

The Fine Art of Graphic DesignAnn MullikinThis class is for students who are interested in pursuing a career in graphic arts and the ability to achieve professional-looking marketing materials. Students receive a strong foundation in typography, layout, logo/letterhead design, color, and print production.

$200 Fall & Spring (9 weeks)Tuesday 7:00pm–9:30pm

Cover to Cover: How to Make BooksNancy JohnsonMaking your own books is easier than you may think. With some instruction, a few simple tools, and easy to find materials, participants gain the knowledge to make beautiful books step-by-step. The workshop includes instruction for making multiple types of books. The instructor collects a materials fee of $20 to cover the cost of consumable supplies.

$175 November 23 & 24, 2013 (Sat–Sun) 10:00am–4:00pm

Introduction to Pop-Up BooksNancy JohnsonMaking pop-ups involves trial and error and a sense of play. Students begin to understand how strategically placed folds raise and lower flaps, causing a specific effect. Participants make “working models” of each pop-up taught, and learn the magic behind each motion. The instructor collects a $20 materials fee to cover the cost of consumable supplies.


More Pop-Up BooksNancy JohnsonThrough scoring, cutting, and folding of paper in specific ways, it is possible to create amazing, moveable structures inside the pages of a book or card. The surprise within is revealed as the item is opened or closed. This workshop invites artists to further explore the kinetic properties and possibilities found with paper. A $20 materials fee, payable to the instructor, covers the cost of papers used in the workshop.

$175 June 14 & 15, 2014 (Sat–Sun) 10:00am–4:00pm

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Beginning/IntermediateCard WeavingLinda HurtCard weaving produces narrow straps, belts, leashes, and trims. Students learn to read weaving patterns and warp cards with their choice of colors. A $20 materials fee is payable to the instructor and covers supplies.

$60 October 12 & 19, 2013 (Saturday) 1:30pm–4:30pm$60 March 1 & 8, 2014 (Saturday) 1:30pm–4:30pm

Inkle WeavingLinda HurtInkle weaving produces such items as belts, or guitar straps. Participants learn to read inkle weaving patterns, and warp a loom with their choice of colors. Projects may be taken home between sessions so participants may practice weaving. Tuition includes loom rental and materials.

$80 November 2 & 9, 2013 (Saturday) 1:30pm–4:30pm

Inkle Weaving: Beyond the BasicsLinda HurtStudents learn about various pick up techniques used to create patterns in their weaving. Participants must have basic inkle warping and weaving skills. Materials included, loom rental if needed is extra.

$70 February 15 & 22, 2014 (Saturday) 1:30pm–4:30pm

Sprang: Fabric with Natural ElasticityLinda HurtSprang is ancient method of weaving fabric that looks like netting or lacework, but is constructed almost entirely of warp threads strung on a simple frame. Earliest examples date from the Bronze Age, yet today it is used to fashion hammocks and other more decorative items such as scarves and sashes. No prior weaving or fiber experience required for this introductory workshop. A kit and materials fee is payable to the instructor.

$50 January 26, 2014 (Sunday) 11:00am–4:00pm$50 May 25, 2014 (Sunday) 11:00am–4:00pm

Sprang: Lace PatternsCarol JamesJoin Carol James, author of Sprang Unsprung an Illustrated Guide to Interlinking, Interlacing and Intertwining, guest instructor from Manitoba, Canada in exploring simple lace patterns in interlinked sprang. The lace patterns are created by making holes on purpose, and carefully placing them in the fabric. Students learn ways to make the holes, methods to map out patterns, and how to use the patterns to decorate the cloth. Participants leave with a sampler of sprang lace of their own making. Students must have already mastered the basic interlinking technique. A materials fee is payable to the instructor.

$175 July 12 & 13, 2014 (Sat–Sun) 10:00am–4:00pm

Continuing Rigid Heddle: Projects & TechniquesLinda HurtStudents with prior weaving experience on a simple rigid heddle loom learn more advanced techniques such as the use of two heddles, planning a project, yarn selection, and finishing. Looms are available for rental.

$155 Fall, Winter & Spring (7 weeks)Thursday 7:00pm–9:30pm (starts: F–Oct 3; W–Jan 23; Sp–Apr 24)Saturday 10:00am–12:30pm (starts: F–Oct 5; W–Jan 25; Sp–Apr 26)

$120 Summer (5 weeks)Saturday 10:00am–12:30pm

FibersThe studio provides large workspaces with an assortment of floor looms, table looms, spinning wheels, dyeing facilities, silk steamer, and an extensive fiber library. Open studio is available to Art League members and students for a nominal fee. Our floor loom rental fees include open studio time. Please check the website for updates, additions, and more extensive descriptions of our classes.

Unraveling the Secrets of SilkRenate Maile-MoskowitzSilk has been the luxurious companion of felters, papermakers, and fiber artists for centuries. This workshop explores the endless possibilities of silk cocoons and silk fabrics through the techniques of unraveling, stretching, degumming, dyeing, embossing, devoré, and felting. Tuition includes all materials.


All About WoolSylvia DeMarParticipants learn the differences between long and short wools, fine versus coarse wools, dual-coated sheep, and more to enable them to choose the best type of wool for any project. Wool washing, sorting, and preparation techniques are included in this three part workshop. No experience necessary. A $10 materials fee is payable to the instructor.

$80 Oct 24, 31 & Nov 7, 2013 (Thursday) 7:00pm–9:30pm

Basic WeavingLinda HurtIn this basic weaving overview we sample hand-controlled techniques such as tapestry, rug making, hand controlled lace, and cloth making. Learn to dress a rigid-heddle loom, weave samples and an independent project. A $15 materials fee is payable on the first day. Students may rent a loom for $25.

$185 Fall, Winter & Spring (9 weeks)Thursday 7:00pm–9:30pmSaturday 10:00am–12:30pm

$125 Summer (5 weeks)Saturday 10:00am–12:30pm

Introduction to 4-Shaft WeavingAndrea Blackmon Marilyn HarringtonIn this introduction to the versatile and more complex 4-harness loom, students learn to dress the loom, weave samples of various loom-controlled patterns, and have an opportunity to weave an independent project. A $25 materials fee is payable on the first day of class. Students may rent a floor loom for $30.

$185 Fall, Winter & Spring Tuesday 11:00am–1:30pm (9 weeks) HarringtonTuesday 7:00pm–9:30pm (9 weeks) Blackmon

$115 Summer Tuesday 11:00am–1:30pm (5 weeks) HarringtonTuesday 7:00pm–9:30pm (5 weeks) Blackmon

Freeform WeavingRaquel RosaRelease yourself from structure and patterns, while exploring new and unexpected ways of weaving. Previous experience is not needed, just an open mind and a willingness to experiment. Students may draw inspiration from visual media, performance art, music, and literature. Looms are available for rent for $30, and a $15 materials fee payable to the instructor covers the cost of weaving materials. Students are invited to bring yarn and findings from home.

$120 Fall, Winter, Spring & Summer (5 weeks)Monday 7:00pm–9:30pm (Summer starts: July 7)

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Projects & Advanced Weaving TechniquesAndrea Blackmon Marilyn HarringtonStudents develop practical experience in planning, weaving, and finishing projects, or pursuing advanced harness techniques. Looms available for rent include 4- to 10-harness floor looms and portable 4- to 8-harness table looms.

Fall, Winter & Spring $185 Tuesday 1:00pm–3:30pm (9 weeks) Harrington$185 Tuesday 7:00pm–9:30pm (9 weeks) Blackmon

Summer $115 Tuesday 1:00pm–3:30pm (5 weeks) Harrington$115 Tuesday 7:00pm–9:30pm (5 weeks) Blackmon

Basics of Double WeaveMarilyn HarringtonLearn the basics of double weave including two-sided fabrics, double-width fabric, tubes, and stuffing. Draft and warping instructions are provided. Each person is expected to bring a pre-warped loom. Looms are available for rental.

$80 April 5, 2014 (Saturday) 10:00am–4:00pm

Multiharness Double WeaveMarilyn HarringtonWith eight or more harnesses double weave can truly be double-sided. This round robin workshop explores some of the possibilities of double weave including different structures and fibers on each side, moving colors from front to back, deflected double weave, and more. Each participant is assigned a warp and must bring the pre-warped loom to the workshop. Looms are available for rental.

$160 June 21 & 22, 2014 (Sat–Sun) 10:00am–4:00pm

TapestryTea OkropiridzeStudents are introduced to basic and intermediate Gobelin tapestry weaving techniques, creating a miniature woven tapestry sample on a small frame loom. Warping the loom, color mixing and hatching, finishing, and various design shaping techniques are covered. The instructor works closely with students in class and provides individual guidance and demonstrations. A $30 fee is payable to the instructor for materials and frame loom use.

$170 September 14 & 15, 2013 (Sat–Sun) 10:00am–4:00pm$170 March 22 & 23, 2014 (Sat–Sun) 10:00am–4:00pm

$155 Fall, Winter, Spring & Summer (7 weeks)Saturday 10:00am–12:30pm

(starts: F–Oct 5; W–Jan 25; Sp–Apr 26; Su–Jul 12)

Dyeing: Indigo—A Blue Like None OtherSylvia DeMarUnlike conventional dyes, indigo uses the air to impart its unique shades of blue to natural fibers. Participants explore the mysteries of setting up an indigo vat, producing color, and caring for and maintaining your indigo vat. No previous dye experience is needed. A $10 materials fee is payable to the instructor.

$85 November 10, 2013 (Sunday) 10:00am–5:00pm$85 March 9, 2014 (Sunday) 10:00am–5:00pm

Dyeing: Natural Color KitchenSylvia DeMarStudents explore the use of natural dyes, beginning with the extraction of dye colors from raw materials such as tree bark, roots, or leaves. Preparing both plant and animal fibers for using a minimum of two mordants is covered. Participants take home samples dyed in class. Dye room safety is emphasized. A $25 materials fee is payable to the instructor and covers supplies.

$150 June 7 & 8, 2014 (Sat–Sun) 10:00am–3:00pm

Acid and Fiber Reactive DyesSylvia DeMarDay one introduces participants to acid dyes specifically designed to work on wool, alpaca, and other protein-based fibers. Day two expands the options with an introduction to fiber-reactive dyes that work with both plant and protein fibers. This workshop is a great introduction to dyeing for any fiber artist. Dye room safety is emphasized.

$150 February 8 & 9, 2014 (Sat–Sun) 11:00am–4:00pm

Color in Fiber ArtsMarilyn HarringtonFrom rich reds to muted greens, vibrant oranges to mild blues, and bold purples to retiring yellows, this class covers how to apply and combine colors successfully. Fiber arts require different strategies since colors operate in proximity and do not “blend” in the same manner as paint or dye. Using a series of in-class exercises, fiber enthusiasts of all persuasions learn to control color by the use of harmonies, proportions, and contrast. Students bring some materials from home, and a $12 materials fee is payable to the instructor for additional supplies.


Hand Spindles: The Portable Spinning ChoiceSylvia DeMarWith a hand spindle, one can produce the same great yarns that a wheel produces with the added luxury of taking it anywhere! The easy, portable nature of hand spindles makes them a must for anyone with an interest in spinning. Participants learn the fundamentals of drafting, spinning, and finishing both single- and two-ply yarns. The history and variety of this great tool are also examined. A $15 materials fee, payable to the instructor, covers a drop spindle and fiber.

$90 Fall (3 weeks)Sunday 1:00pm–3:30pm (Oct 6, 13 & 20)

Spinning: The Wheel Goes RoundSylvia DeMarStudents learn the fundamentals of spinning: drafting, spinning, and finishing both single and 2-ply yarns using a spinning wheel. Instruction includes how to choose the right wheel, use of handcards and the drum carder, spinning wheel maintenance, how to measure the yards spun, and how to gauge the grist of yarn. Participants may use a school wheel or bring their own. Some open studio time is available for practice. A $10 materials fee is payable to the instructor.

$125 Fall & Spring (6 weeks)Sunday 10:00am–12:30pm (Fall only starts: Sept 29)Wednesday 7:00pm–9:30pm (Spring only starts: Apr 23)

Survey of Spinning Techniqueswith Varied MaterialsSylvia DeMarLearn a variety of spinning techniques beyond single-ply wool yarn, beginning with a balanced two-ply, expanding to multi-plys, cabled-plys, Navajo-ply, and novelty types. Explore the spinning of variegated rovings for a variety of effects and also blend fibers to create striped, segmented, and heathered rovings. Possible plant and animal fibers include: llama, alpaca, camel, mohair, silk, cashmere, angora, flax, hemp, cotton, bamboo, tencel, soy silk, eco-spun, nylon, and fake cashmere. Participants may use a school wheel or bring their own, and must be comfortable spinning single-ply yarns. A $20 materials fee is payable to the instructor.

$95 Spring (4 weeks)Sunday 10:00am–12:30pm (starts: May 11)

Carol James–Sprang

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Intermediate/AdvancedFelting: Expanding the PossibilitiesRenate Maile-MoskowitzStudents with some felting experience continue to explore the possibilities of 2-D and 3-D design in felt. A variety of techniques are addressed including inlay, mosaic style, cut outs, Mola style, transparency, pleating, and resist dyeing.

$160 Fall & Winter (7 weeks)Monday 10:00am–1:00pm (starts: F–Sept 30; W–Jan 20)Monday 7:00pm–10:00pm (starts: F–Sept 30; W–Jan 20)

$130 Spring (5 weeks)Monday 10:00am–1:00pm (starts: Sp–Apr 21)Monday 7:00pm–10:00pm (starts: Sp–Apr 21)

Felted JewelryRenate Maile-MoskowitzStudents explore the endless possibilities of using wool to make necklaces, rings, pendants, earrings, and other jewelry. Materials are included in the tuition.

$70 December 7, 2013 (Saturday) 10:00am–2:00pm

Felted Tasseled ScarfRenate Maile-MoskowitzStudents explore the use of short fiber merino and wool prefelt in creating a unique felted scarf. New materials shorten preparation time and allow participants to concentrate on artistry, shaping, and cutting. At the end of the day a materials fee is payable to the instructor based on materials used.

$80 September 23, 2013 (Monday) 10:00am–4:00pm

Felted Masks: The Art of DisguiseRenate Maile-MoskowitzMasks are a unique way to translate fantasies and ideas while using natural fibers. This workshop explores the use of needle felting, wet wool felting, and simple sewing. This is a non-latex, natural fiber version of mask creation. At the end of the day a materials fee is payable to the instructor based on materials used.


Japanese Papermaking and BeyondSaaraliisa YlitaloFor a full description, please see page 27.$150 Fall & Winter (4 weeks)Thursday 10:00am–2:00pm (starts: F–Oct 10; W–Feb 6)

Spinning Thread from PaperSaaraliisa YlitaloFor a full description, please see page 27.$115 Winter (4 weeks)Thursday 9:30am–12:30pm

Joomchi: Textured Handmade PaperSaaraliisa YlitaloFor a full description, please see page 27.$90 March 29, 2014 (Saturday) 10:00am–4:00pm

Beginning / IntermediateKnittingBarbara Garren Diana KreutzThis course is for both the absolute beginner and those who have some experience but wish to increase their skills. Beginners learn the basics: pattern reading, casting on, knitting, purling, cabling, and casting off while creating a fashionable scarf. Students with prior experience may work on a project of their choice to increase their skills. All instruction is individualized to meet the needs of each student. Materials are extra.

$105 Fall, Winter, Spring & Summer (5 weeks)Tuesday 7:00pm–9:00pm GarrenThursday 11:00am —1:00pm GarrenSunday 10:00am–12:00pm Kreutz

Knitting Projects: Beyond SquareBarbara Garren Diana KreutzThis class is designed for those who are beyond scarves and are ready to knit that project that she/he is afraid to undertake alone. Participants are guided through “intermediate knitter” growing pains while learning to read a pattern, fix mistakes, and figure out gauge and sizing.

$90 Fall, Winter & Spring (4 weeks)Tuesday 7:00pm–9:00pm (starts: F–Oct 22; W–Feb 11; Sp–May 13) GarrenThursday 11:00am–1:00pm (starts: F–Oct 24; W–Feb 13; Sp–May 15) GarrenSunday 10:00am–12:00pm (starts: F–Oct 27; W–Feb 16; Sp–May 18) Kreutz

BeginningJumpstart in Wet FeltingRenate Maile-MoskowitzParticipants discover the endless creative possibilities of wool felt in this hands-on introductory course. This is a great opportunity for novices to learn the basics of this fiber medium. All materials are included in the tuition.

$90 September 16, 2013 (Monday) 10:00am–4:00pm$90 September 16 & 23, 2013 (Monday) 7:00pm–10:00pm$90 January 6, 2014 (Monday) 10:00am–4:00pm$90 January 6 & 13, 2014 (Monday) 7:00pm–10:00pm$90 April 7 & 14, 2014 (Monday) 7:00pm–10:00pm

Jumpstart in Nuno FeltingRenate Maile-MoskowitzNuno or lamination felting has become the couture craze of felting in Europe and on international runways. This felt is lightweight with drape and f lexibility. Students explore the technique, which permanently combines fabric and wool through a felting process without sewing or hemming. Materials are included.

$105 October 12, 2013 (Saturday) 10:00am–3:00pm$105 January 11, 2014 (Saturday) 10:00am–3:00pm$105 April 12, 2014 (Saturday) 10:00am–3:00pm

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Renate Maile-Moskowitz–Wool and Silk

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Exploring Surface DesignJulie BoothThis class focuses on printing, painting, and mark making techniques using pigment based fabric paint, paint sticks, and other marking tools on a variety of fabrics. Each student works towards an individual project of their choice that incorporates the unique multi-layered fabrics created. A $20 materials fee is payable to the instructor.

$160 Fall (7 weeks)Wednesday 7:00pm–10:00pm (starts: Sept 18, no class Oct 16)

$180 Winter (8 weeks)Wednesday 7:00pm–10:00pm (starts: Jan 15)

$160 Spring (7 weeks)Wednesday 7:00pm–10:00pm (starts: Apr 23)

Surface Design Techniques for TextilesCandace EdgerleySilk screen on textiles using dyes allows the fabric artist to create simple designs or intricate detail without disturbing the “hand” or feel of the fabric. Students create personal images using various methods including mono-printing, photographic stencils, hand-painted and cut stencils, and stencils made with a Thermofax machine. Color mixing and handling of thickened dyes on different fabrics are covered. A lab fee of $50 payable at the first class covers most supplies.

$225 Fall (5 weeks)Wednesday 10:00am–3:00pm (starts: Oct 16)

$225 Winter (5 weeks)Tuesday 10:00am–3:00pm (starts: Feb 4)

Fabric Resists Using Common Household MaterialsJulie BoothDiscover the amazing surface design effects that can be achieved by applying simple household materials to fabric. Flour, sugar, and liquid detergent are just a few of the resists students explore. Armed with wire whisk, stove, and microwave, the instructor provides “recipes” that yield exciting results. Using the resists created in class students experiment with “crackle,” drawing, printing, stenciling, and rubbing techniques. Emphasis is on the creation of resist technique samplers and some multi-layered fabrics, combining application techniques. A $20 materials fee is payable to the instructor.

$175 September 7 & 8, 2013 (Sat–Sun) 10:00am—4:00pm

Silk PaintingDenise VauthierStudents spend a weekend with silks–dyeing, manipulating, and preparing pieces for further embellishment. Surface design techniques such as watercolor, resists, and immersion dyeing, and fixing methods are taught. General discussion of textile dyes and color theory is presented. Participants make samples and scarves to take home. A $45 materials fee is payable on the first day.

$175 November 2 & 3, 2013 (Sat–Sun) 10:00am–4:00pm$175 July 19 & 20, 2014 (Sat–Sun) 10:00am–4:00pm

Surface Design: BatikDenise VauthierStudents explore the magical art of batik - layering colors of dyes, resisting with wax when a desired color is achieved and creating beautiful cloth. Batik, which means “wax writing” in Indonesian, is an ancient liquid resist technique for creating designs and patterns on fabric. Participants experiment with its unique characteristics as they learn to manipulate the wax and other resists. Colors, dyes, discharges, design, resources, and modern ways to achieve a batik “look” are covered. Materials fee of $45 payable at start of class.

$175 August 9 & 10, 2014 (Sat–Sun) 10:00am—4:00pm

Felted FlowersRenate Maile-MoskowitzStudents create a lovely bouquet of felted flowers while learning the basics of wet and needle felting. Materials are included in the tuition.

$75 October 20, 2013 (Sunday) 12:00pm–4:00pm$75 April 26, 2014 (Saturday) 12:00pm–4:00pm

Felted HatRenate Maile-MoskowitzStudents are introduced to the basics of creating a simple felted hat. Choose from a myriad of styles, including: pill box, beret, cloche, and fascinators. All are possible selections to be explored. At the end of the day a materials fee is payable to the instructor based on materials used.

$80 November 6, 2013 (Wednesday) 10:00am–4:00pm

Felted VesselsRenate Maile-MoskowitzStudents learn to use a new type of short fiber merino wool to create a smoother, harder, sculptural felt that is more like industrial felt. Participants learn to translate these characteristics into small sculptural vessels with unique stoppers. At the end of the day a materials fee is payable to the instructor based on materials used.

$70 January 13, 2014 (Monday) 12:00pm–4:00pm

Nuno Felted De-Gummed OrganzaRenate Maile-MoskowitzStudents create their own specific fabric by degumming organza to achieve unusual and varied textures. Nuno felting further highlights and compliments these special effects. At the end of the day a materials fee is payable to the instructor based on materials used.

$80 January 18, 2014 (Saturday) 10:00am–4:00pm

Felted HandbagRenate Maile-MoskowitzParticipants create a beautiful seamless handbag with a shoulder strap or handle. Some felting experience would be preferable as it helps determine the complexity and size of the finished bag. At the end of the day a materials fee is payable to the instructor based on materials used.

$80 February 5, 2014 (Wednesday) 10:00am–4:00pm

Cracked Earth Technique for FeltingRenate Maile-MoskowitzLearn to create “cracks” on any kind of wool felt. Come prepared with an idea of an item to create such as scarf, tote, etc. and learn to create unique dried earth-type cracks as part of the object’s design. At the end of the day a materials fee is payable to the instructor based on materials used.

$70 February 26, 2014 (Wednesday) 12:00pm–4:00pm

Jumpstart in Surface DesignJulie BoothParticipants are invited to come spend an “open studio” weekend where they have the time and space to work/play on a surface design project of their choice. Instructor provides pigment-based fabric paints along with painting, printing, resist, and mark-making tools. A $15 materials fee is payable to the instructor. Open to all levels. Students with prior experience may work on personal projects.

$175 June 14 & 15, 2014 (Sat–Sun) 10:00am–4:00pm

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Surface Design: ShiboriCandace Edgerley Denise VauthierShibori is a Japanese word for the technique of resist dyeing fabric by stitching, binding, or wrapping. Students learn the basics of this art, Arashi (pole wrapped), Trikit (stitch resist), and Boshi (capping), while making samples using silk and cotton fabrics. Dyes, discharges, and the care of silk are covered. Students design and complete two personal silk scarf projects. Materials fee of $45 due at first session.

$175 Nov 14 & 15, 2013 (Thurs–Fri) 10:00am–4:00pm Edgerley$175 Jan 4 & 5, 2014 (Sat–Sun) 10:00am–4:00pm Vauthier$175 Mar 15 & 16, 2014 (Sat–Sun) 10:00am–4:00pm Edgerley

Low Water Immersion DyeingCandace EdgerleySave time! Save water! Save dye! Learn this fast and colorful way to dye cotton, silk and rayon for quilting, rag weaving, and rug hooking, or create cloth to serve as a basis for other surface techniques such as stamping or painting. LWI yields unique pieces of cloth with multiple colors and subtle underlying patterns. The technique can also be used on yarns. All materials are included.

$90 October 25, 2013 (Friday) 10:00am—3:00pm

Rug Making: A Non-Traditional ApproachMichael HeilmanStudents explore the contemporary design potential of non-traditional rug making techniques. Using hand held tools and various yarns, cloth strips, and other materials, participants experiment with color, texture, and sculpting to create a myriad of surfaces, patterns, and effects for rugs or wall hangings. Initial tools and practice materials to begin are provided for a $30 materials fee, payable at first class.

$115 Fall, Winter & Spring (5 weeks)Thursday 7:00pm–9:30pm

Beginning / AdvancedMillinery Foundations:Buckram, Fosshape, Elastic CanvasJan WutkowskiBuckram is a traditional foundation, but Fosshape and elastic canvas are fairly new to the millinery world. Create three hat shapes, each from one of the foundations, then learn to wire the pieces for stability and cover them with beautiful fabrics. Each foundation has its pros and cons and this workshop provides an opportunity to work with all three and see the differences of each. Learn to better assess what foundation works best for any particular hat shape or style. Basic hand sewing skills recommended. A $45 materials fee is payable to the instructor for foundation materials, wire, domette, and other instructor supplied materials used in class. Students bring additional supplies.

$210 June 21 & 22, 2014 (Sat–Sun) 10:00am–4:00pm

Beginning / AdvancedRibbon Work for Millinery:Elegant EmbellishmentsJan WutkowskiCockades, hat bands, scallops, origami, these are a few of the intriguing ribbon pieces students learn in this workshop. Ribbons in all their colors, widths, and patterns have always been a mainstay in simply embellishing hats and clothing, yet there are many techniques for taking a length of ribbon and creating something eye-catching and unusual. Hands-on learning guides participants through some of the mysteries of making lovely cockades and trims. Bring a hat with no trim and experiment with hatband tricks, veiling, brim trims, and other delightful ways of using ribbon embellishments. Over a dozen different techniques are covered in class. Students bring supplies.

$210 September 20 & 21, 2014 (Sat–Sun) 10:00am–4:00pm

Fabric Painting, Printing, andStitching to Tell a Story with ClothJulie BoothStudents use a variety of fabric printing and painting techniques along with basic hand stitching to tell a story in cloth. Participants are encouraged to “find” their stories through a series of surface design exercises and to expand their concept of story. Discussion on the use of color, shapes, size, and arrangement aids in the process. Surface design techniques include: gelatin mono printing, found object printing, brayer rubbing, and collograph techniques, along with a variety of painting, relief printing, and fabric resist techniques. Students are introduced to basic hand stitching and embellishment techniques to add a textural element to their projects. Formats for presentation are also discussed. A $20 materials fee is payable to the instructor.

$220 Spring (5 weeks)Wednesday 10:00am–3:00pm (starts: Apr 23)

Patching, Stitching, Weaving:Creating Healing ClothJulie BoothPatching, stitching, appliquéing, darning, and needle weaving are all methods to mend or “heal” fabric. Focusing on the theme of healing, students explore personal symbolism to create a richly stitched and meaningful cloth. Students gather inspiration from the mending and stitching traditions of other cultures including Japanese, Boro, Indian, Kantha, and the molas of the San Blas Islands. Needle weaving techniques are taught to add dimension and attach or embed small personal objects to the work. Students are encouraged to bring recycled or repurposed cloth, and/or cloth with personal history or meaning. A $15 materials fee is payable to the instructor.


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Julie Booth–Fabric, Thread, & Pigment Dyes

Beginning / AdvancedBlock Party: Open Studio Hat BlockingJan WutkowskiThis workshop makes available over a dozen new and vintage hat blocks for use over the weekend. Beginners learn the basics of steam blocking a straw and a felt hat. More advanced students have an opportunity to block as many hats as they like over more complex hat blocks. Learn the blocking differences in felts, straws, and other millinery mediums, as well as puzzle blocks, shaping and couture finishing techniques. Students may bring their own extra straws and felts, but are required to purchase at least one straw and one felt from the instructor. A supply fee is payable to the instructor, and varies depending on the materials used.


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Basic Drawing IntensivePriscilla TreacyLearn to translate the 3-D world into a 2-D drawing! This intensive workshop provides training in basic drawing techniques including: light and shadow, line quality, positive/negative space, composition, perspective, and proportion. Through a series of demonstrations and exercises based on still life, students learn to create visually interesting drawings while acquiring a sound understanding of materials and the methods that lead to success. No prior experience is necessary.

$175 June 21 & 22, 2014 (Sat–Sun) 10:00am–4:00pm

Linear PerspectivePatrick KirwinMany artists cite “perspective” as one of the most difficult challenges to overcome when setting up a composition. In this workshop, students enhance their ability for critical observation as they learn the rules of perspective, perspective measurement, division of shapes into an even or odd number of spaces, circles in perspective, and inclined planes. This knowledge can then be applied to real drawing and painting situations and used to create clear spatial order within pictures.


Sketchbook WorkshopAvis FlemingIncrease your enjoyment of travel, nature, and outdoor activity by keeping a sketchbook. Basic drawing techniques in pen, pencil, and watercolor are adapted for speed and smaller scale, and consideration is given to developing sketches into more finished work.

$165 June 14 & 15, 2014 (in Old Town only) 11:00am–4:00pm OR$215 June 14 & 15 (Alex) & June 16, 2014 (National Zoo) 11:00am–4:00pm

Traveling with your SketchbookSusan Abbott This popular three-day workshop teaches students to use gesture, contour, collage, and color to record their travels. Participants learn to use the sketchbook as a journal, and to make it a work of art. Students use picturesque Old Town Alexandria as source material, and for inspiration look at many artists’ sketchbook journals. Past students say, “This class changed my life!”

$200 March 21, 2014 7:00pm–9:00pm (Fri) & March 22 & 23, 2014 10:00am–4:00pm (Sat–Sun)

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Drawing WorkshopsCrash Course in DrawingDeirdre SaunderThis workshop is ideal for beginners and those in need of a refresher course. Fundamental drawing techniques primarily in pencil and charcoal are taught. Students learn to use line, value, gesture, and perspective, and develop the ability to “see” as artists. Subjects include still life, figure, landscape, and photographic references. Model fees and supplies are extra.

$175 September 7 & 8, 2013 (Sat–Sun) 10:00am–4:00pm$175 March 15 & 16, 2014 (Sat–Sun) 10:00am–4:00pm

Drawing 101Rick WeaverAll levels of artists gain a better understanding of the principles of drawing from observation. Demonstrations and exercises are used to explain perspective, light and shadow, line and mass, and simplifying techniques. All topics are adapted to levels suited to the student body. This is a great place to start for beginners and an invaluable back-to-basics course for the more experienced student.

$175 December 7 & 8, 2013 (Sat–Sun) 10:00am–4:00pm

Avis Fleming–Watercolor

Priscilla Treacy–Graphite & Gouache




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Abstract DrawingJoyce McCartenThis workshop is designed to help the accomplished artist move into new territory. Artists draw from a model within a setup for gestures, long poses, and intuitive exercises. Traditional elements of drawing are examined in the transitional work of various 19th and 20th century artists. Students are encouraged to work against their own grain to allow unpredictable ideas to emerge. Model fees are extra. The limit is 12 students.

$250 September 9–11, 2013 (Mon–Wed) 9:30am–4:30pm$250 September 3–5, 2014 (Mon–Wed) 9:30am–4:30pm

Problem Parts: Hands & FeetDavid CarterMany times overlooked by even the most prolific artists, the hands and feet do not need to be the avoided extremities that people make them out to be. In this course, the essential aspects of anatomy, form simplification, and gesture are taught using references from photos and live models to render believable hands and feet. Model fees are extra.


Drawing the Human HeadRick WeaverThis workshop is a two-day summary of the academic drawing principles an artist must understand to give an effective rendering of the human head. Starting with the mechanics of neck and head movement, participants progress to a comprehensive look at proportion, ball and plane simplification of the head, straight-line simplification, skeletal and muscular anatomy, and structural analysis of the features, volume as planes, and light and shade. All work is from a live model. Model fees are extra.

$175 June 21 & 22, 2014 (Sat–Sun) 10:00am–4:00pm

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Joyce McCarten–Charcoal

Dan Thompson–Graphite and Conte

Structural DrawingDan ThompsonThis drawing workshop is presented as a way of analyzing the figure in a long-posed drawing or painting situation. In part one, the figure is set-up as a two-day long pose, and work begins on gesture, proportion, shape, and tone. In part two the human figure is analyzed by creating a simple diagram of the components of the figure in space. This diagram is then developed according to the concerns of plane, rhythm, perspective, and constructive anatomy. Modeling and shading are explored in the on-going drawing.

$200 August 24 & 25, 2013 (Sat–Sun) 9:30am–4:30pm

The Portrait in CharcoalDan ThompsonThis drawing workshop explores the portrait in charcoal. Participants use a long pose to expand their knowledge of portraiture, from composition to precise edgework. Elements of the discussion include planar construction of the head, the structure of features, how to use morphology to model the head and neck, as well as the examination of vine and compressed charcoal techniques in art history.

$310 August 26–28, 2013 (Mon–Wed) 9:30am–4:30pm

Figure in Pen and InkDan ThompsonDrawing the figure in pen and ink revolves around the artist’s feeling for and use of line. This workshop is designed specifically for the purpose of exploring the human figure with quill, reed, and metal pens. Students study responsiveness of line, dragging, friction, flow, and the expressive qualities contained therein. Using natural inks, students learn to hatch the body in either blunt or elegant strokes. A longer pose is utilized to facilitate necessary layering, construction, and description in student work.


Figure Drawing in the Tuscan TraditionRobert LiberaceThis class explores the power and elegance of Renaissance draftsmanship with a particular focus on the Florentine masters of the period and their mastery of line. Using pen and ink, artists create drawings with a variety of hatching approaches that generate full, three dimensional effects. Model fees are extra.

$300 March 21–23, 2014 (Fri–Sun) 10:00am–4:00pm

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Watercolor WorkshopsJumpstart in WatercolorRachel CollinsThis intensive workshop gives students a chance to explore the many possibilities of the medium. It serves as a basic introduction to watercolor, a refresher for someone who hasn’t painted for a while, and a preparation for students looking to pursue a longer study of the medium. No previous watercolor experience is required, although basic drawing skills are helpful.

$175 January 4 & 5, 2014 (Sat–Sun) 10:00am–4:00pm$175 June 18 & 19, 2014 (Wed–Thurs) 10:00am–4:00pm

Jumpstart in Sumi-éBetzi RobinsonThis course is designed for those who have admired an oriental brush painting and wondered, “How’d they do that?” as well as those who have never picked up a brush. This workshop involves two days of intensive instruction in sumi-é for the absolute beginner or artist in another medium wishing to expand their horizon. There is step-by-step, hands-on instruction in the fundamentals of the techniques employed in this fascinating art with its traditions stretching back more than a thousand years. Previous participants in this workshop are welcome.


Glazing in WatercolorRachel CollinsGlazing in watercolor involves painting one layer of color over an already painted surface. Although the inherently transparent nature of watercolor makes glazing a natural technique for the medium, the actual process of layering the paint can either make or break a watercolor painting. Students learn about the many uses for glazing and how to apply the paint effectively to build both color and composition. A little watercolor experience is helpful.

$175 April 1 & 2, 2014 (Tues–Wed) 10:00am–4:00pm

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Close-Focus WatercolorRachel CollinsTaking a close-in viewpoint enables the artist to explore the interplay between the representational and the abstract, and thereby create exciting paintings. Working from photographs and actual objects, students develop good compositions, and use a variety of watercolor techniques to realize these compositions. For watercolorists with some experience.

$265 December 10–12, 2013 (Tues–Thurs) 10:00am–4:00pm

Wet-in-Wet LandscapeSusan HerronAdding paint to wet paper creates exciting and sometimes unexpected results. Students in this course create beautiful landscapes using the wet-in-wet technique.


Limited Palette WatercolorsPeter UlrichLimiting one’s palette to no more than three colors achieves a number of positive things for the artist. First, the composition is strongly unified and harmonious because one is mixing the colors to be used and they are automatically related. Second, the painting conveys a “mood” such as brilliant hues producing a bright scene, whereas subdued hues produce a more somber scene. Third, when the color palette is limited, it leads to a more careful consideration of composition and value to achieve strong paintings. This workshop explores a wide variety of limited palettes to produce paintings that are unified, convey a mood, and are strongly stated.

$175 December 14 & 15, 2013 (Sat–Sun) 10:00am–4:00pm$175 June 14 & 15, 2014 (Sat–Sun) 10:00am–4:00pm

Rachel Collins–Watercolor

Susan Herron–Watercolor

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Elements of LandscapeSteve FlemingLearn to paint the major elements of the landscape: rocks, water, reflections, weeds, surf, clouds, etc. After an introduction to these elements, participants use the techniques in developing their own paintings.


Landscape In and OutSusan AbbottParticipants begin in the studio, and look at composition, color, and a wide range of historical and contemporary approaches to landscape painting. Next, the workshop moves outside for plein air sessions, putting into practice some new and challenging approaches to painting foliage, water, skies, and gardens. Oil, watercolor, or acrylic are welcome.

$345 September 9–12, 2014 (Tues–Fri) 10:00am–4:00pm

Landscape Painting in Sumi-éCharlene Fuhrman-SchulzLearn to paint landscapes using ink, brush, and rice paper. The workshop is ideal for the first time painter or for those wishing to refine their skills, and offers step-by-step, hands-on instruction. The techniques covered range from spontaneous (or splashing ink) to fine line detail and washes. Instruction concentrates on the elements necessary to create a landscape painting in the oriental style — that is mountains, waterfalls, trees, and mist.


Sumi-é Technique: P’o MoBetzi RobinsonP’o Mo, or “splash ink,” is an ancient Chinese painting technique carried into the modern era by using watercolors on Japanese gold Shikishi Boards. As pure pigments are applied to a damp surface, the colors move and mix themselves. It’s a wonderful way to explore color combinations and create paintings from abstract, spontaneous developments. Almost any subject becomes possible. Previous experience in sumi-é painting is not necessary.


Interpreting Light in WatercolorSteve FlemingAn understanding of the effects of light on the subject matter is imperative to all painters. Working from still lifes and flower arrangements, this workshop explores the effects of light on the local color of the object. The color of reflected light, and the difference in back, side, and over-head lighting, as well as the use and understanding of shadows are also explained.


Summer Flowersin the Spontaneous Style of Sumi-éCharlene Fuhrman-SchulzThis workshop offers intensive instruction for those who wish to paint flowers in the splashing ink style of Sumi-é painting. It is ideal for the first time painter or for those wishing to refine their skills. The workshop offers step-by-step, hands-on instruction and concentrates on flowers such as the iris, wisteria, morning glory, peony, and lotus. Instruction also includes background wash, and the subjects typically associated with traditional flower paintings such as birds, rocks, butterflies, and bees.

$175 June 21 & 22, 2014 (Sat–Sun) 10:00am–4:00pm

Gestural FloralsJackie SaundersParticipants paint flowers as living, moving “little people.” The individual personalities of flowers are captured with rhythmic contour line and fresh washes of undiluted pigments mixing directly on the paper. Students are encouraged to strive for a lively expression, not botanical accuracy. A small “model” fee is charged.

$175 June 21 & 22, 2014 (Sat–Sun) 10:00am–4:00pm

Making Space—Perspective In WatercolorGwen BraggPaintings take on new life and dimension as students work from objects, photographs, and outdoor locations in Old Town. Each day has a particular focus on linear and aerial perspective and creating the illusion of depth.

$175 June 16 & 17, 2014 (Mon–Tues) 10:00am–4:00pm

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Jackie Saunders–Watercolor

Peter Ulrich–Watercolor

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Jumpstart in ColorKurt SchwarzStudents learn to mix oil colors through various “color studies.” These painting exercises are designed to hone the perception of temperature and improve the ability to mix color accurately. Participants then learn to apply the paint cleanly with an emphasis on wet-in-wet mixing directly on the canvas.


Crash Course in Acrylic PaintingDeirdre SaunderThis workshop is ideal for beginners or those in need of some additional basic painting knowledge. Fundamental painting techniques are taught using a variety of brushes, palette knives, rollers, and other tools. Color mixing, the use of acrylic mediums, and the use of different painting surfaces are covered as the students explore the use of photographic references and subject matter ranging from still life to landscape.


Jumpstart in Pastel PaintingJoe SpollenUsing a modest palette of soft pastels, participants are introduced to this fundamental medium for making color studies, quick sketches, or ambitious paintings. Participants work from a still life set-up to ensure confidence in the diverse applications of pastel and complete a finished, frameable work. Special attention is given to the preparation of surfaces, pastels durability, and versatility. The use of pastels for this workshop is included. Students need to purchase a few other basic supplies.


Drawing And PaintingArchitecture In The LandscapeNick RaynoldsPart landscape, part still-life, part architectural rendering, this class offers many fascinating options to both the beginning and experienced painter. Attendees work from direct observation, developing their own compositions that focus on buildings – interiors and exteriors, machinery, and other man-made objects. Composition, 2-D design, linear and aerial perspective to describe depth of space, the anatomy of light and shadow, color value, hue, and intensity are all considered.


Expressive Flowers in AcrylicSusan HerronUsing flowers as subject matter, students are encouraged to create imaginative paintings using unexpected texture and richly layered surfaces.

$175 December 7 & 8, 2013 (Sat–Sun) 10:00am–4:00pm$175 March 22 & 23, 2014 (Sat–Sun) 10:00am–4:00pm

Mastering ColorDavid CarterWhat color should you use? How do you mix it? An understanding of color theory is essential for students making the transition from drawing to painting. Using acrylic paints, this course helps students who are unsure of the role color relationships play in art and design. Lectures, demonstrations, exercises, and discussions are included.

$175 August 23 & 24, 2014 (Sat–Sun) 10:00am–4:00pm

Color Mixing for the ArtistPriscilla TreacyThis workshop provides a thorough explanation and exploration of the four properties of color: hue, value, temperature, and saturation as well as how to understand them visually and change them at will. Targeted exercises help students see the difference between muted and prismatic color, and the different effects created through deliberate color interaction. The use of chromatic and achromatic grays and their effects are also explored. All work is done with either acrylic or oil. Students come away with a greater ability to use color sensitively and creatively. A lab fee for some materials is payable to the instructor.

$175 April 1 & 2, 2014 (Tues–Wed) 10:00am–4:00pm

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Brenda Belfield–Acrylic

Nick Raynolds–Oil

Painting Workshops

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From Line to ShapeSusan AbbottAn intensive exploration of contour, format, value, and color relationships that helps students draw more fluidly, compose more inventively, and see the abstraction that underlies realism in strong still life, figure, and landscape painting. Oil, watercolor, or acrylic are welcome. Model fees extra.

$345 March 25–28, 2014 (Tues–Fri) 10:00am–4:00pm

Painting in Danni’s Living Room or Rose GardenDanni DawsonParticipants paint exquisite flower scenes in Danni’s beautiful rose garden or paint from interesting still lifes arranged in her home. Painters with previous experience savor the rich colors and delicate shapes of nature in full bloom, or delight in the variety of subject matter present in still lifes. A gourmet lunch is provided each day. The workshop is located offsite in Arlington, and participants are responsible for transportation.

$420 August 19–23, 2013 (Mon– Fri) 10:00am–4:00pm$420 December 9–13, 2013 (Mon– Fri) 10:00am–4:00pm$420 June 9–13, 2014 (Mon– Fri) 10:00am–4:00pm$420 August 18–22, 2014 (Mon– Fri) 10:00am–4:00pm

Portrait Painting DemonstrationDanni DawsonInternationally famous painter, Danni Dawson, demonstrates her style of painting and instructional techniques of classical portrait painting. Observe, ask questions, or just enjoy the show.

$60 September 15, 2013 (Sunday) 10:30am–4:00pm$60 September 14, 2014 (Sunday) 10:30am–4:00pm

The Painted Portrait: Children and Young AdultsRobert LiberaceStudents have the opportunity to paint a group of girls from one family ranging in age from 10 to 22. The workshop examines the anatomy and features of younger subjects and the subtle differences between the ages. Focus is on the various approaches to portrait painting from alla-prima to a smoothly glazed finish and explores the many approaches artists use when painting young people.

$300 Dec 6–8, 2013 (Fri–Sun) 10:00am–4:00pm

Classical Portrait PaintingRick WeaverLearn the master technique of separating drawing from color in a painting. Working on a life-size head and shoulders portrait, this workshop covers the basics of creating a monochrome under-painting, followed by a rendering of form in grays, and then rounding out the portrait in a final color step. Variations of this valuable system of painting were used by most painters before the 19th century, and may be adapted to many individual painting styles today.


Gestural Figure PaintingPriscilla TreacyEnjoy exploring various oil techniques for gestural painting of the figure. Students use a limited palette as they learn to apply washes over Conte drawings, and experiment with papers and preparation techniques that influence the method of painting. Approach is loose and free. Figure drawing experience is strongly suggested as a prerequisite.


Portrait PaintingDan ThompsonThis course is for intermediate painters for the purpose of investigating fine portraiture in oil from direct observation. By means of longer poses and through grisaille and color, students enhance their accuracy of drawing, creating a likeness, and implying planar construction, via archetypes of the head. Lectures and demonstration include learning to paint the interrelation of facial features and creating a complete portrait. Students are provided a wealth of knowledge and experience for future work.

$450 June 16–20, 2014 (Mon–Fri) 9:30am–4:30pm

Still Life and Floral in OilRobert A. JohnsonThis workshop concentrates on capturing the natural beauty of flora and other still life subjects in oil while working directly from life. The beauty and power of fresh undisturbed oil paint, as well as the expressive and descriptive quality of the brushstroke is stressed. The instructor demonstrates and emphasizes the direct alla-prima approach to painting. All levels welcome.


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Diane Tesler–Oil

Bobbi Pratte–Oil



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Gouache for Field Studies & MoreDiane TeslerLearn to use gouache (opaque watercolor) for plein air studies and finished paintings. This portable medium is ideal for painters who love the f lexibility of oil and pastel. Unlike traditional watercolor, gouache allows us to work from dark to light, with the opportunity to make corrections and adjustments.

$175 May 17 & 18, 2014 (Sat–Sun) 10:00am–4:00pm

Art on the Go… With Your iPadBobbi PratteExplore the possibilities of “digital plein air” painting and sketching. Bring your iPad, enjoy a day of making art outside of the studio and find new ways to enhance the painting experience. Digital artists who work inside discover the benefits of working from nature, while traditional painters discover the benefits of traveling light. Ways to show those images immediately to your fans on Facebook or email them to friends and family back home are also discussed. Participants visit a near-by outdoor venue or two, to show the portability and possibilities of “Art on the Go.”


Painting with PixelsNancy Freeman This workshop introduces students to tablet and smart phone apps for artists. Discover helpful apps to improve traditional drawing and painting experiences, including useful tricks to help composition and visualization. Participants also learn apps that enable drawing or painting directly in various simulated media, such as charcoal, ink on paper, watercolor, pastels, or oils. Other non-traditional media and special effects apps are also covered. Participants must bring their own Apple or Android smart phone or tablet.


Landscape in AcrylicSusan HerronStudents learn to use acrylic as an opaque medium or like a transparent watercolor. Participants experiment with acrylic on a varnished surface with lifting, layering, and texturing to create an exciting landscape.


Painting Skies and Dramatic Light in the LandscapeSara Linda PolyThis workshop covers the choice and use of photos or sketches for reference material, starting with a strong composition, simplifying, and creating mystery and excitement for added drama. Also explored are the use of contrast, color, strong and subtle light passages, and atmospheric perspective. Students study techniques for painting skies, cloud formations, sunrises, sunsets, and night scenes. Any medium is welcome.


Taking the Bull by the Horns:Creating a Body of WorkDiane TeslerParticipants plan and begin a series of three to four paintings based on their own photos and sketches. On the first evening, students meet with Diane to review ideas and plan subject matter for the week. Rolled canvas and stretching supplies are used to move beyond standard canvas sizes. This workshop offers a chance to explore an idea in depth and from different angles while initiating the practice of developing several paintings simultaneously. Following the workshop, participants are encouraged to keep in contact with Diane via email for feedback on the work in progress.

$330 November 18, 2013 1:00pm–3:00pm (Mon) & November 19–22, 2013 10:00am–4:00pm (Tues–Fri)$330 March 14, 2014 1:00pm–3:00pm (Fri) & March 17–20, 2014 10:00am–4:00pm (Mon–Thurs)

Weekends in the Plein Air LandscapeMike FrancisThis workshop is composed of two afternoon painting sessions. Participants meet along the Potomac in Alexandria. Artists of all media are invited to join in for session demos, critiques, and discussions of the materials and techniques. Prerequisite: some experience in drawing and painting. Students supply all materials, including easels. Locations may not be metro accessible and students are responsible for their own transportation.

$90 October 12 & 13, 2013 (Sat–Sun) 1:00pm–4:00pm (Rain dates October 19 & 20, 2013)$90 April 26 & 27, 2014 (Sat–Sun) 1:00pm–4:00pm (Rain dates May 3 & 4, 2014)

Fast Figure PaintingKurt SchwarzFocus is placed on dark shapes, essential planes and masses, as well as color and value. Through the use of 15-minute to half-hour poses students begin to develop a quick and masterful paint-handling technique for capturing the figure. Model fees are extra.

$175 June 14 & 15, 2014 (Sat–Sun) 10:00am–4:00pm

Precious Metals: Drawing & PaintingUsing Silver and CopperRobert LiberaceArtists have long exploited the special properties of these beautiful metals to create works of extraordinary beauty. Participants spend two days using silver wire for drawing with Italian Renaissance artists as inspiration. The next three days highlight the Baroque Dutch model of painting on copper plate and the lustrous effects that can be achieved with this technique.

$450 September 8–12, 2014 (Mon–Fri) 10:00am–4:00pm

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Joe Spollen–Pastel



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Figure in the LandscapeBobbi PratteFigures can make a landscape painting come alive, yet many artists shy away from including them in their paintings. Students learn how to populate their landscape paintings in believable and interesting ways, using photos, sketches, and other reference materials. Oil and acrylics are the mediums of choice. Some painting experience is desirable.


Painting Water in the LandscapeBobbi PratteArtists are drawn to water in the landscape but are often perplexed by how to paint it. In this workshop participants focus on painting water that is still or moving. Students also explore the transparent and reflective qualities of water and how to depict them in a convincing manner, as well as the effects of light and shadow. Oil and acrylics are the mediums of choice. Some painting experience is desirable.

$175 June 14 & 15, 2014 (Sat–Sun) 10:00am–4:00pm

Linear PerspectivePatrick KirwinMany artists cite “perspective” as one of the most difficult challenges to overcome when setting up a composition. In this workshop, students enhance their ability for critical observation as they learn the rules of perspective, perspective measurement, division of shapes into an even or odd number of spaces, circles in perspective, and inclined planes. This knowledge can then be applied to real drawing and painting situations and used to create clear spatial order within pictures.


Landscape Painting Techniques: Skies & CloudsPatrick KirwinSky colors change seasonally and impart unique feelings. This workshop explores the color combinations for various seasons and weather conditions. Specific cloud structures and the techniques for painting them are also demonstrated. A $30 materials fee payable to the instructor covers the use of acrylic paint and glaze. Students bring additional supplies.


Landscape Painting Techniques: WaterPatrick KirwinFrom ocean waves on beaches to tranquil lakes and reflections, water in its various settings is studied. An emphasis is placed on learning the color combinations that make painting water convincing. Using the correct brushes to make the shapes of water is also demonstrated.

$175 July 19 & 20, 2014 (Sat–Sun) 10:00am–4:00pm

Jumpstart in Photo RealismPatrick KirwinThe basic techniques of photo realism are combined with compositional basics to begin an exploration in photo realistic painting. Techniques to paint a variety of materials like chrome, metal, glass, and brick are used with a heightened understanding of drawing and perspective to make startlingly realistic paintings from photo reference. Painting techniques, drawing, use of flat color and modeled color and emphasis on value structure are covered in this class.


A Week in Thomas, West VirginiaDanni Dawson, Mike Francis & Paul LucchesiSpend a week painting still life or landscape with Danni Dawson and Mike Francis, or sculpting with Paul Lucchesi. Participants may choose to focus on one style or switch freely between the three instructors. Workshop includes lunch. Lodging is not included.

$495 August 5–9, 2013 (Mon–Fri) 10:00am–5:00pm$495 Aug 26–30, 2013 (Mon–Fri) 10:00am–5:00pm$495 Aug 25–29, 2014 (Mon–Fri) 10:00am–5:00pm

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Patrick Kirwin–Oil

Marsha Staiger–Acrylic Mixed Media

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A Week in the Indiana CountrysideDiane TeslerStudents spend a week of intensive painting in Diane’s Midwest hideaway. Northern Indiana farm country is a land of space and austere beauty. A variety of locations around the town of Kewanna (population 500) and the surrounding countryside offer wonderful painting possibilities. Students may work in oil and gouache. Each class is limited to five. Lunch and dinner at Diane’s house are included. Travel and lodging are additional. Please call the school for further information.

$495 August 5–9, 2013 (Mon–Fri) $495 August 12–16, 2013 (Mon–Fri) $510 August 4–8, 2014 (Mon–Fri) $510 August 11–15, 2014 (Mon–Fri)

Vermont Landscape Painting RetreatSusan AbbottParticipants gather for a Thursday evening introduction and spend the following five days working plein air in and around Susan’s 1840’s farmhouse and studio, surrounded by woods, meadows, and hills near Plainfield, Vermont. Students may work in watercolor, oil, acrylic, or pastel. Some prior painting experience is required, but first time plein air painters are welcome. Class is limited to fourteen. Lunch and snacks are provided. Travel and lodging are additional. Please email Susan at [email protected] for further information.

$510 August 7–12, 2014 (Thurs–Tues)

Introduction to EncausticBeverly RyanParticipants learn to paint with encaustic, a mixture of beeswax and pigment. This course covers basic techniques of painting and fusing, transparent and opaque layering, scribing, image transfer, combining oil paint and wax, collage, tools, recommended supports, and safety concerns. The workshop consists of demonstrations and hands-on experience. Workshop fee includes materials, four supports, and use of equipment.

$310 September 7 & 8, 2013 (Sat–Sun) 10:00am–4:00pm$310 January 4 & 5, 2014 (Sat–Sun) 10:00am–4:00pm$310 September 13 & 14, 2014 (Sat–Sun) 10:00am–4:00pm

The Next Step in Encaustic PaintingBeverly RyanEncaustic painters explore this exciting medium on five consecutive afternoons. Demonstrations and plenty of hands-on time provide the opportunity for students to review basic techniques, try new materials, develop imagery for a series, work on a larger format, explore mixed media, hone tool skills, and connect with other encaustic enthusiasts. Workshop fee includes most materials, two 15” X 15” panels, three 9” X 9” panels, and use of equipment.

$425 March 24–27, 2014 (Mon–Thurs) 1:00pm–5:00pm

Personal Narrative TriptychBeverly RyanUsing photo-transferred personal images and acrylic paint, participants create a mixed media narrative triptych on small wooden panels. The workshop includes planning a composition and instruction in several photo transfer techniques. Narratives emerge as painted and imported imagery are layered. A $45 fee, payable to the instructor, covers three 12” X 12” cradled wooden panels.

$175 September 14 & 15, 2013 (Sat–Sun) 10:00am–4:00pm$175 September 6 & 7, 2014 (Sat–Sun) 10:00am–4:00pm

Jumpstart into AbstractionBrenda BelfieldThis intuitive abstract painting workshop teaches the creative process: developing ideas that are not pictured in your mind but come from a process of experimentation and discovery, analysis and revision. Through demonstrations and challenging assignments, students experience the creative process and develop abstract self-expression with acrylics and mixed media on paper and canvas. All levels are welcome.

$175 July 12 & 13, 2014 (Sat–Sun) 10:00am–4:00pm

Gel & Medium Techniques for Abstract AcrylicsMarsha StaigerFind out how to manage the many aspects of acrylic paint. Learn to use a wide variety of mediums and gels to expand the possibilities of acrylic paint. Discover how to modify opacity, transparency, and texture of paint. Experiment with additives that allow the creation of anything from watery glazes to sculptural impasto from the same tube of paint. Build a notebook for future reference.

$265 December 14–16, 2013 (Sat–Mon) 10:00am–4:00pm

Creative Collage with AcrylicSusan HerronIn this workshop, students combine hand-decorated, richly textured papers with acrylic under-paintings to create strong personal designs. The results are often unexpected and satisfying!


Textures and LayersBrenda BelfieldUsing new acrylic gels, collage, and unconventional media such as plaster, artists create abstractions with layers and textures which add mystery to a painting. Demonstrations of “faux” encaustic and glazing included. A small fee is payable to the instructor for supplied materials.

$175 September 10 & 11, 2013 (Tues–Wed) 10:00am–4:00pm

Collaborative Collage with AcrylicMarsha StaigerIn this course versatile acrylic meets unassuming collage: a perfect match! Learn to use collage as a generator of ideas, rescuer of failed paintings, and color palette stimulus. Create handmade, personal works incorporating acrylic and collage media.


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Rosemary Luckett–Collage



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Intermediate/Advanced

Abstract PaintingJoyce McCartenAbstract painting can be representational or non-subjective. Whatever the preference, working in a series can lead to making work that is personal and satisfying. Students have three days to take ideas and develop them through drawing, painting, and mixed media. New creative solutions to conceptual problems are discovered as students learn to paint in layers, integrate subject and ground, and use transparencies, found images, and lost and found lines.

$280 March 17–19, 2014 (Mon–Wed) 9:30am–4:30pm

Collect, Cut, Combine, Converse:The 4 C’s Collage ProjectRosemary LuckettOnce two diverse elements are pasted down, a dialogue between them starts to develop. In this collage workshop, students learn to start a visual conversation and keep it going. Attention is paid to adhesives, composition, and story-telling. Participants bring collected images, photos, papers, collectables, and glues.


Acrylic Paint with Printing TechniquesMarsha StaigerDiscover painterly monotype, relief stamp making, and image transfers in acrylic. Due to the quickly made multiples of print making, this class encourages students to explore many possibilities in their work. This class also examines the various dimensions of mark making, as well as positive and negative space relationships.


Music and Color CollideMarsha StaigerExplore sensory relationships in this five-day painting workshop. Covering historical intersections of music and visual arts such as Schoenberg and Kandinsky, Stravinsky and Picasso, this workshop helps students draw inspiration from, and give visual form to, music. Participants learn to answer the question, “what color is middle C?” Students may chose to participate in a group trip to the Alexandria Symphony Orchestra. Fees for a figure model with an instrument payable to instructor.

$400 June 16–20, 2014 (Mon–Fri) 10:00am–4:00pm

Jumpstart to Etching Penny BarringerThis fundamentals workshop is a great place to start for beginners and an invaluable refresher course for the more experienced student. Techniques covered are line etching, aquatint, and dry point. Students produce prints in all techniques. Limited to ten students. A $20 lab fee, payable to the instructor, covers all supplies except plates, printing paper, and paper towels.


All Levels

Jumpstart in Wood EngravingRosemary Feit CoveyWood engraving allows the printmaker to create detailed images and prints without a press. This workshop is appropriate for the beginner with no art experience and also the more accomplished artist. Engraving surfaces include resingrave, maple, and boxwood. A supply kit is available in the store. All ages and levels are welcome.

$175 June 15 & 16, 2014 (Sat–Sun) 10:00am–4:00pm

Linoleum CutsPenny BarringerA relief printing process that doesn’t require a press to print, linoleum is an easy to cut alternative to wood. A $20 lab fee is payable to the instructor.


Silk Screen PrintingNancy McIntyreStudents explore the silkscreen medium for twelve focused hours. Returning students should come with a project in mind. Beginners learn the three basic types of silkscreen stencil (cut, photographic, and hand-painted) and create two small editions of prints, using only non-toxic, water-based inks. All supplies are included. Limited to eight students.


Monotype ExplorationsPenny BarringerExplore the techniques used by Degas, Sargent, and Prendergast. Subtractive, additive, color blending, and painterly techniques are the focus of the workshop. A $20 lab fee is payable to the instructor.

$170 October 19 & 20, 2013 (Sat–Sun) 10:00am–3:00pm$170 April 5 & 6, 2014 (Sat–Sun) 10:00am–3:00pm

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Beverly Ryan–Oil

Nancy McIntyre–Silkscreen Print

Printmaking Workshops

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Beginning / Intermediate

Intensive MonotypePenny BarringerStudents delve into the fascinating mono process in an intensive workshop. A new inking technique with water-based or oil-based inks is explored each morning and afternoon. A $40 lab fee payable to the instructor covers all supplies except paper and paper towels. Limited to ten students.

$360 June 23–27, 2014 (Mon–Fri) 10:00am–3:00pm

The Monotype PartyMike Francis Pattee Hipschen Thomas HipschenIn the last quarter of the 1800’s, monotype parties were the rage for all artists in Europe and America. In this two-day intensive workshop, participants use their drawings, paintings, or photos as reference as they explore the printing territory pioneered by Edgar Degas. Demonstrations include traditional monotype printing techniques and manipulation of the image with watercolor, gouache, and pastels. A gourmet lunch is served daily. A $20 lab fee, payable to the instructor, covers all supplies and lunch. This workshop is offsite.

$200 April 5 & 6, 2014 (Sat–Sun) 10:00am–4:00pm

Plein Air Landscape MonotypesBobbie Pratte & Penny BarringerThis workshop combines water-based monotype techniques with plein air painting. Participants spend the first day painting on Mylar at the chosen site and the second day in the printing studio transferring their paintings to paper through the monotype printing process. A $20 lab fee is payable to instructors.

$190 May 15 & 16, 2014 (Thurs–Fri) 10:00am–4:00pm

Advanced MonotypePenny BarringerThis workshop focuses on an in-depth exploration of several monotype techniques: viscosity, Chine Collé, and multilayer printing. Students are encouraged to pursue individual projects. A $40 lab fee covers all materials except paper and paper towels. Limited to eight students.

$360 June 9–13, 2014 (Mon–Fri) 10:00am–3:00pm

Photography WorkshopsJumpstart in PhotographyAlison Duvall & Pete DuvallLearn to use your camera beyond “auto” mode. Day one teaches the basics of your camera, including exposure, white balance, ISO, and lens choices. Day two includes time photographing “out in the field” with the instructors, followed by detailed discussion on downloading, editing, and organizing digital images. Students should bring a camera with charged batteries.


Alternative Photo ProcessAlison Duvall & Pete DuvallIn this hands-on workshop, participants learn some of the lesser-known photo processes. This course covers how to take images, manipulate them, and put on almost any surface using Fuji’s instant print film. The world of the cyanotype and its beautiful blue, turn-of-the-century look is also explored. Students also make their own pinhole cameras and take photos with them. All materials are supplied but students are encouraged to bring their own slides, images, and materials on which to transfer images. A $40 lab fee is payable to the instructor.

$165 June 21 & 22, 2014 (Sat–Sun) 11:00am–4:00pm

Architectural PhotographyLibby CullenLearn the elements of good architectural photography including perspective, scale, lighting, and composition, as well as technical aspects such as camera formats, lenses, filters, and lighting. On day one, students meet on location as the instructor works alongside the students teaching through demonstration and lecture. A critique of the students’ work followed by editing features in Photoshop occurs in the classroom on day two. Both film and digital cameras are welcome.

$175 Sept 7 & 8, 2013 (Nat. Mus. of the American Indian) 10:00am–4:00pm$175 Dec 7 & 8, 2013 (Nat. Building Museum) 10:00am–4:00pm$175 March 15 & 16, 2014 (Library of Congress) 10:00am–4:00pm$175 June 14 & 15, 2014 (Hirshhorn Museum) 10:00am–4:00pm

Basic Photographic Lighting ToolsRobin ReidPhotography is all about capturing light. But what light is needed? Daylight doesn’t always cooperate; but pop-up flash is limited. Before one invests blindly, learn about the tools professionals use: flash, strobe, reflectors, umbrellas, gels, gobos, grids, and snoots. Participants learn to make many of these tools inexpensively. In addition, participants learn how the color of light impacts the final product, and how and when to change the size of the lights. The principles taught in this workshop are essential to all types of photography. This workshop is taught off-site in a professional studio in Alexandria.

$90 October 12, 2013 (Saturday) 10:00am–4:00pm$90 January 11, 2014 (Saturday) 10:00am–4:00pm$90 March 29, 2014 (Saturday) 10:00am–4:00pm$90 June 21, 2014 (Saturday) 10:00am–4:00pm

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Libby Cullen–Photograph


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Portrait PhotographyRobin ReidIn this offsite workshop addressing studio portraiture, the goal is to teach the student how to quickly produce a saleable, flattering photograph. Topics include lighting principles, use of strobes, portraiture posing, and f laws. Sample sheets, educational resources, reviews, and critiques are made available.$175 September 28 & 29, 2013 (Sat–Sun) 10:00am–4:00pm$175 December 7 & 8, 2013 (Sat–Sun) 10:00am–4:00pm$175 March 1 & 2, 2014 (Sat–Sun) 10:00am–4:00pm$175 May 17 & 18, 2014 (Sat–Sun) 10:00am–4:00pm

Photoshop WorkshopAlison DuvallCome learn the basics of Adobe Photoshop and how to apply these skills to photos. Everything from adjusting and correcting photos to creating new images is discussed. This class is taught using Adobe Photoshop Creative Cloud. Students should bring a laptop and download the free trial from www.adobe.com prior to the first class.

$100 Sept 3 (Tu), 5 (Th), 10 (Tu) & 12 (Th), 2013 7:00pm–9:00pm$100 Mar 18 (Tu), 20 (Th), 25 (Tu) & 27 (Th), 2014 7:00pm–9:00pm

Lightroom WorkshopPete DuvallLearn to use Adobe Lightroom as the centerpiece for digital photography workf low and integrate it with Photoshop. Participants learn to use the program to organize, edit, print, or share images. This class is taught using Lightroom 4. Students should bring a laptop and download the month-long trial of Lightroom 4 from www.adobe.com prior to class.


Sculpture WorkshopsMotion, Light, And Sound: Dynamic Sculptures And InstallationsJohn KauffmanLearn how artists create interactive installations and kinetic sculptures. This workshop teaches how to incorporate motion, light, and sound into your work with a simple, inexpensive device called a microcontroller. Without any prior knowledge of electronics or programming, participants learn to achieve interactive pieces that respond to environmental changes. Students bring a laptop and, prior to the workshop, directly order a kit of parts ($80). Parts are reusable and students can continue to experiment in the future with no further investment in tools.

$180 August 6–7, 2013 (Tues–Wed) 10:00am–4:00pm

$180 December 14–15, 2013 (Sat–Sun) 10:00am–4:00pm

$180 June 14–15, 2014 (Sat–Sun) 10:00am–4:00pm

A Week in Thomas, West VirginiaDanni Dawson, Mike Francis & Paul LucchesiSpend a week painting still life or landscape with Danni Dawson and Mike Francis, or sculpting with Paul Lucchesi. Participants may choose to focus on one style or switch freely between the three instructors. Workshop includes lunch. Lodging is not included.

$495 August 5–9, 2013 (Mon–Fri) 10:00am–5:00pm$495 Aug 26–30, 2013 (Mon–Fri) 10:00am–5:00pm$495 Aug 25–29, 2014 (Mon–Fri) 10:00am–5:00pm

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Paul Lucchesi–Clay


Pete Duvall–Photograph


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Jewelry WorkshopsJumpstart in EnamelingAbby GoldblattThis workshop is an easy and inexpensive way for the beginner to experience the beauty and versatility of enamel. For those considering an enameling class, this is an excellent opportunity to “try out” this exciting art form. A $45 materials fee covers all supplies.

$165 July 26 & 27, 2014 (Sat–Sun) 10:00am–3:00pm

Jump into Metal ClayPaula CoupeThis workshop provides an opportunity to learn about and experiment with the three types of metal clay—Precious Metal Clay (PMC), and the newest clays, BRONZclay and COPPRclay. Students have the opportunity to make a pendant and/or earrings with each clay type, and learn the different properties, techniques, and finishing possibilities for all three. All levels are welcome. A $50 tool and materials fee, which includes enough clay for each project, is payable to the instructor. Additional tools and clay are available for purchase.

$165 August 20 (Tu), 22(Th) & 27 (Tu), 2013 10:00am–1:00pm$165 August 20 (Tu), 22(Th) & 27 (Tu), 2013 7:00pm–10:00pm$165 August 19 (Tu), 21(Th) & 26 (Tu), 2014 10:00am–1:00pm$165 August 19 (Tu), 21(Th) & 26 (Tu), 2014 7:00pm–10:00pm

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Figure SculpturePaul LucchesiStudents of all levels have an opportunity to study portrait and figure sculpture with an internationally famous sculptor. Students work in clay, with emphasis on anatomy, technique, and expression. Three bags of clay are included. Model and firing fees are extra and may be paid to the instructor.

$390 December 2–5, 2013 (Mon–Thurs) 10:00am–3:30pm$390 March 17–20, 2014 (Mon–Thurs) 10:00am–3:30pm

Figure Sculpture WorkshopCharles FlickingerThe focus of this workshop is the anatomy of the figure, gesture, and proportion. The gesture is the core of any figurative work, therefore the essential movement, rhythm and flow of the pose is stressed. What lighting best illuminates form, texture, or detail is discussed. Use of tools to achieve various types of surfaces is explored as well as the engineering aspects of building small figures in clay. Includes two bags of clay. Model fees are extra.

$190 September 7 & 8, 2013 (Sat–Sun) 10:00am–4:00pm$190 September 6 & 7, 2014 (Sat–Sun) 10:00am–4:00pm

Portrait Sculpture WorkshopCharles FlickingerThe focus is on the anatomy of the head and capturing likeness, personality, and mood in terra cotta. Students sculpt from a single pose in this two day intensive workshop. Visualizing 3-D form and choosing tools are addressed. Clay is included. Model and firing fees are extra.

$190 January 4 & 5, 2014 (Sat–Sun) 10:00am–4:00pm$190 June 21 & 22, 2014 (Sat–Sun) 10:00am–4:00pm

Plaster Casting & Mold MakingNick XhikuStudents learn the art of plaster casting as well as rubber mold making and waste mold making in this step-by-step intensive workshop. This is a valuable course for sculptors and ceramic artists who wish to make multiples or cast in other materials. A materials fee is payable to the instructor.


Bas Relief SculptureNick XhikuThis course introduces students to the principles of bas-relief, which serves as a bridge between two-dimensional and three-dimensional art. Students explore different methods of the bas-relief process as they build up and out of the flat surface of clay. Principles of perspective are addressed. Class begins with a simple project and progresses to more complex ones.


Gretchen Raber–Gold & Gemstones

Charles Flickinger–Clay

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Silver Soldering for JewelryGretchen Raber Tina ChisenaStudents spend an intensive hands-on day devoted to working with the acetylene torch. Torch safety is stressed along with techniques, materials, and equipment. Participants practice with metal and silver solders. Materials are included.

$95 November 2, 2013 10:00am–4:00pm Chisena$95 March 1, 2014 10:00am–4:00pm Raber

Unique Fold Forming Techniques for JewelryNick BarnesUsing traditional and non-traditional hand and hammer form raising techniques, students explore using fold forming in unique ways. Using pre-shaped blanks to aid in the emphasis of design through play, students are introduced to the basic techniques developed by Charles Lewton Brain and his students, and use these methods as a springboard to explore different avenues in their own pieces. A material list is available, and an optional tool kit may be purchased from the instructor.


Felted JewelryRenate Maile-MoskowitzStudents explore the endless possibilities of using wool to make necklaces, rings, pendants, earrings, and other jewelry. Materials are included in the tuition.

$70 December 7, 2013 (Saturday) 10:00am–2:00pm

The New Silver: Precious Metal ClayPaula CoupeParticipants make fine silver jewelry with ease and speed using a different approach from conventional methods. PMC is a compound of fine silver particles mixed into an organic binder that can be rolled, shaped, and textured with amazing detail. Students learn about the various types and forms of PMC and try the basic techniques for creating and finishing jewelry. Metal clay and a $15 tool kit may be purchased from the instructor.


Metal Clay and EnamelingPaula Coupe & Abby GoldblattThis workshop introduces the expanded possibilities of metal clay when paired with enameling. The first day students create jewelry pieces from metal clay. Basic techniques for working with the clay are covered along with design considerations for future enameling. On day two basic procedures are demonstrated and students enamel their own work. Clay and a $15 clay tool kit are available for purchase. A $20 materials fee paid to the enameling instructor covers all other supplies.

$185 February 22 & 23, 2014 (Sat–Sun) 10:00am–4:00pm

Blacksmithing for SilversmithsMichael BrehlLearn to make your own tools. Mushroom, blowhorn, anticlastic, and raising stakes can be made, as well as chasing tools and a stonesetting jig. If participants complete one blowhorn stake and one mushroom stake the cost of the class is far less than the retail cost of those two stakes. Cutting, forming, welding, grinding, sanding, and polishing techniques are demonstrated. Prior jewelry or silversmithing experience is required. Welders, grinders, and other large power tools are used. This workshop is physically demanding and also requires reasonably good eyesight and depth perception. A materials fee is payable to the instructor (approximately $70) but varies depending on the material used. Registered students should contact the instructor at least one week prior to class to discuss individual material needs.


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Fold Forming Meets EnamelingNick Barnes & Abby GoldblattSaul Bell Award winning artists, Abby Goldblatt and Nick Barnes, team up again for this three-day course. Through extensive demonstrations and play periods, students explore the exhaustive shapes and colors that these two techniques can bring to form building for small-scale jewelry or larger sculptural pieces. Using samples as inspiration combined with an emphasis on playfulness, students are guided in the design development of their own unique pieces. Through the process of enameling, color may be draped over forms to enhance and tease the viewer, or to add the surprise of an additional element. Tuition includes the use of enamels. An optional tool kit is available for purchase from the instructors.


Powder CoatingAshley BuchananStudents learn the basics of powder coating, a surface technique that can create a colorful, clean, durable finish on jewelry and small metal objects. This process is traditionally used on an industrial scale to coat and color large metal objects, but converts perfectly for jewelers and metalsmiths to utilize in their own studios. Participants are encouraged to experiment with various application processes while making small metal sample sets and coating items of their own personal work. Powder coating materials are included in the tuition. Students provide the metal and their own objects.



Ashley Buchanan–Hand-cut Brass and Powder Coat


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Becoming ProfessionalFrom Amateur to ProfessionalSusan AbbottThis very intensive workshop demystifies the business side of being a professional artist. Students learn about building a resume, approaching galleries, organizing shows, coping with rejection, slides, publicity, marketing, taxes, and many other topics. Each participant receives a booklet of worksheets and information.

$100 March 29, 2014 (Saturday) 10:00am–4:00pm

Photographing Your ArtworkPete Duvall & Alison DuvallThis workshop covers the basics of taking images of artwork for gallery submission, website use, or print reproduction. Lighting, lens use, backdrops, film and digital options are explored. Both 2-D and 3-D artwork are discussed. Participants should bring a camera (film or digital) that can be operated in full manual mode and notebook. No artwork needed.

$95 September 8, 2013 (Sunday) 11:00am–4:00pm

Basic Matting and FramingEileen Yeager & Ron YeagerThis two-day workshop covers the fundamentals of matting and framing, excellent for artists, collectors or anyone interested in getting into the framing business. Students learn design and preservation techniques, knowledge of tools, basic and custom mats, hands-on mat cutting, mounting, and pre-cut frame assembly. A $20 materials fee, payable to instructor, covers supplies and use of tools.

$175 September 14 & 15, 2013 (Sat–Sun) 10:00am–4:00pm$175 January 4 & 5, 2014 (Sat–Sun) 10:00am–4:00pm$175 March 29 & 30, 2014 (Sat–Sun) 10:00am–4:00pm$175 June 21 & 22, 2014 (Sat–Sun) 10:00am–4:00pm

Creative Matting and MountingEileen Yeager & Ron YeagerWant to learn money saving decoration for mats? Improve traditional plain mats with pencils and paints, paper or fabric, gold pens and more. Learn to cut ovals, circles, or V-grooves. Float mounting, spacers, and shadow box mounting are covered in this hands-on workshop. Mat cutting experience is not necessary to take this workshop. A $20 materials fee, payable to instructor, covers supplies and use of tools.

$95 September 13, 2013 (Friday) 10:00am–4:00pm$95 March 28, 2014 (Friday) 10:00am–4:00pm

Wood Frame Cutting and JoiningEileen Yeager & Ron YeagerThis workshop picks up where pre-cut frame joining leaves off. Students learn to cut to length, miter, join and assemble a wood frame. Painting and embellishing frames are demonstrated. A $20 materials fee, payable to instructor, covers supplies and use of tools to build an 11” X 14” frame.

$95 January 3, 2014 (Friday) 10:00am–4:00pm$95 June 20, 2014 (Friday) 10:00am–4:00pm

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The Art League offers workshops led by distinguished visiting instructors, as well as Art League instructors. Instruction in a specific medium is offered in concentrated 2-day to 2-week sessions. For individual brochures on any of the workshops listed below, please call Margaret Cerutti at 703-683-1780x13 or email [email protected].

Painting the Fall LandscapeHickory Bridge Farm, Pennsylvaniawith Bobbi PrattePlein Air Painting October 19 – 20, 2013$195 + $30 Herbal luncheon fee per person(accommodation not included)

Southern Maryland, Amish Country:Historic Barns and Sotterley Plantationwith Peter UlrichPlein Air Painting Fall 2013

Winter 2014 Painting Retreat, Elbow Cay Bahamaswith Susan AbbottPlein Air Painting February 7 – 12, 2014

Brandywine River Museum, Chadds Ford, Pennsylvaniawith Bobbi PratteMuseum Exploration and Plein Air Painting Spring 2014

Photographing the Wonders of Antiquity, Cultureand Landscape: Ethiopia – The Cradle of CivilizationwithAndargeAsfaw*Open to Artists of All Media* Early Spring 2014

Florence, Italy: Through the Eyes of the Artistwith Robert LiberaceMuseum Exploration / Drawing Spring 2014

Painting the Chesapeake:the Eastern Shore, Tilghman Islandwith Peter UlrichPlein Air Painting Spring 2014

Provence 2014with Susan AbbottPlein Air Painting June/July 2014

Discovering Eastern Europewith Bobbi PratteSketching / Painting Early Fall 2014

Susan Abbott–Watercolor

TravelWorkshops

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The Art League thanks all our funders and donors for their

generous support.

Thisdocument is funded inpartby theVirginiaCommissionfortheArtsandtheNationalEndowmentfortheArtsthrougha

grant to The Art League.

United Wayof the National Capital Area

Please consider donating through

UnitedWay#8069

or CFC #56520

60artleague

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2014: The Art League Celebrates 60 Years

GetreadytocelebrateTheArtLeague’s60thAnniversaryin2014withahostofspecialevents,

exhibits, and programs.

Staytunedtotheartleague.orgfordetails.

Deborah Ellis–Watercolor

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FacultyNancy Aldrich-Wolf BA, University of North Carolina

Andargé Asfaw Graduate of the Hallmark Institute of Photography

Kathlyn Avila-Reyes BS, Virgina State; Art Certification, Corcoran College of Art + Design

Nick Barnes BA, The Polytechnic School of Wolvehampton; Montgomery College

Penelope Barringer BFA, Syracuse University

Carlos Beltràn Baldiviezo BFA, Mississippi State University

Andrea Blackmon BS, University of Minnesota

John Blee MA, Hunter College; BFA, Maryland Institute College of Art; studied with Helen Frankenthaler and Robert Motherwell

Julie Booth BA, Wesleyan University; Certificate Degree, Scientific Illustration, Rhode Island School of Design

Gwen Bragg NWS; MFA, BS, James Madison University

Michael Brehl MFA, University of Washington, Seattle; BFA, University of Wisconsin at Madison

Peter Böttger MFA, Sculpture, The Royal Danish Academy of Fine Arts

Jim Burford MFA, Carnegie Mellon University; BS, University of Oregon

David Bowen Carter MFA, American University; BFA, James Madison University

Tina Chisena MFA, Towson University

Jin Chung BA, Virginia Commonwealth University

Susan Cohen MFA, George Washington University; BA, Smith College

Rachel Collins MALS, University of Wisconsin; BA, Middlebury College

Delna Dastur MFA, American University; BA, Wellesley College

Danni Dawson MFA, BFA, George Washington University

Karen Day BFA, Cleveland Institute of Art

Pamela Day BA, Lawrence University

Sylvia DeMar BA, University of Maryland; Spinning for over 25 years

Carol Dupré MFA, George Washington University; BA, University of Maryland

Alison Duvall BFA, Syracuse University

Peter Duvall BFA, Syracuse University

Candace Edgerley Northern Illinois University; Corcoran College of Art + Design

Deborah Ellis AB, Cum Laude, Radcliffe College; Art Students’ League, New York

Aiko Erickson BA, California State University at Long Beach; Corcoran College of Art +Design; Apprentice to Kawai Bolcusetsu and Ando Seisen

Steven Fleming BA, Old Dominion University; Maryland College of Art and Design

Marjorie Forgues Apprenticeship with Robert Liberace; Northern Virginia Community College

Michael Francis MFA, George Washington University; BFA, Maryland Institute College of Art;Corcoran College of Art + Design

Nancy Freeman BFA, Wayne State University

Charlene Fuhrman-Schulz MA, Washington University, St Louis; Studying under paintingmaster I-Hsiung Ju

Barbara Garren BA, West Chester University of Pennsylvania; MBA, Marymount College; knitting for over 40 years

Abby Schindler Goldblatt MFA, BA, Kent State University

Marilyn Harrington Springwater Fiber Workshop Artist

Michael Heilman BA, JD, University of Wisconsin; 10 years making & weaving rugs

Jack Heimerman BFA, Northern Arizona University

Susan Herron NWS; BFA, University of Maryland

Linda Hurt Knitter spinner and weaver with over fifteen years experience; BFA University of Washington

Scott Hutchison MFA, George Washington University; BFA, Drake University

Charles Johnson MA, University of Texas; BA, Centre College

Donna Jones BA, Photography, College of Notre Dame of Maryland

Joseph Kabriel MFA, BFA, Catholic University

Tania Karpowitz MFA, Indiana University; BFA, Boston University

Lori Katz Jersey City State University; George Washington University

Brian D. Kirk MIS, Sculpture & Ceramics, Virginia Commonwealth University; BFA, GeorgeWashington University; Corcoran College of Art + Design

Patrick Kirwin MFA, George Washington University, Skowegan; BA, Columbus College of Artand Design

Diana Kreutz BA, University of Maryland

Harriet Lawler Over 20 years of printmaking experience

Tatyana Leykin MFA, Boston University; Post-Baccalaureate, Brandeis University; BFA, Boston University.

Robert Liberace MFA, George Washington University

Rosemary Luckett BS, Saint Mary College; studied with Jennie Lea Knight, Anne Truit,Hank Harmon; Marymount University

Joann Liu BA, University of Mary Washington

Renate Maile-Moskowitz MFA, University of Maryland; BFA, University of Maryland; BSequivalent, University of Stuttgart, Germany

Frederick Markham MFA, George Washington University; Postbaccalaureate, Universityof Kentucky; BFA, Transylvania University

Joyce McCarten BA, Penn State University; Corcoran College of Art + Design; NorthernVirginia Community College

Nancy McIntyre BFA, Rhode Island School of Design

Blair Meerfeld BA, Adams State College

Hermineh Miller MFA, BA, Michigan State University; Eastern Michigan University

Ann Mullikin BFA, Pratt Institute; Hochschule für Bildende Kunste, Berlin

Joe Mullins James Madison University; Savannah College of Art & Design

John Murray Maryland Institute College of Art; Pennsylvania Academy of Fine Arts

Thanasi Papapostolou MFA, New York Academy of Art; BFA, University of Pennsylvania;Four Year Certificate, Sculpture, Pennsylvania Academy of the Fine Arts

Suzanne Kordalski Parrish MA, George Mason; BFA, Virginia Polytechnic Institute andState University

Matthew Pinney MFA, Pennsylvania Academy of the Fine Arts; BFA, Indiana University

Sara Linda Poly Maryland Institute College of Art; Northern Virginia Community College;Prince George’s County Community College

Jimmy Powers BS, James Madison University

Bobbi Pratte Parsons School of Design

Stephen Procopio BA in Studio Art, Messiah College

Gretchen Raber MFA, American University; BS, State University of NY

Ted Reed JD, Cum Laude, Harvard Law School; AB, Studio Art and English Literature,Summa Cum Laude, Bowdoin College

Donna Reinsel Frostburg State University; BS, University of Maryland; Catholic University;BFA, Corcoran College of Art + Design

Betzi Robinson BFA, Carnegie Mellon University

Racquel Rosa Community College of Baltimore County; University of Maryland,Baltimore County

Beverly Ryan MS, Columbia University; BA, Franklin and Marshall College; CorcoranCollege of Art + Design

Jacqueline Saunders MFA, University of Arkansas

Deanna Schwartzberg BFA, New York University; Corcoran College of Art + Design;George Washington University; Art Students’ League, NY

Kurt Schwarz BFA, George Washington University

Lisa Semerad Northern Virginia Community College; Apprenticeships with NelsonShanks and Danni Dawson

Allison Severance BFA, Hood College

Joe Spollen BA, George Washington University; studio assistant to Peter Thrasher &William Woodward

Marsha Staiger BA, University of Louisville in Kentucky

Jean Stark BFA & MAT, Maryland Institute College of Art

Gene Sterud PHD, UCLA; mosaic artist in the master tradition

George Tkabladze MFA & BFA, Sculpture, Tbilisi State Academy of Fine Arts, Tbilisi, Georgia. Tbilisi I. Nikoladze Art College, Tbilisi, Georgia.

Priscilla Treacy MA, Villa Schifanoia, Graduate School of Fine Arts of Rosary College,Florence, Italy; BA, Oberlin College

Mary Ellen Trozzo BA, University of Maryland; Fachhochscule für Gestaltung, SchwabischGmund, Germany; Columbia School of Gemology

Joan Ulrich Northern Illinois University; Lill Street Studios, Chicago Illinois

Peter Ulrich PhD, MIT; BS, Yale

Ali Wunder BA in Studio Art, Messiah College

Nick Xhiku BS and Post-graduate studies, Sculpture, Academy of Fine Arts, Tirana, Albania

Jennifer Yamane MAT, George Mason University; BA in Studio Art, Middlebury College

Dana Yang BFA, Savannah College of Art and Design

Saaraliisa Ylitalo MA, Montclair State University; BA, Lawrence University

Steve Fleming-Watercolor

105 North Union StreetAlexandria, Virginia 22314 www.theartleague.org | 703-683-2323

School Term DatesSeptember 2013–August 2014

Fall Term 2013September 16–November 17

Winter Term 2014January 6–March 9

Spring Term 2014April 6–June 8

Summer Term 2014June 23–August 24

Summer Art Camps 2014June 16–August 22

Madison Annex

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The Art League School Catalog 2013/14

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