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nSpain
. TO M AS N
NNU M SMAT CSO C E T
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h
a t h i t r u s t . o r g / a c c e s s
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E S R V E D B Y
NNU M SMAT CSO C E T
G R MAN
N .G U C ST AD T
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h
a t h i t r u s t . o r g / a c c e s s
_ u s e # c c - b
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T S AN M O NO G R A H S
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h
a t h i t r u s t . o r g / a c c e s s
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8/9/2019 The Barbaric tremissis in Spain and Southern France : Anastasius to Leovigild / by Wallace J. Tomasini
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O K
isigothsandtoNumismatics
F N R
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
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8/9/2019 The Barbaric tremissis in Spain and Southern France : Anastasius to Leovigild / by Wallace J. Tomasini
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. . . . .. . . . .. . . .. . . . .. . . .. . . . .. . i
A H Y , C O L L E C T O N SAND E Y T O AB B R E V I AT O N S. .. . i ii
TS O R TH E S X T H C N TU R Y T R E M SS S .. ..
F I CAN C O F TH E V P W T P E AN D T S U S O N T H E
M S S S N TH E W E S T . .. . .. . .. . .. 2
I A N SA ND T H E V P W T R E M S S S . . . .. . .. . .. . 25
G O F TH E T R E M S S S
T H E I R S T V P w A NA ST AS U s T R E M S S s . . 45
T H E A ST V P w S SU E . . .. . .. . .. . .6
AN TS O R S T L I S T C A NA Y S s . .. . .. . .. . 76
S S O F G R O U P S . .8 8
A T O NS O N ST L E GR O U P S AND R O G R E S S O N s .. .. 1 5
CT O R S O F D E S G N. . .. . .. . .. . .. . .. 1 5
. . .. . . .. . . . .. . . .. . . . .. 4
S S . . . . . . . . . . . . . . . .. . . . . . 4 5
.. . . .. . . . .. . . .. . . . .. . . . 4 8
T O N S . . .. . . . .. . . . .. . . . .. . . . 5 2
I S G O TH I C AR T A ND NU M S MA T C S .. . .. . .. 7
.. .... .... .... .... .... .... ... 8
E V I AT O N E Y T O C H AR T S. .. .. .. .. .. .2 6
N TH E V T H C N TU R Y . . . . .. . .. . .. . .2 62
S AND # SC R I P U L U M N TH E AT V T H C NT U R Y 2 64
N O TH E R D E N O M N AT O NS N GO L D AND S L V E R , AT
N TU R I E S . . . . . . . .. . . .. . . . .. . . 26 6
R O N Z E , A T V T H -V T H C N TU R I E S . . . .. . .. 26 8
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
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AT O N wi tH v w T P E S N A 3 A ND A 4
. . . . . . . .. . . . . . . . . . . 27
C O F V P w T P E S N GO L D , S L V E R A ND B R O N Z E .. 275
S O F C O I N SS TU D I E D B Y S T L E G R O U P S A ND B Y
. . . . . .. . . .. . . . .. . . .. . . . .. . 28
G R O U P R O G R E S S O N S. . .. . .. . .. . .. . .. . .2 88
V E GR A H O F R E N CH AN D B E R I AN CO L L E C T O N S
. . . . . . . . . . .. . . . . . . . . . . . 28
C TAB L E O F W E I GH T SO F C O I NS N MA O R G R O U P S2 0
CH A R TX AV E R AG W E I G H T N AR G S T
P . . . . . . . .. . . . .. . . . .. . . . .. 2 2
CH AR T X AV E R A G W E I GH T O F A L S E C -
N W E I G H T . . . .. . . . .. . . . .. . 2 3
W E I G H TS N ST L E G R O U P R O G R E S S O N S 2 4
N C TAB L E O F W E I GH TS O F CO I N S N CO MB I N D
- G R O U P S . . . . . . .. . . . .. . . .. . 2 6
F CH AR T X I AV E R A G W E I GH T N AR G ST
P . . . . . . . .. . . . .. . . . .. . . . .. 2 8
F CH AR T X I AV E R A G W E I GH T O F A L S E C -
N W E I G H T . . . .. . . . .. . . . .. . 2 9
T T R E D L A T S . .. . .. . .. . .. . .. . .. . .. 0 0
. . . .. . . . .. . . . .. . . .. . . . .. 0
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
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tudyearlysi thcenturycoinageinthe
withthe difficultyofseparatingfactfrom
fuscatednotonlybythesmall numberof
mberofhypotheseswhichhavebecome
entcannothelpbutbeskepticalof theuse
alasevidencebecauseoftheuncertainty
eminglyendlessvarietyof typesty les the
studiedorrecordedhoardsandthelack
e.Thisskepticismisaggravatedbyaesthetic
-classicalforms.Toseethesecoinsasbar-
ergoc rudeandugly isnottoseethematall.
narrownesshashinderednumismatic
itedtheusefulnessofthe numismatic
ofthecoinageofthelate mpireinthe
ratedresearchinsi thcenturycoinage.
andalleviatemanyoftheuncertaintiesof
sibletov isuali eac ontinuingtraditionf rom
barbarianmints.Althoughthishas
stulate tohypothesi e andtopredic t it
hefac tuallacunae. f the ualityofnine-
attributionsof enormant orofB elfort
rec omparedwiththoseofR einhartand e
o becomeoverconfidentinthe orderand
oraryscholarshiphasgivento thefieldof
ithincreasedintimacywiththematerial
oflateimperialnumismatics thedegreeof
attributionof thematerialhasnarrowed.
nsinrespec ttotheknowledgeofhistimeare
falsewemayconsidermostof themtobe
sticattributionaresoinvolvedwiththe
itythateventhemodernscholarmustbe
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
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onateforthefailingsofhis predecessors.
enatitsbest amystic ale perienc e. tisthis
cumulationoferroneoushypothesesthat
hibitingto theunderstandingofthe
e perienc etobeshareditmustbestructur-
dinto intelligiblesymbolsofthematerial
real. tmustnotbee pressedintheform
fe planatorysentences.Toooftenthe
yarenot anticipatedandgounanswered.
liam R einhartareacasein point.There
oresolvetheproblemsofbarbarian
broughtsuch udgmentandability toanaly e
less thevalueofthecontributionis
einhart smethodofimpartinghisknowledge.
smintattributions wherehepresented
rno e planation.Nowheredidhereveal
nowheredidherevealhismethodofanalysis.
oe tendReinhart sprovoc ativework itis
eginning. tisnot possibletobuildonhis
ttle indicationofthepathsofresearchhe
hofhisendeavorsproducednegative
clesdoesnotprovideafull understanding
cceptswithout uestioninghiscon-
otbetestedon thebasisoftheevidencehe
yofsi thc enturytremissesinthesummer
plehavebeenmorethankindandgenerousw ith
eandassistance.Mostdeservingofmy
sandmembersoftheAmericanNumis-
umwhowereresponsibleforthe estab-
onof theSummerSeminar. twasasa
mmerfellowshipsthat en oyedthepriv ilege
ccoinageinthe collectionsoftheAmeri-
ndtheH ispanicSocietyofAmerica and
atorialandlibrarystaffsdeservesmy
rgeC.Milesfromthe verybeginningwasa
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
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ritic andfriendw ithoutwhosepatienc e enthu-
tarefugeefrom talianR enaissance
presumedtocommithimselftothis
ebttohimandtoMr. hilipGriersonof
e CambridgeU niversityisinestimable.
siderabletimeandattentionto the
fmytheoriesandmanuscriptsandhas
tographicmaterial.Mostofallhehas given
know ledgeof thematerialin uestion as
osalhisunpublishedmanuscriptonthe
lectionoftheAmericanNumismatic
usionsinregardtothe datingofthelast
othaveevolvedwithouttheprovocationofhis
onthismatter.
eesofthe American hilosophical
rmeto studythecoinageinSpanish
ons.Theintimacywithwhich wasto
las thecoinsinthe New orkcollections
nionson si thcenturytremisses.The
tateUniversityof owamustalsobe
inmyresearchbyreleasingme frommy
througha ac ulty ellowshipsothat
script.
edphotographsorgraciouslyopened
shalleverbegrateful:M. ean afaurieof
lesattheB ibliothe ueNationalein aris
e Na va sc u s y d e u an a nd D r . u is V á q u e d e
ueol gic oinMadrid Dr. eopoldoTorres
ut o d e V a l en c ia d e D o n u a n in M a dr i d D o n
D irectorof theB ibliotec aNacionalinMadrid
io C al ó n D i r e c to r o f th e B i b l io t ec a d el R e a l
en odeel sc orial Dr. SamueldelosSantos
u e ol g i co r o vi n ci a l in C r d ob a D r . o s
u r u ag a D i r e c to r o f th e Mu s eo A r u e ol g i co i n
f it a y D i a o f t h e M us e o Ar u e ol g i co i n S ev i ll e
ar a s an d Á n g e la M e nd o a g u ar a s of t h e Mu s eo
ada.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
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usmembersof theUniversity ibrarystaf fhave
ngof materialandinarranging nter-
espec ialthanksisdeservedbyMissA daStof f let.
empleU niversitywaskindenoughtoassist
ts andMiss udith aetowoftheUni-
utedthedrawings.
pletewithoutmentioningthelate
illiam . M. B urke andmywife. B othgave
ndtheir patienceineditingmymanu-
feringtheylistenedto mymonologueson
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
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A H Y ,
S AN D E Y T O AB B R E V I AT O N S
of books articlesandcollectionsusedinthe
ebookareherearrangedin strictlyalphabetical
0 1 4 5 A d u i si c io n es d e l Mu s eo A r u e ol g i co N a ci o na l
M ad ri d 1 4 7.
A C L R E A nd re as A lf l di A C o nf li ct o f d ea s in t he a te R o m an
1 5 2.
R S 1 3 2 A nd re as A lf l di H e l me t of C on st an ti ne w it h th e
i n o ur na l of R o m an S tu di es X X I I 1 3 2 , p p . - 2 .
o l it i ca l r o pa g an d a An d re a s Al f l d i T h e Ma i n As p ec t s of
intheCoinageof theRomanRepublic ” in ssaysin
edtoHaroldMattingly eds. R . A . G. Carsonand
x f or d 1 5 6 p p . 6 – 9 5 .
e s m ar u e s mo n t a ir e s — G a br i el A m ar d el L e s m ar u e s mo n -
arbonneauV I esi c le ” inB ulletindelaCommission
bo n ne 1 0 2 p p . 11 – 1 6 2.
esMonnaiesaNarbonne— GabrielA mardel L esMonnaies
s ti n e t de u s ti n ie n f ra p p e s N a rb o nn e ” i n B u l l et i n
o l og i u e d e Na r bo n ne 1 8 8 p p . 1 3 – 1 5 .
sigothesdeNarbonne GabrielA mardel L esplusanc iennes
Narbonne inB ulletindelaCommissionarc h ologi-
8 p p. 8 – 4 0 1 .
l o n- s ur - S o n e — Gu s ta v e de o n to n d A me co u rt D e s c r ip t io n
sm rov ingiennesdeChalon-sur-S one ” inA nnuaire
i se d e N um i sm a ti u e e t d A r c h o l og i e 1 8 7 – 1 8 76 p p .
llec tionofA . Morroc os danhaaV elha aslistedby
N 1 4 0.
c tionof theA rchiv ioMunic ipal Sev ille.
A nonymiV alesiani inMonumentaGermaniaeHistoric a
X , C h ro n ic a mi n or a , T . M om ms e n B e r l i n 1 8 2 .
tionofThe AmericanNumismaticSociety.
d ic i i Av i ti V i e n n en s is p i sc op i O p e r a u a e su p er s un t i n
eiper MonumentaGermaniaeHistorica Auct.Anti .
88 .
r ol d u c iu s A t e ll T h e D e i fi c at i on o f A bs t ra ct d e as i n R o m a n
pt i on s C h ic ag o U n i v . o f Ch i ca g o r e ss 1 0 7 .
r n es t B a b e lo n M on n ai e s de l a R é p u bl i u e R o m a in e a r is 1 8 86 .
. A mo r s a n d A. M at a B e r r ue o C a t l o go d e l as m o ne d as
mism tic odeCatalu a B arc elona 1 52.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h
a t h i t r u s t . o r g / a c c e s s
_ u s e # c c - b
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Abbreviations
A R T A nd r B a u dr il la rt e s D i vi ni t s d e la V i c to ir e en G r c e e t en
4 . Th i s is a l so t o b e fo u nd i n t he B i b l i . de s c o le s f ra n .
m e f a sc .6 8 a ri s 1 8 4 .
o se f B e is se r D i e M n p r g un g de r O s tg ot en ” i n Mi tt ei lu ng en
n V , 1 1 1 2 1 4 6 , p p. 1 8 1 4o .
A u gu s te d e B e l f or t D e s cr i pt i on g n r a le d e s Mo n na i es m r o -
a ri s 1 8 2 9 5 .
vi a e sp a o l a - i o B e l t r n V i l l a gr a sa L a s m on e da s v is i go d as
es p a o l a i n B o l e t n d e l a Co m is i n r o vi n ci a l de
y a rt i st i co s d e O r e ns e V , N o s. o - 1 06 M a rc h -D e c .
1 1 6 , p p .8 1- 8 , 7 -1 04 1 1 – 1 2 0 12 - 1 5 1 45 1 52
r i t a — i o B e l t r n V i l l a g ra s a M o ne d as d e e o vi g il d e n el
C an es a o 1 4 5 , ” i n Nu ma ri o H i sp n ic o I ,
- 52.
mu e l B e r ge r H i s t o ir e d e la V u l g a te p e nd a nt l e s pr e mi e rs s i c l es
1 8 3 .
a n db uc h — M a B e r nh ar t H a n db uc h u r mi n k un de d er r m i-
l le 1 2 6.
M i n k u nd e — Ma B e r nh a rt M n k u nd e d er r m i sc he n k ai s er g ei t
R R . B e r nh e im er A n An c ie n t O r i en t al S o ur c e of C hr i st i an
A meric an ournalofA rc haeology 1 3 9 , pp. 647 668.
— . . B e r n o ul l i D i e B i l d n is s e de r r m i sc he n k ai s er u n d ih r er
a rt 1 8 82 1 8 4 .
l B i n d i ng G e sc h ic h te d e s B u r gu n di s ch - R o m an i sc h en ö n i g-
1 8 68 .
B e r n a rd i no B i o n d el l i S u l l e mo n et e a ur e e de i g ot i i n t a li a M i la n
drienB lanchet estr sorsdemonnaiesromainesetlesinvasions
a r is Q o o .
. H ead CatalogueofGreekCoinsintheB ritishMuseum:
8 8 .
roth Catalogueof the mperialB y antineCoinsinthe
n do n 1 0 8 .
dMattingly Coinsof theRoman mpireintheB ritish
2 - 50 .
Grueber Coinsof theRomanR epublic intheB ritishMuse-
0.
rw ic kWroth Catalogueof theCoinsof theV andals O strogoths
f the mpiresofThessalonic a Nic aeaandTrebi ondin
o n do n 1 1 1 .
B o a k I m p er i al C o ro n at i on C e re mo n ie s o f th e i f th a n d
n H a r va r d St u di e s in C l as s ic a l h i lo l og y X X X 1 1 ) ,
na t io n — . D o m i n gu e B o r d o a S p an i sh l l um i na -
3 0 .
M a B o r r e ll C oi n s of t h e V a n da l s in A f ri c a ’
1 85 5 , p p. – 1 2 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h
a t h i t r u s t . o r g / a c c e s s
_ u s e # c c - b
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viationsX V
— e r mi n B o u a B r e y A ni l l os i gn a ta r io v i si g od o d e la p r o-
B oletindelaComisi n rov inc ialdeMonumentos
u g o N o . 4 1 4 2 .
u h l L e s i n f lu e nc e s he l le n is t i u e s da n s le t r io m ph e r om a in e ”
o l ed e R o me 1 2 , p p. 7 5 9 5 .
o s e f B r u ns m id D i e m i i n e n d es G e pi d en k n i gs u n im u nd ”
sc hr i ft W i e n B d . 5 7 1 2 4 , p p . 1 5 .
s on — o hn B . B u r y T h e n va si on o f u ro pe o nd on 1 2 8.
o hn B . B u r y H i s to ry o ft he a te r R o ma n m pi re 2 v ol s.
R . C a g na c a nd V . C h a p ot M a nu e l d A r ch o l og i e R o m ai n e
1 6.
R heinisc heMerow inger-pr gungen ” in rankfurter
. B d. , p p. 5 3 – 3 4 .
A rt e . C am p s Ca o r la E l a r te h i sp a no v i si g od o ” in
e d. R . Me n n d e i da l I I , M a dr id 1 4 0 p p. 4 5 6 07 .
Q u i n t an i ll a . C am p s Ca o r la E l v i si g ot i sm o d e Q u in -
i n B o l e t n d e l Se m in a ri o d e Ar t e y Ar u e ol o gi a n o s.
1 3 9 – 4 0 , p p. 12 5 1 4 .
S a n e d ro d e N av e — . C a m ps C a o r la E l v i si g ot i sm o de
i n B o l e t n d e l Se m in a ri o d e s t ud i os d e A rt e y Ar u e o-
a ll ad ol id 1 4 0— 4 1 , p p. 7 – 8 0 .
C a t l o go d e l a co l ec ci n n u mi s ma t ic a m i li o C ar l es - To l rd
a B a r c e lo n a 1 3 6 .
R . A . G. C ar s on A R o m a n m p er i al M i nt a t N ar b on n e ”
X 1 5 0 , p p . 14 4 1 4 8.
R . A . G .C a rs o n S y st e m an d r o du ct i n t he R o m a n Mi n t ”
oinagepresentedtoHaroldMattingly eds. R . A . G.
th e rl a nd O x f o rd 1 5 6 p p . 2 2 7— 2 9 .
CassiodorusSenatoris V ariae inMonumentaGermaniae
, e d . T . M om m se n B e r l i n 1 8 4 .
Chronic a CassiodorusSenatoris Chronica inMonumenta
A u ct o re s A nt i u i ss i mi X I . C hr o ni c a Mi n or a I , e d .
18 2.
llectionofCostaCouvreur isbon aslistedbyW.
4 0.
ydenham TheCoinageof theRomanRepublic ondon
E T C a t. d e s o i n o n s — A n at o le C ha b ou i ll e t C a ta l og u e de s p oi n -
daillesduMus eMon tairedelacommissiondesmonnaies
18 3 .
E T C a t. g n . — A na t ol e C ha b ou i ll e t C a t a lo g ue g n r a l et r a is o nn
gr a v e s d e la B i b l i ot q u e m p r i al e a r is 1 8 5 8.
A GUS. — A non. Chronic orumCaesaragustanorumReli uae
istoric a A uc toresA nti uissimi X I , Chronic a
T .M om ms en B e r li n 1 8 4 .
s a da M o ed a i s bo n a s l i s te d b y W . R e i n ha r t D J N 1 4 0 .
ohen Desc riptionhistori uedesMonnaiesf rapp essous
a ri s 1 8 2 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h
a t h i t r u s t . o r g / a c c e s s
_ u s e # c c - b
y - n
c - s
a - 4 . 0
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Abbreviations
olvin A dventusA ugusti: aD raw ingattributedto
e sc i a i n a p er s o f th e B r i t is h S ch o ol a t R o m e V I ,
pp. 7 - 7 .
na t B r e v i ar u m Al a ri c ia n um R ö m i sc h es R e c h t i m r n -
i g 1 ο 3 .
i e rr e C ou r ce l le H i s t o ir e i t t r a ir e d es G r an d es n v as i on s
s 1 4 8.
hr is ti an C ou rt oi s e s V a nd al es e t l A f ri u e a ri s 1 5 5.
ollec tionofC . R . Coru aaslistedbyW. R einhart
a h n W e s tg o th i sc he S t ud i en : e V i s ig o th o ru m W ü r b u rg 1 8 7 4 .
S AG I O C h ar l es D a r e m be r g an d d m on d S ag l io D i c t i on n ai r e
u es e t R o ma in es a ri s 1 8 77 1 1 .
, C on s ul a rd i pt y ch e n R i c h a rd D e l b r ue c k D i e C o n su l ar d ip t yc he n
m l er B e r l in 1 2 .
, a is er or na t R i ch ar d D e lb ru ec k D e r S p t an ti ke a is er -
ke V I I I 1 3 2 , pp. – 2 .
a n da l . . D e r ri ma n V a n da l Co in s fr om C ar th ag e ” i n
I , 2 O c t. 1 4 4 , p . I .
. D e u bn er E i n e un be ka nn te A ra a ci s ” in R o m .M it t. X L V
7 -42 .
u st o é r e d e U r be l o sM on e s s pa o le se nl a d ad Me di a
4 .
M r. D o u g l as . D i c k i eo f R i d g ew oo d N e w e r se y .
o u g l as . D i c k i e M e ro v in g ia n C oi n s in t h e Co l le ct i on o f t he
c ie t y ” i n M us e um N ot e s V 1 5 o , p p . 1 9 6 .
S a mu e l D i l l R o m a n So c ie t y in G a ul i n t he M e ro v in g ia n A ge
n S oc i et y S a mu e l D i l l R o m a n S oc i et y i n th e a s t Ce n tu r y of t h e
o nd on 1 3 3 .
binetofTheDumbartonO aksR esearc h ibraryand
niversity inW ashington D . C .
R N 1 8 47 A . D u ch al ai s O b s er va ti on s su r u el u es p oi nt s de
e ” i n R e v u e N um i sm at i u e n o . 4 1 8 47 , p p . 2 7 2 6 7.
R N 1 8 54 A . D u ch al ai s T ri en s de l a r is e ” i n R e vu e Nu mi s-
1 85 4 , p p. 5 - 6o .
i b . po n ti f . o u is M . O . D u c h e sn e e i b er p o nt i fi c al i s a r i s
b e rs o lt e s a r ts s o mp t ur a ir e s de B y a n ce t u d e s ur l a r t
op l e a r is 1 2 .
n ne s O G a bi ne te N um is m t i c o i sb on 1 2 7.
n n od i us T h e i f e of S a in t p i ph a ni s t r an s . an d e d. S i st e r G. M .
niversityofAmericaStudiesinMedievalandR enais-
e a nd i te ra tu re X I V , W a s hi ng to n D . C . 1 4 2.
Collec tionof duardNieport orto aslistedinW.
4 o.
he lm n ss li n T he od er ic h de r Gr o e M un ic h 1 4 7.
é o n a l lu e A n na l es d e l a Ga u le a v an t e t pe n da n t la d o mi n at i on
864.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h
a t h i t r u s t . o r g / a c c e s s
_ u s e # c c - b
y - n
c - s
a - 4 . 0
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v iations v ii
O . i nk A .S . H o ey a nd W . . S ny de r T he e ri al e D u ra -
ss ic S tu di es V I I 1 4 0 , p p .1 2 22 .
e n ri u e l o re , M e d a ll a s de l a s Co l on i as M u ni c ip i os y u e bl o s
h a st a h oy n o p ub l ic ad a s c o n la s d e lo s R e y e s Go d as I I ,
N D E R , O s tg ot he n — u li us r ie dl ae nd er D i e M n e n de r O s tg ot he n
N D E R , V a n da le n — u l i us r ie dl ae nd er D i e M n e n de r V a nd al en
M A . . r ot hi ng ha m r . A R e v is ed i st o fR o m an M em o-
” inA meric an ournalofA rc haeology V I I I
4 .
0 — e a n G ag , L a V i c to r ia A u gu s ti e t l es A u sp i ce s d e Ti b r e ”
u e X X X I I J ul y O c t. 1 3 0 , pp .1 3 5 .
e an G ag , L a T h o lo gi e de l a V i ct oi re m p r ia le ” i n
C X X I J an .- ul y 1 3 3 ) , p p. 1 4 .
A D A Z . G a rc a y V i l la da H i s t or ia e cl es i s ti ca d e s pa a
3 2 .
T y pe s — . G n ec ch i C o in T y pe s o f m pe r ia l R o m e o n do n
1 0 4 . G n ec ch i T a rr a co o T i ci n iu m e M ed i ol a nu m ” i n
mi sm t ic a 1 0 4 p p. 5 4 0.
t er G o ff a rt B y a n ti n e o l ic y in t h e W e st u n de r T ib e ri u s I
ndersHermenegildandGundovald inTraditio
, pp. 7 – I I 8.
n e C o in a ge H u g h G o od a cr e T h e B r o n e C o in a ge o f t he
o nd on 1 2 2.
y a n ti n e — H u g h Go o da c re A H a n d bo o k of t h e Co i na g e of t h e
o nd on 1 2 8 3 3 .
a nt in is ch e B e si t u ng en — r an G r re s D i e b y a n t in is ch en
ü stendesspanisc h-westgotisc henR eic hes 554—624 , ”
it sc hr if t X V I 1 0 7 , p p .5 15 5 8 .
r me n eg i ld — r a n G r r es K r i ti s ch e U n t e rs u ch u ng e n b e r de n
mdeswestgothischen ö nigsohnesH ermene-
f r d i e hi s to r is ch e T he o lo g ie 1 8 7 , p p . – 1 0 .
Gr a ef T r iu m ph — un d h r en b og e n ” D e n km l e r de r l a ss i -
I , e d . A . B a u me i st e r M u n ic h 1 8 8 6 1 8 8 .
ssues— MichaelGrant RomanA nniversary ssues
— Mic haelGrant rom mperiumtoA uctoritas Cam-
M ic ha e l Gr a nt R o m a n m p er i al M o ne y o n do n 1 5 4 .
Mic haelGrant A spec tsof the rinc ipateofTiberius New
T o U R s O . M . D a l t o n H i s t o r yo f t he r a nk s b y Gr e go r y of
27.
Commerce— hilipGrierson CommerceintheDarkA ges:A
nc e ” inTransactionsof theR oyalHistoricalSoc iety
p p. 12 – 1 4o.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h
a t h i t r u s t . o r g / a c c e s s
_ u s e # c c - b
y - n
c - s
a - 4 . 0
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Abbreviations
edievalNumismatics— hilipGrierson ReportonMedieval
a p p or t s C o ng r s n t er n at i on a l de N u mi s ma t i u e a r is
5 , , pp. 55 I o .
1 5 — h i li p G ri e rs o n V i s i g ot h ic M et r ol o gy ” i n N um i s-
I I , 1 5 ) p p .7 4 8 7 .
N H 1 5 5 — h i li p Gr ie rs on U n a C ec a B y a nt in a en s pa a ”
V , n o. 8 1 5 5 , p p . 0 5- 1 4.
chnology— hilipGrierson NoteonStampingofCoinsand
n A H i s t o ry o f T ec h no l og y I , e d s . C. S i ng e r . . H o l m y ar d
W i l l ia ms o nd on 1 5 6 p p .4 85 4 2 .
o ui s H a lp he n e s B a rb ar es a ri s 1 2 6.
e i ss D e s c r ip t io n g n r a le d e s mo n na i es d e r oi s W i s i go t hs
s 1 8 72 .
o l f ga n g H e l bi g G u id e t o th e u b li c C ol l ec t io n s of C l as s ic a l
e ip i g 1 8 6 .
. N . H i l l ga r th L a C o nv er s i n d e l os V i s i g od o s No t as
a sa c ra T a rr a co n en s ia X X X I V 1 6 1 , p p . 2 1 4 6 .
ss i od o ru s — T h o ma s H o d g ki n T h e e t te r s of C as s io d or u s o n -
al y — T ho ma s H o dg ki n t al y an d H e r n va de rs 4 76 5 5 , 8 v ol s.
eo d or i c — T h om as H o d g k in T h eo d or i c th e G ot h N e w o r k
eH ispanic Soc ietyofA merica formedbyMr. A rc her
ndepositinthe MuseumoftheAmericanNumismatic
e H e s s V e r st . a t al o g u n i 1 2 2 a s li s te d i n W . R e i n ha r t
eCollectionofHansH . V ö lkers ragueaslistedinW.
4 0.
M R r ie dr ic h m ho of -B l u me r o rt r t k p fe a uf r m is ch en
u nd d e r ka i se r e i t e i p i g 18 2 .
S V I L L E — s id or e of S ev il l e H i st or ia G ot ho ru m i n Mo nu me nt a
A u ct o re s A nt i u i ss i mi X I , C h ro n ic a Mi n or a I . e d .
hn D ieGeschic htederB urdundionenundB urgundiensbis
s ti e H a l l e 1 8 74 .
ollec tionofThe ohnsHopk insUniversity B altimore
A R — o ha nn is a bb at is B i c la re ns is C hr on ic a aD L X V I I - D X C
eHistoric a A uc toresA nti uissimi X I , Chronic a
T .M om ms en B e r li n 1 8 4 p p. 1 6 – 2 07 .
r o n es N o te s o n R o ma n H i s t or i ca l S cu l pt u re s ” i n
S ch oo l at R o m e I I , 2 1 0 5 , p p. 2 15 2 71 .
o r da n es T h e Go t hi c H i s t or y t r an s . C. C . Mi e rr o w r i nc e to n
ar d o u s u , M o n e da s d e or o d e la p o ca v i si g t i ca h a ll a da s e n
” i n B o l e t n d e l a R . A ca d . de l a H i s t or i a V I I
-4 87 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h
a t h i t r u s t . o r g / a c c e s s
_ u s e # c c - b
y - n
c - s
a - 4 . 0
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v iations i
A 1 3 6 — H e i n ä h l e r D e k or at iv e Ar be it en a us d er W e r k-
gens ” in ahrbuc hdesDeutsc henA rc h ologisc hen
1 3 6 , p p. 18 0 2 O I .
e rg am on — H e i n ä h l e r D e r Gr of fe r i es v on e rg am on B e r li n
e r so n if i ca t io n em — U n p u b l. d i ss . K o n ig s bu r g 1 1 0 b y H . ä h l er
bstrek terB egrif feaufr mischenM n en.
e ar y T he C oi na ge o fW e s te rn u ro pe : r om t he a ll o f
iltheA c cessionofCharlemagne inNumismatic
I 1 87 8 , p p. 4 8 7 2 .
e nt G ol d Co in ag e in t he a te R o m an m pi re ” i n s sa ys
entedtoHaroldMattingly eds. R . A . G. Carsonand
x f or d 1 5 6 p p. 1 0 -2 04 .
formerc ollec tionof the aiser riedric h-Museum B erlin
rt D J N 1 4 0 .
A rc h da l e A. i n g i t ur g ie s o f th e r i ma t ia l S ee s M i l-
n an d . r a us D i e M n e n O d o va c ar s u nd d e s O s t go t en r ei c he s
9 2 8 .
r c ke D e r N i mb u s un d v er w an d te a t tr i bu t e in d e r r h c hr i st -
u rg 1 0 5 .
I — e o M ar i a a n ck o ro n sk i D a s R ö m i sc h e B i l dn i s in M e is t er -
nt A ms t er d am 1 4 4 .
f theB ritishMuseum ondon.
. e B l a nc T ra it h is to ri u e de s Mo nn oi es d e r an ce a ri s 1 6 0 .
i e rr e e B r u n x p l ic a ti o n li t te r al e h is t or i u e e t do g ma t i u e d es
suivantlesanciensauteurs...dela Messe 4vols.
D M 1 3 5 — h il ip e de re r T ic in um P a vi a al so M n s t t t e
in D e u ts ch e M n b l t te r h g. 5 5 1 3 5 , pp . 5 7- 6 1.
M M , R N 1 4 — i er re e G en ti lh om me L e m o nn ay ag e et l a
anslesroyaumesbarbaresenO c c ident V e— V I I I e
evu eN umi smat i u e V I I 1 4 ) , p p. 46 I I 2 V I I I 1 4 4 , p p.
M M , R N 1 3 6 — i er re e G en ti lh om me T ro uv ai ll e de
rov ingiensetdesWisigothsfaiteaB ordeau en180 , ”
u e 1 3 6 p p. 8 7- 1 3 .
A s co nc L L O s i sb on — o se e it e de V a s co nc el lo s G a bi ne te
tec aNac ionalde isboa Notasedoc umentos. r.
agermanic a Coimbra 1 02.
C h ar l es e n or m an t L e t tr e s M . d e Sa u lc y su r l es p l us
ismati uesdelas riem rov ingienne ” inRevue
1 8 54 .
egesB urgundionuminMonumentaGermanic aHistoriae
d. . R . d e Sa li s T om . I , a rs , H a n no ve r 1 8 2 .
egesV isigothorum inMonumentaGermanic aHistoriae
d. a ro lu s Z e um er T om . , H a n no ve r 1 0 2.
A M D ó N — C at l o go i l us t ra d o de l a C ol e cc i n d e M on e da s . . .
M ad ri d 1 3 6 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h
a t h i t r u s t . o r g / a c c e s s
_ u s e # c c - b
y - n
c - s
a - 4 . 0
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dA bbrev iations
A po th eo si s H a n s e te r ' O r a ng e A po th eo si s in A nc ie nt o r-
4 7.
C os mi c i ng sh ip H . . ' O r a ng e S tu di es o nt he c on og ra ph y
he A n ci e nt W o r l d O s l o 1 5 .
o ns ta nt in sb og en s H . . ' O r a ng e D e r S p t an ti ke B i l ds ch mu ck
B e r li n 1 3 9 .
i ll R . A. G. Ca rs on a n d . . C. e nt a te R o ma nB r o n e
4 4 8 , o nd on 1 6 o.
ahudel Dissertationhistori uesurlesmonnoyesanti ues
s 1 7 25 .
Alise Charles-HippolyteMaillarddeChambure R apportssur
seen18 9 , ” inMemoiresdelaCommissiondesAnti-
O r , p p. o1 127 1 5 2 I .
eMuseoA r ueol gic o B arc elona aslistedinW.
4 o.
M u se o Ar u e ol g i co C r d ob a .
MuseoA r ueol gic oNac ional Madrid.
eHistoryof theMohammedanDynastiesinSpain. . . byA hmed
r trans. asc ualdiGayangos ondon 184o
. M a rt n e S a n ta - O l a ll a N o ta s p ar a u n en s ay o d e si s te m at i -
ol o g a v i si g od a e n s p a a ” i n A rc h iv i o s p a o l d e Ar t e y
-A ug . 1 3 4 p p . 1 9 – 1 76 .
I S e l ip e Ma t eu y l o pi s Ca t l o go d e l as m on e da s p re v is i go d as
umism tic odelMuseoA r ueol gic oNac ional
I s B a r ce lo na . M at eu y l op is H a l l a g o s Mo ne ta ri os
m pu ri as V I I – V I I I B a rc el on a 1 4 6 , p p. 2 3 – 2 76 .C on ta in sa n
f theRealA c ademiadelaHistoria B arc elona.
I s B i a nt in a . M at eu y l op is L a M o ne da b i a n t in a en
n ic a de l I C on gr es so A r u e o l g i co d el s ue de st e s pa o l
p. O - 2 o.
I s ó r mu la s . M a te u y l op is L a f r mu la s y lo s s m b ol os
etalesvisigodos ” inAnalectaSacraTarraconensia
pp. 75 9 6 .
o m an C o in s H a r ol d M at t in g ly R o m an C o in s o n do n 1 2 8 .
u l es M a ur i ce Nu m is m at i u e C on s ta n ti n ie n ne a r is 1 ο 8 1 1 2 .
ye r H i s to r ia d e l as n s ti t uc i on e s so ci a le s y p ol t i ca s d e s p a a
sg lo s V a X I V , M a dr i d 1 2 6 .
ec tionof theMus eCalvet A v ignon aslistedinW.
4 o.
c ollec tionof theMuseu tnol gic o isbon aslistedin
N 1 4 o.
D A R a m n M en n de i dal ed. H i sto ri ad e s pa a I I ,
M ad ri d 1 4 o.
C . Miles TheCoinageof theV isigothsofSpain: eov igildto
o rk 1 5 2.
ollec tionof theMuseuMunicipal isbon aslistedin
N 1 4 o.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h
a t h i t r u s t . o r g / a c c e s s
_ u s e # c c - b
y - n
c - s
a - 4 . 0
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v iations x i
eRomaine T. Mommsen H istoiredelamonnaieromaine
I L L A R D U g o M on ne re t de V i l la rd L a M o ne ta i on e ne ll -
n R i v is ta t al ia na d iN um is m t ic a X X X I I 1 1 ) , p p .
2 125 1 8 X X X I I I 1 2 0 , pp. 16 - 2 2 X X X I V 1 2 1 ,
N C H I , T a rr a co — o m pe o M on t i an d o d ov i co a f fr a nc hi
i n B o ll et ti no d i Nu mi sm t ic a n os . – 4 1 0 ) , p p.
1 0 4 , p p. 2 8 no . O 1 04 , p p. 11 - 115 .
A NC H I , T ic in um . M on ti a nd . a ff ra nc hi L e s i gl e
dTic inum dal274al 25 ” inB ollettinodiNumis-
0 ) , p p. 7 – 81 nos. – I o 1 0 ) , pp. 8 – 9 5 no. 1 04 ,
eNationalmuseum Copenhagen aslistedinW.
4 0.
by N o ck T h e m p er o r s D i v i n e Co me s ” i n o u rn a l of
X V I I 1 4 7 , p p .1 02 -1 16 .
a u lu s O r o s iu s S e v e n B o o ks o f H i s t or y a ga i ns t t he a g an s t r a n s.
ew o rk 1 3 0 .
a is a st i Tr iu mp ha le s o pu li R o m an i R o m e 1 2 0.
A E L L A s — e dr o a lo l de S al el la s E s s en ci a de l ar te h is p n ic o
inSettimanediStudiodelCentro talianodiStudisull -
1 5 5 , pp . 6 5- 1 26 .
f theCabinetdesM dailles B iblioth q ueNationale
1 3 2 — . W . . e ar ce I s su es o f th e U r bs R o m as il i u a at
aeofGratianstruckatTreveri ” inNumismatic
3 2 , p p. 2 45 2 66 .
3 7 — . W . . e ar ce E u g en iu s an d hi s a st er n Co ll ea gu es ”
X V I I 1 3 7 , p p . 1 2 7.
1 4 0 — . W . . e ar ce I s su es o f th e so li di V I C TO R I A A V G G
mi s ma t ic C hr o ni c le X X 1 4 0 , p p . 1 8 1 6 1.
4 — . W . . e ar ce A H a l f- si li u a of t he T re ve ra n Mi nt ”
I I 1 4 ) , pp . 7 - 9 .
4 4 — . W . . e ar ce L u g du nu m Si li u a co in ag e of
u g en i us ” i n Nu m is m at i c Ch r on i cl e V 1 4 4 , p p .
1 4 6 — . W . . e ar ce T he o rt ra it s of t he m pe ro r Gr at ia n
e o u rt h C en t ur y R o m an C o in s , i n N um i sm a ti c R e v i ew
6 2.
m a i n Co i na g e — . W . . e a rc e T h e R o m an C o in a ge f r om A .D .
on 1 3 3 . Thisappearedasaseriesofartic lesintheNumis-
1 1 3 3 .
o d u ar d o é r e u o l H i s t o ri a d e la s i ns t it u ci o ne s s oc i al e s de
a le nc ia 1 8 6 .
hilipGrierson Gonv illeandCaiusCollege Cambridge
co l le c ti o n of a i va e s so a C a st e lo B r a n c o a s l is t ed i n
N 1 4 0.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h
a t h i t r u s t . o r g / a c c e s s
_ u s e # c c - b
y - n
c - s
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dA bbrev iations
r oc op iu s Ca es ar ie ns is O p er a O m ni a e ip i g 1 0 5.
r o u e s m on n ai e s m r o vi n gi e nn e s C at a lo g ue d e s mo n na i es
ot h q u e N a c io n al e , a r is 1 8 2 .
8 6 M a u ri c e r o u M o nn a ie s m r o vi n gi e nn e s ac u i se s p ar l a
na le d e1 8 3 1 8 6 ” i nR e v ue N um is ma ti u e V 1 8 6 ,
owa R ealenc yclop diederC lassischenA ltertumwissensc haf t
y a n ti n es e t d a u tr e s pa y s co n te mp o ra i ne s l É p o u e
usricheetlaplusvastec ollec tionpriv e RodolfoR atto
1 3 0 .
A A 1 4 5 — W i l h el m R e i n ha r t N u ev a s ap o rt a ci o ne s a l a
” A r ch iv io s pa o l de A r u e o lo gi a X V I I I 1 4 5 ,
A r te W . R e i nh a rt E l a r te m o ne t ar i o vi s ig o do . a s m on e da s
nB olet ndelSeminariode studiosdeA rteyA r ueo-
e V a l la d ol i d a cu l ta d d e H i s to r ia , X 1 4 – 4 4 , pp .
J N 1 4 0 W . R e i nh ar t D i e M n e n de s we st go ti sc he n R e ic he s
u ts ch e s a h rb u ch f r N u mi s ma t ik 1 4 0 4 1 p p . 6 6 1 0 1.
G e rm an i a 1 4 1 W . R e i nh a rt D i e s w e bi s ch e n un d w es t go t is c he n
o ri s ch e D e n k m l e r ” i n Ge r ma n ia 2 5 1 4 1 , p p .
G e rm an i sc he H e l m e W . R e i nh a rt G e rm an i sc h eH e l m e i n
ildern ” in ahrbuc hf rNumismatikundGeldge-
5 0/ 51 , pp . 4 – 4 6.
M a dr i d W . R e i n h ar t L a s m o n ed a s V i s ig o da s d el M u se o Ar -
inMitteilungenderB ayer. Numismatisc henGesell-
7 , p p. 1 1 1 7 .
M er ow in ge r W . R e i nh ar t D i e r h es te M n p r g un g im
” i n D e u t sc he s a h rb u ch f r N u mi s ma t ik 1 3 9 , p p .
u e va s W . R e i nh a rt E l R e i n o H i s p n i co d e l os S u ev o s ys u s
o s pa o l de A r u e o lo gi a n o. 4 1 4 2 , p p. 0 8- 2 8.
S w eb e nr e ic h es — W . R e i n ha r t D i e M n e n d es S w eb e nr e ic h es ”
r. Numismatisc henGesellsc haf t 1 3 7 pp. 151 1 1.
T o lo s an i sc he n W . R e i n h ar t D i e M n e n d es t o lo s an i sc he n
n ” i n D e u t sc h es a h rb u ch f r N u mi s ma t ik h g . ,
5.
i s i g od o s — W . R e i n h ar t S o br e e la s en t am i en t o de l o s V i s ig o do s
i nA rc hi vi o s pa o ld eA r u e ol og ia X V I I I , n o. 5 1 4 5 ,
t ti n gl y . A . Sy d en h am a n d ot h er s R o m a n m p er i al
1 2 – 5 1.
. . e ar ce V a le nt in ia n T he od os iu s , V o l . X i nT he
nage eds. H . Mattingly C . Sutherland R . A . G. Carson
a n gu e do c — . C h ar l es R o b e r t N u mi s ma t i u e d e la r o vi n ce d e
é r i o de W i si go th e et r an u e T o u lo us e 1 8 7 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h
a t h i t r u s t . o r g / a c c e s s
_ u s e # c c - b
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v iations x iii
ur i ce T i be r e C h ar l es R o b e r t S u r la p r t e nd u e re s ta u ra t io n d u
edansla rov inc e ” M moiredel I nstitutNational
es l I n s cr i pt i on e t B e l l e- e t tr e X X X , 2 e p a r ti e 1 8 8 ) ,
f hrliches e ikonderGriec hisc henundRö mischenMythologie
e ip i g 18 7 1 ο 2 .
l au d e R o s si g no l L e T r s o r de G o ur d on l e t tr e M . d e
i n st r uc t io n p ub l i u e 2 8 D e c . 18 4 5 i n M m oi r es d e
o ir e e t d A r ch o l og i e de C ha l on - s. - S. 1 8 46 , pp . 2 87 3 o 7 .
lec tionof thelateR . Shore isbon aslistedinW. R ein-
C h ar l es m i le R u e l l e B i b l io g ra p hi e g n r a l de s G au l es a r is 1 8 86 .
. S . R u g gi e ri A l le o n ti d e ll a c ul t ur a i sp a no v is i g t i ca ” i n
1 4 – 1 5 o , p p. 1 4 8.
u s ti n S ab a ti e r D e s cr i pt i on g n r a le d e s mo n na i es b y a n ti n es
reursd O rientdepuisArc adius us u à laprisede
met I , aris 1862.
c onographie . Sabatier c onographied unec ollec tionc hoisie
sromaines by antinesetc eltib riennes St. etersburg
r o du ct i on . S a ba t ie r r o du c ti o n de l o r d e l a r ge n t et d u
etHô telsMon tairesdes mpiresromainetby antin
S o ci t A r ch o l og i u e N a rb o nn e a s l is t ed i n W .
4 o.
l m u t Sc h lu n k R e l a ci o ne s e nt r e la e n n s ul a b r i ca y
p o ca v i si g od a ” i n A rc hi v o s p a o l d e Ar u e ol o g a
6o 1 45 , pp. 77 2o4.
s e r va c io n es H e l m u t Sc hl u nk O b s e r va c io n es e n t or n o al
v isigoda ” inA rc hivo spa oldeA rte no. 71
s ig o do H e l m u t Sc h lu n k A r te V i s i g od o ” i n A r s H i s pa n ia e
Ar t e H i s p n i co I , M a dr i d 1 4 7 .
y rnestSchramm H errschaf t eic henundStaatssymbolik
nt a G er m an i ae H i s t o ri c a B d . X I I I S t ut t ga r t 1 5 5 .
ennethSc ott The mperialCultunderthe lav ians
l l i am W o o d S ey m ou r T h e Cr o ss i n T ra d it i on H i s t o ry a n d
8 .
he ettersofSidonius trans. anded. O . M. D alton
ec tionof theStaatl. M n samml. Munich aslisted
N 1 4 o.
s Courtney . Stevens SidoniusA pollinarisandhisA ge
e o wi g il d . S t ro h ek e r L e o wi g il d : Au s e in e r W e nd e e i t
” D i e W e l t a l s G es c hi c ht e V 1 3 9 ) , p p . 44 6 4 8 5.
yR ossTaylor TheD ivinityoftheR oman mperor Middletown
.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h
a t h i t r u s t . o r g / a c c e s s
_ u s e # c c - b
y - n
c - s
a - 4 . 0
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andAbbreviations
A.Thompson TheConversionoftheV isigothstoCatho-
m M ed i ev a l St u di e s V 1 6 0 , p p . 1 3 5 .
.Tolstoi MonnaiesB y antines St. etersburg 1 1 .
ianic— ocelynM.C.Toynbee TheH adrianicSchool
S1 47— .M.C.Toynbee R omaandConstantinopolisin
m 1 2 t o 6 5 ” i n T h e o u rn a l of R o m a n St u di e s
47 , pp. 1 5 144.
cture-language— .M.C.Toynbee P icture-languageinR oman
ssaysinRomanCoinagepresentedtoHaroldMatting-
on a n d C. H . V . S u th e rl a nd O x f o rd 1 5 6 p p . 20 5 2 2 6.
rcelTroussel L esmonnaiesvandalesd Afri ued couvertes
amma ” inR ec ueildesNotic esetM moiresdela
u e du d p ar tm en t de C on st an ti ne X V I I 1 5 0 5 1 , p p.
S A — O s c ar U l r ic h- B a ns a M on et a Me di ol an en si s 3 5 2 4 8 ,
A R GA — u is V á z q u e d e a rg a J o ya sB a o rr om an as y de la
” inAd uisicionesen1 40 1 45 pp.128 1 0.
o f th e n s ti t ut o d e V a l en ci a d e D o n u a n M a dr i d a s
D J N 1 4 0 a nd . M at eu y l op is L a s m on ed as
d e V a l en c ia d e D o n u a n M a dr i d , i n A mp u ri a s
, p p. 12 – 1 4.
— u is o se ph V e l z q u e , C on ge tu ra s so br e la s me da ll as d el os
s p a a M l a ga 1 7 5 .
A n ci e nt D i e s C . C. V e r m e ul e S o me N o te s o n An c ie n t D i e s an d
ondon 1 54. Thisisareprintof thematerialwhic h
atic C ircularin1 5 and1 54.
N um . Ci rc . 1 5 2 C . C. V e r me ul e C op yi ng i n m pe ri al R o m an
N um i sm a ti c C ir c ul a r u l y 1 5 2 p p . 5 6 - 5 7 .
N um . Ci r c. 1 5 6 C . C. V e r m e ul e R o m a n N um i sm a ti c A rt —
N u m is m at i c Ci r cu l ar N o v. - D e c. 1 5 6 p p . 47 – 4 8 o
5 7 p p. 1 5 .
V i c to r ia C . C . V e r m eu l e A s pe ct s o f V i c to r ia o n R o m a n Co i ns
ntalArt ” inNumismatic C irc ular Sept. 1 57 pp.
1 57 p p. 5 7 -5 9 ; e b. 1 5 8 pp . 3 – 3 4 A pr il 1 5 8 pp .
1 58 p p. 1 8 14 .
e V i s ig o th i c Co d e t r an s . S. . S co t t B o s t o n 1 1 0 .
t o V o e t t er Z u r S t r ei t fr a ge o b T ar r ac o o de r T ic i nu m ” i n
r if t W i e n , 5 1 2 6 , p p. 1 4 5 1 5 5 .
odelaColec ci ndemonedasymedallasdeManuelV idal
e B a r c el o na , B a r c e lo n a 1 8 2 .
g ra v ed G e ms a n d Ca m eo s H . B . W a l t er s C a ta l og u e of t h e
meos Greek truscanandRomanintheB ritishMuse-
2 6.
ec t B r on e s — H . B . W a l t er s S el ec t B r on e s G re ek R o m an a nd
h M us e um o n do n 1 1 5 .
2 1 e r cy H . W e b b T h ir d C en t ur y R o m a n Mi n ts a n d
tc C hr o ni c le X V 1 2 1 , p p . 22 6 -2 3 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h
a t h i t r u s t . o r g / a c c e s s
_ u s e # c c - b
y - n
c - s
a - 4 . 0
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v iationsX X V
2 . H . W e b b T he r e -R e f o r m Co i na g e of D i o c l et i an a n d
u mi s ma t ic C h ro n ic l e X 1 2 ) , p p. 1 1 2 1 7.
n u nd u l tu s — G e or g W i s s ow a R e l i g io n u nd u l tu s d er
1 2.
ischenReligions— GeorgWissowa GesammelteA bhandlungen
igionsundStadtgeschic hte Munic h 1 04.
f theWü rttembergisc hes andesmuseum Stuttgart as
D J N 1 4 0.
ollec tionof thelateWilhelmReinhartaslistedinW.
40. TheReinhartcollectionhasbeendisposedofand
sentownershavebeenidentified.
e— H ansZ eiss D ieGrabfundeausdemSpanisc henWest-
1 3 4 .
A . . Z i e g l er C h ur c h an d S ta t e in V i s i g ot h ic S p ai n W a s hi n gt o n
uanCabr yA guilo lTesorieloV isigododeTrientes
elplanNac ionalde1 44 1 45enZ oritadelosCanes
M ad ri d 1 4 6.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h
a t h i t r u s t . o r g / a c c e s s
_ u s e # c c - b
y - n
c - s
a - 4 . 0
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s
rvationiscorrect weareconfrontedwith
otheV P W attributionproblem.These
tof onestateorofdifferentstates. fthe
t theymusthavebeenoriginatedbyone
ers.
sseshavebeenattributedforthemost part
onstantinopleandtheO strogothicmintsat
A numberofothers ofadec idedlycruder
edtothemintsof theMerovingiansandthe
theanonymouswesternmintsareresponsible
W andtheV GCtypes themintsof the
theV GCe c lusively. tisc orrec ttherefore
nandbarbarianissuesofthe V GCtre-
mitations.Arethediversepoliciesofeastern
ant O nlyaninvestigationoftheante-
esandof theinc idenceof theV P typein
tmayamplifyandc larify theV P W attribution
kngofadistinc tiveV P intheWestaswell
oboratetheobservationthatonewestern
orstrikingtheV P W’
emissis intheearlyfifthcenturyin
halvesofthe mpireisthepredominant
) . A f terthef irst uarterof thec entury how-
edbyawreath ortheless commonchrismon
bec omestheprevalenttypeintheWest. n
ontinuestodominatetheissuese c eptforthose
sses onwhichthecross-in-wreathisused
isnotrec orded tomyknow ledge asever
missisfromConstantinopleinthefifth
e ually truefortheWestw ithonee c eption
p . 47 4 8 5 6 . Th e l ar g e nu mb e r of V G C c o in s s tr u ck b y t he
f ustinianmaybeparticularlynotedinthe catal-
rovingianandB urgundiancoinageseeB elfort rou
r R obert anguedoc Tolstoi.
rts – V havebeenc ompiledf romthefollow ingsourc es:
, B M CV O L , C oh en R B C R I C - X , S ab at ie r T ol st oi
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h
a t h i t r u s t . o r g / a c c e s s
_ u s e # c c - b
y - n
c - s
a - 4 . 0
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hCenturyTremissis
r ohn 42 – 425 . ThisisrecordedbyCohen
whichhec onsidersanerroronthe
omheistak ingthisspec imen. B utf rom
otheendof thereignofRomulusA ugustus the
uishedfromthoseofthe astbytheuse
e.Thissituationcontinuesuntilthereign
estbeginstostriketwotypes aV GC in
lissue andaV P W whichc ontinuesthesepa-
rofthefifth centurycross-in-wreathissue.
stypeofthefifthcenturyin the ast
ttraditionintothesi thc entury . nthe
haV P W andaV GChavebeensubstitutedfor
ycrossorchrismon-in-wreathtype.B oth
rysignificant sinceneitherhasappeared
ethe earlypartofthefifth century. fthe
mssisof ohnisdiscounted theappearanc eofa
isislastseenonthesmallissuesofA rc adius. The
oftheV GCwaswiththetremissesof
b u t as a t y pe i t w as r a re l y us e d in t h e W e st . t s u se
mallissuesofH onoriusandArcadius.
eV P W hadbeenthefavoredtypeintheWest
Conse uently theV P W andtheV GCare
asiustremissesintheW est.TheV GC
alpolic ywhic hacc edestotheB y antine
sovereigntyofbothhalvesofthe mpire
mesthepositionheldformerlybythecross-in-
endentandseparatenatureoftheW est.
eendroppedforasymbolofan older
estigationoftype significancehasany
surprisingthatinthe fifthcenturyboth
peswererarelyusedintheWest orthatthe
neverplac edonac oinissuedinthenameof
appropriatenon-militaristiccross-in-wreath
, p . 2 08 7 . T he m i nt m a rk m os t p ro b ab l y sh o ul d r ea d R V .
rdedV P W itemonwhic hthenameofaRomanem-
4fromRome butitisc ombinedw iththenameofthe
I I a nd l a ci d ia . T h is i s r ec or d ed i n R C B .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h
a t h i t r u s t . o r g / a c c e s s
_ u s e # c c - b
y - n
c - s
a - 4 . 0
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s
edfor thetremissesineitherof these
f igure eitherChristian V GC orpagan
r tr a di t io n al l e ge n d of V I C TO R I A A U G U S T O R U M
priateandtoounrealisticforpropaganda
however shouldnotleadusto think
wtypeforthetremissis. ventheuni ue
ohnwoulddiscreditthis. fwetracebac k
sue 3 8 – 3 87 , wef indthatTheodosius
heV GCandtheV P types. A sindicated
emissiswasmintede c lusivelywiththeV P W at
5 , yon 3 8 – 3 9 2 andA uileia 3 8 – 3 88 . Themint
5 s t ru c kb o th t y pe s a n d th e mi n t at C o ns t an t in o pl e
ss ue d on ly t he V G C .
suesofthetremissesis notcomplete
ossibledependenceuponthelastissuesof
ec e 1. 70gms. , theirimmediateprede-
) . Thisc oinwasstruc kw ithavarietyof reverse
ConstantinetheGreat butaf ter 3 7 its
svaried. B y 64 twotypesdominatethe
torywritingthevotiveinscriptiononashield
m in ts o f Tr ie r 3 6 7 3 7 8 , Mi l an 3 7 8 - 8 ) ,
) a n d R o me 3 6 4 - 6 7 t h e V P W i s u se d e c l u si ve ly .
ic a i n 6 4 a n d at C o ns t an t in o pl e 3 6 4 - 6 7 ,
veshieldV ictorytypeatConstantinople
a t Th es sa lo ni ca 3 6 4 - 7 5 . At A nt io ch 3 6 4 - 7 5 t he
ysbeenusedwithoute ception.
emissisdesc endentsof the #sc ripulumare
orasaV ic toryw ithvotiveshield both
rthemoredesirableChristianV GC orthe
orc hrismon-in-wreath. ntheWest there-
straditionismaintained. AtTriertheV P W
– 3 9 5 r e pl a ce s t he V P W # s cr i pu l um i s su e s
hesameistrueforA uileiawheretheV P W
ac es a V P W } s c ri p ul u m of 7 8 - 8 . M i la n
28 ff . 5 1f f.
2 2 ff .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h
a t h i t r u s t . o r g / a c c e s s
_ u s e # c c - b
y - n
c - s
a - 4 . 0
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hCenturyTremissis5
traditioninitstremissesbutalsostrikesthe
notissuea1% sc ripulumanddoesnotissuea
5 andthenonlyof theV GCandc rossor
verseforthe ' sc ripulumandtheearly tre-
tiontowardsthe endofthefourthcentury
tspec imensindicatethatitisdroppedaroundthe
ouldseemthatwiththedefeatof ugenius
n o ri u s in t h e W e st 3 9 5 t h e V P W i s r ep l ac ed
eeV P W tremissesarerec ordedaf ter 9 2 one
amintwhichwouldseemstatisticallyloyal
anotherfor ugeniusf romTrier andthelater
v en n a ? ) , W e c a n a ss u me t h en t h at t h e
seitherdroppedorissuedrarely sinc ethe
herveryrareoruni ue. B utitwouldseem
atallitwouldbeintheWest. TheV P W was
from aneasternmint norforthatmatter
forothereasternissuesin gold silveror
a nd I ) .
tremissisconse uentlyisacoinissue for
ehasbeen revivedafteranabsenceof
enumberofAnastasiusV P W tremisses
te onthebasisofourstudy simplyalarger
roductor tradition.Thesignificanceof
arlynon-easternoriginand characterisa
ichtheminterof thesecoinsmaybe
heV P W typethroughoutthe mpire
ytothe si thwillsubstantiateatheory
fferencetothetype.Suchan analysis
emptstofind amorecoevalprototypefor
hanthelatefourthcenturytremissis.
w i ll u i ck l y sh o wt h at t h e V P W i s n ot t o b e
thef ifthc entury astorWest. This
of ohnuni ue. tsrareuseonasemisin
when f romV alentinian I on theV ic tory
3 , no. o .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h
a t h i t r u s t . o r g / a c c e s s
_ u s e # c c - b
y - n
c - s
a - 4 . 0
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s
omesthema orsemistypeforthene t
tandtheWest.
dhalf -sili uathatthetypeisnotedfre-
centuryandonafewspecimensofthe
r I I ) . t i s t o be n o te d t ha t i n th e l at e f ou r th
usedonthehalf-sili uapieceswhich
rethathedoubtedtheir formingpartofthe
ybeofsignif ic anc ethattheV P typeisused
n whichmayhavebeenstruc konlyasa
ributionamongcertainclassesofthe
sions. Theonlyissueinthe West inthe
ngularcoinof ohn ” whileinthe ast
w i fe o f T he o do s iu s I t h re e e a mp l es a r e
mightbee pec tedac ross- in-wreathandthe
-wreath. Tolstoialsocataloguedoneof
nthenameof ulc heria w ifeofMarc ian.
V P W e n o ys a l o ng u s ag e p a rt i cu l ar l y at
tisnon-e istentinthe astwiththee ception
ArcadiuslistedbySabatier. Threeofthe
estinthef if thc enturyaref romRome.
batier oneofZ enoandtwoofAnasta-
wouldbeuni ue c onsideringtheeastern
type.Thesewouldseemthereforetobethe
sorofRomeinparticular. TheV P W type
uingtraditionand itsuseis evencontem-
typeontheAnastasiustremissis.Thisis
hesili uaisc losestinsi etothetremissis
sitionin thesilvercurrencytothatof the
I intheWest thec rossorc hrismon-in-wreathbec omes
alsoseenonsomeimperialissuesf romthe ast. See
p p. 22 O ff .
4 , p p. 7 9 9 .
, p . 20 8 n o. .
1 20 n os . 4 5 p . 12 2 n o . I . A ls o se e To ls to i , p . 8 6 n o . o o.
0 7 n o . 4 7.
1 0 4 n o . 26 . T hi s i te m i s no t l is t ed b y e a rc e i n R I C X .
. 14 0 n o. 1 5 p . 1 5 , n o. ; p . 15 4 n o. 1 2. A ls o se e B M CV O L ,
esa traditioninthetimeof O dovacarwhichimitates
alcoinsalreadystruckin talyinthenameof Z eno.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h
a t h i t r u s t . o r g / a c c e s s
_ u s e # c c - b
y - n
c - s
a - 4 . 0
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hCenturyTremissis7
silversili uaisnottheprototypeforour
didhelptokeepalivethetypetradition. The
C T O R I A A V G G G m i gh t a ls o s ug g es t f ur t he r l in k s
ses sinc eitwillbefoundonbarbariantre-
tury .
npresentsitselfat firstwhenthe
d althoughthepatternimmediatelyreverts
adynotedinthegold andsilverissues See
outtheMediterraneantheV P W typeisnotused
2series butitisoneof thetypesusedonthe
sofV alens V alentinian andGratianatevery
simmediatelychangesaftertheaccession
timethe astunanimouslydropstheV P W,
eagain. ntheWestitpassesnaturally into
uc hisfoundonac oinofR omulusA ugustus.
he astdousethistype however itis
S C U R I T AS R E P U B L I C A , a nd t h is c o ns i st e nc y
neralimperialmonetaryedict SeeChart
h o we v er i n a ll m i nt s e c ep t A rl e s i t a pp e ar s a ls o
ch a sG O R I A R O M A NO R U M V I C TO R I A
I A D D NN AV G a n d E L I C T AS R O M AN O R U M .
wever arerare. Trierseemstofavorthetype
hissuesit incombinationwiththelegend
AN O R U M a t t h e s am e t im e a s it s t ri k es t h e st a nd a rd
AN O R U M i s s u e be i ng m i nt e d in t h e re s t of t h e m p ir e .
s V I C TO R I A A V G G G le g en d u se d o n th e A 3
thislegendinc ombinationw iththeV P W
ssuesoftheA 4struckatallmints down
hereforeevenwhenthe astissuesthe
e s a n al y si s o f th e S C U R I T A S R O M A N O R U M i s su e
nd i n m y st y le g r ou p s A N I , A N 1 1a A N I b
8 4 O I - 4 02 4 06 .
althoughofanunusualf rontalkind isnotedona
V I C TO R I A A V G G G h ow e ve r w i th t h e mi n t ma r k of
ueandwhatmaybearoughrenditionof thelettersSC
en listedbutnotcommentedonbySabatierand
, p.141 no.17 pl.V I I I , 7 Tolstoi , p.15 , no.6 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h
a t h i t r u s t . o r g / a c c e s s
_ u s e # c c - b
y - n
c - s
a - 4 . 0
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s
minatinginthisregard. verystrongemperor
cedentsetbyO ctavianAugustusmain-
esc oinage issuingitbyv irtueofhistribu-
theagenc yof theSenate. V alentinian s
ebron ecoinageanddesireduniformityin
unityof thetwopartsof the mpireandthe
cereversetypesandlegendswererigidly
eryaslongasit wasabletoenforcethem
theA issuesthroughoutthe mpire.
ternpassiveresistancetheirreducedminting
sac c ession 3 67 untilthatofTheodosius
ypethenbec amesymbolic ofRomeoratleast
erorintheWestmaybeseeninthedisc on-
e A i s su e s in t h e a s t in 7 , u n de r
oingmayhavesubtly assertedeastern
inc idenceinthelightof laterhistoryof thetype
agandi ingoccursconcomitantlywiththe
othsw ithinthe mpire.
heV P W type A ) inthe astwith
uencyfurthersupportsthehypothesis
orconsideredinappropriateinthe ast.
shypothesiscanbefoundby recordingthe
typefromthe rinc ipateofAugustusto
e Ch a rt V I ) . t i s o nl y d ur i ng t h e re i gn o f V a l e n-
i s i ss u ed f r e u e nt l y in t h e a s t a n d as s u ch
ni ue.
ilver thebron eissuesw ithevengreater
elifeofoneof theoldestpagansymbolsof the
eonlyvehic les however whichbridgethe
ereare threeotheritemswhichbringour
astasius: the nv ictaRomabron esof
lionofAnastasiusanda goldmedallionof
omaseriesattributedtoTheodoric ca.
wellpresentthec luetotheoriginatorandfirstminter
p. v- vi.
p. viii x x i v.
. x x i .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h
a t h i t r u s t . o r g / a c c e s s
_ u s e # c c - b
y - n
c - s
a - 4 . 0
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hCenturyTremissis
stasiustremissis. Theseso-called uasi-autonomous
allnon-Christianorientedintheselectionof
ousconservatismoftheR omanSenatorial
otbear thenameofanyemperor only
gendandthebustofRomaontheobverse. When
eearlierbron esbearingthenameand
verseandaV ic toryonthereversew iththe
thereisadifferenc einV ic torytypes. TheZ eno
nadvancingwreathandtrophy-bearing
eTheodoric issuehasbeenreplac edbyaV P W
a lightedaltar.
mousbron esassignedtothereignsofTheo-
4-5 4 , distinctlyRomanandpaganemblems
aneagle twoeaglesbeneathandbeside
klingthetwins.TheR omanSenatelogically
nastasius nameontheirbron es since
ningofhis reign isnotrecogni edbythe
oftypesonbothobverseand reverse
of thosetypes inthetimeofA nastasiusand
efurthercluesinthesolutionof theproblem
onsibleforthe AnastasiusV P W tre-
ethetwogoldmedallions. TheV P W type
emedallionsfromwesternmintsduring
SeeChart V ) , butitsappearanceontwo
medallionspossiblymaybesignificant.This
regardedas appropriatetothisdenomina-
fA nastasius besidesitsV P W onthe
rin theleftfieldanda chrismonintheright
i thc enturytremissese tantw ithastar
rearenoneknowntome withachrismon.
onaresimilar tothosefoundonthe
V S P A V G V I C TO R I A AV G V S T O R V M . Th e
owever fortheV P W typeontheA nastasius
ditionf romthatof thetremissisV P W.
. 9 , p l. X I I , 2 0 2 ; p l. X I I I , . To ls to ia gr ee sw it ht he W r ot h
, p p . 15 8 1 5 , n o . 68 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h
a t h i t r u s t . o r g / a c c e s s
_ u s e # c c - b
y - n
c - s
a - 4 . 0
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emissis
ee- uarterposeandprof ileheadmarchestothe
seenonthesilversili uaofArcadius.
cthree-solidigoldmedallionthatun-
memorativeissueorpresentationpieceby
sc onsiderablebearinguponourproblem. tis
ni uepiecew ithaf rontalbustofTheodoric
ereverseaV ictoryingirdledchitonstanding
gawreathinher handandapalmbranch
P designissimilartothatfoundon
misses.Theglobusnicephorusheldby
ancewithtradition aV P W. TheR oman
othisreasonablepermittingtheselection
andany ofhisadvisors suchasCassio-
opriateforTheodoricasitis forR omeand
culationconcerningthedateofandreasons
edallionsmustbeleftforlater discussion.
lionsmayhavesomemeaningfulasso-
se oftype theyarenaturallynotof
oric sV P isinkeepingw iththemost
typeasfoundin theW estfromthefourth
hc entury . TheformofA nastasiusV P W
riationinac cordanc ew ithe tante amples.
heV P of theTheodoric Medallionandthe
si thc enturytremisses suggestdif ferent
tmaybepossibleto suggestfurtherthat
peonacoinstruckin Constantinople
ec tedonamedallion indicatesthatitwas
eofaneventor ofpersonsinvolvedinthe
astandWest. ConsideringTheodoric s
mightthereforebethe ustificationaswell
llion.
ceandantecedentsandpossibleproto-
P W tremissishasrevealedseveralsigni-
typeismorelikely tobeissuedintheWest
P W typeisneverfoundinthe astand
nthefifth century.Thenearestissuein
1 . B M CV O L , p .5 4. Al so se e r au s p .8 2 n o. 1.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h
a t h i t r u s t . o r g / a c c e s s
_ u s e # c c - b
y - n
c - s
a - 4 . 0
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hCenturyTremissis I
mi s si s i s i n th e n am e o f o h n 4 2 – 4 2 5 . T h e
cedlongerinsilverdownto Z enoand
stprobablywesternissues. nbron ethe
nueandismintedcoevallywiththegold
asternmintsdefinitelysubstituteothertypes
ntheWest. Theonlyc ontemporaryuseof the
emissisisonthe twogoldmedallions.
eissuesof thetypew iththenamesof the
nastasiusareattributableto talianmints.
thattheV P W A nastasiustremissisisan
sueusing adefinitelyrevivedreversetype
ndinanymetal hasbeensporadicandrare
2 thattheinitiativeforthestrik ingof these
c oncededtotheWest 3 ) thatanyof the
ssuedthecoinsif theworkshopsmain-
ignsforreferenc e ” 4 thatthestrik ingofa
rialcoininthenameoftheemperorcould
ciallyorpubliclyacknowledgedhis
herebyindicatingatreatyrelationship
snotc ompromisedasistheminterinthe ast
sof thetraditionalV P whichimme-
g-dyingpaganpreferencesofsuchcities
6 thatdisc ountingthereligiousissuethe
ypemightindicateaparticularicono-
weentheV P andtheWestern mpire
boththeminterandthe usersofthecoin
ayhavesomeconnectionwiththeissuesince
thacontemporaryuseofthe type and
nnumismatic traditionresponsiblefortheV P W
yhavebeenalreadyinoperationwiththe
typeinthenamesof lateemperorssuc hasZ eno
ethesilverandbron eissuesintheirnames
ttributableto talianmints.
s s ue s p . 1 55 . Al s o se e V e r m eu l e A nc i en t D i e s p . 5 6 .
, p p .l i v c i i c x i . I , p p .2 6 3 1 B k . , l e tt er i .
p. 141. Asanindic ationof thecontinuingpresenceof
heod. . 25 1whichhasbeen uotedbySabatier ,
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h
a t h i t r u s t . o r g / a c c e s s
_ u s e # c c - b
y - n
c - s
a - 4 . 0
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CANC OF TH E V P W T P E AND TSU S O N
TR E M SS S NTH E WE ST
edprovideabasisforan iconographical
W type.Thealmosttotaldisregardofthe
nditssubstitutionbytheV GCtype thedimi-
heW est theearlierconsciouspreference
gnsofV espasianandV alentinian and
vivedon thetremissisofAnastasius
eof theV P asanintelligiblesymbol.
matictypesinR omancoinsiscommon
vivalofatypediscardedfor acenturyonthe
seofpoliticalpropaganda f itdoes then
eV ic toriainc on unc tionw ithpalmand
mbolicnatureacceptedbyacentral
ibletothemasses. O r attheleast that
icabletothenecessitiesof contemporary
therV ic torytypesinuse: theV GC being
theV ic toryw ithwreathandtrophyasseenon
ron esofZ eno-O dovac ar andtheB resc ian
heV P W symbolhasanintegrityof itsown.
investigationmightbeandhowever
ctureofinterrelatinghypotheses wecan-
ythatthe selectionofthetypemay
tetraditionalusageon R oman mperial
mplybyforceofhabit bymintsandminters
historyof useofthetypeand hadcon-
suesofsilverandbron e Wasitsimply
e distinctivefromthatusedinConstan-
mbolicconnotationandpoliticalpropa-
unusualforthesemintswhic hstruc k the
pastto copyatypeforwhicholddie designs
storyofR omannumismatictypeswill
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h
a t h i t r u s t . o r g / a c c e s s
_ u s e # c c - b
y - n
c - s
a - 4 . 0
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Type 3
asnopersonification nominordeitymore
sent moreimperiallyassociatedthanthe
eappearsinmanyguises w ithmanyattributes
tationsthroughoutthelifeoftheR epublic
nnecessarytorefertoherc onstantappearanc e
intaglios sc ulpturalreliefs inpaintingsand
aswellason coins.Sheappearsongemsas
nperiodandisstillfoundaslateasthesi th
c hs. Thisisindic ativeof thema orr leshe
gy ar lesuc cinc tlydescribedbyGraillot:
u ia fo nd l E m p i re c e st p ar el l e u i ls e pe rp t ue .
umismatic useof theV P typew illhelp
stnumismaticassociationofV ictoriawith
oundonasilver didrachmfromSouthern
41-222B . C . onwhichV ic toriaholdsapalm
hesawreathcrown.Thismaybe incon-
onestablishedc a. 2 3 B . C . whenboththe
ektradition wereawardedtothevictors
aisalludedtoasthepalmarisdea. Muc hmore
ntuseof theV P W onthe V ic toriatus.
ntheR epublic an uinariusmayof tenbear
ocrownthe trophyerectedinfrontof
almbranchagainsta shoulderifsheis to
and. H erfirstrecordedsoloappearance
bleofA llergoric al ersonif ic ationsinGnec c hi Coin
6 .AlsoseeV ermeule V ictoria.
scouldillustratethis:Walters ngravedGemsand
17 0 1 7 05 1 70 , 1 7 17 1 71 8 2 2 28 0 58 0 5 , 7 8 a n d
C o in T y pe s p l . V , D e l b r ue ck C on s ul a rd i pt y ch e n i e f ,
n o. 48 B M CR E , , p p .1 1 , 1 22 1 28 1 46 1 54 2 02 a nd
5 60 5 64 6 41 6 57 7 70 a nd 8 55 .
V , p . 8 9 . T h is i s H . G r a il l ot s a r ti c le o n V i c t o ri a .
ntdiscussioninGag , R A1 3 0 pp.1 3 .
n os . 21 a nd 2 1 a.
V , p . 8 52 . Al s o se e i v y X , 4 7 ; A p ul e iu s M ad a ur e ns i s
, 4. Statuesof theV P W weretobefounddecoratingthe
musatRomeandatvarious rov inc ialC irc uses see
, f i gs . 1 51 8 1 5 20 1 5 21 a n d 15 2 4 1 5 2 6 .
s 8 – 8 4 a n d pp . 11 1 2 n o s .1 11 -1 21 a ls o B M CR R , , p .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h
a t h i t r u s t . o r g / a c c e s s
_ u s e # c c - b
y - n
c - s
a - 4 . 0
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issis
uinariusof theMarianist . Calpurnius
ncyofV ictoriaisaccountedforbythe
herpersonificationthroughtheterritorial
heTempleof ov isV ic toria thef irstrec orded
alatinein2 4B . C . whileac entury laterthe
g o 1 3 B . C . w a s al s o fo u nd e d th e re . T h e
isomightverywellcommemoratethesetwo
eMariancauseherepresents sinc e uinarii
ttributabletospecialcommemorativecele-
isinthelastcenturyof theRepublic that
aonthecoinsbecomesthemostpopular.
assumessomanyattributesandherdepic-
ult stillamorphousinritualandstill
cationstatus isadoptedbyMarius Sulla
Marc AntonyandO c tav ian. Wearetoldthat
etweentwogoldV P W' sontheCapitoline
dby SullawasreplacedbyCaesarin65
retheTempleofV ic tory istobeseenonthe
n C . MarcusCensorinus. Marius ifnot
ciation c ertainlyrev itali edoremphasi ed
esswiththearmy.H ercommemoration
ysnotedon thecoinsofmoneyersofthe
Cato buttheMariusassoc iationisof
rfuture.Caesar sallegiancetoMarius
esar isthegerminatingf lu nec essary for
I o , n os . 67 2 a- 67 2 h l is te d as c om mo n , n os . 67 a 6 7 b
4 s c ar c e .
2 , 14 X , 3 , ; X X I X , 1 4 14 X X X V , , 6 a nd O vid asti
p .2 06 .
6 1 V e ll ei us a te rc ul us I , 4 , 4 V a le ri us Ma i mu s V I ,
C ae sa r I ; W , S e ri es 2 V I I I , A p t. 2 p . 25 1 .
12. Thee istenc eofaTempleofV ic toryonthe alatineas
edbya referencein ivyconcerningthetransference
ne o f t he M at e r Ma g na t o i t. i v y X X I X , 1 4 . . ..
uaeestin alatio.
1 75 ff .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N
o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h
a t h i t r u s t . o r g / a c c e s s
_ u s e # c c - b
y - n
c - s
a - 4 . 0
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Type 5
a intoherprimer leatthec oreof mperial
loV P W in