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The Basics of Haiku

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Explore the world of Literature of Japan via Haiku.
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old pond! a frog jumps in- the sound of water The World of Haiku
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Page 1: The Basics of Haiku

old pond!

a frog jumps in-

the sound of water

The World of Haiku

Page 2: The Basics of Haiku

HAIKU

Raymund A. Yadao

Page 3: The Basics of Haiku

HISTORY OF HAIKU

• In Japan in the 15th century, a poetic form named "renga" blossomed.

• Renga is a poem several poets create cooperatively. Members alternately add verses of 17 syllables (5, 7, and 5 syllables) and those of 14 syllables (7 and 7 syllables), until they complete a poem generally composed of 100 verses.

Page 4: The Basics of Haiku

• In the 16th century, instead of renga, it was haikai - humorous poem - that became popular. Haikai (haikai-renga) is a poem made of verses of 17 and 14 syllables like renga, but it parodies renga introducing modern vulgar laughter. Haikai poets used plays on words and treated preferably things of daily life renga hadn't found interesting.

Page 5: The Basics of Haiku

• The first verse of renga and haikai is called "hokku". Haikai poets sometimes presented their hokkus as independent poems. These were the origin of haiku.

• It was traditionally demanded to adopt a kigo (season word: word reffering to a season) in the first verse of renga and haikai. Therefore, they demand to introduce a kigo in a hokku (and in a haiku) too.

Page 6: The Basics of Haiku

• Cutting (punctuation marks) -, …, or word• Pivot (changes or turns the direction of

the poem)

Page 7: The Basics of Haiku

What is Haiku?

• Haiku is one of the most important form of traditional Japanese poetry. Haiku is, today, a 17-syllable verse form consisting of three metrical units of 5, 7, and 5 syllables.

Page 8: The Basics of Haiku

• Since early days, there has been confusion between the three related terms Haiku, Hokku and Haikai.

• The term hokku literally means "starting verse", and was the first starting link of a much longer chain of verses known as haika.

Page 9: The Basics of Haiku

• Because the hokku set the tone for the rest of the poetic chain, it enjoyed a privileged position in haikai poetry, and it was not uncommon for a poet to compose a hokku by itself without following up with the rest of the chain.

Page 10: The Basics of Haiku

• Largely through the efforts of Masaoka Shiki, this independence was formally established in the 1890s through the creation of the term haiku. This new form of poetry was to be written, read and understood as an independent poem, complete in itself, rather than part of a longer chain.

Page 11: The Basics of Haiku

Modern Haiku• The history of the modern haiku dates

from Masaoka Shiki's reform, begun in 1892, which established haiku as a new independent poetic form.

• Shiki's reform did not change two traditional elements of haiku: the division of 17 syllables into three groups of 5, 7, and 5 syllables and the inclusion of a seasonal theme.

Page 12: The Basics of Haiku

Shiki was a strong advocate of modernization of Japanese poetry, even coining the terms "haiku" (replacing hokku) and "tanka" (replacing waka).

Page 13: The Basics of Haiku

• Kawahigashi Hekigoto carried Shiki's reform further with two proposals:

• Haiku would be truer to reality if there were no center of interest in it.

• The importance of the poet's first impression, just as it was, of subjects taken from daily life, and of local color to create freshness.

Page 14: The Basics of Haiku

Francisco “Balagtas” Baltazar

• "Prince of  Tagalog Poets." 

• Florante at Laura• "Balagtasan“• "King of Filipino

Poetry"

Page 15: The Basics of Haiku

How to write Haiku?

• In Japanese, the rules for how to write Haiku are clear, and will not be discussed here. In foreign languages, there exist NO consensus in how to write Haiku-poems. Anyway, let's take a look at the basic knowledge:

Page 16: The Basics of Haiku

• The metrical pattern of Haiku – Haiku-poems consist of respectively 5, 7 and

5 syllables in three units. In japanese, this convention is a must, but in english, which has variation in the length of syllables, this can sometimes be difficult.

Page 17: The Basics of Haiku

• The seasonal theme– Each Haiku must contain a kigo, a season word,

which indicate in which season the Haiku is set. For example, cherry blossoms indicate spring, snow indicate winter, and mosquitoes indicate summer, but the season word isn't always that obvious.

– Please notice that Haiku-poems are written under different rules and in many languages. For translated Haiku-poems, the translator must decide whether he should obey the rules strictly, or if he should present the exact essence of the Haiku. For Haiku-poems originally written in English, the poet should be more careful. These are the difficulties, and the pleasure of Haiku.

Page 18: The Basics of Haiku

old pond!

a frog jumps in-

the sound of water

The best known Japanese haiku is Bashō's "old pond" haiku:

Page 19: The Basics of Haiku

Basho, Matsuo. (1644-1694)• The name Basho (banana tree) he adopted the

name around 1681 after moving into a hut with a banana tree alongside. He was called Kinsaku in childhood and Matsuo Munefusa in his later days.

Page 20: The Basics of Haiku

• Basho's father was a low-ranking samurai from the Iga Province. To be a samurai, Basho serviced for the local lord Todo Yoshitada (Sengin). Since Yoshitada was fond of writing haikai, Basho began writing poetry under the name Sobo.

Page 21: The Basics of Haiku

• During the years, Basho made many travels through Japan, and one of the most famous is when he went to the north, where he wrote Oku No Hosomichi (1694).

Page 22: The Basics of Haiku

• On his last trip, he died in Osaka, and his last haiku indicates that he was still thinking of traveling and writing poetry as he lay dying: – Fallen sick on a journey,

In dreams I run wildlyOver a withered moor.

Page 23: The Basics of Haiku

Here’s an exercise that you can try on your own to help you

deepen your understanding of the art of haiku.

Page 24: The Basics of Haiku

Awaken to the current season and its imagery

Goal

Page 25: The Basics of Haiku

Writing Exercise: • Take a walk. Notice the natural world

around you and those things that are associated with the current season.

• For example, if it is winter, look deeply at the ice crystals on your gloves, or listen to the sound that your boots make on the stone steps.

Page 26: The Basics of Haiku

• Observe and allow yourself to be moved. Sit down and write down some of the images you observed on your walk. Don't just describe the images, feel them.

Page 27: The Basics of Haiku

Format:

• Write three haiku in a traditional Japanese format (17 syllables 5-7-5). Then try rewriting the same three poems in 12 or 13 syllables. Which effort produced the better poems?

Page 28: The Basics of Haiku

Remember:

• Use simple, direct language and words that evoke a season. Try to incorporate a cutting or pivot word so that the halves of your haiku seem to speak to each other.

Page 29: The Basics of Haiku

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