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The Business of Media Chapter Two. IDENTIFYING AN AUDIENCE AUDIENCES – the people whom a media...

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The Business of Media Chapter Two
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Page 1: The Business of Media Chapter Two. IDENTIFYING AN AUDIENCE AUDIENCES – the people whom a media product is directed MEDIA PRACTITIONERS –the people who.

The Business of Media

Chapter Two

Page 2: The Business of Media Chapter Two. IDENTIFYING AN AUDIENCE AUDIENCES – the people whom a media product is directed MEDIA PRACTITIONERS –the people who.

IDENTIFYING AN AUDIENCE

AUDIENCES – the people whom a media product is directed

MEDIA PRACTITIONERS –the people who select or create the material that a mass media firm produces, distributes, or exhibits

Page 3: The Business of Media Chapter Two. IDENTIFYING AN AUDIENCE AUDIENCES – the people whom a media product is directed MEDIA PRACTITIONERS –the people who.

TABLE 3.1 The Top Five Largest Media Companies by U.S. Revenue, 2010

LARGEST MEDIA COMPANIES BY U.S. REVENUE

Page 4: The Business of Media Chapter Two. IDENTIFYING AN AUDIENCE AUDIENCES – the people whom a media product is directed MEDIA PRACTITIONERS –the people who.

1. How should we think about our audience? How should we define our audience?

2. Will the material we are thinking of creating, distributing or exhibiting to attract that audience generate adequate revenues?

3. Were the people we thought would be attracted to our products in fact attracted to our products? Why or why not?

IDENTIFYING AN AUDIENCE: INCREASING PRACTITIONERS’ SUCCESS

Page 5: The Business of Media Chapter Two. IDENTIFYING AN AUDIENCE AUDIENCES – the people whom a media product is directed MEDIA PRACTITIONERS –the people who.

FIGURE 3.1 The Constructed Audience

CONSTRUCTED AUDIENCE

Page 6: The Business of Media Chapter Two. IDENTIFYING AN AUDIENCE AUDIENCES – the people whom a media product is directed MEDIA PRACTITIONERS –the people who.

DEFINING AND CONSTRUCTING A TARGET AUDIENCE • ADEQUATE REVENUE – enough cash to allow the

enterprise to pay for itself and give the owners or bankers who put up the money the desired return on their investment

• DEMOGRAPHICS & DEMOGRAPHIC INDICATORS – characteristics by which people are divided into particular social categories by factors such as age, gender, occupation, ethnicity, race, and income

• PSYCHOGRAPHICS – a way to differentiate among people or groups by categorizing them according to their attitudes, personality types, or motivations

Page 7: The Business of Media Chapter Two. IDENTIFYING AN AUDIENCE AUDIENCES – the people whom a media product is directed MEDIA PRACTITIONERS –the people who.

FIGURE 3.2 Demographic and Psychographic Analysis

DEMOGRAPHIC AND PSYCHOGRAPHIC ANALYSIS

Page 8: The Business of Media Chapter Two. IDENTIFYING AN AUDIENCE AUDIENCES – the people whom a media product is directed MEDIA PRACTITIONERS –the people who.

CREATING CONTENT TO ATTRACT THE TARGET AUDIENCE

TRACK RECORD

RESEARCH AND DEVELOPMENT (R & D)

SURVEYS

FOCUS GROUP

ANALYSIS OF EXISTING DATA

• Measuring the content’s success with the target audience may depend on counting sales.

• In cases in which sales are not involved such as radio,

broadcast television, and the web, ratings companies conduct regular surveys to count audiences to help executives determine how many people watched particular programs.

Page 9: The Business of Media Chapter Two. IDENTIFYING AN AUDIENCE AUDIENCES – the people whom a media product is directed MEDIA PRACTITIONERS –the people who.

GENRE AND MASS MEDIA CONTENT

GENRE – Major categories of media content

ENTERTAINMENT – material that grabs the audience’s attention and leaves agreeable feelings, as opposed to challenging their views of themselves and the world

FOUR SUBGENRES OF ENTERTAINMENT 1. Festivals 2. Gaming3. Drama4. Comedy

Page 10: The Business of Media Chapter Two. IDENTIFYING AN AUDIENCE AUDIENCES – the people whom a media product is directed MEDIA PRACTITIONERS –the people who.

FIGURE 3.3 Entertainment Subgenres

ENTERTAINMENT SUBGENRES

Page 11: The Business of Media Chapter Two. IDENTIFYING AN AUDIENCE AUDIENCES – the people whom a media product is directed MEDIA PRACTITIONERS –the people who.

ENTERTAINMENT FORMULAS

FORMULA – a patterned approach to creating content that is characterized by the use of setting, typical characters, and patterns of action

SETTING: the environment in which content takes place

TYPICAL CHARACTERS: those who appear regularly in the subgenre

PATTERNS OF ACTION: the predictable activities associated with the characters in the settings

Page 12: The Business of Media Chapter Two. IDENTIFYING AN AUDIENCE AUDIENCES – the people whom a media product is directed MEDIA PRACTITIONERS –the people who.

HYBRID GENRESHYBRID GENRES is a term used by some academic writers to describe mixed genres

Example: Taylor Swift’s music – blurs the lines between country and teen pop music

HYBRIDITY is the process of mixing genres within a culture and across cultures

Example: Bollywood meets Hollywood, Bride and Prejudice, 2004

DRAMEDY is a subgenre that blends the rules associated with drama (serious) and comedy (funny)

Example: Desperate Housewives, Psych, Monk, Ugly Betty, Californication

Page 13: The Business of Media Chapter Two. IDENTIFYING AN AUDIENCE AUDIENCES – the people whom a media product is directed MEDIA PRACTITIONERS –the people who.

NEWSNews, like entertainment, involves telling stories. The stories presented in the news are a tale with a beginning, middle and end. JOURNALISTS today must present the news using many forms of media including audio and video reports on the web.

Subgenres of News

• HARD NEWS

• INVESTIGATIVE REPORTS

• EDITORIALS

• SOFT NEWS

Page 14: The Business of Media Chapter Two. IDENTIFYING AN AUDIENCE AUDIENCES – the people whom a media product is directed MEDIA PRACTITIONERS –the people who.

HARD NEWS

What most people think of as news. It is the firsthand reportage of a battle, the coverage of a congressional bill’s passage, or the details of a forest fire.

Other important elements associated with hard news are OBJECTIVITY and ACCURACY

Four Guidelines that determine what is and isn’t hard news

1. Timeliness

2. Unusualness

3. Conflict

4. The Closeness of the incident

Page 15: The Business of Media Chapter Two. IDENTIFYING AN AUDIENCE AUDIENCES – the people whom a media product is directed MEDIA PRACTITIONERS –the people who.

FIGURE 3.4 Inverted Pyramid Approach

THE INVERTED PYRAMID

Page 16: The Business of Media Chapter Two. IDENTIFYING AN AUDIENCE AUDIENCES – the people whom a media product is directed MEDIA PRACTITIONERS –the people who.

INVESTIGATIVE NEWS

INVESTIGATIVE REPORTS are in-depth explorations of some aspects of reality

Share the same standards of objectivity, fairness and accuracy with hard news

Difference between hard news and investigative reports is the amount of time journalists devote to the project

Page 17: The Business of Media Chapter Two. IDENTIFYING AN AUDIENCE AUDIENCES – the people whom a media product is directed MEDIA PRACTITIONERS –the people who.

EDITORIALS

An EDITORIAL is a subgenre of news that concentrates on an individual’s or an organization’s point of view

COLUMNISTS – individuals who are paid to write editorials on a regular basis—usually weekly, monthly, or daily

BLOGS – journalistic websites or opinion sites in which writings are in the style of journal entries, often in reverse chronological order

Page 18: The Business of Media Chapter Two. IDENTIFYING AN AUDIENCE AUDIENCES – the people whom a media product is directed MEDIA PRACTITIONERS –the people who.

SOFT NEWS

The kind of news story that news workers feel may not have the critical importance of hard news but nevertheless would appeal to a substantial number of people in the audience

Also known as a human interest story

Examples: cooking, sports, daily life tips, local and community events like plays or recitals

Page 19: The Business of Media Chapter Two. IDENTIFYING AN AUDIENCE AUDIENCES – the people whom a media product is directed MEDIA PRACTITIONERS –the people who.

ADVERTISING

An ADVERTISEMENT is a message that explicitly aims to direct favorable attention to certain goods and services

A broad definition of advertising even includes PRODUCT PLACEMENT, which is the paid insertion of products into TV shows and movies in order to associate those products, often quietly, with certain desirable characters or activities

Subgenres of Advertisements

• INFORMATIONAL ADS

• HARD-SELL ADS

• SOFT-SELL ADS

Page 20: The Business of Media Chapter Two. IDENTIFYING AN AUDIENCE AUDIENCES – the people whom a media product is directed MEDIA PRACTITIONERS –the people who.

FIVE PRIMARY BUSINESS ACTIVITIES

PRODUCTION

DISTRIBUTION

EXHIBITION

AUDIENCE RESEARCH

FINANCE

FIGURE 3.5 The Process of Mass Media

Page 21: The Business of Media Chapter Two. IDENTIFYING AN AUDIENCE AUDIENCES – the people whom a media product is directed MEDIA PRACTITIONERS –the people who.

PRODUCTION PRODUCTION for the mass media means the creation of materials for distribution through one or more mass media vehicles

A MASS MEDIA PRODUCTION FIRM is a company that creates materials for distribution through one or more mass media vehicles

Who Does the Work?

ADMINISTRATIVE PERSONNEL CREATIVE PERSONNEL ON-STAFF WORKERFREELANCERSTALENT GUILD

Page 22: The Business of Media Chapter Two. IDENTIFYING AN AUDIENCE AUDIENCES – the people whom a media product is directed MEDIA PRACTITIONERS –the people who.

FIGURE 3.6 Collaboration in Mass Media Production

HOW PRODUCTION TAKES PLACE

Production in media industries is a COLLABORATIVE ACTIVITY, in which many people work together to create, and polish the end material

Other important aspects related to production include the SCHEDULE and the FORMAT

Page 23: The Business of Media Chapter Two. IDENTIFYING AN AUDIENCE AUDIENCES – the people whom a media product is directed MEDIA PRACTITIONERS –the people who.

DISTRIBUTION AND EXHIBITION

DISTRIBUTION is the delivery of the produced material to the point where it will be shown to its intended audience

EXHIBITION is the activity of presenting mass media materials to audiences for viewing or purchase

SHELF SPACE is the amount of area or time available for presenting products to consumers

Page 24: The Business of Media Chapter Two. IDENTIFYING AN AUDIENCE AUDIENCES – the people whom a media product is directed MEDIA PRACTITIONERS –the people who.

FIGURE 3.7 Vertical Integration & CBS

VERTICAL INTEGRATION An organization’s control over a media product from production through distribution to exhibition

Page 25: The Business of Media Chapter Two. IDENTIFYING AN AUDIENCE AUDIENCES – the people whom a media product is directed MEDIA PRACTITIONERS –the people who.

FINANCING MASS MEDIA CONTENT

The cash coming into a mass media firm can be divided into two categories

1. Money to fund new production

2. Money to pay for already-completed products

Taking out loans Investments

LOAN STOCK OFFERINGSINVESTMENT BANKS VENTURE CAPITALISTSSYNDICATE INITIAL PUBLIC OFFERING (IPO)

Page 26: The Business of Media Chapter Two. IDENTIFYING AN AUDIENCE AUDIENCES – the people whom a media product is directed MEDIA PRACTITIONERS –the people who.

FUNDING WHEN PRODUCTION IS ALREADY COMPLETE

The primary indicator of the health of any company is its PROFITS. In mass media firms, there are several ways to bring in revenue

• Direct Sales

• License Fees

• Rentals

• Usage Fee

• Subscriptions

• Advertising


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