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T H E C L E V E L A N D O R C H E S T R AF R A N Z W E L S E R - MF R A N Z W E L S E R - M ÖÖ S TS T M U S I C D I R E C T O R
1213
SEASONMusic. Pure + Simple. clevelandorchestra.com
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November 23, 24, 25CHOPIN AND RACHMANINOFF
T I M E O N Y O U R S I D E
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T A B L E O F C O N T E N T S
Table of Contents4 The Cleveland Orchestra
1213SEASON
T H EC L E V E L A N DO R C H E S T R A
WEEK 8
7 In the News
Perspectives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Spotlight Photo: A Look Back . . . . . . . . . . . . . . . . 8
Orchestra News . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
8 About the Orchestra Musical Arts Association . . . . . . . . . . . . . . . . . . . . . 11
Music Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
The Cleveland Orchestra . . . . . . . . . . . . . . . . . . . . 22
Education and Community . . . . . . . . . . . . . . . . . . 61
Meet the Musicians . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Severance Hall . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Guest Information . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
35 Concert — Week 8 Concert Previews . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Program: November 23, 24, 25 . . . . . . . . . . . . 35
Introducing the Program . . . . . . . . . . . . . . . . . . . . 37
CHOPIN
Piano Concerto No. 2 . . . . . . . . . . . . . . . . . . . . . 39
RACHMANINOFF
Symphony No. 2 . . . . . . . . . . . . . . . . . . . . . . . . . . 51
Conductor: Jaap van Zweden . . . . . . . . . . . . . . . . 55
Soloist: Louis Lortie . . . . . . . . . . . . . . . . . . . . . . . . . 57
48 Support Sound for the Centennial . . . . . . . . . . . . . . . . . . . . 48
Heritage Society . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64
Center for Future Audiences . . . . . . . . . . . . . . . . . 68
Endowed Funds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Corporate Annual Support . . . . . . . . . . . . . . . . . . . 73
Foundation / Government Annual Support . . . 75
Individual Annual Support . . . . . . . . . . . . . . . . . . 76
90 Future Concerts Concert Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Upcoming Concerts . . . . . . . . . . . . . . . . . . . . . . . . 94
Copyright © 2012 by The Cleveland Orchestra and the Musical Arts Association
Eric Sellen, Program Book Editor E-MAIL: [email protected]
Program books for Cleveland Orchestra concerts are produced by The Cleveland Orchestra and are distributed free to attending audience members.
Program book advertising is sold through Live Publishing Company at 216-721-1800
The Musical Arts Association is grateful to the following organizations for their ongoing generous support of The Cleveland Orchestra: National Endowment for the Arts, the State of Ohio and Ohio Arts Council, and to the residents of Cuyahoga County through Cuyahoga Arts and Culture.
The Cleveland Orchestra is proud of its long-term partnership with Kent State University, made possible in part through generous funding from the State of Ohio.
The Cleveland Orchestra is proud to have its home, Severance Hall, located on the campus of Case Western Reserve University, with whom it has a long history of collaboration and partnership.
This program book isprinted on paper thatincludes 50% recycled post-consumer content.
All unused books are recycled as part of theOrchestra’s regular busi-ness recycling program.
These books are printed with EcoSmart certifi ed inks, containing twice the vegetable-based material and one-tenth the petroleum oil content of standard inks, and producing 10% of the volatile organic compounds.
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Perspectives from the Executive Director
7Severance Hall 2012-13 7Severance Hall 2012-13
November 2012
Welcome to Severance Hall! Everyone in The Cleveland Orchestra
family is pleased that you are here with us today.
As you look around at your fellow audience members, there’s an in-
creasing chance that you will see young people, especially students
from some of Northeast Ohio’s many educational institutions.
Two years ago, we established the Center for Future Audiences to fund programs to
develop new generations of audiences for Cleveland Orchestra concerts in Northeast
Ohio. The Center was created with a $20 million lead endowment gift from the Maltz
Family Foundation. Our objective is to have one of youngest audiences of any sym-
phony orch estra in the country.
Since the beginning of this season, we have made huge strides toward that ambitious
goal. In fact, the number of students attending Cleveland Orchestra concerts at Sever-
ance Hall has more than doubled over the same period last year. This year, we’ve had
an average of more than 200 students at every evening subscription concert — on
some nights, students have represented more than 20% of the crowd.
This surge in student attendance is a result of the programs supported by the Center
for Future Audiences, especially those funded by a $5 million endowment gift from
Alexander and Sarah Cutler to encourage student attendance.
We have a number of initiatives and promotions to attract students to Severance Hall.
Two stand out: The introduction this season of a Student Frequent FanCard, which gives
students fl exibility and encourages frequency of attendance. Equally important, is our
network of a dozen student ambassadors, representing fi ve area colleges, who vol-
unteer their time promoting student concertgoing and helping to create a vital social
media presence around The Cleveland Orchestra.
Our commitment to student attendance and a younger audience is part of a Cleveland
Orchestra renaissance, as we commit to being ever more relevant to our hometown
and ever more devoted to community service.
Orchestra Gala 2012
Our annual fundraising Gala was held on Saturday, November 3, to raise funds in
support of the Orchestra’s Education and Community Programs. Featuring The Cleve-
land Orchestra and virtuoso cellist Yo-Yo Ma, the event attracted a full house, including
more than 400 generous donors who enjoyed a pre-concert reception and a wonder-
ful post-concert dinner. The magical evening, which yielded almost $700,000, owes
much to the leadership of Gala Chair Norma Lerner and Corporate Chair Beth Mooney.
Please join me in thanking our chairs, along with the evening’s major sponsors, Key-
Bank, The Lerner Foundation, and Audrey and Albert Ratner.
Gary Hanson
U N D E R T H E L E A D E R S H I P of Music Director Franz Welser-Möst, Th e Cleve-
land Orchestra has become one of the most sought-aft er performing ensem-
bles in the world. In concerts at its winter home at Severance Hall and at each
summer’s Blossom Festival, in residencies from Miami to Vienna, and on tour
around the world, Th e Cleveland Orchestra sets standards of artistic excel-
lence, creative programming, and community engagement. Th e partnership
with Franz Welser-Möst, now in its eleventh season — and with a commit-
ment to the Orchestra’s centennial in 2018 — has moved the ensemble forward
with a series of new and ongoing initiatives, including:
the establishment of residencies around the world, fostering creative artis-
tic growth and an expanded fi nancial base, including an ongoing residency
at the Vienna Musik verein (the fi rst of its kind by an American orchestra);
an ongoing residency in Florida, under the name Cleveland Orch estra Mi-
ami, involving an annual series of concerts and community activities, cou-
pled with an expansive set of educational presentations and collaborations
About the Orchestra8 The Cleveland Orchestra
IN THE SPOTLIGHT
CLEVELAND 1923 — Conductor Nikolai Sokoloff and composer Sergei Rachmaninoffwith Natalia Rachmaninoff (left), Cleveland Orchestra Manager Adella Prentiss Hughes (center), and Lyda Sokoloff (far right).
CL
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(based on successful educational programs pioneered over the past nine decades
at home in Cleveland);
concert tours from coast to coast in the United States, including annual appear-
ances at Carnegie Hall;
regular concert tours to Europe (including biennial residencies at the Lucerne
Festival) and Asia (including a residency at Tokyo’s Suntory Hall in 2010);
ongoing recording activities, including new releases under the direction of
Franz Welser-Möst, Mitsuko Uchida, and Pierre Boulez, as well as a series of
DVD concert presentations of symphonies by Anton Bruckner;
additional new residencies at Indiana University and at New York’s Lincoln
Center Festival;
an expanded off ering of education and community programs in Northeast
Ohio, designed to make music an integral and regular part of everyday life; the
2012-13 season includes a new neighborhood residency program that will feature a
week of activities and performances in Cleveland’s Gordon Square Arts District;
creative new artistic collaborations, including staged works and chamber music
performances, with arts institutions in Northeast Ohio and in Miami;
an array of new concert off erings (including Fridays@7 and Celebrity Series at
Severance Hall as well as movie, themed, and family presentations at Blossom) to
make a wider variety of concerts more available and aff ordable;
a concentrated and ongoing eff ort to develop future generations of audiences
for Cleveland Orchestra concerts in Northeast Ohio, through research, targeted
discounts, social media off ers and promotion, and student ticket programs;
continuing and expanded educational partnerships with schools, colleges, and
universities from across Northeast Ohio and in the Miami-Dade community;
the return of ballet as a regular part of the Orchestra’s presentations, featuring
performances by Th e Joff rey Ballet; the 2012-13 season includes the Orchestra’s
fi rst fully staged performances of Tchaikovsky’s Th e Nutcracker.
Th e Cleveland Orchestra was founded in 1918 by a group of local citizens in-
tent on creating an ensemble worthy of joining America’s ranks of major sympho-
ny orchestras. Over the ensuing decades, the Orchestra quickly grew from a fi ne
regional organization to being one of the most admired symphony orchestras in
the world. Th e opening in 1931 of Severance Hall as the Orchestra’s home brought
a special pride to the ensemble and its hometown, as well as providing an enviable
and intimate acoustic environment in which to develop and refi ne the Orchestra’s
artistry. Year-round performances became a reality in 1968 with the opening of
Blossom Music Center, one of the most beautiful and acoustically admired outdoor
concert facilities in the United States.
The Orchestra Today 9Severance Hall 2012-13
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Musical Arts Association
THE MUSICAL ARTS ASSOCIATION as of June 2012
operating Th e Cleveland Orchestra, Severance Hall, and Blossom Festival
THE CLEVELAND ORCHESTRA Franz Welser-Möst, Music Director Gary Hanson, Executive Director
NON-RESIDENT TRUSTEES Virginia Nord Barbato (NY) Wolfgang C. Berndt (Austria) Laurel Blossom (SC)
Richard C. Gridley (SC) George Gund III (CA) Loren W. Hershey (DC)
Herbert Kloiber (Germany)Ludwig Scharinger (Austria)
TRUSTEES EX-OFFICIO Faye A. Heston, President, Volunteer Council of Th e Cleveland Orchestra
Beth Schreibman Gehring, President, Women’s Committee of Th e Cleveland Orchestra
Ruth Ann Krutz, State Chair, Blossom Women’s Committee
Carolyn Dessin, Chair, Cleveland Orchestra Chorus Operating Committee
Dr. Lester Lefton, President, Kent State University
Barbara R. Snyder, President, Case Western Reserve University
PAST PRESIDENTS D. Z. Norton 1915-21
John L. Severance 1921-36
Dudley S. Blossom 1936-38
Thomas L. Sidlo 1939-53
Percy W. Brown 1953-55
Frank E. Taplin, Jr. 1955-57
Frank E. Joseph 1957-68
Alfred M. Rankin 1968-83
Ward Smith 1983-95
Richard J. Bogomolny 1995-2002, 2008-09
James D. Ireland III 2002-08
HONORARY TRUSTEES FOR LIFE Gay Cull Addicott Francis J. Callahan Mrs. Webb Chamberlain Oliver F. Emerson
Allen H. FordRobert W. GillespieDorothy Humel HovorkaRobert F. Meyerson
TRUSTEES EMERITI Clifford J. Isroff Samuel H. Miller David L. Simon
RESIDENT TRUSTEES George N. Aronoff Dr. Ronald H. Bell Richard J. Bogomolny Charles P. Bolton Jeanette Grasselli Brown Helen Rankin Butler Scott Chaikin Paul G. Clark Owen M. Colligan Robert D. Conrad Matthew V. Crawford Alexander M. Cutler Terrance C. Z. Egger Hiroyuki Fujita Paul G. Greig Robert K. Gudbranson Iris Harvie Jeffrey A. Healy Stephen H. Hoffman David J. Hooker Michael J. Horvitz Marguerite B. Humphrey David P. Hunt
Christopher Hyland James D. Ireland III Trevor O. Jones Betsy Juliano Jean C. Kalberer Nancy F. Keithley Douglas A. Kern John D. Koch S. Lee Kohrman Charlotte R. Kramer Dennis W. LaBarre Norma Lerner Virginia M. Lindseth Alex Machaskee Robert P. Madison Nancy W. McCann Thomas F. McKee Beth E. Mooney John C. Morley Donald W. Morrison Meg Fulton Mueller Gary A. Oatey Katherine T. O’Neill
The Honorable John D. OngLarry Pollock Alfred M. Rankin, Jr. Clara T. RankinAudrey Gilbert Ratner Charles A. RatnerJames S. Reid, Jr.Barbara S. Robinson Paul RoseSteven M. RossRaymond T. SawyerLuci ScheyNeil SethiHewitt B. Shaw, Jr. Richard K. SmuckerR. Thomas StantonThomas A. WaltermireGeraldine B. WarnerPaul E. Westlake Jr.David A. Wolfort
OFFICERS AND EXECUTIVE COMMITTEE Dennis W. LaBarre, President
Richard J. Bogomolny, Chairman
The Honorable John D. Ong, Vice President
Norma Lerner, Honorary Chair
Raymond T. Sawyer, Secretary
Beth E. Mooney, Treasurer
Jeanette Grasselli Brown Alexander M. Cutler Matthew V. Crawford Michael J. Horvitz Douglas A. Kern
Virginia M. Lindseth Alex Machaskee Nancy W. McCann John C. Morley Larry Pollock
Alfred M. Rankin, Jr.Audrey Gilbert RatnerBarbara S. Robinson
11Severance Hall 2012-13 11Severance Hall 2012-13
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Franz Welser-Möst Music Director Kelvin Smith Family Endowed Chair The Cleveland Orchestra
T H E 2 01 2 -1 3 S E A S O N marks Franz Welser-Möst’s
eleventh year as music director of Th e Cleveland
Orchestra, with a long-term commitment extend-
ing to the Orchestra’s centennial in 2018. Under his
direction, the Orchestra is acclaimed for its continu-
ing artistic excellence, is enlarging and enhancing its
community programming at home, is presented in a
series of ongoing residencies in the United States and
Europe, continues its historic championship of new
composers through commissions and premieres, and
has re-established itself as an important operatic en-
semble. Concurrently with his post in Cleveland, Mr. Welser-Möst became
general music director of the Vienna State Opera in September 2010.
With a committed focus on music education in Northeast Ohio, Franz
Welser-Möst has taken Th e Cleveland Orchestra back into public schools with
performances in collaboration with the Cleveland Metropolitan School District.
Th e initiative continues and expands upon Mr. Welser-Möst’s active participation
in community concerts and educational programs, including the Cleveland Orches-
tra Youth Orchestra and partnerships with music conservatories and universities
across Northeast Ohio.
Under Mr. Welser-Möst’s leadership, Th e Cleveland Orchestra has established
an ongoing biennial residency in Vienna at the famed Musikverein concert hall and
another at Switzerland’s Lucerne Festival. Together, they have appeared in residence
at Suntory Hall in Tokyo, Japan, and at the Salzburg Festival, where a 2008 residency
included fi ve sold-out performances of a staged production of Dvořák’s opera Rusalka.
In the United States, Mr. Welser-Möst has established an annual multi-week Cleveland
Orch estra residency in Florida under the name Cleveland Orchestra Miami and, in
2011, launched a new biennial residency at New York’s Lincoln Center Festival.
To the start of this season, Th e Cleveland Orchestra has performed fourteen
world and fi ft een United States premieres under Franz Welser-Möst’s direction.
Th rough the Roche Commissions project, he and the Orchestra have premiered
works by Harrison Birtwistle, Chen Yi, Hanspeter Kyburz, George Benjamin,
Toshio Hosokawa, and Matthias Pintscher in partnership with the Lucerne Festi-
val and Carnegie Hall. In addition, the Daniel R. Lewis Young Composer Fellow
program has brought new voices to the repertoire, including Pintscher, Marc-An-
dré Dalbavie, Susan Botti, Julian Anderson, Johannes Maria Staud, Jörg Widmann,
and Sean Shepherd.
Franz Welser-Möst has led a series of opera performances during his tenure
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Music Director 15Severance Hall 2012-13 15Severance Hall 2012-13
Music Director
in Cleveland, re-establishing the Orchestra as an important oper-
atic ensemble. Following six seasons of opera-in-concert presen-
tations, he brought fully staged opera back to Severance Hall with
a three-season cycle of Zurich Opera productions of the Mozart-
Da Ponte operas. He led concert performances of Strauss’s Sa-
lome at Severance Hall and at Carnegie Hall in May 2012.
Franz Welser-Möst became general music director of the
Vienna State Opera in 2010. His long partnership with the com-
pany has included acclaimed performances of Tristan and Isolde,
a new production of Wagner’s Ring cycle with stage director Sven-
Eric Bechtolf, and critically praised new productions of Hin-
demith’s Cardillac and Janáček’s Katya Kabanova and From the
House of the Dead. During the 2012-13 season, his Vienna performances include
Wagner’s Parsifal, Strauss’s Arabella and Ariadne auf Naxos, Puccini’s La Bohème,
and Berg’s Wozzeck.
Mr. Welser-Möst also maintains an ongoing relationship with the Vienna Phil-
harmonic. Recent performances with the Philharmonic include appearances at the
Lucerne Festival and Salzburg Festival, in Tokyo, and in concert at La Scala Milan,
as well as leading the Philharmonic’s 2011 New Year’s Day concert, viewed by telecast
in seventy countries worldwide; he will conduct the New Year’s Day concert again in
2013 and will also lead the Philharmonic in a series of concerts at New York’s Carne-
gie Hall in March 2013. Across a decade-long tenure with the Zurich Opera, culmi-
nating in three seasons as general music director (2005-08), Mr. Welser-Möst led the
company in more than 40 new productions and numerous revivals.
Franz Welser-Möst’s recordings and videos have won major awards, including
the Gramophone Award, Diapason d’Or, Japanese Record Academy Award, and
two Grammy nominations. With Th e Cleveland Orchestra, he has created DVD
recordings of live performances of Bruckner symphonies, presented in three ac-
coustically distinctive venues (the Abbey of St. Florian in Austria, Vienna’s Musik-
verein, and Severance Hall). With Cleveland, he has also released a recording of
Beethoven’s Ninth Symphony as well as an all-Wagner album featuring soprano
Measha Brueggergosman. DVD releases on the EMI label have included Mr. Wels-
er-Möst leading Zurich Opera productions of Th e Marriage of Figaro, Così fan tutte,
Don Giovanni, Der Rosenkavalier, Fierrabras, and Peter Grimes.
For his talents and dedication, Mr. Welser-Möst has received honors that
include recognition from the Western Law Center for Disability Rights, honor-
ary membership in the Vienna Singverein, appointment as an Academician of the
European Academy of Yuste, a Gold Medal from the Upper Austrian government
for his work as a cultural ambassador, a Decoration of Honor from the Republic of
Austria for his artistic achievements, and the Kilenyi Medal from the Bruckner So-
ciety of America. He is the co-author of Cadences: Observations and Conversations,
published in a German edition in 2007.
16 The Cleveland Orchestra
W EL I G H T
T H EW A Y
S t . V i n c e n t C h a r i t y M e d i c a l C e n t e r , S t . J o h n M e d i c a l C e n t e r*, S i s t e r s o f C h a r i t y F o un d a t i o n o f C l e v e l a n d , B u i l d i n g H e a l t h y C o m m un i t i e s , R e g i n a H e a l t h C e n t e r , J o s e p h ’s H o m e , L i g h t o f H e a r t s V i l l a*,C a t h o l i c C o m m un i t y C o n n e c t i o n*, I n d e p e n d e n t P h y s i c i a n S o l u t i o n s *
T H EC L E V E L A N DO R C H E S T R AFranz Welser-Möst M U S I C D I R E C T O R Kelvin Smith Family Chair
Christoph von DohnányiMUSIC DIRECTOR LAUREATE
Giancarlo GuerreroPRINCIPAL GUEST CONDUCTOR,
CLEVELAND ORCHESTRA MIAMI
James FeddeckASSISTANT CONDUCTOR Elizabeth Ring and William Gwinn Mather Chair
MUSIC DIRECTOR, CLEVELAND ORCHESTRA YOUTH ORCHESTRA
Robert PorcoDIRECTOR OF CHORUSES
Frances P. and Chester C. Bolton Chair
Lisa WongASSISTANT DIRECTOR OF CHORUSES
DIRECTOR, CLEVELAND ORCHESTRA YOUTH CHORUS
Ann UsherDIRECTOR, CLEVELAND ORCHESTRA CHILDREN’S CHORUSES
Daniel SingerASSISTANT DIRECTOR,
CLEVELAND ORCHESTRA YOUTH CHORUS
Suzanne WaltersASSISTANT DIRECTOR,
CLEVELAND ORCHESTRA CHILDREN’S CHORUSES
1213
SEASON
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19Severance Hall 2012-13 19Severance Hall 2012-13
Franz Welser-Möst and The Cleveland Orchestra,
performing Bruckner’s Fourth Symphony in concert
at Severance Hall in April 2012.
FIRST VIOLINSWilliam PreucilCONCERTMASTER
Blossom-Lee Chair
Yoko MooreASSISTANT CONCERTMASTER
Clara G. and George P. Bickford Chair
Peter OttoFIRST ASSOCIATE CONCERTMASTER
Jung-Min Amy LeeASSOCIATE CONCERTMASTER
Gretchen D. and Ward Smith Chair
Lev PolyakinASSISTANT CONCERTMASTER
Dr. Jeanette Grasselli Brownand Dr. Glenn R. Brown Chair
Takako MasamePaul and Lucille Jones Chair
Wei-Fang GuDrs. Paul M. and Renate H. Duchesneau Chair
Kim GomezElizabeth and Leslie Kondorossy Chair
Chul-In ParkHarriet T. and David L.Simon Chair
Miho HashizumeTh eodore Rautenberg Chair
Jeanne Preucil RoseDr. Larry J.B. and Barbara S. Robinson Chair
Alicia KoelzOswald and Phyllis Lerner Gilroy Chair
Yu YuanPatty and John Collinson Chair
Isabel TrautweinTrevor and Jennie Jones Chair
Mark DummGladys B. Goetz Chair
Alexandra PreucilKatherine BormannYing Fu
SECOND VIOLINSStephen Rose*
Alfred M. and Clara T. Rankin Chair
Emilio Llinas 2
James and Donna Reid Chair
Eli Matthews 1
Patricia M. Kozerefski and Richard J. Bogomolny Chair
Elayna DuitmanIoana MissitsCarolyn Gadiel WarnerStephen WarnerSae ShiragamiVladimir DeninzonSonja Braaten MolloyScott WeberKathleen CollinsBeth WoodsideEmma ShookJeffrey Zehngut
VIOLASRobert Vernon*
Chaillé H. and Richard B. Tullis Chair
Lynne Ramsey1
Charles M. and Janet G. Kimball Chair
Stanley Konopka 2
Mark JackobsJean Wall Bennett Chair
Arthur KlimaRichard WaughLisa BoykoLembi VeskimetsEliesha NelsonJoanna Patterson ZakanyPatrick Connolly
CELLOSMark Kosower*
Louis D. Beaumont Chair
Richard Weiss1
Th e GAR Foundation Chair
Charles Bernard2
Helen Weil Ross Chair
Bryan Dumm Muriel and Noah Butkin Chair
Tanya EllRalph CurryBrian ThorntonDavid Alan HarrellPaul KushiousMartha BaldwinThomas Mansbacher
BASSESMaximilian Dimoff *
Clarence T. Reinberger Chair
Kevin Switalski 2
Scott Haigh1
Mary E. and F. Joseph Callahan Chair
Mark AthertonThomas SperlHenry Peyrebrune
Charles Barr Memorial Chair
Charles CarletonScott DixonDerek Zadinsky
HARPTrina Struble*
Alice Chalifoux Chair
F R A N Z W E L S E R - M Ö S T M U S I C D I R E C TO R Kelvin Smith Family Chair
The Orchestra
T H E C L E V E L A N D
22 The Cleveland Orchestra
* Principal § Associate Principal 1 First Assistant Principal 2 Assistant Principal
FLUTESJoshua Smith*
Elizabeth M. andWilliam C. Treuhaft Chair
Saeran St. ChristopherMarisela Sager 2
Austin B. and Ellen W. Chinn Chair
Mary Kay Fink
PICCOLOMary Kay Fink
Anne M. and M. Roger Clapp Chair
OBOESFrank Rosenwein*
Edith S. Taplin Chair
Mary LynchJeffrey Rathbun 2
Everett D. and Eugenia S. McCurdy Chair
Robert Walters
ENGLISH HORNRobert Walters
Samuel C. and Bernette K. Jaff e Chair
CLARINETSFranklin Cohen*
Robert Marcellus Chair
Robert WoolfreyDaniel McKelway 2
Robert R. and Vilma L. Kohn Chair
Linnea Nereim
E-FLAT CLARINETDaniel McKelway
Stanley L. and Eloise M. Morgan Chair
BASS CLARINETLinnea Nereim
BASSOONSJohn Clouser *
Louise Harkness Ingalls Chair
Barrick Stees2
Sandra L. Haslinger Chair
Jonathan Sherwin
CONTRABASSOONJonathan Sherwin
HORNSRichard King *
George Szell Memorial Chair
Michael Mayhew §
Knight Foundation Chair
Jesse McCormickHans ClebschRichard SolisAlan DeMattia
TRUMPETSMichael Sachs*
Robert and Eunice Podis Weiskopf Chair
Jack SutteLyle Steelman2
James P. and Dolores D. Storer Chair
Michael Miller
CORNETSMichael Sachs*
Mary Elizabeth and G. Robert Klein Chair
Michael Miller
TROMBONESMassimo La Rosa*
Gilbert W. and Louise I. Humphrey Chair
Richard StoutAlexander andMarianna C. McAfee Chair
Shachar Israel2
BASS TROMBONEThomas Klaber
EUPHONIUM AND BASS TRUMPETRichard Stout
TUBAYasuhito Sugiyama*
Nathalie C. Spence and Nathalie S. Boswell Chair
TIMPANIPaul Yancich*
Otto G. and Corinne T. Voss Chair
Tom Freer 2
PERCUSSIONJacob Nissly*
Margaret Allen Ireland Chair
Donald MillerTom FreerMarc Damoulakis
KEYBOARD INSTRUMENTSJoela Jones*
Rudolf Serkin Chair
Carolyn Gadiel WarnerMarjory and Marc L. Swartzbaugh Chair
LIBRARIANSRobert O’BrienDonald Miller
ORCHESTRA PERSONNELCarol Lee IottDIRECTOR
ENDOWED CHAIRS CURRENTLY UNOCCUPIEDASSISTANT PRINCIPAL HARP
Sunshine Chair
The Orchestra
1213
SEASONO R C H E S T R A
23Severance Hall 2012-13 23Severance Hall 2012-13
With its convenient proximity to downtown, Burke Lakefront Airport is a vital destination forthe corporations, executives, and health care systems that are growing their businesses here.Which should be music to all of our ears.
www.burkeairport.com
Business takes flight when it’s well conducted.
25Severance Hall 2012-13 25Severance Hall 2012-13
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Cleveland Orchestra News
Tickets are selling fast for the holiday event of the
season, Th e Cleveland Orchestra’s presentation of Th e
Joff rey Ballet’s complete silver anniversary production
of Tchaikovsky’s Th e Nutcracker. Five performances are
being presented at Playhouse Square’s State Th eatre next
week. Th e production will be conducted by Tito Muñoz
and marks the fi rst time Th e Cleveland Orchestra has
performed Tchaikovsky’s Th e Nutcracker in a fully-staged
presentation.
Conceived and originally directed in 1987 by Rob-
ert Joff rey, with choreographic contributions from Gerald
Arpino, this production of Th e Nutcracker features more
than 40 company dancers, 200 brilliant costumes, and
larger-than-life scenery. Th e Chicago Sun-Times called the
Joff rey’s Nutcracker “a grand showcase of classical tech-
nique that spotlights the particular talents of many of the
company’s ensemble dancers,” the Chicagoist calls it “a
fi rst-class celebration of one of the greatest holiday pro-
ductions ever,” and the Washington Post praised it as “a
theatrical event of irresistible power.”
Th e Cleveland cast of Th e Nutcracker includes sixty Northeast Ohio young
dancers, selected by audition, dancing side-by-side with the Joff rey company. Th e
Cleveland Orchestra Children’s Chorus, comprised of fi ft y members, also joins
the performances to sing in the beautiful “Snow Scene.”
“Our company looks forward to once again joining Th e Cleveland Orches-
tra” says Joff rey Ballet artistic director Ashley Wheater, “and in extending our
wonderful partnership into a complete production. Our previous performances
together at Blossom have included elements of a full ballet, but this time we’ll
have all the sets, costumes, lighting, and the magnifi cent choreography of our
founder Robert Joff rey.”
The Cleveland Orchestra performs Tchaikovsky’s “The Nutcracker” with The Joffrey Ballet at PlayhouseSquare Five performances Nov 29 thru Dec 2
TICKETS On-sale now! 216-241-6000 or playhousesquare.org
News
Orchestra NewsNewsNews
Orchestra NewsNews
26 The Cleveland Orchestra
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In the 2012-13 season, The Cleveland Or-
chestra continues its innovations in program-
ming and community engagement, seeking to
build on the success of recent initiatives. The
coming season’s innovations include new pro-
gram and audience development activities at
Severance Hall, alongside expanded activities
outside the concert hall.
The Orchestra will venture even farther
outside its University Circle home with new
programs downtown and on Cleveland’s West
Side. At PlayhouseSquare, the Orchestra will col-
laborate with The Joff rey Ballet, while the orga-
nization’s ground-breaking residency program,
developed and refi ned by the Orchestra in cities
including Vienna and Miami, will come home
to Northeast Ohio with the launch of a new
program of Neighborhood Residencies. The
fi rst annual Cleveland Orchestra Neighborhood
Residency will take place in Gordon Square the
week of May 13-19, 2013. Also this season, the ini-
tiative that brought the full Orchestra back into
the schools in 2009 will continue and become a
permanent part of the annual schedule thanks
to a newly-created endowment fund, and a new
partnership with Breakthrough Charter Schools
begins in October 2012.
Meanwhile, “Under 18s Free,” a program
fi rst established for the 2011 Blossom Festival,
will come inside Severance Hall for selected
concerts, and as the unique Fridays@7 Series
enters its fourth season, a bold repertoire move
sees world music migrating from the @fter-party
entertainment to the main-stage concert with
the Orchestra. The KeyBank Fridays@7 series
opened on October 5 featuring the music of
Stewart Copeland, founder and drummer of The
Police, and a collaboration with the Rock and
Roll Hall of Fame & Museum.
In announcing the new initiatives in Au-
gust, Gary Hanson, executive director of The
Cleveland Orchestra, said, “We want to build on
the success of our many recent community en-
gagement initiatives, and in the coming season
we are further diversifying our schedule and
programs. Our goal is to be even more relevant
to our community.”
CLEVELAND ORCHESTRA NEIGHBORHOOD RESIDENCY
The Cleveland Orchestra Neighborhood
Residency is a new program to immerse the
Orchestra in local communities with an intense
schedule of performances and activities. The
fi rst of these annual residencies in Northeast Ohio
takes place the week of May 13-19, 2013, in Gor-
don Square. The centerpieces of the Residency
will be free Cleveland Orchestra concerts at St.
Colman Church for neighborhood residents and
students, and musicians will perform as soloists
and in ensembles in non-traditional locations and
in local schools. The Cleveland Orchestra Neigh-
borhood Residency at Gordon Square is funded
in part by the Machaskee Fund for Community
Programming, an endowed fund created by Alex
and Carol Machaskee.
Sean Watterson, co-owner of the Happy Dog
bar, restaurant, and music venue in Gordon Square,
said, “We’re incredibly enthusiastic about the Or-
chestra coming to Gordon Square. We’re thrilled
that people in our community will be able to expe-
rience their world-class performances at a series of
events for all ages throughout the neighborhood.
We’re proud to welcome the world to Gordon
Square to join us for this unique experience.”
HIGH SCHOOL PERFORMANCES PERMANENTLY ENDOWED
The Cleveland Orchestra returned to per-
forming in Cleveland high schools in 2009, after
an absence of more than three decades. On
Thursday, October 11, 2012, the Orchestra’s per-
formance at Shaker Heights High School is the
fi rst to be supported by a newly established fund
that permanently endows annual Cleveland Or-
chestra performances in area high schools. The
Alfred Lerner In-School Performance Fund, a gift
of $1 million from Mrs. Norma Lerner and The
Lerner Foundation, will support concerts in high
schools in perpetuity. Performances are being
Cleveland Orchestra News
Cleveland Orchestra continues innovations in programming and community engagement New programs and expansion include neighborhood residency, ballet, free tickets, and school partnerships and performances
27Severance Hall 2012-13 27Severance Hall 2012-13
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planned for Cleveland Metropolitan School Dis-
trict High Schools in 2013 and 2014.
NEW PARTNERSHIP WITH BREAKTHROUGH CHARTER SCHOOLS
The Cleveland Orchestra begins an educa-
tional partnership with Breakthrough Charter
Schools in October 2012. All of the students
from participating schools will attend a Cleve-
land Orchestra concert at Severance Hall, and
their teachers will participate in professional de-
velopment workshops and concert preparation.
The Orchestra’s award-winning Learning Through
Music program includes ongoing visits from
Cleveland Orchestra musicians in the schools.
The pilot partnership will eventually expand to
incorporate all nine Breakthrough Schools.
The Cleveland Orchestra partnership with
Breakthrough Schools is funded in part by
Cliff s Natural Resources. Breakthrough Charter
Schools are a nationally-recognized network of
high-performing, free, public charter schools
operating in partnership with the Cleveland
Metropolitan School District.
“UNDER 18s FREE” EXPANDSFROM BLOSSOM TO SEVERANCE HALL
The Cleveland Orchestra’s “Under 18s Free”
at Blossom program is expanding to Severance
Hall. This follows the unprecedented success
of the program for Blossom Festival concerts,
where, since its inception in 2011, more than
23,000 young people have attended Cleveland
Orchestra concerts. “Under 18s Free” at Sever-
ance Hall tickets are available for all KeyBank
Fridays@7 concerts, as well as for the Orchestra’s
two regular matinee series: Friday Mornings at
11 and Sundays at 3. Free tickets are off ered for
young people ages 7-17
on a one-for-one basis
with paid adult admis-
sions. “Under 18s Free”
tickets are available by
contacting the Severance
Hall Ticket Offi ce.
“Under 18s Free” is
supported in part by The
Cleveland Orchestra’s
Center for Future Audi-
ences. The Center, created
with a lead endowment
gift from the Maltz Family
Foundation, was estab-
lished to fund programs to
develop new generations
of audiences for Cleveland
Orch estra concerts in
Northeast Ohio.
The Joff rey Ballet performs
The Nutcracker with The
Cleveland Orchestra No-
vember 29-December 2.
Mozart, Great Mass in C Minor
with the Oberlin OrchestraRaphael Jiménez, conductor
Jason Harris, director of MU
Sing in CelebrationOBERLIN MUSICAL UNION’S 175TH ANNIVERSARY
Interested in joining MU?
Contact [email protected]
Sunday, December 9, 8 p.m.Finney Chapel – Free Admission
440.775.6933 www.oberlin.edu
28 The Cleveland OrchestraCleveland Orchestra News
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Cleveland Orchestra offers gift ideas for the holidays, including new recordings, gift certificates, and more . . . Music and the holidays are a perfect match.
The Cleveland Orchestra Store offers a host
of musical treats this holiday season, including
the Orchestra’s latest DVDs and CDs, as well as
releases by Orchestra musicians. Music boxes
and music-themed holiday ornaments, statio-
nery, books, stuffed toys and musical gifts for
children of all ages, fashion scarves, jewelry, and
Cleveland Orchestra logo apparel are also on
sale at the Store.
In addition, Cleveland Orchestra Gift
Certificates and Blossom Lawn Ticket Books
for the Orchestra’s 2013 Blossom Festival are
available at the Severance Hall Ticket Office
by calling 216-231-1111 or 800-686-1141, or at
clevelandorchestra.com.
Free tickets to Martin Luther King Jr. Celebration Concert
go on sale January 2 On Sunday, January 20,
The Cleveland Orchestra per-
forms its 33rd annual concert
celebrating the spirit of Dr.
King’s life, leadership, and vi-
sion in music, song, and com-
munity recognition.
Admission to the concert
is free, but tickets are required.
Tickets will be available on a first-come, first-
served basis beginning Wednesday, January
2, through the Severance Hall Ticket Office
in person, by phone, or online at cleveland-
orchestra.com. There is a limit of 2 tickets per
person. Due to high demand, all tickets are
usually distributed by 4 p.m. on the day they
are made available.
a new play by ERIC COBLE | based on the novella by LES ROBERTS | directed by LAURA KEPLEY
A holiday event by Clevelanders, for Clevelanders, about Clevelanders.
BELL, BOOKAND CANDLEwritten by John Van Druten
January 11 – February 3
THE DEVIL’S MUSIC:The Life and Blues of Bessie Smithwritten by Angelo Parra
February 15 - March 10
GOOD PEOPLEwritten by David Lindsay-Abaire
March 22 - April 14
RICH GIRLwritten by Victoria Stewart
April 19 - May 12
216.241.6000
clevelandplayhouse.com
29Severance Hall 2012-13 29Severance Hall 2012-13 Cleveland Orchestra News
OrchestraNewsNews
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2012 Holiday Festival features traditional and new favorites at Severance Hall and beyond
The Cleveland Orchestra’s 2012 Holiday
Festival opens next week with The Nut-
cracker with the Joffrey Ballet down-
town, and continues in December
with traditional and New Age con-
certs at Severance Hall and beyond.
Between December 14 and 23, The
Cleveland Orchestra and Cleveland Orchestra
Chorus present their annual Christmas Con-
certs, joined by guest choruses and including
holiday favorites such as “The Twelve Days of
Christmas,” the Hallelujah Chorus from Han-
del’s Messiah, music from the movie The Polar
Express, and “Sleigh Ride,” plus sing-alongs
and a very special guest.
Along with The Nutcracker perfor-
mances and the traditional series of Christmas
Concerts by the Orchestra and Chorus, the
Holiday Festival also features performances
by the group Pink Martini with the Orchestra
on December 18 and 19. True to its fashion,
the band has created a globally-inclusive
holiday concert showcasing a mix of cabaret,
samba, and jazz. Their multi-cultural program
features popular favorites along with holiday
classics.
In addition, three PNC Holiday Musical
Rainbow programs are offered for families
with children ages three and up — “Music of
Chanukah,” “A Celebration of Kwanzaa,” and
“Christmas Brass Quintet,” featuring members
of the Orchestra and guests. Complete details
can be found at clevelandorchestra.com.
Families can arrive early for the matinee
Christmas Concerts at Severance Hall on De-
cember 15, 16, 22, and 23 to have Lunch with
Santa in Severance Restaurant from 12 noon
until 3 p.m. Call 216-231-7373 or visit cleve-
landorchestra.com for reservations.
Severance Restaurant is also open for
pre-concert dining for the regular evening
Holiday Festival concerts at Severance
Hall. Reservations can be made by visiting
opentable.com.
Cleveland Orchestra News
New album with ClevelandOrchestra and Mitsuko Uchida
is now available . . . The third of Mitsuko Uchida’s albums of
Mozart concertos with The Cleveland Orches-
tra has been released — and is now avail-
able for purchase at the Cleveland Orchestra
Store at Severance Hall. The album features
Piano Concertos Nos. 9 and 21,
recorded in live performances at
Severance Hall. One of the previ-
ous discs from this collaboration
received a Grammy Award in
2011.
Reviews of this new album
include these comments from
Audiophile Audition: “Conduct-
ing Mozart concertos from the
piano has a long and honored
tradition, originating with the composer him-
self. . . . Uchida performs on a new Hamburg
Steinway whose action remains uniformly
light and resonant, especially as Uchida does
not mince her dynamics. . . . We need only
audition this fine collaboration to enjoy the
scintillating energy of the outer movements
[of Concerto No. 9] and the internal rigors of
the Andantino. The last movement virtually
bubbles with infectious wit and digital confi-
dence. . . . [In Concerto No. 21] the give-and-
take response between Uchida and the Cleve-
land strings and winds attractively beguiles
us. Then, her seamless runs and arpeggios
move inexorably to a bravura cadenza almost
early Beethoven in
its briefly pearly wit
that rushes to a coda
spread over three
octaves. Superb!”
Comings and goings As a courtesy to the performers
onstage and the entire audience, late-
arriving patrons cannot be seated until the
first break in the musical program.
30 The Cleveland OrchestraCleveland Orchestra News
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Cleveland Orchestra’s Distinguished Service Award
presented to Maltzes The Cleveland Orch-
estra’s seventeeth an-
nual Distinguished Service
Award was presented to
Milton and Tamar Maltz at
the start of the Orchestra
concert on October 6. The
award, created in 1996,
honors a person or orga-
nization that has provided
continuing exemplary
service to the Musical Arts Association, the
non-profit parent organization that operates
The Cleveland Orchestra, Severance Hall, and
Blossom Festival.
The Maltzes have demonstrated exception-
al and continuous dedication to The Cleveland
Orchestra and the arts community in Northeast
Ohio across four decades. They have been
generous contributors to the Orchestra’s Annual
Fund and to special projects such as, in 2000,
the internationally acclaimed renovation of Sev-
erance Hall. In 2010, their visionary leadership
helped launch The Cleveland Orchestra’s Center
for Future Audiences, which was generously
endowed with a lead gift of $20 million from the
Maltz Family Foundation. The Center was estab-
lished to create and fund programs to develop
new generations of audiences for Cleveland
Orchestra concerts in Northeast Ohio.
Family Concert seriescontinues in spring with
“Symphony Under the Sea” after Spooktacular startThe Cleveland Orchestra’s season of Family
Concerts began with a fun-filled program in
late October with “Halloween Spook-
tacular III.” The series continues in
2013 with “Symphony Under the
Sea” on Friday evening, March
8, led by conductor Robert
Franz — including favorite
musical numbers from Disney’s
Little Mermaid. The series closes with
“Fables, Fantasies, & Folklore” on Sunday
afternoon, May 12, led by conductor Michael
Butterman — in an exploration of music story-
telling and fun.
Intended for children ages 7 and older,
the series is designed to introduce young peo-
ple to classical music. The Halloween program
included favorite musical hits and also featured
a costume contest for audience members. The
Orchestra musicians onstage also got into the
“spirit” of the occasion with many theme-re-
lated outfits.
In addition to each one-hour Orchestra
concert, the Family Concert Series features
free, pre-concert activities, including an “In-
strument Discovery” in which children can try
playing various instruments.
For complete details about the spring
concerts, visit clevelandorchestra.com.
31Severance Hall 2012-13 31Severance Hall 2012-13
Radio station WCLV celebrates 50 years on the air on Nov. 1 — radio home of Th e Cleve- land Orchestra since 1965
Radio station WCLV celebrated its 50th
anniversary of providing classical music to
Northeast Ohio with a special public open
house and day of live music
performances on Thursday,
November 1. Since 1965,
WCLV has been the radio
home of The Cleveland
Orch estra, and the Orchestra’s fi rst broadcast
on WCLV, from September 23 that year, was
aired during the celebrations on November
1. Also featured was a live performance by
the Cleveland Orchestra Youth Orchestra and
performances by many other local musicians,
including members of The Cleveland Orches-
tra. An open house was held at WCLV’s new
studios at the Idea Center at PlayhouseSquare
in downtown Cleveland, with birthday cake
and opportunities to meet WCLV announcers
and hear the live musical performances.
“WCLV has been an outstanding partner
with The Cleveland Orchestra — and all the
arts in Northeast Ohio,” Orchestra executive
director Gary Hanson said in sending congrat-
ulations. “This community can truly celebrate
this milestone with WCLV, with thanks to Bob
Conard for making the station into the ‘radio
home’ not just for The Cleveland Orchestra
but for classical music and the arts in general.
Happy Birthday, and thank you, WCLV.”
Hail and Farewell . . .
Assistant concertmaster Lev Polyakin
announced his retirement from The Cleveland
Orchestra as of October 28,
2012, following thirty-one
years of service. The entire
Cleveland Orchestra family
wishes him congratulations
and thanks, and the very
best in his new endeavors.
THE CLEVELAND ORCHES TRA
F .A .M. I .L .Y N .E .W.S Please join in extending congratula-tions and warm wishes to: Frank Rosenwein (oboe) and Jung-Min
Amy Lee (violin), who were married June 10.
Martha Baldwin (cello) and Micah Lei-
bowitz, whose baby daughter, Zoe Kathleen,
was born on August 14.
Robert Woolfrey (clarinet) and Tanya Ell
(cello), who were married on September 8.
Committed to Accessibility
Severance Hall is committed to making
performances and facilities accessible to all
patrons. For information about accessibility
or for assistance, call the House Manager
at 216 231-7425.
Orchestra NewsNews
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104.9 classical FM
Y E A R S
Cleveland Orchestra News
clevelandpops.com
A Joyous ChristmasA Joyous ChristmasCelebrationCelebration
216-241-6000
32 The Cleveland Orchestra
2013 MUSICAL MILESTONES
register onlinewww.case.edu/lifelonglearning
or call 216.368.2090
...for the love of learning
DONALD ROSENBERGMusic and Dance
writer for The Plain
Dealer; President
of the Music Critics
Association of North
America.
Wednesdays, January 9, 16, 23, 30 1:30 – 3:30 p. m.
Registration: $60
Donald Rosenberg’s writing has appeared
in Symphony Magazine, Opera News,
Opera (London), Musical America, and other
publications. An accomplished French horn
player, he has performed at the prestigious
Aspen and Marlboro music festivals. He is a
graduate of the Mannes College of Music and
the Yale School of Music.
KNOW YOUR STUFF
Get the jump on 2013:
Four major celebrations
will be marked in the
world of classical music.
The bicentenary of
the births of Richard
Wagner and Giuseppe
Verdi; the 100th
anniversary of the birth
of Benjamin Britten,
and the centenary of
the notorious 1913 Paris
premiere of The Rite of Spring. This course
will explore all of these milestones through
audio and video recordings that confirm the
timelessness of these artistic phenomena.
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33Severance Hall 2012-13 33Severance Hall 2012-13
Concert Previews Cleveland Orchestra Concert Previews are
presented before every regular subscription con-
cert, and are free to all ticketholders to that day’s
performance. Previews are designed to enrich the
concert-going experience for audience members
of all levels of musical knowledge through a vari-
ety of interviews and through talks by local and
national experts.
Concert Previews are made possible
by a generous endowment gift from
Dorothy Humel Hovorka.
November 23, 24, 25“Ebony, Ivory, and Melody: Pianist-Composers as Lyrical Poets” with guest speaker Eric Charnofsky, lecturer, musicology and keyboard, Case Western Reserve University
December 6 and 8“Portraits of America” with guest speaker Susan McClary, professor of musicology, Case Western Reserve University
January 10, 11, 12“New Beginnings” with Rose Breckenridge, Cleveland Orchestra Music Study Groups administrator and lecturer
1213 SEASON
For Concert Preview details, visit clevelandorchestra.com
LEARNING MORE ABOUT THE MUSIC
The Cleveland Orchestra off ers a vari-
ety of options for learning more about
the music before each concert begins.
For each concert, the program book
includes program notes commenting
on and providing background about
the composer and his or her work
being performed that week, along
with biographies of the guest artists
and other information. You can read
these before the concert, at intermis-
sion, or afterward. (Program notes
are also posted ahead of time online
at clevelandorchestra.com, usually by
the Monday directly preceding the
concert.)
The Orchestra’s Music Study
Groups also provide a way of explor-
ing the music in more depth. These
classes, professionally led by Dr. Rose
Breckenridge, meet weekly in loca-
tions around Cleveland to explore the
music being played each week and the
stories behind the composers’ lives.
Free Concert Previews are pre-
sented one hour before most subscrip-
tion concerts throughout the season at
Severance Hall.
Concert Previews
lec.edu1.855.GO.STORM
Music is enough for
a lifetime, but a lifetime is
not enough for music.
—Sergei Rachmaninoff
‘‘ ‘‘
35Severance Hall 2012-13 Concert Program — Week 8
T H E C L E V E L A N D O R C H E S T R A F R A N Z W E L S E R - M Ö S T M U S I C D I R E C T O R
Louis Lortie’s appearance with The Cleveland Orchestra is made possible by a gift to the Orchestra’s Guest Artist Fund from The Gerhard Foundation.
The evening concerts will end at approximately 9:50 p.m.and Sunday afternoon’s concert at about 4:50 p.m.
LIVE RADIO BROADCAST Saturday evening’s concert is being broadcast live on WCLV (104.9 FM). The concert will be rebroadcast as part of regular weekly programming on WCLV on Sunday afternoon, December 30, at 4:00 p.m.
Severance HallFriday evening, November 23, 2012, at 8:00 p.m. Saturday evening, November 24, 2012, at 8:00 p.m. Sunday afternoon, November 25, 2012, at 3:00 p.m.
Jaap van Zweden, conductor
frédéric chopin Piano Concerto No. 2 (1810-1849) in F minor, Opus 21 1. Maestoso 2. Larghetto 3. Allegro vivace
LOUIS LORTIE, piano
INTERMISSION
sergei rachmaninoff Symphony No. 2(1873-1943) in E minor, Opus 27 1. Largo — Allegro moderato 2. Allegro molto 3. Adagio 4. Allegro vivace
1213
SEASON
36 The Cleveland Orchestra36 The Cleveland Orchestra36
Sunday, Dec. 2 | 2 p.m.Gartner AuditoriumCleveland Museum of Art11150 East Blvd.
Free AdmissionFor more information call 216-987-4444
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Classical PianoRecital Series
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The Cleveland Orchestra
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Other fine schools advertising in The Cleveland Orchestra’s Severance Hall programs include:
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Cleveland Institute of Music216-791-5000
Cleveland State UniversityKulas Series of Keyboard Conversations
with Jeffrey Siegel216-687-5018
Lake Erie College1-855-GO-STORM
The Oberlin Conservatory of Music440-775-8413
37Severance Hall 2012-13 37Severance Hall 2012-13 Introducing the Program
τ
I N T R O D U C I N G T H E P R O G R A M
Familiar Romanticism T H E T W O C O M P O S E R S on this
weekend’s program represent op-
posite ends of the Romantic era in
music. Both wrote music filled with
emotional feelings, swept in soaring
melodies and lyrical details. Both
lived full lives, although Chopin’s
was noticeably shorter than Rach-
maninoff’s. Both left their home-
lands, of Poland and Russia, never to
return.
The two works performed at
this weekend’s concerts date from
halfway through each man’s life
— Chopin’s Second Piano Concerto
from 1830 when the composer was
just 20, Rachmaninoff’s Second Sym-
phony from 1909 when he was 36.
Chopin spent the rest of his short life
devoting himself to works for solo pi-
ano. With the Second Symphony, Rachmaninoff found renewed
vigor in his music writing and spent the next decade creating a
string of works, well-loved and cherished by music lovers around
the world — though few would surpass the popularity of this
symphony.
Both works have been belittled by some who want some-
thing more from music. But what can be better than a good tune,
artfully crafted and played to perfection, accompanied in pleas-
ing harmonies and changing colors? For Thanksgiving Week-
end, such traditional fare is as satisfying as a good meal with
friends and family. And, surely, Chopin and Rachmaninoff are
near and dear members of the orchestral family. Enjoy.
38 The Cleveland Orchestra
That’s why last year, the Jewish Federation of Cleveland raised and allocated nearly $127 million to social service, educational and humanitarian organizations that support Cleveland’s Jewish and general communities, as well as those in more than 70 countries around the world. Through the generosity of our donors, the Jewish Federation of Cleveland is Ohio’s largest grantmaking organization.
Together, we do extraordinary things.
For more information, please contact Alan D. Gross at 216.593.2818or [email protected].
Mandel Building · 25701 Science Park DriveCleveland, Ohio 44122 216.593.2900
www.jewishcleveland.org
6148
OF CLEVELANDJewish Federation
39Severance Hall 2012-13
Piano Concerto No. 2 in F minor, Opus 21composed 1829-30
About the Music
C H O P I N ’ S T WO P I A N O C O N C E R T O S are both early works,
composed before he left Warsaw for what was to be a journey that
led to Paris as his permanent home. He was just twenty, with
considerable ambitions as a composer and as a virtuoso pianist,
and his French father, Nicolas Chopin, was far from being the
obstructive parent that great artists are traditionally supposed
to battle against. He made it clear to his son that to succeed at
the highest level in music he needed to experience the wider
world and to fi nd out for himself how music was cultivated in
the great capitals of Europe: Vienna, Berlin, Rome, Paris.
Th e concerts Chopin gave in Warsaw before his depar-
ture put his immense talents on display and earned the label
“genius” from at least some members of the press. Concerts in
that era were entirely diff erent from the events we know today.
Almost all concerts, which lasted three hours or more, included
a number of soloists, among them always at least one singer.
Solo pieces alternated with orchestral music. Th ere was gener-
ally a chorus on hand, and the tone would tend to get lighter as
the evening proceeded. Th e public was especially enamored of
singers, preferably famous sopranos, and of pianists, who had
an instrument of great brilliance at their command.
During Beethoven’s lifetime, the piano had enjoyed the
fruits of rapid industrial advance. It was stronger, heavier,
larger, and louder. It was still always brown, never black, and
it was equipped with a variety of pedals for special eff ects. Its
sound could fi ll ever larger halls. Above all, by the time Cho-
pin appeared on the scene it had an upper register that added
more than an octave to the range of Mozart’s piano. Th is high
register had a tinkly brilliance that pianists and composers
rushed to exploit. (Even Beethoven’s inactive ears responded
to this new sound in his later works.) Finger virtuosity was the
goal of every aspiring pianist, and the études and variations
that poured from the presses off ered even modest pianists the
chance to impress their listeners with cascades of notes that
sound much more diffi cult than they really are.
At the highest level, therefore, pianist-composers had to
develop a truly formidable fi nger technique, the most celebrat-
ed exponent of whom was the young Franz Liszt. Chopin was
among the young virtuosos of this order, although he did not
by FrédéricCHOPINborn March 1, 1810Zelazowa Wola,Poland
diedOctober 17, 1849Paris
40 The Cleveland Orchestra
Kulas Series of Keyboard Conversations® with Jeffrey Siegel 24th Season 2011-2012
Presented by Cleveland State University’s Center for Arts and Innovation
Sunday, October 2, 2011A Beethoven Bonanza! The many
moods of genius!
Sunday, November 20, 2011The Romantic Music of Franz Liszt
Sunday, March 4, 2012Rochmaninoff and Tchaikovsky
Sunday, March 6, 2012A musical love triangle: Robert, Claraand Johannes!
Masterly
Enthralling
Charming
Scintillating
All concerts begin at 3:00 pm at Cleveland State University’s Waetjen Auditorium, Euclid Ave. and E. 21st St. For more information call 216.687.5018 or visit www.csuohio.edu/concert series/kc
“An afternoon of entertaining talk and exhilarating music.” - The Washington Post
Sunday, October 2, 2011A Beethoven Bonanza! The many
moods of genius!
Sunday, November 20, 2011The Romantic Music of Franz Liszt
Sunday, March 4, 2012Rochmaninoff and Tchaikovsky
Sunday, March 6, 2012A musical love triangle: Robert, Claraand Johannes!
series/kc
a
Sunday, October 2, 2011A Beethoven Bonanza! The many
moods of genius!
Sunday, November 20, 2011The Romantic Music of Franz Liszt
Sunday, October 2, 2011A Beethoven Bonanza! The many
moods of genius!
Sunday, March 6, 2012A musical love triangle: Robert, Claraand Johannes!
y 6, 2012
Presented by Cleveland State University’s Center for Arts and Innovation
Kulas Series of Keyboard Conversations®with Jeffrey Siegel
25th Anniversary Season 2012-2013
MasterlyB
EnthrallingB
CharmingB
Scintillating
“An afternoon of entertaining talk and exhilarating music.”
–The Washington Post
All concerts begin at 3:00 pm at Cleveland State University’s Waetjen
Auditorium, Euclid Ave. and E. 21st St.For more information call 216.687.5018
or visit www.csuohio.edu/concertseries/kc
Sunday, October 14, 2012Spellbinding Bach
Sunday, November 11, 2012Free Family Concert!Music for the Young and Young at Heart presented in honor of Mr. Siegel’s 25th anniversary at Cleveland State University
Sunday, January 27, 2013Claude Debussy: Clair de lune, Fireworks and Beyond!
Sunday, March 24, 2013Schubert in the Age of the Sound Bite
Sunday, April 28, 2013Bach and the Romantics
41Severance Hall 2012-13 About the Music
meet Liszt until he reached Paris. His models were Hummel,
Kalkbrenner, and Moscheles — well established touring pia-
nists and successful composers, all of whom wrote concertos
that combine great virtuosity with solid craft smanship.
Chopin probably knew no Mozart or Beethoven concertos
in his teenage years. Hummel was his model for the concerto
in F minor. Th is concerto, which Th e Cleveland Orchestra is
presenting this weekend, is now known as No. 2 because it was
published later than the complementary work in E minor that
followed soon aft er. He performed the F-minor concerto in
Warsaw in March 1830 to rapturous acclaim from the press.
He was greeted as a true national hero: “How beautifully he
plays! What fl uency! What evenness! Th ere could be no more
perfect concord between the two hands. He plays with such cer-
tainty, so cleanly that his concerto might be compared to the life
of a just man: no ambiguity, nothing false. He plays with the
good manners of a well-bred person who may indeed be aware
of his own signifi cance but has no pretensions, knowing that, if
he chose, anything might be permitted to him. His music is full
of expressive feeling and song, and puts the listener into a state
of subtle rapture, bringing back to his memory all the happy mo-
ments he has known.”
Chopin’s playing was always noted for its high breeding
and lack of showy display, yet his music, especially his concer-
tos, calls for great precision and brilliant polish. We cannot
fail to notice that the critic had already observed the expressive
qualities of this music. Th e new work was repeated a week later
to even greater applause.
Chopin already had a second concerto in the works. Th is
was to be known as No. 1 in E minor. It was ready by October
1830, when the composer performed it to another enthusiastic
audience. “Th e bravos were deafening,” Chopin reported, al-
though there was little response in the press. A few weeks later
he left Warsaw, never to return.
Chopin’s concertos have been criticized for the minor role
allotted to the orchestra and (by Berlioz) for their unadventur-
ous use of instruments. Th ey treat the classical key system with
a certain impudence. Yet their melodic richness, their warmly
colored harmony, and their highly craft ed piano writing all ensure
their place in the repertory. Chopin himself played this concerto
only twice more, during his early years in Paris. He would not
have regarded it as approaching the peak of his creative genius,
Chopin wrote his F-minor
Piano Concerto in 1829-30.
He played the solo part at the
private premiere performance,
on March 4, 1830, in Warsaw,
conducted by Karol Kurpinski. A
public performance was given
two weeks later, on March 17, at
the Warsaw National Theater as
part of Chopin’s “debut” concert
in the capital. The concerto
was designated as “No. 2” at the
time of its publication. (Chopin’s
other piano concerto, in E minor,
written later in 1830, was pub-
lished fi rst, as “No. 1.”)
This concerto runs about 30
minutes in performance. Chopin
scored it for 2 fl utes, 2 oboes, 2
clarinets, 2 bassoons, 2 horns,
2 trumpets, bass trombone,
timpani, and strings.
The Cleveland Orchestra
fi rst presented this concerto in
December 1932, conducted by
Nikolai Sokoloff and with Josef
Hofmann as soloist. It has been
heard on a few occasions since
that time, most recently as part
of Cleveland Orchestra Miami
performances in March 2010,
conducted by Vladimir Ashke-
nazy with Ingrid Fliter as the
soloist, and as part of the 2007
Blossom Festival, with conductor
Roberto Minczuk and with Fliter
as the soloist.
At a Glance
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43Severance Hall 2012-13 About the Music
but as a vehicle for a young pianist-composer it served him well.
For Chopin to model his fi rst attempt at a full-scale concerto
on a work by Hummel is neither surprising nor shameful. Hav-
ing studied with Mozart as a boy, Hummel went on to a brilliant
career. He visited Warsaw in 1828 and met young Chopin, who
regarded his concertos with enormous admiration. Th ey were
up-to-date virtuoso works, more advanced in this respect than
Beethoven’s concertos, which Chopin in any case did not know.
Th e fi rst movement of Chopin’s concerto is based on themes that
start off simply but are quickly subjected to fanciful elaborations
of every kind. Th e second movement is a marvel of elegance and
fi ligree decoration, the orchestra giving patient support through-
out, and the fi nale has the character of a lively Polish dance, part
mazurka, part krakowiak, in 3/4 time. Towards the end, the horn
sounds the signal for a turn to the major key and a coda driven by
cascades of notes ranging from one end of the piano to the other.
—Hugh Macdonald © 2012
Hugh Macdonald is Avis H. Blewett Professor Emeritus of Music at Washington University in St. Louis and is a noted authority on French music. He has written books on Beethoven, Berlioz, and Scriabin.
AT LEFT:
Modern-era Polish
currency note,
now withdrawn
from circulation,
honoring their
national composer,
Frédéric Chopin.
Sergei Rachmaninoff , circa 19xx.
Rachmaninoff
SERGEI RACHMANINOFF 1873-1943
1
2
3
4
44 The Cleveland Orchestra
Rachmaninoff
1. Sergei Rachmaninoff
(third from left in the back
row) with his teacher Niko-
lai Zveref and classmates in
the 1880s. (The composer
Alexander Scriabin is seated
on the left in the fi rst row.)
2. Proofi ng his Third Piano
Concerto at his estate
Ivanovka in 1910. 3. A for-
mal portrait around 1900.
4. With a redwood tree
in California in 1919.
5. Formal portrait from the
mid-1920s. 6. At his piano
in Switzerland. 7. On an
ocean voyage in the 1930s.
5
6
7
45Severance Hall 2012-13
47Severance Hall 2012-13
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48 The Cleveland Orchestra
The Cleveland Orchestra’s artistic health and fi nancial well-being depend on the dedicated and ongoing support of music-lovers throughout Northeast Ohio. The Orchestra’s continued excel-lence in community service and musical performance can only be ensured through ongoing annual support coupled with increased giving to the Endowment and special fundraising.
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49Severance Hall 2012-13
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51Severance Hall 2012-13
T O T E L L T H E S T O R I E S of Sergei Rachmaninoff ’s sympho-
nies is to give a capsule biography of the artist. Each symphony
belongs to a diff erent period in Rachmaninoff ’s career. Aside
from a student essay (of which only the fi rst movement sur-
vives), there are three numbered symphonies, plus the choral
symphony Th e Bells, which bears no number. Together, they
illustrate Rachmaninoff ’s life-long search to fi nd his identity
as a composer.
When Rachmaninoff wrote his Symphony No. 1 in D
minor (Opus 13) at the age of 22, he had already established
himself in Russia as one of the most talented musicians of his
generation. Graduated from the Moscow Conservatory with
the rarely-awarded Gold Medal, he was widely known as a pro-
digious pianist. He was also considered a promising composer
— his examination piece, the one-act opera Aleko, had been
performed at the Bolshoi Th eater, sharing a double bill with a
work by Tchaikovsky.
Th e premiere of Rachmaninoff ’s First Symphony, given
in St. Petersburg on March 15, 1897, turned out to be an unex-
pected disaster. Th e conductor, Alexander Glazunov, a famous
composer and professor at the St. Petersburg Conservatory, was
apparently unsympathetic to the music of a Muscovite (there
was an open rivalry between the music schools of the two Rus-
sian capitals). Th e critics, among them composer César Cui
(a former member of the group of composers known as “the
Five,” who could oft en sway professional opinion), found the
symphony seriously fl awed, and wrote scathing reviews. Th e
ensuing fi asco thrust young Rachmaninoff into such a state of
depression that for three entire years he was largely unable to
write any music whatsoever. He only recovered his ability to
work through the intervention of a psychiatrist who used the
new method of hypnosis to restore his self-confi dence.
Even so, and despite the resounding success of his Second
Piano Concerto in 1901, it took six more years before Rach-
Symphony No. 2 in E minor, Opus 27composed 1906-07
by SergeiRACHMANINOFFborn April 1, 1873Semyonovo, Russia
died March 28, 1943Beverly Hills,California
216.791.8000www.benrose.org
A leader in service, research, and advocacy for older adults
About the Music
52 The Cleveland OrchestraAbout the Music
maninoff attempted another symphony. In the meantime, he
was busy as an opera conductor at the Imperial Th eater and as
a concert pianist. Finally, he made a radical decision, cancelled
all his performing engagements, and left Russia in order to be
able to work on his composition projects undisturbed.
In October 1906, Rachmaninoff , together with his young
wife and baby daughter, took up residence in the German town
of Dresden. Th ere — and during the warmer months, while
residing at his summer estate near Moscow — he spent the bet-
ter part of 1907 working on his Second Symphony. Th e new
work, premiered in St. Petersburg on February 8, 1908, under
the composer’s baton, was well received, and Rachmaninoff
confi rmed his position as Russia’s leading young composer.
Th e Second Symphony marked the beginning of Rach-
maninoff ’s most successful years as a composer. In the decade
before the Russian Revolutions of 1917 and his emigration to
the West, Rachmaninoff wrote the symphonic poem Th e Isle of
the Dead, the Th ird Piano Concerto, two great liturgical works
(Liturgy of St. John Chrysostom and Vespers), numerous songs,
and piano works, as well as the choral symphony Th e Bells.
During the following decade, by contrast, Rachmaninoff
wrote almost nothing at all. In the years aft er his departure
from Russia, he became a world-famous piano virtuoso, with
a busy concert schedule all over the United States and Europe,
with little time for composing. Rachmaninoff settled in the
United States, but soon acquired a villa and an adjoining prop-
erty in Switzerland, where he began to compose again on his
vacations. It is there that he wrote his last important works,
including the Rhapsody on a Th eme of Paganini in 1934 and the
Th ird Symphony in 1935-36.
THE SECOND SYMPHONY
Th e Second Symphony begins with a Largo introduction
whose opening motif, fi rst presented by the cellos and basses,
will recur in varied form throughout the symphony. Its main
features are a stepwise motion (fi rst ascending, then descend-
ing), and a rhythmic pattern with ties across the barline. Th is
material dominates both the lengthy introduction and the sub-
sequent main section of the fi rst movement. At fi rst soft and
subdued, the main theme is gradually transformed, through
variation and development, and reappears forte played by the
full orchestra. A second melodic idea is based on an alter-
The Second
Symphony
marked the
beginning of
Rachmaninoff’s
most successful
years as a com-
poser. In the
decade before
his emigration
to the West,
Rachmaninoff
wrote The Isle
of the Dead,
the Third Piano
Concerto, two
great liturgi-
cal works (Lit-
urgy of St. John
Chrysostom
and Vespers),
numerous
songs, and pi-
ano works, as
well as the cho-
ral symphony
The Bells.
53Severance Hall 2012-13 About the Music
nation between woodwind and strings, and brought to a climax,
only to fade back to pianissimo at the end of the exposition. Th e
beginning of the development section is marked by the return of
the main theme as a violin solo. Th e theme is soon taken over by
the clarinet, and turned into fast-moving fi gurations in both winds
and strings. Aft er a new emotional high point, the recapitulation
begins, concentrating on the second theme, which appears in E ma-
jor. Th e movement’s coda, however, reverts to the key of E minor,
the main tonality, and brings the movement to a ringing close.
Th e second movement is a Scherzo in sonata form, with a
contrasting second theme. Th e main melody is played fi rst by the
horns and then by the violins against a lively rhythmic background.
Th e second theme, without being a direct quote of the fi rst move-
ment’s main idea, shares with it a stepwise motion and its charac-
teristic rhythm. It is followed by a return of the fi rst theme. Th e
movement’s Trio section, somewhat closer in tempo, also contains
two distinct materials: the fi rst is played staccato (short, separated
notes) by the violins, while the second, with brass and percussion
as the protagonists, is a special mixture of a march and a church
hymn, with unexpected off -beat accents. A return to the fi rst tempo
brings back both themes of the main section, but the movement
closes with some reminiscences of the march from the Trio.
Th e third-movement Adagio begins with an expressive vio-
lin melody followed by a clarinet solo in the same kind of mold as
the symphony’s earlier themes, in stepwise motion. A third idea,
played by the fi rst violins, receives a counterpoint from the other
strings and the woodwinds, and leads back to the fi rst theme, now
heard at great volume in a full orchestral fortissimo. Th e middle
section starts very soft ly with english horn and oboe solos. A new
climax is reached, soon to recede into a decrescendo and, fi nally, a
long silence. In the recapitulation the fi rst theme is re-introduced
by the horn. Th e other two ideas also return, in richer orchestra-
tion than before, and contrapuntally combined with parts of the
fi rst theme. Like the second movement, the third also ends with
an allusion to material heard in its middle section.
Th e fourth-movement Finale in E major starts with a fanfare-
like theme played fortissimo by the entire orchestra. It is followed by
j l 20 t 22
CAMELOT KING FORA DAY
PASSIONS a double bill
july 13-august 23 july 21-august 24 july 20-august 22
2013july 06-august 24
THE FLYING DUTCHMAN
54 The Cleveland Orchestra
a transition section for horns, timpani, and double bass, which
leads into a march for winds (not unlike the one heard in the
second movement). Th e main theme returns, then gives way to
a broad melody, eventually winding down to pianissimo chords
over a long-held pedal. Aft er a short recall of the third move-
ment’s main theme, a development section begins, with mostly
new melodic ideas, among which a descending scale gains in-
creasing prominence. Th e recapitulation section brings back the
fanfare, the march, the broad melody, and the descending scale,
combining them all in the symphony’s triumphant ending.
—Peter Laki
Peter Laki is a musicologist and frequent lecturer on classical music, and a visiting associate professor at Bard College in New York.
Rachmaninoff composed his Second Sym-
phony in 1906-07. The fi rst performance took
place on February 8, 1908, in St. Petersburg,
with the composer conducting. The
United States premiere was given by Modeste
Altschuler and the Russian Musical Society in
New York on January 14, 1909.
This symphony runs about an hour in
performance. Rachmaninoff scored it for 3
fl utes (third doubling piccolo), 3 oboes (third
doubling english horn), 2 clarinets, bass
clarinet, 2 bassoons, 4 horns, 3 trumpets, 3
trombones, tuba, timpani, percussion (side
drum, bass drum, cym bals, glockenspiel), and
strings.
Rachmaninoff ’s Second Symphony was
introduced to Cleveland by the visiting Boston
Symphony Orchestra, which played it at Grays
Armory in January 1911, under Max Fiedler.
The Cleveland Orchestra fi rst performed it in
March 1920, conducted by Nikolai Sokoloff .
The most recent performances were given in
December 2009 under the direction of Iván
Fisher.
The Cleveland Orchestra and Nikolai So-
koloff recorded Rachmaninoff ’s Second Sym-
phony in May 1928, using a score especially
prepared and shortened by the composer; this
“complete” recording was released as a set of
twelve 78 rpm discs.
At a Glance
About the Music
55Severance Hall 2012-13 Conductor
Jaap van ZwedenDutch conductor Jaap van Zweden is music director of the
Dallas Symphony Orchestra and the Hong Kong Philhar-
monic. He made his Cleveland Orchestra debut in January
2010.
Jaap van Zweden was born in 1960 in Amsterdam.
He began violin studies at the Amsterdam Conservatory
before entering the Juilliard School at age 16 to work with
Dorothy DeLay. At 19, he became the youngest concert-
master in the history of Amsterdam’s Royal Concertge-
bouw Orchestra. Aft er pursuing conducting studies in the
Netherlands, Mr. van Zweden changed his professional
focus in 1997. He subsequently served as chief conductor of
the Netherlands Symphony Orchestra, Residentie Orches-
tra of Th e Hague, and the Royal Flemish Orchestra. He was also chief conduc-
tor and artistic director of the Netherlands Radio Philharmonic and Chamber
orchestras. In 2008, he became music director of the Dallas Symphony Orches-
tra; he began his tenure as music director of the Hong Kong Philharmonic at the
start of the current season. Mr. van Zweden was named Musical America’s 2012
Conductor of the Year.
As a guest conductor, Jaap van Zweden has led the Royal Concertgebouw
Orchestra of Amsterdam, Boston Symphony Orchestra, Chicago Symphony Or-
chestra, Czech Philharmonic, London Philharmonic, Los Angeles Philharmonic,
Munich Philharmonic, New York Philharmonic, Orchestre National de France,
Oslo Philharmonic, Philadelphia Orchestra, Tokyo’s NHK Symphony Orchestra,
and the Tonhalle Zurich. He has conducted operas at the National Reisopera and
Netherlands Opera, in repertoire spanning works by Barber, Beethoven, Haydn,
Puccini, Verdi, and Wagner.
Jaap van Zweden’s discography includes the complete Beethoven and
Brahms symphonies, as well as works by Stravinsky. His London Philharmonic
debut performance of Mahler’s Symphony No. 5 was recorded live. For the Octa-
via label, he is conducting the Bruckner symphonies with the Netherlands Radio
Philharmonic. Mr. van Zweden has led Mozart piano concertos with the Phil-
harmonia Orchestra and soloist David Fray for Virgin, and his performances of
Wagner’s Lohengrin, Die Meistersinger, and Parsifal are available on CD/DVD.
For the Dallas Symphony’s own label, he has led several symphonies by
Beethoven and Tchaikovsky.
Mr. van Zweden and his wife Aaltje have four children. Committed to
increasing awareness and acceptance of autism, they established the Papageno
Foundation, which brings music therapy into the homes of autistic children in
the Netherlands.
However, living at Kendalat Oberlin has finally givenAnne more time forleisurely endeavors - playingthe piano and harpsichord,volunteering and new friends.
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We are part of the Kendal Northern Ohio family of services for older adults.Learn more about us at kendalnorthernohio.org.
57Severance Hall 2012-13 Soloist
Louis LortieCanadian pianist Louis Lortie is praised for the fresh per-
spective he brings to a broad repertoire. He made his
Cleveland Orchestra debut in July 1990, and most recently
performed with the Orchestra in February and March 2009.
Louis Lortie studied piano in his native Montreal
with Yvonne Hubert and in Vienna with Dieter Weber, and
subsequently also worked with Leon Fleisher. Mr. Lortie
made his debut with the Montreal Symphony Orchestra
at age 13. He won fi rst prize in the 1984 Busoni Competi-
tion, and was also a prizewinner at the Leeds International
Piano Competition. In 1992, he was named Offi cer of the
Order of Canada; he has also received the Order of Quebec.
Widely praised for his performances of Ravel and
Chopin, Louis Lortie is also celebrated for his interpretation of Beethoven. He
has played the complete Beethoven sonatas in Berlin, London, Milan, and Toron-
to; with the Montreal and Quebec symphony orchestras, he has led Beethoven’s
fi ve piano concertos from the keyboard. He has also performed and conducted
all of Mozart’s piano concertos with the Montreal Symphony Orchestra. An ad-
vocate of newer music as well, Mr. Lortie champions works by Th omas Adès, El-
liott Carter, and György Kurtág.
Among Mr. Lortie’s recent and upcoming engagements are concerts with
the orchestras of Bournemouth, La Scala, Philadelphia, Quebec, St. Louis, Syd-
ney, and Toronto, and with the Beethoven Orchester Bonn, NHK Tokyo, Royal
Philharmonic, and Slovenian Symphony. He has toured Italy with Kremera-
ta Baltica, performed at the Brussels Brahms Festival, and celebrated the 2011
bicentenary of Liszt’s birth by performing the composer’s complete Années de
pèlerinage. Th is season, Louis Lortie appears in recital in Chicago, Copenhagen,
Cremona, Dresden, and Osaka.
Mr. Lortie’s more than thirty recordings for Chandos include the complete
Beethoven sonatas, as well as Liszt’s and Ravel’s complete piano works. His hon-
ors include an Edison Award for Beethoven’s Eroica Variations, and a Gramo-
phone Editor’s Choice for Liszt’s complete works for piano and orchestra. Louis
Lortie’s album of works by Schumann and Brahms was deemed one of the year’s
best by BBC Music Magazine, which also named his Chopin etudes among its “50
Recordings by Superlative Pianists.”
Louis Lortie lives in Berlin and also has homes in Canada and Italy.
Louis Lortie will sign compact discs during intermissions this week in the Bogomolny-Kozerefski Grand Foyer of Severance Hall. A selectionof his albums are available for sale through the Cleveland Orchestra Store.
58 The Cleveland Orchestra
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59Severance Hall 2012-13
Student Ticket Programs “Under 18s Free,” Student Advantage membership,
and Student Frequent FanCard off er aff ordable access
to Cleveland Orchestra concerts all season long
Th e Cleveland Orchestra is committed to developing one of the youngest audiences
of any orchestra in the country. With the help of generous contributors, the Orch-
estra has expanded its discounted ticket off erings through several new programs. In
the opening two months of the current Severance Hall season, student attendance has
doubled from last season, with nearly 20% of the audience being students experiencing
Cleveland Orchestra concerts through these various programs and off ers.
STUDE NT ADVANTAGE PROGRAM
Th e Orchestra’s ongoing Student Advantage Program provides opportunities
for students to attend Orchestra concerts at Severance Hall through discounted
ticket off ers. Membership in the Student Advantage Program is free.
A new Student Frequent FanCard was introduced this season. Priced at $50,
the FanCard off ers students unlimited single tickets (one per FanCard holder) to
weekly Classical Subscription Concerts all season long.
“UNDE R 1 8 s FRE E ”
Introduced for Blossom Festival concerts two summers ago, the “Under 18s
Free” program now includes select Cleveland Orchestra concerts at Severance Hall
each season. Th is program off ers free tickets (one per regular-priced adult paid ad-
mission) to young people ages 7-17 to the Orchestra’s Fridays@7, Friday Morning at
11, and Sunday Aft ernoon at 3 concerts.
All of these programs are supported by Th e Cleveland Orchestra’s Center for
Future Audiences and the Alexander and Sarah Cutler Fund for Student Audi-
ences. Th e Center for Future Audiences was created with a $20 million lead en-
dowment gift from the Maltz Family Foundation to develop new generations of
audiences for Cleveland Orchestra concerts in Northeast Ohio.
Student Ticket Programs
60 The Cleveland Orchestra
Call Alan Weinberg, Managing Partner, at 216-685-1100.
Weltman, Weinberg & Reis Co., LPA
We believe in working for the greater good of all and
we are proud to support any organization that shares this value.
We thank The Cleveland Orchestra for its commitment to excellence!
Ken Lanci, Chairman & CEOConsolidated Companies
Empowering the lives of over 16,000 children and families each year.
www.GuidestoneOhio.org
61Severance Hall 2012-13 Education & Community
The Cleveland Orchestra: Serving the Community Th e Cleveland Orchestra draws together traditional and new programs in music education and community involvement to deepen connections with audiences throughout Northeast Ohio
THE CLE VE L AND ORCHE STRA has a long and proud history of sharing
the value and joy of music with citizens throughout Northeast Ohio. Education
and community programs date to the Orchestra’s founding in 1918 and have re-
mained a central focus of the ensemble’s actitivities for over ninety years. Today,
with the support of many generous individual, foundation, corporate, and govern-
mental funding partners, the Orchestra’s educational and community programs
reach more than 70,000 young people and adults annually, helping to foster a love
of music and a lifetime of involvement with the musical arts. On these pages, we
share photo graphs from a sampling of these many programs. For additional in-
formation about these and other programs, visit us at clevelandorchestra.com
or contact the Education & Community Programs Offi ce by calling 216-231-7355.
Franz Welser-Möst leads a concert at John Hay High School. Through such In-School Perfor-
mances and Education Concerts at Severance Hall, The Cleveland Orchestra introduced more
than 4 million young people to symphonic music over the past nine decades.
PH
OT
OG
RA
PH
Y B
Y R
OG
ER
MA
ST
RO
IAN
NI
62 The Cleveland Orchestra
T H E C L E V E L A N D
Education & Community
El Sistema@Rainey performing at Severance Hall. The initiative is an intensive after-school orchestral music program launched in September 2011 by Cleveland Orchestra violinist Isabel Trautwein and Cleveland’s Rainey Institute. Modeled after the national Venezuelan program El Sistema (“the system”), the initiative emphasizes community-based orchestra training from a young age, with a focus on making music fun and inspiring young musicians with a passion for music and for life. The Cleveland Orchestra and education partner Conn-Selmer are the offi cial providers of instruments for the El Sistema@Rainey program, with instrument support from Royalton Music for El Sistema@Rainey Summer Camp.
Cleveland Orchestra bassist Mark Atherton with classroom students at Cleveland’s Mayfair Elementary School, part of the Learning Through Music program that fosters the use of music and the arts to support general classroom learning.
Through the PNC Musical Rainbows series at Severance Hall, Cleveland Orchestra musicians introduce nearly 10,000 preschoolers each year to the instruments of the orchestra.
63Severance Hall 2012-13
O R C H E S T R A
Education & Community
Cleveland Orchestra fl utist Marisela Sager working with pre-school students as part of PNC Grow Up Great, a program utilizing music to support pre-literacy and school readiness skills.
T H A N K Y O UThe Cleveland Orchestra’s Education programs are made possible
by many generous individuals, foundations, and corporations, including:
PROGRAM FUNDERSThe Abington Foundation
The Eva L. and Joseph M. Bruening FoundationCleveland Clinic
The Cleveland FoundationConn-Selmer, Inc.
Cuyahoga Arts & CultureDominion Foundation
The Giant Eagle FoundationMuna & Basem Hishmeh Foundation
Invacare CorporationMartha Holden Jennings Foundation
The Laub FoundationThe Lincoln Electric Foundation
The Lubrizol CorporationThe Nord Family Foundation
Ohio Arts CouncilPNC
The Reinberger FoundationAlbert G. & Olive H. Schlink Foundation
The Sherwin-Williams FoundationThe South Waite Foundation
Surdna FoundationThomas H. White Foundation, a KeyBank Trust
The Edward & Ruth Wilkof Foundation
ENDOWMENT FUNDS AND FUNDERSHope and Stanley I. Adelstein
AnonymousKathleen L. BarberMr. Roger G. Berk
In memory of Anna B. BodyIsabelle and Ronald Brown
Dr. Jeanette Grasselli Brown and Dr. Glenn R. BrownRoberta R. Calderwood
Alice B. Cull Memorial FundMr. and Mrs. Charles B. Emrick, Jr.
Charles and Marguerite C. GalanieMr. David J. Golden
The George Gund FoundationDorothy Humel Hovorka
Mr. James J. HummerFrank and Margaret Hyncik
Walter and Jean Kalberer FoundationAlfred Lerner In-School Performance Fund
Mr. and Mrs. Stanley A. MeiselChristine Gitlin Miles
Mr. and Mrs. David T. MorganthalerMorley Fund for Pre-school Education
Pysht FundThe Ratner, Miller, and Shafran Families
and Forest City Enterprises, Inc.In memory of Georg Solti
The William N. Skirball EndowmentJules and Ruth Vinney Youth Orchestra Touring Fund
More than 1,200 talented young musicians have performed as members of the Cleve- land Orchestra Youth Orchestra in the quarter century since its founding in 1986.
64 The Cleveland OrchestraLegacy & Planned Giving
Anonymous (97)
Lois A. Aaron
Leonard Abrams
Shuree Abrams*
Gay Cull Addicott
Stanley and Hope Adelstein
Sylvia K. Adler
Jack and Darby Ashelman
Gerald O. Allen
Norman and Marjorie* Allison
Herbert Ascherman, Jr.
Mr. and Mrs. William W. Baker
Ruth Balombin*
Mrs. Louis W. Barany*
D. Robert* and Kathleen L. Barber
Jack Barnhart
Margaret B. and Henry T.* Barratt
Norma E. Battes
Fred G. and Mary W. Behm
Dr. Ronald and Diane Bell
Bob Bellamy
Joseph P. Bennett
Miss Ila M. Berry
Howard R. and Barbara Kaye Besser
Dr.* and Mrs. Murray M. Bett
Dr. Marie Bielefeld
Mr. Raymond J. Billy
Dr. and Mrs. Harold B. Bilsky
Robert E. and Jean Bingham*
Claudia Bjerre
William P. Blair III
Flora Blumenthal
Mr. Richard J. Bogomolny
and Ms. Patricia M. Kozerefski
Mr. and Mrs. Charles P. Bolton
Loretta and Jerome* Borstein
Mr. and Mrs.* Otis H. Bowden II
Ruth Turvy Bowman
Drs. Christopher P. Brandt
and Beth Brandt Sersig
Mr. D. McGregor Brandt, Jr.
David and Denise Brewster
Richard F. Brezic*
Robert W. Briggs
Dr. Jeanette Grasselli Brown
and Dr. Glenn R. Brown
Ronald and Isabelle Brown*
Mr. and Mrs. Clark E. Bruner*
Harvey and Penelope* Buchanan
Rita W. Buchanan
Joan and Gene Buehler
Gretchen L. Burmeister
Stanley and Honnie Busch
Milan and Jeanne* Busta
Mrs. Noah L. Butkin*
Mr. and Mrs. William C. Butler
Minna S. Buxbaum*
Gregory and Karen Cada
Jean S. Calhoun
Harry and Marjorie M. Carlson
Janice L. Carlson
Dr. and Mrs. Roland D. Carlson
Barbara A. Chambers, D.Ed.
Ellen Wade Chinn*
NancyBell Coe
Ralph M. and Mardy R. Cohen
Robert and Jean” Conrad
Mr. and Mrs. Gerald A. Conway
James P. and Catherine E. Conway
Rudolph R. Cook
The Honorable Colleen Conway Cooney
John D. and Mary D.* Corry
Dr.* and Mrs. Frederick S. Cross
Martha Wood Cubberley
Dr. William S. Cumming
In Memory of Walter C.
and Marion J. Curtis
Mr. and Mrs. William W. Cushwa
Howard Cutson
Mr. and Mrs. Don C. Dangler
Mr. and Mrs. Howard J. Danzinger
Barbara Ann Davis
Carol J. Davis
Charles and Mary Ann Davis
Mary Kay DeGrandis
and Edward J. Donnelly
Neeltje-Anne DeKoster
Carolyn L. Dessin
William R. Dew
Mrs. Armand J. DiLellio
James A. Dingus, Jr.
Dr. and Mrs. Richard C. Distad
Maureen A. Doerner
and Geoff rey T. White
Gerald and Ruth Dombcik
Mr.* and Mrs. Roland W. Donnem
Nancy and Richard Dotson
Mrs. John Drollinger
Drs. Paul M. and Renate H.
Duchesneau
George* and Becky Dunn
Warren* and Zoann Dusenbury
Mr. and Mrs. Robert Duvin
Paul and Peggy Edenburn
Robert and Anne Eiben
Esther and Alfred M. Eich, Jr.
Mr. and Mrs. Ramon Elias*
Roger B. Ellsworth
Oliver and Mary Emerson
Lois Marsh Epp
Patricia Esposito
Margaret S. Estill
Dr. Wilma McVey Evans
C. Gordon and Kathleen A. Ewers
Patricia J. Factor
Susan L. Faulder
Dr. and Mrs. Frederick Fennell*
Mrs. Mildred Fiening
Gloria and Irving B. Fine
R. Neil Fisher
Jules and Lena Flock*
Joan Alice Ford
Dr. and Mrs.* William E. Forsythe
Mr.* and Mrs. Ralph E. Fountain
J. Gilbert and Eleanor M. Frey
Arthur and Deanna Friedman
Mr.* and Mrs. Edward H. Frost
Dawn Full
Henry S. Fusner
Dr. Stephen and Nancy Gage
Charles and Marguerite C. Galanie*
Barbara and Peter Galvin
Mr. and Mrs. Steven B. Garfunkel
Donald* and Lois Gaynor
Barbara P. Geismer
Albert I. and Norma C. Geller
Carl E. Gennett*
John H.* and Ellen P. Gerber
Frank and Louise Gerlak
Dr. James E. Gibbs
In Memory of Roger N. Giff ord
Dr. Anita P. Gilger*
S. Bradley Gillaugh
Mr. and Mrs. Robert M. Ginn
Fred and Holly Glock
Ronald* and Carol Godes
William H. Goff
Mr. and Mrs. Henry J. Goodman
John and Ann Gosky
Mrs. Joseph B. Govan*
Th e Heritage Society honors donors who support the Orchestra through their
wills, life income gift s, or other types of deferred giving. Th e following listing of
members is current as of September 2012. Th e Cleveland Orchestra and Musical
Arts Association thank those members below in bold who have declared to us
their specifi c estate intentions. For more infor ma tion, please call Bridget Mundy,
Legacy Giving Offi cer, at 216-231-8006.
T H E C L E V E L A N D O R C H E S T R A
H E R I T A G E S O C I E T Y
Legacy & Planned GivingLegacy & Planned Giving
65Severance Hall 2012-13 Legacy & Planned Giving 65
Elaine Harris Green
Richard C. Gridley
Nancy Hancock Griffi th
David E. and Jane J. Griffi ths
David G. Griffi ths*
Ms. Hetty Griffi ths
Margaret R. Griffi ths*
Bev and Bob Grimm
Judd and Zetta Gross*
Candy and Brent Grover
Mrs. Jerome E. Grover*
Thomas J. and Judith Fay Gruber
Mr. and Mrs. David H. Gunning
Mr. and Mrs. William E. Gunton
Joseph E. Guttman*
Mrs. John A Hadden Jr.
Richard and Mary Louise Hahn
James J. Hamilton
Kathleen E. Hancock
Douglas Peace Handyside*
Holsey Gates Handyside
Norman C. and Donna L. Harbert
Mary Jane Hartwell
William L.* and Lucille L. Hassler
Peter and Gloria Hastings*
Mrs. Henry Hatch (Robin Hitchcock)
Virginia and George Havens
Gary D. Helgesen
Clyde J. Henry, Jr.
Ms. M. Diane Henry
Wayne and Prudence Heritage
Rice Hershey*
T. K. and Faye A. Heston
Gretchen L. Hickok
Mr. and Mrs. Daniel R. High
Edwin R. and Mary C. Hill*
Ruth Hirshman-von Baeyer*
Mr.* and Mrs. D. Craig Hitchcock
Bruce F. Hodgson
Goldie Grace Hoff man*
Mary V. Hoff man
Feite F. Hofman MD
Mrs. Barthold M. Holdstein
Leonard* and Lee Ann Holstein
Gertrude S. Hornung*
Patience Cameron Hoskins
Elizabeth Hosmer
Dorothy Humel Hovorka
Dr. Randal N. Huff
Ann E. Humphreys
and Jayne E. Sisson
Karen S. Hunt
Ruth F. Ihde
Mr. and Mrs. Jonathan E. Ingersoll
Pamela and Scott Isquick
Mr. and Mrs.* Cliff ord J. Isroff
Mr. and Mrs. Donald M. Jack, Jr.
Carol S. Jacobs
Milton* and Jodith Janes
Jerry and Martha Jarrett
Nancy Kurfess Johnson, M.D.
Paul and Lucille Jones*
Mrs. R. Stanley Jones*
David and Gloria Kahan
Julian and Etole Kahan
Drs. Julian* and Aileen Kassen
Milton and Donna Katz
Patricia and Walter* Kelley
Bruce and Eleanor Kendrick
Malcolm E. Kenney
Nancy H. Kiefer
Charles M. and Janet G. Kimball*
Mr. Kevin F. Kirkpatrick
Mrs. Virginia Kirkpatrick
James and Gay Kitson
Julian H. and Emily W. Klein*
Mary Elizabeth and G. Robert Klein*
Thea Klestadt*
Gilles and Malvina Klopman
Martha D. Knight
Mr. and Mrs. Robert Koch
Vilma L. Kohn
Elizabeth Davis Kondorossy*
Mr. and Mrs. James G. Kotapish, Sr.
LaVeda Kovar*
Margery A. Kowalski
Bruce G. Kriete*
Mr. and Mrs. Gregory G. Kruszka
Thomas and Barbara Kuby
Eleanor and Stephen Kushnick
Mr. and Mrs. Dennis W. LaBarre
James I. Lader
Mr. and Mrs. David A. Lambros
Dr. Joan P. Lambros
Mrs. Carolyn Lampl
Mrs. Samuel H. Lamport
Louis Lane
Charles and Josephine Robson
Leamy Fund
Teela C. Lelyveld
Mr. and Mrs. Roger J. Lerch
Gerda Levine
Dr. and Mrs. Howard Levine
Bracy E. Lewis
Mr. and Mrs. Thomas A. Liederbach
Ruth S. Link
Dr. and Mrs. William K. Littman
Jeff and Maggie Love
Dr. Alan and Mrs. Min Cha Lubin
Ann B. and Robert R. Lucas*
Miss Anne M. Lukacovic
Kate Lunsford
Mr. and Mrs. Thomas E. Lynch
Terry and Pat MacDonald
Jerry Maddox
Mrs. H. Stephen Madsen
Alice D. Malone
Mr. and Mrs. Donald Malpass, Jr.
Lucille Harris Mann
Mr. and Mrs. Richard A. Manuel
Clement P. Marion
Mr. Wilbur J. Markstrom
Dr. and Mrs. Sanford Marovitz
Duane and Joan* Marsh
Florence Marsh, Ph.D.
Mr. and Mrs. Anthony M. Martincic
Kathryn A. Mates
Alexander and Marianna McAfee
Nancy B. McCormack
Mr. William C. McCoy
Marguerite H. McGrath
Dorothy R. McLean
Jim* and Alice Mecredy
James and Viginia Meil
Mr. and Mrs.* Robert F. Meyerson
Brenda Clark Mikota
Christine Gitlin Miles
Charles B. & Christine A. Miller
Edith and Ted* Miller
Mr. Leo Minter, Jr.
Mr. and Mrs. William A. Mitchell
Robert L. Moncrief
Beryl and Irv Moore
Ann Jones Morgan
Mr.* and Mrs. Stanley L. Morgan
George and Carole Morris
Mr. and Mrs. Thomas W. Morris
Mr. and Mrs.* Donald W. Morrison
Drs. Joan R. Mortimer
and Edward A.* Mortimer, Jr.
Florence B. Moss
Susan B. Murphy
Dr. and Mrs. Clyde L. Nash, Jr.
Deborah L. Neale
David and Judith Newell
Russell H. Nyland*
Charles K. Laszlo
and Maureen O’Neill-Laszlo
Katherine T. O’Neill
Mr. and Mrs. John D. Ong
Aurel Fowler-Ostendorf*
Ronald J. Parks
Nancy and W. Stuver Parry
Mrs. John G. Pegg
Mary Charlotte Peters
Mr. and Mrs. Peter Pfouts*
Janet K. Phillips*
Florence KZ Pollack
Victor and Louise Preslan*
Mrs. Robert E. Price*
Lois S.* and Stanley M. Proctor
Leonard and Heddy Rabe
M. Neal Rains
Mr. George B. Ramsayer
Joe L. and Alice* Randles
Mrs. Alfred M. Rankin, Sr.
T H E C L E V E L A N D O R C H E S T R A
H E R I T A G E S O C I E T Y
Legacy & Planned GivingLegacy & Planned Giving
LISTING CONTINUES
66 The Cleveland Orchestra
T H E C L E V E L A N D O R C H E S T R A
H E R I T A G E S O C I E T YBe forever a part of what the world is talking about!
Legacy & Planned GivingLegacy & Planned Giving
LISTING CONTINUED
Th e lotus blossom is the
symbol of the Heritage Society.
It represents eternal life and
recognizes the permanent benefi ts
of legacy gift s to Th e Cleveland
Orchestra’s endowment.
Said to be Elisabeth Severance’s
favorite fl ower, the lotus is found as
a decorative motif in nearly every
public area of Severance Hall.
*deceased
Legacy & Planned Giving
Mrs. Theodore H. Rautenberg*
Dr. Sandford Reichart*
James and Donna Reid
Mrs. Hyatt Reitman*
Dr. Larry J.B.* and
Barbara S. Robinson
Dwight W. Robinson
Margaret B. Babyak*
and Phillip J. Roscoe
Dr. Eugene and Mrs. Jacqueline Ross
Helen Weil Ross*
Marjorie A. Rott
Howard and Laurel Rowen
Professor Alan Miles Ruben
and Judge Betty Willis Ruben
Florence Brewster Rutter
Mr. James L. Ryhal, Jr.
Renee Sabreen
Marjorie Bell Sachs
Vernon Sackman
Sarah J. Sager and William R. Joseph
Sue Sahli
Mr. and Mrs. James A. Saks
Mr. Larry J. Santon
Stanford and Jean B. Sarlson
James Dalton Saunders
Patricia J. Sawvel
Ray and Kit Sawyer
Morris and Alice Sayre
In Memory of Hyman
and Becky Schandler
Robert Scherrer
Sandra J. Schlub
Ms. Marian Schluembach
Robert and Betty Schmiermund
Mr. and Mrs. Richard M. Schneider
Lynn A. Schreiber
Jeanette L. Schroeder
Carol* and Albert Schupp
Mr. Frank Schultz
Roslyn S. and Ralph M. Seed
Nancy F. Seeley
Edward Seely
Meredith M. Seikel
Russell Seitz
Eric Sellen
Andrea E. Senich
Thomas and Ann Sepulveda
B. Kathleen Shamp
Jill Semko Shane
David Shank
Dr. and Mrs. Daniel J. Shapiro
Norine W. Sharp
Norma Gudin Shaw
Elizabeth Carroll Shearer
Dr. and Mrs. William C. Sheldon
Frank * and Mary Ann Sheranko
Kim Sherwin
Mr. and Mrs. Michael Sherwin
Reverend and Mrs. Malcolm K. Shields
Rosalyn and George Sievila
Mr. and Mrs. David L. Simon
Dr.* and Mrs. John A. Sims
Naomi G. and Edwin Z. Singer
Lauretta Sinkosky
H. Scott Sippel and Clark T. Kurtz
Ellen J. Skinner
Ralph* and Phyllis Skufca
Janet Hickok Slade
Alden D. and Ellen D.* Smith
Margaret C. Smith*
Mr.* and Mrs. Ward Smith
M. Isabel Smith*
Nathan Snader*
Sterling A.* and
Verdabelle Spaulding
Sue Starrett and Jerry Smith
Barbara J. Stanford
and Vincent T. Lombardo
Lois and Thomas Stauff er
Willard D. Steck*
Dr. Myron Bud and Helene* Stern
Merle Stern
Mr. and Mrs. John M. Stickney
Nora and Harrison Stine*
Mr. and Mrs. Stanley M. Stone
Mr. and Mrs. James P. Storer
Mr. and Mrs. Ralph E. String
The Irving Sunshine Family
Mr.* and Mrs. Herbert J. Swanson
In Memory of Marjory Swartzbaugh
Lewis Swingley*
Lorraine S. Szabo
Norman V. Tagliaferri
Susan* and Andrew Talton
Frank E. Taplin, Jr.*
Charles H. Teare
and Cliff ord K.* Kern
Mr. Ronald E. Teare
Pauline Thesmacher*
Dr. and Mrs. Friedrich Thiel
Mrs. William D. Tibbetts*
Mr. and Mrs. William M. Toneff
Alleyne C. Toppin
Janice and Leonard Tower
Dorothy Ann Turick
Mr. and Mrs. Robert A. Urban
Robert and Marti Vagi
Robert A. Valente
Mary Louise and Don VanDyke
Elliot Veinerman*
Nicholas J. Velloney*
Steven Vivarronda
Pat and Walt* Wahlen
Mrs. Clare R. Walker
Mr. and Mrs. Russell Warren
Charles D. Waters*
Etta Ruth Weigl
Lucile Weingartner
Eunice Podis Weiskopf*
Max W. Wendel
William Wendling
and Lynne Woodman
Marilyn J. White
Alan H. and Marilyn M. Wilde
Elizabeth L. Wilkinson*
Helen Sue* and Meredith Williams
Carter and Genevieve Wilmot
Miriam L. and Tyrus W.* Wilson
Mr. Milton Wolfson* and
Mrs. Miriam Shuler-Wolfson
Nancy L. Wolpe
Mrs. Alfred C. Woodcock
Mr. and Mrs.* Donald Woodcock
Dr. and Mrs. Henry F. Woodruff
Marilyn L. Wozniak
Nancy R. Wurzel
Michael and Diane Wyatt
Mary Yee
Libby Yunger
Dr. Norman Zaworski
William L. and Joan H. Ziegler
Carmela Catalano Zoltoski
Roy J. Zook*
67Severance Hall 2012-13
T H E C L E V E L A N D O R C H E S T R A
MeettheMusiciansCleveland Orchestra musicians parti-
cipate in a variety of community and
education activities beyond the weekly
orchestral concerts at Severance Hall.
These activities include masterclasses
and recitals, PNC Musical Rainbows, the
Learning Through Music school partner-
ship program, and coaching the Cleve-
land Orchestra Youth Orchestra.
PHOTOGRAPHS BY ROGER MASTROIANNI
Meet the Musicians
EMMASHOOKviolin
BORN: Portland, Oregon
ON MY MP3 PLAYER: I don’t own an MP3player; on my stereo or radio, I listen to all types of music, from classical to jazz to bluegrass and beyond.
ROLE MODEL: Jane Goodall, chimpanzee expert and environmental ambassador.
FREE TIME: Hiking, gardening, good food, good friends, playing chamber music.
BIG DREAM: Resurrection of good public education; big music and arts programs in all the schools.
RICHARDWEISScello
BORN: Los Angeles
ROLE MODEL: Cellist Leonard Rose.
ON MY MP3 PLAYER: Yo-Yo Ma’s Soul of the Tango, and beginning Spanish lessons.
CLEVELAND ORCHESTRA HIGHLIGHT:First appearance as concerto soloist, and then years later playing in the cello sec-tion as my student Alisa Weilerstein was soloist in the same piece.
FREE TIME: Horseback riding, reading.
BIG DREAM: To ride a horse as well as I play the cello.
FAVORITE ORCHESTRAL WORK:Currently, Tchaikovsky’s Serenade for Strings.
MARKKOSOWERcello
BORN: Eau Claire, Wisconsin
ON MY MP3 PLAYER: It’s filled with sym-phonic, opera, chamber, and solo music.
ROLE MODELS: Janos Starkerand Herbert Blomstedt.
BIG DREAM: To record an extensive cross-section of the cello literature.
WHY A MUSICIAN: I was born into a family of musicians and didn’t know any better.
FREE TIME: Reading, dining, movies,basketball.
FAVORITE ORCHESTRAL WORK:Too many to choose from.
68 The Cleveland Orchestra
The Cleveland OrchestraCenter for Future AudiencesTHE CLE VE L AND ORCHE STRA’s Center for Future Audiences was estab-
lished to fund programs to develop new generations of audiences for Cleve-
land Orch estra concerts in Northeast Ohio. Th e Center was created in 2010
with a $20 million lead endowment gift from the Maltz Family Foundation.
Center-funded programs focus on addressing economic and geographic bar-
riers to attending Cleveland Orch estra concerts at Severance Hall and Blos-
som Music Center. Programs include
research, introductory off ers, targeted
discounts, student ticket programs,
and integrated use of new technolo-
gies. Th e goal is to create one of the
youngest audiences of any symphony
orchestra in the country. For addition-
al information about these plans and
programs, call us at 216-231-7464.
Center for Future Audiences
ENDOWED FUNDS
Maltz Family Foundation
Mr. and Mrs. Alexander M. Cutler
THANK YOU for helping develop tomorrow’s audiences today.
For information about contributing to this major endowment initiative,
please contact the Orchestra’s Philanthropy & Advancement Department
by calling Jon Limbacher, Chief Development Offi cer, at 216-231-7520.
T H E C L E V E L A N D O R C H E S T R A
69Severance Hall 2012-13
Generous contributions to the endowment have been made to support specifi c
artistic initiatives, education and community programming and performances,
facilities maintenance costs, touring and residencies, and more. Named funds can
be established with new gift s of $250,000 or more. For information about making your
own endowment gift to the Orchestra, please call 216-231-7438.
Endowed Funds funds established as of September 2012
ARTISTIC endowed funds support a variety of programmatic initiatives ranging
from guest artists and radio broadcasts to the all-volunteer Cleveland Orchestra Chorus.
Artistic CollaborationKeithley Fund
Artist-in-ResidenceMalcolm E. Kenney
Young ComposersJan R. and Daniel R. Lewis
Friday Morning ConcertsMary E. and F. Joseph Callahan Foundation
International TouringFrances Elizabeth Wilkinson
Cleveland Orchestra Chorus Jerome and Shirley GroverMeacham Hitchcock and Family
Concert PreviewsDorothy Humel Hovorka
Radio BroadcastsRobert and Jean Conrad
UnrestrictedWilliam P. Blair III Fund for Orchestral ExcellenceJohn P. Bergren and Sarah S. EvansMargaret Fulton-Mueller FundVirginia M. and Jon A. Lindseth
American Conductors FundDouglas Peace HandysideHolsey Gates Handyside
Severance Hall Guest ConductorsRoger and Anne ClappJames and Donna Reid
Cleveland Orchestra SoloistsJulia and Larry Pollock Family Fund
Guest ArtistsThe Eleanore T. and Joseph E. Adams FundMrs. Warren H. CorningThe Gerhard FoundationMargaret R. Griffi ths TrustThe Virginia M. and Newman T. Halvorson FundThe Hershey FoundationThe Humel Hovorka FundKulas FoundationThe Payne FundElizabeth Dorothy RobsonDr. and Mrs. Sam I. SatoThe Julia Severance Millikin FundThe Sherwick FundMr. and Mrs. Michael SherwinSterling A. SpauldingMr. and Mrs. James P. StorerMrs. Paul D. Wurzburger
Endowed Funds
CENTER FOR FUTURE AUDIENCES — Th e Cleveland Orchestra’s Center for Future
Audiences, created with a lead gift from the Maltz Family Foundation, was established
to develop new generations of audiences for Th e Cleveland Orchestra.
Center for Future AudiencesMaltz Family Foundation
Student AudiencesAlexander and Sarah Cutler Fund
T H E C L E V E L A N D O R C H E S T R A
Endowed Funds listing continues
T H E C L E V E L A N D O R C H E S T R A
70 The Cleveland OrchestraEndowed Funds
SEVERANCE HALL endowed funds support maintenance of keyboard instruments
and the facilities of the Orchestra’s concert home, Severance Hall:
Keyboard MaintenanceWilliam R. DewThe Frederick W. and Janet P. Dorn FoundationMr. and Mrs. Richard A. ManuelVincent K. and Edith H. Smith Memorial Trust
OrganD. Robert and Kathleen L. BarberArlene and Arthur HoldenKulas FoundationDescendants of D.Z. NortonOglebay Norton Foundation
Severance Hall PreservationSeverance family and friends
EDUCATION AND COMMUNITY endowed funds help support programs that deepen con-
nections to symphonic music at every age and stage of life, including training, performances, and
classroom resources for thousands of students and adults each year.
Education ProgramsAnonymous, in memory of Georg SoltiHope and Stanley I. AdelsteinKathleen L. BarberIsabelle and Ronald BrownDr. Jeanette Grasselli Brown and Dr. Glenn R. BrownAlice B. Cull MemorialFrank and Margaret HyncikJunior Committee of The Cleveland OrchestraMr. and Mrs. David T. MorgenthalerJohn and Sally Morley Education FundThe William N. Skirball Endowment
Education Concerts WeekThe Max Ratner Education Fund, given by the Ratner, Miller, and Shafran
families and by Forest City Enterprises, Inc.
In-School PerformancesAlfred M. Lerner Fund
Classroom ResourcesCharles and Marguerite C. Galanie
Cleveland Orchestra Youth Orchestra The George Gund FoundationChristine Gitlin Miles, in honor of Jahja LingJules and Ruth Vinney Touring Fund
Musical RainbowsPysht Fund
Community ProgrammingMachaskee Fund
Endowed Funds continued from previous page
T H E C L E V E L A N D O R C H E S T R A
BLOSSOM MUSIC CENTER and BLOSSOM FESTIVAL endowed funds support the
Orchestra’s summer performances and maintenance of Blossom Music Center.
Blossom Festival Guest ArtistDr. and Mrs. Murray M. BettThe Hershey FoundationThe Payne FundMr. and Mrs. William C. Zekan
Blossom Festival Family ConcertsDavid E. and Jane J. Griffi ths
Landscaping and MaintenanceThe Bingham FoundationEmily Blossom family members and friendsThe GAR FoundationJohn S. and James L. Knight Foundation
The Cleve land Orch-
estra’s excellence is a refl ec-
tion of the musicians who are
a part of it and the people
who support it. Cleveland has
created and sustained a great
orchestra because of people
who are passionate about
quality. Excellence begins
with the community — and
we are privileged to be a
part of the best community
in the world.
—Franz Welser-Möst
‘‘
‘‘
72 The Cleveland Orchestra
Conservatoryof Music
www.bw.edu/conservatory [email protected] 1-866-BW-MUSIC 440-826-2368
Baldwin Wallace University does not discriminate on the basis of race, creed, age, disability, national origin,gender or sexual orientation in the administration of any policies or programs.
Ring in the Season with a BW
Conservatory Concert
BW Men’s Chorus and Mr. Sun’s Echo
Holiday Concert
Sat., Dec. 8, 3 and 8 p.m. Frank Bianchi, conductor
Performing holiday favorites along with
candlelight processional, soloists, organ,
brass ensemble and audience sing-along
$10 general admission; $15 reserved seating
Call 440-826-2365
Conservatory Holiday Concert
Sun., Dec. 9, 2 and 5 p.m. Conservatory ensembles present
music of the season in this popular annual event.
Tickets: $10 for adults, $2 for students
Call 440-826-8070
Both concerts will be held in
Gamble Auditorium, Kulas Musical Arts
Building, 96 Front St., Berea
gender or sexual orientation in the administration of any policies or programs. Academic Sponsor
TO
WN
HA
LL
SP
EA
KE
R S
ER
IES
20
12
-20
13
William H. Dietz, M.D., Ph.D.Expert on fitness, nutrition and obesity
1.28.13
P. J. O’RourkePolitical satirist and best-selling author
12.10.12
Jose Antonio VargasAuthor of “My Life as an Undocumented Immigrant”2.25.13
MichaelBeschloss
“The nation’s leading Presidential historian”3.18.13
Tickets are $45 each. Ohio Theatre 6:00 PMCall for tickets at 216.241.1919www.townhallofcleveland.org
The Partners in Excellence program
salutes companies with annual contri-
butions of $100,000 and more, exem-
plifying leadership and commitment to
artistic excellence at the highest level.
PARTNERS IN EXCELLENCE$300,000 AND MORE
KeyBankThe Lubrizol CorporationNACCO Industries, Inc.The J. M. Smucker Company
PARTNERS IN EXCELLENCE$200,000 TO $299,999
Baker HostetlerEaton CorporationForest City Enterprises, Inc.PNC
PARTNERS IN EXCELLENCE$100,000 TO $199,999
Google, Inc.Medical Mutual of OhioParker Hannifin Corporation
$50,000 TO $99,999
Exile LLCJones DayQuality Electrodynamics (QED)Raiffeisenlandesbank
Oberösterreich (Europe) The Sage Cleveland Foundation
$25,000 TO $49,999
Bank of AmericaDix & EatonGiant EagleNorthern Trust Bank of Florida (Miami)Park-Ohio Holdings Corp.The Plain DealerRPM International Inc.Squire, Sanders & Dempsey (US) LLPThompson Hine LLP
$2,500 TO $24,999
Akron Tool & Die CompanyAkronLife MagazineAmerican Fireworks, Inc.American Greetings CorporationBDIBrouse McDowellConn-Selmer, Inc.Eileen M. Burkhart & Co LLCBuyers Products CompanyCedar Brook Financial Partners, LLCThe Cleveland Wire Cloth & Mfg. Co.
The Cliffs FoundationCommunity Behavioral Health CenterConsolidated Graphics Group, Inc.Dealer Tire LLCDollar BankDominion FoundationErnst & Young LLPEvarts-Tremaine-Flicker CompanyFeldman Gale, P.A. (Miami)Ferro CorporationFirstMerit BankFrantz Ward LLPGallagher Benefit ServicesGenovese Vanderhoof & AssociatesThe Goodyear Tire & Rubber CompanyGreat Lakes Brewing CompanyGross BuildersHahn Loeser + Parks LLPHouck Anderson P.A. (Miami)Hunton & Williams, LLP (Miami)The Lincoln Electric FoundationLittler Mendelson, P.C.C. A. Litzler Co., Inc.Live Publishing CompanyMacy’sMiba AG (Europe)MTD Products, Inc.Nordson CorporationNorth Coast Container Corp.Northern HaserotOatey Co.Ohio CATOlympic Steel, Inc.Oswald CompaniesPolyOne CorporationThe Prince & Izant CompanyRichey Industries, Inc.Satch Logistics LLCSEMAG Holding GmbH (Europe)The Sherwin-Williams CompanyStern Advertising AgencySwagelok CompanyTriMark S.S. KempTrionix Research Laboratory, Inc.Tucker EllisUnited Automobile Insurance
Company (Miami)Ver Ploeg & Lumpkin, P.A. (Miami)Ricky & Sarit Warman —
Papa John’s Pizza (Miami)WCLV FoundationWestlake Reed LeskoskyThe Avedis Zildjian CompanyAnonymous (3)
Annual Supportgifts of $2,500 or more during the past year, as of September 10, 2012
Cumulative GivingJOHN L. SEVERANCESOCIETY
$5 MILLION AND MORE
KeyBank
$1 MILLION TO $5 MILLION
Baker HostetlerBank of AmericaEaton CorporationFirstEnergy FoundationForest City Enterprises, Inc.The Goodyear Tire
& Rubber CompanyThe Lubrizol Corporation /
The Lubrizol FoundationMerrill LynchNACCO Industries, Inc.Parker Hannifin CorporationThe Plain DealerPNC BankPolyOne CorporationRaiffeisenlandesbank
Oberösterreich (Europe) The Sage Cleveland Foundation
The J. M. Smucker Company
The Severance Society recognizes
generous contributors of $1 million
or more in cumulative giving
to The Cleveland Orchestra.
Listing as of September 2012.
Corporate Annual Support
The Cleveland Orchestra gratefully acknowledges and salutes these corporations for their generous support
toward the Orchestra’s Annual Fund, benefit events, tours and residencies, and special projects.
T H E C L E V E L A N D O R C H E S T R A
Corporate Support
73Severance Hall 2012-13
Live Publishing provides comprehensive communications and marketing services to a who’s who roster of clients, including the world-renowned Cleveland Orchestra.
Our unsurpassed client satisfaction is built on decades of hard-earned experience, in all the various aspects of magazine publishing and custom marketing communications. We know how to deliver the most meaningful messages in the most effective media,
all in the most cost-effective manner. We’re easy to do business with, and our experienced crew has handled every kind of project – from large to small, print to web.
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Your Guide to: the orchestra the facilities the concerts the people
2012
F E S T I V A L B O O K
2 012 -2 013 C O N C E RT S E R I E S
Autumn 2012
STATIONBREAK
Fall Forecast Arts and Culture In
Northeast Ohio page 5
Election 2012 Complete Coverage
page 17
Inside WKSU Regina Brett
page 14
Introducing QNew Programs &
New Schedule on WKSU
page 14
NE Ohio Cultural Milestones
page 4
FOLK FEST PREVIEW46th Folk Festival Program Guide page 21
=
Foundation/Government Annual Support
$1 MILLION AND MORE
The Cleveland FoundationCuyahoga County residents through
Cuyahoga Arts and CultureThe Kelvin and Eleanor
Smith Foundation
$250,000 TO $499,000
Kulas FoundationAndrew W. Mellon FoundationThe Miami Foundation,
from a fund established by the John S. and James L. Knight Foundation (Miami)
John P. Murphy FoundationDavid and Inez Myers FoundationOhio Arts Council
$100,000 TO $249,999
Sidney E. Frank FoundationGAR FoundationThe George Gund FoundationJohn S. and James L. Knight Foundation
$50,000 TO $99,999
The George W. Codrington Charitable Foundation
Martha Holden Jennings FoundationThe Mandel FoundationMyra Tuteur Kahn Memorial Fund
of The Cleveland FoundationElizabeth Ring Mather
and William Gwinn Mather FundThe Payne FundSurdna Foundation
$20,000 TO $49,999
The Abington FoundationAkron Community FoundationThe Helen C. Cole Charitable TrustThe Mary S. and David C.
Corbin FoundationThe Gerhard Foundation, Inc.Ann and Gordon Getty FoundationThe Margaret Clark Morgan FoundationThe Nonneman Family FoundationThe Nord Family FoundationPeacock Foundation, Inc. (Miami)The Sisler McFawn Foundation
Annual Supportgifts of $2,000 or more during the past year, as of September 10, 2012
The Cleveland Orchestra gratefully acknowledges and salutes these Foundations and Government agencies for their
generous support toward the Orchestra’s Annual Fund, benefit events, tours and residencies, and special projects.
$2,000 TO $19,999
Ayco Charitable FoundationThe Ruth and Elmer Babin FoundationThe Bernheimer Family Fund
of the Cleveland FoundationBicknell FundThe Eva L. and Joseph M. Bruening
FoundationThe Collacott FoundationMary and Dr. George L. Demetros
Charitable TrustElisha-Bolton FoundationFisher-Renkert FoundationThe Harry K. Fox and Emma R. Fox
Charitable FoundationFunding Arts Network (Miami)The Helen Wade Greene Charitable TrustThe Hankins FoundationThe Muna and Basem Hishmeh FoundationRichard H. Holzer Memorial FoundationThe Kangesser FoundationThe Kridler Family Fund
of The Columbus FoundationThe Jean Thomas Lambert FoundationThe Laub FoundationVictor C. Laughlin, M.D.
Memorial Foundation TrustThe G. R. Lincoln Family FoundationLaura R. & Lucian Q. Moffitt FoundationNational Endowment for the ArtsPaintstone FoundationThe Charles E. & Mabel M. Ritchie
Memorial FoundationThe Leighton A. Rosenthal
Family FoundationSCH FoundationAlbert G. & Olive H. Schlink FoundationJean C. Schroeder FoundationThe Sherwick FundLloyd L. and Louise K. Smith
Memorial FoundationThe South Waite FoundationThe Taylor-Winfield FoundationThe George Garretson Wade Charitable TrustThe S. K. Wellman FoundationThe Welty Family FoundationThomas H. White Foundation,
a KeyBank TrustThe Edward & Ruth Wilkof FoundationThe Wuliger FoundationAnonymous (2)
Cumulative GivingJOHN L. SEVERANCESOCIETY
$10 MILLION AND MORE
The Cleveland FoundationCuyahoga County residents
through Cuyahoga Arts & Culture
Kulas FoundationMaltz Family FoundationState of OhioOhio Arts CouncilThe Kelvin and Eleanor
Smith Foundation
$5 MILLION TO $10 MILLION
John P. Murphy Foundation
$1 MILLION TO $5 MILLION
Ann and Gordon Getty Foundation
GAR FoundationThe George Gund FoundationThe Louise H. and David S.
Ingalls FoundationMartha Holden Jennings
FoundationKnight Foundation
(Cleveland, Miami)Andrew W. Mellon FoundationDavid and Inez
Myers FoundationNational Endowment for the ArtsThe Payne FundThe Reinberger Foundation
The Severance Society recognizes
generous contributors of $1 million
or more in cumulative giving
to The Cleveland Orchestra.
Listing as of September 2012.
T H E C L E V E L A N D O R C H E S T R A
Foundation & Government Support
75Severance Hall 2012-13
INDIVIDUAL GIFTS OF $500,000 AND MORE
Daniel R. and Jan R. Lewis (Miami)
INDIVIDUAL GIFTS OF $200,000 TO $499,999
Irma and Norman Braman (Miami) Francie and David Horvitz (Miami) The Walter and Jean Kalberer Foundation Susan Miller (Miami) Ms. Ginger Warner (Cleveland, Miami)
INDIVIDUAL GIFTS OF $100,000 TO $199,999
Mr. and Mrs. Joseph P. KeithleyDr. and Mrs. Herbert Kloiber (Europe)Mrs. Norma Lerner Peter B. Lewis and Janet Rosel (Miami)Mr.* and Mrs. Herbert McBride Mr. and Mrs. Albert B. Ratner
INDIVIDUAL GIFTS OF $75,000 TO $99,999
Mr. and Mrs. Douglas A. Kern The Honorable and Mrs. John Doyle Ong Janet and Richard Yulman (Miami)
INDIVIDUAL GIFTS OF $50,000 TO $74,999
Sheldon and Florence Anderson (Miami)Mr. Richard J. Bogomolny
and Ms. Patricia M. Kozerefski Mr. and Mrs. Alexander M. CutlerHector D. Fortun (Miami) Mr. and Mrs. Michael J. HorvitzJames D. Ireland III Mr. and Mrs. Dennis W. LaBarre
Leadership Council The Leadership Council salutes those extraor-
dinary donors who have pledged to sustain their
annual giving at the highest level for three years or
more. Leadership Council donors are recognized in
these Annual Support listings with the Leadership
Council symbol next to their name:
Individual Support
The Cleveland Orchestra and Musical Arts Association gratefully recognize the individuals
listed here, who have provided generous gifts of cash or pledges of $2,500 or more to the
Annual Fund, benefit events, tours and residencies, and special annual donations.
T H E C L E V E L A N D O R C H E S T R A
Lifetime GivingJOHN L. SEVERANCE SOCIETY
$10 MILLION AND MORE
Daniel R. and Jan R. Lewis (Miami, Cleveland)
$5 MILLION TO $10 MILLION
Mr. Richard J. Bogomolny
and Ms. Patricia M. Kozerefski
Mr. and Mrs. Alexander M. Cutler
Mrs. Norma Lerner
and The Lerner Foundation
Mr. and Mrs. Albert B. Ratner
Anonymous
$1 MILLION TO $5 MILLION
Irma and Norman Braman (Miami) Mr. and Mrs. Francis J. CallahanMrs. Anne M. ClappMr. George Gund IIIFrancie and David Horvitz (Miami)Mr. and Mrs. Michael J. Horvitz Mr. James D. Ireland III The Walter and Jean Kalberer Foundation Mr. and Mrs. Joseph P. Keithley Mr. and Mrs. Dennis W. LaBarre Susan Miller (Miami) Sally S. and John C. Morley The Family of D. Z. NortonThe Honorable and Mrs. John Doyle Ong Mr. and Mrs. Alfred M. Rankin, Jr.Charles and Ilana Horowitz RatnerJames and Donna Reid Barbara S. Robinson Anonymous (2)
The Severance Society recognizes generous contributors
of $1 million or more in lifetime giving to The Cleve-
land Orchestra. As of September 2012.
Annual Supportgifts during the past year, as of September 10, 2012
Individual Annual Support76 The Cleveland Orchestra
Individual Annual Support
R. Kirk Landon and Pamela Garrison (Miami) Mr. Randy LernerToby Devan LewisMs. Beth E. MooneyMr. and Mrs. Alfred M. Rankin, Jr. James and Donna ReidBarbara S. Robinson David A. and Barbara Wolfort Anonymous
INDIVIDUAL GIFTS OF $30,000 TO $49,999
Mr. and Mrs. Daniel M. Bell (Miami)Dr. and Mrs. Wolfgang Berndt (Europe) Blossom Women’s CommitteeMr. and Mrs. Charles P. Bolton The Brown and Kunze FoundationJeanette Grasselli Brown and Glenn R. Brown Robert and Jean* Conrad Do Unto Others Trust (Miami)Mr. and Mrs. Geoffrey Gund George Gund Trevor and Jennie Jones Giuliana C. and John D. Koch Foundation
(Cleveland, Miami) Dr. Vilma L. KohnMr. and Mrs. S. Lee Kohrman Charlotte R. KramerMs. Nancy W. McCann Sally S. and John C. Morley Julia and Larry Pollock Mrs. Alfred M. Rankin, Sr.Brian and Patricia RatnerCharles and Ilana Horowitz Ratner Luci and Ralph* ScheyMary M. Spencer (Miami)Mr. and Mrs. Franz Welser-Möst
INDIVIDUAL GIFTS OF $25,000 TO $29,999
Mr. William P. Blair III Margaret Fulton-Mueller Dr. and Mrs. Hiroyuki Fujita Elizabeth B. Juliano Dr. and Mrs. David LeshnerMr. and Mrs. Jon A. LindsethMr. and Mrs. Edward A. LozickMrs. Jane B. NordMr. and Mrs. James A. RatnerHewitt and Paula Shaw Richard and Nancy Sneed Junior Committee
of The Cleveland OrchestraPaul and Suzanne Westlake
INDIVIDUAL GIFTS OF $20,000 TO $24,999
Gay Cull AddicottMr. and Mrs. William W. Baker Jill and Paul Clark Bruce and Beth Dyer Esther L. and Alfred M. Eich, Jr. Andrew and Judy Green Gary Hanson and Barbara Klante Mr. and Mrs. Jack HoeschlerRichard and Erica Horvitz (Cleveland, Miami)Mrs. Marguerite B. Humphrey William J. and Katherine T. O’Neil Dr. and Mrs. Ronald J. Ross Steven and Ellen Ross Mr. and Mrs. James A. SaksMarc and Rennie SaltzbergRaymond T. and Katherine S. SawyerDr. and Mrs. Neil SethiR. Thomas and Meg Harris Stanton Mr. and Mrs. Donald Stelling (Europe)Anonymous gift from Switzerland (Europe) Anonymous
INDIVIDUAL GIFTS OF $15,000 TO $19,999
Randall and Virginia BarbatoJayusia and Alan Bernstein (Miami) Scott Chaikin and Mary Beth CooperMr. and Mrs. Peter O. DahlenGeorge* and Becky DunnColleen and Richard Fain (Miami) Jeffrey and Susan FeldmanMr. Allen H. FordRichard and Ann GridleyMrs. John A Hadden Jr.Jack Harley and Judy ErnestMary and Jon Heider (Cleveland, Miami)Tati and Ezra Katz (Miami) Jonathan and Tina Kislak (Miami)Robert M. Maloney and Laura Goyanes Mr. Thomas F. McKee Miba AG (Europe)Lucia S. NashMr. Gary A. Oatey Brian and Patricia RatnerDavid and Harriet SimonMr. Joseph F. TetlakRick, Margarita and Steven Tonkinson (Miami)LNE Group — Lee Weingart (Europe)Anonymous
INDIVIDUAL GIFTS OF $12,500 TO $14,999
Mr. and Mrs. David J. Carpenter Judith and George W. Diehl Joyce and Ab* GlickmanMr. and Mrs. Jeffrey Healy Mrs. David Seidenfeld Mr. and Mrs. Alfred Umdasch (Europe)
listings continue
77Severance Hall 2012-13
78 The Cleveland Orchestra
T H E C L E V E L A N D O R C H E S T R A
INDIVIDUAL GIFTS OF $10,000 TO $12,499Mr. and Mrs. George N. Aronoff Marsha and Brian Bilzin (Miami) Dr. Christopher P. Brandt and Dr. Beth Sersig Mr. D. McGregor Brandt, Jr.Augustine* and Grace CaliguireMr. and Mrs. R. Bruce CampbellRichard J. and Joanne ClarkMartha and Bruce Clinton (Miami)Mr. and Mrs. William E. ConwayMrs. Barbara CookBruce Coppock and Lucia P. May (Miami)Mr. and Mrs. Matthew V. Crawford Mr. Peter and Mrs. Julie Cummings (Miami)Mr. and Mrs. Robert P. DuvinMike S. and Margaret Eidson (Miami) Dr. and Mrs. Lloyd H. Ellis Jr.Ms. Dawn M. FullFrancisco A. Garcia and Elizabeth Pearson (Miami)Mr. and Mrs. Richard T. GarrettAlbert I. and Norma C. Geller Mr. and Mrs. Robert W. GillespieRobert K. Gudbranson and Joon-Li KimJeffrey and Stacie HalpernSondra and Steve HardisDavid and Nancy Hooker Mr. and Mrs. Christopher Hyland Mr. and Mrs. Donald M. Jack, Jr.Janet and Gerald Kelfer (Miami) Mrs. Elizabeth R. Koch
Tim and Linda Koelz Mr. and Mrs. Richard A. ManuelMr. and Mrs. Arch J. McCartneyMr. and Mrs. Stanley A. MeiselEdith and Ted* MillerMrs. Sydell L. MillerThe Estate of Walter N. MirapaulElisabeth and Karlheinz Muhr (Europe)Brian and Cindy MurphyMr. and Mrs. William M. Osborne, Jr. Mr. and Mrs. George M. Rose Mr. and Mrs. David A. RuckmanMr. Larry J. Santon Dr. E. Karl and Lisa SchneiderRachel R. Schneider Mr. and Mrs. Oliver E. SeikelMr. Eric Sellen and Mr. Ron SeidmanKim Sherwin Mr. and Mrs. Steven SpilmanLois and Tom Stauffer Mrs. Blythe SundbergDr. Russell A. TrussoTom and Shirley Waltermire Mr. Gary L. Wasserman and Mr. Charles A. Kashner (Miami)The Wells Family Foundation, Inc.Anonymous
INDIVIDUAL GIFTS OF $7,500 TO $9,999Laurel Blossom Dr. and Mrs. Jerald S. BrodkeyDr. Thomas Brugger and Dr. Sandra RussEllen E. & Victor J. Cohn Supporting Foundation Mr. Owen and Mrs. Victoria ColliganMr. and Mrs. Edward B. Davis Henry and Mary Doll Nancy and Richard DotsonKathleen E. HancockMary Jane Hartwell Iris and Tom Harvie Mrs. Sandra L. HaslingerPamela and Scott Isquick Allan V. Johnson Judith and Morton Q. Levin Mr. Jeff LitwillerMrs. Robert H. MartindaleMr. and Mrs. Thomas B. McGowan Mr. Donald W. Morrison Pannonius Foundation Douglas and Noreen PowersRosskamm Family TrustPatricia J. Sawvel Carol and Albert SchuppDr. Gerard and Phyllis SeltzerNaomi G. and Edwin Z. Singer Family Fund Mrs. Gretchen D. SmithMr. and Mrs. Donald W. Strang, Jr.Bruce and Virginia Taylor Sandy and Ted Wiese Anonymous (2)
INDIVIDUAL GIFTS OF $5,000 TO $7,499Susan S. AngellMr. and Mrs. Albert A. AugustusMr. and Mrs. Dean Barry Mr. Jon Batchelor (Miami)
Gay Cull Addicott
William W. Baker
Ronald H. Bell
Henry C. Doll
Judy Ernest
Nicki Gudbranson
Jack Harley
Iris Harvie
Brinton L. Hyde
Randall N. Huff
Elizabeth Kelley
David C. Lamb
Raymond T. Sawyer
Barbara Robinson, chair
Robert Gudbranson, vice chair
Ongoing annual support gifts are a critical compo-
nent toward sustaining The Cleveland Orchestra’s
economic health. Ticket revenues provide only a
small portion of the funding needed to support
the Orchestra’s outstanding performances, educa-
tional activities, and community projects.
The Crescendo Patron Program recognizes gener-
ous donors of $2,500 or more to the Orchestra’s
Annual Campaign. For more information on the
benefits of playing a supporting role each year,
please contact Hayden Howland, Manager of
Leadership Giving, by calling 216-231-7545.
Crescendo Annual Campaign Patrons
listings continue
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79Severance Hall 2012-13 79Severance Hall 2012-13
80 The Cleveland Orchestra
Fred G. and Mary W. BehmDr. and Mrs. Nathan A. Berger Mr. William BergerDr.* and Mrs.* Norman E. Berman Dr. and Mrs. Eugene H. BlackstonePaul and Marilyn* BrentlingerMr. Robert W. BriggsFrank and Leslie Buck Mr. and Mrs. William C. Butler Ms. Maria Cashy Drs. Wuu-Shung and Amy Chuang Dr. William & Dottie Clark Mrs. Lester E. Coleman Mr. and Mrs. Gerald A. ConwayCorinne L. Dodero Foundation
for the Arts and Sciences Mrs. Barbara Ann Davis Ms. Nancy J. Davis (Miami)Mr. and Mrs. Thomas S. DavisMr. and Mrs. Terry C. Z. EggerDr. and Mrs. Robert ElstonMary and Oliver Emerson Dr. D. Roy and Diane A. FergusonChristopher Findlater (Miami)Mr. David J. GoldenMr. and Mrs. Henry J. GoodmanMr. and Mrs. Randall J. GordonHarry and Joyce Graham Mr. Paul Greig David and Robin GunningClark Harvey and Holly SelvaggiIn memory of Philip J. HastingsHenry R. Hatch and Robin Hitchcock HatchRobin Hitchcock HatchBarbara Hawley and David GoodmanJanet D. Heil*Anita and William HellerT. K. and Faye A. HestonAmy and Stephen Hoffman Joan and Leonard HorvitzBob and Edith Hudson (Miami)Mr. James J. Hummer Mr. and Mrs. Brinton L. HydeRudolf D. and Joan T. Kamper Andrew and Katherine KartalisMilton and Donna* Katz Dr. and Mrs. William S. KiserMrs. Justin Krent Mr. James and Mrs. Patricia KrohngoldMr. and Mrs. Peter A. Kuhn Mr. and Mrs. Arthur J. Lafave, Jr.David C. Lamb
Shirley and William Lehman (Miami) Mr.* and Mrs. Leo LeidenMrs. Emma S. LincolnHeather and Irwin LowensteinMr. and Mrs. Alex Machaskee Mr. and Mrs.* Robert P. Madison Ms. Jennifer R. MalkinMr. and Mrs. Morton L. MandelAlan Markowitz M.D. and Cathy PollardAlexander and Marianna C.* McAfee Claudia Metz and Thomas Woodworth Drs. Terry E. and Sara S. MillerMr. and Mrs. William A. Mitchell Ann Jones MorganRobert Moss (Miami)Mr. and Mrs. Stephen E. MyersMr. and Mrs. Herbert Newman Richard and Kathleen NordMr. Henry Ott-HansenMr. J. William and Dr. Suzanne PalmerClaudia and Steven Perles (Miami)Nan and Bob Pfeifer Dr. and Mrs. John N. Posch Lois S.* and Stanley M. ProctorMs. Rosella PuskasMr. and Mrs. Thomas A. QuintrellDrs. Raymond R. Rackley and Carmen M. Fonseca Mr. and Mrs. Roger F. RankinPaul A. and Anastacia L. RoseDr. Tom D. Rose Mr. and Mrs. Robert C. RuhlDavid M. and Betty Schneider Linda B. SchneiderLarry and Sally Sears Mrs. Frances G. ShoolroyMarjorie B. Shorrock Laura and Alvin A. SiegalDavid Kane Smith Jim and Myrna SpiraGeorge and Mary Stark Charles B. and Rosalyn Stuzin (Miami)Mr. and Mrs. Paul A. Teel, Jr. Mr. and Mrs. Bill Thornton Mr.* and Mrs. Robert N. TromblyDon and Mary Louise Van Dyke Bill Appert and Chris Wallace (Miami)Mr. and Mrs. Fred A. Watkins Dr. and Mrs. Leslie T. Webster, Jr.Dr. Edward L. and Mrs. Suzanne WestbrookTom and Betsy WheelerCharles WinansAnonymous (7)
listings continue
T H E C L E V E L A N D O R C H E S T R A
listings continued
Dr. and Mrs. D. P. AgamanolisMr. and Mrs. Robert H. BakerMs. Delphine BarrettMr.* and Mrs. Russell BearssMr. and Mrs. Jules BelkinDr. Ronald and Diane BellSuzanne and Jim BlaserDr. Ben H. and Julia BrouhardDr. and Mrs. William E. CappaertMs. Mary E. ChilcoteDrs. Mark Cohen and Miriam Vishny
Diane Lynn CollierMarjorie Dickard ComellaPete and Margaret DobbinsPeter and Kathryn EloffMr. Brian L. Ewart
and Mr. William McHenryMrs. Joan Getz (Miami)Robert N. and Nicki N. GudbransonMr. Robert D. HartMatthew D. Healy and Richard S. AgnesHazel Helgesen and Gary D. Helgesen
Mr. David and Mrs. Dianne HuntDr. and Mrs. Scott R. InkleyDonna L. and Robert H. JacksonMr. and Mrs. Richard A. JanusHelen and Erik JensenJoela Jones and Richard WeissDr. Gilles and Mrs. Malvina KlopmanDr. James and Mrs. Margaret KreinerRonald and Barbara LeirvikMr. and Mrs. Irvin A. Leonard
INDIVIDUAL GIFTS OF $3,500 TO $4,999
Individual Annual Support
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CENTER GREAT LAKES THEATER GROUNDWORKS DANCETHEATER HEIGHTS YOUTH THEATRE IDEASTREAM
KARAMU HOUSE MALTZ MUSEUM OF JEWISH HERITAGE MUSEUM OF CONTEMPORARY ART NATURE
CENTER AT SHAKER LAKES PLAYHOUSESQUARE ROCK AND ROLL HALL OF FAME AND MUSEUM SPACES
WESTERN RESERVE HISTORICAL SOCIETY & MANY OTHERS
PH
OT
O B
Y R
OG
ER
MA
ST
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IAN
NI
81Severance Hall 2012-13 81Severance Hall 2012-13
82 The Cleveland Orchestra
Mr. Lawrence B. and Christine H. LeveyDr. Alan and Mrs. Joni LichtinAnne R. and Kenneth E. LoveRobert and LaVerne LugibihlElsie and Byron LutmanJoel and Mary Ann MakeeMartin and Lois MarcusSusan and Reimer MellinDr.* and Mrs. Hermann Menges, Jr.Dr. Susan M. MerzweilerMr. and Mrs. Peter R. OsenarMrs. Ingrid PetrusMr. and Mrs. John S. PietyMr. and Mrs. Richard W. PogueIn memory of Henry PollakWilliam and Gwen PreucilDr. Robert W. Reynolds
Mrs. Charles RitchieAmy and Ken RogatFred Rzepka and Anne Rzepka
Family FoundationBob and Ellie ScheuerMs. Freda SeavertCharles Seitz (Miami)Ginger and Larry ShaneMr. Richard ShireyDr. Marvin and Mimi SobelMr. and Mrs. William E. SpatzHoward Stark M.D.
and Rene Rodriguez (Miami)Mrs. Barbara Stiefel (Miami)Dr. Elizabeth SwensonMs. Lorraine S. SzaboMr. and Mrs. Leonard K. Tower
Robert and Marti VagiMr. and Mrs. Mark Allen WeigandMr. Peter and Mrs. Laurie WeinbergerRobert C. WepplerNancy V. and Robert L. WilcoxMs. Rosina Horvath
INDIVIDUAL GIFTS OF $3,500 TO $4,999 CONTINUED
T H E C L E V E L A N D O R C H E S T R A
Ms. Nancy A. AdamsStanley I. and Hope S. AdelsteinNorman and Rosalyn Adler Family
Philanthropic FundMr. Gerald O. AllenNorman and Helen AllisonMr. and Mrs. Robert J. AmsdellRev. Dr. and Mrs. Kenneth J. AndersonMr. and Mrs. Jeffrey R. AppelbaumMr. and Mrs. Stanley H. Arkin (Miami)Geraldine and Joseph BabinMr. Roger G. BerkKerrin and Peter Bermont (Miami)Barbara and Sheldon BernsJulia & David Bianchi
(Cleveland, Miami)Carmen Bishopric (Miami)Bill and Zeda BlauMr. Doug BletcherMr. and Mrs. Dennis A. BlockJohn and Anne BourassaLisa and Ron BoykoMrs. Ezra BryanMs. Mary R. Bynum
and Mr. J. Philip CalabreseMrs. Millie L. CarlsonMr. and Mrs. Frank H. CarpenterLeigh and Mary* CarterMr. and Mrs. James B. ChaneyDr. and Mrs. Ronald ChapnickMs. Suzan ChengDr. and Mrs. Chris ChengelisMr. and Mrs. Homer D. W. ChisholmMr. and Mrs. Robert A. ClarkMr. and Mrs. David J. CookDr. Dale and Susan CowanMrs. Frederick F. DannemillerCharles and Fanny Dascal (Miami)Jeffrey and Eileen DavisMrs. Lois Joan DavisDr. and Mrs. Richard C. DistadMs. Maureen A. Doerner
and Mr. Geoffrey T. White
Mr. George and Mrs. Beth DownesMs. Mary Lynn DurhamGeorge* and Mary EatonDavid and Margaret EwartHarry and Ann FarmerCarl and Amy FischerScott Foerster, Foerster and BohnertJoan Alice FordMrs. Amasa B. FordMr. Monte Friedkin (Miami)Marvin Ross Friedman and Adrienne
bon Haes (Miami)Arthur L. FullmerPeggy and David* FullmerRichard L. FurryJeanne GallagherBarbara and Peter GalvinJoy E. GarapicMrs. Georgia T. GarnerBarbara P. Geismer*Mr. Wilbert C. Geiss, Sr.Dr. Kevin and Angela GeraciAnne and Walter GinnMr. and Mrs. David GoldbergMr. and Mrs. David A. GoldfingerDr. and Mrs. Ronald L. GouldMr. and Mrs. Robert T. GrafNancy Green (Miami)Mr. and Mrs. Brent R. GroverThe Thomas J. and Judith Fay Gruber
Charitable FoundationNancy and James GrunzweigMr. Davin and Mrs. Jo Ann GustafsonDr. Phillip M. and Mrs. Mary HallNorman C. and Donna L. HarbertMr. and Mrs. George B. P. HaskellMr. and Mrs. Jerry HerschmanMr. Robert T. HexterDr. and Mrs. Robert L. HinnesMr. and Mrs. Edmond H. HohertzThomas and Mary HolmesDr. Keith A. and Mrs. Kathleen M. HooverMark and Ruth Houck (Miami)
Dr. Randal N. Huff and Ms. Paulette Beech
Ms. Charlotte L. HughesMs. Luan K. HutchinsonRuth F. IhdeDr. Michael and Mrs. Deborah JoyceBarbara and Michael J. KaplanDr. and Mrs. Richard S. KaufmanRev. William C. KeeneMr. Karl W. KellerElizabeth KelleyAngela Kelsey
and Michael Zealy (Miami)The Kendis Family TrustBruce and Eleanor KendrickMr. James KishNatalie KittredgeFred and Judith KlotzmanEllen Brad and Bart KovacDr. Ronald H. Krasney
and Ms. Sherry* LatimerMr. Donald N. KrosinMr. and Mrs. S. Ernest KulpMrs. Carolyn LamplMr. and Mrs. Israel LapciucKenneth M. LapineAnthony T. and Patricia A. LauriaMr. Jin-Woo LeeMichael and Lois A. LemrDr. Edith LernerDr. Stephen B. and Mrs. Lillian S. LevineRobert G. LevyMr. Jon E. Limbacher
and Patricia J. LimbacherIsabelle and Sidney* LobeHolly and Donald LoftusMartha Klein LottmanMary LoudMarianne Luedeking (Miami)Herbert L. and Rhonda MarcusDr. and Mrs. Sanford E. MarovitzDavid and Elizabeth Marsh
INDIVIDUAL GIFTS OF $2,500 TO $3,499
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listings continued
Individual Annual Support
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83Severance Hall 2012-13 83Severance Hall 2012-13
84 The Cleveland Orchestra
T H E C L E V E L A N D O R C H E S T R A
Mr. and Mrs.* Duane J. MarshMrs. Meredith T. MarshallDr. Ernest and Mrs. Marian MarsolaisMr. Julien L. McCallJim and Diana McCoolWilliam and Eleanor McCoyStephen and Barbara MessnerMr. Stephen P. MetzlerMr. and Mrs. Roger Michelson (Miami)MindCrafted SystemsMr. Raymond M. MurphyJoan Katz Napoli
and August NapoliRichard B. and Jane E. NashMr. David and Mrs. Judith NewellMort and Milly Nyman (Miami)Richard and Jolene O’CallaghanNedra and Mark Oren (Miami)James P. Ostryniec (Miami)Mr. and Mrs. Robert D. PaddockDeborah and Zachary ParisDr. Lewis and Janice B. PattersonDr. Roland S. Philip
and Dr. Linda M. SandhausDr. Marc and Mrs. Carol PohlMr. Richard and Mrs. Jenny ProeschelK. PudelskiMs. C. A. ReaganAlfonso Conrado Rey (Miami)David and Gloria RichardsMichael Forde RipichDr. Barbara RisiusCarol Rolf and Steven AdlerDr. and Mrs. Michael Rosenberg (Miami)Michael and Roberta RusekMrs. Florence Brewster RutterDr. Harry S. and Rita K. RzepkaNathan N. and Esther Rzepka Family
Philanthropic FundDr. and Mrs. Martin I. SaltzmanMs. Patricia E. SayMr. Paul H. ScarbroughMr. James SchutteDr. John Sedor and Ms. Geralyn PrestiLee G. and Jane SeidmanDrs. Daniel and Ximena SesslerHarry and Ilene ShapiroNorine W. SharpDr. and Mrs. William C. SheldonMs. Linda M. SmithMr. and Mrs.* Jeffrey H. SmytheMrs. Virginia SnappMs. Barbara SnyderMr. John C. Soper
and Dr. Judith S. BrennekeMr. John D. SpechtMr. and Mrs.* Lawrence E. StewartMs. Evelyn H. Stroud
Dr. Kenneth F. SwansonMr. Taras G. Szmagala Jr.Mr. Nelson S. TalbottMs. Suzanne ThaxtonMr. Karl and Mrs. Carol TheilParker D. Thomson Esq. (Miami)Mr. and Mrs. Robert J. TomsichMr. and Mrs. Lyman H. TreadwaySteve and Christa TurnbullMiss Kathleen TurnerRobert A. ValenteBrenton Ver Ploeg (Miami)Mr. and Mrs. Joaquin Vinas (Miami)Mr. and Mrs. Les C. VinneyRicky & Sarit Warman
— Papa John’s Pizza (Miami)Mr. and Mrs. Joseph F. WasserbauerMs. Laure A. WasserbauerPhilip and Peggy WasserstromEric* and Margaret WayneMr. and Mrs. Jerome A. WeinbergerMrs. Mary Wick BoleRichard Wiedemer, Jr.Dr. Paul R. and Mrs. Catherine WilliamsMr. and Dr. Ann WilliamsRichard and Mary Lynn WillsMichael H. Wolf and Antonia Rivas-WolfMr. Robert Wolff
and Dr. Paula SilvermanRad and Patty YatesFred and Marcia ZakrajsekMr. Kal Zucker
and Mrs. Mary Frances HaerrAnonymous (10)
member of the Leadership Council (see page 76)
* deceased
The Cleveland Orchestra is sustained through the annual
support of thousands of generous patrons, including
members of the Crescrendo Patron Program listed on these
pages. Listings of all donors of $300 and more each year are
published in the Orchestra’s Annual Report, which can be
viewed online at CLEVELANDORCHESTRA.COM
For information about how you can play a supporting
role for The Cleveland Orchestra’s artistic excellence and
community partnerships, please contact our Philanthro-
py & Advancement Office by calling 216-231-7545.
INDIVIDUAL GIFTS OF $2,500 TO $3,499 CONTINUED
listings continued
Individual Annual Support
The Cleveland Orchestra’s catalog of recordings
continues to grow. The newest DVD features Bruckner’s
Eighth Symphony recorded live at Severance Hall under
the direction of Music Director Franz Welser-Möst in 2010
and released in May 2011. And, released in
2012, Dvořák’s opera Rusalka on CD, recorded
live at the Salzburg Festival. Writing of the
Rusalka performances, the reviewer for
London’s Sunday Times praised the perform -
ance as “the most spellbinding account
of Dvořák’s miraculous score I have ever
heard, either in the theatre or on record.
. . . I doubt this music can be better played than by the
Clevelanders, the most ‘European’ of the American or-
chestras, with wind and brass soloists to die for and a
string sound of superlative warmth and sensitivity.”
Other recordings released in recent years
include two under the baton of Pierre Boulez
and a third album of Mozart piano concertos
with Mitsuko Uchida, whose fi rst Cleveland
Orchestra Mozart album won a Grammy Award
in 2011.
R E C O R D I N G Sg r e a t g i f t i d e a s
T H E C L E V E L A N D O R C H E S T R A
New!
Visit the Cleveland Orchestra Store for
the latest and best Cleveland Orchestra
recordings and DVDs.
P R E S E N T S
Nov 29-30 and Dec 1-2
with The Joff rey Balletand The Cleveland Orchestra
conducted by Tito Muñoz
TICKETS playhousesquare.org | 216-241-6000 | 866-546-1353
at
H A I L E D A S O N E O F the world’s most
beautiful concert halls, Severance Hall
has been home to Th e Cleveland Or-
chestra since its opening on February 5,
1931. Aft er that fi rst concert, a Cleve-
land newspaper editorial stated: “We
believe that Mr. Severance intended
to build a temple to music, and not a
temple to wealth; and we believe it is his
intention that all music lovers should be
welcome there.” John Long Severance
(president of the Musical Arts Associa-
tion, 1921-1936) and his wife, Elisabeth,
donated most of the funds necessary to
erect this magnifi cent building. De-
signed by Walker & Weeks, its elegant
Georgian exterior was constructed to
harmonize with the classical architec-
ture of other prominent buildings in
the University Circle area. Th e interior
of the building refl ects a combination
of design styles, including Art Deco,
Egyptian Revival, Classicism, and Mod-
ernism. An extensive renovation, resto-
ration, and expansion of the facility was
completed in January 2000. In addition
to serving as the home of Th e Cleveland
Orchestra for concerts and rehearsals,
the building is rented by a wide variety
of local organizations and private citi-
zens for performances, meetings, and
gala events each year.
11001 Euclid AvenueCleveland, Ohio 44106C L E V E L A N D O R C H E S T R A . C O M
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Severance Hall88 The Cleveland Orchestra
89Severance Hall 2012-13 89Severance Hall 2012-13
8233
3
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2012 Larchmere Holiday Stroll~ Thanksgiving weekend ~
Friday, November 23 & Saturday, November 24 ~ 10am-5pm
T H E C L E V E L A N D C O N C E R T C A L E N D A R
90 The Cleveland OrchestraConcert Calendar
F A L L S E A S O NFriday November 23 at 8:00 p.m.Saturday November 24 at 8:00 p.m.Sunday November 25 at 3:00 p.m.THE CLEVELAND ORCHESTRAJaap van Zweden, conductorLouis Lortie, piano
CHOPIN Piano Concerto No. 2RACHMANINOFF Symphony No. 2
Thursday November 29 at 7:00 p.m.Friday November 30 at 7:00 p.m.Saturday December 1 at 2:00 p.m.Saturday December 1 at 7:00 p.m.Sunday December 2 at 2:00 p.m.THE JOFFREY BALLETandTHE CLEVELAND ORCHESTRAconducted by Tito Muñoz
The NutcrackerA holiday must-see, full of magic and marvels and featuring Tchaikovsky’s beloved score performed by The Cleveland Orchestra. The Joffrey Ballet’s production has been cap-tivating audiences for a quarter century with brilliant cos-tumes, larger-than-life scenery, entrancing storytelling, and breathtaking dancing.
Presented at PlayhouseSquare in downtown Cleveland.Tickets: 216-241-6000 or www.playhousesquare.org
Thursday December 6 at 8:00 p.m.Saturday December 8 at 8:00 p.m.THE CLEVELAND ORCHESTRAGiancarlo Guerrero, conductorBéla Fleck, banjo
ADAMS Short Ride in a Fast MachineFLECK Banjo ConcertoCOPLAND Suite from Billy the KidGERSHWIN An American in Paris
Friday December 7 at 7:00 p.m.THE CLEVELAND ORCHESTRAGiancarlo Guerrero, conductorBéla Fleck, banjo
KEYBANK FRIDAYS@7ADAMS Short Ride in a Fast MachineGERSHWIN An American in ParisFLECK Banjo ConcertoSponsor: KeyBank
Friday December 7 at 10:00 a.m.Sunday December 9 at 12:30 p.m.
PNC HOLIDAY RAINBOW
Music of ChanukahA special presentation and celebration of the music and tra-ditions of Chanukah, presented at Temple — Tifereth Israel (26000 Shaker Boulevard, Beachwood). For young people and their families, suitable for ages 3 and up.
Sponsor: PNC
Tuesday December 11 at 8:00 p.m.THE CLEVELAND ORCHESTRAWilliam Eddins, conductor
CELEBRITY SERIES
Charlie Chaplin’sModern TimesFor a second year, the Orchestra presents a classic silent film with live orchestral accompaniment. Don’t miss this iconic film of the Little Tramp in his adventures amidst the industrialization of modern life.
Thrusday December 13 at 10:00 a.m.PNC HOLIDAY RAINBOW
Celebration of KwanzaaA special Holiday Rainbow celebrating the traditions of Kwanzaa, presented “on the road” at Karamu House (2355 East 89th Street, Cleveland). For young people and their families, suitable for ages 3 and up.
Sponsor: PNC
Friday December 14 at 10:00 a.m.Saturday December 15 at 11:00 a.m.
PNC HOLIDAY RAINBOW
Christmas Brass QuintetEnjoy the Christmas spirit with brass music in this favorite Cleveland Orchestra holiday treat. A festive program of holiday music for young people and their families, suitable for ages 3 and up.
Sponsor: PNC
Tuesday December 18 at 8:00 p.m.Wednesday December 19 at 8:00 p.m.THE CLEVELAND ORCHESTRAJames Feddeck, conductor
HOLIDAY FESTIVAL
Pink Martini:Joy to the WorldThe group Pink Martini returns to Severance Hall for a special holiday celebration with a globally-inclusive holiday concert for the 21st century.
Thursday
CLEVELAND ORCHESTRA TICKETS PHONE 216-231-1111 800-686-1141 clevelandorchestra.com
O R C H E S T R A 1213SEASON
91Severance Hall 2012-13 91Severance Hall 2012-13
W I N T E R S E A S O NThursday January 10 at 8:00 p.m.Friday January 11 at 11:00 a.m.Saturday January 12 at 8:00 p.m.THE CLEVELAND ORCHESTRAFranz Welser-Möst, conductorGarrick Ohlsson, piano
TCHAIKOVSKY Piano Concerto No. 2 *SHOSTAKOVICH Symphony No. 10 *Friday Morning concert includes the concerto
and selections from Smetana’s Má Vlast
Sponsor: BakerHostetler
Thursday January 17 at 8:00 p.m.Saturday January 19 at 8:00 p.m.THE CLEVELAND ORCHESTRAFranz Welser-Möst, conductorJoshua Bell, violin
WIDMANN LiedBARTÓK Dance SuiteBEETHOVEN Violin ConcertoSponsor: Eaton Corporation
Friday January 18 at 7:00 p.m.THE CLEVELAND ORCHESTRAFranz Welser-Möst, conductorJoshua Bell, violin
KEYBANK FRIDAYS@7BEETHOVEN Violin ConcertoBARTÓK Dance SuiteSponsor: KeyBank
Sunday January 20 at 7:00 p.m.THE CLEVELAND ORCHESTRATito Muñoz, conductorCentral State University ChorusMartin Luther King Jr. Celebration Chorus
MARTIN LUTHER KING JR.CELEBRATION CONCERTThe Cleveland Orchestra’s 33rd annual concert cele-brating the spirit of Dr. King’s life, leadership, and vision. Presented in collaboration with the City of Cleveland.
TICKETS: Admission is free, but tickets are required. Tickets become available on January 2.Sponsor: KeyBank
Concert Calendar
I N T H E S P O T L I G H T
Cleveland OrchestraCHRISTMASFriday December 14 at 8 p.m.Saturday December 15 at 3 & 8 p.m.Sunday December 16 at 3 p.m.Friday December 21 at 8 p.m.Saturday December 22 at 3 & 8 p.m.Sunday December 23 at 3 & 7 p.m.THE CLEVELAND ORCHESTRARobert Porco, conductorCleveland Orchestra ChorusCleveland Orchestra Children’s Chorus
Celebrate the holiday season with a
favorite Cleveland tradition — with The
Cleveland Orchestra and Chorus in these
annual offerings of music for the Christmas
Season. Including sing-alongs and holiday
cheer, all in the festive yuletide splendor
of Severance Hall.
For a complete schedule of future events and performances, or to purchase tickets online 24/ 7 for Severance Hall concerts, visit www.clevelandorchestra.com.
92 The Cleveland Orchestra92 The Cleveland Orchestra
11001 Euclid Avenue, Cleveland, Ohio 44106 C L E V E L A N D O R C H E S T R A . C O M
AT SEVERANCE HALLCONCERT DINING AND CONCESSION SERVICE Severance Restaurant at Severance Hall is open for pre-concert dining. For reservations, call 216-231-7373, or make your plans on-line by visit-ing opentable.com. Concert concession service of beverages and light refreshments is available before most concerts and at intermissions in the Smith Lobby on the street level, in the Bogomolny-Kozerefski Grand Foyer, and in the Dress Circle Lobby.
FREE PUBLIC TOURS Free public tours of Severance Hall are offered on select Sundays during the year. Free public tours of Severance Hall are being offered this season on October 14, November 25, February 10 and 24, and May 5 and 26. For additional information or to re-serve you place for these tours, please call the Sever-ance Hall Ticket Offi ce at 216-231-1111. Private tours can be arranged for a fee by calling 216-231-7421.
THE CLEVELAND ORCHESTRA STORE A wide variety of items relating to The Cleve-land Orchestra — including logo apparel, compact disc recordings, and gifts — are available for pur-chase at the Cleveland Orchestra Store before and after concerts and during intermission. The Store is also open Tuesday through Friday from 11 a.m. to 6 p.m. Cleveland Orchestra subscribers receive a 10% discount on most items purchased. Call 216-231-7478 for more information, or visit the Store online at clevelandorchestra.com
ATM — Automated Teller Machine For our patrons’ convenience, an ATM is located in the Lerner Lobby of Severance Hall, across from the Cleveland Orchestra Store on the ground fl oor.
QUESTIONS If you have any questions, please ask an usher or a staff member, or call 216-231-7300 during regular weekday business hours, or email to [email protected]
RENTAL OPPORTUNITIES Severance Hall, a Cleveland landmark and home of the world-renowned Cleveland Orchestra, is the perfect location for business meetings and confer-ences, pre- or post-concert dinners and receptions, weddings, and social events. Exclusive catering pro-vided by Sammy’s. Premium dates are available. Call the Facility Sales Offi ce at 216-231-7420 or email to [email protected]
BEFORE THE CONCERTGARAGE PARKING AND PATRON ACCESS Pre-paid parking for the Campus Center Ga-rage can be purchased in advance through the Tick-et Offi ce for $14 per concert. This pre-paid parking ensures you a parking space, but availability of pre-paid parking passes is limited. To order pre-paid parking, call the Severance Hall Ticket Offi ce at 216-231-1111. Parking can be purchased for the at-door price of $10 per vehicle when space in the Campus Cen-ter Garage permits. However, the garage often fi lls up well before concert time; only ticket holders who purchase pre-paid parking passes are ensured a parking space. Overfl ow parking is available in CWRU Lot 1 off Euclid Avenue, across from Sever-ance Hall; University Circle Lot 13A on Adelbert Road; and the Cleveland Botanical Garden.
FRIDAY MATINEE PARKING Due to limited parking availability for Friday Matinee performances, patrons are strongly en-couraged to take advantage of convenient off-site parking and round-trip shuttle services available from Cedar Hill Baptist Church (12601 Cedar Road). The fee for this service is $10 per car.
CONCERT PREVIEWS Concert Previews at Severance Hall are present-ed in Reinberger Chamber Hall on the ground fl oor (street level), except when noted, beginning one hour before most Cleveland Orchestra concerts.
Guest Information
9393Severance Hall 2012-13 93Severance Hall 2012-13 Guest Information
AT THE CONCERTCOAT CHECK Complimentary coat check is available for concertgoers. The main coat check is located on the street level midway along each gallery on the ground fl oor.
PHOTOGRAPHY, VIDEO, AND AUDIO RECORDING Audio recording, photography, and videogra-phy are strictly prohibited during performances at Severance Hall. As courtesy to others, please turn off any phone or device that makes noise or emits light.
REMINDERS Please disarm electronic watch alarms and turn off all pagers, cell phones, and mechanical devices before entering the concert hall. Patrons with hearing aids are asked to be attentive to the sound level of their hearing devices and adjust them accordingly. To ensure the listening pleasure of all patrons, please note that anyone creating a disturbance of any kind may be asked to leave the concert hall.
LATE SEATING Performances at Severance Hall start at the time designated on the ticket. In deference to the comfort and listening pleasure of the audience, late-arriving patrons will not be seated while music is being performed. Latecomers are asked to wait quietly until the fi rst break in the program, when ushers will assist them to their seats. Please note that performances without intermission may not have a seating break. These arrangements are at the discretion of the House Manager in consulta-tion with the conductor and performing artists.
SERVICES FOR PERSONS WITH DISABILITIES
Severance Hall provides special seating op-tions for mobility-impaired persons and their com-panions and families. There are wheelchair- and scooter-accessible locations where patrons can remain in their wheelchairs or transfer to a concert seat. Aisle seats with removable armrests are also available for persons who wish to transfer. Tickets for wheelchair accessible and companion seating can be purchased by phone, in person, or online. As a courtesy, Severance Hall provides wheel-chairs to assist patrons in going to and from their seats. Patrons can arrange a loan by calling the House Manager at 216-231-7425 TTY line access is available at the public pay phone located in the Security Offi ce. Infrared As-sistive Listening Devices are available from a Head Usher or the House Manager for most performanc-
es. If you need assistance, please contact the House Manager at 216-231-7425 in advance if possible. Service animals are welcome at Severance Hall. Please notify the Ticket Offi ce when purchasing tickets.
IN THE EVENT OF AN EMERGENCY Emergency exits are clearly marked throughout the building. Ushers and house staff will provide instructions in the event of an emergency. Contact an usher or a member of the house staff if you re-quire medical assistance.
SECURITY For security reasons, backpacks, musical instru-ment cases, and large bags are prohibited in the concert halls. These items must be checked at coat check and may be subject to search. Severance Hall is a fi rearms-free facility. No person may possess a fi rearm on the premises.
CHILDREN Regardless of age, each person must have a ticket and be able to sit quietly in a seat through-out the performance. Season subscription concerts are not recommended for children under the age of seven. However, Family Concerts and Musical Rainbow programs are designed for families with young children. Cleveland Orchestra Youth Orchestra performances are recommended for older children.
TICKET SERVICESTICKET EXCHANGES Subscribers unable to attend on a particular concert date can exchange their tickets for a dif-ferent performance of the same week’s program. Subscribers may exchange their subscription tickets for another subscription program up to fi ve days prior to a performance. There will be no service charge for the fi ve-day advance ticket exchanges. If a ticket exchange is requested within 5 days of the performance, there is a $10 service charge per concert. Visit clevelandorchestra.com for details and blackout dates.
UNABLE TO USE YOUR TICKETS? Ticket holders unable to use or exchange their tickets are encouraged to notify the Ticket Offi ce so that those tickets can be resold. Because of the demand for tickets to Cleve land Orchestra perfor-mances, “turnbacks” make seats available to other music lovers and can provide additional income to the Orchestra. If you return your tickets at least 2 hours before the concert, the value of each ticket will be treated as a tax-deductible contribution. Patrons who turn back tickets receive a cumulative donation acknowledgement at the end of each cal-endar year.
94 The Cleveland Orchestra
U P C O M I N G C O N C E R T S
T H E C L E V E L A N D O R C H E S T R A
94 The Cleveland OrchestraUpcoming Concerts
BÉLA FLECKALL AMERICANThursday December 6 at 8:00 p.m.Friday December 7 at 7:00 p.m.Saturday December 8 at 8:00 p.m.THE CLEVELAND ORCHESTRAGiancarlo Guerrero, conductorBéla Fleck, banjo
An all-American concert of fiery fun and
strong emotion. Beginning with a blisteringly
fast and technically dazzling orchestral gem by
John Adams. The highlight of the concert is a
new banjo concerto that is fast becoming an
American classic — written and played by Amer-
ica’s foremost banjo virtuoso, Béla Fleck. The
evening also includes with the cacophony of car
horns and café tunes that is An American in Paris.
Fridays@7 Sponsor: KeyBank
KeyBank Fridays@7 World Music —Pre-Concert: Harmonia (Eastern European Folk Music)
Post-Concert: A trio of New Orleans-based musicians:
Roland Guerin, John Vidacovich, and March Mullins.
See also the concert calendar listing on pages 90-91, or visit The Cleveland Orchestra online for a complete schedule of future events and performances, or to purchase tickets online 24/ 7 for Severance Hall concerts.
TICKETS 216-231-1111 clevelandorchestra.com
At Severance Hall . . .
2012 HOLIDAY FESTIVALPINK MARTINI:JOY TO THE WORLDTuesday December 18 at 8:00 p.m.Wednesday December 19 at 8:00 p.m.THE CLEVELAND ORCHESTRAJames Feddeck, conductorwithPink Martini
The group Pink Martini returns
to Severance Hall for a special holiday
celebration with The Cleveland Orchestra.
In true Pink Martini fashion, the band has
created a globally-inclusive holiday concert
for the 21st century. Their multicultural
concert showcases an intoxicating mix of
cabaret, samba, and jazz. Enjoy the band’s
popular favorites along with holiday classics
such as “White Christmas,” “Santa Baby,”
“Little Drummer Boy,” “We Three Kings,”
and more!
216.861.3810 877.554.5054www.ClevelandFoundation.org
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