The Complete Keyboard Player Timeless Hits

;.:., " , ,-,\ .3 C' l ",

,'\,\ \.J --~!'J~ .. ' ?

4 AGAINST ALL ODDS (TAKE A LOOK AT ME NOW) PHIL COLLINS

8 ALL I HAVE TO DO Is DREAM THE EVERLY BROTHERS

- 10 ALL SHOOK UP ELVIS PC<ESLEV

12 BLACKBIRD Tf-1 E B E~TLES

14 B RID G E 0 V E R T R 0 U B LED W AT E R S I M 0 N & GAR FUN I( E L

16 CALL THE MAN CELI\E DION

. 18 C E C I L I A S I . .' C ~. & G A ~ C L N I< E L/ S U G G S

20 COPACABANA (AT THE COPA) BARRY MANILOW

22 Co U L D IT BE MAG I C T A 1< E THAT

24 E L CON DO R PA S A (I F I Co U LD) S I M 0 N & GAR FUN I( E L

- 26 ETERNAL FLAME THE BANGLES

- 28 EVERY BREATH YOU TAKE POLICE

30 EVERYBODY'S TALKIN' NILLSON

32 FIFTY WAYS TO LEAVE YOUR LOVER PAUL SIMON

34 FLY ME To THE MOON (IN OTHER WORDS) TONY BENNETT

36 FROM BOTH SIDES Now JONI MITCHELL

38 GOLDENEYE TINA TURNER

- 40 HAVE I TOLD You LATELY? VAN MORRISON

42 HERE, THERE AND EVERYWHERE THE BEATLES

" 44 How DEEP IS YOUR LOVE THE BEE GEES/TAKE THAT

46 I BELIEVE IN FATHER CHRISTMAS GREG LAI(E

48 I DON'T WANNA LOSE YOu TINA TURNER

50 IF YOU LEAVE ME NOW CHICAGO

52 IMAGINE JOHN LENNON

54 JAMBALAYA (ON THE BAYOU) HAN 1< WILLIAMS/TH E CARPENTERS

56 KNOWING ME, KNOWING You ABBA

58 LAY, LADY, LAY BOB DYLAN

60 MARIA FROM WEST SIDE STORY

62 MAYBE I'M AMAZED PAU L M CCARTN EY

64 MICHELLE THE BEATLES

-- MONEY, MONEY, MONEY ABBA 66 MOTHER AND CHILD REUNION PAUL SIMON 68

-- MRS ROBINSON SIMON & GARFUNI(EL 70 MULL OF KINTYRE WINGS 72

My BRAVE FACE PAUL MCCARTNEY 74 NOWHERE MAN THE BEATLES 76

ONE MOMENT IN TIME WHITNEY HOUSTON 78 PENNY LANE THE BEATLES 80

- RETURN To SENDER ELVIS PRESLEY 124 RUNNING WITH THE NIGHT LIONEL RICHIE 82

SING TH E CARPENTERS 84 STRANGERS IN THE NIGHT FRANI( SINATRA 86

THANK You FOR THE MUSIC ABBA 98 - THAT'LL BE THE DAY BUDDY HOLLY 88

TH E LIVING YEARS M II(E & TH E MECHANICS 90 - THE WINNER TAKES IT ALL ABBA 92

'- .. (THEY LONG TO BE) CLOSE TO YOu TH E CARPENTERS 94 THIS GUY'S IN LOVE WITH You BURT BACHARACH/HERB ALPERT 96

TIE A YELLOW RIBBON 'ROUND THE OLE OAK TREE DAWN 101 TO LOVE SOMEBODY THE BEE GEES 104

TONIGHT FROM WEST SIDE STORY 106 TRUE LOVE WAYS BUDDY HOLLY 108 WE'LL MEET AGAIN VERA LYNN 110

WHERE IS THE LOVE ROBERTA FLACI( 112 WOODEN HEART ELVIS PRESLEY 114

WORDS THE BEE GEES 116 -- YESTERDAY TH E B EATLES 118

You WIN AGAIN THE BEE GEES 120 YOUR CHEATIN' HEART RAY CHARLES 122

CHORD CHARTS 127 & 128

6

AGAINST ALL ODDS CT AI(E A Lool( AT M E Now) ... =:;=::: & MUSIC BY PHIL COLLINS

- :::.' ;-: : 'lS4 Effectsound Limited/Golden Torch Music Corporal.O". - . !. ;_- '.'~sic \Publishing) Limited, 30 Ives Street, Landor SW3- cc .

: '.': ',' _s : Publishing Limited, 127 Charing Cross Road, LO~dC-: . .:. ; ;-:5 Reserved. International Copyright Secured

Voice: electric piano (with sustain) ~ chc~a ::

Rhythm: rock

Tempo: slow 2 ( j = 66)

• • • mp

• r [EJ

• r r I r r ~ j 1 r ~ J

How ,:an How ,:an

just you just

let walk

you walk a - way

a - way, from me, when

just let you all I can

,~

~~

iF, '------'

squeeze together ~

r r~E 1 ~sr !b leave

do without _ a trace? is watch_ youleave?

CD cross over ~

3~ r 1 -

D tr """' I'r r er - 'ry breath_ with you. and the pain- and even

~ new hand position

5~ ~ ~ ! E =1' ~ I ~ ~ ~ 'if

on ~ ly one who real - ly knew on -ly one who real - ly knew

W7

'~~t 11 2.

:11 1:0 -

new hand position

~ [ill 3t! Sf r: When I

'Cause we stand here shared the

new hand position ~

t ~ ~ lmr

o oh, shared the tears. __

change finger [I] 7

l~ /1.

0 j i~~ "-

me at all. me at all. __

stretch

j llb :!~ ~ (mf>

F r tak - ing

laugh - ter

~ 3~

You're the You're the

~I ~

~ J II

So take a look at me

IT] new hand position W7

!r ,~ .J J - I ~ ~ SF ~ Ilijf f f r now. Well, there's just an emp - ty space, __

r- change finger ~ [ill

~ ,~ ~ jaW

.. ISF 5E I 8 J §] J IJ IJ) r r r f J ---

and there's noth -ing . left here to - re mind - me_- just the

~ [1]7 IT]

,~ J J j J ~ F

4r I j 2J J J J J J 11 J J -mem - 'ry of your face._ Well, take a look at me now.-

[I] 7

&~ ~ .~ p SF ~ 115

gf r f r .....

Well, there's just an emp - ty space,_- and you com-in' back

~ [ill ~

,~ 3~ ~ ~ ~ 3 ~ ~ ~ ~ ·U r ~ I ~~ I ~ r ;t= ----

_to me is a - gainst_ the odds,_and that's what I've got to face_

W7 ITJ

~~ I ~ ~ ~ I ~ ~ ~. II ~ 3 • fs C2J u

Take a look at me now.

7

,.

" t..

~, '---'

,. ~? t..

,. ~? t..

ALL I HAVE To Do Is DREAM WORDS & MUSIC BY BOUDLEAUX BRYANT

~ ~ :cyr;ght 1958 House of Bryant Publications, USA . .:.:_.oo·'<cse Music Limited, London WI. .=. ;; g"ts Reserved. International Copyright Secured.

Voice: string ensemble

Rhythm: rock Tempo: medium ( ~ = 112)

~

Id IsS J J J J J mf Dream, dream, dream, dream,_ dream, ___ _

(E] ITJl ITJ ~ ~ (Ill

d ~ d 48 i~ ~ J II: I J 4c::r r· p dream, dream, dream, _ when I want you in my arms, when

mp I feel blue in the night, and

[0 ~ ~ [I) 1 ITJ ~

¥i j J '1 4f r F r· V , ~fjJ j 5F 4]3

want you and all your charms, when - ev - er I want you_ need you to hold me tight, when - ev - er I want you_

11. ~ ~ (Ill

:B (]]1 ITJ

i~ ~ i~: 4 ~. ~ a~ ~ ~ ~

~ ~ I J J ~ I .. t I- ii

-. ::'3.Ve to do is dream. Dream, dream, dream, when _ .. :---.3.ve to do is

add piccolo

-F ~ ITJ (I] 1 ~

P a I d. I II ~~ ~ ~ r ~ : - • - J ... • - I can make you mine, - ..... - ...

mf

r

: II

~ ~ ml 0 01 ~ iF J F]

rf' ~ ~9 ~~ r r r r E I 29r t-e, ar

taste your lips of wine. An - y - time, night or day.

~ ~ 01 3----, 1--3~

~ j

r r i ~9 gr r r r r I I 6r r , 4~ I :~r r r t.

On -ly trou - ble is, gee whiz! I'm dream - ing my life_ a -f

~ (Ill (I] ~ ~ (1)7 ~ d d 4~ ~i i J ~9 I I 'I 4C r C r- p t.

- way! I need you so, that could die, I mp

QJ ~ ~ (Ill 0 ~ ~

~i i J aJ .J j 3Q 69 'I 4C F F r- p I or t.

love you so, and that is why, when - ev - er I want you-

[i£] (Ill 0 ~ (!8 (]]l

d S d 4J f-

4 J- Is sJ J ~ t;9 IJ J J J ~I J J J I t.

all I have to do is dream. Dream, dream, dream,_

cresco

QJ ~ ~ (Ill (I] f- eJ J ~~ : ;~ J '-" 4;9 J J J J I 111 11 t.-, t I stop rhythm

Dream, dream, dream, dream _ dream. "!f rit.

9

1;/ t..

ALL S HOOI< Up ,,:;:::... ':_~:=::'v O~IS BLACKWELL & ELVIS PRESLEY

, ':- ,::' ::. 5 :~e! '.I"S,C, LSA. '.~ ': ~ ',: :~-; -', a~,.t 'cr:he British Isles and British Empine (excluding Canada, Australasia) and

:":,~ '"", ~'C =c" - M"sic Corporation, Iron Bridge House, 3 Bridge Approach, London NW1. , ; :"c :7"X-.-:-= :-:e"-a:lo~al Copyright Securec .

• C CE: :;;LAar

R ,"tnm: rock

Temp;: fairly fast ( • = 138)

VERSES

N.C.

e _ •

1. :\ - well - a, bless my soul, ___ what's mf (2.) hands are sha ky, my

~

3- - - ~ J J ~ J Isr # ~-r C:J , itch- ing like a man_ on a fuz - zy tree. _

can't seem to stand _ on my own two feet. _

lor 7 '-1;

wrong with me?- I'm knees are weak. _ I

.. till 13J § j tJ My friends say I'm act - ing

Who do you thank when you

~7

'/ s~ E #r r ,{] j 13J .. lor r 'fJzJ , IJ1 t..

queer as a bug,_ I'm in love, I'm all shook up!- Mm_ have such luck? _ I'm in love, I'm all shook up!- Mm_

~7 [£]7 ~ ~

~/ 4~: I ~~ ~

IiI I ~ j: 5~- ~ 222J l It }~ 7

t.. > > > > > :7'_""'i1. oh, oh, yeah_ yeah! :T~-:1. oh, oh, yeah_ yeah!

= f

1.

11

2 BRIDGE

~ ~7 ~7

• ; > > B t.. 1. > > > >

"') My Please don't ask_ what's _ mf mf

~

r::r ISF r #r r r::r I r #~r--;r E::J t::r on my mind._ I'm a lit - tie mixed up, but I'm feel - in' fine. _ When I'm

~7 [f]7

'~b 4r U ....--....

r I r ....--....

r I r 2r r 4r r U r

near that girl_ that I love best, _ my heart beats so it

VERSE

'~b :±l J J J,.....l~J~ ...... J ~ 2; ~ lir # ~-r E::J 7

.. .J1

scares _ me to death. _3. She _ touched my hand,_ what a chill I got. _ Her

f mf

't ..

.J1 13J §~ i __ I' 2; .. Jl

kiss - es are like -- a vol - ca - no that's hot!- I'm proud to say- she's my

~7 ~7

'~b iF #EJ~fJ ; luJ. 't ..

.Jl lir #EJ~ftg IfJ 4~: 't >

but - ter- cup._ I'm III love! I'm all shook up!_ Mm_ mm, oh,

[f]7 ~ ~ ~ f':\. ~ >

'~b ~~ 5~ li~ ~ ~ I:

~

!&~@F II I It Ii' 7 7

> > > > oh, yeah_ yeah! > t stop rhythm

f ff

11

,.. :

~ t..

,.. i ~ t..

fA ~

~ ~

t..

,. ~ ?;i

t..

BLACI<BIRD .'. '<: ~ '.'_~:=~. J:-\ L::~~NGN & PALL MCCARTNEY

:' '-,:::- . :.-:.: \: ..... -.e,....... S:,rgs.. - ; :,-:: ;""X~.""= :-~~<l: 0 r ",. (::>pyr'ght Secu~.

R"Y!lm: bossa nova T€"1"'PJ: slow ( 0 = 60)

J J J

[!]

I :P r · Black - bird sing - ing in the Black - bird sing - ing in the

dead of dead of

mp

LIJ7 (1]7 (!!)

J * J r [ ?

¥77 8-15 F ~

and learn to fly. and learn to see.

0 [!)7 [I) ~

d ;J I J?:=:;gJ All your life All your life

0 7 [I] 7

J aJ .. J J I J s l:e If ., ..:.- .. - mg for this rno - rnent ,-, .:.- .. :ng for this rno - rnent

t [I) ill 7

:5 : 1 ..; 3#& • ):- ,:'~ :'- _~. :::-~:-- : ~ - :::-'5-~~ 5 'o"I,;,~r.out releasing note.

;1 J night, night,

11

take take

J these these

IEi~

W new hand position

I I .1-

d J you were you were

[!]

~f aJ ~r!!g: Ir to a rise. to be free.

(I)7

~

0 7

.. J1 J

bro - ken sun - ken

J on -on -

J ly ly

E

tJ wings_ eyes_

m Worn w ~ W

~i ~.

~ : II lSi) e

t..-.

Black bird

[!8 W ITJ [!]

¥ LJ. ! hi. 0;;

t. ----fly. Black

~ [!] [!8 [IJ7 .'

~r ,...-....

-- 5f r ~? e Q; £J ~ F ~

t..-

bird fly. In - to the light-

@!) (I]

1;'1 F r IF B~£23 J · J I ~2 J J j ~

of the dark black_ night. You were on - ly

:= p

0 7 (I)7 (I]

~S ~d J. J J I aJ J ~r ad ~~2!9: E II ~ If If

wait - ing for this rno - rnent to a - rise.

13

BRIDGE OVER TROUBLED WATER

,":::C: . an organ + chorus i~j

T~pJ: siQ\N (. = 76)

N.C. @] 0 & C ,J J II: J. ~ :1. I :1 ~ ~

t.,' -------------When you're wea ry, feel in' p down and out, on the

Cl -...=J ~ @]

~ I , :{J ~r J I ~J: 5~ t- ,is

small. when tears are in your street. When eve - ning falls so

~ change finger @] stretch ~ @] 0

& i J : h Id= ka J. ~~ 3~ 1:7 t.,

eyes I'll dry them_ all. hard. I'll com - fort you.

Cl @]7 ~ 3

£ J \J J J I~ l IJ J 3J J :t t-., . 1 •

I'm on your side. Oh, when times get I'll take your part. Oh, when dark ness

~7 chorus to tremolo

~ @]7

C

h~ J i#~ & ,i' , .J I;:r : t- ..... 1 •

.. - -,;... and friends just can't be ~ =' ~~~ ~ .... and pain IS all a

cresco

~7

found, like a bridge 0 - ver trou - bled wa - ter, round, like a bridge 0 - ver trou - bled wa - ter,

f ~ ~7 IAml @]7 ~ ~7 , I z[iJ., J

Itr ~ ~~ J IfF I;~ ;j AIL

I will lay me down, like a bridge 0 - ver I will lay me down, like a bridge 0 - ver

@] ~7 ~ @]7 @] tremolo to chorus

dim. trou - bled wa - ter, I will lay me down. When you're

p

@] ~ ~ ~7 IAml 12i J j ~

I.r 3~ . iF ~ I ~~ . ~::J~ 11'- • I ,:

trou - bled wa - ter, will lay me down.

@]7 @] @]7 ~ IAml , --.. ~ ~r: I ISF· D e F e ~ I F F ] mf

[I] IFml @]

~ ~r · -; ~~~ ~ I ~r ~ II tJ I stat rhythm dim. mp

15

CALL THE MAN .... :=~ ~ ... _~:= =. A',:· H: __ & PETER SI~FIELD

.. ,: .. : -- ~ :-:.=:: ::'-. eo.". e . -: - '.' _~ : _ ~:=w.: :27 :r.a-ic,g Cross RO<lO, Lonoon WC2 (50%) &

-, '..0 '.'_~ __ ~:=w.: Bra'net RO<ld, London WlO 150%), - ; ;--,e ;~-.",~, :-:e-~a:,o-.a; Copyright Secuned

Rhythm: 8 beat Tempo: slow ( J = 69)

[£J ~ VERSES

'~b e J J j J. ~tI±iJ~J =----J j,---.---+---1

em, ~

~ 7 f.-

~

&i 7 J u

A -

The

~

"--.; '''--------1. Close the _ door. _____ _ shut the world a - way,

I re - mem - ber when 2. I close my _ eyes, _____ _ mp

3] 0 J J~J all the fight's gone __

your sweet love

[£J

zJ J J: ~

cross the floor tears I cry

3

5J J from this filled this

~

I 3J. '-'-

wound ed __ heart. emp ty __ room.

=----r

dreams and sha - dows play, won't bring it back a - gam,

[[]

~/ I ~ 9 J J~J J

b ~- ~ f.- f ~J -------+-j--------'I~J ---+J--pQ un - less

CHORUS

~. Om! dd . .~ a stnngs

like wind - blown _ the lone - ly __ _

~

re - fu - gees. star should fall.

~

~f ~:3 J l u. 1J1 - ~ ,------,z ... ;--------------++---+---+--

[£J

5) j t. f'

Om

Call CJ.II

the the

man man

who deals in love who deals in once

----=

J Jst j jiB be - yond_ re - pair,_ up - on __ a time. __

~

~ ~.-_ n~~ •• ~_ =fft-----,'\rl =:1 F:=. ~=J--L---).----l=j-+---______ .-+-r ~)-+-j£-+--~J~i~'~z J==~P;==-_--j---+--_. -I 15 ~;:: ~Jn he.}1 the world

mJ\ - be he can mend of hearts in need _ of

this bro - ken heart _ of care. Shine a light mIne. Shine a light

a -a -

~ [I] ~ ~ ~ [I] t~da.

'~b 5i~ ~ ~ ~ IzJ g.r J J?D ~ ~. I I ~ 7 2F~ J dim. head when the next step IS un - clear, call the man, head, now the fu - ture is - n't clear, call the man,

Il.~ ~ cut strings W~ cut hom

~b J J~~ -+-J~I _5_i_=: ___ )j I~~. - -,~--i ---=-t-e-:II---+J----T-J ~~-J-t-----'lf1~5.J J J Jct he's need- ed here. I he's need-ed here. Need-ed in the

'mp

~

7 5J ~ I J ~ ~ J IJ 5~ ~ J ijJ cha - as and can - fu - sian, from the plains to Cl - ty hall. Need- ed where the

~ ~ [I]

~t4 J fJ J J J j I;rfir rlPr proud who walk the wire are set to fall. ___ _ Oh,

D5s.al Coda

~ ~ add horn

~ [I]

.¥5 ~---+-[--+-:;-F-r ~I --+1---+-1 J@~= 5---+-[-+-; -----!=-r --+--C -+--C ---+-11 L~~--+-2f----+r~! ~~I -----till cresco 3 3

-$-Coda

~ ~ ~

--=;F-J » --sfJ J a 3#J 1~ I 5~ ~ ~ jJ lr9

mp I cresco he's need- ed here.

Call the man, he's need- ed here.

mf 17

CECILIA .. , =:=3 & MUSIC BY PAUL SIMON

o : :c .. ' ;-~ : ~t:q : 970 Paul Simon. C : :-'-, =e-ser.-e<: i"terr.ational Copyright Secured,

'/cia:: synth guitar

Rhythm: rock I

Temf.Xl: medium (~ = 112)

(I)

&J 3

eO

u

eM j E, eel ia. you're

s ~ ~ ~ s ~ .: ~:: :-~~, g e ~

~ .. :~ ::-~'-:-:-::-

move hand up

3~ ~ 4 I' 1 2 Gf

-~ a'-A_ Gj J E5 I t...

dai ly, Oh, Ce

IT] [I) 3 3 1 & F-E

E DE E~ DEer f...,

beg -ging you please to come

IT] (I)

~ F......-e. Dr EF !J. ~ I t...

':':-ea~-ing heart, you're my

c (I) 5

I (I] (I) (I] (I)

1 FrEE Dr EF ¥ ~ I FrEE Dr EE D~C~ J

break-ing my heart, you're shak -ing my con - fi - dence

[IJ (I) 3 At Gr , ~ I

cil ia, I'm down on my knees, I'm

(I) cross 2nd finger

over thumb move hand up IT) t 2 t 3

I sr- ~ I E~ er !J E~

home. Cel ia, you're

[IJ [I) 0 3

1

siAJ 2 G~ FrEr Dr EC o~er G~ ~ I E( J

shak -ing my con - fi - dence dai - ly. Oh, Ce -

[I) (I) m 3 3 1

t A~ G. E, I FCEE Dr EF ~ TF[EC Dr E~ 'O~-e j ,

:r r t....

.:i1 lao I'm down on my knees, I'm beg -ging you please to come

18

0 IT] new hand position

-l-

W2fsr 1 4

~AJ II I Dr Er , Co C ccg home, ho ho home. Mak - ing love in the

CD IT] CD [I] IT] , 4 2 2

Fr EF Dr lSI I Err °Ecr Fr Er I Dr Br CF af - ter - noon with Ce cll ia up in my bed - room.

CD IT]

~ 1 4

~ O~ E~ I FE E~ 0pcg I EF F~E~ ~ C cF f..;

I got up to wash my face, when I come back to bed some -one's

0 IT] ITJ IT]

-®?r: 3 Eji

Dr CF I II EF E~ I FREr Dr Er ~ J cr , , f..;

tak - en my place. Cel ia, you're break - ing my heart, you're

CD IT] [I] CD IT] 3 f5

~ FrEr 1

BEA] 2 Ge AE GF E~ GJ E( I E[J] Dr o~cr I j .,

t J t.-

shak - ing con- fi - dence dai ly. Oh, Ce cil ia, I'm my -

CD IT] ITJ IT] [I] IT]

wroor 3 3 2 1 4

EF ~ I FEEE Dr lo--cr I Bd iJ G~A~ Co II , J

f..; home. down on my knees, I'm beg-ging you please to come home, ho ho

19

,

,

COPACABANA (AT THE COPA) WORDS & MUSIC BY BARRY MANILOW, BRUCE SUSSMAN & JACK FELDMAN

© Copyright 1978 Careers-BMG Music Publishing Incorporated, Camp Songs Music & Appoggiatura Music, USA. BMG Music Publishing Limited, Bedford House, 69-79 Fulham High Street, London SW6 This arrangement © Copyright 1998 BMG Music Publishing Limited. All Rights Reserved. International Copyright Secured.

Voice: brass ensemble

Rhythm: samba Tempo: medium (j = 108)

VERSES

N.C.

1. Her name was

~17 -~

j E she

~ was

~

J a

mf

Lo - la,

(2.) Ri - co,

0.) Lo - la, he wore a

she was a

J)~ lEi 7 L .. J [~mJ

[f]

14[j l show- girl,

dia - mond,

show- girl,

fGml "-_____ J

4r r r r ~ £J 12J ~ ~ ~ E It 2E r II}' fea- thers in her hair, and a dress cut down to there. She would me - ren - gue,

j ( ~r ~~ J with yel - low

He was es -

but that was

r-c-17 '-- ._j

F to ~ j J

and do the - cor - ted to his chair, he saw Lo - la dan - cing there, and when she fi - nished he called her

thir - ty years a - go, when they used to have a show. Now it's a dis - co, but not for

~fJ [Om) ll;J7 ~l1}l J- ~ 4Ei' 14r E ~ &3 ~ ~ ~r ~ ~ ~ IlL F ~ j Ie: r r J

Cha- Cha, and while she tried to be a star, To - ny al - ways ten - ded bar. A- cross the 0 - ver. but Ri - co went a bit too far, To - ny sailed a - cross the bar, and then the La - lao Still in the dress she used to wear, fa - ded fea - thers in her hair, she sits there

E 7 Am IE I 7 ll'mj Om! IE :7

'rtJ J§ ~; ~ 31 3

J IIJ l ~ ] I ,.

~ ~ F F I ~ J IU r ~ el"O\\- ded tloor. the\ \\ urI-cd from eight to four, they were young and they had each 0 - ther, who could pun - che" tle\\. and chair" \\ ere smashed in two. There was hlood and a single gun shot, but just so re - fined. and d6nl-" Ill'r - self half blind. She lost her youth and she lost her To - ny now she's

cresco

20

Am] ~7 rGm] L~J7 F , 1~ -

2~D§P II E lir: )tJ ~

If j I · 11 t j ~ ~ j Jl - J J ask for more?_

who shot who? _ At the Co - pa, Co - pa - ca - ba - na, _ the

lost her mind._

f

GO'L r-C-j7 l"__ F D 7 IGml "--___ J [~j7 , l~D tJ~4F F' E ro ~L r to D I ~. D I 1 t ~ r 7 J

hot - test spot North _ of Ha - va - na._ At the Co - pa, Co - pa - ca -

Ar11/ 1o~!7 ~IiiJ ,C7 Am I,D !7

~ ~ J

r--3~ r--3~ r--3~ -

n~ ~F: t to E to E to I E E F r ~ I ~#,]a r r u

I

- ba na,_ mu - sic and pas - slon were al - ways the fa - shion, at the

Gm iE'i7 "Am_ i

~~~r? ~.

~ ;~: 4~- ~ 4i~ ~ ~ ~r ~ II~ I 7 IF ~I

CO pa, they fell In love.

= mp

1. 2. 1 13.

Gm Gm 2. brass to clarinet

& - 3. clarinet to brass

Co - pa - ca - ba - na.

= mf

2. His name \\a..,

3. Her name \\a.., Don't fall In

Am: iGm Am ~3~

~i~~ §i: ~# I 1_ -J*- Ij~: t ==11 --~~

love. Co - pa - ca - ha na!

if '>top rhythm

21

~

,

Cou LD IT BE MAGIC WORDS & MUSIC BY BARRY MANILOW & ADRIENNE ANDERSON

f: Copyright 1973 Careers-BMG Music Publishing Incorporated/Angela MusiC/Open Curtain Publishing, USA. BMG Music Publishing Limited, 69-79 Fulham High Street, London SW6. This arrangement © Copyright 1998 BMG Music Publishing Limited. All Rights Reserved. International Copyright Secured.

Voice: clarinet Rhythm: 8 beat Tempo: medium d = 116)

VERSES

'p I

Om]

~ d near you,

hill - side,

[QJ7 ~

C

-

t9f 3r mind.

sun.

ml

1]]7

I

[QJ7

~ 2~) ~ ;tUJ

I. Spir - it move_

2.La - dy take __

mp

[ill ~

I 3~JJ ~ JEW whirl-ing like ._

high up where _

[ill

~ me,

me

fiJ #; I IJd , /

~ ~

sa. an gel of __

you. build my world _

E~ [Qj7

~ a

the

[ill

I !Jd ev -

high

[QJ7

14D ~r

-

my

a

cy - clone

stal - lion

[Om]

I d life

round

[Q]7

8 \ ) ~

, ry time_ I'm

up - on __ a

~J 4F ~ in __ my

meets _ the

21£ W e Sweet Me lis

I could love

mp

~ I time,

you,

$@) • 4W j 14D ~r JEW ·-------------~-~~~~~~~-+----r--+--~r --+-;-----'

an - ,,\\ er to __ all an - swers 1 __ can find, ne - \'er lea\ e \'ou ti 11 my life __ IS done.

22

CHORUS clarinet to piano ~ [em]

ba - by I love Ba - by I love

f

[8m] [gJ

you! you!

r8b 1 ~

I

I '9t

!b t 0' - 'U r I~~r come In - to_ my_ arms.

@J7 [gJ7

~ ~bl!t~i J J I,§J ~J J ~

won - der of all_ of

~' I

Now, now,

@] [Aml

~ib~~~· ; I~i ~ r tJ I

Come,

'r

~ J ) (

-=-

you. _

~

fast. Could this be

~ I I. &J 7 piano to clarinet

last'? __ _

come,

[Am]

; I~i .J .J .J

Let me know the

I I~§; ~ ~ J~=: S 1_,--"

- -

now, and hold _ on_

lAb' 7 ~--'

;L I

-o--d~ ~~~i the ma - glC at

D.S. andfade -- I

23

24

EL CONDOR PASA (IF I COULD) MUSICAL ARRANGEMENT BY J. MILCHBERG & D. ROBLES I ENGLISH LYRIC BY PAUL SIMON

it Copyright 1933,1963,1970 Edward B.Marks Music Corporation and Jorge Miichberg. English Lyric Copyright 1970 Charing Cross Music incorporated. All Rights Reserved. International Copyright Secured.

Voice: harpsichord, with full sustain

Rhythm: disco Tempo: fai rly slow (j = 92)

VERSE I I Em I thumb under

~ # N.C.

IIJ ~J b J e ~ 1-.17

I'd rath - e:- be a mp

@]

b aJ J ~ I f~ spar - row than a snail,

change finger ~ ffi ¥~ I 5~~

.....-t: I~~ :t !~- ~ ~ 13~~ ~ '--'"

would, if I could, sure -ly would.

jump down

¥t; IJ #J J J aJ J .J I'd rath- er be a ham - mer than a nail,

, 5~~ L ~ I blf1 == ;j ~

\,l.,ould. if I on-Iy could, __ I sure - ly would. __

8· add new hand position

saXOPhOne!CHORUS @J

A - way, I'd rath - er sail a - way, __

~f

~ 4r r yes I

~ 4F Hm __ '

yes I

Hm __

like a

~g

~$

~~ t.;

@] change finger @] ~

~r ,tC F j I r~: , I~ lar · 0 E e E r

swan that's here and gone. A man gets tied up to the

@] change finger

le~ !EW ~r ¥ 3E E r pr a; 4F E F ¥ ~ ground, he gives the world its sad - dest sound, its sad-dest

IJ sound. __ (stop rhythm) I'd rath - er be a for - est than a

@]

~~ , street,

would,

'F F Iti , 5~ ;;J I~~

yes I would, if I could,

¥4~ I

IEm/

~ ~ la@® sure - ly would._

@]

J IrJ

, if Hm_

I'd rath - er feel the earth be- neath my feet, yes I

IEml D.~aIFir1c add saxophone

if I on-Iy could,_ I sure -ly would._ Hm. ___ _ A -

f

25

,

ETERNAL FLAME WORDS & MUSIC BY BILLY STEINBERG, TOM KELLY & SUSANNA HOFFS

f: Copyright 1988 & 1989 Billy Steinberg Music, Sony ATC Tunes LLC, & Bangophile tv1usic L;SA. Sony/ATV Music Publishing, 10 Great Marlborough Street, London WI (66.66%) & EMI Songs Limited, 127 Charing Cross Road, London WC2 (33.33%). All Rights Reserved. International Copyright Secured.

Voice: horn Rhythm: rock Tempo: medium ( j = 96)

CHORUS

crJ I

I J J J Close your eyes)

I be - lieve, give me your hand _ dar - ling, it's meant to be, _ dar -ling,

mp

change finger thumb under

CD \ @]7

t~ stretch [[)7 .. J. \ J J J J

t i 1 :J(J2r r F a 5

ing, do you un - der - stand? Do you feel the ing, you be - long to me. Do you feel the

Il.~ (]J7 @] [@

*6[, --k

~ 1 !1 f i £= !; ~ I tf

dream ing? Is this burn -ing an dream ing, or

"if

I; 1_.

~

~ o. ---..... 6

E ill

r~ I ~ F r ~ V r w @)

thumb under

r r do you feel my heart beat -

want you when you are sleep-

~ [[)7

,J ~ J J IRr

same? Am I on - ly same? Am I on - ly

new hand position

t ti :11 4F V F

e - ter - nal flame?

INTERLUDE add strings new hand

@J position ~ t

II ~ or E IT IS this bum - ing an e ter - nal flame? Say my name,

mf

c; @] ~

m , 4_ • ! • m j J I a~r' W J j J J

sun shines thru the rain a whole life so lone - ly, and then

26

new hand position

CD / squeeze together [Om]

':d~J J Ji13]JJ 1m J J J J come and ease the pain. __ _ I don't wan -na lose this feel

cresco

INSTRUMENT AL jump

@] [§1 [TI7 \[§1

'l~: J 114F C b~ E r 14~ d Ir oh. mp

f

I]] ~ ~

£ ~J J J J 5F [ ..---.....

I~F IJ I F r F [ r r E tJ

.:ross over thumb

@] ~ @J @]

t2J) ~'~r r r ~r I 40 ro ~ F

Say my name, sun shines thru the rain,

mf

~ @] ITJ ~

J J j ~£5 ~al V J J I j ~J J

life so lone - ly, and then come and ease the pain.

@] ~ ~ CD t: J J J J ~ , I I; j 16F 0 ~F tJ

I don't wan - na lose this feel ing, oh. cresco f

ing,

[[)7

:#~. )

~ r ~ II

J )

a whole

J ---.....---.

~ ~

D. C. (Repeat Chorus & Fade)

cut strings

II

27

~ t...

~ t..,'

~ t..

£ u

28

EVERY BREATH You TAI(E Wo RDS & MUSIC BY STING

~ ~opyright 1983 G.M. Sumner. ~ ','! Music Publishing Limited/Magnetic Publishing Limited. :. ' R 'gnts Reserved. International Copyright Secured.

Voice: organ + tremolo

Rhythm: rock Tempo: medi um ( j = 100)

S ynchro-start

~e 'E; r Ev - 'ry breath

~

you~

(')

take, t

start rhythm

ITJ

IS I ~ c:r ~ E li~ ~ ~ iFf make, ev- 'ry bond you break, ev 'ry step_

~ IT)

~ I 49 r U I ~8 Ev - 'ry sin - gle_ day,

~ CO

IH I l Elf ~ ~ I¥~ r riff S,j :. Ev-'ry game you play, ev - 'ry night _

C Dru m fill - in CD - 2F 4C

II 38

O J lr Oh can't you see

E ,.

F r , 2( ;J • J

and ev - 'ry move you_

[I) 7

f I?r Cd ~ :f ~~I you take, I'll be watch-ing you._

~ 251 S~ J F e I and ev - 'ry word you_

[I) 7

E ~I f I ?r e • ~ ~ you stay, I'll be watch-ing you_

~ BE F r C- p that you be -long to

& t.-

,.

~ '-

,. ~ '-

me.

0 7

0 I take.

~

IR I ~ ·"reak.

~ - I J ()

r

new hand position

t 4n F

1IJ7

I]lfflJ My_ poor heart_ aches __

Drum fill - in IT]

J 4U F e Ii 0

Ev - 'ry move you_ make,

[]]

c::r F E I ~~ ~ ~ iPr Ev - 'ry smile you fake, ev- 'ry c1aim_

[]] -c::r F r If~ ~ ~ ir-r Ev- 'ry move you make, ev- 'ry step_

J. with ev - 'ry step you

'¥ 2~ r~ r F • J J and ev - 'ry vow you-

[IJ7

f I ~r CJ EJ ;'"

'I ~ you stake, I'll be watch-ing you._

[Il7

f 1 ~r U EJ r you take, I'll be watch-ing you.

r r rLr;l~ SF eli I'll be watch - ing_

IT] ~ []] (Repeat and Fade)

& 11:~r r r Q r 1 r r r r{ r 1 r r r r{ r 1 r 4U F U :11 '-

you, ev-'ry breath_ you take, ev- 'ry move_ you make, ev-'ry bond_ you break, I'll be watch - ing_

29

EVERYBODY'S TALI(IN' WORDS & M USlC BY FRED NEll

h Copyright 1967 by Coconut Grove Music Company, a division of Third Story Music Ircorporated, USA. All rights for the British Commonwealth of Nations (excluding Canada & Australasia) and Eire controlled by Carlin Music Corporation, Iron Bridge House, 3 Bridge Approach, Londor NWI All Rights Reserved. International Copyright Secured.

Voice: guitar Rhythm: 8 beat Tempo: medium ( J = 120)

~~ IT]

~! - !r Ev -mf

~~ 5p J P r word they're say

r r r ISD r 'ry - bo - dy's talk - in'

~

r I-in',

To Coda -$-

k,w J 1- ~r r at-- me, I don't

[£]7

i d 3 3 1~1 j: * on - Iy the ech - oes

sJJJIJJ J J I iJ J J 1J J J J 1-mind.

£~ j; r JeW J 1-* 10 ISD J

D -=- r t.,

stop - pin', sta rin', I can't see their fa

~ [£]7 IT]

fm~ ~ ~ b j 48 I 5~ J J 1 ~: * 1J J - 1,1:

t.l on - ly the sha- dows of their eyes.

30

r ~ hear a

4§ of my

Peo - pIe

r ces,

J ~ I

~ ~7

~ ~:i J J 3_d J J j I * j i r ~ ~ ~ ~ 11 d I'm go - in' where the sun keeps shi - nin' ,

0 stretch 0 7 ~ I

iEl d: .j ~~ ...

1 * 56 F 4Jl :J J ~q~g 1*

through the pour - ing rain.- Go - in' where the

wea-ther suits my clothes. ___ _ Bank- ing off of the North

'-' \..,I

o stretch 0 7

1* 150 J.J.Ji~~ . . . . . . "-"

- East wind,- sail- in' on sum-mer breeze,- and skip-pin' 0 - ver the 0-

D.C. al Coda -$- Coda

~7 0 0

~~:f:!: *s£JlaJJJ3JJJjl:fjJ1JJJjll ~~iiJ JJ_J J cean like a stone. And

[£]7 0 (Repeat and Fade)

j j d 1 til j J J j li(J J OJ J :11 I won't let- you leave my love be - hind.- No,

31

FIFTY WAYS To LEAVE YOUR LOVER WORDS & MUSIC BY PAUL SIMON

,§; Copyright 1975 Paul Simon. All Rights Reserved. International Copyright Secured.


Rhythm: 16 beat Tempo: medium ( j = 88)

Verse

IEml

"The prob-lem is all in -side your head,"she said to me. p

"The an-swer is eas -y if you

@] ~7 ~ @] [E] ~7

~~_#~J~~~~~J~j--~~~Rr~rrr~r~F~~~jr·41_c~Ir~f~j-Jd#1jq take it log - i - c'lly. I'm here to help you if you're strug -glin' to be free; there must be

lOw. r f E fif - ty ways to leave your

~

lov - er."_ She said,"it's real - ly not my

S Errrr hab - it to in - trude. I hope my mean-ing won't be lost or mis - con-strued. But

I'll re - peat my-self, a t the risk of be -ing crude; there must be fif - ty ways to leave your

32

add banjo

lover,_ fif - ty ways to leave your lov - er.'-' Just slip out the

f Chorus

J= J (play at double speed)

@] ~ ;b~ &# ¢ ~j :~ 1- 1E:::1 r I]

f.)

back, Jack. Make a new plan, Stan.

@]7

~ I~~ ;b~ I 5~~ ~ ~ 5~ ~

E ~ ~ t ~ :1_ ~ t..,

You don't need to be coy, Roy, just get your -self

&~ @]

d I - Sf r p !2J 50 ! f..; 1U

free. Hop on the bus, Gus.

~ ~~ 5~ • ~ Ihr r: I 2~ ~ 1Il

~ 5~ ~ ~ g !J- F ~:

You don't need to dis cuss much. Just drop off the

@]7 @]

t >

f 1~a 5~@ > > .

2~ ~ ~~ ~ 15j- ~ I~. ~ ~ t II ~ q== -~ > r 1 • I I

key, Lee, and get your-self free. stop rhythm

33

,

,

,

, 34

FLY ME To THE MOON (IN OTHER WORDS) WORDS & MUSIC BY BART HOWARD

:];; Copyright 1954, 1962,1973 by Almanac Music Incorporated, New York, USA Assigned to TRO Essex Music Limited, Suite 2.07, Plaza 535 Kings Road, London SWIO for the World (excluding Canada and USA). All Rights Reserved. International Copyright Secured.

Voice: jazz flute + duet

Rhythm: bossa nova Tempo: quite fast (j = 138)

IAml , Csr· Fly

mp

IOmJ

D j ~ It J .

me to the moon

cross over thumb @]7

I!~ L

~ ,~. J1 ,J ~ I

play a - mong the stars.

loml ~7

t J. J J J I.IJ · ~

:IJ) ~ fJ spring is like on Ju pi - ter and

IOml @]7

1 J. ) ~M~ j iJ SF ~

oth er words, hold

~ Jump

IOml

!J change finger

Ii t I;. ~

hf~ ;)J1

m oth er words,

crese.

~ ~ r and let me

~

IsJ · ~ J :J Let me see what

cross over thum b

is move finger up

~ !iJ IJ

Mars. In

IEml

r I~g= :s;;;

my hand,

@]7

fl@ sJ J

dar - ling

@] ~7 add rock guitar IAml , J j. Ij j I$,J :J ISF' V J J ----------kiss me. Fill my heart with

mf mp

loml @]7 @] , J ~ ..

~ ,J IJ, ,J . F I, F' J I

song and let me sing for ev - er - more.

[] IOml ~7 , 5d. J; J J I~ )J J J I'IJ, ..

j :JJl ,J u t •

You are all long for, all war ship and a -

~ IOml change finger @]7

~ ~

t~~ 2:1 ~ ill I~ Jl lF 3r' 5

u t •

dare. In oth er words, please be

cresco

IGm\ ~7 10m/

& ..::::::: :::::::::::..

'I ~~g Ilf , r I ro ?

~ r u true, In mf

oth er words,

@]7 @] change finger

I~§ , 1 r I JF- ' ~ ~ 2) 11 I =tf r t love you. f stop rhythm

35

~ u

~ f...,

, 36

FROM BOTH SIDES Now ':i:RDS & MUSIC BY JONI MITCHELL

o :::!'ght 1967 Siquomb Publishing Corporation, USA. :.-5:- "ster Music Limited, Suite 2.07, Plaza 535 Kings Road, London SW10. :.. ~ 9"ts Reserved. International Copyright Secured.

Voice: oboe Rhythm: bossa nova Tempo: medium ( J = 88)

IT]

'2 5

G~ ~ Bows and

CO IT)

r cr r in the air,

3

~ G~ ~ ~ I've looked at

F;-G; co;. block the sun.

FJ EJ I flows of

3

r r and fea

F~ GJ I clouds that

oJ I EJ they rain

Fl%4GJ an - gel

5

E~

ther

(I) 1

oj way.

5

Gj and

change finger t 2

5 1

BJ cJ oj I EJ GJ J hair, and ice - cream cas - tIes

CD stretch squeeze together

t t 1 3 2

F~-G~ I F~ Ed Fd. can - yons ev - 'ry - where,

CIJ 5

~ GJ I ~ ~ F~ EJ But now they on - ly

1 2 CD CIJ j BJ I r cr r F

snow on ev 'ry - one, So

(IJ

J;~F-u_i=-j-----G----------J J-j-#F~d. ------1~, G~J ~j~j FJ44G~j ---I

f.) h' man - y t Ings I would have done, but clouds got in my

(IJ [I) I extend hand

5 4 1 2

I FE EF GJ cr

move hand up

_~ DL----~~~;~~~~~-~~~~~4~~~~~--~~~-~~~-E~~-~~~~~~ way. I've looked at clouds from both sides now, from

[I] [I) CD [I) squeeze together (IJ 51 +

~FE G~ 1 5 4

AJ E~ eF~1 F~ E~ G~ {-Dr CF cF Sf t.-

up and down, and still some - how it's cloud il lu - sions

IT] stretch (IJ (I) (IJ +

~-J 5

~ J G~ ~ FP~ E~ gel I t.- &~

re - call; I real ly __ don't know clouds

(I) [I) [0 (I) [I] stretch

+

+=~1= :3 5

~ ¥£- Co II -----~DJ C& at __ all.

37

GOLDEN EVE (THEME FROM THE JAMES BOND FILM)

WORDS & MUSIC BY BONO & TH E EDGE

~ Copyright 1995 Blue Mountain Music Limited, 8 KenSington Park Road, London WIl. All Rights Reserved. International Copyright Secured.

Voice: guitar Rhythm: 8 beat Tempo: medium (j = 112)

VERSE

~

[f]

I -. See re - flee - tions mp

~

on the wa ter,

, 2F ............... 4C J ~

C - r I I ~

D Ii) J ]

m the depths. _ See him sur - face and

~ 007 , > > >

I ~ ~ C· P I!f f f J on the wind I feel his breath.

cresco f

[f] ~

, 2r ".........." 4C J. C - D C· I I ~

D J J found his weak - ness, Gold - en Eye, he'll

~ [f] , ~

I 4( -----

i

12f E " § § , ~. J t " J J

Gold- en Eye, no time for sweet - ness, but a

38

J. more than dark - ness

[f]

f ...............

D C· 12r ~ r ne - ver a sha dow,

~

J. I I 4C ~

D J Gold - en Eye, I've

'mp

[f]

12r r ".........." r g r

do what please. _

~

I D r r-l-r [ F I

bit - ter kiss _ will bring him cresco

CHORUS

[!]7 ~ , ~~ >

~Sf guitar to clarinet 3

f ~r r~r sc C f II - r J I

to his knees. _ You'll ne - ver know_ how I

f mf

[QJ7 ~ ~ ~E , [ 3~ ~ E~ If ~ I~~ I 5 E E E r - I j

watched you from the sha - dows as a child. You'll ne - ver know_

[QJ7 ~ ,"r s~ ~ f 1

4ffF2j (J I I F T 4~ ~E r E E E F r how it feels to be the one who's left be - hind.

~ clarinet to guitar 007 ~ [gJ7

~ ,~.

I ~ ~. ~

;j1 14~ ~ ~~ I ~

~ 3=- I ~. ~

-J1 ~ .JdJ I t~ It's a gold and ho- ney trap_ I've got for you to - night. Re -

mp

~ 007 [f] [!]7

~ J ;FJ J. ~

Jl I

r--- 3 ------,

J r r J I IzJ If r r I !~ f ~2f I \'enge, it's a kiss, this time I won't miss, now I've got you in my sight~ -

cresco

~ [!]7 ~ f.\.. > >

~~~: ~> > > S'~--9-~: I I 2E r r I I II ·a:~11 ~

f with a gold - en eye. t ff stop rhythm

39

HAVE I TOLD You LATELY? \/iORDS & MUSIC BY VAN MORRISON

~:ooyright 1989 Essential Music. ~: ,Gram Music Publishing Limited, 47 British Grove, London W4. :. Rghts Reserved. International Copyright Secured.

Voice: piano Rhythm: 8 beat TemJX>: slow ( J = 84)

N.C.

'e 14 Have mp

e[]

J liS I told

~

1J J ~ you late - ly

~ that

stretch stretch

e[] ~ ~ ~ [IJ [I] 7

[IJ [I] 7

3 U J CJ. ;g

I love_ you,

have I told you there's no - one a - bove _ you? Fill my heart with glad- ness,

~ ~ ~ [I] 7 stretch

e[] [IJ ~ , 3

~ ~£J s~ J J J I ~ J ~ ~ ~ Jf I ~ I

~ J ~ 12 ~ IJ take a - way my sadness, ease my trou- bIes, that's what you do. Oh, the

e[] ~ [IJ [I] 7 e[] ~

'S 1J ~ 129 I ~~~ s~ J J J ~ ~ ~ 3 j. 7 In ., mor - ning sun In all its glo ry, greets the day with hope and com- fort

[IJ [I] 7 [IJ ~ ~

'.J I F

I 3 I lEJ sJ J J J J C). 7 IJ .~ E F • l • J

too. You fill my life with laugh - ter, you can make it bet - ter,

40

~ [ID7 rnJ [IJ piano to flute

3

~ 1 F J F' J 53 JJ I I 1 3D r J IJ J ) r r

1-6-3

ease my trou- hIes, that's what you do. There's a love that's di - vine, mf

3 ~ rnJ7

6 1 tJ F F F J J J Ili J J I 1 In n J u '-"

3 and it's yours and it's mine, like the s~.

1] ,.

J: 3

~ 1 3[ J F F • J J I 1 I '- 3

J _ 3

J t J J I

At the end of the day, we should give thanks and pray to the

flute to piano

~ ~ [ID7 rnJ ~ [IJ [ID7 ,.

;;;= .. ~ ~ 0

-t

1 IA I JJ. 1J J ~ OJ 3 IzJ J j. ] one. Have I told you late - ly that I love _ you,

mp

]J ~ [IJ [ID7 [IJ

f 0/ dG flJ sJ J J ] IzA J I l 10"r • ~ - ~-~Fcr have I told you there's no - one a - hove _ you? Fill my heart with glad- ness,

stretch

~ ~ ~ [ID7 rnJ ~ ,. 3 >

~F 1 n s J J A-V ¥--+-£ ~l --+-1 f--------jJ---..{fiJ--4-3 ~3 --------:=-J -+--j --+-) -+-1 J-+----5t--F Ct----+-t---r~l-----H1I stop rhythm t take a - way my sadness, ease my trou- hIes, that's what you do.

41

H ERE, THERE AND EVERYWHERE WORDS & MUSIC BY JOHN LENNON & PAUL MCCARTNEY

r Copyright 1966 Northern Songs. All Rights Reserved. International Copyright Secured.

Voice: oboe (or horn) Rhythm: rock Tempo: quite slow (j = 84)

new hand position ,-_ .... _ ..........

E I:J J J g~ J J Here p

mak - ing each day__ of the year, __

~ new hand position * ~ F J I J J J J J I 8J J ~ ~ J

~

chang -ing my life _ with a wave of her hand, _ no - bod - y can_

~ stretch ~ 0 7 IT) ~ J,

* J J J ~J S;;;;Z

J J I Ig · ! I 12. ny that there's some thing there. There

p

~ ITJ IT) ~ ~ CD

j J J 4 J J J * @. I F

~ iJ Q PJ 2J s;;;;;;;:::--.....::=;:>

run - ning my hands_ thru' her hair,_ both of us think - ing

ITJ7 ~ ~ , J j j j j I I J J 3 3 J J IJ J J 5JJ s;;;?"

~ "'-""" good it can be, _ some-one is speak - ing, she does-n't know_

42

J de -

I

J how

J he's

(Il7 @] ~ ~ 07

~ Upper: add strings 1m I~ tf J ~J J J aU ~j I j ~ t,J J F J ~J J ~

there. I want her ev - 'ry- where, and if she's be - side me I know I need mf

~ ~ [I) 7 (I) ~

@ 4J ~J j ! I ad ~ tlJ J p

:J ~J J 14; J J I J nev - er care, but to ~love her is to meet her ev - 'ry - where,

p

~ IT] (I) ~ ~ IT]

j J J 3 J J J & tdJ· i F

~ J J ~ J J ~ 2J u ...........

know - ing that love_ is to share, _ each one be - liev - ing that

ITJ7 ~ ~ ,.

IJ J J sO j ~ J J J J J J IJ J ~ ~ J J t--) '---' '-" love nev - er dies,_ watch-ing her eyes_ and hop - ing I'm a1 ways

07 (I) ~ ~ CD t-

Upper: cut strings

t) 13 J 11 1 I j J J I 5; J :J J I ~

there. To be there, and ev 'ry where. mp

ITJ ~ ~ CD (I) pass thumb under 2nd finger move down

] ,t, 5J ~tC:r Tf; 2} I tW II 12 J. 6 r t.; ..-.

Here, there, and ev 'ry where. dim. p

43

How DEEP Is YOUR LOVE WORDS & MUSIC BY BARRY GIBB, ROBIN GIBB & MAURICE GIBB

© Copyright 1977 Gibb Brothers Music. All Rights Reserved. International Copyright Secured.

Voice: guitar Rhythm: rock Tempo: medium ( J = 108)

VERSE

N.C. (I] ~ ~ (1)1

4~eJ 2J J II: .J r J J ~ I,J ,...

~ ~ oa ~I ~ 2#J

[!!]

,~. J J me

~

,~.~ J far from dark -est

I P

J in to

know your eyes me,

(Ill ~

J J J I J the pour - ing rain. my ver - y soul.

'- p

~ J 3 Jl J ~

me, _ I wan - na hour, __ you're my

in the morn - ing sun, I feel you touch_ I be - lieve in you. You know the door _

(1)7 [[) ~ pi J }]< j 2J ~ E • F or C j

And the mo ment that you wan - der You're the light in my deep - est,

~

14J J J J F J feel you in my arms sav ior __ when

a - gain. __ I fall. __

And you And you mp

squeeze together

r 101 J come to me _ on a sum-mer breeze,_keep me warm in your love _ then you

know down in - side _ that I cresco

may not think __ I

squeeze together

\~7 ~ ~ 5~ ,.J

44

soft - ly real - ly

etw IfJ leave. _ And it's do. __ And it's

care for you, _ when you

II

ITJ love.

,~ ;f ~ $, r iL r~r r r r r r

~

IJ J J q ~j j

deep is your love? _ How deep is your love? I real - ly mean _ to

cross over 5th fmger r-- 3-----, (1".1 1 CD ~

J ,J '~~d aJ 5J a; I iC r r r r r IF J ~f

learn, _ 'cause we're liv - ing in a world of fools, break - ing us

(Il7 ~

, ~:I ~ 'I V r I i~ J J J I ~~ ,

F 6

V 1 # down, when they all should let us be. We be -

(a"lIl CD ~ ~ (I)7

, ~i~d J ~ ~ :11 a~ ~- ~ ~ ~ ~ I ~ ~ ~ ~--I ~ lJ ~

long to you and me.

= mp

CD ~ fiJ [Il7 (I] ~

'~2J ~ .... ~ ~ r ~ I~ ~ ~ ll;J ~

~ ~ r ~ I ~ J F ~ "---"

@1

Ie r , II

---========== mf

45

*

*

~

, 46

I BELIEVE IN FATHER CHRISTMAS WORDS BY PETER SINFIELD I MUSIC BY GREG LAKE

© Copyright 1975 Manticore Music Limited, 8/9 Frith Street, London WI. Excenpt from "Lieutenant Kije" by Prokofiev included by permission of the Copyright Owners, Boosey & Hawkes Music Publishers. All Rights Reserved. International Copyright Secured.

Voice: brass ensemble + synthe Rhythm: rock (or reggae)

Tempo: medium d = 116)

VERSES IT] m

sOd J

IT)

J I J J J J "--"

I . They said _ there'11 be snow at Christ -2. They sold _ me a dream of Christ -mp

CD [I) [0 IT)

J J J~:J I J sJ J J j

peace on earth. _ But in - stead it si lent night. _ And they told me

IT] IT) [0 m ~ S~ ~ J J J J I ...

J1 1 l' J ~

a veil of tears for the Vir - gin birth. __ till I be - lieved in the Is - rae - lite. _

@ ~ [0

~ ~ ~ j J 15~~ ~ ~ ~ @ ~ Christ - mas morn - ing, a WIn - ter's light _ and

Fa - ther Christ - mas, I looked to the sky with

r--3 --, r-3---.

J J J SF EJ1 I 4J J J J ...ill

14

CD (I)

J II 58 ~ <:::::::>

j 3 I mas, they said_ there'll be mas, they sold_ me a

CD IT)

3 I J 1 ] =t 2 ~

just kept on rain ing, a fai - ry sto ry,

~ CD

5~§ r--3 --,

I ~ J ~ H I re - mem- ber one I be - lieved in

IT]

~ hi J H ~ I 14 J '-"

a dis - tant choir._ And the ex - ci - ted eyes._ Till I

change finger [[) +

J I ad 40 J J 9 JJJ peal of a bell and that Christ-mas tree smell, and their eyes full of tin - sel and fire.

woke with a yawn in the first light of dawn, and I saw him, and through his dis-guise.

[I) , J. t '---"

ITJ

t as J F

(I)

$ 8~· ~ ~. ~

I nstrumen tal (I] (I)

: II

~

5~ ~ J ~ r J I J

(I) CD

c:r I t~ J aU ~ I tJ

[0 07

50 I ~ J ~ ~ 2~~

3. I wish you a hopeful Christmas I wish you a brave New Year All anguish, pain and sadness Leave your heart and let your road be clear. They said there'd be snow at Christmas They said there'd be peace on earth Hallelujah Noel be it heaven or hell The Christmas we get we deserve.

J 1J 2;

4J J J

m

:~ DC. (To Verse 3)

I II -t

(Stop rhythm last time)

47

I DON'T WANNA LOSE You ,'/CRDS & MUSIC BY ALBERT HAMMOND & GRAHAM LYLE

c :)cyright 1989 Good Single Limited & Albert Hammond Enterprises, USA.

: ~":S for Good Single Limited administered by Rondor Music (London) Limited, lOa Parsons Green, London SW6 (50%)/ : y:s 'or Albert Hammond Enterprises administered by Windswept Pacific Music Limited, 27 Queensdale Place, London WI 1 (50%) . .:. ~ ights Reserved. International Copyright Secured.

Voice: guitar Rhythm: rock Tempo: medium (j = 104)

VERSE CD

,~ l~ a~ 3 ~ Wo-man of

f

~ @]7

,~ 5J J ~ ~ ~ ...........

on his re - spon

[§J

,~ 5~ J J J J ~

3 a

does - n't waste time,_

[[J7

~ ~ ~ I ~ ~ ~

cer - tain age, they

CD

j I "J 3 J 3 J ses. Hav- ing played the mat

~ @]7

1J ~~ 3 ~ J j c:::r

'cause all that she wants _

~

[§J stretch

!~ 5~ ~ ~ I ~ J J '-'" learn to re - ly_ and judge

~ j I J J J

- ing game, she

~

J Id ~ is real and

IBSm]

1" ~:; ~ ~ ~1 j I ~r lr 1f li&~ ~ S a~9 J f.., . . -'---'" lr . . -~

:~ -=,:" - ;;::5 t e - rna tion, ones he can't help but show._ And c'"esc

F ~

[§J

" i

J IsJ J J J .l_ • - J j I J J J J 1J J '----'"

though :-:3rd - l~ kn O\\" your name, know a - bout love. __ and I mf

thumb under 2nd finger

( @J guitar to ~ plano

~1q E

~ CHORUS

stretch fA mJ

,J j b JOO know: I don't wan - na lose you,

(11if)

,# [[) ~ .43

[[)

I F J J J j J I ~ 5~4E 00 I -1~ 5>--< 1 _ J j aJ J I I don't ev - en wan-na say good-bye,_ oh, no __ I just wan - na

~ @] piano to [[) @] guitar

, #ij 6f] j I j 4 J ~ 4 ; I ~ 4iJJ E II ~ ~ ~ co:;;:> :--=oJ

,-

hold on - to this

INTERLUDE

Tell me you're real, mp

true love,_ true love,_

new hand position

U i C. that you're not pre-tend-ing,

r--- 3 ----, r--3---, @] [I) 7

j ~j aJ J IJ J _±Hl~ 11r my heart's de - pend - ing on you. ______ _

true love. __

11 let's make a deal, 'cause

'I 1~1 r [ r [3

[Am] lB 4th finger over (]] _ D.S. (Repeat CHORUS and fade)

,- F .J U o-+-2r --I-I-+--E --F-E2J~.~l(Q)~fI..2-qJI--+~ -----1(q)j-+-1 J--Pt---<?l J~g !~~;-:-t--4-I:j ----;.!-Jt--J+-:::-aJ-::t----J+--H11 cresco I don't wan-na

49

IF YO~ULEAVE M E~OW WORDS & MUSIC BY PETER CETERA

© Copyright 1976 BMG Songs Incorporated, USA. BMG Music Publishing Limited, Bedford House, 69~79 Fulham High Street, London SWb for the UK & Eire. This arrangement © Copyright 199a BMG Music Publishing Limited. All Rights Reserved. International Copyright Secuned.

Voice: string ensemble Rhythm: rock Tempo: fai rly slow ( j = 88) S ynchro-start

IBml

J If you

p

r leave me leave me

now,_ now,_

~~ ~ ~--1;:~ ~I~ ~ tJ 1 '-----""" ____________

part of me. heart of me.

@] @]

,

Ooh, Ooh,

IEml

J> IJ ~ you'll take a you'll take a

IEm/

mIl

J ~ J. - way the big - way the ver

~7

9~ no, no,

gest y

~i~ ba - by ba - by

I ~ Il~ ,g 5~ ~ ~i: I :J !f tJ J J : II ~ J. ~tF C2J please don't go. And if you please don't go. 1)

~ ________________ IEml

,gj ~7

L I • •

Ooh, ____ _ girl, ___ _ I just want you to stay. -----

add guitar

~ I ~8 ·------rr------II - =r=--j

A

50

[£]7 /Fm/

I:d J , #5g~ t-~~-~ F P ro ~. I

======---love like ours is love that's hard to find.

IEm/ @] @]7 @] ,#,~ 4f ~ lL-t r BU: 1e r Ir 7 J 7

How could we let it slip a - way?

"!f

IGml [£]7 ,# J±~ ~~~ ~ ~ ,jr ~ ~ ro ~8 '-.; ------

We've come too far to p

IFml IEml I ~~ ~~ ~d ~J J J I

±±~ 7 f~

'-.;

leave it all be hind. How could we

@] @]7 @] cut guitar IBml ,# ~ g ~

$ Ir ~ 14p r ¢ g r r ~ 2U end it all this way? When to - mar-row comes,- then we'll

17!f

both re - gret the things we said to ~ day ~ dim.

51

IMAGINE WORDS & MUSIC BY JOH N LENNON

-;: Copyright 1971 Lenono Music. Administered by BMG Music Publishing Limited, Bedford House, 69-79 Fulham High Street, London SW6. -:-1is arrangement © Copyright 1998 BMG Music Publishing Limited . .:.,' Rights Reserved. International Copyright Secured.

Voice: piano + sustain

Rhythm: rock Tempo: fai rly slow ( j = sO)

CIJ

~I j GZ ~ j I - rna-gine

-

[I)

j B~ I ~ there's no hea

IT]

-

&AO 1

I -T , GJ'

f..; No try.

}] [I)

& 1

J J B~ ~ J --k , GT AI)

tJ a - bove on - ly sky. us

m ~ A~

2

~ o. I I ;..... Bf f f f..;

;:'eO pIe liv ing for

c ()]

& c. ~ j B~ I j Ad. -G.

f..; gine there's coun - tries. - rna - no

52

IT]

Ad. ., GJ j j j Bj ven. It's ea - sy if you

[I)

J B~ ~ Ad. hell be low us,

new hand position i

J c~ J 5

Er ~ cr I - rna - gine all the

new hand position i 5

4 3 G§ cr I DE I E~ E~ DS to day, a - ha.

IT]

, GJ j j j Bj It is - n't hard to

[I) ,. *£\()

t.- do.

CIJ ,. 1

-~ , GJ J t... and no

I'

~ --~ A~ t...

peo pIe,

jump ~

j j re - Ii

~

m 1 , GJ j j No - thing to

IT]

BJ AD

- gion too.

m 2

I BF r r liv - ing life

,. 1 1 An BLj:J I eon· You may say I'm a dream-er_

CIJ (I) stretch

~

4L~ 2 ,.

J c~ , AJ t.-

one. I hope some

[I) m m new hand position

-1-

~ 1

~ c~ DE c "-

And the world will live as

J kill

cF in

(I)

B~ day

co BJ I J A~J. or die for,

J cJ J 5 ., Cr Er I - rna - gine all the

f5 3 Q§ I DE ~ E~ ~~ Os

peace, yu- huh

AEJ you'll_

5

new hand position ~

A~ Bd J AU 3 But I'm not the on - ly

m I e.g GJ·

join_ us.

3~

r,~!~2::: t1~ II -one.

t stop rhythm

53

JAMBALAYA (ON THE BAYOU) WORDS & MUSIC BY HANK WILLIAMS

© Copyright 1952 renewed 1980 Hiriam Music & Acuff-Rose Music Incorporated, USA Acuff-Rose Music Limited, London WI. All Rights Reserved. International Copyright Secured.

Voice: violin (fiddle)

Rhythm: swing Tempo: fast ( J = 152)

VERSES N.C.

I. Good bye

11if

007 , JJ tW.

"----my oh.

buzz in',

, J J J. pi - rogue down

vonne, by

, r· ~ ~ vonne, the swee style, and go

,~) 1 lJ Son Son

54

Joe, (2) daux,

IJ .-/

jJ the the

J test hog

J J of a of a

1

~

I J bay do

I ~ one, wild,

I'~' gun, gun,

J J J me got - ta Fon tain

~J J J Me got - ta Kin - folk

J. "----

ou. zen.

~. me me

~ I) J we'll have we'll have

I J J. JI go, me oh

eaux, the place is

I,j J J J go pole the

come to see Y

IJ l 'r r .-/

My Y Dress in

007 ~1J J ~ I tW.

"---- ---oh my oh. oh my oh.

J IsJ J. ljJ big fun on the big fun on the

[QJ add banjo

CHORUS

'J > > > > > > J ~ I ~ l ;f ~r II:f f f r 3r

1· ~

bay - ou. } Jam ba la - and fish - ya, a craw -bay - ou.

f

007 , r· D J. jJ Ilj 1;]. IJ l lJ J '-- ..-/

pie, and fil let gum boo 'Cause to -mp

[QJ

"J. ~ J J I~ J ~ J j j J. I

J} J} I li' ~

night I'm gon - na see my rna cher - a - mi - o.

,,) l J~ 2= Il~ 3J J li~ J. J, > > > >

Pick gui - tar, fill fruit jar, and be

f

007 , J lJ J J IsJ. ~ J J IJ I J l j'

~ gay - o. Son of a gun, we'll have big

[QJ

, 5d J. lJ 12J 12· fun on the bay - ou.

:11 d: l II > t

stop rhythm 2. Thi - bo

55

KNOWING M E, KNOWING You WORDS & MUSIC BY BENNY ANDERSSON, STIG ANDERSON & BJORN ULVAEUS

© Copyright 1976 by Polar Music AB, Stockholm, Sweden for the world. Bocu Music Limited, 1 Wyndham Yard, Wyndham Place, London WI for Great Britain and Eire. All Rights Reserved. International Copyright Secured.

Voice: flute

Rhythm: 8 beat Tempo: medium ( j = 120)

VERSES [ID

,~ (~ J j. 1. No 2. Mem

mp

IAml l

J Jl * ~

more __ 'ries, ___

II J. care good

[ID IAml

~

~ J free __ days,_

,~ -i: I J J. l

J *

i' * ----2 •

1

Si lence __ They'll be __

»if mp

IBml ~ ,. JJ. ·~~t LJ 50J ~ 7 1

af ter. __________ Walk mg al ways. _________ In ___ these

»if

~

r ~ J~ ~ ~ ~tlt~: * --

tears in my eyes. ___ chil - dren would play. ___

~ ,. J s~ J ~ j J J J I j J OJ '--"""

This is where the sto - ry ends, ___________ this IS

IBml

* I JJ. ·41 laugh ter. bad days.

~

I IJ· ~ J *

e ver __ with me __

~ ~ ~ ~ ~ ~ ............... -

through an emp - ty house __ old fa - ml - liar rooms __

[QJ

I fi J ~Fi * -~

IBml

~ .J4J; ,~ 4~ J l~~

good - bye. Now there's on - ly emp - ti - ness, _____________ no - thing to say.

56

CHORUS

IEml ~ [QJ [Q]7 ,j add piano

~ ~ J) i~ ~ : J: Id ~ ~ ~ l

~q ~ II * -; ~r

Know - ing me, know - ing you, there is no thing we can do._

f

[ID ~ [QJ [Q]7 ,j r J~ ~ ~ I~ 4~ I iJ: * I.J ~ ~ ~ t E E ~rg

know - ing me, know - ing you, we just have to face it this time_

[ID ~ [Q]7 [ID IBml ,j r ~r I I) 1* ~r r r r r r

we're through. Break - in' up IS ne - ver

[QJ [Q]7 [ID [QJ [Q]7

£ij ,-- 3-----,

~ 3~

I,d 3 4F F r r r I ~r ~r *

IJ u

ea - sy, I know, but I have to go. Know - ing

[ID [QJ [Q]7 [ID [ID ~

@j ~~ J 3 ~ iJ ~ ~ ~ cut piano

5~ 3r E r J * :111: 1] r t,; --=- mp me, know - ing you,_ it's the best_ I can do. __

[Q]7 (Repeat and Fade)

t 11 r EJSU.J :11

57

I ,

, 58

LAY, LADY, LAY WORDS & MUSIC BY BOB DYLAN

© Copyright 1969,1985 BIG SKY MUSIC, USA. This Arrangement © Copyright 1998 by BIG SKY MUS I C. All Rights Reserved. International Copyright Secured.

Voice: synth Rhythm: rock Tempo: slow ( J = 72)

i ;3 jJ J Lay, la - dy, lay,_ Lay, la - dy, lay,_ Lay, la - dy, lay,_ p

lay a - cross my big brass bed. lay a - cross my big brass bed. lay a - cross my big brass bed.

mf

j

@J [Om] ~ [Em] @J [Om]

i ;3 J j J is]' J J 1 J 1 J I pr (IY I ~r=JjJ j Lay, la - dy, lay,_ Stay, la - dy, stay,_ Stay, la - dy, stay,

p

1,3. @] [Am]

-t4 f F r r [ r

lay a - cross my big brass bed. stay _ with your man a - while. stay while the night's still a - head.

~

r c:::. r I 4( " ~r J What - ev - er col - ors you have_ in your mind,

I long to see you III the_

mp

To Coda -$- II 2~ 'fO

and you'll see them shine. in the night.

mom - ing light,

Un - til the break of_ day,

mp

mf

[ru [Am]

I -t 2 V ~ E ~ ~~ I'll show them to you,

long to reach for you

let me see you make him smile.

add flute

~ [Em] [[8 [Om] (gJ [Am]

5~ -t grqr I ~m j iJ gt J I -t2 C r " r [ r f C\ r vf J

mf His clothes are dir - ty, but his_

mp cresco

~

& -.;

~

[£J (ill [Am] @]

I 4( • ~f: ¥ aF • ~ ~ r I 5 r • ~f: j If J r J hands are clean. And you're the best thing that he's ev - er seen.

mf

[Em]

t ;J j j J 2 """'"

Stay, la - dy, stay,_ stay with your man_ a - while.

p

Why wait an - y long - er for the world to be - gin?_

mp cresco

~ [Em]

I ¥ 4 D 0 v

Why

mf

J stand - ing in front of

~ [Om]

~

I 4J J ~ ,1 J 1

( ( ( F ........

wait an - y long

cresco

3

F r F • J

- er for the

D.C. al-$- Coda cut flute

j

you? ___ _

@J [Em]

1 J I J sF r I stay while the night_ is still a - head.

mf

mf

You can have your cake and eat it too. ~

@] (£J

I P F ~~=r r r one you love,~ when he's

{j} CODA

;J j j J Stay, la - dy, stay,~

~ [Om] ~

j r."I

&r 0 II

59

MARIA MUSIC BY LEONARD BERNSTEIN I LYRICS BY STEPHEN SONDHEIM

© Copyright 1957 (Renewed) by Leonard Bernstein & Stephen Sondheim. Jalni Publications Incorporated/Boosey & Hawkes Incorporated, USA & Canadian publisher. G.Schirmer Incorporated, worldwide print rights & publisher for rest of the World. PolyGram Music Publishing Limited, 47 British Grove, London W4. All Rights Reserved. International Copyright Secured.

Voice: string ensemble Rhythm: rhumba Tempo: medium ( J = 108)

~ N.C. []

It! r change finger

~

Ma p

n - a,_ I've just met a girl named Ma - ri - a, __ and

[] @] ~

'~~iji ~ ~ ~ ~ ~ ~ I,(~i ~ ~ ~ ~

sud -den - ly that name will nev -er be the same

change finger ~

7,) I!, Fer rllstff I've just kissed a girl named Ma - fl - a._

lomJ IAml ~ ~ ,~ ~r ro r · J r F I~ijr: fir lea

won-der - ful a sound can be! Ma . ,

- fl-a.-

mf

change finger

\~

cross over

I!=: ,J ,

~ ~ t

to me. Ma -

mp P

new hand position

l~ F ,~

And sudL-den-Iy I've found how mp

r--3-----,

bY' IF F F r 3F d

Say it loud and there's mu - sic

IB~ml

J I~J) d play- ing._ Say it

P soft and it's al - most like pray-ing._ Ma ri - a._ I'll

60

thumb under

,-3 ---, r-- 3 ----, ~..-... add tram bone ~Ifl

nev - er stop say ing" Ma - ri - a. '_' Ma - ri -a,_ I've just met a girl named Ma -

ri- a,_ and sud-den - ly that name will nev- er be the same to me. mp

Map

I've just kissed a girl named Ma - ri - a._

lur

And sud -den -ly I've found how mp

E; I r r r r :lr won-der-ful a sound can be! Ma - ri-a!_ Say it loud and there's mu - sic

---========== mf

play-ing._ Say it soft and it's al - most like pray-ing._ Ma - ri - a,_ I'll p

t stop rhythm nev - er stop say - ing "Ma - ri - a. '_'

---===~~======mf

61

MAYBE I'M AMAZED WORDS & MUSIC BY PAU L M CCARTN EY

© Copyright 1970 Northern Songs. All Rights Reserved. International Copyright Secured.

Voice: guitar + flute

Rhythm: 8 beat

Tempo: fairly slow ( J = 80)

VERSES ~

'~b (~ II: I mf

35 F May - be May - be

~

f • d r I'm a - mazed I'm a - mazed

~

r r r r I C at the way you love at the way you're with

~ ,~~ '/" 1&) SF

~

r r F F ~

E c~r E (: t I r

[IJ

r~~L fJ ............. r d

me all_ the time,-me all_ the time,-

and may - be I'm a - fraid may - be I'm a - fraid

of the way I need _ of the way I need -

you. you.

p --=================

~ ~ ~ [IJ

, ~~2&) j 3r r r F F r F r r I r r r~r r ('[ j

~

1}1

mf May - be I'm a - mazed at the way you pulled me out_ of time, _ you May - be I'm a - mazed at the way you help me sing - my song,- you

~ ~ IE~ml ~ ,~~ SF F F F @r Isr r r F r r r~( :1 JC F

hung me on a line, may - be I'm a - mazed at the way I real - ly fight me when I'm wrong, may - be I'm a - mazed at the way I real - ly

~ ~ [gJ7

~~~ Ilq~ 4~ • • ~ • ~ ~ ~ ~ L ~? l l ~ ~ F j

need you.- } Ba - by I'm a man, may - be I'm a need you._

62

[[]7 [IJ

,Sf E r~F r F r Err iEE) J Il ~r S[ [ r r D -D lone - ly man _ who's in the mid - dIe of some - thing that he does - n't real - ly un - der-

[gJ7 [[]7

Il '6 r r f F ,E r Il r i""'E zE E r 1 f r L I stand. Ba - by I'm a man, you're the on - ly wo - man who could e - ver help me,

I~ [gJ7

:11

won't you help me to un - der - stand. f

I~ [gJ7 fAbl CHORUS ~ [IJ

6 6 F r 1

4@r' May - be I'm a - mazed, _ maybe I'm a - mazed. __

~ ~ 'l L S:~:f 1 ~E ~~r Yeah, - maybe I'm a - mazed._ Yeah, yeah, yeah, _ maybe I'm a-

Slower

[IJ

,Jrii3tJ r 1&

rit. mazed, _ a - mazed with t rJ

you.__ dim. stop rhythm

63

4~

4~

~~

~~

64

MICHELLE WORDS & MUSIC BY JOHN LENNON & PAUL MCCARTNEY


Voice: clarinet (no vibrato) Rhythm: bossa nova Tempo: medium (j = 92)

0

* ~ Cad Mi

p

m

tJ 5J tJ 2~J these are words that

0 7

J. I chelle.

m

I; sJ I; 2~j sont les mots qui

0 7

d chelle,

~

I IJ go

~ (I]

I ad Mi

(i£)

I IJ aU vont tres

~

~

!

aJ s&J J to geth - er

d chelle,

ed,j J bien en

Upper: add strings r-- 3-----, 3

J A )J I 4r r J r r semble. I love you, I love you,

"if

J J rna belle,

0 7 ~

I J J J well, my Mi

~

! J ;J rna belle,

0 7 (!8 To Cod

r 3

J J J J semble, tres bien en

J I F IT •

I love you,

~ ITJ7 ~ 0 7 ~ change finger

~~ 2J J J j ,J,

2J J J J ¥ J , ~r tJ to

that's all I want to say. Un - til find a

~ ~

~~ .f: :iJ J I F J I g. i ~~ l I j j J , aJ

tJ I

way, I will say the on - ly words I know that

p cresco

~ 0 7 $ CODA

0 7 D.~. al Coda Upper: add strings

*' ~gJ Upper: cut strings , 4J ti I I II ~ j I F J ~#J: IJ

f-. 1( 2

you'll un - der stand. semble. I will

mf

~ 0 7 ~ m ~ ~ jump ,. ,J,

';9 aJ IJ :~ sJ I 4J J 5 J J ~r d4 J '- If If

I

say the on - ly words I know that you'll un - der -

0 7 [I) ,.

J~0d~~: ~? ~¥. J J I J II

'- I t stop rhythm

stand, my Mi chelle.

65

,~

,~

,&

,~

66

MONEY, MONE'tj MONEY WORDS & MUSIC BY BENNY ANDERSSON & BJORN U LVAEUS

© Copyright 1976 by Union Songs AB, Stockholm, S'Neden for the world. Bocu Music Limited, 1 Wyndham Yard, Wyndham Place, London WI for Great Britain and Eire. All Rights Reserved. International Copyright Secured.

Voice: guitar

Rhythm: rock Tempo: medium (j = 116)

VERSES

,~ (~ I

l

J1 1. I

mp

[AJ7

~ j j ~ pay the bills I

I can't get him

~ j j ~ still there ne - ver

IOml

II: J j j

work all night, (2.) man like that

E 4[ r3ITr

have to pay, ____ off my mind, ____

[AJ7

~ j j ~ I~ j

seems to be a sin - gle

~

j

pen

I is

>

:~~ ain't ain't

f

~ C

- ny left

work hard

>

r it it

'r for

if he hap - pens to be free I bet he would - n't fan - cy

IOml

I :i~ j J J ad V -In my dreams I have

So I must leave, I'll have mp

IGml

:~ J )l J )l wi J I~ ,J ~

Ie ~ :::0.

if I got me a weal - thy man, __ would - n't to Las Ve - gas, or Mo - na - co, __ win a

>

i~

all to

sad! sad!

IOml

-

(Ji3$ me, __ ~ me, ____

J a to

~ r

j ~ day to find, but

~ 7

* ~, >

~ that's too that's too

f

J~ J plan, __ go ___

r ~ ~ have to work at all, for - tune in a game, cresco

L.

l~

And And

mp

>

it bad! bad '

r I'd my

,~ u

,~

,~ u

,~

,~

007

f ~ t f fool a - round and life will

CHORUS

IOml

ne - ver

r f

f r have a be the

[!]7 add string ensemble

[1 IT f r r r [J 7 IAJ J J J J J J 7 II ball. _} f same. _

>

~t I -

Mon - ey, mon - ey, mon - ey,_ must be fun - ny, in the rich man's world.

IOml 007 s[ J b j. ---- II#~' I Jf t r c ~ If • f J r -Mon - ey, mon - ey, mon - ey,~ al - ways sun - ny,

[!]7 > > > IOml IGml [!]7

lijlF 4Q iBi ~ t I - * IJ IJ lJ 1] Un ;

----In the rich man's world. A - ha a - ha, __

[Q]7 IGml [!]7 IOml 4,g) f J iB~

> ------* J gg] * "r I Jr t r f C

~ If J

all the things I could do,_~_ if I had a lit - tIe mon - ey,~

IGml [!]7 IOml > > >

(FINE)

I; Q iii ~ it - I i; i "j - ---- > > >

it's a rich man's world. t (stop rhythm

last time)

67

MOTHER AND CHILD REUNION

~ t..-

~ t..-

~ t.-

,'J= RDS & MUSIC BY PAUL SIMON

o :::,-g"1: 1971 Paul Simon. :. : ,".5 qeserved. International Copyright Secured.

Voice: jazz organ + tremolo

Rhythm: rock (or reggae)

Tempo: medium (J = 108)

Synchro-start

N.C. 2 41 EJ G~

No, I

CD (IJ

A~ ~ G~ oj I strange and mourn - ful

w 2

E~ cd J I u nion is

}] 3

l E~ oj cd E~ ell Oh, lit - tIe

s

~G~ E_ oj t.-

11te of me

[[) (IJ f5

II A~ ~ G~ oj would not give you

W stretch -l-

2 2 4

E~ cJ ~ ~~ En day. __ But the

[[) W 4 3

E~ ,. G~ ELJ It cJ

on - ly a mo - tion a

I oj cl J J dar - ling of mine,

f5

i G:J oj J E~ re - mem-ber a

w 2

I EJ G~ l ~~ EtLG false hope on this

[[) (IJ f5

I A.r-J GJ j J Moth - er and Child Re

[!] tremolo to chorus

I E~ o~ ~ II way. __

f5

J GJ :J J ED I can't for the

m I oj cl EJ

sad der day

stretch new hand position + m + , 4 2 t5 2

i eJ G~ ~ A~ G~ ~ Ej oj J Gj J oj J Ej I know they say let it be. But it just don't work

(I) [!]

¥SoJ eJ J J 1 J EJ o:r:eJ I oj cJ J out that way. And the course of a life - time runs

4 m chorus to tremolo 2 , - FJ J eJ I oj J J j - ~ EJ G~ II

0 - ver and 0 - ver a - gain. No, I

[!] m (I) [!] m ¥SJ ~

2

A~ ~ G~ oj I Ej Gj ~ ~~ I G~ o~ eLG would not give you false hope on this strange and mourn - ful

(I) (I) m (I) 2 2 4 t5

2

@ ej eJ ~ eJ G~ I A~ G~ j j I EJ cd J day. When the Moth - er and Child Re u nion is

0 (I) m (I) :5

@ 4 3 3

F~ ,..

G~ e:C:oJ I E~ ~J: II ~ ell od. e • on - ly a mo - tion a way.

69

M RS ROBINSON WORDS & MUSIC BY PAU L SIMON

© Copyright 1968 Paul Simon. All Rights Reserved. International Copyright Secured.

Voice: jazz organ + tremolo Rhythm: samba Tempo: fast ( d = 104)

N.C.

$~~ ¢j F

And here's mf

[!E] ,~~ SF 'r r

Je - sus loves Heav - en holds

,~~ - SF wo, hey,

r to

r you

a

r wo, hey,

change fingers

Hey, hey,

(Fine)

'~1!3 I-

~~ IGml

II: r ~ F Ir F r #

you, Mrs Rob - in son, please, Mrs Rob - in - son,

~ ~

1m F r fizD more than you will know, __ place for those who pray, __

0 7 I 11. L

I ~II I # ~ I~ F F ~II woo God bless you hey.

@]7

~ijicDEJ __ J»:: ____ CI hey. ________________________________________ ___

add Saxophone . . ~r ~~r

. I II r r r t (stop rhythm) We'd like to know a

mp

70

@J IBbml strings to brass ensemble

,~ a~ ~ ~ ~ ~ ~ ~ ~ I ~~ ~ I :WF-J 1 II ~ '-

f I

bed, I want to go bu- ry my head in your pil - low._

CHORUS

([) @J ([) © ,~ 4r r ..--..... r F r I F r r ¥ IV 1

4r r r r Now that I'm a lone a - gain, _ I can't stop break - ing

mf

squeeze together

r rrr r ~ \®J

down a - gain._ The sim - plest things set me off a - gain, __ and

~ ~ CIJ

*~ or F aJ 3 J J J. J I ar r F F take me to_ that _ place, where I can't find

mp cresco

~ CIJ ~ CIJ ~ ([)

,~ r r F E I r r F F I F r F E

my brave face. Where I can't find my brave face,

~ ([) ~ CIJ

,~ r r I ~kt ~~ Ed: r r I ~r r ~ II my brave, my brave, my brave face.

f

75 -----~ --~-

NOWHERE MAN WORDS & MUSIC BY JOHN LENNON & PAUL MCCARTNEY


~

~

~

Voice: rock guitar (with sustain)

Rhythm: rock


@J

~ e .J J He's a He's as p

@]

~ J tJ no - where land.

wants to see.

@J

:t J :t no bod all?

@]7

r J tJ point of VIew, no - where man,

[IJ

, 2J J J Is - n't he

Mak - mg all

76

'F real

blind

,

~

J a

his

@]7

Ir j t~ no - where man,

as he can be,

new hand position

!~ IJ J ~ Mak - ing all No - where man

@]7

:i -y.

~

IQJ J J knows not where sit - ting in

IFml

IJ J j bit like you no where plans

new hand position

, I~ IJ J j J sit - ting In his

just sees what he

IFml

J I~ J J J his no - where plans for can you see me at

@J

I. J J IF r Does - n't have a He's a real

@J

J I] j fJ ~

he's go - ing to. his no - where land.

@] To Coda + J I) J J :t

~

and me? for no bod - y

add string ensem ble IEml r-- stretch,~

~ :t I 2J ,J I j. j la J aW ,J ---- No where please - man lis - ten, you don't

mp

~ ~ IEm\ change finger

b ~ J J sJ IJ J aJ ,J IJ know what you're mis - sing, no - where man, the

OJ @]7

cut strings

D.C al Coda

:J J L_JJ· world ____ _ mf

is at your com - mand. ___ _

+ ~ IFml Coda , J. I 13 J J J IJ J J J 2

'--"" Mak - ing all his no - where plans for

~ @] 0 J J J J I J. I I 2J J J J

----------no bod - y. Mak - ing all his rnp

IFm\ @]

~ J 13 I; II J J J ~ J. t no where plans for ~

stop rhythm - no - bod - y.

77

,

,

,

, 78

ONE MOMENT IN TIME WORDS & MUSIC BY ALBERT HAMMOND & JOHN BETTIS

© Copyright 1988 Albert Hammond Enterprises Incorporated, USA. Windswept Pacific Music Limited, 27 Queensdale Place, London Wll (50%)/ Warner Chappell Music Limited, Griffin House, 161 Hammersmith Road, London W6 (50%). All Rights Reserved. International Copyright Secured.


Rhythm: rock Tempo: medium ( J = 92)

VERSES

N.C.

4<: J a J Each day

mp

@J

J , J give the

CD L3~ ¥ ~ lone, my

@]

j , J heart for

J , aJ pain. I

@]

J II J I live

J ~ I j best of me.

@J

~ J I J fi - nest day

J J I j ev - 'ry gain,

@]

J 3 I j rise and fall,

,

,

¥

,

¥

J ~ J I J y J J I~ I want to be a day to

@]

~ J ~J J J I j , 4J I'm on - ly one, but not a

2; ~ J I j ¥ a~ ~ J is yet un - known. I broke my

@J

J J J I J ¥ ~ J ~ to taste the sweet, I faced the

J CD

4; ~ I aJ , J J J yet through it all, this much re -

CHORUS strings to new hand position @] , [[) brass ensemble

b J II ad J J

mains: I want one mf

CD I 3 ----, @]1

J j 2

more than I thought I could be.

change finger

[EmJ ~ 3 -----,

J J J I 12 J p J J mo - ment in time, when I'm

new hand position

h When cresco

all

sr of my dreams are a

~ fJ ~ @]1 r--3~ .--3 ----,

aJ ~ J J J I 4J J J J j 1) I J ! IJ J heart - beat a - way, and the ans - wers are all up to me. Give me

f mf

thumb under 3rd finger

t:© ~ ~ ~f-J CD r--3 ---,

J j j I 1] ) .r aJ J or ar J

one mo - ment in time, when I'm rae - ing with des - ti

@J cross over thumb

@J1 CD @]1 3 ----, r--3---, \ [Ami

, !~: 2d F I r r 3r I 4r 2J j \J F J 1; ny. Then In that one mo - ment of time, I will

cresco

stretch

':J \@]1 ~

F p j I-~J J aJ ~ J J I J IJ

[I) @]

J aJ ~ J I gJ ¥ ::>

feel, I will feel e - ter nl ty. f = ff

II

79

PENNY LANE WORDS & MUSIC BY JOHN LENNON & PAUL MCCARTNEY

b Copyright 1967 Northern Songs. All Rights Reserved. International Copyright Secured.

Voice: trumpet Rhythm: swing (or shuffle)

Tempo: medium (~ = 120)

synchro-start

N.C.

J. a J. 0 J. a I 8£ a J In Pen - ny Lane there is a bar - ber show - ing pho - to -graphs of ev - 'ry

mf

lIJ

£' 60 J J J head he's had the plea - sure to-_ know. And all the pea - pIe that come and

[ill 07 *(opt.)

E ~ £$ ~~j ] ~iO ;j 2 oil" ~

~ E ~ .-. ; 2; · f

$ I ; ;;!1l- aJ · 1 '--go, stop and say hel - 10. On the

:: Y· - :-:cf is a bank- er with a mot- or car, the lit - tIe child - ren laugh at him be - hind his

~ ~

;- a: tJ ~ 2; · a J . ~ J · a J J I ~~~ J 2; · a back. And the bank - er nev - er wears a mac in the

* optional

80

I

(]]7 rn [I] Upper: add strings

® -~0 J 1 aJ . j IBJ ! 21- S II t~; ~j J J ~

pour - ing rain, ve - ry strange. Pen - ny Lane is in my

:f

~ jump

(opt.) 'i i : t.,

J '" J ~~I J I ;;;;0000:--- s;:1<::J. 5~(' u ~ 7· .. ~~ L1 t.J br i· ~~ Ll L..l

ears and in my eyes.

[I] ~ jump

@- ~i : t\ J j i: ~

J tj .qJ J J ~j ~T' I ~~J

I

Wet be - neath the blue sub - ur - ban skies, I sit and

[I)7 [IJ

;~ aJ J , , BE · • I ~r : ~ r F r : V J j J1 ~

mean - while back, Pen - ny Lane is in my ears and in my

eyes. Wet be - neath the

r: V J J II blue sub - ur - ban skies. Pen-ny lane. __ _

mp

81

,

,

, 82

RUNNING WITH THE NIGHT WORDS & MUSIC BY CYNTHIA WElL & LION EL RICHIE

© Copyright 1983 Dyad MusiC/Brockman Music, USA. Rondor Music (London) Limited, lOa Parsons Green, London SW6. All Rights Reserved. International Copyright Secured.

Voice: brass ensemble + percussion

Rhythm: disco

Tempo: fairly fast (j = 132)

Verse IAm\

The heart of the cit We were too hot __

mp

~

4E r E pO j I j I

We

@] )1. m t: ~r ~ I

y to

f(

F J street was think of

> >

speed-ing. sleep- ing.

~

r r FIt J r Light from the ne __ ons had to get out __ be

-

r j

turned the - fore the

dark to day._ mag le got a - way._

Chorus

j 'c We were run ning with the night,

f

IAml @J IAml @J

~~ J. tr r ~ T ·~U r '~ r ~ ==l J li£J I play - ing in the shad - ows. Just you and_ 1, __

,

,

~ f)

> >

1-'till the morn - ing light. __ (We were

> > ~ @] It] 5f

I'1r -

~ - I - ~ ~ ~ ~ ~ ?I: J

I run -ning, run -ning with 'the night.)

~ ~ IAml @] ~ @]

r-: i~ , 4~ F ~ 1 7 7~: ,~ If. : ~, 7 4~ r •

J

~ @] Interlude @] ~ ~ ~ ~.: ~ ,!jEttJ i~ 5~ ~ . IIIF F E ~ ~ 7 r r J

We were so in love, you_ and me. mp ,f

@] ~

,tJ5?! r R 14 I'm not gon -na run mp

wild _ and free._ Give it all we got, we_Iaid_ f'

- it down. Tak-en ev-'ry shot, we took_ the town. __ _ We were run-mp f

83

SING WORDS & MUSIC BY JOE RAPOSO

© Copyright 1971 & 1973 by Jonico Music Corporation, USA. All rights for the United Kingdom of Great Britain and Eire controlled by Standard Music Limited, 11 Uxbridge Street, London W8. All Rights Reserved. International Copyright Secured.

Voice: vibraphone Rhythm: 8 beat Tempo: fai rly fast ( j = 138)

INTRO

~ add flute 2nd time

I :11

La la do la da, la da la do la da, la da da la do la da._

f

CHORUS

~

] Sing, _______ _ sing a song, _________ _

mp

[1]7

sing out loud, _________ _ sing out strong. _

cresco

~ ~7 ~ , ~-r- ~-e-

iF If I~f~r l~ 1

10

1 I l[ ~b r Sing of good things, not

f

~ ~ ~7

'~b !F~ Jr ~~ I r I I ~~ ~ Ih~'~~r J __ bad; sing of hap - py, not_

84

~ [1J7 ~

~~b: ~ ,.

~ --- :::::::",..

I I ,.

tit 4r I~r' r IJ %F i(~:3: .J

sad. Sing, mp

~ [1J7

~~~:r E lcl;F --- 1~ 3F C 10 I lr I IF sing a song, make it sim -

~ ~

~~~=f ~r i~ I tJ F F E !r:2J;n;S2 IT} pIe, to last your whole life long.

cresco

~7 ~ []]7

~~~3r I JF liF r r F r I r r ro p Don't wor - ry that it's not good e - nough for

f

~ [QJ7 ~

~~~ ~ IJ'~!~k====3j~SE~i I!F~ J r r r r lr an - y - one else to hear, sing,

[1J7 ~

~~~~r £ 2F t i~f: [1J7 (Repeat INTRO and

FADE/or ending)

It f r IF t :11 sing a song. _

85

STRANGERS IN THE NIGHT WORDS BY CHARLES SINGLETON & EDDIE SNYDER I MUSIC BY BERT i<AEMPFERT

~ 2F

© Copyright 1966 Champion Music Corporation and Screen Gems-Columbia Music Incorporated, USA. MCA Music limited, 77 Fulham Palace Road, London W6 for the British Commonwealth (excluding Canada, Australasia and British territories in South America), South Africa, Eire and Continent of Europe. All Rights Reserved. International Copyright Secured.

Voice: piano or electric piano + sustain

Rhythm: cha-cha (or rock) Tempo: medium (J = 108)

~c "E r r r It Stran - grrs in the night, ______ _

.c::::::::=.

~" ;7

E E r F ~ E r F r won-d'ring in the night what were the chan

~

~1 ~ E f r ·{2£r 2#r be - fore the night was through.

* ------ r ec E E c r I E r E F Some-thing in your eyes was so In - vi

W7

*~ t r ~ f r r iF E E r was so ex - ci ting, some-thing in my

86

~ ex

r - ces,

lr

r ting,

F ...---

heart

[ f r F chang - ing glan ces,

Ij ~ ~ ~ ~~ --- -we'd be shar - ing love---

hold top note through the bar

i

I 2f lr 2~r IF

I 2r r r r GP some-thing in your smile-

TIt ~ E r F r told me I must have

0 hold top note

0 7 through the bar t

@ ~r F I r F= I 5~ f F ~ ~I

you. Stran - gers in the night

0 7

~ ~~ to F' r ~ r F r 1

5 r r F to ~

F= I t- r F r ~ r F to I two lone -ly peo - pIe, we were stran -gers in the night, up to the mo-ment when we

~ ~ ~ 0

change finger

t

~ 4F' ro ~ ~

IT I F' r t ~ r 14F r t j7 at ~ r ~ J J said our first hel - 10, lit - tIe did we know, love was just a glance a - way, a

07 ~

change finger

0 t

~ 4t r ~ 2r 3

E E t F laE r r F rCRt E r F r F warm em -brac-ing dance a - way, and ev - er since that night we've been to - geth - er,

~

; ~

!" Ij ~ ~ 3 ~ ;;?~ F 2C E E F r E r F F r ...............

lov - ers at first sight in love for - ev er, it turned out so right

[Il7 sq ueeze together [lJ

t

~§( ~ r F ~O~ ::; ~~~ - II j iF t

for stran - gers in the night. stop rhythm

87

THAT'LL BE THE DAY WORDS & MUSIC BY NORMAN PETTY, BUDDY HOLLY & JERRY ALLISON

© Copyright 1957 M Pl Communications Incorporated. Peermusic (UK) limited, 8-14 Verulam Street, london WC1X 8lZ. All Rights Reserved. International Copyright Secured.

Voice: guitar Rhythm: swing Tempo: fairly fast (J = 144)

VERSE 1

'0 3rg I

[IJ

[' t 11..

I 1 C· II.

d E

[QJ

C L

Well, you give me all your lov in', and your 'mp

[I] [QJ @]7

'tt -. -. - E F ! L d r I z" ~~j E .~. :tl r

your hugs and kis - ses, an' your mo - ney too._ Well,

@] [QJ7 , li#S a a ~ e- r L· b) c· II. r :J J un - til you tell me, maybe, that some - day, well, cresco 'In.{

CHORUS

[I] , C~ l II. r" I ~ 40 F L·

~ r· II. r· II. 7 J 1 d J that- '11 be the day when you say _ good- bye, yes_

t 3 7·

~

---- ~~I D ~ D F II.

:J tur tle do - vin', all_

r" f r r 1

you know you love me, ba - by,

[gJ7

11 ~ ~ ~ 4«(1 I -J} L

I'll be through. Well!_

f

@]

I r II.

r" r 7· ~ ;t 1

that - '11 be the day when

I c===-,

r· • r r 0 r 7 d

you make _ me cry, ah, you say you're gon - na leave, you know it's a lie,_ 'cause

88

VERSE 2

[gJ7 ~ ~7 [1J

Slit Jj J J- r· II 'f 4~ E' •• • • D • -=

that - '11 be the day ____ _ when I die. _ Well, when Cu - pid shot :-:l~ ::.. 1llp

@J [1J [gJ7 C , ( ~ f' 15~~ F --1· E· L22lf r 7· E· r· • • D

p • :J J J :d i

he shot it at your heart. So if you e - ver part and I leave you,_

[IJ ~ []]7 , 1· 4~ E· :,} r· • J ~ r ! 1 (£j D r· 1:#0 0 0 0 you say you told me an' you told me bold - ly, that some - day, well.

cresco f

CHORUS

[gJ7 [IJ

, iqf - - -

f f f III M

e- M r t d c 1t I'll be through. Well, that - 'II be the day when you say _ good- bye, yes_

that - '11 be the day when you make _ me cry, ah, you say you're gon - na leave, you

[]] [gJ7 []] , .:=

¥'C' 3pJ 19i Jj J ~~ C· • r r V if r· if

~ • 1 J J r d I

know it's a lie,_ 'cause that - 'II be the day when I die. stop rh:~r:-:--.

89

,

TH E LIVING YEARS WORDS & MUSIC BY MIKE RUTHERFORD & BA ROBERTSON

© Copyright 1988 Michael Rutherford Limited/R & BA Music Limitedl Hit & Run Music (Publishing) Limited, 30 Ives Street, London. All Rights Reserved. International Copyright Secured.


Rhythm: rock I

Tempo: medium (~ = 112)

VERSES @J ,# t 4J J J J .. )1 J.2±J

Ev - 'ry ge -ne - ra - tion ___ _ crum -pled bits of pa - per ___ _

mp

@] I ~. 4~ ~ ~ .} I ~

'--'"

and all of their

~ ... -;

frus -tra Stil - ted con - ver - sa

@]

blames the one be - fore, __ filled with im - per- feet thought._

J:2J ~i ~ .J' - tions come - tions I'm a -

CD ,# 4~ ~ ~ ~ ~ ,3/ ~. l' 1°F f F P I ~ F ~ E E

, i

,~

90

beat - ing on your door. I know that I'm a prisoner to all my fraid that's all we've got. You say you just don't see it, he __

new hand position

5f F ~ r , r 1 .. ~

J J I fa - ther

says it's

10'7 \-=--.,

4E E wish I talk a

held so dear, I know that I'm a hos -tage to per- feet sense, you just can't get a - gree-ment _

~ ~

E tE ~. I r -J:-l ~ r 4r

could have told him In the liv - ing diff - 'rent Ian -guage, talk - ing in de

all his hopes and fears. I just in this pre - sent tense. We all

[ill

'=£0_-= ~

years. fence.

J

new hand position 11 2. t' t ! F ~;~~;S 0 11.

t J :11 J E

CHORUS new hand position

More_ say it loud, ____ _

f

J @J new hand position

, ~=r ~r 1-

~ ------ IF J ~II kr $ F s"y it clear, you can

~ [[J7 []]

~ ~ ~S-- ---,~ af t: ~ E I ----- ===1 lis ten as well as you hear.

,f=t ~8== 5Pr ~r J

J 1 r F ~

It's too late when we

@J ~ IAml

f ,~ ~II~ lr 3E t= ~ IF r ?7l I die to ad mit we don't

[[)7 (]]

,~ f ~ € r 20- ~~ 1/ -11

t see eye to_ eye. stop rhythm

91

THE WINNER TAI(ES IT ALL WORDS & MUSIC BY BENNY ANDERSSON & BJORN U LVAEUS

[ Copyright 1980 Union Songs AB, Stockholm, SlNeden for the World. Bocu Music Limited, 1 Wyndham Yard, Wyndham Place, London WI for Great Britain & Eire. All Rights Reserved. International Copyright Secured.

Voice: piano Rhythm: rock Tempo: medium (J = 104)

VERSES N.C. , (~ 2J J

1. I don't

mp

[gJ7

~

II: 10 "-

wan - na talk (2.) kiss

IJ ------

IOml

* J J J ) a - bout things we've

like I used to

19.J ?i. gw * 4~ J j ) I'l( bj * 4~ J j I ] c:::::::::::

tJ ~ ------------ '-'

gone through. though it's hurt - ing me, now it's his - to -kiss you? ______ Does it feel the same, when she calls your

[gJ7

~ ~ , ~ * 2J ~ ~

1 10 ~ J -----H ~

----- -----"-

ry. ________ . ___________ I've played all my cards. name?

,. J ~~ *

j J @...

and that's what you must know

& :i * 4£ J tJ

no more rules must

92

Some - where

[gJ7

~ I· ~ ~. JW .........::

you've done too, ______ I miss you, ____

[gJ7

J J 38 ------~ ----------

ace to play. be 0 beyed.

deep in side,

*

IOml

4~ J j :l l'lf d ~~

no - thing more but what can

CHORUS add string ensemble

to I

Tile The

win - ner jud - ges

say, _____ say,

r i "

takes it will de -

. cresco f

~ ~7 IAml

~ n~~ Lr r- ~ H!~ ~J ~ f' l'-

I ~ d ~

all, the los - er stand - ing small cide, ~~_~ __ ~_"_~_~ the likes of me a bide,

[gJ7

r ElitE S be - side the VIC - tor - y, ___ _ that's her des - ti - ny. __ ~

spec - ta - tors of the show, _~~_ al - ways stay - ing low. _~~

~ ~7

4 ~ r- ~ ~, I~ E i~ Jr l'-

I I} ~ E I ~ ~ d ~ l'-

C d The win - ner takes it all, the los - er has to The game IS on a - gain, a lov - er or a

IAml 007 IOml

l¥i!@ ~ l 5,..

f' ~

I itT J ~ .-J1 J ;t ( ---fall, it's sim - pIe and it's plain, friend. A big thing or a small,

[gJ7 11 I

4 ~r 4~ [ 4 ~

51 cut strings

J J J7] ~ E r rr I iUC: ~ 2) j so why should com - plain? 2. But tell me does she_ the WIn - ner takes it all. mp

12 ~

1~ , ~, 5~ ~ 5~ r E ~ I !O==

* II ~ J ~

t f.f stop rhythm

93

(THEY LONG TO BE) CLOSE To You WORDS BY HAL DAVID I MUSIC BY BURT BACHARACH

© Copyright 1963 U.S. Songs Incorporated, USA. Copyright Renewed New Hidden Valley Music & Casa David, California, USA. Carlin Music Corporation, Iron Bridge House, 3 Bridge Approach, London NWl for the UK, British Commonwealth (excluding Canada & Australasia) Eire and Israel. All Rights Reserved. International Copyright Secured.

Voice: vibraphone

Rhythm: swing

Tempo: fairly slow (j = 88)

N.C.

~. I~ I~ ~~ Why do p

~

~

II: .~ birds stars

4

E'

sud fall

~

~·~~~E >~ 1qW C !J

you are near? __ you walk by?--

mf

J s~ J~'F 00

~» I

I~' l I~ Ii' they long to be_ close

2.

007 vibraphone

~ to guitar

1 IIJ. ~ J. ~ j.

On the day that you mp

[IJ7

3 ci - ded to cre- ate a dream come true. _

mf

94

/F#ml 007

5~1 E ~ ~7~'F If I' 1~ t 3

J - den - ly ap - pear,_ ev- 'ry time_

down from the sky,_ ev- 'ry time_

~

~~ ..:=0-

l Ub l 'F l Just like me,--

II. ~ :~G;rC =I;r l IJ ~J :11

to you. Why do P

~ j OJ. a

1 J. ~ J. ~ J. j J. j I

were born the an - gels got to- geth - er and de -

*} *1 So they sprin- kled moon- dust in your hair - of

~

~, -~r~· ·~r~· ~. ~c J~C\~r ~. ~sf ~rit gold, and star-light in your _ eyes of blue.

f

I 2 fJ'j'r why all the boys in town _

~ [QJ

,-2m: 2; ~

I II~ l 'r Just like me,_

00 ,- s~ 4r

close to you. ___ _

That is P

fol-Iow you ---- all a - round._

--=========== mJ

sJ J,~'r r J I III I they long to be-

vibraphone to strings [QJ

L r r 3

Ah, ______ _

f

close to you. -----

Repeat and fade

I :11

Ah, _____ _ close to you. __ _ t stop rhythm

95

THIS GUY'S IN LOVE WITH You WORDS BY HAL DAVID I MUSIC BY BURT BACHARACH

~ Copyright 1968 Jac Music Company Incorporated & Blue Seas Music Incorporated, USA. MCA Music limited, 77 Fulham Palace Road, London W6 (50%)/ Wind~pt Pacific Music limited, 27 Queensdale Place, London Wll (50%). All Rights Reserved. International Copyright Secured.

Voice: piano Rhythm: swing Tempo: slow (J = 76)

- -'-' --~

(jj

, j. ---.....'"

You see _ this guy, __ I've heard _ some talk, __ pp

(I)

J I I ~J 2--1 -~

Yes I'm __ This guy's_

new hand position

! b I oj

this guy's they say

CD

J 1,4j 1_~

in love, in love,

J in you

new hand position slide up piano to strings

\~ (Il7 01) ~7 @!TjJ

, :j J #J 8.J r ~~~ ~ I rOO J looks at you the way I do? __ When you what I'd do to make you mine. _ Tell me

cresco mp

@J7 change finger CD [LTIJ , :8 J J tJ ar r r r I IJ J can tell we know each oth - er ve ry

is it so? Don't let me be the last to

11ff

:Em i ~ ~ , ~ .. ;. 2J I 6J 1~ J I .. J.

can show you, I'm glad hands are shak ing, don't let

96

:r J ) )

'-'" love with you._

think I'm fine.-

! J who and

;~

smile_ now,_ cresco

J J well, how

know, my

eW I

my

, @]7 strings to piano @] CD 5J !t1~

- -.....-....

J J J J J :11 ! e±:ii "-'" got to know_ you, 'cause

I need_ love. heart keep break - ing, 'cause your

f

@] CD @] ~

* ~~ -~ -

f~]4[R ! fSf ~ I I fJ J ~~U I want_ your love. Say you're in

mp

, ~ ~ ~ [[)7 @]

;J: ~

4~d ?d I ~1 6)1 #J. fA ----love and you'll be my gal,

@J7 r---3~

@] (I) r-3~

4 (~d , ... J J J 14§ J A :1 I ,tt, , '" J J J )1 a~ Jl 2 2 1_

-~ ""'--"" if not, I'll just die._ If not, I'll just mf mp

@]

* AJ J I II

t - - -"'-"'" - - -~ die._ If not, I'll just die. _ stop rhythm

mf mp mf

97

,

, 98

THANI< You FOR THE MUSIC WORDS & MUSIC BY BENNY ANDERSSON & BJORN ULVAEUS

© Copyright 1977 for the world by Union Songs AB, Sweden. Bocu Music Limited, 1 Wyndham Yard, Wyndham Place, London WI for Great Britain and Eire. All Rights Reserved. International Copyright Secured.

Voice: oboe Rhythm: rock Tempo: medium (j = 104)

VERSE [QJ , (~ sr I'm p

------. r r r p r no - thing spe - cial,

l

Jl

in

IOml

12j j fact I'm

~7

j ~ ~ ) J 10

a bit_ of a bore.

[A]7

'11 IJ d J en J If I tell a joke_ you've pro - bab - ly heard_ it be-

I ==-

fore. But I have a tal - ent, a won - der - ful thing,_ 'cause mp cresco

IAml [fJ [fu] IAml -------

------.

12f .j J 4r r r r D r p I E r E r F ~~ ~ J :J ---- -----ev - 'ry - one lis - tens when I start to smg,_ I'm so grate - ful and proud, __

11ft

IOml ~7 oboe to brass ensemblt:

~f 2~ ~ ~ ~ I ~ ;r ir ~f _J • c:::.

~ J 7 J( r J 7 ~

all I want __ IS to sing_ it out loud. So I say cresco f

CHORUS

~ 4bE

IOml ~7 ~ IAml , sr r r sp 4F J I.J l ~o II'

1 'r 4f I' I r F p thank you for the mu - SIC, the songs I'm sing - ing, thanks for all the

[ID7 ~7 ~ 4b~

IOml 007 IAml , iF s~ ~ ~ sp 4F l 1] f IJl Ir 4~ r F p 7 I r ~

joy they're bring - ing. Who can live with - out it? ask in all ho - nes - ty,_

[£J [fu] ~ IGml , ~~~ ~ -~

,..-...,

iFf l' u~r EO r=1 ~f * J

E r * Ie E r ~ J

what would life be __ with - out a song,_ or dance,_ what are we?_

[K]7 [£J .E 4~E

~7 , ,..-..., sE E s~ ,~ ~tl ~r f ~ f l

~~ r lil I Jr I r So I say thank you for the mu - sic, for giV - ing it to me._

~- [fu] ~ INTERLUDE [fu] brass

:J ~~r ill

to oboe ,..... J ~

fbr * ~ II 4 ro

C ~

;j-mp

I've been so

~ ;J~[fu] ~ ~~ , @ ~

J ~ ~

J ~ * l~ I

* l~ IF f F r F I

luck - y, I am the girl ___ ~ with gold - en hair. I wan - na sing_

99

fu] ~7 IAml IOml , ~E Jf sf C I f 'r 'r r I,a ro '@ CO

it out to ev - 'ry - bo dy, what a joy, what a life, cresco

CHORUS [ru7 oboe to ~ IOml [ru7 ~ ~ brass 4 b

r , ~ s~ E (r r r 5

p J 2( r ;;!- D 4C IJl I J

r 4f , r r what a chance. Thank you for the mu - sic, the songs I'm sing - mg,

f

[Q]7 [ru7

f r , r thanks for all the JOY they're bring - ing, who can live with - out it? I

~7 IAml W fu] -....-, 'r 4C: r jdf * J

E r iPf * I[ r ~ :r~ r E ~

ask in all ho - nes - ty,_~ what would life be_~ with - out a song~

~ IGml 007 W , ~r ~ -~ sf E E4~ sD u~r c rdr f F 4f L. r C .J1 I

or dance,_ what are we?~_ So I say thank you for the mu - sic, for

[ru7 ~ fu] ~

·S tTj -, 'r r i~ , tJ C , 'b~ I tr d ----- t

giv - mg it to me.~~ stop rhythm

.If

100

TIE A YELLOW RIBBON 'ROUND THE OLE OAI( TREE WORDS & MUSIC BY I RWIN LEVIN E & L. Russ ELL BROWN

© Copyright 1972 Levine & Brown Music Incorporated, USA (50%). Peermusic (u K) Limited, 8-14 Verulam Street, London WCl (50%). All Rights Reserved. International Copyright Secured.

Voice: guitar

Rhythm: latin (e.g., samba, bossa nova) Tempo: fast ( j = 208) •

VERSES

CD

1. I'm 2. Bus

mp

J J com - in' dri - ver,

home, I've please __

r done look

stretch

b my for

10 ___

------time. ______ _

me,

stretch

b [[)7

,~ ~

¥3§ mine. see.

IB~ml

~~ r F let ter pri son

1~ @]7

F F then you'll sim - pIe

Now 'cause

tJ tell and

8r know yel -

r I've I

~ i

J - in'

my

r just low

I

r r r got to know what

could - n't bear to

! or I r If you I'm real

(IJ change finger

I aJ b ar r you I'd soon be love she holds the

t~ J IT I

what to do, rib - bon's what I

is, see

I

[B~ml

2~r if

need

F

and what

r

r is I

re ceived ly still

~

iF ~

free, key,

r I'r you still to set

r n't

might

F my in

er

A

F want me

101

(IJ7 guitar to change finger [B~m)

'p brass ensemble -l-

iP~: ! tF I .

I ar :::::> :::::>

me. If you free. wrote and

f

(I) 7

,~ !t f: & t ,. -:::::> :::::> :::::> :::::> :::::>

me. ~ please.

sq ueeze together 1 stretch

~---------rib - bon 'round the ole oak tree,

thumb under

'~J [[)7

;~~ ~~ I 5r r I fd s.d

years, do ya still want me?

r j I J J rib - bon 'round the ole oak tree,

change finger

f1 \~ [[)7 ~ I I ..

'JI I ... , - IJ ~ ,. I"t , • r- ~ f"., v • • • • ,.. •• • ,y . . . . ..J

tJ I Tl

get a - bout us, put the blame on me,

102 mf

I il)~ P~ :::::> :::::>

still want told her

CHORUS

CD

II sr r r tJ Tie a yel - low

mf

------~ it's been three long

J

I'll mp

, ,..

r If

I or F F I don't see

) J stay on the bus,

jump

. 1~ I I ""- I ~r- I • -' • -

10

if I don't see

r a

for -

I ..".j -

a

!sbml

, ~fua j J J yel - low rib" bon

~

,~ . .

aE

_. -~ ~ E::J

1

2' m

,~ at?f9 2J tree.

J cheer - ing, and I

[sbml

,~~ J 2J j I

rib - bans 'round the

~

,~ . .

6

E _. -~

~ 0 E:J

~

Id 'round

~ ~

ar

jump

I\~J \ W7 rtCh

2#~ lif. 1d 6i I aEY 2J ~ . I

the ole oak tree._

~ @]7 brass to guitar

~ ~ !~; ~ I ~ ~ 1 •

Slowly ~

lat (rhythm off)

Id J J J ~ ar t

stop rhythm Now

mp

r the whole damn bus is

a tempo (rhythm starts)

(synchro-start on) ~

~I

[[) change finger [[)7

14J b ar r I !#F I 6r II d J ~ j I

can't be - lieve I see . . . . . A hun - dred yel - low f

~ [IJ7 [IJ

iF ~~. 4d 6l I aCb~ zJ r 2#p I

ole oak tree. _

~ @]7 [[)

l~ I if II I ;. .

1 $ td 1 $ -Ef . t

ff stop rhythm

103

To LOVE SaM EBODY WORDS & MUSIC BY BARRY GIBB & ROBIN GIBB

© Copyright 1967 & 1975 Gibb Brothers Music. All Rights Reserved. International Copyright Secured.

Voice: piano Rhythm: 8 beat Tempo: medium ( j = 92)

INTRO

G [[J [ill

~~--+-( ~~ j---+J---+J----+J~J=---tj-J.j---tJ----i--11-+-h~v-+-~ ~l --+-~l--+---IJ¥] jJ J J8J~ ~l==j mf

1. There's a mp

VERSES

light,

(2.) brain

that ne - ver shone on

I know my frame of me. mind,

a ccr -tain kind of light. see your face a - gain,

want my life to

you ain't got to be so

~ ~7 ~

Wi-=-~=E~if"iTjr4-=-= -=r--=ff ii jT-~--=t= ~F"#}1 hc_ lived with you, __ lived with you. Therc's a

blind,_ and I'm blind, __ vc - ry blind. I'm a --===-~-- mf mp

[QJ [AI!lJ [~ ~

llfS- -=~=p= {J=J J HJ~=-=B~-if~~:r -t:f--I } r1]

104

way man,

ev - 'ry-ho - ely say, can't you see _ what I am?

to do each and ev - 'ry lit _. tIe

live and I hreathe_ for _

[ill [fJ [~J

,#;i]--tr""::~:t~:---~---~+----1~------:-;---~ ~----J'-~ --~------~ -~----fK--",-----------t---'*-t-----t--J--Jt'r'iJ----------------=t-----------=-:~~~~-~ -----i-----=i=I--~--------~---------j-J l=t I it ~ ~ r lir . thing,~~

you, __

[gJ7 ~

------'---¥--,#~i~1 ~j~: __ L n I;J: you,_

you, __

[QJ7

~/ ~

ain't got you'?

ain't got you?

~ 2L: J

ba - by,

but what

What good

~

~~ ~ you

does it bring, if I ain't got

does it do, if I ain't got

mf

You don' t know _ what it's like,_

(mfj

r J2:~ ~ 4; ~r;§3

don't know _~ what it's likc_

[ill ~7 ~

~=r --~y J ,:Jtrf;-f nf $)4W: ='1 j\;D~ to lovc some - bo - dy,

I I 2.

love YOl!, 2, In my love

m:p

to love some - bo - dy the way ~ I

D.S. andfade

[QJ7

105

TONIGHT MUSIC BY LEONARD BERNSTEIN I LYRICS BY STEPHEN SONDHEIM

© Copyright 1957 (Renevve<i) by Leonard Bernstein & Stephen Sondheim. Jalni Publications Incorporated/Boosey & Hawkes Incorporated, USA & Canadian publisher. G.Schirmer Incorporated, worldwide print rights & publisher for rest of the World. PolyGram Music Publishing Limited, 47 British Grove, London W4. All Rights Reserved. International Copyright Secured.


Rhythm: beguine (or rhumba) Tempo: medium (~ = 120)

4#

4~

4 ~ c: N.C.

@]

:iJ be

IEmj

r

To P

tJ just

J

~ an

no morn

@]

IIJ· night,

change finger

1J y

F ing

I

~ stretch @J7 i# fo ~r · b Ij.

night, to night, mp

~ ~# ~~ r I F 4F

I night. And for us

cresCo

106

~7

t;J. night.

~7

Inf== star.

stretch

!J to

~J To

stretch

iJ I'll

~r stars

~7

I J. night, won't

@] stretch

IJ t:t iw J night there will be

~7

Oo-I~ I 4J To

~ stretch

12qJ tJ ~~F r see my love to

leml

r IF ~r r will stop where they

@]7 add piccolo [ill change finger

i~ ~ a] ir IsIIF= · r i~ are! To day the

mf mp

squeeze together

fU ~ ~

Ij cross over thumb ~

I F ~r r r r ~r b J ~ min - utes seem like hours,_ the hours_ go so

IBpml ~7

i~ lir ~ IJ J ~J ~ I ne -=- =- 'I SF slow - ly, and still the sky is light.

shitt from 4 to 5

change finger @] ~7 jill ,Mo I I I L ~ I I

If -- I I IIf'\. r--J. • ~- 11.: ... 0' .-.I - I ~v n 1..,.., • - k. U ...... - 2T 14- .. -

0 moon, grow bright, and p

@] IEml IAml ~j tJ as j IF is " I jd' ~J I

make this end - less day end - less night,

cresco

1 II to - night. _________ _ stop rhythm

f

107

,

,

*

TRUE LOVE WAYS WORDS & MUSIC BY BUDDY HOLLY & NORMAN PETTY

© Copyright 1958 MPL Communications Incorporated. Peermusic (UK) Limited, 8-14 Verulam Street, London WCI. All Rights Reserved. International Copyright Secured.

Voice: guitar

Rhythm: shuffle (or swi;lg) :1

Tempo: fairly slow (J = 88) n = J"D

N.C. 3

'B I) 1J 4ti£) Just you know __ mp

[[]

I e

why,

~

[[] ~ [IJ [[]7

e I l 3r r? l I will by

[QJ7

Fl· [[]7

~

l F ( t I e

IIJ

know true love ways.

mf

[[] ~ [IJ [[]7

F - I I 4F r?--,J sigh, some - times--

[[]7

[IJ [[]7

I l 'F r' ~~. ~ why you __ and

[[] ~ ~

1

5F=r- rr :Jd

and by cresco

I l SF F r Some - times we'll mp

[[] ~ j

I e

we'll cry,

[[]7

and we'll_ know why,_ just you_ and 1 __ know true _ love _ cresco

108

I

[ID [IJ [ID guitar to flute ~ , I l 1;&0 : 3: ) J J -a-

ways. Through - out the days, mf mp

~7 [ID

ti &J ~F? ,J. a Iw I l aJ J J our true love ways will bring us

~ 00 [QJ7 007 , J, J. J J, J. J I J, J. J J J I~g <' <' <'

JOYS- to share_ with those_ who real - ly care. cresco f

flute to guitar [ID ~ [IJ 007 , I sE F E I F= - I I 4r F? ,J. a I

Some - times we'll sigh, some - times_ we'll mp

[ID ~ [IJ 007 [ID ~ , I ,J. a I J~ ~-:- j] s~ ~-:- J I I sr F? e -- --<'

cry, and we'll_ know why,_ just you- and cresco

J j J Id II

know true _ love - ways. 'mf

t stop rhythm

-========== f

109

WE'LL MEET AGAIN WORDS & MUSIC BY Ross PARKER & HUGHIE CHARLES

© Copyright 1939 for all Countries by Dash Music Company Limited, 8/9 Frith Street, London WI. All Rights Reserved. International Copyright Secured.

Voice: string ensemble + piccolo (arpeggio optional)

Rhythm: bossa nova


~ cross 2nd finger over thum b [!]7

~j Ctd hw fJ l~(] We'll meet a gain, mp

~7 pass thumb under 2nd finger ,IJ 2~J fw Ih~: ·U where, don't know when, but I

lAmp

t qJ don't

~7

IF J know we'll

@]7 ,# 6:J ~ ~ ~ I ~ ?,f =:al~ t 3r

gain some sun ny day.

~ [!]7 ~7

~# 2J ,J t~(] I qJ ~J IJ 1a Keep smil - in' thro', just like you

~# ~ ~7 IAml7

'U Ir J J J IJ J ~# :

do, till the blue skies drive the dark clouds mf

110

~J know

J :J meet a

cross over thum b

1j i~r

2~J tJ al - ways

@]7

r r far a

@] @J @] drum fill - in @]7

~~ 2~ ~ ~~ ~~ J ~ ~~ ~ ~ I I t 0 • F ---- ----way. So will you please say hel - 10_ to the mp

folks that I know,_ tell them I won't be long. ____ _ They'll be

cresco

Aill~ 3 J 3d @]7 ~7

F r hap - py to know_ that as you saw me go_ I was sing ing this

mf

~ @]7 @] ~7

6# 2d ~ 3J ~J I f~ 2#3 fJ I 2~J I ~J ~J song. We'll meet a gain, don't know

= mp

,# ~7

I;,~ : 07

3J 2~J t~ 'U I r J J J where, don't know when, but I know we'll meet a -

m.f

IAml7 @]7 @] leml @] ,~ ~ IJ ~ 1M II J ~ F F 7

gain some sun - ny day. i f

stop rhythm

III

WHERE Is THE LOVE WORDS & MUSIC BY RALPH MACDoNALD & WILLIAM SALTER

© Copyright 1971 by Antisia Music Incorporated USA.

BMG Music Publishing Limited, Bedford House, 69-79 Fulham High Street, London SW6. This arrangement © Copyright 1998 B MG Music Publishing Limited. All Rights Reserved. International Copyright Secured.

Voice: flute

Rhythm: bossa nova Tempo: medium (J = 112)

VERSES [I]

,& ell: -1.

,.. ~ %~

Where is

[I] 7

~ Jqr='[ the love

~

E t F I ~ ~ ~ l ~ I

you said you'd give to me, soon as 2. Where is the love you said was mine, all mine, till the

mp

IB~ml ~ @]

,~ ~ ~ ~ 2S ~ a~ ~ ~~ :~3 1 I J J J fJ l """""'"

c::;;;;;;;;

you were free? Will it e - ver be? Where is the love? end of time? Was it just a lie? Where is the love?

flute to piano

~ [QJ7 [I]

'&3:~ t~ II 7 ir r f r r r f mf You told me that you did - n't If I had had a sud - den

~7 @] ~ [QJ7

,& ,rC?=J ~

I&f U. 4~ ~ ~ ~ ~ ~~ ~ I~~. b~=~ g love him,_ and you were gon - na say good - bye.

change of heart, I wish that you would tell me so.

[I] ~7 @] ~

, ....... ~J~ 7 Ij j r 0 r :~J

But if you real - ly did - n't mean it, ______ _ why did you have to lie? _ Don't leave me hang - ing on to pro - mis - es, ___ _ you've got to let me know.

112

[]]7 [IJ INTERLUDE [IJ7 piano to flute

J J j J f- Do do do do_ do do do do_

mp

~ IBbml ~

'~'"'r ,. j J Jar ..

~~ ~ J7~~ t -jJ ~. I %~ r -do do do do_ do do do, do do do do,_

~ ~ []]7 flute to piano

,~ b~ ~ .. J Jar' II 'r iJ ,J j I~ 7 J l

2' ~ do do do do,_ do do do._

= mf

[IJ ~7

,~ , it t f t t t r I~~=J . . .

Oh, how I wish I'd ne - ver met you, _ I guess it must have been my

fate __ _ to fall in love with some - one el - se's love, __

~

,~ 7 1 •

F t t P all I can do

[]]7

r :~3:~ II: IS wait._

f

[IJ

-9 Repeat and fade

%i:J 331;3;0 :11

Where is the love? _ mp

113

fj

,~

~~ t.;

f g

114

WOODEN HEART WORDS & MUSIC BY FRED WISE, BEN WEISMAN, KAY TWOMEY & BERTHOLD KAEMPFERT

~ Copyright 1960 Gladys Music, New York, USA. Carlin Music Corporation, Iron Bridge House, 3 Bridge Approach, London NW1 for the United Kingdom of Great Britain and Northern Ireland, Eire, Israel and the British Dominions, Colonies, Overseas Territories & Dependencies (excluding Canada, Australia & New Zealand). All Rights Reserved. International Copyright Secured.

Voice: trumpet Rhythm: swing Tempo: medium (J = 120)

N.C. 00 ,. (! IJ J II: Jr F Can't you see I mp you say

00 4[. D [ r I r·

break my heart in two. know that I would cry.

~

~r F r 13F r do, 'cause I don't have die, 'cause I don't have

00

i8~ ~~ l fJ heart. And

G trumpet to clarinet

10:- U l J heart. There's

mf

[[]7

r 14F love you? good bye,

* 11 ~ That's not May be

1~7 F Id a wood a

W~7 ~ :11 l~ if wood

[[]7

J 112d. no strings

3r r Please don't then I

r r hard to

I would

4[ en

2~ =1 en

J up

[gJ

,. p. z~ Ir r I r I 2r r on this love of mine. It was

=

~ [gJ ,. 3~ r I s~ C F liS2 J

al - - ways you from the start.

f

clarinet to trumpet [IJ7 ,. ~;r I I; J lIir r r 14r- 3r F Treat me nice, treat me good, treat me mp

[gJ

,. 4C· D C r I r I I; like you real ly should, 'cause

~ ,. 4r· D r r 11r r C 13r r r I'm not made of wood, and I don't have a

:>

110'>.. II wood - - en heart. ______ _ t

---================ f stop rhythm

115

WORDS WORDS & MUSIC BY BARRY GIBB, ROBIN GIBB & MAURICE GIBB

:r Copyright 1967 & 1975 Gibb Brothers Music. All Rights Reserved. International Copyright Secured.

Voice: piano

Rhythm: rock

Tempo: fairly slow (~ = 84)

lI1 ,- (! aJ· ~

J' j7 J J J I j. (Ij7

l' J J J J 12J. I' 4 ,I Smile an ev - er -last - ing smile, a smile could bring you near to me. __

mp

change fmger (!]7 ,-,) ~J J. ... J: ~ ~ ~ IJ. ... J ~ J iJ I I )1 )1

4

Don't ev er let me find you gone, 'cause that would bring a

cross over thumb

,- [I] 1 (I) ~

1 J. '-

~ I ~ E 4r I r- V be F r , Jl 2

----------tear to me. This world has lost its glo - ry,

"if

[!J new hand position ,- be L. ~

'I r r r f' r rt I ar- J1 7~~ E dr Fi~ let's start a brand new sto - ry now, my love. Right

mp

0 0 1 ,. aJ· f J J ~ J I J. J J J J J I 2d. IJ now, there'll be no oth - er time, and I can show you how, my

116

cross over thumb

piano to [!] guitar J J J ~ E II 8r- ~ ~ iJ I r- V ~ J I love. __ _ Talk in ev - er - last -ing words, and ded - i - cate them

01 (!]1 , # 2J. J 1~ J aJ J. ... J ~ J t' J I )1 ~ ... o:oc:::::::

all to me. And will give you all my

, - J_ ... J J

[!] (I) J1 J J I t J. ) j I ill J 4r

2

life, I'm here if ------------- You you should call to me. wif

,- [tJ [!]

r· w ~L r r :t I r· W

~L F r T e

think that I don't ev - en mean a sin - gle word I say.

guitar to piano

[I)7 m (!]1 ,- I 6r F r II: oj. J> f J ~ J I 2J. 23, It's on - ly words, and words are all I have dim. mp

to take your heart a -

11. 2. 11

3. m [I)1 [I) (I]

,- 18 I J 6F F F :11 IJ· }, 00 J>£jJ1 II way. It's on - ly way.

117

YESTERDAY \VJQ.,OS & MUSIC BY JOHN LENNON & PAUL MCCARTNEY

~ :ooyright 1965 Northern Songs. A: Rghts Reserved. International Copyright Secured.


Rhythm: rock Tempo: medium (J = 92)

IT] ~

pass thumb under 3rd finger

0 7 ~ 1 4 ,fiJ "#c ,

aW· l

ill I IC 5 ~ I r· V r e f j

Yes - ter - day all my troub -les seemed so far a - way,

~ new hand positionITJ CD 0 7 jump~ [Il7

~~ {. J ~ ~ I aJ. .... \-

E 6C C ~ )1 J I; I 3J J ; J of Ir I~ now it looks as though they're here to stay, oh I be - lieve in

~ CD ~ (I) 7

:~ 9 ~~ J 5J J , a j · ~ J I Ie " #C If 5 ..

j • If J yes - ter - day. Sud - den - ly I'm not half the man I

~ ~ IT) [IJ (I) 7

~, r· I J J ~ ~ I aJ· ~ J 1; 0 IT I 6C C )1 t.,;

used to be, there's a shad - ow hang - ing ov er me, oh

Om 0 7 ~ CD ~ (I) 7 add piccolo

~9 0. • .. j J ~r J 5J E d :;3 tJ 1~ I ~?7 If J yes - ter day came sud - den - ly. Why she

118

jump ~ 0 ~ 0 0 7 iFl L-!

~ \,

~ ar r E C ,. I r' V ar I ~ r 1 Q •

J had to go, I don't know, she would - n't say.

~ 0 7 ~ m ~ 0 (I17

~P d :#8 I r • : I r' r ar ! W F I said some - thing wrong. now I long for yes - ter -

[IJ cut piccolo

[EJ 0 7 stretch cross 3rd finger over thumb

4p +

l~ + Iii 5~ I a j , " d I ~ #c. if r -.

ar r Jl J

day. Yes - ter - day love was such an ea - sy

~ ~ [I] [IJ 0 7

'p ~ ~ ~ 1 a ~, I..

~ r' V IT I ~ 6C C I f 1 j game to play. Now I need a place to hide a - way, oh

~ [Il7 ~ [IJ ~ m7 ~P ~ ~ ~ 3~ ~ ~ iJ~ I ~~ ~ I 8~ J J ~ ..

If I qr If J If I qr I be - lieve in yes - ter day. Mm mm mm mm

~ [IJ ~ [IJ

~f J gisj:: ,~ J 5J ~r ~ I I If J

mm mm mm.

119

You WIN AGAIN WORDS & MUSIC BY BARRY GIBB, ROBIN GIBB & MAURICE GIBB

© Copyright 1987 Gibb Brothers Music. All Rights Reserved. International Copyright Secured.

Voice: piano Rhythm: swi ng Tempo: fast (J = 192)

N.C.

$ (!:IF 5F There's no

f fight,_ you can't fight_ life __ on earth,_

rn ~ !

~

~~ 5~ ~. j IE :iF [J r I r you win a- gain._ So lit - tIe time you win a- gain._ Some ne - ver try

stretch 112. tm1 stretch (!!J

, 2J +

J :iF 5~ :11 AC· • d

squeeze together

CD 1 [iJ7

j ; a J I J ut~ :I~--=-~ this bat - tIe of love with_ no oth - er could see me_

11~

F F F r I r F r we do noth - ing but but if

[!]7

J J J. ce • F I ~

me, __ through,_

r com -

II pete. __ There's no a - ny - bo - dy can, we can.

BRIDGE

(I] piano to strings IT) change finger

;; +

~ ~ I ~ J (ZIt ~ F - !f. tJ~ AF r :JCe ,

But I'll be, I'll be fol - low -ing mp

(!8 new hand position (I] -l-, :11 - gIJrC IDr ~~ ; ~ ~

F ~ you. Oh, girl

120

stretch l1J [!£J , fJ~ +~ IS

F I ;:: :tEe ~ ~ - =1

Oh_ girl. Oh,

ITJ squeeze together (!!] , ~

a~ re

~ I 5rSBt J I F r r • ::t ~

ba by, I'll shake you from now on.

4 ~

J J -' ....... ,e

4~ se • I F r F I r F F 5r I oJ I'm gon - na break down your de - fen - ces one by __

~ ~

4J 6~ J J -+ ~. ~ ~ ~ Ii..

~ tJ I I i ~. ,-; ac::::::::::: :::::::>'

one. I'm gon - na hit you from all sides,_

4tJ J [!]7

j J I >

C· r I d. 4F r r • d

lay your fort - ress 0 pen wide. __

07 add piano [I] m7 D.~. (Repeat Chorus

4 ~~ is ~ ~i ~ i ad lib. and Fade)

~ I ~ I g~ ,~ ~~~ 5~ ~-:-~ II ~ . No - bo - dy stops this bo - dy from ta - kin' you._ So ba - by don't cresco

121

,

,

,

, 122

YOUR CHEATIN' HEART WORDS & MUSIC BY HANK WILLIAMS

© Copyright 1952 renewed 1980 Hiriam Music & Acuff-Rose Music Incorporated, USA. Acuff-Rose Music Limited, London WI. All Rights Reserved. International Copyright Secured.

Voice: violin solo

Rhythm: swing Tempo: medium (j = 96)

synchro-start

N.C. , (~ 2J Your p

CO 1 ...

weep.

E aJ and

te

come

J 4r

5

E cheat

J try

r Your cheat

]- J II in'

J 4r

You'll

m I - te

to sleep.

@1

J eJ the

[!]7

r ae

in' heart

@ @1

I J 2; ~ J 10

heart will make you

(I] 1

F F se

cry and cry,

I E 2; 6( • J :r-But sleep _ won't

[[)

J J 1 .. 1

whole night through.

J 4J J 1J will tell on

add flute

~ [IJ (}] m CC

J i~ r r gil 2&

yOU. When tears come down

"if

[I) , J F r F I ~i j. J or r ! like fall in' rain. You'll toss a

, [Il7 0 i#!! I J aJ r I :r ---- 5>j r 2#r

round, and call my name.

f

cut flute 0 ITJ7 , ~ 2; "E • J I J 2; j J . J to

You'll walk_ the floor, the way '--"

p

, CD 07 1"

) 4F r r ae

do. Your cheat - in' heart

, IT] (]] IT]

J 4J j 14

5 r 2-1&

will tell on you.

l23

RETURN To SENDER WORDS & MUSIC BY OTIS BLACKWELL & WINFIELD SCOTT

© Copyright 1962 by Elvis Presley Music, New York, USA. Carlin Music Corporation, Iron Bridge House, 3 Bridge Approach, London NW1 for the territory of The United Kingdom and Northern Ireland, Israel, and the British Dominions, Colonies, Overseas Territories and Dependencies (excluding Canada, Australia and New Zealand). All Rights Reserved. International Copyright Secured.

Voice: brass ensemble

Rhythm: swing

Tempo: medium ( j = 104)

INTRO [fJ 00

'e ~

I Itflg~: I fi isi > > > > >

f

VERSES

00 brass to saxophone ~

'@~: I II: • 3J· J J. J J. 7· IJ 1. I gave a let - ter to 2. So then I dropped it in

mp

~ 007 ~ , ,. J. j .. J ~ I/o I I 7· 2_ J1 he put it in his sack._

and sent it "Spe - cial D." __

~ ~ 007 ~

, 4J Ij I· j 12J J 1J j IJ~J morn - mg he brought my let - ter back._ morn - ing it came right back to me. __

CHORUS

[fJ 00 [fJ , I~:~:I I li~~~: l I l > > > > >

Re - tum_ to sen - der,_

f

124

~

J 14J j. the post - man, the mail box,

3iZ ~ J: ~ j Bright and ear - ly next Bright and ear - ly next

sax to brass

I· 2~ ~. ~ ~. ~ II

} She wrote up- on it:

I~:~:I > >

~9 > >

ad - dress _ un - known.

[!] [f] [!]

,g~ 1

-I- - III !Q~: > > > > No such num - ber.

[QJ IltEJ , ~; 4~ 3~~~1 Q ~:~:. I I i !!~ -

> > >~ > > > no such zone._ We had- a quar -

[!] [f] [!]

,gi !§~: Q .:Qj F i!Q2~ I I I

> > > > - rel,_ a loy er's spat.-

I write I'm sor - ry, but my let ter keeps com - ing back. -

112• BRIDGE

brass to sax [f] brass to flute

I :11 I sr' • .......

E' E' 1 ~ 02¥ 7' J I J • • • .t- J :t-

This time_ I'm gon - na take it my - self, - and mp

]'

put it right in her hand. _ And if it comes back_ the

cresco

125

,

,

, 126

ve - ry next day, _ then I'11 un - der - stand _ the wri - ting on it:

CHORUS

~ flute to brass

>

00

11[]9~: > >

Re - tum - to sen - der,_

f

Gl ~ ~

g~ I - i' • > >

No such

~

- ~; 4} 3&!m· > > >~

no such zone._

~

Il ;_ i:;:1 > >

sen - der,_ ad - dress_

~ 00 ~

il I li~~~: - I -> > > > No such num - ber,_

-=

~

Il ,fl:§:' tjg > > > > ad - dress - un - known.-

00

II! jg~: > >

num - ber,

~

I l ,- jg:' • > > >

Re - tum_ to

00

f= f!tJ~ > > un - known.-

(Repeat and fade)

~; 4§~J :'1 > > > '--" no such zone._

CHORD CHARTS (For Left Hand)

C Cm C-

I accompaniment section I I accompaniment section I - ;; ~ ~~'::-.;''':-.::-. ~ ~. '.! - - - - -

" ~ I ~., ~ I.' '.1 ~ , ~ I " " ,., ~ I.' II , , " I ~ ~ i ~ 11 .II. III 5 2 1 (fingering) 5 2 1 (fingering) 3::' . ~ -<:!- - i

Db C#m ob(C#)7 I accompaniment section I I accompaniment section I I accompaniment section -,

I , " , , " ~ "., , " I , ~ II , " ~ '.1 ~ , " I , " , ! ~.I , ".~ , , I 4 2 1 (fingering) 4 2 1 (fingering) 5 3 2 1 (fingering)

o Om 07

I accompaniment section I I accompaniment section I I accompaniment section I

I ~ " , ,." ,." ~ , " I , " , ,." '.II~ , " " " , , ~ I.'." ~ , " 5 3 1 (fingering) 5 2 l(fingering) 5 2 1 (fingering)

Eb Ebm Eb7 I accompaniment section I I accompaniment section I I accompaniment section I

" ~ I ,., ~ I , II , , " I , " , HI' II , , " " ! II.' ~ II ~ I ~ , " 4 2 1 (fingering) 4 2 1 (fingering) 5 2 1 (fingering)

E Em E7


1 , ~ I , ! '.1 , '.1 ~ , " 1 , " ,., '.1 , '.1 , , " I , " , ! " '.'.1 ~ , " 5 3 1 (fingering) 5 3 1 (fingering) 5 2 1 (fingering)

F Fm F7


I , " , ,."., ".~ , " 1 , " ~ ! "., "., , ~ 1 1 , "., ,." , II , , , I 4 2 l(fingering) 4 2 I (fingering) 5 3 1 (fingering'

CHORD CHARTS (For Left Hand)

G~(F#) F#m G~(F#)7

~ fiIiI iI! n , f I ~ iTfi:,' iI! n , f I ~ fiIfi'iI!.n , f I 5 3 1 (fingering I 5 3 1 (fingering) 5 3 1 (fingering)

G Gm G7


I ~ 111.11. ~.f I ~ U I I , f I ~.f ~ I '.f I ~ , f I I , f I ~., 1.1 ~ '1J , f I .; -'I 1 (fingering) 5 3 1 (fingering) 5 3 l(fingering)

Ab Abm A~7 - accompaniment section I I accompaniment section I I accompaniment section I

I , f I , U I.~ ~ I ~ , f I " f I ~ ! l" " ~ , f I " f I ~ ! f I.~ !I ~ , f I 4 2 1 (fingering) 4 2 1 (fingering) 5 3 1 (fingering)

A ~ ~


" f I , '.f I ~ f.1 ~ , f I " f I , '.f I.' f.1 , , f I " f I '.'.f I ~ f I ~ , f I 5 3 1 (fingering) 5 3 1 (fingering) 5 4 2 (fingering)

Bb Bbm Bb7 1_ accompaniment section I I accompaniment section I I accompaniment section I

I , f I.~ , ~ I ~.f I ~ , f I I , fl.' , ~ I ~ f I , , ~ I " f I , ! ~ I '.!I ~ , f I 5 2 1 (fingering) 5 2 1 (fingering) 3 2 1 (fingering)

B Bm B7

-, accompaniment section I I accompaniment section I I accompaniment section I

" ~ I ~ H.I , ~ I ~ , f I I , f I ~ , f.1 '.f I ~ , f I " f I , '.f.1 , ~ " , " 5 2 1 (fingering) 5 2 1 (fingering) 4 3 2 (fingering)

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