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THE COMPLETE PRECEPTOR Jl U w FOR THE L m*} · the complete preceptor for the jl uwlm*} containing...

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THE COMPLETE PRECEPTOR FOR THE Jl U w L m*} CONTAINING ALL NECESSARY INSTRUCTION, WITH A LARGE COLLECTION OF MUSIC ADAPTED TO THE INSTRUMENT, INCLUDING MANY OF THE MOST POPULAR PIECES OF THE DAY. if m% m% m m w fs % BOSTON: PUBLISHED AND SOLD BY ELIAS HOWE, NO. 11 CORNHILL
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Page 1: THE COMPLETE PRECEPTOR Jl U w FOR THE L m*} · the complete preceptor for the jl uwlm*} containing all necessary instruction, with a large collection of music adapted to the instrument,

THE

COMPLETEPRECEPTORFOR THE

Jl U wL m*}CONTAINING ALL NECESSARYINSTRUCTION,

WITH A LARGE COLLECTION OF

MUSIC ADAPTEDTO THE INSTRUMENT,INCLUDING MANY OF THE

MOST POPULAR PIECES OF THE DAY.

if m%m%m mw fs %

BOSTON:PUBLISHED AND SOLD BY ELIAS HOWE, NO. 11 CORNHILL

Page 2: THE COMPLETE PRECEPTOR Jl U w FOR THE L m*} · the complete preceptor for the jl uwlm*} containing all necessary instruction, with a large collection of music adapted to the instrument,

GENERALRULESFORPLAYING THE BUGLE.

The Compass of the Bugle is about the same as that of Post Horn, with this exception, —the notes are not good below

Bty (some Bugles having extra keys for producing high and low notes with.) The open sounds are the same as for the Post

Horn, viz:

eS"^

-&- -c— -E--

-C

I<r

The Bugle in theThe same rules for beginning will answer as for the Cornopeon —also the Exercises for open sounds

hands of Kendall, has produced wonders, he being the best performer in this or any other country.

Bugles are made to stand in Eh, C, and Bfe. Eh's and Bh's being mostly used, (C Bugles being hard to play and not of

a good tone,) it is easier to perform on a Bh Bugle than on an Eb, the high notes come easier on the Bh Bugle, being play-

able to C and D above the staff, while the Eb is seldom played above Gr or A.

Right Hand.

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or

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lieft Hand*

DIATONIC SCALE OF BUGLE.

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1* The upper C does not always come without fingering, the most commonway is, to make it with the 1st finger of Right Hand,

t The cross X represents the thumb, the figures above the notes are for the Right Hand, below for the Left Hand.

Page 3: THE COMPLETE PRECEPTOR Jl U w FOR THE L m*} · the complete preceptor for the jl uwlm*} containing all necessary instruction, with a large collection of music adapted to the instrument,

EXERCISES FOR THE BUGLE.No. 1.

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Page 4: THE COMPLETE PRECEPTOR Jl U w FOR THE L m*} · the complete preceptor for the jl uwlm*} containing all necessary instruction, with a large collection of music adapted to the instrument,

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Page 12: THE COMPLETE PRECEPTOR Jl U w FOR THE L m*} · the complete preceptor for the jl uwlm*} containing all necessary instruction, with a large collection of music adapted to the instrument,

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Page 13: THE COMPLETE PRECEPTOR Jl U w FOR THE L m*} · the complete preceptor for the jl uwlm*} containing all necessary instruction, with a large collection of music adapted to the instrument,

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Page 14: THE COMPLETE PRECEPTOR Jl U w FOR THE L m*} · the complete preceptor for the jl uwlm*} containing all necessary instruction, with a large collection of music adapted to the instrument,

14 MOUNTAINMAID QUICK STEP.Bt>

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Page 15: THE COMPLETE PRECEPTOR Jl U w FOR THE L m*} · the complete preceptor for the jl uwlm*} containing all necessary instruction, with a large collection of music adapted to the instrument,

THE BOWL'D SOGERBOY. LOVER. 15

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Page 16: THE COMPLETE PRECEPTOR Jl U w FOR THE L m*} · the complete preceptor for the jl uwlm*} containing all necessary instruction, with a large collection of music adapted to the instrument,

16 GALLOPADEFROMVERDI'S OPERAOF ERNANI.

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Page 18: THE COMPLETE PRECEPTOR Jl U w FOR THE L m*} · the complete preceptor for the jl uwlm*} containing all necessary instruction, with a large collection of music adapted to the instrument,

18 DUETTFOR CORNETTS,BUGLES, OR POST HORNS. B. A. BUBDITT.

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Page 19: THE COMPLETE PRECEPTOR Jl U w FOR THE L m*} · the complete preceptor for the jl uwlm*} containing all necessary instruction, with a large collection of music adapted to the instrument,

DUETT IN LUCIA DI LAMMEIIMOOR.Bb, or A.

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Page 20: THE COMPLETE PRECEPTOR Jl U w FOR THE L m*} · the complete preceptor for the jl uwlm*} containing all necessary instruction, with a large collection of music adapted to the instrument,

20 MARCHIN LUCIA DI LAMMERMOOR. DONIZETTI.

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Page 22: THE COMPLETE PRECEPTOR Jl U w FOR THE L m*} · the complete preceptor for the jl uwlm*} containing all necessary instruction, with a large collection of music adapted to the instrument,

22

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Page 23: THE COMPLETE PRECEPTOR Jl U w FOR THE L m*} · the complete preceptor for the jl uwlm*} containing all necessary instruction, with a large collection of music adapted to the instrument,

HIGHLANDWALTZ. 23

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Page 24: THE COMPLETE PRECEPTOR Jl U w FOR THE L m*} · the complete preceptor for the jl uwlm*} containing all necessary instruction, with a large collection of music adapted to the instrument,

24

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Aria in Lucia di Lammermoor, 20

Bronze Horse Quick Step, 12

Baden Polka, ......... 9

Duett for Cornetts, Bugles, or Post Horns, . . .18Duett in Lucia di Lammermoor, 19

Dearest Mae Waltz, 22

Duett in Lucia di Lammermoor, . . . .21Fest March, 10

GumTree Waltz, 22

Gallopade 6

Gallopadefrom Verdi's Opera of Ernani, ... . 16

Highland Waltz, .f

. . . . . . .23Jeanette and Jeanot, 15Love's Ritornella, . . . . . , t .9March in Lucia di Lammermoor, 20Mountain Maid Quick Step, 14Cumberland Quick Step, 17The Watcher Quick Step, 13The Bowl'd Soger Boy, . . . , . . 15Then you'll remember me, .8Waltz from Lucrezia Borgia, 11Waltz sounds from Home, . . . ... . 11 #


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