SHOT LIST

THE CONJURING 2 TEASER TRAILER

LENGTH :2 MINUTES 33 SECONDS

SHOT ONE

The first shot starts off with a black screen. There is currently no diegetic or non-diegetic sounds that are being played.

Length :1 second

SHOT TWO

This shot shows the distribution company ident for ‘Warner Bros Pictures’. In this shot is where the non-diegetic eerie sound of howling wind starts to increase in volume. This shot uses low-key lighting. This was a fade from black shot.

Length :1 second

SHOT THREE

The distribution company ident for ‘Warner Bros Pictures’ fades to black and the eerie non-diegetic sound of howling wind is still increasing in volume.

Length :1 second

SHOT FOUR

The next shot is of the production company and this is for ‘New Line Cinema’. This shot uses low-key lighting and fades from black. The non-diegetic sound of howling wind is still currently playing.

Length :1 second

SHOT FIVELength :5 seconds

In this shot we do not see any characters but we do hear the diegetic dialogue of two people having a conversation “Do you know when the voices are going to speak” and the second character replies “Sometimes” after a very short delay.

SHOT SIX

In the sixth shot it starts with a close up of leaves which you can hear rustling, the music gets slightly more intense quick two quick thuds at the beginning and then this tilts to an establishing shot of a house along with titles placed at the centre and at the bottom of the screen, which show the location and time period that the film is based in. This shot uses low-key lighting. This was a straight-cut. You then hear more diegetic dialogue “Does it ever just say things just to you, that you can only hear?”, to which the other character replies “Yes”. A straight cut is used for the transition to the next shot.

Length :13 seconds

SHOT SEVENLength :2 seconds

In this shot we see a close up of a clock and a candle stick. This shot uses low-key lighting and a low-angle shot, this shot also pans slightly. You can hear the diegetic sound of the clock whilst it is ticking. A straight cut is used for the transition to the next shot.

SHOT EIGHTLength :3 seconds

In this establishing shot of a living room, you can still hear the diegetic ticking clock and the howling wind. This shot uses low-key lighting. A straight cut is used for the transition to the next shot.

SHOT NINELength :3 seconds

This is a long shot of a hallway. In this shot you can hear the diegetic sounds of the howling wind and the ticking clock which sounds eerie and matches the conventions of a horror. You can also hear the diegetic dialogue of a woman saying “ Do you feel like it’s coming from inside of you?”. For the transition to the next shot a straight cut is used.

SHOT TENLength :3 seconds

In this shot you can see a long shot of two people that are asleep in a bedroom. This shot uses low-key lighting to match the conventions of a horror. You can hear the diegetic dialogue of a younger girl saying “more like it’s coming from behind me” and you can also hear the ticking clock and the wind. This shot tilts slightly and then a straight cut is used as a transition to the next shot.

SHOT ELEVENLength :2 seconds

In this shot you can see a person asleep. This shot uses low-key lighting and you can also only hear the diegetic sounds of the clock and the wind still, no dialogue is used over this shot. The shot zooms in slightly to the person that is asleep and pans across. A straight cut is used to transition to the next shot.

SHOT TWELVELength :5 seconds

This shot starts off as a long shot of the tent, the shot starts zooming into the tent and then a non-diegetic sound drop occurs and a small light comes on from a zoetrope. This shot uses low-key lighting and then fades to black once the zoetrope light is on. The transition for this shot is that it fades to black.

SHOT THIRTEENLength :½ second

In this shot it is just a black screen to move onto the main characters of the film. You can only hear the diegetic sound of the wind howling to make the teaser trailer more tense.

SHOT FOURTEENLength :2 seconds

This shot fades from black. This is a two shot of two characters and a low angle shot is used. The lighting also changes in this shot to slightly high key lighting, this shows that the characters who are here may be of significance. We can now see that the older woman is asking the young girl a question and we see the diegetic dialogue of “What does it say?”. A straight cut is used to be the transition to the next shot.

SHOT FIFTEENLength :3 seconds

Here we see a two shot of the two characters, the young girl is in focus because she is the character that speaks in that shot and we hear the diegetic dialogue of “it wants to hurt you”. The other character is in shallow focus because she does not speak in this shot. This shot uses high key lighting. A straight cut is used to move onto the next shot. We still hear the diegetic sound of the wind howling in this shot.

SHOT SIXTEENLength :3 ½ seconds

In this two shot the characters are still having a conversation however, this shot shows the older woman in focus and the rest of the shot is in shallow focus and it does not break the 180 degree rule. From this shot we can see that the woman is concerned with what the young girl is saying by her facial expression. We hear the diegetic dialogue of the older woman asking “when did it say that?”. This shot still uses high key lighting and a straight cut is used to move to the next shot.

SHOT SEVENTEENLength :5 seconds

In this close up shot we see that the young girl is in focus and the rest of the shot is in shallow focus, this is because we hear the diegetic dialogue from the young girl when she says “right now” as she is responding to what the older woman said in the previous shot, there is a delay in what she is saying so that this can make the audience feel tense as this is a convention of a horror. This shot then straight-cuts to the next shot. High-key lighting is used in this shot.

SHOT EIGHTEENLength :2 ½ seconds

Throughout this sequence of shots with the older woman and the younger girl shot-reverse-shot has been used to show the characters reactions to what they are saying. Here, we see the older woman in focus and the rest of the shot in shallow focus. We can see the reaction of the older woman, she looks shocked by what the girl has said to her. High-key lighting is used in this shot and a straight-cut is used as a transition to the next shot.

SHOT NINETEENLength :11 seconds

This shot uses low-key lighting and starts off as a long shot of a tent with a zoetrope, the zoetrope then lights up as the camera zooms towards the zoetrope more as this occurs the zoetrope starts moving and we can hear the diegetic clicking sound of the moving zoetrope. When the zoetrope is more central on the screen, titles appear panning upwards, like credits, to show the director of the movie as this is a major selling point for the target market to watch the film. The shot then flashes to move onto the next shot.

SHOT TWENTYLength :1 second

This is where a series of fast shots begins. We see a close up of a man who is looking round a room and he is in the first third of the screen and in the other two thirds you can see lots of crosses which are displayed on the walls, this shows that there is a theme of religion. Lots of light flashes occur within this shot. You can hear the diegetic sound of the moving zoetrope. This shot uses low-key lighting. A flash is used as the transition to the next shot.

SHOT TWENTY ONELength :3 seconds

This shot is a close up of a zoetrope. We hear the diegetic dialogue of “In the name of the father, and the son and the holy spirit”, this shows that there is the theme of religion in the film. We are still able to hear the diegetic sound of the zoetrope in motion. This shot uses low-key lighting and it also flashes to the next shot.

SHOT TWENTY TWOLength :1/2 second

This mid shot shows a table being throne against a wall and lots of glass breaking. We hear the diegetic sound of the table hitting the wall and the glass breaking. A flash is used as the transition to the next shot. This shot uses low-key lighting.

SHOT TWENTY THREELength :½ second

This shot is a long shot and shows lots of characters running towards a door. You can see from their facial expressions that they are desperate to escape the house. This shot uses low-key lighting. A flash is used at the end of this shot to move to the next scene.

SHOT TWENTY FOURLength :½ second

This is a point of view shot that uses low-key lighting. Here, you can see the doorway which the characters are trying to run to. In this shot you can hear the diegetic sound of glass breaking and the screams of the characters that are trying to escape. This shot then flashes to move to the next shot.

SHOT TWENTY FIVELength :½ second

This is a shot reverse shot because it goes back to the characters that are trying to escape, here you can see that the door is closing on them. This also uses low-key lighting to match the previous shot of the characters running towards the door. This shot also flashes as the transition to the next shot.

SHOT TWENTY SIXLength :½ second

In this shot we see a close up of the first character who was running towards the door in the two previous shots. We see him reaching the door that has shut on him. We hear the diegetic sound of the door slamming shut as well as hearing people shouting. This shot uses low-key lighting. We see a flash when this shot transitions to the next shot.

SHOT TWENTY SEVENLength :1 second

Shot reverse shot is used in the next few shots between different characters in the film and the zoetrope whilst it is moving quickly. This also makes the teaser trailer more tense because it is fast-paced between the zoetrope and the other shots. Flashes are used as the transitions between these shots as well as a swiping sound as the shots go from one to another.

SHOT TWENTY EIGHTLength :¼ second

In this shot we can see a close up of a woman who is screaming. We hear the diegetic dialogue of her screaming too, we can hear a swiping motion also when this shot moves to the next one. This shot uses low-key lighting to match the conventions of a horror. As the transition to the next shot, there is a flash.

SHOT TWENTY NINE

Length :¼ second

This shot is a mid shot of a woman who is looking up at the sky whilst it is raining, as she is looking up at the sky, a high angle shot is used which then pans down slightly. This shot also uses low-key lighting to match the other shots that have appeared in the fast sequence of shots. You can hear the diegetic sounds of the woman screaming from the previous shot, you can also hear the non-diegetic sound of dramatic music. This shot flashes during the duration of the shot and a larger flash is used as the transition to the next shot.

SHOT THIRTYLength :¼ second

A closer image of the zoetrope is used as the shots of the zoetrope and the people move from one to another.

SHOT THIRTY ONELength :¼ second

In this shot we see a long shot. We can see on the left a shadow of a scary looking figure as it is hunched over, having shadows in a shot is as typical convention of a horror. On the right side of the screen, we can see a man who is holding is arm out, you can also see his own shadow appearing behind him. There is a light behind him to create this effect. You can hear the non-diegetic eerie music and the diegetic sound of the zoetrope as it is moving around. Here, you can see the flashes from the zoetrope spinning around. This shot uses low-key lighting and a flash is used to move to the next shot as this reflects the zoetrope’s movement.

SHOT THIRTY TWOLength :¼ second

Again, an even closer shot of the zoetrope is used, in this shot you can still see the whole of it.

SHOT THIRTY THREELength :¼ second

In this shot we can see a close up of a girl who is screaming. This shot uses low-key lighting and we also hear the diegetic sound of the zoetrope as it is spinning around. This shot flashes as the transition to the next shot.

SHOT THIRTY FOURLength :¼ second

In this shot we can see a close up of a woman who is being thrown against the wall, she is placed near the centre of the screen. This shot uses low-key lighting to match the conventions of a horror genre. You can hear the diegetic sound of the zoetrope whilst it is spinning around. The transition that is used to move to the next shot is a flash.

SHOT THIRTY FIVELength :¼ second

In this shot of the zoetrope, you can only see the slits of the zoetrope as the camera gets closer to it.

SHOT THIRTY SIXLength :¼ second

In this shot we can see a mid shot of a man who looks like he is being possessed, the reason for this is that he has blurred eyes and his eyes are also quite wide and boldly open. He is placed in the centre of the screen. We can still hear the diegetic sound of the zoetrope spinning around in this shot. The transition that is used to move to the next shot is a flash. This shot uses low-key lighting but the character is clearly highlighted.

SHOT THIRTY SEVENLength :¼ second

Now, you can start to see the inside of the zoetrope whilst it is spinning round.

SHOT THIRTY EIGHTLength :¼ second

During this shot we hear the diegetic dialogue of the man shouting “Lorraine”. This shot is a close up of a man who is holding something out in the rain, he has red marks on his face to show that he has been part of an accident. This shot uses low-key lighting just like the rest of the teaser trailer and the transition that is used to move to the next shot is a flash.

SHOT THIRTY NINELength :¼ second

In this extreme close up shot you can only see the edge of the slits of the zoetrope and you can also mainly see inside of it.

SHOT FORTYLength :1 second

In this shot, you can see a long shot of a character who is getting hit with fragments of glass from the window, she is directly in the centre of the screen. This shot uses low-key lighting. You can hear the non-diegetic sound of screeching and you can also slightly hear the diegetic sound of the glass shattering straight away. Throughout this shot you can see the zoetrope spinning around. This shot uses a straight cut as the transition to the next shot.

SHOT FORTY ONELength :½ second

This shot uses low-key lighting and we can see a mid shot of a character who is getting hit by lots of fragments of glass, she is still in the centre of the screen. This is the same shot as the previous however, this is a different angle. Therefore, with this shot we still hear the non-diegetic sound of the screeching. We can also see the zoetrope spinning around in this shot. A straight cut is used as the transition to the next shot.

SHOT FORTY TWOLength :16 seconds

This shot starts as a close up of a young girl, because of the angle of the shot it looks like she is lying on the floor, the camera then moves and slowly turns around to show that she is on the ceiling in a low angle shot. This shot uses low-key lighting. In this shot we can hear the diegetic dialogue of the girl saying “help” and we can also hear her breathing heavily. We can also hear the non-diegetic sounds of an eerie tense soundtrack. There is a straight-cut that is used as the transition to the next shot.

SHOT FORTY THREELength :1 second

In this shot we can see a close up of the girl that was in the previous shot, this then slightly pans away from her face for a brief moment. In this shot we can only hear the diegetic sound of her breathing. This shot uses low-key lighting to match the conventions of a horror. A straight-cut is used as the transition to the next shot.

SHOT FORTY FOURLength :2 seconds

This is a low angle shot of the girl and we can see that she is attached to the ceiling, we can hear the diegetic sound of the rope when it is being pulled and we can also hear the diegetic sound of her breathing. This shot uses low-key lighting. This shot uses a straight-cut as the transition to the next shot.

SHOT FORTY FIVELength :1 second

In this shot we see a cut in of the girl’s hands as she is moving them, we can see that her wrists are red from where she has been held. We only hear the diegetic sound of her breathing in this shot. Low-key lighting is used.

SHOT FORTY SIXLength :½ second

This is a mid shot of the girl, a low angle shot is used. In this shot we hear the diegetic sound of the girl gasping and we can also hear a scary non-diegetic sound which makes it seem as a supernatural presence is there. This shot uses low-key lighting and a straight cut is used as the transition to the next shot.

SHOT FORTY SEVENLength :½ second

This is a cut in shot, it is a close up of the girl. This shot uses low-key lighting. We hear the diegetic sound of the girl breathing heavily, we can also hear the sound of a very strong eerie noise to make the teaser trailer more tense, this sound gets louder. The transition that is used to move to the next shot is a straight-cut.

SHOT FORTY EIGHTLength :1 second

This is a long shot, that is placed as a high angle shot to show the vulnerability of the young girl, you can see the girl start to sit up. This shot uses low-key lighting. In this shot you can see the destruction of the room. A very loud non-diegetic sound of a bang is heard. The transition that is used to move to the next shot is a straight-cut.

SHOT FORTY NINELength :1 second

In this shot you can see a low-angle shot of the girl getting up and looking around the room. You can hear the diegetic sound of the girl breathing heavily and you can also hear the non-diegetic sound of a piano key being played. This shot uses low-key lighting. The transition that is used to move to the next shot is a straight-cut.

SHOT FIFTYLength :1 second

In this shot you can see a long shot which is a high angle shot of the young girl moving round and getting up from the floor. You can hear the diegetic sound of her breathing. This shot uses low-key lighting and you are still able to hear the non-diegetic sound of the piano key being played. A straight cut is used as the transition to the next shot.

SHOT FIFTY ONELength :1 second

Here, we can see a mid shot of the young girl who looks scared, she is placed in the centre of the screen, this shot tracks her facial expressions as she slowly starts turning her head. We can hear the diegetic sound of something moving in the background, we can also hear the non-diegetic sound of a slight boom. On either side of her we can see that there are crosses on the walls. Low-key lighting is used in this shot. The transition that is used to moves to the next shot is a straight-cut.

SHOT FIFTY TWOLength :1 second

In this shot we can see that there are lots of crosses that are hanging on the wall, we can see the cross that is in the middle start to move. We can hear the diegetic sound of that cross moving and also hear the sound of the girl breathing afterwards. This shot uses low-key lighting. A straight-cut is the transition that is used to move to the next shot.

SHOT FIFTY THREELength :1 second

This is a close up of the young girl, you can see the fear that she has from her facial expressions, this shot then tracks closer to her face to show the impact of the fear that the girl has. This shot uses low-key lighting. In this shot you can hear the diegetic sounds of the girl breathing heavily. The transition that is used to move to the next shot is a straight-cut.

SHOT FIFTY FOURLength :1 second

In this shot we can see the crosses that were being hung up on the wall however, in this shot we can see less of them because the shot is more zoomed in on the crosses, the cross that is in the middle then moves around more. In this shot we can hear the diegetic sound of the girl breathing heavily, we also hear the non-diegetic sound of a dark boom and a more eerie soundtrack. Low-key lighting is used in this shot. The transition that is used to the next shot is a straight-cut that cuts back to the young girl.

SHOT FIFTY FIVELength :½ second

This is a close up shot of the young girl, this shot also tracks closer to her face. We can hear the diegetic sound of her breathing heavily and we can also hear the non-diegetic eerie sound that was in the previous shot. This shot uses low-key lighting. The transition that is used to move to the next shot is a straight-cut.

SHOT FIFTY SIXLength :2 seconds

This is a close up shot of one of the crosses that is on the wall we can see it fully turn round. We can hear the diegetic sound of the cross turning around. The non-diegetic sound of a heart beat that is beating very quickly. This shot uses low-key lighting. A straight-cut is used as the transition to the next shot.

SHOT FIFTY SEVENLength :1 ½ seconds

This shot is a close-up of the young girl’s face. We can hear the diegetic sound of a quick breath. The non-diegetic sound that is used is a boom. Low-key lighting is used in this shot. A straight-cut is used as the transition to the next shot.

SHOT FIFTY EIGHTLength :3 seconds

This is an over the shoulder shot, in this shot we can see that the girl is looking at the room in front of her and all of the crosses on the wall start to move and turn around. We can hear the diegetic sound of the girl breathing heavily and we can hear all of the crosses that are on the wall moving. This shot uses low-key lighting. The transition that is used to move to the next shot is a straight-cut.

SHOT FIFTY NINELength :1 ½ seconds

Again, there is a close up of the young girl’s face. We can see that she has been crying and from her facial expressions, we can see that she is scared, she is looking around the room. We can hear the diegetic sound of the crosses moving. This shot uses low-key lighting. The transition that is used to move to the next shot is a straight-cut.

SHOT SIXTYLength :2 seconds

In this shot we can see the damaged room in a long-shot, this shot then pans, you can also see the crosses that are moving on the wall. We can hear the diegetic sound of the girl breathing heavily and we can hear the sound of the crosses moving. We can also hear the non-diegetic sound of the piano key that was being played previously a louder eerie sound is also played. This shot uses low-key lighting. The transition that is used to move to the next shot is a straight-cut.

SHOT SIXTY ONELength :1 ½ seconds

This a close up shot of the girl and is even closer to her face than the previous shots that there have been of her. We can see here that her eyes are quite red as she moves her eyes. Low-key lighting is used in this shot. We get hear the diegetic sound of the girl breathing and we can hear the non-diegetic sound of the eerie soundtrack getting louder. A straight-cut is the transition that is used to move to the next shot.

SHOT SIXTY TWOLength :3 seconds

A low angle shot is used and we can see the young girl sitting on the floor looking at all of the crosses moving and the non-diegetic soundtrack suddenly comes to a stop. This shot then includes a jump scare as a scary character jumps out towards the girl and the camera as he screams. This shot uses low-key lighting. Including this jump scare is a typical convention of a horror. The transition that is used to move to the next shot is a straight-cut to black.

SHOT SIXTY THREELength :½ second

In this shot we see a mid shot of a young girl. We hear the diegetic sound of her screaming. A high angle shot is used and this shows that she is vulnerable especially because we can see the fear that she has from her facial expressions. This shot uses low-key lighting. We can see around her that the room is very messy, this shows that paranormal things have happened. The transition that is used at the end of this shot very quickly fades to black.

SHOT SIXTY FOURLength :1 second

This shot is a break from the footage from the film of ‘The Conjuring 2’, to the credits that appear at the end of the teaser trailer. This tells the viewers that they have seen all of the teaser trailer and that it has finished at a dramatic end because the black screen just appears after one of the characters screamed. During this shot we hear the non-diegetic sound of a music box that has started to play, this makes the teaser trailer more eerie.

SHOT SIXTY FIVELength :5 seconds

This is the first of the titles that are shown and shows the title of the film, this is placed in the centre of the screen in a big font size, the titles are bold and they stand out so that the title of the film can be remembered, this is a reason that it is also placed at the end of a teaser trailer. These titles match the conventions of a horror because they are quite dark. There is non-diegetic sound of a music box playing and this makes the titles more eerie. The titles fade from black and for the transition to the next shot a straight cut is used.

SHOT SIXTY SIXLength :4 seconds

This shot is used to give the viewer an insight into the film, they get more of an understanding, into who this true story comes from and this makes the viewer more tense because they can see that this was a true story and they can be intrigued by the fact that this may have happened in reality. We still hear the eerie music box. These credits are the same as the other credits in terms of the way that they are displayed.

SHOT SIXTY SEVENLength :2 seconds

These credits show the release date of the film, which fade from black. This is to inform the audience of when the film will be in the cinema so that they can watch it. The release date is in the same font, colour and area as the other titles. Here you can still hear the non-diegetic sound of the music box. These titles also use a straight cut to transition to the next shot.

SHOT SIXTY EIGHTLength :1 second

The titles of this shot appear on the screen straight away. These titles are used to show the production company and other people ho worked on the film, such as who created the music. In this shot we can see the name of the film. The font, colour and positioning of these titles are the same as the other credits to be able to use continuity for the branding of the film. A straight cut is used as the transition to the next shot.

SHOT SIXTY NINELength :1 second

This shot shows even more of the crew that worked on the film. These titles appear on the screen and they are the same as the other credits that appeared in the teaser trailer. A straight cut is used as the transition to the next shot.

SHOT SEVENTY Length :1 second

This shot shows more credits as this shows some of the people that worked on the film, such as the director because the director will be a unique selling point. These titles do not have any sound over the top of them. The layout of these credits is the same as the other credits that were previously shown on the teaser trailer.

SHOT SEVENTY ONELength :½ second

This shot is a black screen and is a quick break between the rest of the teaser trailer and where the audience can see what social media they can follow. Here, we do not hear any sounds.

SHOT SEVENTY TWOLength :4 seconds

This is the last shot that is shown in the teaser trailer and is the last of the credits too. This shows where the target market are able to interact with the film more, by using the hash tag and following them on multiple social media websites. By doing this, the film can get more recognition because people will be posting about their excitement for the film. These credits are in the same font and colour as the other credits and are also placed in the centre of the screen too.