+ All Categories
Home > Documents > THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR...

THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR...

Date post: 16-Dec-2015
Category:
Upload: lionel-palmer
View: 218 times
Download: 0 times
Share this document with a friend
Popular Tags:
63
THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--
Transcript
Page 1: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY

---By Ming-Ta Kao--

Page 2: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

Chapter 1

The Problem and its Background

Page 3: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

1.1 Introduction and statement of the problem

China's Chinese word, of long standing and well established, our country's inherent traditional culture.

The ancient style of calligraphy, current in the Zhou Dynasty from the ancient Chinese prose of the style of calligraphy is to the lesser seal character, subordinate to through seal character, model, transportation, grass, various physique take shape gradually. Among characters, various nationalities of world, can independent calligraphy art of class only.

Page 4: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

Pictograph

Page 5: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

The evolution of character gives an example

Page 6: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

Inscriptions on bones or tortoise shells

Page 7: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

Large seal character-Ancient style of calligraphy, current in the Zhou Dynasty

Page 8: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

Small seal character

Page 9: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

Lishu

Page 10: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

Regular script

Page 11: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

Running hand

Page 12: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

Cursive script

Page 13: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

Write pen, Chinese ink, paper, inkstone used, except tool, can also appreciate, represent mankind's noble quality, represent special art of the spirit of the times too.

Page 14: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

Write tools

Page 15: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

Pen

Page 16: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

Black - loose one scorched, make by special method, after mixing it with water, ? Wear into black Chinese ink, is used for writing.

Page 17: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

Paper

Page 18: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

Inkstone

Page 19: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

Because of the flourishing development of science and technology, have written tools and already had a brand-new change, the practical value of the calligraphy, in such an objective environment, certainly has already been challenged deeply. In fact, the modern society which we extremely developed in the material progress, life is tense, soul is hollow, real and necessary through the implementation that the calligraphy educated, to adjust life and moist soul. And calligraphy artistic aesthetics and happy feeling getting happy speciality and function, beautify life in we aesthetic sentiment to nourish and cherish us also, the calligraphy should not be forgotten for people.

Page 20: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

1.2 cause of the study

Written with writing brush calligraphy, practical value its write the tool or computer replace while being other already.

The government does not pay attention to calligraphy education.

Some people even think Chinese write and hamper science and technology's progress.

I think: The above-mentioned views are not totally correct, hope to look for a road to save Chinese calligraphy development.

Page 21: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

1.3 Delimitation of callgraphy

The refered calligraphy of this research, only mean that writes art of

Chinese characters.

Page 22: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

1.4 scope of the study

The calligraphy that this text speaks, the orthodox calligraphy that has meant for 6,000 years is spoken.

Engaged in the example that the calligraphy educates in Taiwan with Zhang Bing-Huang professor, is engaged in research 。

Page 23: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

1.5 The significance and the purpose of the study

The People's Republic of China has a large population, and the national power is rich, the United Nations, in 2008, determine old China hand competent characters that use as formal tomorrow simplified Chinese character.

Use the country or area of ' the roman word ', only have Taiwan, Hong Kong and Macao left.

The People's Republic of China has already found the drawback of the simplified Chinese character, is the calligraphy of Taiwan educated? Bear, save one outstanding serious responsibility of culture heavy to let.

Page 24: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

Chapter 2 The theoretical framework

Page 25: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

2.1 Relevant Theories

This study is based on the theoretical basis of Edmund Husserl’s phenomenon study.

Page 26: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

Edmund Husserl 1859-1938

Page 27: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

2.2 Method to study in phenomenon

( 1 ) Leave the question open law

(2) The essence ocular law(3) Increase description that does not reduce

(4) Both as subject research law of relation

Page 28: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

2.3 Understanding and conclusions regarding studies in phenomenon (1) , one has no stereotype, not applies the theory of the

theory mechanically, master the method with essential phenomenon.

(2) , the phenomena of priori proposed are studied, Ji can dissolve the academic crisis of Europe.

(3) , the final purpose of studying in moustache match phenomenon, lie in setting up a strict scientific knowledge system.

(4) , put emphasis on, ask all own and waiting and seeing instead.

(5) , the trap that don't fall into the self-contradiction.

Page 29: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

2.4 Review of Related Literature

Page 30: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

2.4.1 Taiwan inherits China‘s orthodox calligraphy

Since China's Mainland, pursue, use simplified Chinese character, to make word principle Chinese character, destruction totally, fortunately in Taiwan, we act on the Chinese cultural tradition, use the roman word that history passed on, enable the centre blood vessels of Chinese culture, can extend.

Page 31: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

2.4.2 Chinese words are graceful and their figures are various

1. There are various styles of Chinese characters.

2. The internationalization of Chinese calligraphy

3, Chinese calligraphy stresses the romantic charm

4, A handsome calligraphy writing makes one rich and come to the front

Page 32: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

2.4.3 Each dynasty had different calligraphy styles People in Jin Dynasty liked calligraphy for the

lasting attraction people in Tang Dynasty liked calligraphy of rules

of writing people in Song Dynasty liked calligraphy of

artistic conception people in Yuan Dynasty and Ming Dynasty liked

the posture of the calligraphy. people in Qing Dynasty paid special attention to

the rubbing from a stone inscription.

Page 33: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

2.4.4 Complicated factors are involved in the calligraphy styles in a specific dynasty

One piece books of era wind, it is it depend on by strengths personal only can about,need periods getting longer in ferment transform into naturally.

Page 34: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

2.4.5 The course of calligraphy development in Taiwan

Page 35: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

The dawn of Taiwan style of calligraphy ( 1662-1735 )

Roughly in will it be last years Ming Dynasty, Zheng Cheng-gong for being ' instead clear to regain one's sight ', regard Taiwan as base area, therefore bring some aides and staff, these aides and staff, a lot of pass government's strict examination, they are certainly good hands who write calligraphy, Zheng Cheng-gong's calligraphy, there is one's own special too. Can say Taiwan dark for culture, bring a bright lamp of culture.

Page 36: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

The early period for Taiwan to accept the orthodox Chinese calligraphy art ( 1683-1895 )

Cover Qianlong imperial court in this period, until Emperor Guang Xu, while ceding Taiwan to Japan. Unless Taiwanese the rich, in it have too the department one, it last pieces of prosperous calligraphy wind towards. Combine with, China former tour official, with artistic appreciation of them, book the rumour is getting about enter Central Plains, have irrigated the field of the calligraphy of Taiwan.

Page 37: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

The period that integrated Japanese style to the Taiwan style of calligraphy ( 1895-194

9 )

Japanese book one, originally influenced by China and very deep, their characters, are hit Chinese word and changed too, it is long, still have some changes, i.e. the so-called Japanese wind with the Chinese calligraphy style. Taiwan is their colony, Japan forces Taiwanese to approve their culture with the advantage, on the wind in the book, integrate a little taste of Japan more or less.

Page 38: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

Inheritor of China's orthodox calligraphy ( 1945-1976 )

China's Mainland simplify characters in an all-round way, hit Chinese word beautiful, totally destruction, make their scholar, because can not understand the ancient book, and enable research work slowly, our Taiwan uses ' the roman word ', so Taiwan is the inheritor of China's orthodox calligraphy.

Page 39: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

Entering a new era of calligraphy art in Taiwan ( 1987- )

In every eras, there is a calligraphy style taken the place of at that time. In since 1987, the government claimed to lift a curfew, the yardstick of the thought, speech was greatly relaxed, like visiting the sea, freely.

In so fine an environment, we expect, must create a unique calligraphy style. So I call this era: Era of ' the new look of new exhibition of entering happening anciently '.

Page 40: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

2.5 Review of Related Studies

Page 41: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

(1) The environment is disadvantageous to the implementation of calligraphy education

The calligraphy is developed, the greatest puzzlement, the intervention from political strength and good factor of academic environment faced at present.

Page 42: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

Political intervention

( 1) , in the implementation simplified Chinese character of China's Mainland

( 2) , the thinking of Taiwanese ruler ' goes to China '

Page 43: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

The academic environment is not good

( 1) , educational course of school calligraphy is not paid attention to

( 2) , teachers have insufficient speciality ( 3) , the teaching material is unsatisfactory ( 4) , the government seldom holds the calligraphy match ( 5) , the funds are fallen short and distributed unevenly ( 6) , the tradition writes the declining of the method ( 7) , the social personage exhibits the field insufficiently ( 8) , subject of calligraphy exchange horn, loss more and

more, population of calligraphy,

Page 44: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

(2) The idea of Professor Zhang Bing-Huang's calligraphy education

The calligraphy is that anyone can study the successful one.

The advantage of advocating studying the calligraphy is numerous.

It is orthodox that the attitude toward calligraphy education insists on Chinese characters, but teaching method, should be with era and progress.

Page 45: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

Professor Zhang Bing Huang’s Methods in calligraphy education

The Natural Approach Teaching method of Suzuki Probing into type teaching method Colony teaching method Taking one steps forward must be examined twice

method Auspicious lucky teaching method of school of Europe

(Lois Malaguzzi School Teaching) These methods, on the teaching applicable each time

at the same time, but see the situation ' teach students in accordance with their aptitude '.

Page 46: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

(3) The practice of Professor Zhang Bing-Huang's calligraphy education

1,The teaching method is being improved constantly, keep up with changing times. 2,Restore classical rubbing from a stone inscription of China, substantiate the

teaching material. 3,The book with great concentration sets forth one's views, for reader's reference. 4,Creating the book will combine the people having a common goal, become the

writing style luxuriantly. 5,Ten thousand people open the pen at the beginning of the year, the joyous festival

of calligraphy circles 6,Hold the calligraphy match to improve and write? Will 7,Make arrangements for ' the annual exhibition of the calligraphy of Taiwan ', the

type moulds the Taiwanese book wind. 8,Train calligraphy teachers, transmit the burning incense. 9,Open the boundary and open up the soil for the calligraphy of Taiwan, increase the

influence. 10,The text raises the disposition, the calligraphies of the whole people of the

advocacy 11,Make arrangements for the scientific seminar in order to improve the book and

pays attention to accomplishment

Page 47: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

Chapter 4. The Conceptual Framework

Page 48: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

(1) The conceptual framework for the study of Chinese calligraphy education is based on the phenomenology of Edmund Husserl.

It is very deep that the moustache match is influenced by flute card, maintain that should hold the attitude suspected in everything, until finding the truth.

Treat the things, do not change because of knowing, the stream of consciousness of the subject, all puts brackets, priori leaves the question open.

Subject use, put method that bracket leave the question open, make objective knowledge, just as it, appear, take notice of, know structure, complement with essence ocular method, come, find out about life essence of object of world.

Page 49: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

From the above conclusion, the following diagram illustrates the logic structure of the study.

Page 50: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

( 2 ) Procedure of study

According to the conceptual structure described above, the materials obtained will be deduced, analyzed, compared, and summarized to put forward the preliminary views for further discussion. If there are doubtful points in the finding, more data will be searched for verification according to phenomenon study of Husserl. After the doubtful places are clarified, the drafting of the dissertation will be started.

In the course of the writing, I would keep close contact with the counselors. More attention will be paid to the details; even the addition and deletion, retouching of characters, will be double checked over and over again until the conclusions are reached.

Page 51: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

The procedure of the study is illustrated in the following diagram.

Page 52: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

5. Hypothesis of the Study

How make Chinese calligraphy, can stand erect, shake, continue, advance, hope of author.

Think this research is very important with the author, suppose that passes Professor Zhang Bing-Huang, as to the method that the calligraphy educates, it is expected value obtained and contribution : Can keep the population of writing China's orthodox calligraphy here, it is the orthodox Chinese calligraphy successor's status to establish Taiwan.

Page 53: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

Chapter 3 Methods of Research

Page 54: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

3.1 Methods and Techniques of the Study

(1)History study(2) Interviews(3) Data processing

Page 55: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

3.2 Research Instrument

A large number of materials how to store effectively to collect, certainly need superior computer to make tools.

In the choice materials, need broad knowledge, meticulous outsight, clever resolution strength even more, could make the thesis describe meaningfully.

Page 56: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

Chapter 4 Presentation, Analysis and Interpretation of Data

Page 57: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

4.1 The achievement of this research

(1) , insist writing and promoting and writing ' roman Chinese '

(2) , establishment calligraphy corporation (3) , cultivation calligraphy seed teacher (4) , it lasts the run-up various competitions (5) , book expound one's ideas in writing is it book dish set

up model (6) , the atmosphere of popularizing the social calligraphy (7) , the sports of recommending New Year customs and

combining with calligraphy (8) , lead the international calligraphy alliance and

international Pen Association of blue pavilion (9) , the gold world record of driving quill of challenge

calligraphy

Page 58: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

Chapter 5 Conclusions and Recommendations

Page 59: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

5.1 Summary

China's Chinese word, of long standing and well established, while Chinese characters are written and employed, have produced in world various nationalities' characters gradually, one alone, calligraphy art of the class that can be independent.

Chinese writes tools used, is writing brush and Chinese ink, paper, ink stone. Because of the development in science and technology, has invented more convenient writing tools, people not only abandon this traditional art of writing gradually, even, think it has hampered science and technology's progress.

Page 60: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

In fact, this idea remains to be tested, Taiwan uses ' roman Chinese ', science and technology has not been influenced slightly, and the fact proves, Chinese is not only most favorable to the use of the computer, and the Chinese script is graceful, besides practicability, also have artistry concurrently, if add the exercise and hardworking still can adjust life and moist soul.

I am according to this idea, how to engaged in the method that the calligraphy is being educated to rise and carry on research Taiwan? Find many questions too.

In order to clearly distinguish the question, I choose with Zhang Bing-Huang professor, how to teach idea and achievement of the calligraphy, prove traditional Chinese is written, not only will not disappear, but also will continue developing.

Page 61: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

5.2 Findings and Conclusions Among Chinese mind, think it is beautiful for Chinese not to

write, for be able to write proficiency fine people of word, will throw it with the eyes that are envied more or less. Ma Yingjiu today in the president ' 2009)On annual New Year's Day, break gold after the calligraphy of the world drives quill and notes down, the very excited one says: ' next year sign in succession through every university of the world, will apply for Chinese characters and become the legacy of the world '.

It is the president that Mr. Ma is expensive, there is such understanding, erupt simultaneously such a bold language, exciting. But calligraphy educate, for a long time, intend and have no intention under being indiscreet and negligent in government, leave many to lack, for rectify shortcoming these, hope later on government, can take positive effective attitude and method already, could make Chinese write, founds for a brilliant new era, the good greatest here.

Page 62: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

5.3 Recommendations for calligraphy education in Taiwan

(1) , the government should indicate that recommend the clear attitude of the calligraphy

(2) , the researchers who should substantiate the calligraphy theory

(3) , should set up the calligraphy special library or the museum (4) , the calligraphy group should rely on one's own efforts (5) , the calligraphy match of handling the healthy psychology (6) , the modern book skill should be planted because of the

roman country's word (7) , enhancement foreign language ability squeezes into the

international community (8) , there should be consciousness of major status of calligraphies

in Taiwan (9) , the government should look after the calligraphist's life

properly

Page 63: THE DEVELOPMENT OF THE CALLIGRAPHY EDUCATION IN TAIWAN USING THE CALLIGRAPHY TEACHING OF PROFESSOR ZHANG BING-HUANG AS A CASE STUDY ---By Ming-Ta Kao--

The report finishes

Please give me your comments by

criticism


Recommended