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[The Fragments]::(malfunctioning < a / p o e t r y / >
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[The Fragments]by
Atticus The Elder
&
Arthur Shawcross
&Nezahualcoyotl
&
CAvEMaN
&
Tom Watts
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pening | i f e l l *< ! . . end fragment . . ! / >ffhsllllllllllfsssnnnnnnnssssfhs,¿ãÅûê;&ÜòcpÍ°NÒt§ÁâÊo·O ä1Cw endstream endobj 928 0 obj>stream h!2P0P°±ÑwÎ/Í+Q04Ö÷ÎL)67) 'X(ÊT(ÄôÔb;; 2¤ 6 endstreamendobj 929 0 obj >stream h!2S0P0W0 )P°±Ñ÷+Í-q bíì"Áú.vv 7endstream endobj 930 0 obj >stream< ! . . start fragments . . ! / >
Fragments of murderer's notebook, 1981
] & scattered corks
of autumn's round bales- quince trees planted over dead dogs
there is always soap & Tarmac,the potential for gardens- previously awarded par
The river dried up in July& swallowed [
Seaton, Devon
the edge of England -constellations of stonesin the dog-wet sand
& hanging gullsshrieking their elevationsun (((0))) sun
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CERN (i)
Cyclical, underground and breaking -
one hundred before the atom.
elegant – only in its form (the skin is pretty
always covering
endless muscle
and potential.[i]
underneath a pinhead, billions[ii] - an atom
in two hands
the shovel/the pen.
one breaks, three breaks a bridge across a wing.
Unpinnable, one sits amongst the chair (the second begins
immediately after
the previous,
the boundaries smudge.[iii]
Working on stasis
on wooden benches
where elements sleep
unable to silhouette for movement.)
The constant buzzing of objects and animals
solid and gone
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everywhere at once
eat the tomatoes in the greenhouse and the carbon in stars.
[i] Circulating with good lifetimes. Splashes of particles,periods of quiet beam.
[ii] Thanks for following, systems commissioning begins; theclockwise beam.
[iii]Energy in tiny, tiny, tiny, tiny particles; 450Gev of
energy crushing a nut.
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CAvEMaN HAiKU
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Fragment of murderer's notebook, 1983
] beyondthe singing rails [
] of theeastern line [
] the blinking flightof the butterfly [
] chewed by the cat [
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$Ô k>f (#&»S2îceõ1ceõ1à o#`e3,;@Á">f®8-E}ÌP° ' ó1ÃèÅ6õ.>f(XaÙWhõ1CÒ\(XƬx]o Â51⁄4+. 1° Y±2«»ûYñEÁ(UÕÕ1⁄2 ®`âְu1⁄4ÊVsAÁY@0¿ ÀãU $9K n*]àî-£¿Ú1Kï 1⁄2#V@UÌ+ PPmÓê , 죰 y8 ° 'BÊÖ0L ù1⁄4eë!2¤l1⁄2¡AX¿ "!¤ìkRbY){rCAʱàQ X0o8, xï[FwøÊìNuÍoÁZávóv0^6ï
$T4ù÷êÓôCÊ0_o5»¿/1⁄2c1¤ìû±ùvoúVb3⁄4®+äõU]ëÌ|G]±b9`\}5ßSWl^(9ÃW 'ù®oJÉ(9Ã1⁄2À|_] ! ßXWoË23N ÅRAOQ`hgÔÕW3àïIX¥31qF_}19£C6¬@/u_`cô%&eRàæä3ÿêdx3|3sÀU|A6Åö "ÓVïV*!/fÏ ¶¥° 8·ÂÊæß1Ô2Ug4haÕ{ëâuÎè&q#1ewNk«àC¿üróÛ¿,ú#Ãg|/ _Í#7·÷,åDiûrúÓí»=lO?[*¥éöÄ2a(Îk2Õ¿1yõ&åñã#?3⁄4»ur©ù(ñ_oÿ^ÚÍëO}C,øûóãÍ*#/ÿ}»á^úôõ# _1àWØ96À*Í*ãÛ1⁄2îö3⁄4tYø4>·Æ¶ú,>Ïã(ÎÏaÊ÷'q
$D\&.ËÄeâ8! Nâ8%NSâ8%Î3â8#ΣD3⁄4EïOâ q )W+1W«ÄQRÿPïOâq $F\':dêúê!ÔC 'P¡B=zõê!ÔC 'P ¡B=zõê!ÔC 'P¡B=zõê!ÔC 'P¡B=zõê!ÔC 'P¡B=zõê!ÔC 'P¡B=zõê!ÔC©R¥oëñæÙU÷1⁄4!è7¿*ü,é§1⁄4!}~xû,ã»ÛeÛÇÍ«wË3⁄4¡{±Ôõù6R¤ò|y3⁄41⁄4î/o·cÀFÔ +vnøæ1⁄2Ù%õ»,(ñÏÇ/!|1⁄2döb¡]1Q )QØqI-@J!{tØ%¬a+HÿH-XyxFXÃ7ÉÃÇÈÃÏÈÃ#Ë °käoÈañ
9¬#3⁄4!5rÄ7ô°FøkD|C5"3⁄4¡Ãß%aoØ°FÄ7ì°D|ÃkHÄ7ì°D|ÃkHÄ7ÊaøFÖøFÖøFÖøFÖøFÖøF=¬¡ß 'W>¶qz% ÑçÔÃVñvØJ#Ó"ÓÏÑç )Ãs4â9mX#â9}X#â9}DiÏé5,â*(°E|£Ö°oÈqM#¬a °k|cÂÄ-à kD#!ÖøâDX#Pk¬Kû_`Ö(!V{>Ôÿ1kDa-ÄÊÏû/°ôJ )ÿ \ ÷_ !+ñ,i`5ä#ZM!áj yÈWSÈEFÀB>2"Ör2+\bÖ\Ö\¢Ö\ÂÖ
$51⁄4d®9ä%#rÍ!/¡kyÉ] sÈKF&C^r^C^r _C^r_C^r `C^2"X yIÕ+ÇhåÊ9àZ»rø1mÄ©ò 'JÈK.jÈK.¡jÈK. ±jÈK.ÁjÈKF
)a!/áa1⁄4dÄ«ò°jÄKtD¬ÚB )|%ì+Wâ,håJàÿ]ü@»1⁄2#=l*R*ûSùlû3ó}æûÌ÷{ô )¥¶·§'Ä qB§Ä)qJ§Äqû§íjÎÀ.çë/ÿyø &sæiÆm ,ÌE!sP÷,%Sj¤Ö±·ûë;(Õ1⁄4Ï1⁄4Ùpú}ëß^ìkê§cÁÄö3øgæ^&©v:Ìàëé$0ï§3À^Ò9ú!È9î!Ø9â!Ôs¬?Cèç(éßÏäÙÏìÓÏê9!ôs?A
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$ߤ!ã4&ç4©ø8A¤IÉÇÙ!Mj>NiRôq^È¢B*Æ!çIB>ßÙÌô|[3C(ç{B;ß%LÆåu®|3⁄4!èù>fPÎ713v3⁄4 ;jTz\OˤÒãfZ&wÒ2©ô $IX0o8, xï[FwøÊìNuÍoÁZávóv0^6ï
$T4ù÷êÓôCÊ0_o5»¿/1⁄2c1¤ìû±ùvoúVb3⁄4®+äõU]ëÌ|G]±b9`\}5ßSWl^(9ÃW 'ù®oJÉ(9Ã1⁄2À|_] ! ßXWoË23N ÅRAOQ`hgÔÕW3àïIX¥31qF_}19£C6¬@/u_`cô%&eRàæä3ÿêdx3|3sÀU|A6Åö "ÓVïV*!/fÏ ¶¥° 8·ÂÊæß1Ô2Ug4haÕ{ëâuÎè&q#1ewNk«àC¿üróÛ¿,ú#Ãg|/
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$D\&.ËÄeâ8! Nâ8%NSâ8%Î3â8#ΣD3⁄4EïOâ q )W+1W«ÄQRÿPïOâq $F\':dêúê!ÔC 'P¡B=zõê!ÔC 'P ¡B=zõê!ÔC 'P¡B=zõê!ÔC 'P¡B=zõê!ÔC 'P¡B=zõê!ÔC 'P¡B=zõê!ÔC©R¥oëñæÙU÷1⁄4!è7¿*ü,é§1⁄4!}~xû,ã»ÛeÛÇÍ«wË3⁄4¡{±Ôõù6R¤ò|y3⁄41⁄4î/o·cÀFÔ +vnøæ1⁄2Ù%õ»,(ñÏÇ/!|1⁄2döb¡]1Q )QØqI-@J!{tØ%¬a+HÿH-XyxFXÃ7ÉÃÇÈÃÏÈÃ#Ë °käoÈañ9¬#3⁄4!5rÄ7ô°FøkD|C5"3⁄4¡Ãß%aoØ°FÄ7ì°D|ÃkHÄ7ì°D|ÃkHÄ7ÊaøFÖøFÖøFÖøFÖøFÖøF=¬¡ß 'W>¶qz% ÑçÔÃVñvØJ#Ó"ÓÏÑç )Ãs4â9mX#â9}X#â9}DiÏé5,â*(°E|£Ö°oÈqM#¬a °k|cÂÄ-à kD#!ÖøâDX#Pk¬Kû_`Ö(!V{>Ôÿ1kDa-ÄÊÏû/°ôJ )ÿ \ ÷_ +ñ,i`5ä#ZM!áj yÈWSÈEFÀB>2"Ör2+\bÖ\Ö\¢Ö\ÂÖ
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)a!/áa1⁄4dÄ«ò°jÄKtD¬ÚB )|%ì+Wâ,håJàÿ]ü@»1⁄2#=l*R*ûSùlû3ó}æûÌ÷{ô )¥¶·§'Ä
qB§Ä)qJ§Äqû§íjÎÀ.çë/ÿyø &sæiÆm ,ÌE!sP÷,%Sj¤Ö±·ûë;(Õ1⁄4Ï1⁄4Ùpú}ëß^ìkê§cÁÄö3øgæ^&©v:Ìàëé$0ï§3À^Ò9ú!È9î!Ø9â!Ôs¬?Cèç(éßÏäÙÏìÓÏê9!ôs?A°tàgr* _"`3dÂUpU&\ WeÂUpU&\ WeÂUpU&\ WeÂUpU&\ pcÜ 7&À pcÜ 7&À pcÜ 7&ÀWeÂUpU&\ WeÂUpU&\ WcÂÕp5&À pcÜ 7&À pcÜ 7&À pcÜ 7êaöÃ< ! . . start fragment . . ! / >
I have an interview
this afternoon
& I just want to
read a book
about an all i] gator
or how to start a f i r e
in the wild | with a s t o n e& a stick &:
or on the lives | of the saints < !a / ! > instead I will read
this job description
& work out what
to say if asked about my strengths& my weak ] nesses which are almost the same | really
< ! . . end fragments . . ! / >ñOàË%lü/Æ¡"MJiRã+Ï $ߤ!ã4&ç4©ø8A¤IÉÇÙ!Mj>NiRôq^È¢B*Æ!çIB>ßÙÌô|[3C(ç{B;ß%LÆåu®|3⁄4!èù>fPÎ713v3⁄4 ;jTz\OË
¤ÒãfZ&wÒ2©ô $IX0o8, xï[FwøÊìNuÍoÁZávóv0^6ï
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$T4ù÷êÓôCÊ0_o5»¿/1⁄2c1¤ìû±ùvoúVb3⁄4®+äõU]ëÌ|G]±b9`\}5ßSWl^(9ÃW 'ù®oJÉ(9Ã1⁄2À|_] ßXWoË23NÅRAOQ`hgÔÕW3àïIX¥31qF_}19£C6¬@/u_` cô%&eRàæä3ÿêdx3|3sÀU|A6Åö
"ÓVïV*!/fÏ ¶¥° 8·ÂÊæß1Ô 2Ug4haÕ{ëâuÎè&q#1ewNk«àC¿üróÛ¿,ú#Ãg|/
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$D\&.ËÄeâ8! Nâ8%NSâ8%Î3â8#ΣD3⁄4EïOâ q )W+1W«ÄQRÿPïOâq $F\':dêúê!ÔC 'P¡B=zõê!ÔC 'P ¡B=zõê!ÔC 'P¡B=zõê!ÔC 'P¡B=zõê!ÔC 'P¡B=zõê!ÔC 'P¡B=zõê!ÔC©R¥oëñæÙU÷1⁄4!è7¿*ü,é§1⁄4!}~xû,ã»ÛeÛÇÍ«wË3⁄4¡{±Ôõù6R¤ò|y3⁄41⁄4î/o·cÀFÔ +vnøæ1⁄2Ù%õ»,(ñÏÇ/!|1⁄2döb¡]1Q )QØqI-@J!{tØ%¬a+HÿH-XyxFXÃ7ÉÃÇÈÃÏÈÃ#Ë °käoÈañ9¬#3⁄4!5rÄ7ô°FøkD|C5"3⁄4¡Ãß%aoØ°FÄ7ì°D|ÃkHÄ7ì°D|ÃkHÄ7ÊaøFÖøFÖøFÖøFÖøFÖøF=< ! . . start fragments . . ! / >
Fragment, 1457b [parts missing]
] winged.Before summer the seedlings [
] & of all grasses in the plainsthese are the finest [
] drawnacross [
] purples & [
] browned around the [
] masts of ships &sentried city walls.
Bring us to tomorrow.
(Nezahualcoyotl, 1457)
Fragment of murderers notebook, 1981
] thimble sans thumb
I will lightening into life [
] rare & ocular.
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CAvEMAN PoEM
K/|L OF T|/\ME
ThE WoLF D/ES - CRiE
/\|IE|M DEAtH
P||||||||||||||| | | | | | | |
Fragments from: The Natural History of Atticus, by Atticus theElder (Book XIV, Chapter 55)
] any bee lost from the hive [
] a broken vase [
] of honey across the stones [
] under sunshine [] will break the hearts [
] of insects & animals. Please see Lepidopterology [
] youngsters in the green [
< ! . . end fragments . . ! / >ñOàË%lü/Æ¡"MJiRã+Ï $ߤ!ã4&ç4©ø8A¤IÉÇÙ!Mj>NiRôq^È¢B*Æ!çIB>ßÙÌô|[3C(ç{B;ß%LÆåu®|3⁄4!èù>fPÎ713v3⁄4 ;jTz\OˤÒãfZ&wÒ2©ô $IX0o8, xï[FwøÊìNuÍoÁZávóv0^6ï
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"ÓVïV*!/fÏ ¶¥° 8·ÂÊæß1Ô 2Ug4haÕ{ëâuÎè&q#1ewNk«àC¿üróÛ¿,ú#Ãg|/ _Í#7·÷,åDiûrúÓí»=lO?[*¥éöÄ2a(Îk2Õ¿1yõ&åñã#?3⁄4»ur©ù(ñ_oÿ^ÚÍëO}C,øûóãÍ*#/ÿ}»á^úôõ# _1àWØ96À*Í*ãÛ1⁄2îö3⁄4tYø4>·Æ¶ú,>Ïã(ÎÏaÊ÷'q
$D\&.ËÄeâ8! Nâ8%NSâ8%Î3â8#ΣD3⁄4EïOâ q )W+1W«ÄQRÿPïOâq $F\':dêúê!ÔC 'P¡B=zõê!ÔC 'P ¡B=zõê!ÔC 'P¡B=zõê!ÔC 'P¡B=zõê!ÔC 'P¡B=zõê!ÔC 'P¡B=zõê!ÔC©R¥oëñæÙU÷1⁄4!è7¿*ü,é§1⁄4!}~xû,ã»ÛeÛÇÍ«wË3⁄4¡{±Ôõù6R¤ò|y3⁄41⁄4î/
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o·cÀFÔ +vnøæ1⁄2Ù%õ»,(ñÏÇ/!|1⁄2döb¡]1Q )QØqI-@J!{tØ%¬a+HÿH-XyxFXÃ7ÉÃÇÈÃÏÈÃ#Ë °käoÈañ9¬#3⁄4!5rÄ7ô°FøkD|C5"3⁄4¡Ãß%aoØ°FÄ7ì°D|ÃkHÄ7ì°D|ÃkHÄ7ÊaøFÖøFÖøFÖøFÖøFÖøF=¬¡ß 'W>¶qz% ÑçÔÃVñvØJ#Ó"ÓÏÑç )Ãs4â9mX#â9}X#â9}
DiÏé5,â*(°E|£Ö°oÈqM#¬a °k|cÂÄ-à kD#!ÖøâDX#Pk¬Kû_`Ö(!V{>Ôÿ1kDa-ÄÊÏû/°ôJ )ÿ \ ÷_ +ñ,< ! . . start fragment . . ! / >
if all my d r i n k s
were remaindered
at the end
of my life
all the limes
pulped in ]to
a green m e s h
all the whiskey http:\\\ a >
in golden
tidal har ]bours
all the wine | all the wine | | | all the w i n e
would it be
enou ]gh to
drown my thirst?
CERN (ii)
Aerials point towards them
a summoning arm under clouds
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(With peacock colours
the image centres and folds
The voice speaks
sensitive to the pressure
a barometer[1]
of the archaeologist
(the butcher
with fleshed bones
and creased apron
washes his boots
in the overflow
a bitten nail (in that cause and solution)
a poultice and reminder
a terrible pendant
of the feather strewn
box, of the pecked neck
and the paper shell
(Flowers bought by the girl given to the man she motions
never to sing to growl
- coming into a sea-town
empty handed
expressing elegence (in flight) a stone
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into water
thrown
a spla(((sh)))[2]
(a quiet arrogance, a wingtip, a claw[3]
a fishing bird
tumbling
forwards
ecstatically[4]
eyes open
for the second after impact
(([ripple]))[5]
[1] a symbol of mounting underwhelming disappointment.
[2] representations of real events.
[3] following the line of the forearm into the animal.
[4] aggressively.
[5] the eyes covered by a thin film.
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s p a c e
s p a c e
"/ / : \ \ , , \ | / . . / / : \ \ . . ] { " } [ , . " || \ . , { ] "
e m p t y
s n o w
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fragments of an interview
] sometimes I goonto the patio &
crush the leavesof the geraniumsin my hands& smell them.I don't know why I do it [
fragment#525
] elephant [
] lover [
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[°'â+ÖKSjËÌlÙÓ˶ɥWhy£Tí5U2WÑ=ß¿|WÍUVËUH%çá Í¢h*; â®Mô(3⁄4É2Sf3ÉpLæ?cÒ·:ÉEÍ®çÃ%äNoLÕÆ>äî*ò;bt£znD±@q)óæ5Yà2ÖeUoU» 1⁄4ê±¢T+ 6v-Yd!+ $oU:Û¢EÓV2t %S/-3-Ë"Ôy© £D«êÄ% ZÛb§=õàZ )Ïec#*ÖY3)ê=õ¤îã9.ÚNG[Ù= F±Ú
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w;c&Ò·.o )1w1⁄4CØ}1iòæÑoÙ01⁄41XVE}* 'FUaj«O`s`,ZP-èFË>*E]nõ ÖÀM1⁄4àÖP «[à!1⁄2Æ[1⁄2å57-2PmöÃàÖD`ñY@3SA Lcê@[fê5 Õk .æ5#ä+ $Ô k>f (#&»S2îceõ1ceõ1à o#`e3,;@Á">f®8-E}ÌP° ' ó1ÃèÅ6õ.>f(XaÙWhõ1CÒ\(XƬx]o Â51⁄4+. 1° Y±2«»ûYñEÁ(UÕÕ1⁄2®`âְu1⁄4Ê VsAÁY@0¿ ÀãU $9K n*]àî-£¿Ú1Kï 1⁄2#V@UÌ+ PPmÓê , 죰y8 ° 'BÊÖ0L ,,,,;wE[P0IF,,WSJKL;jjjjjjjklsss;;;có79aä)o]R1öÆ¥B0\Ü,¿ãÅûê;&ÜòcpÍ°NÒt§ÁâÊo·O ä1Cw endstream endobj 928 0 obj>stream h!2P0P°±ÑwÎ/Í+Q04Ö÷ÎL)67) 'X(ÊT(ÄôÔb;; 2¤ 6 endstreamendobj 929 0 obj >stream h!2S0P0W0 )P°±Ñ÷+Í-q bíì"Áú.vv 7endstream endobj 930 0 obj >streamh!1⁄4RkkÛ0(+÷ãú!ÓÃ2A1$n*4Ô+-| PÍñ&#Ø*Kÿ($ÙyQ¶±2,K:ç!«sÅ!0Pq
g@©ùÌâó *X >B9\_£ ')6ÙÉLÙCÇm:0D·{}h©-q < ! . . start fragment. . ! / >
my mi[ ndis | in
a real bad wa] y&
my mi[ ndis | in
a real bad wa] y
filing letters& chronologicallyordering correspondenceall weekhad made me dumb&
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fragment of a poem for my unborn child
third trimester. week twenty-eight.
flowering Chinese cabbage | my growing | vegetable heart wondered through the burn | ing stomach & focus | the mindbecause it is coming | the rest of everything | tightly
wrapped cylindrical headthe yolk & anchor of it | the cross pollination & | small,
delicate version walking with her | sleeping with us | less commonly, the
mandarin
pretended it was overallegorically
the corners of the paintingunfinished
smudges pushed acrossthe centre
sketching the stars through
asylum windowsspinning plates in yonder corn field
bleeding out
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‘I See Shawcroft On The Seashore’
Down by the river, by the waters edge, Arthur makes them taketheir clothes off, fold them, put them in neat little piles.
Like tiny cotton gravestones, little boy’s pants and socks lie
beside the riverbank. "Fold the clothes," he says. It makes
them think they'll put them on again. There's a tiny nest of
hope so they're quiet and pliant. The sun is always shining by
the riverbank – fish, like pennies in a fountain, pop and
glimmer, flash bulbs under currents. Long grass borders the
banks, reaching up to touch low hanging apple tree branches,
and plunge thirstily down into the dark soil. Down by the
river, by the waters edge, Arthur, a fruit press of anger,
holds them down, river-muddy knees in divots and on
breastbones; and guts like a fisherman to hasten decay,
opening up to the elements like an umbrella, exposing ribbing
and skin. Arthur really thinks about these things, down by the
river, by the waters edge, alive; he eats, sleeps and drinks;combs his hair, eats toast, sits in chairs, drinks milk,
shaves, buys socks, reads the news, and folds clothes. Arthur
is different. I have a line solid and defined. Arthur has the
muddy Genesee flowing through him, cloudy and brown. In the
stoneless avocado the balsamic sits like a full stop. The
moment of death, we do not know when it has arrived or even
when it has passed, only that it is coming. Here it comes,
eyes tight shut to the instant of my dying, here it comes at
such a rapid speed that my face has not the time to form the
correct image of shock and incomprehension of the tiny second
when my life stops being current and becomes part of the
collective past. In the stoneless avocado the balsamic sits
like a full stop. Then I am gone. My world is gone but yours
continues unstoppable until the moment of your cherry-death.
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Library
first thousand rivers
coloured with milk
win first prize
then wonder how
thunder smashed
the mantlepiece
enough with joy
there are sadnesses
to eat and drink
the spine of the books
are yellow and lean
until lent to the elderly
underneath shelves &
chain of space. on the desk
aggression of paper clips
coldness of numbers
and grasp of division
the kiss of punctuation
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the first ice cream van of summer
breathless shout / mum / outside
the first ice-cream / van of summer
puts down the phone / picks up her purse.
fragment of found poem #2: Spam
To go in over a broad area and keep on goingnight and day, with all the factors which senda thousand or fifteen hundred or two / Alwaysthe offensive! Germany would keep on strikingas long as she could / An instinct with the continentalpeoples through the necessity of their Africa /battles severe enough to have decided famouscampaigns / The same kind of walls at every turn;the same kind of dim figures, and in its place, onthe right hand of the Kaiser in the Sieges of Alleeacross to Africa / There he fell foul of Bluff NumberTwo: why von Tirpitz keeps his Dreadnoughts at home /Another one hundred and fifty yards away and fire a rifleoccasionally and without the possibility of release?"She paused, laying her hand and started down the slopeof the hill in front / Now they could take it out
< ! . . end fragments . . ! / >có79aä)o]R1öÆ¥B0\Ü,¿ãÅûê;&ÜòcpÍ°NÒt§ÁâÊo·O ä1Cw endstream endobj 928 0 obj>stream h!2P0P°±ÑwÎ/Í+Q04Ö÷ÎL)67) 'X(ÊT(ÄôÔb;; 2¤ 6 endstreamendobj 929 0 obj >stream h!2S0P0W0 )P°±Ñ÷+Í-q bíì"Áú.vv 7endstream endobj 930 0 obj >streamh!1⁄4RkkÛ0(+÷ãú!ÓÃ2A1$n*4Ô+-| PÍñ&#Ø*Kÿ($ÙyQ¶±2,K:ç!«sÅ!0Pqg@©ùÌâó *X >B9\_£ ')6ÙÉLÙCÇm:0D·{}h©-q[°'â+ÖKSjËÌlÙÓ˶ɥWhy£Tí5U2WÑ=ß¿|WÍUVËUH%çá Í¢h*; â®Mô(3⁄4É2Sf3ÉpLæ?cÒ·:ÉEÍ®çÃ%äNoLÕÆ>äî*ò;bt£znD±@q)óæ5Yà2ÖeUoU» 1⁄4ê±¢T+ 6v-Yd!+ $oU:Û¢EÓV2t %S/-3-Ë"Ôy© £D«êÄ% ZÛb§=õàZ )Ïec#*ÖY3)ê=õ¤îã9.ÚNG[Ù= F±Ú
¿Ê!p#m¤í«rRzLé!v+Ï·i¿Üãóâ>8&À'}:¬âp ùûÂagî7c4p`Çÿe8C[t,È
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"JøÁ¡ìÜ¡|#Ï )AM )M .,ê`¡~ÀCSÉúêdLÇÂáËd~%¢ã¿ èû?fVviVñg "Rß>øO1⁄2l endstream endobj 931 0 obj >streamh!ZM9ü+sCúa`ËB3qÏOc^Ûx1⁄4°óï72*J "ÚîçVR«"ôR¥ "e]Z]TëzÆ_]J_ÒÚeü%K(ØrêÛÛCÛDÊW1⁄4ÖQ X5£ °¥à¬ `p $ ù ® "y#¤eë+5[röàìCÁXrFía
g' ç1⁄2- C 31⁄2,óNe«P¶?1⁄4÷¶ÔÛPü£ÕÿΡ '5Ì+{ëe{#¥{5,©,#Vg¶,#1§lx*aKZdMN*À 'äã- 1⁄4ÕE¶ÑaL*tÀøX*À`CXDÔÁ¥ñ!ÃFR ë!Õ#Ò`~ mP w;c&Ò·.o )1w1⁄4CØ}1iòæÑoÙ01⁄41XVE}* 'FUaj«O`s`,ZP-èFË>*E]nõ ÖÀM1⁄4àÖP «[à!1⁄2Æ[1⁄2å57-2PmöÃàÖD`ñY@3SA Lcê@[fê5 Õk .æ5#ä+ $Ô k>f (#&»S2îceõ1ceõ1à o#`e3,;@Á">f®8-E}ÌP° ' ó1ÃèÅ6õ.>f(XaÙWhõ1CÒ\(XƬx]o Â51⁄4+. 1° Y±2«»ûYñEÁ(UÕÕ1⁄2®`âְu1⁄4Ê VsAÁY@0¿ ÀãU $9K n*]àî-£¿Ú1Kï 1⁄2#V@UÌ+ PPmÓê , 죰y8 ° 'BÊÖ0L ;có79aä)o]R1öÆ¥B0 \Ü,¿ãÅûê;&ÜòcpÍ°NÒt§ÁâÊo·O ä1Cwendstream endobj 928 0 obj >stream h!2P0P°±ÑwÎ/Í+Q04Ö÷ÎL)67)
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h!1⁄4RkkÛ0(+÷ãú!ÓÃ2A1$n*4Ô+-| PÍñ&#Ø*Kÿ($ÙyQ¶±2,K:ç!«sÅ!0Pqg@©ùÌâó *X >B9\_£ ')6ÙÉLÙCÇm:0D·{}h©-q[°'â+ÖKSjËÌlÙÓ˶ɥWhy£Tí5U2WÑ=ß¿|WÍUVËUH%çá Í¢h*; â®Mô(3⁄4É2Sf3ÉpLæ?cÒ·:ÉEÍ®çÃ%äNoLÕÆ>äî*ò;bt£znD±@q)óæ5Yà2ÖeUoU» 1⁄4ê±¢T+ 6v-Yd!+ $oU:Û¢EÓV2t %S/-3-Ë"Ôy© £D«êÄ% ZÛb§=õàZ )Ïec#*ÖY3)ê=õ¤îã9.ÚNG[Ù= F±Ú
¿Ê!p#m¤í«rRzLé!v+Ï·i¿Üãóâ>8&À'}:¬âp ùûÂagî7c4p`Çÿe8C[t,È "JøÁ¡ìÜ¡|#Ï )AM )M .,ê`¡~ÀCSÉúêdLÇÂáËd~%¢ã¿ èû?fVviVñg "Rß>øO1⁄2l endstream endobj 931 0 obj >stream < ! . . start fragment. . ! / >
Every time the line hits waternothing happens –
only expectation of guts, gills…
Under curved boat,
wooden edged,
fine silt buries bones.
Underneath:
fossils of friends –
a lake of everything cold.
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*
The ubiquity of grass –
the long October
of the planets.
there is noise,
familiar, received
- it is Russian and plural.
Semi frozen,
of winter,
bordered by greasy forests:
this colossal land –
never Russia
always home.
*
Peel of bells
and autumns
scaffolds raised
against the banks,
An accumulation of rusting
and of time, aprox.
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There is only
the hearts and eyes
left in animals
*
The closing cut
in the sky
shows a metal-bodied
plane, briefly –
seconds only, almost transparent, but
real, touchable
and gone.
The building
offers nothing:
fire escape
windows
reflections
bookcases.
In elements
there is continuity.
a flooding?
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fragment of found poem #3: Spam
Sir, All The Rest Is Mute.
(Material taken from spam emails.)
The amorous count solicits things
far more devastating than the impact.
Two rocky objects orbiting one another
is the fee simple of his salvation.
A red 10 means that the object will definitely
hit the earth and
Sir, all the rest is mute.
Are thou so confident. Within.
Most asteroids are made of rock,
while comets can be a mixture of rock, organic molecules andfrozen gasses.
Which better than the first O dear?
Something unknown,
once but to the brightest.
Sir, all the rest is mute.
< ! . . end fragment . . ! / > "JøÁ¡ìÜ¡|#Ï )AM )M .,ê`¡~ÀCSÉúêdLÇÂáËd~%¢ã¿ èû?fVviVñg "Rß>øO1⁄2l endstream endobj 931 0 obj >streamh!ZM9ü+sCúa`ËB3qÏOc^Ûx1⁄4°óï72*J "ÚîçVR«"ôR¥ "e]Z]TëzÆ_]J_ÒÚeü%K(ØrêÛÛCÛDÊW1⁄4ÖQ X5£ °¥à¬ `p $ ù ® "y#¤eë+5[röàìCÁXrFíag' ç1⁄2- C 31⁄2,óNe«P¶?1⁄4÷¶ÔÛPü£ÕÿΡ '5Ì+{ëe{#¥{5,©,#Vg¶,#1§lx*aKZdMN*À 'äã- 1⁄4ÕE¶ÑaL*tÀøX*À`CXDÔÁ¥ñ!ÃFR ë!Õ#Ò`~ mP
sf<! . . start fragment . . ! / >
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treasures of electricity
the cat litter
when it
clumps
]
[
into planet-sized
lake side
condos
[
]
into the basement
treasures of electricity
slim Spanish throats
effortless
/>smiling)
{reading{ {}writing//ttp: =href// crash repo…
& the lowest branch
of the olive
tree
]
[
[[{...http:// = ]
< ! . . end fragment . . ! / >
< ! . . start fragment . . ! / >
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the ghost(connect trans.)Telegraph . . . _ _ . _ .of my | breakfast
is singing on | the radio
fleets of armourbelonging to Germany
or China perhaps
a forestof humming prayers
of witness | of balance | the books | the tie-ins | the starbilling
of the honesteastern prayer of 1943
portray them cow-eyed,ushered(from rum & coke
- tremens)
(o)
(&)(disconnect trans.)
[open the white smileof the newsI remember youin Lodzbetween photopolish & grainunder cedar treesor was firs]
Fragment ends
[was firs, wasn’t it? the conesor amongst themin them- mouths full of them]
(connect trans.)
in New York
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you leaned against
the white box-van’sgraffiti’d flank
& pointed at the moonor was it the reflection
of the moonin the glass of fifth avenue
& you asked meto give up smoking(o)(&)
(The Bronx ghettoused in an early ‘70’s
movie as a stand-in
for the ruins of Berlin, 1945)(o) (&)(flawless snow & cold beer )
(disconnect trans.)
He had been in carriage No. 162; his name was hidden in a
pendant. His mother came to Rostov & recognized him & took himhome.
(o)(&)(welcome home, Kolya. Welcome home.)
< ! . . end fragment . . ! / > "JøÁ¡ìÜ¡|#Ï )AM )M .,ê`¡~ÀCSÉúêdLÇÂáËd~ %¢ã¿ èû?fVviVñg "Rß>øO 1⁄2l endstreamendobj 931 0 obj >stream h!ZM9ü+sCúa`ËB3qÏOc^Ûx1⁄4°óï72*J
"ÚîçVR«"ôR¥ "e]Z]TëzÆ_] J_ÒÚeü%K(ØrêÛÛCÛDÊW1⁄4ÖQ X5£ °¥à¬ `p $ ù® "y#¤eë+5[röàìCÁXrFía g' ç1⁄2- C 31⁄2,óNe«P¶?1⁄4÷¶ÔÛPü£ÕÿΡ
'5Ì+{ëe{#¥{5,©,#Vg ¶,#1§lx*aKZdMN*À 'äã-1⁄4ÕE¶ÑaL*tÀøX*À`CXDÔÁ¥ñ!ÃFR ë!Õ#Ò`~ mP w;c&Ò·.oÂ
)1w1⁄4CØ}1iòæÑoÙ01⁄41XVE}* 'FUaj«O`s`,ZP-èFË>*E]nõ ÖÀM1⁄4àÖP «[à!1⁄2Æ[1⁄2å57-2PmöÃàÖD`ñY@3SA Lcê@[fê5 Õk .æ5#ä+ $Ô k>f (#&»S2îceõ1ceõ1à o#`e3,;@Á">f®8-E}ÌP° ' ó1ÃèÅ6õ.>lx*aKZdMN*À 'äã- 1⁄4ÕE¶ÑaL*tÀøX*À`CXDÔÁ¥ñ!ÃFR ë!Õ#Ò`~ mP w;c&Ò·.o )1w1⁄4CØ}1iòæÑoÙ01⁄41XVE}* 'FUaj«O`s`,ZP-èFË>*E]nõ ÖÀM1⁄4àÖP «[à!1⁄2Æ[1⁄2å57-2PmöÃàÖD< ! . . start fragments. . ! / >
on cutgrass
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after loud | wrestling sounds
& brightfreezing winter : : (malfunction h o u s e
diving : : (malfunction d a r t | into leaflakesto swim under
the green
wife to the brancheshusband of the sea : : (malfunction p l a n e
empty sweeps of blue
fall among : : (malformed b i r d s on cutgrass
music through the open window | the summer : : (content s u n
gar den pleas ant
it was summer& forward tothe peace of Hannoverto be away fromthe wallbetween his toesat the end of the garden just through turned twenty-sixyears-olda breakfast bar
in a magazineto a pleasant mana university teacher the raked gravel that revealed remember everything
eiffal terrinle
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thirteen buildingsafter holiday inn& baricades (buses, containers
five grpe wodes& graveled glasspunctured bicycles
our broken tapsrequire pliers& patience
on the boarda knife lies
on its back
seething teethtocal weer gundunder portraits
of russiantourists takingpotshots at domes
over blue trails
in the tearfulmountains
of fortress inblitted drsnx(eiffal terrinle)
we die inthe bread queueor by the tapsat theold breweryof love
< ! . . end fragments . . ! / >
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U
e
m
S
v
M
S
N
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s p a c e
s p a c e
"/ / : \ \ , , \ | / . . / / : \ \ . . ] { " } [ , . " || \ . , { ] "
e m p t y
s n o w
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Fragment of a scientific journal.
] ...there in 1967 a professor of economics unintentionally
caused his body to spin at over one hundred miles an hour bylifting his feet off the floor as he used his mechanicalpencil sharpener. It was with that simple suspension of thelaws of physics that the Yale Uncertainty pocket wasdiscovered. Then nothing happened. Then something happened.The Yale Uncertainty Pocket 'disappeared for two monthsreappearing in the kitchen of a bungalow in Rotherhithe.'(Keane, 1968) The hunt was on to 'find the final resting placeof the YUP.' (Brogan, 1969) All of Yale's resources were
directed into the research. Over 3,000,000 pencils were'sharpened to studs' in over 2,500,000 locations around theuniversity grounds. (Paul, Greene and Spent, 1971) It waschaos... [underneath the wifi
deadening soilsucking the internetinto ditches
all communications oldbreaking across
the moment|
/ / | \ \
into waves ofones & zerosones & zeros
ones & zerosabove the wi-fi
a greedy infinityelectronicsdie in
coughing at theblack[]]]]] ] ] ] ] ] ]
fading intozero))) ) ) ) ) ) ) ) ) s
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Boy With The Low Laugh Of A Pigeon. methodexperimental outline
boy with the low laughof a pigeon
inferenceobjective
boy with 3 coloured watchespink
yellowgreen
antagonised each other
again worked well away frombad influences
apparatus
"i had a brother""i don't have a real dad"
resultsconclusion
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< ! . . start fragments . . ! / >
by the river the quick sound
of voicesmeets arms of waterall purposesof guitar stringsalmost rusted through when the tideretraces stones& creeps upthe ships bow wetting the woodlifting the hulk
of it the weightinto the sky
& our caucus
& after bounding by the black ()hooksi caught a secondary invasion of ex
creble portentthis was the sixeties & we hadthe newest technology . i was ghost .fifty feet high in the air .all of us werethe spectre of war was heavy .it was above &below the newsi was beneaththe newsi slept under sheets of newsi transformed the datainto proselike japanes flowers . arranged on pageof elegant fire escape & our caucus
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Flwrs
conquering the gates was a bustop.crinkling the bridge of his Germanya country regenerating off a small downy feather.Joseph could not be expected to the gulpattempts to scale it that remember everything.French windows and into the glaredied Fine Art in Berlin.
Joseph had a flowerbed on a windowsillhead of an elegant carnation, Joseph,atom; the stamen, circled with beeshere in this garden looking deep into thethe old physicist, sees the flower as anunlike the autumns from Joseph'spiles of rotting leaves. Now, though,breeze. the garden was so alive, sochildhood where summer lay dying in
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f
all under the contras (coca-cola skies broken by beating wings
they said “be fragile, answer none.”
we said nothing
a poltergeist[1] for supper
eating an angry ghost - speculation. This specter [2] standson a leg of fire.
over the jungles casings
into the churchesover the sea open doors lay eggs (black dots falling to thebreakers)
to the fishes my brother
always a bigger fish
than before (the Indians laugh
the priest’s[3] last hand
two fingered on a flat forehead watch the hammers (and pipe)
confess breakfast (more
speak into a fist
and disappear
[1] General Leopoldo Galtieri
[2] Hollow, winged dart.
[3] Father Christian Federico von Wernich.
< ! . . end fragments . . ! / > < ! . . end fragment s . . ! / >
< ! . . e n d fragments . . ! / >
< ! . . end f r a gment s . . ! / >
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End