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x ..THE KT{IGHT OF THE BURNING PESTLE BY FRANCTS BEAUMONT and JOHN FLETCHER CON,TN,IENCEMENT PLAY 1949 Presented by UNIVERSITY OF ADELAIDE STUDENT THEATRE GROUP Directed by Iris Hart PERFO&MANCES AT "THE [IUT' Stuilents and Friends Frirtay and Saturday, Mareh 11 anil 12 University Theatre Guilil - Monday anil Tuesrlay, March 14 anil 15 +
Transcript

x..THE KT{IGHT OF THE BURNING PESTLEBY

FRANCTS BEAUMONT and JOHN FLETCHER

C O N , T N , I E N C E M E N T P L A Y 1 9 4 9

Presented byUNIVERSITY OF ADELAIDE

STUDENT THEATRE GROUPDirected by Iris Hart

PERFO&MANCES AT "THE [IUT'

Stuilents and Friends Frirtay and Saturday, Mareh 11 anil 12

University Theatre Guilil - Monday anil Tuesrlay, March 14 anil 15

+

e

UNIVERSITY OF ADELAIDE STUDENT THEATRE GROUP

Dresents

..THE KNIGHT OF THE BURNING PESTLE''AN ELIZABETHAN BURLESQUE

BEAUMONT FLETCHERby

and

F O R E W O R D

The literary nartnership of Beaurnont and Fletcher is one of the most successful ontioid, * *n-"h .o thai though Fletcher outlived the vorrnser pa{ner bv so-me nine

"."".-""d wrote many plays of his own, editions of his works generally carry

b*,r-otrt'r name as thl senior partner of the firm. The collaboration began at aboutthi ti-" when Shakespeare was at the very heieht of his powers' It was over bv1616. the year in which Shakespeare (and Beaunont) died. In their own dav thecollaboratois were completely modern, the very latest thing in plavwrights. Thevwrote fashionable tragedies and fashionable romaoces as well as straight comedies,and in their own and the next dramatic age trhey, and more particularh Flercher'tended to make Shakespeare look old-fashioneil. Scholars have distinguished berweenBeaumont's style and Flercher's, and they say Thc lhight of the Buming Pastle ismore Beaumont's than Fletcher's. However that mav be, it is the liehtest and mosttrifling of the collaborators' works, and as theatre it has survived all the rest. This,one surmises, may amuse Beaumont in Elysiuru what Fletcher thinks about it oneforbears to coniecture. Perhaps he comfors himself with half Henry VlIl, whichscholars say is probably his.

The Knieht of the Burning Pestle makes fun of several things that have notnecessarily much to do with each other. The first thins is a curious species offiction that was already archaic even in Elizabeth's day, the chivalric romance' Thereseerrs to be no doubt that the partners took the idea of parodying the romances fromCervantes, the great Spaniard whose Daz Quixote was a ner,l' book in Beaumont'sday. Compared to Cervantes, Beaumont and Fletcher are lesser writers, but thevare not rvithout their own originaliry. There was wit in the coupling of this kindof parody with a laugh at the self-complacencv of the citizens of London, whichplaywriehts less fashionable than Beaumont and Fletcher had fattered; and morewit in the corrbining of these two comic ideas with the hardy perennial ioke ofthe efrect of a stage play on sirnple minds, The plot of the particular stage playon which the citizens intrude is, as we might say nowadays, little more tlan a comicstrip, but its effect on them gives it humanity. There is more than mere farce inThe Knight of the Bwning Pestle; not very much more, perhaps, but enough tohave kept the play sweet for more than three hundred years.

Some of the jokes have receded into the past. Barbers no longer combine dentistryand surgery with hair-cutting, and besides, dentistry and surgery have made enormousstudies since Beaumont's day. Moreover, we don't laugh any longer at all the thinssthe Elizabethans found funny, at least when we meet with thern on the stage. Buta little historical imagination will go a long way with this play.

Prcfessot Chad.es Jury,

The play under the direction ofIRIS HART

Music played by Vivienne Duce, Cecily Mills, and Pauline Whidord

Music composed bv ALLAN GILES

..THE KNIGHT OF THE BURNING PESTLE ''

A CITIZENHIS WIFERALPH ... . . . .

C H A R A C T E R S

Members of the audience

JEFF SCOTTGLENYS WEMYSS

FRANK ZEPPEL

Mentbets of "The Lonfun Merchatt" Conpany(In oder of agrpurance)

SPEAKER OF THE PROLOGUE PETER BATEMAN

BOY . KATHLYN POPE

VENTUREWELL (a merchant) ..... RAYMOND MOLLOY

JASPER (Son to Merythwght) ..... ... BRUCE MARSDEN

LUCE (Da:u.ghter to Ventutewett) ...... " PATRICIA LLOYD

HUMPHREY (Suitm n Luce) OLIVER POWELL

TIM BRIAN HARTSHORNE

GEORGE LLOYD MORGAN

MISTRESS MERRYTHOUGHT (Wife to M') SUZANNE WELLS

MICHAEL (Son to Merrythought) .... .... " " ' CHRISTINE BROCK

MERRYTHOUGHT PETER BATEMAN

TAPSTER (Host of "Bell Inn," Wahhan') IOHN MERITY

POMPIONA CLARE MTLP\ZZO

BARBER (Barbarossa) GEOFF' PRIDHAM

TWO SERVANTS . . GEOFF. PRIDHAM and BARNEY LAYTON

Stage ManagementSets designed and executed bY

Liehtine by

Costumes byAssisted by

- GRAHAM NERLICH. BARNEY LAYTON

IOHN HANTKEN. ODELL CROWTHERPENELOPE LOVEDAY

Prosramme cover desisn bv GEOFF' WILSON

SCENE: The entire action of the play takes place on the stage of an Lli:abethan

if"""", during a performance of a popular romance of the day, The LondonMerchant

There will be two intervals of eieht minutes each

UNIVEBSITY OF ADELAIDE STT'DENTTHEATBE GBOT'P

Althoueb eager and readv to benefit from outside experience and advice' all

the actual work connected with this production was carried out bv students'

The University of Adelaide Student Theatre Group exists for students interest€d

in the theatre who wish to u:ork in the theatre' as actors, scenic artists, stage assistants,plavwrights, or whatever particular branch attracts them'

Call at the Student Theatre Group clubrooms in the George Murray Buildings

a3y weekday. One of the follovdng committee members will be there to enrol vou

as a membcr and answer furttrer enquiries:

Presiilent: Frank Zeppel, 2 Hewia Avenue, Rose Park (F 4782).

Sureury: Bruce Marsden, 87 Kincston Terrace, North Adelaide (C.8797)'

Trcasner: Clare Milazzo, 9 Harris Sneet, Glenelr (X 1876).

Prcd*ctiott Otganizer: John Meritv, l0l Fullarton Road, Fullarton(u 3360).

Social Otsstizer: Susan Wells, l0 Fullet Street, Wallerville (M 1754).

F.nz.

APPBECIATION

Miss Iris Hart and the Snrdent Theatre Group C-ommittee extend their sincercthanls to tfie following for their warrn interest and ready help in this production:

The University Theatre Guild, who in addition to their usual Iiberalassistance, gave us tle free use of their theatical wardrobe.

The Conservatoriurn, partictlarlv Prof. Jobn Bishop, Miss Baibara Howard,and Mr. Allan Giles.

Mr. Paul Morisset for his invaluable advice iu costuming the plav.

The many people, too numerous to mention, who fteely gave their servicesin many ways, expecting no thanls or reward but desiring simply tohelp make the show a good one.

ADELAIDE UNIVEBSITY TIIEATBE GUILD

Theaue Guild Annual Meeting in The Hut, Wednesday, March 9, 8 p.m.

At the end of March the Guild will present Pirandellds Thin6ne Mchas It SoC.onmunications, enquiries, and subscriptions (15,/-) may be ad&essed to t[eHon. Secretary, Miss E. Wedd, Harvard Chambers, North Terrace (C. 2315) or

c/o the Universio


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