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William the Conqueror
The Battle of Hastings The Bayeux Tapestry How does English life change?
The Feudal System
The Rise of Feudalism
Feudal Life The manor
consisted of the castle, church, village, and surrounding farmland.
Think about the chess board… How does it represent feudal life?
Pawn
KnightKingQueen
BishopRook
Represents
Movement
Number Position
Serfs / peasants
Limited forward / 2 first move,
1 there after
8 Front
Represents
Movement
Number Position
Castle
Horizontally &
vertically / Unlimited
2 Sides
Represents
Movement
Number Position
ChurchDiagonally / Unlimited
2Surround royalty
Represents
Movement
Number Position
QueenAny
direction / unlimited
1 Beside king
Represents
Movement
Number Position
MonarchAny
direction / 11 Center
Represents
Movement
Number Position
Knights “L” / 3 2Protect royalty
The Fe
udal M
anor
“Power and prestige of the noble class based on land (the fief), which supported the lord, his family, and his soldiers. Landed estate organized as manors; each a self-supporting economic unit; the lord provided the
land and protection; serfs provided the labor.”
The Feudal System
The Distribution of Power
• King• Lords, barons, and
vassals• Knights• Serfs, villains, and
peasants
Where do WOMEN fit?!
The Feudal System
The Magna Carta 1100 CE—Some barons had too
much wealth and could be a serious threat to the king.
Result? Increased pressure by the king upon the barons for funds. Refusal meant imprisonment and even death…
1215 CE—English barons force King John to sign the Magna Carta, which limited the king’s powers of taxation and required trials before punishment.
This is the first time an English monarch came under the control of the law!
ReligionThe Catholic Church was
the only church in Europe, and it had its own hierarchy, code of
laws, and coffers.
HierarchyPope
BishopsParish Priests
Monks and Nuns
Pilgrimages
Cathedrals
Homes
NobilityStructure
RoomsRoof
FloorsWindows
KitchenPantry
PeasantryStructure
RoomsRoof
FloorsWindows
KitchenPantry
Most homes were cold and damp and had very small windows for security purposes.
ClothingPeasantryOuter clothes were almost never laundered and smelled of smoke, but linen undergarments were washed regularly.
Most wore woolen outer garments with linen undergarments.
NobilityClothing is fashionable with
brighter colors, better materials, and longer jackets.
ClergyClothing consisted of woolen
habits dyed particular colors to designate religious orders.
Other Aspects of Medieval Life
Health Treatments
Mainly herbal No antibiotics Disease Relief
The Humors 4 humors 4 elements 4 body fluids
Bloodletting
Arts & Entertainment
Originated in church Drama grows out of
the liturgy.
Town Life New towns New class of people First companies
SGGK: Background & Style SGGK Streaming Video
Original manuscript of this poem is unique – only ONE (never was well-known – hardly read at all between 1400 and 1839)
Written in a style very similar to Beowulf
Heavy 4 beat line Alliteration Rhyme Native English vocab. – from area of Midlands – south of
Chester – near modern-day Liverpool. Dialect is very difficult for us today and probably was very difficult for Londoners of that day. (Obscurity of dialect helped keep poem unknown)
SGGK: Background & Style
Poem shows religious tendencies – we assume that the Pearl Poet was a cleric – specific name of author is unknown
It is believed that the poem was written sometime between 1375 and 1400
Description of armor, clothing, and furniture – 1375
Handwriting has been dated roughly to 1400 Written in a unique stanza called “bob and
wheel” – combines alliteration and rhyme
SGGK: Matter & Form
Romance (Medieval)
3 Subjects or “Matters”1. The Matter of Greece (Troy and Alexander)2. The Matter of France (Charlemagne’s Court and 12 peers
– 12 disciples or primitive round-table)3. The Matter of Britain (Arthurian Legends)
Form4. Themes (love issue) – quest – involves travels (social
integrity; personal worth; knowledge)5. Plot – intricate (carefully worded or rambling)6. Characterization – flat; stereotyped
SGGK: Matter & Form
EpicExamples: Illiad, Beowulf, Aneid, El Cid, & Paradise Lost
Scope: Social
Motive: Necessity
Themes: 1. Emphasis on war/ male friendship2. Realistic3. Historical/concrete geography
Focus: Morals
Mode: Literal because already addressing universal social issues
RomanceExamples: Morte d’Arthur & The Odyssey
Scope: Individualistic (one person’s crisis)
Motive: Desire for adventure or for personal gratification
Themes: 1. Heterosexual love/women2. Supernatural elements/mysterious
atmosphere3. Fantasy/vague atmosphere
Focus: Manners
Mode: Symbolic (Light on message, heavy on art)
SGGK: Matter & Form Sir Gawain and the
Green Knight has a sense of irony that most romances don’t have - heavily moral in end. Could be called an ironic romance (More serious)
Key theme of medieval romances - attention to limitations of code of chivalry
Circular structure is hallmark of late 14th century literature
SGGK: Green Men Wild men of the woods;
represents natural man vs. “made-up” men of upper level
Vegetation god – die and come back to life each year – like vegetation
Natural forces Kingdom of Troy
(Faeries/Longaevi) – they’re eternal and have no souls (Faeries were larger than people and terrible practical jokers; unpredictable; shape-shifters – can appear in diff. forms)
SGGK: Medieval Institutions
Sir Gawain and the Green Knight is the product of 3 medieval institutions or foundations:
FeudalismPoem is about 200 yrs. archaic, deliberately – golden age of chivalry, now (the date of the poem’s composition) in the state of decay – Gawain exemplifies both ideals of knighthood
1.Physical ideals of knighthood2.Non-physical ideals of knighthood
SGGK: Medieval InstitutionsCourtly Love Developed partly out of the cult of Mary, which elevated women
Rules of Courtly Love Marriage is no real excuse for not loving. He who is not jealous cannot love. That which a lover takes against the will of his beloved
has no relish. Boys do not love until they reach the age of maturity. Love is always a stranger in the home of avarice. A true lover does not desire to embrace in love anyone
except his beloved. When made public love rarely endures. The easy attainment of love makes it of little value:
difficulty of attainment makes it prized. Every lover regularly turns pale in the presence of his
beloved. When a lover suddenly catches sight of his beloved his
heart palpitates. A new love puts an old one to flight. Real jealousy always increases the feeling of love. Jealousy increases when one suspects his beloved. A true lover considers nothing good except what he
thinks will please his beloved.
SGGK: Medieval Institutions
The Medieval ChurchPoem is about 200 yrs. archaic, deliberately – the only religious figure is a chaplain – church organization was not yet complex – less opportunity for corruption. The Holy Grail initially was a Christian symbol created by the church in an effort to overcome the influence of courtly love – only the pure could find it.
SGGK: Intertwined Plots
Sir Gawain and the Green Knight is made up of three intertwined traditional plots (all designed to test the worth of the Christian knight):
The beheading contest The temptation The exchange game
A knight was constantly on the quest for perfection – one should seek to imitate Christ.
CT: Background & Style Original manuscript of this poem is unique – only
ONE (never was well-known – hardly read at all between 1400 and 1839)
Written in a style very similar to Beowulf
Heavy 4 beat line Alliteration Rhyme Native English vocab. – from area of Midlands – south of
Chester – near modern-day Liverpool. Dialect is very difficult for us today and probably was very difficult for Londoners of that day. (Obscurity of dialect helped keep poem unknown)
The English Poetic Tradition
With the invasion of William in 1066, French becomes language of aristocracy.
From 1066 to late 1300s, no poetry is written in English.
Literature is written in either French or Latin Some early “English” poets include:
Pearl Poet William Langland John Gower Geoffrey Chaucer
Geoffrey Chaucer: The Man
Son of a wealthy London merchant As a child, served as a page in a noble
household Countess of Ulster (married to a son of King
Edward III) Educated in values of aristocratic culture
1367—squire to king’s household Multilingual: English, French, Italian, etc. 1374—Controller of the Customs in
London
England during Chaucer’s Lifetime
Turbulent times: Politically
1377 Richard II becomes king at age 10 1386 Richard II is nearly deposed 1389 Richard II regains power 1399 Henry Bolingbroke murders Richard and becomes King
Henry IV Wars with France and the Scots
Religiously John Wyclif and supporters challenge Church in terms of
doctrine and immense economic power (Protestant Reformation in 16th century)
Soci0economically 1381: Peasants’ Revolt
Geoffrey Chaucer: The Poet One of the earliest British poets Writing is characterized by
Poetic genius Psychological subtlety Humane good humor
Aware of “European literary traditions” as “ongoing cultural projects”
Artistic subtlety Cultural sophistical
Established “an English literary tradition” and the basis for William Shakespeare Edmund Spenser John Milton
Geoffrey Chaucer: The Poet
Career as a poet can be divided into 3 periods
1. Influenced by fashionable French court poetry (through 1370)
2. Influenced by Dante (1370-1386)3. Influenced by English vernacular
(1386-1400)
The Canterbury Tales
Chaucer begins CT in 1386 and leaves it incomplete
The story is a frame tale. 29 pilgrims meet at the
Tabard Inn and decide tojourney together.
Each pilgrim will tell 2 tales on the way to Canterbury & 2 tales on the way back.
The Journey to
Can
terb
ur
y
Pilgrims’ Tales
Le Morte d’Arthur: Background
Written by Sir Thomas Malory (1400-1471)
Legends of Arthur—popular in western culture
Most legends come from Le Morte d’Arthur, a collection of stories about Arthur
Thomas Malory accused of various crimes and imprisoned in 1451
He wrote Le Morte d’Arthur while in prison. He wrote it between 1451-1469.
Le Morte d’Arthur: Background
First edition: 1485 (posthumous) Most complete English version of Arthurian
legends. Arthurian legends have been around since
the 6th century (oral tradition in England and France).
Is Arthur real? Possible source: real 5th or 6th century Celtic
military leader Any real Arthur is quite different from Malory’s
Arthur.