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The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

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The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science
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Page 1: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

The Perception of Distortion

Earl R. Geddes, GedLee LLCLidia W. Lee, EMU

Acoustic Science

Page 2: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

www.GedLee.com

2

Acoustic Science

What is the goal? To find a metric of nonlinear distortion which

is highly correlated to subjective perception. As measures of distortion, THD and IMD do

not take into account masking effects of the human ear. They are purely mathematical relationships

between the input and the output of a system. As such, there really is no reason to believe that

they should indicate the perception of the system nonlinearity which they represent.

Page 3: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

www.GedLee.com

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Acoustic Science

Our intentOur intent in this work is: 1. to model the perception of distortion

by taking into consideration the human ear, namely masking.

2. to use this model to develop a better metric of nonlinear distortion.

3. to test this metric against the current standards of THD and IMD.

Page 4: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

www.GedLee.com

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Acoustic Science

Our approach Our model is based on a form of

nonlinear system identification known as the Volterra Series.

Ours is a model of the perception of the distortion. It is not intended as a model of the

system creating this distortion, although, Volterra models can be made to work for nearly any nonlinear system.

Page 5: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

www.GedLee.com

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Acoustic Science

Simplifications In order to be manageable some

simplifications must be made to the Volterra kernels.

We won’t elaborate on a detailed justification for these simplifications, but they can be simply stated as: The Volterra kernels for our purposes are

adequately represented by a single line in each orders space - where all the frequencies are all equal.

Page 6: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

www.GedLee.com

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Acoustic Science

Justification This simplification is based on one

proposed by J.C.Peyton Jones and S.A.Billings in their 1990 paper “Interpretation of non-linear frequency

response functions” Int.J.Control, Vol. 52, No. 2

“Another approach, therefore, might be to sacrifice the detail of such descriptions for the clarity of the unidimensional response”

Page 7: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

www.GedLee.com

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Acoustic Science

The model Our model is a series of one

dimensional representations of the Volterra kernels, each of which represents the frequency response of a single order kernel to a simple sine wave excitation.

A block diagram of this model is shown on the following slide.

Page 8: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

www.GedLee.com

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Acoustic Science

Orders Frequency

responses

1st

2nd

3rd

nth

Page 9: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

www.GedLee.com

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Acoustic Science

The nonlinear transfer characteristic

For the moment consider that we are either looking at a single frequency or that the frequency responses of the orders are uniform.

Then the nonlinear transfer characteristic T(x) can be easily shown graphically as in the next slide:

Page 10: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

www.GedLee.com

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Acoustic Science

The nonlinear transfer characteristic

0

1

-10 1-1

Input

Out

put

Page 11: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

www.GedLee.com

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Acoustic Science

The orders

The orders for these functions can be found as a simple Taylor series:

The coefficients an( f ) represent the contributions of the nonlinear orders of interest in this presentation.

( , ) ( ) nn

n

T x f a f x

Page 12: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

www.GedLee.com

12

Acoustic Science

A better metric

To find a metric which is a better predictor of the perception of a systems distortion, we need to take into account the most significant effects of the human hearing system – namely masking.

To proceed we need to review some of the characteristics of masking.

Page 13: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

www.GedLee.com

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Acoustic Science

Masking A topic in itself, the main features

that we are trying to incorporate are:1. Masking is predominately upward

toward higher frequencies, although masking does occur in both directions.

2. The masking effect increases – masking occurs further away from the masker – at a substantial rate with excitation level.

Page 14: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

www.GedLee.com

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Acoustic Science

Implications to distortion perception1. Distortion by-products that are created

upward in frequency are likely to be less perceptible (masked to a greater extent) than those that fall lower in frequency.

2. Distortion by-products that lie closer to the excitation are less likely to be perceived than those that lie farther away (masking is a localized effect – it mostly occurs in the vicinity of the masker).

3. Distortion by-products of any kind are likely to be more perceptible at lower signal levels than at higher signal levels. (Less masking occurs at lower signal levels)

Page 15: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

www.GedLee.com

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Acoustic Science

Example at low signal level

Frequency

low signal level

low order nonlinearity high order nonlinearity

mag

nitu

de

Page 16: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

www.GedLee.com

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Acoustic Science

Example high signal level

Low order nonlinearity High order nonlinearity

high signal level

mag

nit

ude

Page 17: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

www.GedLee.com

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Hypothesized principles

1. The masking effect of the human ear will tend to make higher order nonlinearities more audible than lower order ones.

2. Nonlinear by-products that increase with level can be completely masked if the order of the nonlinearity is low.

3. Nonlinearities that occur at low signal levels will be more audible than those that occur at higher signal levels.

Page 18: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

www.GedLee.com

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Acoustic Science

The metric should be:

1. more sensitive to higher order nonlinearities than lower order ones.

2. weighted towards greater values for nonlinearities at lower signal levels.

3. immune to changes in offset and gain (first order slope) since, as distortion, these are inaudible effects.

Page 19: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

www.GedLee.com

19

Acoustic Science

The GedLee Metric

We propose the following metric which we will refer to as Gm

1 22 2

2

1

( ) cos ( , )2m

x dG f T x f dx

dx

Page 20: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

www.GedLee.com

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Acoustic Science

Comments To be useful we must show this metric

provides a better correlation to actual subjective evaluations than current metrics.

A study was performed to determine if this new metric holds any promise as a better metric than the current ones - THD and IMD.

Our purpose was not to test the entire applicability of Gm, but to do a simplified and more manageable test to see if there is merit in continuing.

Page 21: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

www.GedLee.com

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The assumptions

The limiting assumption used in this test is that the nonlinearities have no frequency dependence.

Real systems can have frequency dependent nonlinearities, most notably loudspeakers, but many systems have no frequency dependent nonlinearities – i.e. most amplifiers.

Page 22: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

www.GedLee.com

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Participants

The test involved 42 individuals with normal hearing sensitivity.

Each participant took a hearing test just prior to the testing.

The participants ages ranged from 19 – 39 (mean = 21).

Participants were paid for their participation.

Page 23: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

www.GedLee.com

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The test

The test averaged about 1 hour but varied from 45 minutes to 1.5 hours.

The test was administered by a graduate student who had no knowledge of the tests intent – double blind.

Page 24: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

www.GedLee.com

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Acoustic Science

The source

The Music of the Night passage was chosen for several reasons. It had voice, almost solo at times, as well

as accompanied. It had very loud and very soft passages.

It was felt that the selection of only a single passage was the only workable alternative for a simple first test.

The effect of source material is currently under investigation

Page 25: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

www.GedLee.com

25

Acoustic Science

The apparatus

The source was recorded directly from the CD into a wav file. This file became the reference.

Twenty one distorted wav files were created using MathCad.

The wav files were all 16 bit, 44.1 kHz. files. The sound output was reproduced by a Turtle Beech Santa Cruz sound card. The output transducers used for the study were Etymotic ER-4 MicroPro earphones.

Page 26: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

www.GedLee.com

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Acoustic Science

The nonlinear transfer functions

There were 21 nonlinear transfer functions created for this study.

It is not feasible or necessary to show all 21 files, but a few are shown on the following slides.

Page 27: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

www.GedLee.com

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Acoustic Science

Nonlinear Transfer functions

1 0.5 0 0.5 11

0.5

0

0.5

11

1

p level( )

level

11 level

Page 28: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

www.GedLee.com

28

Acoustic Science

Nonlinear Transfer functions

0.005 0 0.005

0.005

0

0.005

scale

scale

c x( )

scalescale x

Scale = .01

Page 29: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

www.GedLee.com

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Acoustic Science

Nonlinear Transfer functions

1 0.5 0 0.5 11

0.5

0

0.5

1scale

scale

plot level( )

level

scalescale level

Page 30: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

www.GedLee.com

30

Acoustic Science

Nonlinear Transfer functions

1 0.5 0 0.5 11

0.5

0

0.5

1scale

scale

plot level( )

level

scalescale level

Page 31: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

www.GedLee.com

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Acoustic Science

The metrics

The twenty one nonlinear transfer functions were fed with sine waves for THD and two tones for IMD distortion in order to obtain standard metric values.

Spectra-Plus was used to measure the distortions of each of these system nonlinearities directly from the wav files.

The Gm values were calculated directly in MathCAD since the nonlinear functions were know exactly.

Page 32: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

www.GedLee.com

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The scale

7-Point Scale Sub-Scale

Better Than Reference -10 to -6

Imperceptible -5 to 4

Barely Perceptible 5 to 14

Perceptible Slightly Annoying 15 to 24

Annoying 25 to 34

Very Annoying 35 to 44

Intolerable 45 to 50

Page 33: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

www.GedLee.com

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Acoustic Science

Results THD

0 10 20 30 40 50THD

0

1

2

3

4S

ubje

ctiv

e R

atin

g

Correlation = -. 423p = 0.06

Page 34: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

www.GedLee.com

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Acoustic Science

Results IMD

0 20 40 60 80 100 120 140IMD

0

1

2

3

4S

ubje

ctiv

e R

atin

g

Correlation = -.345p = 0.13

Page 35: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

www.GedLee.com

35

Acoustic Science

Gm (values < 10.0)

1 3 5 7 9Gm

0

1

2

3

4

Sub

ject

ive

Rat

ing

Correlation = .94p < 0.001

Page 36: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

www.GedLee.com

36

Acoustic Science

Conclusions

1. This study offers strong support for the contention that distortion metrics must include some form of masking model.

2. The proposed metric Gm appears to work very well for values of Gm < 10.0.

Page 37: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

www.GedLee.com

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Acoustic Science

Implications

1. Subjects will find a systems nonlinear distortion “inaudible” if Gm < 1.0

2. Subjects will rate the distortion “barely perceptible” if Gm < 3.0

3. Unlike THD or IMD these statements can be made with a very high degree of confidence

Page 38: The Perception of Distortion Earl R. Geddes, GedLee LLC Lidia W. Lee, EMU Acoustic Science.

www.GedLee.com

38

Acoustic Science

Conclusions THD and IMD have no correlation to

the subjectively perceived distortion in a nonlinear system.

This study offers strong support for the contention that distortion metrics must include some form of masking model.

A new metric, Gm, is proposed which has been shown to have a very high level of correlation to the subjective perception of distortion in a nonlinear system.


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