THE PRISONER OF ZENDA (1952) · 2008. 9. 10. · THE PRISONER OF ZENDA (1952) SCREENPLAY by John...

THE PRISONER OF ZENDA (1952)

SCREENPLAYby

John Balderston and Noel Langley

Based on the NOVELby

Anthony Hope

And the STAGE PLAYby

Edward Rose

ADAPTATIONby

Wells Root

ADDITIONAL DIALOGUEby

Donald Ogden Stewart

Dramatized transcription from DVD by

Peter Morwoodhttp://www.petermorwood.com

usingMovie Magic Screenwriter 2000 v.4.73

http://www.ScreenPlay.com

FADE IN:

INSERT: TEXT CRAWL

Towards the close of the last century, when History stillwore a Rose, and Politics had not yet outgrown the Waltz,a Great Royal Scandal was whispered in the Anterooms ofEurope. However true it was, any resemblance in "THEPRISONER OF ZENDA" to Heroes, Villains or Heroines, livingor dead, is a coincidence not intended...

EXT. FAST-MOVING STEAM TRAIN (STOCK?) -- DAY

A MAP of Europe is visible behind the train, and its routecrosses the map from Calais across central Europe, untilat Austria...

DISSOLVE TO:

INSERT -- TRAIN DESTINATION BOARD

Orient Express -- Calais / Vienna / Strelsau / Bucharest /Constantinople.

EXT. RAILWAY STATION PLATFORM -- DAY

CONDUCTORPassengers will please to descend!Passengers will please to descend!

Various ND TRAVELERS climb from the train onto the crowdedplatform; the station bustles with activity, PORTERS movingbaggage and VENDORS shouting their wares.

ND VENDORSPapers! Flowers! Wine, beer! Freshflowers!

BORDER GUARDThis way for passport examination,please. This way for passportexamination.

MALE TRAVELER 2(reading)

"Special rates for the coronation."

FEMALE TRAVELER 2Special high rates!

INT. RAILWAY STATION BUILDING -- CONTINUOUS

It's as crowded as the platform outside, and there's aqueue at the passport desk. Various travelers have theirdocuments at the ready.

ZENDA (1952) transcript 2.

CLOSE UP on one PASSPORT in particular, with the Britishcoat of arms at the top. It belongs to our hero, RudolfRASSENDYLL.

A PASSPORT OFFICER reads it without looking up.

PASSPORT OFFICER(reading)

"Rudolf Rassendyll; British subject;Purpose of visit, pleasure."

He stamps the passport, still not looking up.

PASSPORT OFFICER (CONT'D)What hotel in Strelsau, MrRassendyll?

RASSENDYLL (O.S.)I hadn't thought about it.

PASSPORT OFFICERYou'd better think about it. Ifyou don't want to sleep in thepark.

RASSENDYLL (O.S.)Well, in that case I won't go toStrelsau until after the coronation.I've come to your country for awell-earned rest with the intentionof going fishing for trout--

The passport officer looks up for the first time, stares,and slowly gets to his feet. He nudges his companion theBAGGAGE OFFICER, who also stares and starts to rise.

REVERSE ANGLE on Rassendyll, now revealed as a dignifiedman of 40, mustached and elegantly silvered at the temples,wearing travelers' tweeds. He registers the passportofficer's stare.

RASSENDYLL (CONT'D)I beg your pardon. Have I saidanything I shouldn't?

Confused, Rassendyll looks from side to side and seesvarious ND LOCALS with the same fixed stare. He glancesdown at his loudly-checked tweed coat. Ah, that's it.

RASSENDYLL (CONT'D)I know my clothes are a littleconservative, but we English alwaysdress as if we're going to a funeralwhen we're on a holiday.


PASSPORT OFFICEREverything is... Quite in order.

RASSENDYLLThank you for making me feel somuch at home.

A few seconds later, bag in hand, he makes his way out ofthe station building, trailed by a PORTER who's trying tobe helpful.

RASSENDYLL (CONT'D)All right, I'll take these. Thanks.

PORTERBut your train's going!

RASSENDYLLI'm going to Strelsau on foot, inmy own good time.

PORTERBut you'll miss the coronation,sir!

RASSENDYLLI always make a point of missingcoronations.

No reply; instead the porter is giving him that same baffledstare he's seen so often in the past few minutes, andRassendyll is getting tired of it.

RASSENDYLL (CONT'D)I hope your trout take as muchinterest in me as you do. I shan'tbe able to land them fast enough.

Rassendyll walks away, unaware that he's attracting severalmore curious looks. As he goes out of the door, he passes --but doesn't notice -- a large PORTRAIT POSTER on the wall.

CLOSE ON the portrait: it's entitled "Rudolf the Fifth,King of Ruritania", but the man it shows, in full uniform,looks like Rassendyll without his mustache...

EXT. FOREST RIVERBANK -- LATER

A sign proclaims this to be the PROVINCE OF ZENDA ROYALHUNTING AND FISHING PRESERVE -- TRESPASSING FORBIDDEN.It's sunny, calm and restful, which is why Rassendyll'sasleep under a tree. As two men approach, they pause tolook at the trespasser.


SAPT (O.S.)It's a trick of the devil! Shavehim and he'd be the King.

Rassendyll wakes up, looks up, then gets up. The two menstudying him are dressed in hunting costume and carryingguns. One is Colonel SAPT, grizzled, stern and 60s; hiscompanion is Fritz von TARLENHEIM, a cheerful 30-something.

SAPT (CONT'D)May I ask your name, sir?

RASSENDYLLWell, since you've taken the firststep in the acquaintance, gentlemen,perhaps you'd be good enough togive me a lead in the matter ofnames?

TARLENHEIMCertainly. This is Colonel Sapt,and I am called Fritz vonTarlenheim. We are both in theservice of his Majesty the King.

RASSENDYLLI am Rudolf Rassendyll; I'm hereon holiday from England, and I wasrecently in the service of herMajesty the Queen.

SAPTRassendyll...?

TARLENHEIMHow do you do, Mr Rassendyll?

RASSENDYLLHow do you do?

SAPTRassendyll...! Of course, by Heaven!Your face betrays you, sir! Youknow his history, I believe?

TARLENHEIMWell, I had heard a rumor or two.

RASSENDYLLI was hoping that our skeleton wassafe at home in our family cupboard.

TARLENHEIMSome skeletons are prodigioustravelers, sir.


KING (O.S.)Fritz! Where are you?

TARLENHEIMHere, your Majesty!

Another man in hunting clothes emerges from the undergrowth.This is KING Rudolf, the man from the portrait, and yesindeed, except for a MONOCLE and no mustache, he looksjust like Rassendyll.

KINGConfound it, I thought you'd lostyourselves again!

He eyes Rassendyll dubiously and comes closer for a betterlook, then stares just as everyone else has done. Thistime Rassendyll returns the stare, and with good reason.

KING (CONT'D)Who's this gentleman?

SAPTA distant relative of yours, yourMajesty.

KINGDistant? He seems too close forcomfort!

RASSENDYLLThat is something for which youcannot entirely blame me, yourMajesty.

KINGOh? Then who shall I blame?

RASSENDYLLWell, with your Majesty'spermission, I would suggest thatthe blame lies equally betweenyour great-great-great grandfatherRudolf and my great-great-greatgrandmother Amelia.

KINGI beg your pardon?

SAPTHe's right, your Majesty! The manis a Rassendyll from England.

KINGRassendyll? England?


RASSENDYLLYes, your Majesty. Ever sinceAmelia's time, the Elphberg facehas cropped out on one of us everynow and then.

KINGAhh! Well met, cousin! Forgive meif I seem a little slow, but it'sa bit early in the day to see double --even for me. Eh, Sapt? But whatare you doing here, cousin?

RASSENDYLLI must admit to being guilty ofthe same offence as our mutualancestor, your Majesty.

KINGAnd what was that?

RASSENDYLLFishing in forbidden waters.

It takes a second for the King to get the joke, then helets out a disproportionate roar of laughter. He's eithernot very bright -- or not very sober.

KINGThat's very funny! That's funny!The man has wit! You must come tomy coronation tomorrow. I'd give athousand crowns for the sight ofbrother Michael's face when hesees the pair of us side by side.You shall stay at my hunting lodge,and tonight we shall dine you rightroyally. Our ancestors laid downsome good wine here in the lodge,cousin. Fritz! They little thoughtthat a bottle or two was laid downfor you! All in the family, all inthe family...

INT. HUNTING LODGE -- LATER

The remains of dinner fight for space among far too manyBOTTLES. Old JOSEF, in his late 60s, is the only servant.Tarlenheim's already half-asleep, Sapt, frowningdisapproval, is stalking about in the background, so onlyRassendyll and the King are still drinking.

KINGCousin Rudolf, I propose a toast.


RASSENDYLLHear hear!

TARLENHEIM(drunkenly)

Another toasht...

KINGA toast to... Have we anybody left?

RASSENDYLLYour brother Michael, perhaps?

KINGWe drink to Michael in vinegar, myfriend -- not in good wine.

(beat)I'll tell you a secret about mybrother Michael. My brother Michaeldoes not love me.

RASSENDYLLNo?

KINGNo. But he loves my shoes. He feelsthat he should be in my shoes, andI should be in his. No, no toastto Michael. We'll drink instead tocousin Flavia, soon to be my brideand queen!

RASSENDYLLHear hear!

KINGPoor Flavia. She never had a chanceto choose anybody else. Well forthat matter, neither did I. It's apity you can't meet the princess.At least, I'm told it's a pity: Ihaven't seen her for years. Sheand I didn't get on very well then.Still, let's hope we shall now.

RASSENDYLLI sincerely hope so, your Majesty,if you're going to marry her!

KINGThey tell me she's far too goodfor me. I can well believe it. Youknow what they say about me, don'tyou? I drink too much.


RASSENDYLLI imagine that you're well able totake care of yourself on that score,your Majesty.

KINGOh, I've done my fair share ofdrinking in my day, I'd be thelast to deny it.

(beat)But tomorrow, in the cathedral,when my people place the crownupon my head and proclaim me theirKing, I shall be their King -- forthe rest of my life.

(beat)But tonight... Tonight I drinkwith my friends!

Except that Tarlenheim is fast asleep, and Sapt looksanything but friendly. Only Rassendyll remains both awakeand amiable, and he's fading fast.

KING (CONT'D)With my friend.

(beat)You know, Rassendyll, I like you.You're a good fellow. Oh, you'reEnglish, but you're a good fellow.I want to drink a toast to you!

But the last bottle's empty.

KING (CONT'D)Confound it, where's all the winegot to? Josef? Josef! A bottle ofthe '68. Josef!

Colonel Sapt steps in; he's seen and heard enough.

SAPTYour Majesty, it is my duty toremind you once more of tomorrow.

KINGWhat, again?

SAPTYes, again.

KINGWell then, you've reminded me. Nowgo on now. Sit down and have adrink!


SAPTYou have a duty, your Majesty.

KINGDuty? Duty? On my last night offreedom?

SAPTI question your freedom to drinkyourself into a condition in whichyou will not be fit to be crownedtomorrow.

KINGI question your right to addressme in that manner!

SAPTI served your father in his lifetime--

KINGI question your right to bring myfather into this!

SAPTYour father honored his obligationsto the crown!

KINGAre you suggesting that I do not?

SAPTYour father never thought ofhimself, or of his own pleasure.Your father never forgot he was a King!

That's going too far. The King slaps him across the face.There's a moment of shock, neither quite believing what'sjust happened, then Sapt pulls his dignity around him likea cloak.

SAPT (CONT'D)By your leave, your Majesty...

He strides from the room, leaving the King as ashamed ashis drunken state allows.

KINGSapt...? Sapt!

Sapt is gone; but Josef appears, carrying a BOTTLE of wine.

KING (CONT'D)What are you doing here?


JOSEFThe 1868, your Majesty. You sentfor it.

KINGOh? Did I?

(beat)Josef...

JOSEFYes, your Majesty?

KINGI've had too much to drink. Bettertake it back.

JOSEFYes, your Majesty.

KINGOh no! No, no, wait. Wait! We havea guest. Excellent fellow, Josef.English.

The excellent fellow is fast asleep in his chair.

KING (CONT'D)Excellent fellow, Josef, but hecan't drink. I can drink. I'm theKing.

He fills a glass with the 1868 wine, then drains it.

KING (CONT'D)Better go to bed, Josef.

JOSEFGood night, your Majesty.

KINGGood night. Sleep well.

The King pours and drains another glassful.

KING (CONT'D)Everybody sleep well. Everybodysleeps but the King.

He sways a little. Then he sways a lot. He lookssuspiciously at the wine-glass, but it drops from hisfingers.

KING (CONT'D)Sapt...! Sapt...!


The King staggers, collapses to the floor and rolls over,not just asleep but unconscious.

INT. HUNTING LODGE -- MORNING

A JUG is carried in. Sapt takes it, then tosses water allover Rassendyll, still asleep in his chair. He wakessuddenly, angry and wet.

RASSENDYLLI don't think much of your joke,sir!

SAPTYou think it's a joke, do you?

He indicates where the King lies unconscious on a couch.

SAPT (CONT'D)This is no joke, Englishman.

RASSENDYLLIt was quite an evening, wasn'tit? What happened?

TARLENHEIMJosef found him lying here thismorning.

SAPTYou didn't drink any of this lastbottle?

RASSENDYLLNot that I know of, no.

SAPTI think you'd know if you had.

RASSENDYLLWhy...? Was it drugged?

TARLENHEIMIt was.

RASSENDYLLHave you sent for a doctor...?

SAPTThere's none within ten miles. Athousand doctors wouldn't take himto Strelsau today. I know the lookof it. He'll not stir for six orseven hours.


RASSENDYLLBut...how? Why? Who...?

SAPTWho else but Michael?

RASSENDYLLMichael? His own brother?

TARLENHEIMHis half-brother. Michael's motherwasn't exactly acceptable in courtcircles. He wants the throne to beoffered to him by the people. Hewants to pose as their savior fromthe excesses of an incompetentKing.

SAPTIf he's not crowned today, he'llnever be crowned.

(beat)Englishman, I am much older thanyou. As a man grows old, he comesto believe in Fate. Fate sent youhere. Fate sends you now toStrelsau.

Rassendyll digests this; the proposal is so crazy that hedoesn't believe his ears.

RASSENDYLLWhat?

SAPTI'll wager without your mustacheyou could deceive your own brother.

RASSENDYLLOh, you're out of your mind!

SAPTIt's a risk, yes. Against acertainty.

RASSENDYLLMy dear Colonel, I came here on afishing trip. I like to fish. I'man ordinary Englishman. I couldn'tbegin to act like a king even if Itried. I wouldn't deceive anybody.

But he shakes his head and smiles as he considers theconsequences of any attempt.


SAPTWhat are you smiling at?

RASSENDYLLConjures up quite a picture, doesn'tit? The cathedral crowded to thedoors, the organ booming, I kneelto be crowned...

(beat)Yes, and then your friend Michaelsteps forward and shouts "Thatisn't the King, that's an Englishmannamed Rudolf Rassendyll!" Oh, no,I'm sorry, gentlemen.

SAPTThen Michael sits on the thronetonight, and the King lies in prisonor his grave.

That's a consequence Rassendyll hasn't considered, and itmakes him thoughtful. He stares at the unconscious Kingand starts to reconsider.

RASSENDYLLAfter all, it... It would only befor today, wouldn't it?

SAPTBy tonight you'd be safely acrossthe border.

RASSENDYLLAnd if I fail, what then?

SAPTYour life; and mine, and Fritz'shere.

Rassendyll thinks about that, too, and finally reaches hisdecision.

RASSENDYLLConfound it, I'd become awfullyfond of this mustache!

SAPTHah!

Tarlenheim takes the SIGNET RING from the King's finger,and Sapt gives it to Rassendyll. The ring is hard to remove,harder still to put on, and Rassendyll succeeds only aftersome effort.


RASSENDYLLHmm. I hope the crown's a betterfit!

Tarlenheim looks at the King.

TARLENHEIMWell, what are we going to do?

SAPTWe've got to hide him. We can'tchance Michael's men finding himhere. The cellar would be best.Pick him up.

TARLENHEIMBut if they search?

SAPTJosef will put them off.

TARLENHEIMBut--

SAPTWe're not playing! I know the risk!If they do find him, he'll be noworse off than if he's not crownedin Strelsau today. Pick him up!

Sapt goes to the door and opens it. Right outside is amiddle-aged woman in a servant's dress, FRAU HOLF the caretaker. She's just straightening up as if she's beenwatching or listening at the keyhole.

FRAU HOLFI beg your pardon, sir.

SAPTOne moment! How long have you been caretaker here?

FRAU HOLFTen years.

SAPTHave you the key to the wine-cellar?

FRAU HOLFYes, sir.

SAPTOpen it.


She goes off to open the cellar. As Tarlenheim goes outwith the King in a fireman's carry, Sapt goes back to thetable and collects the bottle of drugged wine.

INT. CELLAR STAIRS -- CONTINUOUS

The cellar is open and Tarlenheim takes the King inside.Sapt comes downstairs after him. As Frau Holf tries toleave, he blocks her exit, then picks up a convenient CUP,pours wine into it and holds it out. She shrinks away.

FRAU HOLFNo! No, no!

SAPTDrink it. Drink it!

Reluctantly Frau Holf does as she's told, then drops thecup and sits down nervously. Tarlenheim comes out of thecellar and looks at her.

SAPT (CONT'D)Tie her up. Better gag her, too.

INT. WINE CELLAR -- CONTINUOUS

Sapt comes in and examines the King, now stretched out ona table and still out cold. He removes his tunic, folds itas a makeshift pillow and puts it under the King's head.

SAPTOn the night before your coronation,you had to have wine, wine, andmore wine.


Sapt goes back outside, where Frau Holf is alreadyunconscious. He lifts her head and lets it drop back.

SAPTRemarkable vintage, that '68. Lockthe door.

Tarlenheim locks it, then gives an ironic SALUTE.

TARLENHEIMSleep well, your Majesty. We go tosee you crowned.

INT. HUNTING LODGE -- MOMENTS LATER

Rassendyll, now clean-shaven, is in full uniform. He has aPORTRAIT of the King in one hand, a MIRROR in the other,and looks pleased with the comparison. So is Sapt.


SAPTBy Heaven, we'll do it yet!

RASSENDYLLIt's not bad. Not bad at all.

Right on cue, the royal monocle drops from Rassendyll'snon-royal eye.

RASSENDYLL (CONT'D)I'll never keep that in!

SAPTLook here, you've overlooked onething. Yesterday's temples won'tdo for today's King.

TARLENHEIMYou're right! What can we do?

RASSENDYLLWell, I suggest some boot-blacking.Preferably the King's -- I mightas well be royal all over.

INSERT -- A PROCLAMATION

Proclamation: In response to public demand, and takingcognizance of the lamentable public disorders occasionedby the unexplained non-appearance of His Majesty, KingRudolf the Fifth, at the solemnities of his coronation.Now I, Michael, Duke of Strelsau, do hereby assume theRegency of this Kingdom and ordain and proclaim a state ofmartial law.

INT. MICHAEL'S OFFICE -- LATER

Duke MICHAEL, mid-40s, dark and grim, signs the document,then seals it with ribbon and wax and hands it to hishenchman DETCHARD. Two other henchmen, DE GAUTET andLAUENGRAM are also present. The trio are tough-lookingmilitary men of Michael's own age. All wear hussar uniformof the same regiment, with Michael the most senior officer.

MICHAELThere. The last detail. Remember,this is to be released twentyminutes after Hentzau brings youword that the coronation ceremonieshave been canceled. Twenty minutes;not before.

DETCHARDYes, your Highness. And now may Ioffer you my congratulations?


He holds out his hand. Michael rises and shakes it.

MICHAELA shade premature, but thank you,Detchard.

ANTOINETTE De Mauban, Michael's mistress, comes into theroom. She's a darkly beautiful woman in her late 30s, butshe watches uneasily as he accepts what looks like Royalhomage from his supporters. They notice her, and bow.

MICHAEL (CONT'D)Well, gentlemen, it is time foryou to proceed to your posts. Thehour is almost upon us.

DETCHARDWe go in the cause of our country --and our future sovereign.

MICHAELOur future sovereign: Queen Flavia.

Antoinette doesn't like the sound of that, and Michaelregisters her concern with a sidelong glance. The henchmenbow again and leave.

ANTOINETTEHe looked at you when he said "ourfuture sovereign". Have you beenlying to me, Michael? Is it morethan the Regency you want?

MICHAELNo, of course not! As Regent, thesovereign power will be mine. That'sall he meant, my dear Antoinette.

ANTOINETTEWas it? Is power all you want? I'mafraid, Michael!

MICHAELFor me? Or for yourself?

ANTOINETTEYou promised to make me your wife.I want to be your wife. I want tolove you and make you happy. Onceyou were Regent they would neverlet you marry me! Michael, takethe happiness we can have together.Leave the power to your brother--


MICHAELNo! I've played second fiddle tothat drunken sot for the last time.Because his mother was a princessand mine was not, he lived in theRoyal Palace, he dined with Kings.Well, today the feast is set forRudolf, but it's Michael who willsit in his place!

There's a KNOCK at the door.

MICHAEL (CONT'D)Come in!

Rupert of HENTZAU enters; in his late 30s, he's sarcastic,cynical, and even more a villain than Michael.

HENTZAUCount Rupert of Hentzau at yourservice, your Majesty.

He "realizes" that Michael isn't alone; it's just anotherchance to repeat that incorrect title to see what happens.

HENTZAU (CONT'D)I'm sorry to interrupt you, yourMajesty.

MICHAELHentzau!

HENTZAUYour Highness...

MICHAELYour wit is as inopportune as yourappearance. Why are you not atyour post in the cathedral?

HENTZAUHow can I witness the coronationof a King who'll be conspicuous byby his absence?

MICHAELDo we want to make it obvious tothe whole world that we knew hewould not be there?

Hentzau gives Antoinette a thoughtful look, wondering whatshe knows, then dismisses concern in favor of impudence.


HENTZAUIncidentally, the Burgomaster ofZenda is outside to pay you hisrespects, at the head of adelegation of loyal peasants. Itold them you were probably toobusy to see them. As of course youare.

MICHAELThere may come a time, Hentzau,when your services will no longerexcuse your impertinence.

Hentzau BOWS, unruffled, as Michael stalks irritably fromthe room, then turns his attention to Antoinette.

HENTZAUI called at your hotel again thismorning, and as usual they saidyou were out. Curiously enough,you were out for once. I'm gladyou've stopped lying to me. I hatebeing lied to by women. They neverdid before. I always lied to them.

ANTOINETTEYou and I will never have anythingto lie to each other about, CountRupert.

HENTZAUNever? Somebody once called fidelitythe fading woman's greatest weapon,the charming woman's greatesthypocrisy. And you're very charming --to anyone whose head is not bowedbeneath a borrowed crown.

ANTOINETTEI thought I heard his Highnessorder you to your place at thecathedral!

HENTZAUSo you're trying to put me in myplace too! I love arrogance in awoman. It's always so amusing todiscover their arrogance is only adefense. But you need no defenseagainst me: you and I are allies.Michael is plotting to betray usboth.

(MORE)


Antoinette makes for the door but is brought up short byhis next words -- they're too close to her own suspicions.

HENTZAU (CONT'D)Poor Michael, how he short-changeshimself. Deserting a warm, excitingwoman of the world for an insipidwax doll!

ANTOINETTEThat was hardly up to your usualstandard, Count Rupert. I had heardyou were much more subtle. Whatmakes you think Michael has theslightest intention of marryingPrincess Flavia?

HENTZAUHow else can he get the crown?

ANTOINETTEHe doesn't want the crown, as thosein his confidence know. He wantsonly to be Regent.

HENTZAUSo he's made you think he onlywants to be the man behind thethrone! Oh no, he wants to sit onit. And sit on it he never canunless he sits beside the rightfulqueen, and that queen is not you.

(beat)Even though you'd make a perfectqueen.

Antoinette is still beside the door, but hasn't made anymove to open it and leave even though Hentzau is far tooclose for comfort.

HENTZAU (CONT'D)I'm glad you believe me at last. Itold you we were allies.

(beat)I can even help you to win himback, and I'm the only man in thecountry who can, because I'm theonly man in the country who isn'tafraid of him. All you have to dois to give him genuine cause to bejealous of me.

(beat)Would that be hard?


Antoinette glares at him, even when he opens the door forher with mocking courtesy. Once she's gone, he smuglyadmires himself in a MIRROR, jauntily adjusting his helmetand WHISTLING a waltz. Rupert of Hentzau thinks a greatdeal of himself...

EXT. THE ROYAL TRAIN (STOCK?) -- LATER

Drawn by a steam locomotive, the train speeds through thecountryside.

CLOSE UP of the Royal Crest on a carriage door.

INT. THE ROYAL CARRIAGE -- CONTINUOUS

Rassendyll is practicing his coronation oath, watched bySapt and Tarlenheim.

RASSENDYLL"I, Rudolf, with justice and mercyto deal sovereignty, to guard withvigilance and honor the welfare ofmy peoples, from all enemies..."Er...

He fumbles for the next words, floundering until at lastTarlenheim leans forward, ready to prompt.

RASSENDYLL (CONT'D)No, no. Don't tell me! Er... "Fromall enemies to...defend them, andfrom the throne of my ancestors tobear faithful rule, all this do Iswear."

He finishes in a rush, but it's good enough for Sapt. Hestands up and grabs Rassendyll's wrist, checking his pulse.

SAPTA little swift, but you'll do.Stop shaking, lad. They'll mistakeit for a royal hangover! Now letme see... We're all right to thecathedral. The princess hasn'tseen him for several years, butMichael...

(beat)Well, I've told you all I can.I'll be at your side every minute.

(beat)Your capital, your Majesty!

The view through the window shows a station platformdecorated with bunting and lined with soldiers on parade,people CHEERING and waving flags.


As a FANFARE plays, Sapt, Tarlenheim and Rassendyll put ontheir helmets and prepare to disembark.

ND VOICES (O.S.)God save the King! God save theKing!

SAPTGod save 'em both! Steady, lad!

They leave the train, and the pretense begins in earnest.

INT. STRELSAU CATHEDRAL -- LATER

The cathedral is packed, but beyond the columns lining theaisle, Michael and Hentzau wait for announcement of theKing's non-arrival.

MICHAELIt's the day, the hour, almost themoment!

HENTZAUHistory is born out of a bottle ofwine.

Their mutual congratulations are cut short by a FANFARE --announcement of the King's arrival. Satisfaction changesto shock in an instant.

HENTZAU (CONT'D)The King?

Rassendyll, Sapt, Tarlenheim and an escort enter throughthe cathedral doorway, where "the King" pauses to give uphis HELMET and GAUNTLETS.

A DIGNITARY bows to Michael and states the obvious.

DIGNITARYHis Majesty has arrived, yourHighness.

HENTZAUThe King? How's it possible?

MICHAELRide back to Zenda at once! Findout who betrayed us!

HENTZAUIf only he'd drunk what I wantedto put in that bottle...


Hentzau leaves and Michael hurries into the main part ofthe cathedral to stare down the aisle as the Royal Partyapproaches. Rassendyll walks at a dignified pace along thered carpet as the congregation bows or curtsies. He looksevery inch a King, but how much he feels like one is wellhidden, while Michael watches and wonders why there's aKing in the cathedral at all.

Though he gives Rassendyll an intense scrutiny, he finallyescorts "his brother" to the throne, where they're met bythe CARDINAL.

CARDINALLook now upon our liege lord, Rudolfthe Fifth, undoubted King of thisrealm; and if any man would denyour sovereign lord's title to ourlands and fealty, let him speaknow, or be attainted traitor.

Michael knows that this is the time to say something,anything, but without proof he has to remain silent.

DISSOLVE TO:

INT. STRELSAU CATHEDRAL -- LATER

Rassendyll sits on the throne, now wearing coronation robes,with the ORB and SCEPTER already in his hands. The CROWNis brought on a cushion to the Cardinal, who takes it andformally shows it to "the King".

CARDINALReceive the crown of the kingdom,and understand what a glory ofsanctity and honor and bravery itsignifies.

He places the crown on Rassendyll's head.

CARDINAL (CONT'D)God save the King!

ND ALLGod save the King! God save theKing! God save the King!

Even Michael repeats it, but as if the words taste bad.

MICHAELGod save the King...


EXT. STRELSAU PARK -- CONTINUOUS

More trumpeters sound another FANFARE. A line of cannonstarts FIRING a salute.

INT. STRELSAU CATHEDRAL -- CONTINUOUS

The Cardinal gives the SWORD OF STATE to Rassendyll, whostands up, raises it, and speaks the oath he was practicingon the train, this time without hesitation or error.

RASSENDYLLI, Rudolf, with justice and mercyto deal sovereignty, to guard withvigilance and honor the welfare ofmy peoples, from all enemies todefend them, and from the throneof my ancestors to bear faithfulrule, all this do I swear.

With the King's oath complete, his bride-to-be PrincessFLAVIA comes forward to swear allegiance. She's a beautifulyoung woman in her early 20s and Rassendyll is immediatelytaken with her. Kneeling in front of him, hands togetherin homage, she concentrates on what she's saying and doesn'tnotice his interest.

FLAVIAI, Flavia, do become thy vassal,swearing to serve thee in truthwith life and limb until deathfindeth me. So help me God.

There's a pause, then Rassendyll asks Sapt what to do next --and he's already guessed what it is.

RASSENDYLL (WHISPER)Do I kiss her?

SAPT (WHISPER)Yes!

Rassendyll takes Flavia by the hands and raises her up,kisses her formally on both cheeks then, anticipating theircoming wedding, they walk hand in hand down the aisle.

EXT. MONTAGE -- CONTINUOUS

Cannon FIRING another salute.

Trumpeters sounding another FANFARE.

Church bells RINGING.


EXT. STRELSAU STREET -- LATER

The Royal Coach, with "The King" and the Princess inside,makes its way along a street lined with soldiers in full-dress uniforms and packed with CHEERING, flag-waving crowds.

INT. ROYAL COACH -- CONTINUOUS

Rassendyll and Flavia sit side by side, WAVING regally atthe crowds.

RASSENDYLLWell, I think everything went offvery well, don't you? For acoronation.

Flavia gives him a quizzical glance suggesting she wonderswhat he means by that comment. Rassendyll covers hastily.

RASSENDYLL (CONT'D)I mean, that is, not that acoronation shouldn't go well,provided the King puts in anappearance suitably dressed, andsuitably rehearsed--

FLAVIAAnd suitably sober.

RASSENDYLLAnd suitably sober. Yes, I washoping you'd notice that.

(beat)By the way, among my other failingsI've rather neglected you, haven'tI?

FLAVIATwo picture postcards in threeyears, I think.

RASSENDYLLTo think that all this time you'vebeen changing into the loveliestprincess in Europe. No, theloveliest girl in Europe.

FLAVIAYour new responsibilities do notcompel you to shower me withcompliments in private, yourMajesty.

Rassendyll glances out of the coach window at the soldiers,the crowds, the bunting and the bands.


RASSENDYLLYou call this private?

Flavia smiles at the joke. She clearly doesn't want tolike the man who ignored her existence for so long, butthere's something more appealing about him now.

FLAVIAI'm glad you think I've changedsince you last saw me. You'redifferent too.

That makes Rassendyll both wary and nervous.

RASSENDYLLWell... Wouldn't anybody seemdifferent with all this going on?I probably look like a prize idiot --and talk like one, too.

FLAVIAYou're too modest. You really lookedand acted like a King today.

RASSENDYLLThank you.

FLAVIAIt was delightfully unexpected.

RASSENDYLLOh...

She nods towards the window and the crowded street beyond.

FLAVIAAren't you forgetting something,your Majesty?

RASSENDYLLWhat? Oh.

Rassendyll resumes waving, supporting one weary arm withthe other.

FLAVIAThat's better.

RASSENDYLLWait, I've got an idea. Supposingyou bow on my side of this goldfishbowl, and I'll salute on yours?Like that.

(MORE)


He demonstrates, leaning forward. If it looks for a secondas if he's about to kiss her again, that must be only acoincidence, but at least they can look at each other now.

RASSENDYLL (CONT'D)There. Isn't that more cozy...?

EXT. STRELSAU PALACE -- EVENING

The crowds gathered in front of the palace are CHEERINGand WAVING: hands, flags, even hats. "The King" and thePrincess are out on the balcony.

EXT. STRELSAU PALACE BALCONY -- CONTINUOUS

Rassendyll and Flavia WAVE back at the people. On impulse,he BOWS to her and KISSES her hand. The cheers increase.

RASSENDYLLThey seemed to like that.

After a final bow, they go into the withdrawing-room.

INT. STRELSAU PALACE WITHDRAWING-ROOM -- CONTINUOUS

FLAVIABless them, they're with you heartand soul.

RASSENDYLLMe? It was you they were cheering.I felt like cheering you too, whenI first saw you.

Flavia seems uncomfortable with this new kindly King. Sheglances at the door, with important people beyond it.

FLAVIAEveryone's waiting for us...

RASSENDYLLOh no, please don't go yet. It'ssuch a relief to have you to myselffor a moment. All day long I'vebeen on parade: cheered at, wavedat, stared at. Not a moment totell you--

FLAVIATell me what?

RASSENDYLLWell... It's enough to turn anyman's head a bit.

(MORE)


RASSENDYLL (CONT'D)I'm crowned King, I meet theloveliest, the most beautiful woman--

FLAVIAThat isn't what you used to say.You used to call me "that clumsylittle scarecrow."

RASSENDYLLI did? I should have beenhorsewhipped.

FLAVIAThose were my very words. Once Ikicked you, quite hard.

RASSENDYLLGood! I'm sure I deserved it. ButI hope you never find it necessaryto kick me again.

FLAVIAYou know, you've changed beyondall recognition. It's almostimpossible to believe that anybodycould change so much -- and soquickly.

RASSENDYLLWell, it must be that you bringout the best in people.

FLAVIANo. You've become an entirelydifferent person.

(beat)They're waiting for us. We reallymust go.

During their conversation they've strolled to the opendoor of the anteroom, where Sapt, Tarlenheim and variousdignitaries are indeed waiting. One of them is Michael,who strides forward. Rassendyll sees him approach.

RASSENDYLLMust we?

He shuts the door full in Michael's face.

INT. STRELSAU PALACE ANTEROOM -- CONTINUOUS

Michael stops abruptly as the door shuts and swings around,all but grinding his teeth in fury.


INT. STRELSAU PALACE WITHDRAWING-ROOM-- CONTINUOUS

FLAVIAAnother thing I always wanted toknow: is the world outside reallyas wicked and exciting as the novelsmake out? What did you do on thoselong trips? When you weren'tdrinking, I mean.

RASSENDYLLWell, when I wasn't drinking, Iused to go fishing.

FLAVIAFishing? You used to despisefishing!

RASSENDYLLWell, I did... And I didn't, ifyou follow me. Have you ever doneany trout-fishing?

FLAVIANo -- and you know why!

RASSENDYLLOh? I do?

FLAVIAI asked you to teach me, and yousent me home because I made toomany mistakes and scared the fish.

Then Flavia turns serious.

FLAVIA (CONT'D)But once you really hurt me. You'veforgotten, haven't you?

RASSENDYLLI wish you had, too.

FLAVIAIt was my fourteenth birthday party.I had my first formal dress. Ithought I was quite grown-up. Youwere to be the guest of honor. Iwanted to show you that the uglyduckling had become a swan.

RASSENDYLLWhat did I do?


FLAVIAAt the end, when everyone had gonehome and you still hadn't come...

(beat)I hated you.

RASSENDYLLI'm beginning to hate myself.

There's a KNOCK at the door.

RASSENDYLL (CONT'D)Yes?

Fritz von Tarlenheim comes in and bows.

RASSENDYLL (CONT'D)Well?

TARLENHEIMHis Highness Prince Michael iswaiting to pay his respects toyou, your Majesty.

RASSENDYLLWell, let him wait.

(beat)And furthermore, Captain vonTarlenheim, I find your intrusionexcessively irregular.

Rassendyll gives Tarlenheim a swift WINK to take the stingfrom his rebuke, but Flavia doesn't see it.

FLAVIARudolf, it's not wise to provokeMichael deliberately.

RASSENDYLLOh, why not? Why be worried abouthim?

FLAVIAI'm not. I'm worried about you.

RASSENDYLLThat's a different matteraltogether. We can't allow that.Will you excuse me...

(MORE)

He opens the door to reveal Michael standing irritablyjust outside it.


RASSENDYLL (CONT'D)Ah, my dear Michael! I had no ideayou'd been kept waiting.

(beat)Why was I not informed of mybrother's presence? I will nottolerate such inefficiency again,gentlemen!

Sapt and Tarlenheim gape in astonishment. Rassendyll ushersMichael inside, where he promptly kisses Flavia's hand.

MICHAELThis is indeed a privilege worthbeing kept waiting for, cousin.

FLAVIAIt's most kind of you to say so,cousin.

RASSENDYLLYou know, brother, this was a dayI'd really been dreading. I had aqueer feeling that something mightgo wrong. But with you in charge,my fears were foolish, weren'tthey? I can hardly thank you enoughfor arranging my affairs.

MICHAELIt's most gratifying to find yourMajesty in such excellent spiritsafter the strain of the day.

RASSENDYLLAs a matter of fact, I've neverfelt so fit in my life. It must bethe excitement. It's the firsttime I've ever been crowned, youknow.

(beat)That's rather funny... Don't youthink so, brother?

MICHAELVery funny indeed.

RASSENDYLLYes... Then there's another reasonI feel so well. I had anextraordinary native wine with mydinner last night. Soothed mynerves. Slept like a top.

(MORE)


RASSENDYLL (CONT'D)(beat)

This one comes from very near yourcastle. You really ought to try itsometime, if ever you're troubledwith insomnia.

MICHAELI very seldom suffer with insomnia.

RASSENDYLLIndeed? That shows what a veryclear conscience you must have.

MICHAELI have. And I have yet to have adream that did not come true,provided I waited long enough.

Flavia watches the exchange uneasily, aware that it's notas friendly as it sounds.

RASSENDYLLYes, of course. Everything comesto him who... Waits.

He pretends to yawn, full in Michael's face, daring him totake exception to the insult.

MICHAELI see I bore your Majesty. Withyour Majesty's permission, I bidyou good night.

Michael bows abruptly and leaves the room. Flavia is nextto Rassendyll at once.

FLAVIARudolf, do be careful! You knowhow bitterly he hates you!

RASSENDYLLWell, now he knows how bitterly Ihate him!

FLAVIAYou still can't afford to make anopen enemy of him. He'd stop atnothing, even now, to ruin you--

RASSENDYLLYou're overestimating him. Orperhaps you're underestimating me.


FLAVIARudolf, if you won't think ofyourself, think of me. All my lifeI've known what my future had tobe, and I was resigned to it. Butnow... Now I don't have to tellyou how different it is.

RASSENDYLLFlavia, forgive me. I had no ideathat you might... That I would...

FLAVIAI only want you to realize howmuch your life means to... To yourcountry.

RASSENDYLLTo my country?

FLAVIAAnd to your friends...

RASSENDYLLMy friends?

FLAVIAAnd to your cousin and most lovingservant.

She offers "the King" a deep CURTSEY. Rassendyll takes herhands as she rises.

RASSENDYLLWhat else matters...?

Rassendyll is hoping for some declaration of love ratherthan all this honor and respect, but doesn't get it. Flaviagoes to the door.

FLAVIAGood night, Rudolf.

RASSENDYLLNo, don't go! Not yet. Stay a littlelonger.

FLAVIABut you'll be seeing me every dayfrom now on. You may even get tiredof me. Good night.

And she's gone, leaving Rassendyll all too aware that bytomorrow, he'll be gone too.


RASSENDYLLNo... Goodbye, Flavia.

INT. KING'S PRIVATE ROOMS -- LATER

Tarlenheim is sitting with his feet up when Rassendyllcomes in.

TARLENHEIMWhat a day for you to remember!I'll never forget old Mueller atthe cathedral. He used to be theKing's tutor. He fixed his eye onyou and he never took it off. Iwas certain the game was up --until I realized that eye was hisglass one.

(beat)By the way, Rassendyll, what wereyou doing in there with the princessall that time?

(beat)Can't you even leave the King todo his own love-making?

Sapt comes through the door in time to disapprove of suchcomments.

SAPTThat's enough of that! Are youready to go, Rassendyll? We mustleave at once if I'm to have hisMajesty back here by daylight.

(to Tarlenheim)Remember, if anyone comes here tosee the King, you're to say he'sasleep.

TARLENHEIMYes, sir.

SAPTAnd if it's Michael, and thatdoesn't stop him...

TARLENHEIMThat would be awkward.

SAPTSo awkward that if that door isforced, you're not to be alive totell about it.

TARLENHEIMDo you think I would be, sir?


SAPTGood lad!

(to Rassendyll)Come on.

As Sapt helps Rassendyll with his coat, Tarlenheim comesforward to bid an awkward farewell.

TARLENHEIMEr, Rassendyll... I'm not muchgood at speechmaking--

RASSENDYLLWe don't need one, do we?

TARLENHEIMWell, you know what I mean.

RASSENDYLLI think I do, old man.

SAPTWe have no time for sentiment!

RASSENDYLLWell, in a few hours time I'll beplain Rudolf Rassendyll again.

SAPTYou'll be lucky if you're not thelate Rudolf Rassendyll.

RASSENDYLLThere's a happy thought.

SAPTI feel my head wobbling on myshoulders every minute you're inthe city!

He presses a HIDDEN SWITCH, and a SECRET DOOR opens in thepaneling of the wall. Rassdendyll gives it a curious look.

SAPT (CONT'D)In the old King's time, we usedthis more often than any otherdoor in the palace. Saved many aroyal head. And many a royalreputation... I--

Sapt looks as if he's about to relate some scandalousreminiscence, then catches himself before he starts.

SAPT (CONT'D)Yes... Come on!


EXT. FOREST ROAD -- LATER

Sapt and Rassendyll gallop their horses through moonlightand shadows on the way to Zenda. They arrive at last outsidethe hunting lodge.

EXT. HUNTING LODGE -- CONTINUOUS

The lodge is in total darkness. Both men dismount and securetheir horses.

SAPTNo lights, eh? That's odd.


Without light or fire, the room where they had dinner justthe night before is dark and ominously silent. There's nosign of life.

SAPTJosef. Josef!

Rassendyll LIGHTS several candles, but there's still nothingto see.

SAPT (CONT'D)Josef!

Sapt looks about suspiciously, then grabs the CANDLESTICKand heads for the wine-cellar.


Her ROPES and GAG lie on the floor, but the drugged, tied-up Frau Holf isn't there any more -- and the cellar dooris locked. Rassendyll rattles the handle and slams hisshoulder against the wood, to no effect.

SAPTStop. Here, take this.

He hands Rassendyll the candlestick, draws his REVOLVERand shoots out the lock.

INT. WINE CELLAR -- CONTINUOUS

The body on the table looks much as Sapt left it thismorning. But now it's Josef, and the blood on his shirtshows he's not drugged but dead.

SAPTThe King!


RASSENDYLLLook!

Rassendyll finds a NOTE pinned to Josef's body.

CLOSE UP of the note:

One King is enough for any kingdom.

RASSENDYLL (CONT'D)Kidnapped!

SAPTOr murdered...

INT. HUNTING LODGE -- LATER

Sapt and Rassendyll are sitting at the table, trying towork out the details of what happened and who did it.

RASSENDYLL...And Michael's been in Strelsauall day. Still is.

SAPTYes, but that young devil Hentzauisn't! I wondered why I hadn'tseen him all day.

RASSENDYLLWell, that settles it. Now theyknow everything.

SAPTYes, they know everything. Butthey can't speak. They can'tdenounce us without denouncingthemselves. Can they say "thatwasn't the King, because wekidnapped the King and murderedhis servant." Can they say that?

RASSENDYLLNo, but that won't prevent themfrom murdering the King.

SAPTWith you in Strelsau, they won'tdare. If they do, they're finished.Can they kill him and leave you onthe throne?

Rassendyll can see where this is leading.


RASSENDYLLNo! You're asking too much. No mancould carry on this masqueradeindefinitely! I've done everythingI can to help, but...

SAPTYes, I suppose you're right. You'vedone everything that could beexpected. More than could beexpected. It's just that Rudolf ismy King. I have a feeling aboutthe crown. I suppose I feel aboutit as another man might feelabout... The woman he loved.

That jab is aimed straight at Rassendyll, and it hits home.

SAPT (CONT'D)He wouldn't like to leave her toher fate without even a fight.

RASSENDYLLWhat will happen to her... Now?

SAPTWho? The Princess Flavia.

RASSENDYLLYes.

SAPTIf the King has been murdered,Michael as Regent will proclaimher queen, and then... Marry her.

RASSENDYLLShe'd never submit to that!

SAPTFlavia's a princess of the RoyalHouse. She'd have no choice. Shewould expect none.

RASSENDYLLAnd will you stand by and let thathappen to her?

SAPTWill you?

INSERT -- AN INVITATION CARD

His Majesty the King commands the attendance of Her RoyalHighness the Princess Flavia at a State Ball in honor of


his Majesty's Coronation. In the Royal Palace, Strelsau,June the ninth 1897 at nine o'clock. Von Hennitz, LordHigh Chamberlain. Orders and Decorations.

Rassendyll's hand, holding a pen, crosses out "His Majestythe King commands" and replaces it with "Rudolf begs andimplores" -- then adds at the bottom, "If you don't giveme the first waltz, I'll cancel the ball. R."

INT. BALLROOM -- EVENING

A MAJOR-DOMO thumps his staff of office on the floor.

MAJOR-DOMOHis Majesty the King!

As the National Anthem plays, Rassendyll and Flavia walkdown the grand staircase into the ballroom. It's filledwith important people in ball-gowns, uniforms and diplomaticfull dress, who bow and curtsey as "The King" goes by. TheCOMMISSAIRE comes forward and bows a greeting.

COMMISSAIREYour Majesty.

Rassendyll has no idea who he is, but plays along.

RASSENDYLLI'm delighted to see you.

Flavia whispers behind her fan, telling Rassendyll what todo next. He signals to the MASTER OF CEREMONIES on thestairs.

MASTER OF CEREMONIESAvec la permission de sa Majesté,le bal commence! Valse générale!

And everyone starts dancing. The orchestra conductor, afussy little man, gets into the swing of things. Variousnew arrivals saunter down the stairs, joining the glitteringscene. Rassendyll and Flavia are the center of attention --even from Michael, who stands glowering off to one side.

FLAVIARudolf, are you worried aboutsomething?

RASSENDYLLWorried? With you in my arms? Iwas just thinking there'll neverbe another night quite like this,or another waltz quite like this.


FLAVIAI'll never forget tonight as longas I live, if that's what you mean.

RASSENDYLLNor will I.

They dance some more, then Rassendyll has a question.

RASSENDYLL (CONT'D)Do you have to dance with anybodyelse tonight, Flavia?

FLAVIAI dance only as my King commands.

RASSENDYLLThen your King commands that--

He stops dancing to talk to her, and everything else stopstoo: the other dancers, the music, even the conversation.

RASSENDYLL (CONT'D)Why do they all stop?

FLAVIAYou know the rule: because we do.

RASSENDYLLAnd you mean that if we start,they'll go on?

FLAVIAOf course!

They start dancing again, and the ball resumes.

RASSENDYLLIf we go out on the terrace, willthey all come trooping out afterus?

FLAVIAOf course not!

RASSENDYLLWell then--

He stops, and of course everything else stops too.

RASSENDYLL (CONT'D)--let's go out on the terrace.

FLAVIANot now.


RASSENDYLLLater?

FLAVIALater.

They start, and everything starts, although the conductoris starting to look flustered.

FLAVIA (CONT'D)That is, if we can slip away.

Rassendyll stops. Everything stops.

RASSENDYLLOh no. I want that promise.

Everyone is staring, confused but amused.

FLAVIACome, we must dance!

RASSENDYLLNot a step until I get that promise.

FLAVIAI promise.

And off they waltz again, with the conductor fit to burst.

DISSOLVE TO:

INT. BALLROOM, STRELSAU -- LATER

"The King" and Flavia are meeting-and-greeting when Saptgives him some awkward news about who's next.

SAPTThe British Ambassador, newlyappointed. Do you know him?

RASSENDYLLYes!

SAPTLet us trust in Providence.

RASSENDYLLYou'll never get Providenceinterested in this enterprise!

The AMBASSADOR and his wife LADY TOPHAM arrive, escortedby the Chamberlain.


CHAMBERLAINYour Majesty, your Royal Highness:his Excellency the BritishAmbassador and Lady Topham.

RASSENDYLLYour Excellencies.

The Ambassador straightens from his bow and gives Rassendylla look that's almost, but not quite, recognition. Rassendyllcovers by putting on his monocle and trying to appear asforeign as possible. It works, because the Ambassador'sdubious expression clears.

AMBASSADORYour Majesty, Her Britannic Majestythe Queen-Empress commands me toconvey her felicitations on yourCoronation.

RASSENDYLLBe pleased to convey our thanks toher Majesty. You may also add ourfelicitations on her Jubilee.

AMBASSADORYour Majesty.

(beat)Would it be premature tocongratulate you upon your Majesty'sapproaching wedding?

RASSENDYLLWell... Yes, it might be.

Flavia gives him a sharp look at that one.

FLAVIARudolf, we should pay our respectsto his Eminence the Cardinal.

As they move away, the Ambassador and his wife gaze afterhim with interest.

AMBASSADORAmazing resemblance to the youngerRassendyll.

LADY TOPHAMNot the slightest.

The CARDINAL is a dignified old gentleman in scarlet andblack ecclesiastical regalia.


RASSENDYLLYour Eminence has greatly honoredus tonight.

CARDINALYour Majesty's subjects alreadylove their King. I think they'reimpatient to love their Queen aswell.

FLAVIAI'm grateful for the interest ofthe people, and of your Eminence.

CARDINALGraciously answered. And now: thepreparations for the ceremony, ofnecessity, are going to be manyand elaborate. Would it pleaseyour Majesty to name the day?

RASSENDYLLNow? Tonight?

CARDINALIt was understood that the ceremonywould shortly follow the coronation.

RASSENDYLLWell, shall we say in... Six monthstime?

The Cardinal is surprised; Flavia is shocked and insulted.

CARDINALSo long a postponement?

RASSENDYLLYour Eminence, there's an oldproverb which counsels us againstcrossing bridges before we come tothem.

CARDINALIf your Majesty would examine thatproverb, I think you would find itvery difficult to cross a bridgeat any other time.

RASSENDYLLWell, I'm sure my cousin willunderstand...


FLAVIAYour cousin begs leave to bid yourMajesty -- and your Eminence --good night.

CARDINALGood night, my child.

RASSENDYLLIf you will excuse us--

He goes after Flavia, aware how offended she is.

RASSENDYLL (CONT'D)Flavia... You promised to go outon the terrace with me.

FLAVIAIs that a command, your Majesty?

RASSENDYLLThat's a command. But a very humbleone.

Rassendyll and Flavia walk out onto the terrace, then downto the garden. Sapt stands in the ballroom doorway andwatches from a distance.

FLAVIAWhy did you ask me out here?

RASSENDYLLI couldn't let you go home whileyou were still angry with me.

FLAVIAI'm sure you have excellent reasonsfor what you said.

RASSENDYLLBelieve me, I have. There are timeswhen a man might find it impossibleto do even what his heart promptshim to do. But I never couldwillingly do anything to hurt you.

FLAVIAHow can I believe you when I don'teven understand you?

RASSENDYLLThen will you believe this withoutunderstanding? I love you.


FLAVIAIs it true? Or do you say thatbecause you must?

RASSENDYLLI love you more than truth or life --or honor.

He KISSES her enthusiastically.

FLAVIATell me, Rudolf -- why is it Ilove you now with all my heart,when I never even liked you before?

RASSENDYLLNever before?

FLAVIAIt was at the coronation. I lookedat you and--

RASSENDYLLAnd that was the first time youloved me?

FLAVIAYou ask that as if you'd be pleasedto hear me say "Yes".

RASSENDYLLWould "Yes" be true?

FLAVIAYes.

They kiss again.

FLAVIA (CONT'D)You seem so different. I wantedyou to be different from the RudolfI knew, from the Rudolf I didn'tlove, and you are. And you aren't.

RASSENDYLLFlavia... If I were different, ifI were not the King...

FLAVIAWhy do you say that?

RASSENDYLLCould you still love me if I werenot the King?


FLAVIAIn my heart there is no King, nocrown... Only you.

Rassendyll realizes that if there's a time to tell Flaviathe truth about himself and the King, that time is now.

RASSENDYLLFlavia... I am not--

SAPT (O.S.)Your Majesty!

With this interruption the moment for Rassendyll'sconfession is lost, just as Sapt intended. He bows inpretended apology.

SAPT (CONT'D)A thousand pardons, your Majesty.His Eminence the Cardinal is waitingto take his leave.

RASSENDYLLWe must not keep his Eminencewaiting.

FLAVIAIs something wrong, Colonel Sapt?

SAPTNothing, your Highness. It is alwaysmy unpleasant task to be thereminder of duty.

That remark is aimed straight at Rassendyll, but Flaviadoesn't notice it.

FLAVIAFaithful Colonel Sapt!

SAPTGod bless your Royal Highness. Butabove all -- God save the King!

He's not referring to "the King" that Flavia thinks hemeans.

FLAVIAGod save the King...

She curtseys, then plucks a rose from a nearby bush andplaces it in Rassendyll's hand as a keepsake of the evening.


INT. KING'S PRIVATE ROOMS -- LATER

MATCH CUT: the rose is still in Rassendyll's hand.

SAPT (O.S.)The romance progressed very welltonight. You struck a good blowfor the King!

RASSENDYLLWhat's to prevent me striking ablow for myself?

SAPTDon't take it so, lad. You're boundin honor to play the King's partfor him.

RASSENDYLLHonor? Have you left me any honor?

SAPTCome, come--

RASSENDYLLYou forgot the human element, didn'tyou? I'm a man in love with a womanwho loves me! You saw, tonight?You heard?

SAPTI did.

RASSENDYLLThen why should I ever leave thethrone? Could you expose me? Ifyou did, you'd get Michael in myplace! I could marry the Princessand send the King and Michael to--

SAPTIf you did that, you'd have tokill me first.

RASSENDYLLWell, and if I did? I could raiseall Strelsau against you in anhour!

SAPTYou could do that -- but youwouldn't.


RASSENDYLLThen find the King! Find him --before it's too late...!

INT. MICHAEL'S OFFICE -- CONTINUOUS

HENTZAUOdd, a man not knowing his ownbrother. But I assure you, they'reenough alike to be twins.

MICHAELYou're trying to tell me the man Isaw crowned is an impostor?

HENTZAUNot your type of fiction I see,your Highness. Too incredible? Butstill, these things do happen. Iknew twin sisters once who... Butthat's another story.

(beat)I see your Highness isn'tinterested. Shall I go to marketelsewhere?

MICHAELIf what you say is true, why hasn'tthe King been heard from? Where ishe?

HENTZAUHe's in a woodcutter's cabin. Oh,and by the way, royal blood is notblue as most people think. It'sred. I know, because I had to spilla little.

MICHAELYou've abducted him!

HENTZAUIt's an old medieval custom,abducting kings.

MICHAELRupert, only you could have carriedout a coup like that! What haveyou done with him?

The two conspirators settle down in easy chairs in frontof the huge fireplace to haggle over what happens next.


HENTZAUWell, there's something we haven'tdiscussed. In fact it's the sameold topic--

MICHAELIn a cabin, you say? But where,man? Where?

HENTZAUNow why do people abduct kings?For fun, your Highness? Surelythere's always the little matterof the King's ransom?

MICHAELYou can be the first man in thekingdom -- after the King.

HENTZAUHow much down on account?

MICHAELTen thousand.

HENTZAUThat's a poor price for a King --and a crown.

MICHAELTwenty.

HENTZAUWell, it's too cheap, but I willadmit he's a bit of a nuisance,always whining about being chainedup...

MICHAELHow badly did you wound him?

HENTZAUNot fatally, I'm afraid. But thecabin is very damp, your Highness.He could easily develop...Pneumonia?

It's clear that the King could develop not just pneumonia,but whatever fatal illness becomes necessary.

MICHAELAnd let the Englishman reign forthe rest of his life? Could weever expose him?


HENTZAUThat hadn't occurred to me.

MICHAELBut if the Englishman died first,and was buried in the cathedral asthe King...

HENTZAUThere are moments in your presence,your Highness, when I feel myselfan amateur.

MICHAELThis fraud is an insult to thewhole country.

HENTZAUYour Highness shows me the path ofduty. It is the simple duty of apatriot to kill him like a dog.

MICHAELThere are times, Rupert, when weneed the ladies. Even in mattersof state. I'm about to ask a greatservice of you -- and ofAntoinette...

INSERT -- AN ENVELOPE

Rudolf Rassendyll, c/o Captain Fritz von Tarlenheim. Deliverinstantly.

INT. KING'S BEDROOM -- LATER

Rassendyll is in bed, but sits up to take the ENVELOPEfrom Tarlenheim. He reads the name again; not one he'dbeen expecting to see.

RASSENDYLLRudolf Rassendyll...? Couldn't bea bill from my tailor, I suppose?

He opens the envelope and READS the LETTER inside.

RASSENDYLL (CONT'D)(reading)

"If Mr Rassendyll desires to knowthe whereabouts of the King, lethim come tonight at two o'clock tothe deserted summerhouse behindthe wall on Boulevard Elphberg. Hemust be alone.

(MORE)


RASSENDYLL (CONT'D)If he neglects this invitation hemay harm the Princess Flavia."

TARLENHEIMObviously a trick of Michael's.They must take you for a fool.

RASSENDYLLWait a minute, there's a bit more.

(reading)"If you hesitate, consult Captainvon Tarlenheim."

TARLENHEIMThey must take me for an even biggerfool!

RASSENDYLL(reading)

"Ask him what woman would do mostto prevent Michael from marryingthe Princess Flavia, and thereforemost to prevent his becoming King --and ask if her name begins with'A'?"

TARLENHEIM"A"...?

(beat)Antoinette de Mauban! A Frenchwoman:madly in love with Michael. Ofcourse! She'll lose him if--

RASSENDYLLWhere is is the Boulevard Elphberg?

TARLENHEIMAre you going?

RASSENDYLLI am.

TARLENHEIMNot without me!

RASSENDYLLGood man! But no Colonel Sapt.He'd have fourteen different reasonswhy we shouldn't go, and all ofthem good ones.

(beat)Well, if the Colonel can't getnews of the King, we'll get it forhim!


EXT. GARDEN WALL -- NIGHT

The wall's about ten feet high, but its GATE is convenientlyajar. Too conveniently. Rassendyll waves Tarlenheim awayfrom it and they move further down, where he CLIMBS a treenext to the wall. At the top, he can see that there isindeed a summerhouse. He signals Tarlenheim to stay wherehe is, then drops down into the garden.

EXT. GARDEN -- CONTINUOUS

Rassendyll prowls through the overgrown garden, then ducksunder cover and draws his revolver as the summerhouse doorcreaks open. After a few seconds he moves cautiously inside.

INT. SUMMERHOUSE -- CONTINUOUS

Antoinette is there: she shuts the door behind him.

ANTOINETTEYou know this is a trap, don'tyou? Three men are coming here tokill you.

RASSENDYLLWhere's the King?

ANTOINETTEBefore I tell you, I must haveyour word: no harm to Michael.

RASSENDYLLWhy do you betray him in one breath,and then plead for his life in thenext?

ANTOINETTEThink what you like. Think that Ijust don't like a murder. Thinkthat I'm just a jealous woman.Have I your word?

RASSENDYLLYes, as much as I can give it. Ifyou tell the truth.

ANTOINETTEThey're moving the King tonight.From a hut in the forest toMichael's castle near Zenda.

RASSENDYLLThat's what I wanted to know!


ANTOINETTEWait! If the castle is attacked,the King will be killed instantly.No trace of his body will be found.

RASSENDYLLCharming character, your friendMichael.

ANTOINETTEDo you want my help or don't you?

RASSENDYLLYes!! How do we rescue the King?

ANTOINETTELeave that to me. You must havehis friends at hand, at his hunting-lodge, on some excuse or other.Boar-hunting, perhaps. As soon asI can arrange an escape, I'll getword to you.

RASSENDYLLHow will I know it isn't anothertrap of Michael's?

She removes one of her EARRINGS and gives it to him.

ANTOINETTEThe man I send you will have themate to this. Now go, and goquickly.

RASSENDYLLAnd you?

ANTOINETTEIf Michael finds out what I havedone, you and I will not meet again.

RASSENDYLLGood luck -- in everything.

ANTOINETTEAnd to you... With the Princess.

Suddenly a fist POUNDS on the door.

ANTOINETTE (CONT'D)They've come! They're too soon!

HENTZAU (O.S.)Mr Rassendyll?

(MORE)


HENTZAU (O.S.) (CONT'D)(beat)

Mr Rassendyll, forgive me if Iinterrupt you at an inopportunemoment--

EXT. SUMMERHOUSE -- CONTINUOUS

Hentzau and his henchmen KRAFSTEIN and BERSONIN are outsidethe door, REVOLVERS drawn and ready.

HENTZAU--But I'd like a friendly wordwith you. I'm alone and unarmed.


ANTOINETTEIt's Rupert of Hentzau! Don't trusthim!

RASSENDYLLWe can talk with the door betweenus, Count Hentzau.

HENTZAU (O.S.)Will you give me your word not tofire while we talk?

RASSENDYLLI give you my word not to firebefore you do, but say what youhave to say from where you are.


HENTZAUAs you please. A truce, while Ioffer peace terms. Fifty thousandpounds in English notes, and safeconduct to the frontier.


Rassendyll doesn't believe any of this blarney for a minute.

RASSENDYLLThat sounds fair enough.

HENTZAU (O.S.)Well, do you accept?

RASSENDYLLGive me a moment to think it over.

(MORE)


RASSENDYLL (CONT'D)(to Antoinette)

Get out of the line of fire.

He looks around the dim interior of the summerhouse, spiesan OPENING where part of the roof has caved in, holstershis gun and climbs up onto a small tea-table under thehole.

RASSENDYLL (CONT'D)Count Hentzau!

HENTZAU (O.S.)Your Majesty?

RASSENDYLLI hold you to your word, and acceptyour offer.


HENTZAUCongratulations! The money's in mypocket and there's a good horsewaiting for you. Come out.


Rassendyll is halfway out through the hole in the roof.

RASSENDYLLI prefer you to come in. It's lesspublic. Do you mind?

HENTZAU (O.S.)Open the door.


KRAFSTEINCareful! He'll shoot first!

HENTZAUWhat, after he's given his word?In England, that simply isn't done!

(beat)Open it.

Krafstein shakes his head.

HENTZAU (CONT'D)What, when we're three againstone? All right, I'll open it myself!


He SHOULDER-CHARGES the door open and all three chargeinto the summerhouse -- just in time to see Rassendyllescape to the roof. They FIRE at him but miss, and whenBersonin leans out of a window, Rassendyll DROPS a fallenbranch on his head. Then he leaps from the roof, breakshis fall by landing in a whippy SAPLING, SPRINTS acrossthe garden and LEAPS up to grab a handy tree-branch.

None of the shots sent after him come close, becauseTarlenheim throws open the gate and gives covering fire,forcing the Bad Guys to take cover in the summerhouse.

Rassendyll SWINGS himself up over the wall, DROPS downoutside the garden and signals to Tarlenheim.

RASSENDYLLFritz!

They hurry off into the night.

INSERT -- COURT ANNOUNCEMENT

Court of Strelsau. By order of his Majesty the King, allengagements are canceled. His Majesty is leaving at oncefor the hunting-lodge at Zenda. Von Hennitz, Lord HighChamberlain.

INT. STRELSAU PALACE WITHDRAWING-ROOM -- DAY

Rassendyll is in uniform and greatcoat, ready for thehunting-lodge, but Flavia is in riding-costume, ready fora canter in the park. She's not in a good temper.

FLAVIAI regret that we have failed tokeep your Majesty sufficientlyamused here in Strelsau. I wouldhave suggested a much more variedprogram than just riding with me,only I was foolish enough to believethat...

RASSENDYLLTo believe what?

FLAVIATo believe you were serious whenyou told me you preferred my companyto the Court's. I should have knownbetter. But I'm sure after a reallyexciting boar-hunt, you will beyour old self again.

RASSENDYLLAre you angry with me?


FLAVIAWhat right have I to be angry?Last night you made me feel thatevery hour away from me was wasted --but boar-hunting? That's quite adifferent matter!

RASSENDYLLDo you think I want to go?

FLAVIAOf course you don't! Your firstduty is to the boars! They wouldnever forgive you if you didn'thunt them and kill them...

She starts to break down in tears.

RASSENDYLLPerhaps the boars will hunt me.They might even kill me. Doesn'tthe thought of my danger touchyou?

(beat)Or do you weep for my danger?

FLAVIAThis is like you used to be... Butnot like the King I've come tolove!

RASSENDYLLMy darling, do you really thinkthat I would leave you to gohunting?

FLAVIAThen you're not going?

RASSENDYLLI'm not going hunting. That is,not just for boar.

FLAVIAThen what...?

(beat)Rudolf -- it's Michael!

RASSENDYLLIndirectly.

FLAVIADarling, you mustn't go!


RASSENDYLLMy sweet, shall I tell them that Ican't go because you and I have anengagement to go riding?

FLAVIAI won't let you go! Send someoneelse!

RASSENDYLLWhat kind of a King would do that?

FLAVIABut... I don't understand why...

RASSENDYLLAnd I can't tell you -- now. But Iwill tell you, the moment I can.You believe that, don't you?

FLAVIAYes... Of course I do. Forgive me,Rudolf. I've behaved like a spoiledchild. You see, I've never been inlove before.

RASSENDYLLOh, my darling.

He holds her, looks at her, KISSES her.

RASSENDYLL (CONT'D)I really must go. Stay here. Letme go alone.

(beat)No -- don't turn. If I see youreyes, I might forget to be a King.

This is goodbye. Whatever happens, it's probably the lasttime he'll ever see her. He walks quickly to the door andOPENS it. She reacts to the sound.

FLAVIARudolf... Come back to me soon.

RASSENDYLLShan't a man come back to theloveliest woman in all the world?A thousand Michaels couldn't keepme from you.

(beat)But if I shouldn't, you'd neverforget me?


FLAVIANever!

RASSENDYLLYou'd be a brave queen, and doyour part?

FLAVIAThough my life be empty and myheart dead.

RASSENDYLLYou would do your part.

He leaves the room at last, and the door closes behind himwith a CLICK of utter finality. Knowing it's too late tosee him, knowing he's gone, Flavia still turns at last.

FLAVIARudolf...

EXT. HUNTING LODGE -- AFTERNOON

Rupert of Hentzau rides his horse towards the lodge, wherehe's met by the GUARDS with leveled REVOLVERS. He eyesthem and the guns with equal scorn.

HENTZAUPut away those popguns and take meto the King.

INT. HUNTING LODGE -- CONTINUOUS

RASSENDYLLWell, the man's got courage, youmust grant him that.

SAPTI'll grant him six feet of earthwhen the time comes.

Tarlenheim reaches for the revolver at his own belt.

TARLENHEIMNo time like the present!

A GUARD comes in.

GUARD 1Your Majesty -- Count Hentzau,with a message from the Duke ofStrelsau.

SAPTTell him his Majesty is indisposed.


RASSENDYLLNo, wait a minute. Let's hear whathe has to say. Send him in!

SAPTDisarm him first!

When the guard opens the lodge door again, Hentzau islounging in the doorway. He hands over his REVOLVER as ifit was a gift, then SAUNTERS inside as though he owns theplace.

HENTZAUAh, the play-actor in person!

SAPTHentzau!

Hentzau give Rassendyll a mocking -- but precise -- salute.

HENTZAUYour Majesty!

(beat)I bring youyour...brother's...humble greeting,and his hope that you enjoy theboar-hunting here in Zenda.

(beat)And his respects, of course, toyour two principal bores.

Sapt and Tarlenheim say nothing.

RASSENDYLLWell, what price the crown today?The last offer was fifty thousandpounds. Do I hear perhaps fifty-two thousand?

HENTZAUYou'll hear a much better offerthan that.

(beat)In private.

Rassendyll indicates one of the lodge's big bay-windowsoff to one side. The window is OPEN because of the fineday.

RASSENDYLLBefore we go any further, I musttell you that I'm prepared to giveyou a chance to escape yourthoroughly well-deserved end, on

(MORE)


RASSENDYLL (CONT'D)the condition that you yourselfreturn the...Prisoner of Zenda...tome. Alive.

HENTZAUReally, Mr Rassendyll. Do youseriously expect me to believethat you of all people want theKing back? You insult myintelligence.

RASSENDYLLI see. Well then, you've come avery long way for nothing.

HENTZAUI hope not, for Michael's sake.

RASSENDYLLOh... You've brought another ofhis generous ultimatums?

HENTZAUI have. He doubles his offer. Ahundred thousand pounds.

Rassendyll smiles, then starts laughing. Hentzau joins in.

HENTZAU (CONT'D)I thought it would amuse you. Thefact is -- between ourselves --Michael doesn't understand agentleman.

RASSENDYLLYou and I, we do, don't we?

HENTZAURassendyll, you're a man after myown heart. Frankly, you and I arethe only two people worth savingin this whole affair. Now aren'twe?

(beat)This is my plan for us: now listen.Attack the castle boldly. Letyour...friends ride at the head.There's bound to be a little rifle-play at first.

RASSENDYLLOh, unavoidable.


HENTZAUArrange the time with me--

RASSENDYLLI have such confidence in you, ofcourse.

HENTZAUMichael will fall. The King willalready have moved on to a happierlife in the next world. And yourfriends: if they fall too, you andI -- I, Rupert of Hentzau and you,King of the realm -- will be theonly two left who know the truth.

Rassendyll pretends to consider the scheme, stringingHentzau along to hear how far he'll take his treachery.

RASSENDYLLDon't you think we're being perhapsjust a little drastic with Michael?

HENTZAUPerhaps a little. But I make it apoint never to trust a jealousman. Don't you?

RASSENDYLLMichael, jealous?

HENTZAUYou know the lady, I think.

RASSENDYLLOh, in the summerhouse? Yes! Butsurely no woman in her right senseswould prefer the Duke to you?

HENTZAUWomen are never in their rightsense...thank goodness!

RASSENDYLLSo you're doing all this for love?How romantic.

HENTZAUWell, love -- and your Majesty'sgratitude throughout your long andhappy reign. And then, of course,you might turn over to me Michael'scastles and estates.


RASSENDYLLOh yes, of course. We mustn't losesight of those. You never knowwhose hands they might fall into.

HENTZAULook what I offer you! The throne --and the Princess. You were planningon them anyway, but this way it'ssure.

(beat)Shall we shake hands on it?

Shaking hands with this murderous traitor is the last thingRassendyll intends to do. He's let the joke go on for longenough, but now he's had enough of Hentzau. Instead oflaughing with the man, he laughs at him.

RASSENDYLLHey, Sapt, Fritz! Listen to this!Count Hentzau offers me the throne.That is, if you two don't mindbeing killed--

Hentzau glowers, furious that Rassendyll has been treatinghim like a fool all this time. He slides a hidden DAGGERfrom his tunic sleeve.

HENTZAUTheir turn comes later, play-actor!Yours comes now!

He HURLS the dagger, and barely misses Rassendyll's head.The blade slams into one of the lodge's wooden pillars andalmost nails his hand to it.

SAPTGuards! Stop that man!

Hentzau leaps through the open bay-window, VAULTS onto hishorse and gallops away. None of the SHOTS fired after himeven come close.

Shaken by the sudden attack and his narrow escape,Rassendyll TUGS the deeply embedded dagger from the pillar.He looks at its wicked point and shudders.

EXT. NEAR ZENDA CASTLE -- LATER

Hentzau canters along the road towards a grim-lookingfortress, connected to the mainland by a short causewayand a drawbridge. It's not an attractive place.


INT. ZENDA CASTLE GUARDROOM -- LATER

Deep in the bowels of the castle, there are low ceilings,massive pillars and oppressive stonework. Anyone kept as aprisoner will be aware of how close their confinement canbe. Hentzau pays no attention to the brooding atmosphere.He crunches on an APPLE and ambles over to the table whereKrafstein and Bersonin are PLAYING CARDS, and takes a lookover Krafstein's shoulder.

HENTZAUPlay the Queen, you blockhead.

Krafstein does so and wins the stake, but Hentzau hasalready gone to the heavy door of a dungeon cell and pushedit open. Inside, Antoinette is tending to the injured,feverish King.

INT. ZENDA CASTLE DUNGEON -- CONTINUOUS

HENTZAUAh! Florence Nightingale!

It's just sarcasm, and Antoinette knows it. She also knowsthat she doesn't want to be alone in the cell with Hentzauwhen there's only the sick King as a possible protector.

HENTZAU (CONT'D)"Oh woman, in our hours of ease,uncertain, coy and hard to please.When pain and anguish wring thebrow, a ministering angel thou!"

Hentzau watches with amusement as she hurries to leave,then turns his attention to the King. Rudolf is a sickman, unshaven, unwashed and chained to the wall. He needsbetter care than Antoinette can provide.

KINGCould I have some water...?

Hentzau goes to a TRAP-DOOR in the floor, OPENS it andleans the LID against the wall.

HENTZAUYou'll find plenty of water downhere, sire.

The King struggles to sit up far enough that he can seewhat Hentzau is talking about.

HENTZAU (CONT'D)So even a King can be curious, Isee.

(MORE)


Once the King can see what's happening, Hentzau drops hishalf-eaten apple down the trap. There's the scary delay ofa long drop before it SPLASHES into water far below.

HENTZAU (CONT'D)Now, Jacob's Ladder went up intothe sky, didn't it? Well, thisgoes down into the moat, but itserves the same purpose. Becauseif this castle is attacked, thereare always two of us in theguardroom, just up those steps,ready to shove you down Jacob'sLadder. Properly weighted, ofcourse.

Trying to conceal his horror, the King lies back down again.

KINGI'd like... To be left alone, ifyour orders permit.

HENTZAUThe audience is ended, your Majesty?Very well, sire -- try to get somesleep.

(beat)And may you dream of Jacob's Ladder,with Paradise at the end of it!

He kicks the lid shut with an echoing CRASH and strollsaway.

INT. ZENDA CASTLE GUARDROOM -- CONTINUOUS

Michael's approaching the dungeon just as Hentzau leavesit. As they pass one another, Hentzau pauses, grinning.

HENTZAUOh! I've just done my best to makehis Majesty more... Receptive.

MICHAELAll right.

He goes into the cell.


Michael walks over to the King and bows.

MICHAELYour Majesty.


KINGWhat do you expect to gain by thisexcept death?

MICHAELYour admission that now, your sensesrestored, you have come to realizethat the people would never accepta King with your, shall we say all-too-human failings.

He takes a folded PARCHMENT from the pocket of hisgreatcoat.

KINGWhat's that?

MICHAELYour abdication. As soon as youhave signed this, a comfortablebed is yours, and the best of careuntil you're strong enough to crossthe frontier.

The King tries without much success to assume a more regalposture than flat on his back, and stares at Michael withall the dignity he can muster.

KINGI haven't lived like a King, butperhaps I can die like one, andnot disgrace the crown I neverwore.

INT. HUNTING LODGE -- EVENING

Rassendyll, Sapt and Tarlenheim are waiting to hear fromAntoinette. Another GUARD enters and salutes.

GUARD 2A man is here who insists he has apersonal message for his Majesty.He says he's one of the Duke'smen, sir.

SAPTHave you searched him thoroughly?

GUARD 2Certainly, sir.

SAPTSend him in.


TARLENHEIMIf only this is from--

SAPTQuiet!

JOHANN, an inoffensive-looking 50-something man in seniorservant's uniform, comes in.

SAPT (CONT'D)What is it you want?

JOHANNI have a message for...

He holds up Antoinette's second EARRING, and Rassendylltakes it.

HOLD ON the earring.

JOHANN (V.O.) (CONT'D)I am to tell you that a troop ofthe Duke's hussars arrives tomorrow.If there is to be a rescue, itmust be tonight.

DISSOLVE TO:


CLOSE ON a PLAN OF ZENDA CASTLE

Josef points out various features.

JOHANN (O.S.)You may count on me, sir.

Sapt, Rassendyll and Tarlenheim lean over the plan as Johannpoints out relevant features.

JOHANN (CONT'D)I am to lower the drawbridge attwo hours past midnight--

RASSENDYLLBut the noise? You say the Kingwill be killed at the first alarm!

JOHANNThat is correct. Madame says, beforethe bridge can go down one of yourmen must swim the moat, and climbto her room.


RASSENDYLLWell?

JOHANNAlone, one man might reach thedungeon. That man, alone, musthold off the guards from murderuntil the others can cross thedrawbridge and get below.

SAPTAlways two guards on the prisoner,you say?

JOHANNTwo by day and two by night, sir.

RASSENDYLLAny other men who can fight?

JOHANNOnly his Highness and Count Ruperttonight.

RASSENDYLLThree against six. Well

(beat)Tell Madame that we'll be on theshore at two o'clock, waiting forher signal. Then I will swim themoat. The others will wait untilyou lower the bridge.

Rassendyll shakes Johann's hand.

RASSENDYLL (CONT'D)Good luck!

Johann leaves, and the objections begin.

TARLENHEIMWhy three against six? Surely wecan take our men?

RASSENDYLLWe don't dare, if the secret's tobe kept.

SAPTNo. The odds are too great. Wemust have help at hand if we needit. Tell them to come.


TARLENHEIMWell, I think I should be the oneto swim that moat.

SAPTRight, lad. We can't afford tolose both our kings.

RASSENDYLLYou'll lose one King tonightwhatever takes place. If anythingshould happen to him and not tome, your game's up anyway. I'vebeen an impostor for your sake --I'll not be one for my own. No,Fritz: I swim that moat.

SAPTIf we do lose you both, what's tobecome of those of us who are left?

RASSENDYLLThey'll serve Queen Flavia. I wouldto God I could be one of them...

EXT. NEAR ZENDA CASTLE -- NIGHT

A column of Royal guards moves quietly along the same roadthat Hentzau traveled earlier until Rassendyll, Sapt andTarlenheim halt and dismount. The three proceed cautiouslyon foot in the thick undergrowth along the shore.

EXT. ZENDA CASTLE -- MOMENTS LATER

They study the castle from cover at the edge of the moat,and Tarlenheim checks his POCKET-WATCH.

INSERT: THE WATCH

It's two o'clock exactly.

A few seconds later there's a moving light at one of thewindows as Antoinette signals with a CANDLE.

Rassendyll takes off his cap and greatcoat; beneath ithe's wearing dark boots, breeches and shirt, with a DAGGERat his hip. Sapt and Tarlenheim help him SLIDE down thestone-faced banking of the moat. Once in the water he startsto SWIM across to the castle.

Suddenly another window in the castle opens. It's Hentzau,peering suspiciously out at the night. Rassendyll ducksunder the water, but after a few seconds Hentzau shuts hiswindow again and Rassendyll surfaces to finish his swim.


At the castle, he climbs the rough masonry of the wall.Once he's high enough, Antoinette and Johann reach out andhelp him the rest of the way.

INT. ANTOINETTE'S ROOM -- MOMENTS LATER

With a towel around his neck, Rassendyll warms himself atthe fire.

ANTOINETTEGo now. Give Mr Rassendyll time tohide in the passage, then open thegreat doors and let down the bridge.

JOHANNI hope I can work the mechanism,Madame.

RASSENDYLLI certainly hope you can!

Johann hands him a REVOLVER and leaves. Rassendyll, likeany sensible man with a strange gun, checks the cylinderto make sure it's actually loaded.

ANTOINETTEThe Duke has retired for the night.Hentzau is in charge of the guards.

RASSENDYLLI was hoping I'd meet that fellowagain.

ANTOINETTEThe crash of the bridge will rousethe castle. The guards will followtheir orders and kill the Kingbefore your men can get to him,unless...

RASSENDYLLUnless I can handle the two ofthem until my men get down to me.That's it, isn't it?

ANTOINETTEExactly. You see, I've trusted you --your word -- no harm to Michael.

RASSENDYLLWe're all agreed. It means exile,I'm afraid, but that's what youwanted, isn't it?


ANTOINETTEYes.

She goes to her door and opens it.

ANTOINETTE (CONT'D)Down the steps is the passage tothe guardroom. Across the guardroomis the door to the dungeon -- andthe King.

INT. GREAT HALL -- CONTINUOUS

Rassendyll CREEPS across the open expanse of the greathall. Johann goes to the gates and OPENS THE BOLT, thenheads for the drawbridge mechanism.

Both HIDE as Krafstein and Bersonin come downstairs fortheir duty shift. As Rassendyll ducks out of sight, hisdagger SCRAPES across the wall and the two guards stop.

KRAFSTEINWhat was that?

BERSONINMust have been someone shutting adoor. Probably Madame's.

They march on into the guardroom and Rassendyll followsthem, only to hastily hide again at the sound of voices.

HENTZAU (O.S.)What's the matter? You're tenminutes early!

KRAFSTEIN (O.S.)The Duke's as nervous as a cat onhot bricks.

HENTZAU (O.S.)What's he afraid of? Burglars?

Rassendyll is out of sight by the time Hentzau, Lauengramand De Gautet leave the guardroom.

LAUENGRAMIs it true he's sent for more men,Count Hentzau?

HENTZAUYes; a whole garrison.


LAUENGRAMLet's hope he gives us an eight-hour watch after this. Twelve hoursis too long on guard.

HENTZAUIt keeps you out of mischief.

They pause at the top of the steps, looking across theGreat Hall, and Hentzau notices that Antoinette's doorstands a little open. Lauengram keeps on griping.

LAUENGRAMYou run in and out as you like.We've got to stay in that dirtyhole!

HENTZAUI'm going to make the rounds ofthe doors and bridge before I turnin.

Rassendyll watches him cross the Great Hall. When Hentzaureaches the door, he opens it without a second's hesitation.Antoinette turns, but doesn't look very surprised.

HENTZAU (CONT'D)It was very careless of you toleave your door ajar. Very careless --and very inviting.

ANTOINETTEOh? Yes...

She's not very concerned.

HENTZAUCome now, admit I've been patient.And patience is a virtue I generallylack.

ANTOINETTEYou never lack audacity, Rupert.Had it occurred to you I might notbe alone?

HENTZAUI always accept the risks. I'mprepared for them.

ANTOINETTEYou, er... You really shouldn't behere, you know.


The seductive way she says it is all Hentzau needs. Heenters the room--

HENTZAUOf course. I shouldn't.

--and closes the door behind him.

Once he's out of the way, Johann emerges from his own hiding-place and hurries to the DRAWBRIDGE WINCH. In his hasteand the darkness, he knocks over an IRON BAR, which CLANGSnoisily on the stone floor.

Johann hides again as the noise brings Michael out of hisroom to see what's happening. There's no other sound fromJohann, but there's a LAUGH -- Hentzau's laugh -- frombehind the closed door of Antoinette's room. Michael crossesthe Great Hall, flings open the door and discovers themlocked in an embrace. Neither seem too unwilling about it.

HENTZAU (CONT'D)Always inopportune, Michael -- butalways in time!

INT. ANTOINETTE'S ROOM -- CONTINUOUS

Michael stalks forward to confront his cheating henchman.

MICHAELThe moat can hold more than a King!

HENTZAUNot without making a splash thatwould be hear all over the kingdom.

Hentzau reaches for the small DAGGER sheathed at the backof his belt. When Michael lunges for him, he draws it andSTABS Michael, who SLUMPS dying to the floor.

ANTOINETTEMichael!

She flings herself across Michael's fallen body.

ANTOINETTE (CONT'D)Michael! Michael...! I would neverhave betrayed you. I only did itto save you, my darling...!

Antoinette slumps sobbing onto his corpse, but she's alreadysaid enough to send Hentzau hurrying from the room.

The first thing he sees is Johann, still struggling withthe ROPE securing the drawbridge winch.


Hentzau creeps up behind him very quietly, lifts the falleniron bar -- and brings it down with an ugly THUD on Johann'shead.

HENTZAUDe Gautet! Lauengram! Rouse thecastle! De Gautet! Lauengram! Thedrawbridge!

As they come running with REVOLVERS drawn, Hentzau checksthe unbarred gate.

HENTZAU (CONT'D)I caught a servant trying to lowerthe drawbridge! Must have beenbribed! Go outside and guard it!


While all this goes on above, downstairs Rassendyllconfronts Bersonin in the guardroom. Staring down the barrelof Rassendyll's revolver, Bersonin RAISES HIS HANDS. He'sthe only guard in sight, but suddenly Krafstein makes hispresence known from the dungeon.

KRAFSTEIN (O.S.)You'd better be quiet and get somesleep!

Rassendyll keeps his gun trained on Bersonin and gestureshim to sit "innocently" in a chair, then ducks out of sightbehind a pillar.

Krafstein appears at the door of the dungeon, WHISTLING.Rassendyll is concealed, but his shadow isn't. Krafsteinkeeps up his innocent whistling as he works round the otherside of the pillar, then grapples Rassendyll.

KRAFSTEIN (CONT'D)Kill the prisoner!

Bersonin grabs his SABER and makes for the dungeon.Rassendyll flings Krafstein to the ground, draws his daggerand STABS him, then rushes after Bersonin.


Bersonin opens Jacob's Ladder, but by the time he turns onthe King, Rassendyll is there to stop him. After a tensefew seconds with the saber point hovering above the shackledKing's throat, Rassendyll evades a couple of cuts thenpunches Bersonin to the floor. The King struggles to getfree of his chains.


KINGI'll help you...!

But his only support is vocal. Rassendyll and Bersoninwrestle for the sword until Rassendyll forces it out ofthe man's grasp and down the trap.

KING (CONT'D)Cousin Rudolf...

After a brief, vicious exchange of blows, he sends BersoninSCREAMING down Jacob's Ladder after his sword. Hastilydropping the lid again, Rassendyll goes to reassure theKing.

RASSENDYLLIt's all right now, your Majesty!You're safe.

KINGRudolf... Cousin Rudolf...


Rassendyll leaves him in the relative safety of his dungeonuntil more rescuers arrive. He closes the door and LOCKSit but--

HENTZAU (O.S.)Mr Rassendyll...?

Rassendyll takes the KEYS and turns round, raising hishands. Hentzau, armed with a REVOLVER, stands in theguardroom doorway.

RASSENDYLLI thought you were more at homewith a knife.

HENTZAUMy knife turned out to be more athome in Michael. We got in eachother's way once too often -- justas you and I have.

(beat)May I trouble you for those keys?

Rassendyll THROWS them to him.

HENTZAU (CONT'D)Thank you.

(beat)You've settled Krafstein, I see.Bersonin too, I presume?

(MORE)


HENTZAU (CONT'D)I almost hate to see you join themwith only a bullet in you.

RASSENDYLLWait a minute! How do you knowit's Bersonin I threw into themoat, not the King?

HENTZAUOh no. You've worn the Queen'suniform and the old school tie.You'd never use my methods, MrRassendyll.

RASSENDYLLOh, I don't know. Faced with death,I might.

(beat)May I have a last cigarette whilewe review the situation?

Hentzau pulls a CIGARETTE-CASE from his pocket and TOSSESit to Rassendyll, who catches it. He takes out a cigarette,but there's something missing.

RASSENDYLL (CONT'D)Half my kingdom!

Hentzau is unimpressed. His gun doesn't waver.

RASSENDYLL (CONT'D)...For a match.

Hentzau THROWS his BOX OF MATCHES the same way he threwhis cigarette-case. Rassendyll starts fumbling through thecigarette-lighting ritual, but keeps talking.

RASSENDYLL (CONT'D)You've got your eye on Michael'scastle and estates, or at least soyou told me.

HENTZAUYes... You found it very amusing,I remember.

RASSENDYLLWell, I'm scarcely in a positionto laugh at it now.

HENTZAUOh, I don't know. At least thistime you'll die laughing.


Rassendyll does laugh. At the same time, he throws thecigarette-case back.

RASSENDYLLThank you--

-- and in that instant, with Hentzau distracted by theflying case, he leaps for the gun. It FIRES -- into thefloor -- then Rassendyll WRENCHES it from Hentzau's hand.

Hentzau clubs Rassendyll with the massive key-ring, but ashe sprawls on the floor he sees the fallen revolver lyingnext to the guardroom DRAIN. A well-thrown CHAIR sends itdown the drain and out of reach.

Hentzau pulls a SABER from the rack of arms on the guardroomwall, but his first cut is blocked by another CHAIR. AsRassendyll dodges, the second cut gets briefly stuck inthe TABLE.

HENTZAUIt's no good, I can't get used tofighting with furniture! Where didyou learn it?

RASSENDYLLOn the playing-fields of Eton!

He flings yet another CHAIR at Hentzau.

HENTZAUI see now how much I missed by notgoing to Eton!

RASSENDYLLNevertheless, you did them onegreat service!

This time the missile is a huge stoneware JUG.

HENTZAUYes? What was that?

RASSENDYLLYou didn't go to Eton!

Rassendyll hurls a jacket over Hentzau's head, blindinghim for just long enough to get a saber of his own. Hentzauisn't concerned.

HENTZAUAll right -- this will be yourlast fencing lesson.

(beat)Look out for your head!

(MORE)


The sabers meet in a clash of steel, with Rassendyll backingaway every time.

HENTZAU (CONT'D)Why don't you stand your groundand fight?

RASSENDYLLHe who fights and runs away,remember?

Another exchange beats Hentzau back far enough to letRassendyll DART OUT through the guardroom door. If he cankeep Hentzau busy, the King stays safe -- and then there'salways the drawbridge to lower.


Hentzau catches up with Rassendyll on the steps and there'sanother flurry of cut and thrust.

HENTZAUSo you want to try and get to thedrawbridge? I just killed a manfor trying that.

RASSENDYLLAn unarmed man, of course?

HENTZAUOf course!

That's the last time either man has time, inclination --or breath -- for witty banter. The conversation now takesplace with sabers alone, in a protracted dramatic duel upand down the entire length and width of the Great Hall.

Hentzau demonstrates that he's a quick study in fightingwith furniture, using a FOOTSTOOL and a flaming TORCH todangerous effect, but Rassendyll is better with a saberthan he's been expecting.

Rassendyll GRAPPLES Hentzau and throws him to the floor togain time for a CUT at the winch-rope. It PARTS -- but notall the way through, and gives Hentzau the chance to drawhis dagger again. He's taken by surprise when RassendyllBITES his knife-hand until he drops the blade.

The two fence back and forth around the enormous winchmechanism until Rassendyll finally gets his chance to HACKat the rope again. This time he CUTS IT THROUGH. Hentzau'sblade sinks into Rassendyll's arm -- but there's nothinghe can do to stop the released winch.


EXT. ZENDA CASTLE -- CONTINUOUS

The drawbridge comes THUNDERING down, leaving De Gautetand Lauengram exposed in the castle gateway.

With Sapt and Tarlenheim at their head, the column ofmounted guards CHARGE across the causeway. Lauengram andDe Gautet FIRE their revolvers and bring down a couple ofthe horsemen, but it's not enough to stop the charge.


Rassendyll and Hentzau are still fighting, but the noiseof the attack tells Hentzau that it's time to leave.

HENTZAUIt's beginning to sound too muchlike the playing-fields of Eton!

He leaps up onto a handy windowsill.

HENTZAU (CONT'D)I'll return to fight another daytoo!

He POISES his saber like a javelin and HURLS it atRassendyll, more a parting gesture than an attack. Despitehis wound, Rassendyll parries easily.

HENTZAU (CONT'D)Goodbye, play-actor!

He flings the window open, DIVES elegantly down to themoat and SWIMS away into the night.

The gates BURST OPEN as Sapt and Tarlenheim come runningin. They see Rassendyll in time to keep the rest of theguards outside.

TARLENHEIMAll right! Stand by in thecourtyard!

He CHIVVIES the guards out and CLOSES THE GATE againstinopportune witnesses as Rassendyll staggers forward, hisshirt-sleeve soaked with blood.

SAPTThe King...?

RASSENDYLLThe King...lives.

Then he drops unconscious to the floor.


INT. ZENDA CASTLE BEDROOM -- LATER

The King is in bed. He's been SHAVED and given cleanclothes, but he's still sick and frail, exhausted by hisordeal. Sapt is with him.

KINGYou know, it seems a hundred yearssince I struck you in the face.Please forgive me... And be myguide, as you were my father's.

SAPTThank you, your Majesty.

KINGAnd now... We mustn't keep himwaiting.

Sapt leaves and Rassendyll comes in, his wounded arm in aSLING. He goes straight to the King's bedside, removes thesignet ring and returns it to the King's own finger.

RASSENDYLLI've tried to wear it with honor,your Majesty.

Only Flavia, Sapt and Tarlenheim know just how hard it'sbeen to try -- and to succeed.

KINGI can't talk very much yet.

(beat)You're my best and nearest friend,cousin Rudolf. I wanted to keepyou with me, to tell everybodywhat you'd done. But Sapt says thesecret must be kept.

RASSENDYLLHe's right, your Majesty. My workhere is done.

KINGYes, it's done. As no-one but youcould have done it.

(beat)I don't know when I shall see youagain.

RASSENDYLLIf ever I can serve you, yourMajesty...


KINGYou could never serve me better,cousin. You've taught me how to bea King.

Rassendyll shakes the King's hand, then gives him a salutethat's more than half a wave and leaves the room.

INT. GREAT HALL -- MOMENTS LATER

Sapt is waiting outside.

RASSENDYLLIs she here?

Sapt nods towards a closed door.

RASSENDYLL (CONT'D)Does she know everything?

SAPTEverything.

RASSENDYLLWhat did she say?

SAPTNothing.

(beat)She wants to see you.

INT. ZENDA CASTLE ROOM -- CONTINUOUS

It's a comfortable paneled room, well-lit and cheerful --but Flavia, standing with her back to the door, doesn'tlook cheerful at all.

When Rassendyll comes in, he BOWS VERY FORMALLY. Afterall, he's now a commoner in the presence of a RoyalPrincess.

RASSENDYLLYour Highness?

FLAVIAI sent for you to thank you... Forthe service you have done thiskingdom and its King.

(beat)No one can know better than myselfhow...conscientiously you've playedyour role.


RASSENDYLLI love you. With my whole heartand soul, I love you. In all elseI've been an impostor, but not inthat. From the first moment I sawyou in the cathedral, I knew youwere the only woman in the worldfor me. As I stand here now, Iknow there never can be any other.

FLAVIAIt would have made no differenceif I'd known. It was always you,never "the King."

(beat)Is it true that you're going hometo England?

RASSENDYLLTonight.

Impulsively he steps forward and puts his unhurt arm aroundher.

RASSENDYLL (CONT'D)Come with me! I won't let themstand in the way of our happiness!Come with me!

FLAVIAOh, if only I could!

RASSENDYLLOh, my darling, there's a worldoutside, our world, and think:you'll be free, free of these caresand duties, free to live as joyouslyand happily...

Flavia turns to face him. Rassendyll stares at her, notknowing what he said, but that something's wrong -- verywrong.

RASSENDYLL (CONT'D)What is it, Flavia?

FLAVIAI was born to these cares andduties, Rudolf. Help me to do whatI was born to! Help me to do whatI must!

RASSENDYLLHow can I, my darling? I love you!


FLAVIABut is love the only thing? Iflove were all, I could follow youin rags to the end of the world...

(beat)But if love were all, you wouldhave left the King to die in hiscell.

(beat)Honor binds a woman too, Rudolf.And my honor lies in keeping faithwith my country and my House.

(beat)I don't know why God has let melove you, but I know that I muststay.

RASSENDYLLNever to see you again? Never tohold you? Never...

(beat)My darling.

He takes her hand and presses it against his chest.

FLAVIAYour heart will always be in myheart, and the touch of your lipson mine...

Flavia touches his face with that hand, and very gently hekisses it... Then he lets it go and walks away.

EXT. FRONTIER ROAD -- LATER

Rassendyll, Sapt and Tarlenheim ride across a field andREIN IN their horses at the road leading to the frontier.Rassendyll SHAKES HANDS one last time with his friends.

RASSENDYLLWe'll meet again, Fritz.

TARLENHEIMFate doesn't always make the rightmen kings.

RASSENDYLLGoodbye, Colonel. We've run a goodcourse together.

SAPTGoodbye, Englishman. You're thefinest Elphberg of them all!

Sapt and Tarlenheim SNAP TO THE SALUTE.


Ruritania and the past lie behind, the rest of the worldand his lonely future lie ahead. Rassendyll turns his horseand canters away into that future.

FADE OUT:

THE END

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THE PRISONER OF ZENDA (1952) · 2008. 9. 10. · THE PRISONER OF ZENDA (1952) SCREENPLAY by John...

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