Tanis – 1

Figure 1a. “Leises Lied,” Op. 39, No. 1, mm. 1–10; Form Overlay.

Line 1

Line 2

1

5

10

Presentation

(Presentation) Continuation

(Continuation)

b.i. b.i.

(b.i.)

Bb: I

nIV V 7

8 b6 4

7 5

3

Ib Ib : PAC

ø

6

s3 b5

s3 b5 n4 s3 n3

Gs = Ab

Gs = Ab

(Line 2)

Line 3

Line 4

(Line 4)

The Problem with Line 3: Richard Strauss’s Settings of Four-Line Stanzas Joshua Tanis

March 13, 2020 MTSE jdtanis@iu.edu

(no fragmentation)

4

Tanis – 2

Bb: I nIV V Ib Ib : PAC

Figure 1b. “Leises Lied,” Op. 39, No. 1, mm. 1–10; Voice-Leading Sketch.

Figure 2a. “Ich trage meine Minne,” Op. 32, No. 1, mm. 1–16; Form Overlay.

6 8

b6 4

7 53

ø 7

(n3 b3 2 1)

n3 b3

Gs = Ab Gs = Ab

① ⑤ ⑩

b.i.

Line 1

Line 2

Line 3

Line 4

b.i. (no fragmentation)

Continuation Presentation

b.i. (5–1–3, x) c.i. (“statement”: 2–3–4, y) b.i.

Gb: I IIn V 6 5

7

Presentation c.b.i.

s3 b5 s3 b5 n4 s3 n3

Line 1

4

Tanis – 3

Figure 2a – continued

5

10

14

b.i. (3–5–1, “x”) c.i. (“response”: 1–2–3, “y”) (frags. in piano and voice)

c.b.i Continuation c.b.i.

(Continuation)

(Continuation)

I V I V 6 5 7

I I:PAC

64

7

3 5

frag. = 1st b.i. transp.

frag. = 1st b.i.

(frag. = 1st b.i.)

(frag. 1st b.i.)

upper-fifth divider

8 64

53

(frag. 1st b.i.)

Line 2

Line 3

(Line 3)

Line 4

(Line 4)

Tanis – 4

Gb: I V I V I V I I :

Figure 2b. “Ich trage meine Minne,” Op. 32, No. 1, mm. 1–16; Voice-Leading Sketch.

Figure 3a. “Winternacht,” Op. 15, No. 2, mm. 1–20; Form Overlay.

① ⑤ ⑩ ⑮

5

(5 4 3 2 1)

x y “x” “y” “x”

x

PAC

upper-fifth divider

7 5 6 7 8 6 4

5 3

6 4

7 5

3

4 resolves up by “r.o.”

Initial Ascent

r.o. r.o. r.o.

Line 1

Line 2

Line 3

Line 4

b.i. c.i.

“Presentation” c.b.i.

b.i.

g: I

b.i. c.i.

frag. in L.H. frag. in R.H. frag. in voice & piano

Presentation Continuation c.b.i. c.b.i.

Tanis – 5

Figure 3a – continued

5

9

14 5

(b.i.)

(c.b.i.)

c.i.

(c.b.i.)

Sentential Continuation

(Sentential Continuation)

frag. [Sentence: b.i.]

(frag.) [(b.i.)] Frag. [b.i. repeated/transposed] Cadential [with frag.]

VII III

8 64

7 5 3

nVI divider nVI 6

5

5 ø ø

5 6

Line 1

Line 2

Line 3

(Line 3)

Line 4

Tanis – 6

Figure 3a – continued

① ⑨ ⑫ ⑬ ⑭ ⑮ ⑯ ⑰ ⑱ ⑲ ⑳

G: I III nVI ( divider ) nVI nVI IIs Vn I III Vn Vn :

Figure 3b. “Winternacht,” Op. 15, No. 2, mm. 1–20; Bassline Sketch.

18 5

(Sentential Continuation)

(Cadential) [(with frag.)]

(P ) nVI V V :PAC

7 n 6 3

ø

n

PAC

ø ø ø 6

5

6

5

7

b.i. c.i. frag. frag. frag. frag. frag.

c.b.i. Continuation (with nested sentence)

(Line 4)