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THE PROGRAM FOR BROADWAY IN DETROIT AT THE FISHER THEATRE
Transcript
Page 1: THE PROGRAM FOR BROADWAY IN DETROIT AT THE FISHER …frankbach.com/bid/15-16season/bid15-16/bid15-16pdfs/biD54-09_web5.pdf · 3 fut Your ure is waiting... Book byare you ready? “As

T H E P R O G R A M F O R B R O A D W A Y I N D E T R O I T A T T H E F I S H E R T H E A T R E

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Your

future is waiting... are you ready?

“As an IB Diploma student I have created

strong, lasting relationships with my teachers and peers, which has helped further my

education. I also love the diversity in Bloomfield Hills Schools; you

can experience various perspectives in class.”

-MICHELLE (TINGTING) CHANG

“I love math! Right now I am enrolled in

AP Statistics and I really enjoy Calculus. My Student

Leadership class inspired me to become a small business owner;

I now manage a parking lot striping company called

Motor City Striping.” -NICHOLAS BELLINSON

www.bloomfield.org248.341.6390

GROVE ENTERTAINMENT AND TED CHAPINpresent

Music by

RICHARD RODGERSLyrics by

OSCAR HAMMERSTEIN IIBook by HOWARD LINDSAY and RUSSEL CROUSE

Suggested by The Trapp Family Singers by Maria Augusta Trapp

with

KERSTIN ANDERSON BEN DAVIS

MERWIN FOARD TERI HANSEN PAIGE SILVESTER DAN TRACY

AUDREY BENNETT ASHLEY BROOKE KYLA CARTER IRIS DAVIES JEREMY MICHAEL LANUTI AUSTIN LEVINE LUCAS SCHULTZ

CHRISTOPHER CARL DONNA GARNER DARREN MATTHIAS BRENT SCHINDELE

CAREY REBECCA BROWN RONALD L. BROWN CÁITLÍN BURKE PATTON CHANDLER DANIELLA DALLI ELISABETH EVANS MEGHAN HALES JENAVENE HESTER ADAM HILL KELLY MCCORMICK

JULIA OSBORNE ANDREA ROSS JIM SCHUBIN and

MELODY BETTS as

The Mother Abbess

Scenic DesignerDOUGLAS W. SCHMIDT

Costume Designer JANE GREENWOOD

Lighting Designer NATASHA KATZ

Sound Designer KEN TRAVIS

Associate DirectorMATT LENZ

Associate ChoreographerJONATHAN WARREN

Hair Designer TOM WATSON

Music Coordinator JOHN MILLER

Music Director/ConductorJAY ALGER

Orchestrations by ROBERT RUSSELL BENNETT

Dance & Vocal Arrangements by TRUDE RITTMANN

Production Stage Manager B.J. FORMAN

Tour BookingTHE ROAD COMPANY

Casting byTELSEY + COMPANY

RACHEL HOFFMAN, CSA

Tour Press & MarketingBROADWAY

BOOKING OFFICE NYC

Company ManagerERIK BIRKELAND

Production ManagersNETWORKS PRESENTATIONS

JASON JUENKER LAURA DIEL

Production SupervisorSETH WENIG

General ManagerGENTRY & ASSOCIATES

GREGORY VANDER PLOEG

Music SupervisorANDY EINHORN

Choreography byDANNY MEFFORD

Directed by

JACK O’BRIEN

Produced by Special Arrangement with Rodgers & Hammerstein: An Imagem Company, Crouse Literary Properties Company LLC and The Howard Lindsay Trust

www.TheSoundofMusicOnTour.com

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OYSTER PERPETUAL COSMOGRAPH DAYTONA

rolex oyster perpetual, cosmograph and daytona are ® trademarks.

CAST & MUSICIANS(in order of appearance)

The Mother Abbess .......................................................................................................MELODY BETTSMaria Rainer, a Postulant at Nonnberg Abbey .................................................. KERSTIN ANDERSONSister Berthe, Mistress of Novices. ............................................................CAREY REBECCA BROWNSister Margaretta, Mistress of Postulants ................................................................... JULIA OSBORNESister Sophia ............................................................................................................ELISABETH EVANSCaptain Georg von Trapp ....................................................................................................... BEN DAVISFranz, The Butler.................................................................................................. DARREN MATTHIASFrau Schmidt, the housekeeper ...................................................................................DONNA GARNERLiesl PAIGE SILVESTERFriedrich JEREMY MICHAEL LANUTILouisa MARIA SUZANNE KNASELKurt AUSTIN LEVINEBrigitta IRIS DAVIESMarta KYLA CARTERGretl AUDREY BENNETTRolf Gruber ........................................................................................................................... DAN TRACYElsa Schraeder .................................................................................................................. TERI HANSENUrsula ...............................................................................................................................ANDREA ROSSMax Detweiler ............................................................................................................. MERWIN FOARDHerr Zeller ..............................................................................................................BRENT SCHINDELEBaron Elberfeld....................................................................................................... RONALD L. BROWNBaroness Elberfeld.................................................................................................KELLY McCORMICKA New Postulant ..............................................................................................................ANDREA ROSSAdmiral von Schreiber ........................................................................................ CHRISTOPHER CARLNeighbors of Captain von Trapp, Nuns, Novices, Postulants and Contestants at the Festival Concert .................................... CAREY REBECCA BROWN,

RONALD L. BROWN, CÁITLÍN BURKE, CHRISTOPHER CARL, PATTON CHANDLER, ELISABETH EVANS, DONNA GARNER, JENAVENE HESTER, DARREN MATTHIAS,

KELLY McCORMICK, JULIA OSBORNE, ANDREA ROSS, BRENT SCHINDELE, JIM SCHUBIN

SWINGSDANIELLA DALLI, MEGHAN HALES, ADAM HILL

UNDERSTUDIESUnderstudies never substitute for the listed players unless

a specific posting or announcement is made at the time of the performance.For Maria Rainer—ELISABETH EVANS, ANDREA ROSS; for The Mother Abbess—CÁITLÍN BURKE, DANIELLA DALLI; for Captain Georg von Trapp—CHRISTOPHER CARL, BRENT SCHINDELE; for Liesl—ELISABETH EVANS, JENAVENE HESTER; for Friedrich—LUCAS

SCHULTZ; for Louisa—JENAVENE HESTER; for Kurt—LUCAS SCHULTZ; for Brigitta—KYLA CARTER, ASHLEY BROOKE; for Marta—ALEXA LASANTA; for Gretl—ALEXA LASANTA; for Rolf Gruber—PATTON CHANDLER, JIM SCHUBIN; for Max Detweiler—CHRISTOPHER

CARL, DARREN MATTHIAS; for Elsa Schraeder—DANIELLA DALLI, KELLY McCORMICK; for Franz—ADAM HILL, BRENT SCHINDELE; for Admiral von Schreiber—RONALD L.

BROWN, ADAM HILL; for Herr Zeller—ADAM HILL, JIM SCHUBIN

Dance Captain: JENAVENE HESTER

ORCHESTRAMusic Director/Conductor: JAY ALGER; Associate Conductor/Keyboards: CATHY VENABLE;

Keyboards: JEREMY LYONS; Violin/Concertmaster: HAYDEN OLIVER; Flute/Piccolo: JAIMIE WAGNER; Oboe/English Horn: ANN AUGUSTIN; Clarinet: PAUL McCAFFREY; Bassoon: JONATHAN BOYD; French Horns: DAVID DENNISTON, TAMARA KOSINSKI; Trumpets: KENNETH ROBINSON, ROBERT HAWKINS; Trombone: JOHN RUTHERFORD; Violin:

MELODY WOOTTON; Cello: DANIEL THOMAS; Bass: JEAN POSEKANY; Drums/Percussion: DAN MASLANKA; Keyboard Substitute: ROBERT CONWAY

SYNTHESIZER PROGRAMMER—RANDY COHEN

MUSIC SUPERVISOR—ANDY EINHORN

The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited. Please turn off all electronic devices such as cell phones and pagers prior to the beginning of the performance.

Children of Captain von Trapp.........{{

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The Whitney

Publication:Publication: Broadway in Detroit playbill program v 54, n 8 for Love Letters and Sound of MusicRun dates: 4/12/16–5/22/16Size: full-page with bleedtrim size: 5-3/8 in. w. x 8-3/8 in. h.bleed: 1/8 in.inside margin: 1/4 in.Proof: 3/28/16; 5:22PM

For: Nederlander Detroit (Fisher Theatre & others) Agency: SMZ advertisingDesign: Frank Bach, Bach & Associates; Phone 313-822-4303, [email protected]

The WhitneyD E T R O I T

Restaurant | Ghostbar | Gardens

…at The Whitney. Named after David Whitney’s daughter,

Katherine Whitney McGregor, the new second-floor dessert parlor features a variety of decadent cakes,

tortes, and miniature desserts.

The menu also includes chef-prepared specialties, pies, and frozen treats, and you won’t want to miss

the amazing flaming dessert station featuring bananas Foster and strawberries Grand Marnier.

Join us after tonight’s performance!

The Katherine McGregor Dessert Parlor

4421 Woodward Avenue 313-832-5700

thewhitney.com

KERSTIN ANDERSON

BEN DAVIS

MELODY BETTS

MERWIN FOARD

TERI HANSEN

PAIGE SILVESTER

DAN TRACY

AUDREY BENNETT

ASHLEY BROOKE

KYLA CARTER

IRIS DAVIES

JEREMY MICHAEL LANUTI

ALEXA LASANTA

AUSTIN LEVINE

LUCAS SCHULTZ

CHRISTOPHER CARL

DONNA GARNER

DARREN MATTHIAS

BRENT SCHINDELE

CAREY REBECCA BROWN

RONALD L. BROWN

CÁITLÍN BURKE

PATTON CHANDLER

DANIELLA DALLI

ELISABETH EVANS

MEGHAN HALES

JENAVENE HESTER

ADAM HILL

KELLY MCCORMICK

JULIA OSBORNE

ANDREA

ROSSJIM

SCHUBIN

CAST

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Since 1887, Grand Hotel has welcomed guests to Mackinac Island. This family-owned National Historic Landmark is truly one of a kind. An overnight stay in a uniquely decorated guest room

includes a full breakfast and five-course dinner daily. Amenities include complimentary children’s programs, nightly dancing to the Grand Hotel Orchestra, spectacular views of the Straits of

Mackinac from the world’s longest porch, golf on The Jewel, a visit to Grand Stables and Sadie’s Ice Cream Parlor. Historic Mackinac Island offers activities for the entire family including visits to Fort

Mackinac, bicycling, horse-drawn carriage toursand the unique charm of downtown Mackinac Island.

Simply grand

1-800-33GRAND • grandhotel .com

MUSICAL NUMBERS & SCENESACT I

Scene 1: The Nonnberg AbbeyPreludium ......................................................... The Nuns of the Nonnberg Abbey

Scene 2: A Mountainside Near the AbbeyThe Sound of Music ........................................................................................Maria

Scene 3: The Office of the Mother Abbess, the next morningMaria .............................. Sisters Berthe, Sophia, Margaretta and Mother AbbessMy Favorite Things .......................................................Maria and Mother Abbess

Scene 4: A Corridor in the AbbeyReprise: My Favorite Things .........................................................................Maria

Scene 5: The Living Room of the Trapp Villa, that afternoonDo-Re-Mi ........................................................................... Maria and the Children

Scene 6: Outside the Villa, that eveningSixteen Going On Seventeen ............................................................ Rolf and Liesl

Scene 7: Maria’s Bedroom, later that eveningThe Lonely Goatherd ........................................................ Maria and the Children

Scene 8: The Terrace of the Villa, six weeks laterHow Can Love Survive? ........................................Max, Elsa and Capt. von Trapp Reprise: The Sound of Music .......................... The Children and Capt. von Trapp

Scene 9: The Living Room, one week laterSo Long, Farewell ..............................................................................The Children

Scene 10: A Corridor in the AbbeyMorning Hymn ........................................................................................ The Nuns

Scene 11: The Office of the Mother Abbess, three days laterClimb Ev’ry Mountain .............................................Mother Abbess and the Nuns

ACT IIScene 1: The Terrace, the same day

Reprise: My Favorite Things ...........................................The Children and MariaNo Way To Stop It .................................................Elsa, Max and Capt. von TrappSomething Good .......................................................... Maria and Capt. von Trapp

Scene 2: The Office of the Mother Abbess, two weeks laterGadeamus Domino ................................................................................. The Nuns

Scene 3: The Cathedral at Nonnberg Abbey, immediately followingReprise: Maria ........................................................................................ The NunsConfitemini Domino ................................................................................ The NunsReprise: Something Good ........................................... Maria and Capt. von Trapp

Scene 4: The Living Room, one month laterReprise: Sixteen Going On Seventeen ...........................................Maria and Liesl

Scene 5: The Concert Hall Stage, Kaltzberg, three days laterReprise: Do-Re-Mi ................................Maria, Capt. von Trapp and the Children Edelweiss ...............................................Capt. von Trapp, Maria and the Children Reprise: So Long, Farewell ...................Maria, the Children and Capt. von Trapp

Scene 6: The Garden of the Abbey, that nightFinale Ultimo ....................................................................................The Company

There will be one 20-minute intermission

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Greenstones

Publication:Broadway In Detroit playbill program for Love LettersRun dates: April 12–17, 2016Size: full-page with bleedtrim size: 5-3/8 in. w. x 8-3/8 in. h.bleed: 1/8 in.inside margin: 1/4 in.Proof: 2/25/16; 12:12PM

For: Nederlander Detroit (Fisher Theatre & others) Design: Frank Bach, Bach & Associates; Phone 313-822-4303, [email protected]

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11

WHO’S WHOKERSTIN ANDERSON (Maria Rainer) had just completed her sophomore year at Pace Uni-versity in pursuit of a BFA in Musical Theater when she was offered the remarkable opportunity to play Maria—and see America! This past year she played Clara in the Pace production of The Light in the Piazza directed by Victoria Clark. Other Pace credits include The Visit (Annie, dir. John Doyle). Regional credits include My Name is Annie King (Mav, Scene Space) and The Best Little Whorehouse in Texas (Shy, The Forestburgh Playhouse). Thanks to her friends, family, teach-ers and supportive community back in Vermont! Jeff Berger Management.

BEN DAVIS (Captain Georg von Trapp) starred as Fred/Petruchio in Kiss Me, Kate at London’s Royal Albert Hall on BBC 3 Radio/BBC 2 TV. Broadway: Violet (The Preacher), A Little Night Music (Mr. Lindquist), Les Misérables (Javert/Enjolras), Thoroughly Modern Millie (Trevor Graydon). Tony Honoree for Baz Luhrmann’s La Bohème (Marcello). Tours/Regional: Spama-lot (Galahad), The Sound of Music at Paper Mill Playhouse (Captain von Trapp), Oklahoma! at The Muny (Curly), South Pacific at The Muny and Asolo Repertory Theatre (Emile). Opposite Kelli O’Hara and Victor Garber in Kurt Weill’s Knickerbocker Holiday at Lincoln Center. New York City Opera/BAM production of Anna Nicole, The Opera (Billy Smith). TV/Film credits in-clude Papageno in The Magic Flute (dir. Kenneth Branagh), “30 Rock”, and “Numb3rs.” Concerts: the RTÉ Orchestra in Dublin, Ireland, at The Hol-lywood Bowl as Older Patrick in Mame, West-chester Phil with Kelli O’Hara, LA Philharmonic. benjaminjaydavis.com.

MELODY BETTS (The Mother Abbess) was last seen as the Rain Lady in Second Stage’s produc-tion of Invisible Thread. Regional Credits include Hairspray, A Christmas Carol, The Color Purple, Ragtime, Thoroughly Modern Millie, The Boys from Syracuse, Seussical the Musical, Once on this Island, Nunsense, Cinderella (TYA), All Shook Up, The Drowsy Chaperone, Comedy of Errors, Pinocchio, Motherhood the Musical, The Nativity, and Smokey Joe’s Café. TV credits include “Chicago Code” (FOX) and “Chicago PD” (NBC). MFA (WIU), AEA, SAG-AFTRA, BMI. Twitter: @melodyabetts. Instagram: @THEEMelodyB. Let’s be kinder to one another daily and randomly. 1 John 3:18. For my Heavenly Father, Dakota, BBJ, Brax, Melinda, Val & Tal. melodybetts.com.

MERWIN FOARD (Max Detweiler) was most recently on Broadway in Aladdin and the Tony-nominated revival of Annie (FDR). Broadway: The Addams Family, The Little Mermaid (origi-nal cast recording), Sweeney Todd, La Cage aux Folles, Assassins (revival cast recording), revival of Oklahoma!, Kiss Me, Kate, Jekyll and Hyde, 1776 (revival cast recording), Beauty and the Beast (original cast recording), Les Misérables,

Mame and Show Boat. Disney films: Pocahontas, Beauty and the Beast, Aladdin and The King of Thieves, The Hunchback of Notre Dame, Mulan, Home on the Range, Enchanted, Tangled and Frozen Fever. Ebenezer Scrooge on Symphonic recording of A Christmas Carol—The Concert (Amazon and iTunes). One of three actors fea-tured in The Standbys, the first film of the 2012 Tony Award’s film series. Co-writer of Baritones. Married to actress Rebecca Baxter for 25 years and has two daughters, Phoebe and Bailey.

TERI HANSEN (Elsa Schraeder) starred as Rose in the film Street Scene (Bravo) and on stage at Theater des Westens (Berlin premiere), dir. Francesca Zambello. London: Hal Prince’s Tony Award-winning Show Boat (Magnolia). Broad-way: The Boys from Syracuse. National Tours: The Music Man (Marian Paroo) and Camelot (Guenevere). She toured with Marvin Hamlisch and performs worldwide with symphony orches-tras including the Boston Pops, Kennedy Center and Israel Philharmonic, to name a few. Starring roles with the Houston Grand Opera, Glimmer-glass Opera and Opéra de Toulon, among others. She is a graduate of Florida State University with an honorary Doctorate of Fine Arts from Central Michigan University. Debut CD: Into Your Arms, The Love Songs of Richard Rodgers (iTunes and Amazon). teridalehansen.com, @teridahlinks, facebook.com/TeriDHansen.

PAIGE SILVESTER (Liesl) is excited and grate-ful to be touring with The Sound of Music! Origi-nally from Sacramento, CA, Paige holds a BFA from The University of Michigan and has per-formed at The Muny, PCLO, Sacramento Music Circus, and most recently, the Evita first national tour. She sends love and thanks to family, friends, Jack O’Brien, blocNYC, and everyone at Telsey + Co.! paigesilvester.com.

DAN TRACY (Rolf Gruber). Proud University of Michigan graduate, BFA Musical Theater. Nation-al Tour: American Idiot (Tunny). Regional: Les Misérables (Marius), South Pacific (The Profes-sor), Xanadu (Thalia). TV and Film: The Seagull (dir. Michael Mayer), “One Bad Choice” (Levi Sparks), “Eye Candy.” Thanks to my family, Jack, Danny, Rachel and BRS/Gage. dan-tracy.com.

AUDREY BENNETT (Gretl) is thrilled to be making her professional debut as Gretl! Regional: Academy for Creative Excellence; The Lion King Jr. (Young Nala), Peter Pan Jr. (Michael). Much gratitude and love to Mary Joy Nelson, Mallory Tucker/David Doan/CESD team, Kim Pedell/ZOOM Talent, Jessica Rofé Grosman, Telsey + Co., grandparents and her big brother Oliver.

ASHLEY BROOKE (Louisa) is thrilled to join the Sound Of Music National Tour! Broadway: Doctor Zhivago—original cast (u/s Young Lara, Young Tonya, Young Yurii, Katarina and Sasha); Off-Broadway: Lies My Father Told Me (Cleo); NYMTF Staged Reading: The Gold (Young Julie); Film: Ernest & Celestine—Oscar nomi-nated (Voice of Nina); TV: “Momsters,” “Celeb-

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12 13

This exhibition has been organized by the Detroit Institute of Arts. Support has been provided by the National Endowment for the Humanities and the National Endowment for the Arts. Additional support has been provided by the Marjorie and Maxwell Jospey Foundation and an ADAA Foundation Curatorial Award and the

Association of Art Museum Curators. Any views, findings, conclusions, or recommendations expressed in this exhibition do not necessarily represent those of the National Endowment for the Humanities. Image: The Jolly Flatboatmen (detail), 1846, oil on canvas; George Caleb Bingham, American. National Gallery of Art, Washington, D.C. Patrons’ Permanent Fund

See it and be moved. Through June 12, 2016.

JOIN THE

DANCE.

WHO’S WHOrity Ghost Stories”; Commercials: Kars4Kids National TV & Radio; Member: Broadway Youth Ensemble. Warm thanks and sincere gratitude to Jack O’Brien and the whole SOM team, Telsey & Co., Shirley Grant, DBA, Steve, Gulia and Ame-lia; Love to mom, dad and brother Adam.

KYLA CARTER (Marta). National tour debut! TV: “Wallykazam!” (Hattie), “The Leftovers” (Young Nora). NYC: Number the Stars (Kirstie), Annie (Molly), Broadway Youth Ensemble. Spe-cial thanks to Steve Potfora, Trapper Felides, Thommie Retter, Penny Hough, Laura Luc, DMO, Telsey + Co., TSOM team, Bonnie Shumofsky, Rachel Altman, especially Donna Hailey & Or-lando Peña; with all my heart, Daddy, Mommy, and Camden for supporting my dream!

IRIS DAVIES (Brigitta). Thrilled to be making her national tour debut! Thankful for God, her parents, Alex, Lisa Calli, Take 3, Laura Luc, and AMTC. alexandirisdavies.com, @itsalexandiris.

JEREMY MICHAEL LANUTI (Friedrich). Na-tional tour debut and proud new member of AEA! Credits: Oliver! (Oliver), Mame starring Loretta Swit (Peter), Camelot (Tom), Ragtime (Edgar), Les Misérables (Gavroche), The Secret Garden (Colin), Amahl (Amahl), Seussical the Musical (Jojo). Special thanks to Joyce A. Presutti, Tesley + Co. (esp. Rachel Hoffman), and TSOM creative team. Love to DanaMarie, David, Mom and Dad.

ALEXA LASANTA (Swing) is honored to join the National Tour of The Sound of Music. Region-al: Sound of Music “Gretl”. Favorite performanc-es: Peter Pan “Tinker Bell”; Shrek “Little Fiona”. Special thanks to Sound of Music Family, Telsey + Co., Nancy Carson, Marlo Cohen, Craig, Ricky, Jaycie, Liz and Skye. Love to Mom, Dad, Maxx, Adi and Uncle Eddie for all their support!

AUSTIN LEVINE (Kurt) is thrilled to be mak-ing his National Tour debut as Kurt! NYC: Daddy Issues (Johnny Walker) Regional: Mary Poppins (Michael Banks), The Full Monty (Nathan), Pe-ter Pan (Michael Darling). Thank you to Telsey + Co., Mallory Levy at Generation TV, and the en-tire SOM creative team! Love to Mom, Dad, and Kenzi for always believing in me!

LUCAS SCHULTZ (u/s Friedrich, u/s Kurt) is delighted to join this wonderful production. National Tours: Pippin (Theo), Mary Poppins (Michael Banks), A Christmas Story (Swing). Regional: Goodspeed, Mame (Peter). Other: NYMF—Wikimusical, Oliver (Oliver), A Christ-mas Carol (Tiny Tim). Commercial and Print: ESPN, Hess, Timberland, Toy R Us. Thank you to Telsey + Co., Dave at Shirley Grant, James Horan, Central Jersey Dance, and Doug Jabara. Grateful for the support of Dad, Mom, Mikhaela and Coleman.

CHRISTOPHER CARL (Admiral von Sch-reiber, u/s Captain Georg von Trapp, u/s Max De-tweiler). Broadway: Mamma Mia!, Tarzan, South

Pacific. Off-Broadway: Johnny Guitar. National/International Tours: The Phantom of the Opera, South Pacific, Camelot, My Fair Lady, 42nd Street, The Music Man, Anything Goes. Regional theater: Chicago, Legally Blonde, Kiss Me, Kate, Treasure Island, Les Misérables, She Loves Me, A Funny Thing…Forum, The Unsinkable Molly Brown and Kismet.

DONNA GARNER (Frau Schmidt). A proud Canadian, Donna has performed in theatres throughout Canada, the U.S., Austria and Japan. Selected Theatre: Once (Baruška), Two Pianos, Four Hands (Thea), Buddy Holly (Vi Petty), Cab-aret (Fräulein Schneider), The Full Monty (Vicki), Disney (Fairy Godmother). www.donnagarner.ca. To my love: “I carry your heart.”

DARREN MATTHIAS (Franz, u/s Max Detwei-ler). Tours: Macbeth, The Who’s Tommy, Seussi-cal the Musical and Joseph…Dreamcoat. Theater: Shakespeare Theatre D.C. and NJ, Steppenwolf, Goodman, Kennedy Center, Ordway, Goodspeed, Cincinnati Playhouse, Idaho Shakespeare and many others. Film: The Definite Maybe. TV: All

“Law & Orders” and “Chappelle’s Show.”

BRENT SCHINDELE (Herr Zeller, u/s Cap-tain Georg von Trapp, u/s Franz). Broadway/National Tour: Jesus Christ Superstar (Peter, Simon, Keyboards), West Side Story (Tony). Off-Broadway: The Musical of Musicals—The Musi-cal! (the Leading Man). Film/TV: “Cold Case,”

“Thirteen Days” with Kevin Costner. B.A.: Dart-mouth. L.A./Regional: The 39 Steps (Richard Hannay), Incident at Vichy (the Captain), Guys & Dolls (Sky Masterson), The Music Man (Harold Hill), The Scarlet Pimpernel (Percy), Oklahoma! (Curly), Brigadoon (Tommy), Merrily We Roll Along (Franklin Shepard). For Erika. Psalm 121.

CAREY REBECCA BROWN (Sister Berthe). Select Credits: Broadway/Off-Broadway: Rag-time (revival), Candide (NYCO), Greenwillow (York Theatre Company), and Radio City Music Hall. Regional: The McCarter, Bay Street The-atre, Maltz Jupiter, Westport Country Playhouse, La Mirada Perf. Arts, San Diego Rep., East West Players, Portland Center Stage, Sacramento Music Circus, and Olney Theatre Center. TV: “Switched At Birth.” careyrebeccabrown.com.

RONALD L. BROWN (Baron Elberfeld, u/s Ad-miral von Schreiber). National Tours: Evita, My Fair Lady, Man of La Mancha. Regionally: nu-merous portrayals of Don Quixote in Man of La Mancha, Juan Peron in Evita, Daddy Warbucks in Annie, and Mark Rothko in Red. Also: Camelot (Merlyn/Pellinore), Beauty and the Beast (Mau-rice), Cats (Old Deuteronomy), The Secret Garden (Archibald), On The Twentieth Century, The Light in the Piazza, A Wonderful Life, Meet Me In St. Louis. Ron is a proud and active member of Actors Equity Association.

CÁITLÍN BURKE (Ensemble, u/s The Mother Abbess). NYC: The Mikado (Katisha); Ruddigore (Mad Margaret), New York City Center/NYGASP. Regional: The Mikado (Katisha), Wolf Trap; A

Christmas Carol, North Shore Musical Theatre; Dido and Aeneas (Witch), Boston Early Music Festival; The King and I (Lady Thiang). Lon-don: The Pirates of Penzance (Edith), National G&S Opera Company. Thanks to the produc-tion team, Rachel Hoffman, my family, and Dan. caitlinburke.org.

PATTON CHANDLER (Ensemble, u/s Rolf Gruber) couldn’t be more thrilled to be making his national tour debut. Regional: Xanadu (Son-ny Malone), Les Misérables (Marius), The Little Mermaid (Prince Eric). Proud graduate of The Hartt School. Thanks to the whole TSOM team, LAVA, Telsey + Co., and family and friends! PattonChandler.com, @PattonChandler.

DANIELLA DALLI (Swing, u/s The Mother Ab-bess, u/s Elsa Schraeder). National tour debut! Regional: Man of La Mancha (Aldonza), Les Misérables (Fantine), I Do! I Do! (Agnes), Show Boat (Julie LaVerne), Hello, Dolly! (Irene Molloy), Spamalot (Lady of the Lake), Allegro (Marjorie Taylor), A Little Night Music (Mrs. Anderssen), Sense & Sensibility the Musical (Swing). Love to Franklin! danielladalli.com.

ELISABETH EVANS (Sister Sophia, u/s Maria Rainer, u/s Liesl). Broadway: Once the Musical. Proud graduate of the University of Michigan. Other credits include Brigadoon, Missed Con-nections, and Spring Awakening. Film: Love the Coopers. Thanks to VGP, Mom, Dad, my sisters, friends, and teachers! @elisabethaevans.

MEGHAN HALES (Swing) is thrilled to be part of such a masterful team with The Sound of Music! Favorite credits include Seven Brides for Seven Brothers, Sweeney Todd, My Heart in a Suitcase, I Love You, You’re Perfect, Now Change and Carousel with Shirley Jones. She earned her BFA from The Hartt School. Buckets of love and appreciation to Mom, Dad, and Kyle. For Kerry.

JENAVENE HESTER (Ensemble, Dance Cap-tain, u/s Liesl, u/s Louisa) just can’t get enough of this incredible musical! The last time she jour-neyed through the hills of Austria was at Paper Mill Playhouse, as well as playing Liesl at Surflight Theatre. Other credits include the national tour of How the Grinch Stole Christmas and the NY reading of The Bridges of Madison County. She most recently originated and composed the new musical, After Zoey. Love to Seth and her family. For career updates, visit jenavene.com.

ADAM HILL (Swing, u/s Franz, u/s Admiral von Schreiber, u/s Herr Zeller). NYC Readings/Con-certs: On the Air (dir. Hunter Foster), The Music of Steve Marzullo at Symphony Space (dir. Judy Blazer), Broadway’s Future at Lincoln Center. Regional: The Fantasticks (Matt), Grease (Teen Angel), My Fair Lady (Loverly Quartet). Educa-tion: BFA Voice Performance, Carnegie Mellon University. Thank you to Rachel/Telsey + Co. and the whole TSOM team for this incredible opportunity! Love to my family and teachers! adamhill.net.

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The 2016–17 Broadway In Detroit Series proudly presents five all-new Tony Award-winning hit Broadway

shows at the Fisher Theatre.

Beautiful—The Carole King Musical, at the Fisher Theatre in December–January,

tells the inspiring true story of Carole King’s remark-able rise to stardom, from being part of a hit songwrit-ing team with her husband Gerry Goffin, to her rela-tionship with fellow writers and best friends Cynthia Weil and Barry Mann, to be-

coming one of the most successful solo acts in popular music history. Along the way, she made more than beautiful music, she wrote the soundtrack to a generation. Featuring a stunning array of beloved songs written by Gerry Goffin/Carole King and Barry Mann/Cynthia Weil, including “I Feel The Earth Move,” “One Fine Day,” “(You Make Me Feel Like) A Natural Woman,” “You’ve Got A Friend” and the title song, Beautiful has a book by Tony Award-nominee and Academy Award-nominated writer Douglas McGrath, and direction by Marc Bruni, choreography by Josh Prince—and it took home two 2014 Tony Awards and a 2015 Grammy Award.

A Gentleman’s Guide to Love & Murder is at the Fisher Theatre in October 2017. Get-

ting away with murder can be so much fun… and there’s no better proof than this hilari-ous hit show that won the 2014 Tony Award for Best Musical. As one most gentleman-ly NPR critic put it,

“I’ve never laughed so hard at a Broadway musical!” Gentleman’s Guide tells the uproarious story of Monty Navarro, an heir to a family fortune who sets out to jump the line of succession by elimi-nating the eight pesky relatives who stand in his way… and be done in time for tea. The Hollywood Reporter raves, “Gentleman’s Guide restores our faith in musical comedy!”

Fun Home is at the Fisher Theatre Novem-ber–December 2016. Every once in a while a

Broadway musical comes along that surprises, moves and excites audi-ences in ways only a truly landmark musical can. The

“groundbreaking,” “uplifting” and “ex-quisite” new musi-cal Fun Home was the event of the

Broadway season, receiving raves from crit-ics and audiences alike, winning five 2015 Tony Awards including Best Musical—and

Above, from Beautiful—The Carole King Musical, top, 1650 Broadway (l to r) Curt Bouril (Don Kirshner), Liam Tobin (Gerry Goffin), Abby Mueller (Carole King), Ben Fankhauser (Barry Mann), Becky Gulsvig (Cynthia Weil) and the company of Beautiful; inset, Carnegie Hall, Abby Mueller (Carole King); photos Joan Marcus.

The 2016–17 Broadway In Detroit Series5 NEW TONY AWARD-WINNING HITS!

…and priority seating available at more great shows

making history along the way. Based on Ali-son Bechdel’s best-selling graphic memoir, Fun Home introduces us to Alison at three different ages as she explores and unravels the many mysteries of her childhood. A re-freshingly honest musical about seeing your parents through grown-up eyes, “Fun Home is extraordinary, a rare beauty that pumps fresh air into Broadway” (New York Times).

Hedwig and the Angry Inch is at the Fisher Theatre in February–March 2017. Brilliantly

innovative, heartbreak-ing, and wickedly funny, Hedwig is the landmark American musical by John Cameron Mitchell and Stephen Trask that is “groundbreaking and undoubtedly ahead of its time” (Entertainment Weekly). This genre-bend-ing, fourth-wall-smashing musical sensation, with a pulsing score and electri-

fying performances, tells the story of one of the most unique characters to ever hit the stage. Directed by Tony Award winner Michael Mayer (Spring Awakening) and winner of four 2014 Tony Awards including

Best Musical Revival, Hedwig and the An-gry Inch played to record-breaking sell-out crowds on Broadway and promises to take Detroit by storm with what Time magazine proclaims is “the most exciting rock score written for the theatre since, oh, ever!”

The Curious Incident of the Dog in the Night-Time, at the Fisher Theatre in May 2017, won five 2015 Tony Awards includ-

ing Best Play. Hailed as “One of the most fully immersive works ever to wallop Broad-way” by The New York Times, this “dazzling”

(Associated Press) new play by Simon Ste-phens was adapted from Mark Haddon’s best-selling novel and directed by Tony winner Marianne Elliott. Fifteen-year-old Christopher has an extraordinary brain; he is exceptionally intelligent but ill-equipped to interpret everyday life. When he falls un-der suspicion for killing his neighbor’s dog, he sets out to identify the true culprit, which leads to an earth-shattering discovery and a journey that will change his life forever.

Opposite page, A Gentleman’s Guide national touring company, (l–r) Kristen Beth Williams, Kevin Massey, Adrienne Eller, photo Joan Marcus; Fun Home, Beth Malone, Sydney Lucas, Michael Cerveris, photo Jenny Anderson. Above, Hedwig Broadway production, Darren Criss, photo Joan Marcus; The Curious Incident Broadway production, (l–r) Alex Sharp, Ian Barford, 2014 photo Joan Marcus. Extras, “Music of the Night” (l–r) Chris Mann (The Phantom), Katie Travis (Christine Daaé), photo Matthew Murphy; The Lion King North American tour, Aaron Nelson (Simba) and ensemble, ©Disney, photo Matthew Murphy; Motown The Musical first national tour, Krisha Marcano (Florence Ballard), Allison Semmes (Diana Ross) & Trisha Jeffrey (Mary Wilson), 2014 photo ©Joan Marcus.

EXTRAS: Broadway In Detroit Series subscribers also get priority access to buy tickets for extra attractions coming in 2016–17, including the following four shows:

The Book of Mormon at the Fisher Theatre in November 2016.

The Phantom of the Opera at the Detroit Opera House in January 2017.

Disney’s The Lion King at the Detroit Opera House in February 2017.

Motown the Musical at the Fisher Theatre in April 2017.

Subscriptions available now—see our ad in the centerspread. More info: BroadwayInDetroit.com & 313-872-1000.

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SUBSCRIBE NOW!Order season tickets at BroadwayInDetroit.com

or call 313-872-1000, ext. 0

OCTOBER 2016 DECEMBER 2016 - JANUARY 2017NOVEMBER - DECEMBER 2016 FEBRUARY - MARCH 2017

MAY 2017WINNER! BEST PLAY 2015 TONY AWARD®

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SEASON SPONSORS

WHO’S WHO ANDY EINHORN (Music Supervisor). Broad-way (Music Director/Conductor): Bullets Over Broadway (OBCR), Rodgers + Hammerstein’s Cinderella (OBCR), Brief Encounter, Sondheim on Sondheim (OBCR, Grammy nom.) Tours: Sweeney Todd, South Pacific, The Light in the Pi-azza, Mamma Mia!, The Lion King. Regional: 92nd Street Y (Stage Door Canteen), Bay Street The-atre, Houston Grand Opera, Goodspeed Opera House, Signature Theatre, Oregon Shakespeare Festival, Paper Mill Playhouse. Music director and pianist for Audra McDonald since 2011 (in-cluding Carnegie Hall, San Francisco Symphony, Sydney Opera House, album: Go Back Home) TV: Six by Sondheim (HBO, Peabody Award), Broad-way Musicals: A Jewish Legacy (Great Perfor-mances, Peabody Award). Honors graduate Rice University.

DOUGLAS W. SCHMIDT (Scenic Designer) has designed more than 200 productions over the past 40 years. Highlights: New York Drama Desk Awards for the Andrews Sisters’ musical Over Here! and Ira Levin’s Veronica’s Room, Neil Si-mon’s They’re Playing Our Song, Bernard Slade’s Romantic Comedy, Howard Ashman and Marvin Hamlisch’s musical Smile, the original produc-tion of Grease, and the now legendary multi-million dollar spectacle Frankenstein, which closed on opening night. In 1983, he designed Jack O’Brien’s spectacular production of Porgy and Bess at Radio City Music Hall, which also toured in America and Europe. Broadway: 2001

revival of 42nd Street (Tony, Drama Desk, and Outer Critics’ Circle Award nominations) and the 2002 revival of Into the Woods (Tony nomination, Drama Desk and L.A. Ovation Awards). Other Recent Projects: The Best is Yet to Come, Ven-tura’s Rubicon Theatre Company and Il Trittico, The Metropolitan Opera in 2007. For American Conservatory Theatre, he designed Tales of the City, a musical treatment of San Francisco writer Armistead Maupin’s novel of the same name. The Sound of Music is his 18th collaboration with di-rector Jack O’Brien since 1975.

JANE GREENWOOD (Costume Designer) is the recipient of the 2014 Special Tony Award for Lifetime Achievement in Theatre, 18 Tony nomi-nations and various awards. Credits include You Can’t Take It With You, Love Letters, Act One, Once Upon a Mattress, Master Class, Passion, She Loves Me, Medea, Plenty, Heartbreak House, The Iceman Cometh, Long Day’s Journey Into Night, Our Town.

NATASHA KATZ (Lighting Designer). Broad-way credits include An American in Paris (Tony Award), Gigi, Aladdin, The Glass Menagerie (Tony Award), Motown, Once (Tony Award), Fol-lies, The Coast of Utopia: Salvage (Tony Award) and Aida (Tony Award). Extensive designs Off-Broadway, at American regional theatres, concerts and permanent installations, opera and dance in-clude Royal Opera House, Dutch National Ballet, San Francisco Ballet, American Ballet Theatre,

KELLY McCORMICK (Baroness Elberfeld, u/s Elsa Schraeder). National Tours: Chitty…Bang (Truly Scrumptious); Les Misérables (Fan-tine u/s). Regionally: Hello! My Baby (Good-speed), Mary Poppins (Sacramento Music Cir-cus), Guys & Dolls (North Shore), The Pajama Game and [title of show] (Arizona Theatre Co), Les Misérables (Pioneer), Ford’s, PCLO. Soloist, Omaha & Cincinnati Symphonies. Alumna, MSU & CCM. Kelly-McCormick.com.

JULIA OSBORNE (Sister Margaretta). National Tour: Lincoln Center’s South Pacific (dir. Bartlett Sher). Off-Broadway: The Blue Flower (Second Stage), Soul Doctor (NYTW). Regional: My Fair Lady (Triad Stage), A Little Night Music (Center-stage), Pirates!, Meet Me in St. Louis, The Baker’s Wife (Paper Mill), Half A Sixpence, Something’s Afoot (Goodspeed). Others: Huntington, Fulton, Florida Rep., TUTS. TV: “Boardwalk Empire.” BFA Penn State. juliaosborne.me.

ANDREA ROSS (Ursula, A New Postulant, u/s Maria Rainer). Tour: Whistle Down the Wind (Swallow). Regional: Next to Normal (Natalie, ATC/San Jose Rep), Les Misérables (Eponine, Theatre Aspen). Andrea has a solo album, Moon River, with Universal Classics and Jazz (produced by Andrew Lloyd Webber). Pace University MT graduate! Thanks to Telsey + Co., BRS/Gage, and my fairy godmother, Jane. For Mom.

JIM SCHUBIN (Ensemble, u/s Rolf, u/s Herr Zeller). Off-Broadway: The Fantasticks (Matt). Regional: Barrington Stage, Cape Playhouse, West Virginia Public Theatre, Rocky Mountain Rep. Favorite Credits: Chess (Freddie), Beauty and the Beast (Beast), Godspell (Jesus), Titanic (Barrett), 1776 (The Courier). TV: HBO’s “Board-walk Empire” (recurring).

RICHARD RODGERS and OSCAR HAM-MERSTEIN II (Music and Lyrics). After long and highly distinguished careers with other col-laborators, Richard Rodgers (composer, 1902-79) and Oscar Hammerstein II (librettist/lyricist, 1895-1960) joined forces in 1943 to create the most successful partnership in the American mu-sical theatre. Prior to his work with Hammerstein, Rodgers collaborated with lyricist Lorenz Hart on a series of musical comedies that epitomized the wit and sophistication of Broadway in its heyday. Among their greatest successes were Pal Joey, On Your Toes and Babes In Arms. Throughout the same era, Hammerstein brought new life to the operetta, culminating in the masterpiece, Show Boat (music by Jerome Kern). Oklahoma!, the first Rodgers & Hammerstein musical, was also the first of a new genre, the musical play, blending Rodgers’ musical comedy style with Hammer-stein’s innovations in operetta. Oklahoma! was followed by Carousel, State Fair (film ’45, ’62; Broadway ‘96), Allegro, South Pacific, The King and I, Me and Juliet, Pipe Dream, Cinderella (tel-evision ’57, ’65, ’97; Broadway ‘13), Flower Drum

Song and The Sound of Music. Collectively, the Rodgers & Hammerstein musicals have earned Tonys, Oscars, Grammys, Emmys, Pulitzers and Olivier Awards.

HOWARD LINDSAY and RUSSEL CROUSE (Book). The Lindsay and Crouse partnership stands today as the longest collaboration of any writers in theatrical history, lasting for 32 years. Howard Lindsay was born in 1889 and died in 1968. He became an actor at nineteen and went on to become a successful Broadway playwright and director. Russel Crouse was born in 1893 and died in 1966. After serving in the Navy, he worked on New York newspapers, gaining his first renown through a signed column in the Post. In 1932 he became head of the publicity department for the Theatre Guild and in 1933 wrote his first Broadway show, collaborating with Corey Ford on the musical comedy Hold Your Horses. From 1934 on, Crouse wrote only with Lindsay. Their hits include The Sound of Music (with a score by Rodgers & Hammerstein); Anything Goes and Red, Hot and Blue (with scores by Cole Porter); Call Me Madam (score by Irving Berlin); the long-running play Life With Father (which originally starred Lindsay); the Pulitzer Prize winning State of the Union; and The Great Sebastians, written for the Lunts. Their producing credits included The Hasty Heart, Detective Story and Arsenic and Old Lace.

JACK O’BRIEN (Director). Broadway: It’s Only a Play, Macbeth, The Nance, Dead Accounts, Catch Me If You Can, Impressionism, The Coast of Utopia (Tony Award), Dirty Rotten Scoundrels (Tony nomination), Henry IV (Tony Award), Hair-spray (Tony Award), Imaginary Friends, The In-vention of Love (Tony nomination, Drama Desk Award), The Full Monty (Tony nomination), More to Love, Getting Away With Murder, Pride’s Crossing, The Little Foxes, Hapgood (Lucille Lortel Award, best director), Damn Yankees, Two Shakespearean Actors (Tony nomination), Porgy and Bess (Tony nomination). Metropolitan Opera: Il Trittico. Carnegie Hall: Guys and Dolls. Public Theater Central Park: Much Ado About Nothing. London: Love Never Dies, Hairspray (Olivier nomination). National Theatre: His Girl Friday. Artistic Director of the Old Globe Theatre, 1981-2007. Six productions for PBS’s “American Play-house.” Books: Jack Be Nimble, publisher Farrar, Straus & Giroux.

DANNY MEFFORD (Choreography). Broad-way: Fun Home, Bloody Bloody Andrew Jackson (Astaire and Lortel nominations) and The Bridges of Madison County. Other New York Credits: Love’s Labour Lost (Drama Desk nomination), Fun Home (Lortel nomination), Good Person of Szechwan, Much Ado About Nothing, Pump Boys and Dinettes for City Center Encores!, Melan-choly Play and Dance Dance Revolution. Direct-ing: Becoming Liv Ullmann (NY Fringe), Wasted (Ars Nova) and The Maids. Education: University of Evansville and Brown University.

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WHO’S WHONew York City Ballet, Metropolitan Opera and NYC Opera. Awards: Tony, Drama Desk, Outer Critics, Hewes, WhatsOnStage, Joseph Jefferson, Ruth Morely Design and National Broadway The-atre awards.

KEN TRAVIS (Sound Designer). Aladdin, Je-kyll and Hyde, A Christmas Story: the Musical, Scandalous, Newsies, Memphis, The Threepenny Opera, Barefoot in the Park, Steel Magnolias. Numerous theaters and companies across the U.S., Canada and Europe. ken-travis.squarespace.com.

ROBERT RUSSELL BENNETT (Orchestra-tions). In a career spanning more than five de-cades, Robert Russell Bennett (1894-1981) ar-ranged more than 300 Broadway musical scores; in musical comedy’s golden era of the ‘20’s, he orchestrated up to twenty-two shows a sea-son. Among his credits were Show Boat, Robert, Sunny, Rose Marie, No, No, Nanette, Girl Crazy, Of Thee I Sing, Face The Music, Carmen Jones, Finian’s Rainbow, Kiss Me, Kate, My Fair Lady and Camelot. He orchestrated seven of Rodgers & Hammerstein’s musicals, including Oklahoma!, South Pacific, The King and I and The Sound of Music; his arrangements for the 1955 film version of Oklahoma! earned him an Academy Award. He also orchestrated and arranged Rodgers’ thirteen-hour television documentary score for Victory At Sea. A classically trained composer, Bennett’s prolific output of original compositions includes symphonies, sonatas, a ballet, a concerto and an opera. He is the posthumous recipient of a 2008 Special Tony Award in recognition of his historic contribution to American musical theatre.

TRUDE RITTMANN (Dance and Vocal Ar-rangements) has more than 50 Broadway credits as a choral and dance arranger including The Sound of Music, The King and I, South Pacific, My Fair Lady, Carousel, Finian’s Rainbow, Brigadoon, Paint Your Wagon and Peter Pan. A composer in her own right, she has provided music for such shows as Omnibus and Seven Lively Arts.

MATT LENZ (Associate Director). Broadway: Hairspray, Catch Me If You Can, The Veloc-ity of Autumn (Associate Director on original productions), Beauty and the Beast (Resident Director). Off-Broadway: Pageant: The Musi-cal (Drama Desk nomination), The Irish Curse (Soho Playhouse), Idaho! (NYMF—“Best of Fest” and “Best Director” awards), The Great Daisy Theory, Fingers and Toes (NYMF) and Alan Ball’s The Amazing Adventures of Tense Guy. National Tours: Hairspray, Catch Me If you Can and A Christmas Story: The Musical. Matt also directed Hairspray companies in Johannes-burg, South Africa, UK, Toronto, Las Vegas and Cologne, Germany. Regional: numerous plays and musicals at Paper Mill Playhouse, George Street Playhouse, The St. Louis Muny, Ogunquit Playhouse, North Carolina Theatre, Maltz Jupiter Theater, Zach Theatre, Gulfshore Playhouse, Casa Manana, Gateway Playhouse, Short North Stage,

Forestburgh Playhouse and Stamford Center for the Arts. Matt is a member of SDC and a teach-ing artist with the Broadway Dreams Foundation. mattlenzdirector.com.

JONATHAN WARREN (Associate Choreogra-pher) was most recently seen on Broadway with Wicked (Dance Captain/Swing). Choreographic Credits: Wicked in Mexico City (Asst. Dance Supervisor), La Cage Aux Folles at Goodspeed Opera House (assoc. choreographer), Tori Scott: Thirsty! at Joe’s Pub. Performing credits: Peter Pan starring Cathy Rigby, We Will Rock You, West Side Story, Cats, Radio City Christmas Spectacu-lar, Hot Mikado, Ragtime, The Will Rogers Fol-lies. Film: Outside Providence. Love to James!

TOM WATSON (Hair Designer) is head of the wig and makeup department at the Metropolitan Opera. He has designed wigs for more than 70 Broadway productions. Current and recent Broad-way designs include Wicked, Rock of Ages, How to Succeed…, The Addams Family, Annie, You Can’t Take it With You and The King & I.

JOHN MILLER (Music Coordinator). Re-cent Broadway: Something Rotten, It Shoulda Been You, Gigi, On The Town, Beautiful, Les Misérables, On the Twentieth Century, Jersey Boys. Musician (bass): Eric Clapton, Michael Jackson, Leonard Cohen, BB King, Bob Dylan. Album: Stage Door Johnny: John Miller Takes on Broadway is available on PS Classics Records. johnmillerbass.com.

JAY ALGER (Music Director/Conductor). Broadway, Las Vegas and Tours: 42nd Street, Cats, Starlight Express, Les Misérables, Miss Sai-gon. Andrew Lloyd Webber—Music of the Night, Joseph… Dreamcoat, Ragtime, The Lion King, Phantom—The Las Vegas Spectacular, Anything Goes, Rodgers + Hammerstein’s Cinderella.

RANDY COHEN (Synthesizer Programmer) has programmed over 50 Broadway shows includ-ing Hamilton, On Your Feet, Kinky Boots, The Book of Mormon, In The Heights, Motown, Pip-pin, Rock of Ages, If/Then, Bring It On, Peter and the Starcatcher, American Idiot, Elf the Musical, Young Frankenstein, and Grey Gardens.

TELSEY + COMPANY (Casting). Broadway/Tours: Fiddler on the Roof, The Color Purple, China Doll, Misery, Allegiance, On Your Feet!, Sylvia, Spring Awakening, Hamilton, Something Rotten!, An American in Paris, Finding Never-land, The King and I, Hand to God, Kinky Boots, Wicked, The Bridges of Madison County, If/Then, Love Letters, Newsies, Pippin, Motown, Rock of Ages, Million Dollar Quartet. Off-Broadway: At-lantic, MCC, Second Stage, Signature. Regional: A.R.T., La Jolla, New York Stage and Film, Old Globe, Paper Mill, Williamstown. Film: Fun House, Tallulah, Ithaca, The Intern, Ricki and the Flash, Focus, The Last Five Years, Song One, A Most Violent Year, Into the Woods. TV: “Flesh and Bone,” “Masters of Sex,” commercials. telseyandco.com.

THE ROAD COMPANY (Tour Booking) was founded in 1997 by Stephen Lindsay and Brett Sirota. In addition to The Sound of Music, current representation includes Wicked, Annie, Hedwig and The Angry Inch, The Illusionists on Broad-way, Cheers Live!, If/Then, Dirty Dancing, Kinky Boots, Once, Circus 1903, and multiple compa-nies of Elf the Musical. The Road Company is made possible by Magaly Barone, Shawn Willett, Jenny Kirlin, Justine Spingler, Didi Perez and Garrett Holtz.

BROADWAY BOOKING OFFICE NYC (Tour Press & Marketing) is a leading theatrical tour booking, marketing and press company represent-ing award-winning musicals and plays. Currently: Jersey Boys, Cameron Mackintosh’s spectacular new production of Andrew Lloyd Webber’s The Phantom of the Opera, Les Misérables, Matilda The Musical, Beautiful—The Carole King Musi-cal, A Gentleman’s Guide to Love and Murder, The King and I, Donny & Marie Christmas, The Sound of Music, Fun Home, The Curious Incident of the Dog in the Night-Time, NETworks presents Disney’s Beauty and the Beast, Love Letters star-ring Ali MacGraw & Ryan O’Neal, and The Rat Pack is Back! bbonyc.com.

B.J. FORMAN (Production Stage Manager). Broadway: Avenue Q, 42nd Street. Off-Broadway: Jewtopia, Confessions of a Mormon Boy, The Musical of Musicals, Pirates of Penzance, The Rink. National/International Tours: Million Dol-

lar Quartet, Mamma Mia!, Grease, 42nd Street, Man of La Mancha, Joseph…Dreamcoat, Phan-tom. Three seasons with the Gold Coast Op-era. Regional: I Love You, You’re Perfect, Now Change. Stock: The World Goes ‘Round, Man of La Mancha, Pirates of Penzance, The Rob-ber Bridegroom, Nine, Big River, Victor/Victoria, The Sound of Music, Titanic, and Swingtime Can-teen. Love to MJP. Proud member—AEA.

ANDREW BACIGALUPO (Stage Manager) is thrilled to be joining The Sound of Music. Mi-lan, Italy: Priscilla: Queen of the Desert (Italian Premiere). West End: Merchants of Bollywood. National Tour: Million Dollar Quartet, Ghost the Musical (1st national tour), Walking with Dino-saurs. Kentucky native. Proud member of Equity. For Mom and Dad.

ALAN D. KNIGHT (Assistant Stage Manager) recently completed two years on the road with the national tour of Mamma Mia!. He was also a production assistant on The Book of Mormon (1st & 2nd national tours) and Sister Act the Musical (1st national tour). Lots of love to his family and friends for their support!

ERIK BIRKELAND (Company Manager) is cel-ebrating 20 years of touring and proud recipient of the 2014 Broadway League’s George MacPherson Road Award. Tours include Blithe Spirit starring Angela Lansbury, The Gershwin’s Porgy and Bess, Memphis, Chicago, Jelly’s Last Jam and 10 years

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of live stage tours of Rugrats, Blues Clues, Scoo-by-Doo, Dora and Diego.

SETH WENIG (Production Supervisor) has been with NETworks since its inception in 1995. He spearheaded the international tours of Fosse starring Ben Vereen and Ruthie Henshall. Seth has produced The Lincoln Center Theatre pro-duction of Rodgers & Hammerstein’s South Pa-cific and The National Theatre production of War Horse. Together with Cameron Mackintosh, Seth served as Executive Producer for both the U.S. and U.K. tours of The National Theatre’s My Fair Lady, the 25th Anniversary U.S. tour of Les Mi-sérables and the new The Phantom of the Opera tour. He is most proud of his greatest produc-tions—Marlo and Camden.

GENTRY & ASSOCIATES, INC. (General Management) has been managing domestic and international touring productions for nearly 20 years. Gentry & Associates has managed over 60 touring productions throughout North America. Current productions include Cameron Mackin-tosh’s The Phantom of the Opera, The Sound of Music, Disney’s Beauty and the Beast (U.S. Tour), Dirty Dancing, Blue Man Group, Elf the Musi-cal, The Bridges of Madison County, Bullets Over Broadway, Love Letters, Once the Musical and in-ternational tours of Disney’s Beauty and the Beast and Shrek the Musical.

GROVE ENTERTAINMENT (Producer) is a production company dedicated to developing, producing and presenting new work. Helmed by producer Beth Williams, the Grove partners in-clude producers Mindy and Bob Rich, Jeremiah J. Harris, Darren P. DeVerna and Allan Williams. Current and upcoming productions include Tuck Everlasting, On Your Feet! The Story of Emilio and Gloria Estefan, The Blonde Streak, Bull Durham, the tours of The Sound of Music, Dirty Dancing and An Act of God starring Sean Hayes. Grove has also presented Harry Connick, Jr. in Concert at Avery Fisher Hall. Projects in devel-opment include a new play based on the life of Oscar Levant starring Sean Hayes, a new musical by Ryan Scott Oliver, and the recently announced new musical featuring the songs of Jimmy Buffett. Prior to founding Grove, Ms. Williams helped launch Key Brand Entertainment in the United States and was the CEO—Theater Division for Broadway Across America.

TED CHAPIN (Producer) has been head of Rodgers & Hammerstein for many years. He has worked with NETworks on many touring produc-tions, and is thrilled to be moving into the role of producer. Early on in his career, he was a producer of The Soft Touch, which closed in Boston. But he has had a better time helping get many award winning productions of R&H shows—including the current The King and I and Cinderella—off the ground. In 2003, he published the book Ev-erything Was Possible: The Birth of the Musical

“Follies,” based on his experiences as the gofer on the original production of Follies.

STAFF FOR The Sound of MusicProduction Supervisor

Seth WenigGeneral Management Gentry & Associates, Inc.

Ken Gentry, Gregory Vander Ploeg, Jamey Jennings, Tyler Soltis, Mary K. Witte, Mary K. Witte

Production ManagementNETworks Presentations LLC

Jason Juenker, Laura Dieli, Hector Guivas, Dave BurchTour Booking

The Road CompanySteven Lindsay, Brett Sirotawww.theroadcompany.comTour Press & Marketing

Broadway Booking Office NYCSteven Schnepp, Temah Higgins Kent McIngvale, Jenny Bates,

Zach Stevenson, Scott Praefke, Danny KnaubCasting

Telsey + CompanyBernard Telsey CSA, William Cantler CSA, David Vaccari CSA, Bethany Knox CSA, Craig Burns CSA, Tiffany Little Canfield

CSA, Rachel Hoffman CSA, Justin Huff CSA, Patrick Goodwin CSA, Abbie Brady-Dalton CSA, Cesar A. Rocha CSA, Andrew Femenella CSA, Karyn Casl CSA, Kristina Bramhall, Conrad Woolfe CSA, Rachel Nadler,

Rachel Minow, Scott Galina, Rikki Gimelstob, Madison Sylvester, Ally KileyCompany Manager

Erik BirkelandAssistant Company Manager

James Yandoli

Production Stage Manager .......................................................... B.J. FormanStage Manager .................................................................Andrew BacigalupoAsst. Stage Manager ................................................................ Alan D. KnightAsst. Scenic Designer .................................................................... Maya LinkeAssociate Costume Designer .............................................................Dan UrlieAsst. Costume Designers ..................................... Grier Coleman, Kristin IsolaAsst. Costumes & Shopper ................................................. Margaret LazenbyAssociate Lighting Designer ...................................................... Jake DeGroot Asst. Lighting Designer .............................................................. Jon Goldman Moving Light Programmer ..................................................... Thomas HagueProduction Electrician ....................................................................Eric RimesAssociate Sound Designer ....................................................... Alex HawthornAssociate Hair Designer .......................................................Tommy KurzmanHead Carpenter ..............................................................................Dani TaylorAutomation .....................................................................................Tim BuzzaAsst. Carpenter ..............................................................................Kurt Oostra Flyman ....................................................................................Louis RiquelmeHead Electrician ...............................................................................Erik PlathAsst. Electricians .............................................. Mary Anderson, John StinsonHead Sound Engineer ..............................................................Anthony JonesAsst. Audio ..................................................................................Rachael KossHead Props ....................................................................................Corey KloosProperties Coordinator ............................................................Emiliano ParesHead Wardrobe ....................................................................... Kaitlyn BarrettWardrobe Assistant. ..................................................................Emily StalochWig Supervisor ................................................................................ Tim Bohle Synthesizer Programmer ........................................................... Randy CohenAssociate Synthesizer Programmers ................Jeremy King, Taylor Williams Rehearsal Pianist .................................................................. Justin HornbackGuitar Instructor .............................................................................. Eric DavisChild Wrangler ................................................................. Emily Stamm KloosOn Location Education Tutor .............................................. Nicollette IannelliGeneral Management Assistant ................................................ Morgan OrtizProduction Assistants ....................... Carly Baron, Lizz Bender, Connor DavisPrint Design ....................................................................................... AKA NYCRadio Spot Production .................................................................. HMS MediaTelevision Spot Design/Video Production ....................... HMS Media, Ma2La

Website .............................................................................................. AKA NYCProduction Photography .................................................... Matthew MurphyMerchandising ......................................................................The Araca Group Accounting ......................................................... NETworks Presentations LLCTour Accountant ....................................................................Laura Carey, CLALegal Services ..............................................................F. Richard Pappas, Esq.HR & Payroll Services ....................................................Human Resources inc.Housing ............................................... Road Concierge, an ALTOUR CompanyTravel Agency .................................... Janice Kessler, Carlson Wagonlit TravelTrucking ..................................................................................... Clark Transfer

Grove Entertainment StaffSara Skolnick .....................................................................Executive Producer Brian Wanee ...................................................................Production Assistant

CreditsScenery, Lighting and Audio provided by Production Resource Group;

Properties by BrenBri Properties, LLC; Costume Shops: Eric Winterling LLC, John Kristiansen, Brian Hemesath, Richard Lim and Henry Johnson.

Rehearsed at New 42nd Street Studios and Ripley-Grier.Special Thanks to

Velma V. Morrison Center for the Performing Arts and James Patrick, Executive Director

“Something Good”Lyrics by Richard Rodgers

Additional Lyrics by Jack O’BrienTax & Financial Consulting, Accounting Services, IT Services

CliftonLarsonAllen LLP George Wilson, Linda Rubenstein,

Pat Guerieri, Tim PizzaInsurance Broker Services

Maury Donnelly and Parr, Inc. Robert B. Middleton, Sr and Meghan ShriverFinancial Services and banking arrangements by

SunTrust BankStock and Amateur rights for The Sound of Music are represented by

R&H Theatricals: An Imagem Company, 229 West 28th Street, 11th Floor, New York, New York 10001 www.rnh.com

ONLINE TheSoundOfMusicOnTour.com

Like us on Facebook The Sound of Music Follow us on Twitter and Instagram @SoundOfMusic

#soundofmusictour

The Actors and Stage Managers employed in this production are members of Actors’ Equity Association, the union of professional actors and stage managers in the United States.

Backstage and Front of the House Employees are represented by the International Alliance of Theatrical Stage Employees (or I.A.T.S.E.).

United Scenic Artists represents the designers and scenic painters for the American Theatre.

The musicians employed in this production are members of the American Federation of Musicians of theUnited States and Canada.

The Director and Choreographer are members of the Stage Directors and Choreographers Society, an independent national labor union.

The Press Agents, Company and House Managers employed in this production are represented by the Association of Theatrical Press Agents & Managers.

This production is produced by a member of The Broadway League in collaboration with our professional union-represented employees.

UNITY • HARMONY • ARTISTRY

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24 25

CritiCs’ ChoiCe!

For reservations call 313.567.6700 or visit andiamoitalia.com

“BEST ITALIAN” WDIV Click on Detroit

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royal oak | grosse poinTe Woods deTroiT meTro airporT

For reservations call 313.567.6837 or visit joemuer.com

“2015 BEST SEAFOOD rESTAUrANT”

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featuring fresh seafood from around the globe, premium aged meats, beautifully crafted sushi

and an award winning wine list.

Two of Detroit’s Award Winning Restaurants – Perfect for Dining Before or After a Show. Just minutes away from the

Fisher Theatre at the fabulous GM Renaissance Center. Convenient valet parking available at both locations.

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FREE PARKINGFREE SHUTTLE

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UNT951DE16_Detroit_BroadwayAd_2.25x3.25.indd 1 4/27/16 10:34 AM

ALYSSA COHEN • [email protected] • (248) 608-1884 SCOTT MYERS • [email protected] • (313) 872-1177

Over 365,000 theatregoers see your season ad in !

We proudly present Preludes & Encores, our recommendations for a great meal before

the show, or a place to close the night’s curtain with a delicious dessert. Please consider these wonderful restaurants—and mention that you heard about them in the Broadway In Detroit program. Thanks!

GUIDE: $ = <$10, $$ = $10-$25, $$$ = $25-$50, $$$$ = >$50, F=Free Parking, = Groups, P=Prix Fixe packages available, R = Reservations, S = Shuttle Service, V=Valet Parking

Andiamo Riverfront • andiamoitalia.com ; and Joe Muer Seafood • joemuer.com • page 25 Detroit Riverfront, Renaissance Center. Type of Cuisine: Italian, Seafood, Price: $$$, Amenities: R,G,V. We are proud to welcome Broadway In Detroit guests before the show, after the show and anytime at all! Enjoy a great atmosphere and professional service with incredible views along the Detroit River.

Hard Rock Cafe Detroit • hardrock.com • page 24 Campus Martius, 45 Monroe St., Detroit MI 48226. (313) 964-7625. Type of cuisine: American, Price: $$. Amenities: R,G,V,S. Located in the heart of downtown Detroit you’ll find great food, music and drinks plus memorabilia from legendary Detroit musicians and more!

La Musique • hotelstregisdetroit.com • page 24 New Center, 3071 W Grand Blvd., Detroit, MI 48202. (313) 873-3000. Type of cuisine: American, Price: $$, Amenities: GPRV. Eat. Play. Stay. Park and dine at La Musique in the historic St. Regis Hotel and walk to the Fisher Theatre. Contemporary American Cuisine.

Maccabees at Midtown • maccabeesdetroit.com • page 26 Midtown, 5057 Woodward Ave., Detroit MI 48202. (313) 831-9311. Type of cuisine: American bistro, Price: $$, Amenities: GRSV. In Midtown across Woodward from the DIA. Save 20% with your Broadway In Detroit ticket stub.

The Maple Kitchen • themapletheater.com • page 29 The Maple Theater, 4135 W. Maple Rd., Bloomfield Twsp., MI 48301. (248) 325-9139. Type of cuisine: American, Price $$, Amenities: FG, V weekends. Present Broadway In Detroit ticket stubs within one month of attending and receive 10% off your total bill. Not valid with other offers.

PRELUDES & ENCORES • Special places to go before & after

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26

PRELUDES & ENCORES • Special places to go before & after

Mercury-Ottava Va

Publication:Broadway In Detroit playbill program for showNameRun dates: xxxxxSize: full page bleedtrim size: 5-3/8 in. w. x 8-3/8 in. h.bleed: 1/8 in.inside margin: 1/4 in.Proof: 12/22/14; 5:36PM

For: Nederlander Detroit (Fisher Theatre & others) Agency: SMZ advertisingDesign: Frank Bach, Bach & Associates; Phone 313-822-4303, [email protected]

title

Publication: Broadway in Detroit program for “xxxxxxxxxxx”Run dates: xxxxxxxxxxxxSize: 1/4 pg. vert. (2-1/4” x 3-1/4”)Proof: xxxxxx

For: Nederlander Detroit (Fisher Theatre & others) Agency: SMZ advertisingDesign: Frank Bach, Bach & Associates; Phone 313-822-4303, [email protected]% Off Your meal

With your Broadway In Detroit ticket stub! (Excludes alcohol)

SHOWS • THEATERS • PROFESSIONALS • YOUTH/FAMILY • E-CASTINGencoremichigan.com

Your best online source for tickets.Broadway In Detroit uses Ticketmaster for online ordering. If you purchase tickets from a site that is not Ticketmaster, we cannot guarantee that the ticket you purchase is valid. Always visit our website BroadwayInDetroit.com first

to find the correct link for online ticket purchases.

and

Mario’s • mariosdetroit.com • page 26 Midtown, 4222 Second St., Detroit, MI 48201. (313) 832-1616. Type of cuisine: Italian, Price: $$$, Amenities: GPRSV. Complimentary shuttle to & from the theatre. Show your tickets and receive 10% off food on your performance date. Afterglow specials too! Party with the people who perform.

Mercury Burger Bar • mercuryburgerbar.com • page 27 Corktown, 2163 Michigan Ave. Detroit MI. 48216, (313) 964-5000. Type of cuisine: American, Price: $. Classic American burger bar, gourmet burgers, hot dogs, grilled bologna, tater tots, Guernsey dairy milk shakes, Michigan craft beers, full bar.

Ottava Via • ottavavia.com • page 27 Corktown, 1400 Michigan Ave. Detroit MI. 48216, (313) 962-5500. Type of cuisine: Casual/Rustic Italian, Price: $$, Amenities: FR. Stone fired pizza, small plates, pasta, Italian entrees, gelato, outdoor seating, bocci ball in season, full bar.

The Rattlesnake Club • rattlesnakedetroit.com • page 28 300 River Place Drive, Detroit, MI 48207. (313) 567-4400. Type of cuisine: American, Price $$$ GRV. The Rattlesnake Club celebrates over 25 years in Detroit! Chef Chris Franz’s innovative cuisine, our attentive service and award-winning wine list await on Detroit’s Riverfront!

Traffic Jam & Snug • trafficjamdetroit.com • page 28 511 W. Canfield St., Detroit MI, 48201. (313) 831-9470. Type of cuisine: American, Price: $$, Amenities: FGR. Featuring an eclectic menu of vegetarian items, burgers, fresh fish, pastas & salads. Decadent house-made desserts. Free, guarded parking. Minutes from the Fisher Theatre.

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28 29

PRELUDES & ENCORES • Special places to go before & after

CONNECT with Broadway In Detroit cast, crew, staff & fans at: BroadwayInDetroitt • @BroadwayInDetroit

Proof: 2; 8/13/12; 12:02PMUnion StreetPublication: Broadway in Detroit program for 2012–2013 seasonRun dates: 9/4/12 thru 5/19/13Size: 1/4 pg. vert. (2-1/4” x 3-1/4”)For: Nederlander Detroit (Fisher Theatre & others) Agency: SMZ advertisingDesign: Frank Bach, Bach & Associates; Phone 313-822-4303; [email protected]

Show your ticket for

15% off the day of the performance

Lunch • Dinner • Sunday Brunch

Group tourS welcome!

4145 woodward Avenue Midtown Detroit

313.831.3965 www.unionstreetdetroit.com

MAY 1st - OCTOBER 23rd

BirminghamFarmersMarket.org

5/1 Opening Day

6/26 Chef Clash Sunday8/14 Corn Festival 9/18 Harvest Festival

10/23 End of Season Celebration

Birmingham Shopping District @BhamShopping

B I R M I N G H A M

FM 2016 Fisher-qtrpgad-2.25wx3.25h.indd 1 3/21/16 3:12 PM

MAY 1st - OCTOBER 23rd

BirminghamFarmersMarket.org

5/1 Opening Day

6/26 Chef Clash Sunday8/14 Corn Festival 9/18 Harvest Festival

10/23 End of Season Celebration

Birmingham Shopping District @BhamShopping

B I R M I N G H A M

FM 2016 Fisher-qtrpgad-2.25wx3.25h.indd 1 3/21/16 3:12 PM

Minimum of 2 entrees must be ordered.Must be used within one week of performance date.

300 River Place Dr | Detroit | 313-567-4400 | rattlesnakedetroit.com

Canfield at Second • Detroit trafficjamdetroit.com

313-831-9470

Restaurant Brewery

Dairy Bakery

Handcrafted & Homemade Since 1965

Mention this ad & get 10% off your entrée

CONNECT with Broadway In Detroit cast, crew, staff & fans at: Facebook.com/broadwayindetroit • @BroadwayDetroit

Thanks to our corporate partners this season at ★ Newsies ★ Rogers + Hammerstein’s Cinderella

★ Matilda ★ The Sound of Music

96.3 FM

treatdreams.com

artsandscraps.org

mi-sci.org

Join our newsletter for the latest behind-the-scenes NEWS, PRE-SALES, PREVIEWS, CONTESTS & more! Text FISHER to 22828 or SIGN UP on our home page at BroadwayInDetroit.com.

Union Street • unionstreetdetroit.com • page 29 Midtown, 4145 Woodward Ave, Detroit, MI 48201. (313) 831-3965. Type of cuisine: American, Price: $$, Amenities: GR. 15% off when you bring in your ticket to this show! Serving lunch, dinner, desserts and Sunday brunch. Kitchen open late. Large group tours welcomed.

Three restaurants in The Westin Book Cadillac Downtown Detroit, 1128 Washington Blvd. at Michigan Ave., Detroit MI 48226 • page 31: ● Roast • roastdetroit.com, (313) 961-2500. Type of cuisine: American, Price: $$$, Amenities: RV. The Detroit Free Press recently named Iron Chef Michael Symon’s Roast Restaurant of the Year.● 24 Grille • spa1924grille.com, (313) 964-3821. Type of cuisine: American, Price: $$$, Amenities: RV. Features Executive Chef Christian Borden’s interpretation of classic American dishes. Take 10% off your entire bill with your theatre ticket.● Motor Bar • bookcadillacwestin.com, (313) 442-1600. Type of cuisine: American, Price: $$, Amenities: V. On the second floor, a comfortable location for a classic late night cocktail, dessert or appetizer after the show.

The Whitney • thewhitney.com • page 6 Midtown, 4421 Woodward Ave., Detroit MI 48201. (313) 832-5700. Type of cuisine: American, Price: $$$, Amenities: GPRV. Detroit’s most romantic restaurant. Experience our Prix Fixe Theatre Menu before your next show or join us anytime for dinner or an elegant dessert seven nights a week. Call for reservations during intermission or after tonight’s performance!

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30©2011–2012 Starwood Hotels & Resorts Worldwide, Inc. All Rights Reserved. Preferred Guest, SPG, Westin and their logos are the trademarks of Starwood Hotels & Resorts Worldwide, Inc., or its affiliates. For full terms & conditions visit westin.com/bookcadillac.

Hit the city’s greatest cultural and entertainment destinations, enjoy award-winning cuisine from Celebrity

Chef Michael Symon at ROAST, a multiple HOUR Magazine “Best of Recipient,” and see how great it feels to stay well at a

Westin. Treat yourself to a refreshing getaway and go home with a whole new outlook.

FOR MORE INFORMATION OR TO MAKE A RESERVATION, VISIT WESTIN.COM/BOOKCADILLAC OR CALL 313.442.1600.

LOCAL InSPIRATIOn

AGE LIMIT As a courtesy to our patrons, it is the policy of Broadway In Detroit not to admit children under the age of 5. This policy may be altered from time to time based on Shows and Show content. You will be made aware of particular age restrictions during your purchase. Some shows make further age appropriate recommen-dations and Broadway In Detroit will provide those on its website; however, judgment of the content for each show should be made on an individual basis prior to purchase. When available, Broadway In Detroit provides links to show websites for further information. All patrons, regardless of age, must have a ticket.

BROADWAY IN DETROIT The Program for the Fisher Theatre

Volume 54, Number 9 May 10–22, 2016

Fisher Theatre • Fisher Building 3011 W. Grand Blvd., Detroit, MI 48202

BroadwayInDetroit.com

Under the Management of Nederlander Detroit, LLC

Executive Director ............................................Alan N. LichtensteinAssistant to Mr. Lichtenstein.......................................... Nancy KingDirector, Corporate Sales/Marketing ............................ Scott MyersSenior Director, Marketing .......................................... Alyssa CohenAdvertising Director .................................... Debbie Michelson, SMZPress Agent .................. Brendy Barr, Brendy Barr CommunicationsProgram Design ...............................Frank Bach, Bach & Associates

THE FISHER THEATREBusiness Office Staff

Accounting .................................................................Barbara JonesHouse Staff

Theatre Manager ....................................................James ManduzziHouse Manager .......................................................... Reuben PerezBox Office Treasurer ....................................................Mirena CantuGroup Sales Manager ...................................................... Amy YokinSubscription Manager ................................................ Gwen HardenLost and Found .......................................................... Robin Teachey

Production StaffHead Stage Technician ..................................................... Sam AluiaHead Lighting Technician ...................................Suzanne JohnstonHead Propman ................................................................ Joe AchatzHead Sound Technician .............................................J. B. RalbovskyHead Scenery Technician ...............................................Ronald IveyWardrobe Supervisor ....................................... Kristyn Pinky MahleMusical Director ....................................................... Paul McCaffreyThe photographing or sound recording of any performance or the possession of any device for such photographing or sound recording inside the theater without the written permission of the management is prohibited by law. Violations may be punishable by ejection and may render the offender liable for money damages.

The Musicians of the Fisher Theatre Orchestra employed in this production are members of the Detroit Federation of Musicians, Local 5.

Backstage employees are represented by the International Alliance of Theatrical Stage Employees (I.A.T.S.E).

Handicap (wheelchair) facilities are located in the main floor lobby near elevators. Articles found in the theater will be held for 30 days only. Lost article inquiries should be made by phone to (313) 872-l000 between 10AM and 4PM.Fisher Theatre Offices ............................................... (313) 872-1000Broadway In Detroit Season Ticket Office & Subscription Information ......................................... (313) 872-1180 Group Sales Information ........................................... (313) 871-1132If you expect emergency phone calls please leave your seat location with the ticket taker.For emergencies only during performances ............. (313) 872-1111Please silence your electronic devices by putting them on silent in airplane mode or turning them off. If you need to be reached for an emergency, please text your seat location and the emergency number listed above to your contacts and have them contact our staff if you are needed during the performance.

UNITY • HARMONY • ARTISTRY

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JOB: 98169_GLBC-Pacifi ca-FisherTheatre SPECS: 4C – CMYK DATE: 04/08/2016

TRIM: 5.375 in x 8.375 in LIVE: 4.875 in x 7.875 in BLEED: 5.625 in x 8.625 in

A m o d e r n t a k e o n a t i m e l e s s c l a s s i c .

T h e m o s t t e c h n o l o g i c a l l y a d v a n c e d m i n i v a n i n i t s c l a s s .

S e e y o u r l o c a l d e a l e r f o r c u r r e n t i n c e n t i v e s .

BASED ON THE LATEST AVAILABLE COMPETITIVE INFORMATION AND THE FCA US LLC PREMIUM MINIVAN SEGMENT. CHRYSLER IS A REGISTERED TRADEMARK OF FCA US LLC.

C H R Y S L E R . C O M

T H E A L L - N E W 2 0 1 7


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