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THE QUALITY OF FANCY YARN: PART II: PRACTICAL EXPERIMENTS AND APPLICATION MALEK ALSHUKUR School of Textiles and Design, Heriot-Watt University, Galashiels, the UK Department of Textiles & Technology, Faculty of Mechanical and Electrical Engineering, Damascus University, Damascus, Syria ABSTRACT The concepts, parameters of assessing the structure, appearance and quality of several types of fancy yarn were presented in in Part I of this paper. Further, the methods, procedures and apparati needed to apply such concepts and parameters were also detailed in Part I. In Part II of this paper, however, those methods were applied to account for the structure and quality of several overfed fancy yarns, gimp yarns and bouclé yarns. The Area of Fancy Profile, the Number of Fancy Profiles, the Shape Factor of Fancy Yarn (ShF), the Relative Shape of Fancy Yarn (RSI) and Circularity Ratio of Fancy Profile (CR) were used to account for those types of fancy yarn. Based on those methods, it was possible to assess the structure and quality of the fancy yarns and to arrange them in ascending (or descending) order in terms of their quality, e.g. texture, structure, and fancy bulkiness. Further, a comparison between those methods and the traditional subjective method of quality assessments of fancy yarns revealed high levels of agreement. KEYWORDS: Overfed Fancy Yarn, Gimp Yarn, Bouclé Yarn, the Shape Factor of Fancy Yarn, the Relative Shape Index of Fancy Yarn, the Area of Fancy Profile, the Number of Fancy Profiles, the Circularity Ratio of Fancy Profile. INTRODUCTION Gimp yarn is defined as: “a compound yarn consisting of a twisted core with an effect yarn wrapped around it so as to produce wavy projections on its surface” (Gong & Wright, 2002). The effect component could be one or more strands (Tortora & Merkel, 2005), but it is usually thicker and coarser than the core component(s) (Denton & Daniels, 2002; Tortora & Merkel, 2005). Gimp yarns, bouclé yarns and loop yarns belong to the same group of fancy yarn. However, whilst the effect on the surface of gimp yarns are semi-circular corrugations, they are irregular, semi-circular loops in bouclé yarns and circular loops in loop yarns (Denton & Daniels, 2002). Regardless of the method of making them, gimp yarns have a general structure as shown in Figure 1. Figure 1: Gimp Yarn Structure, Adapted from (Gong & Wright, 2002) Bouclé profiles take usually the shape provided in Figure 2 in which they are open projections but not circular (Gong & Wright, 2002). The term “bouclé profile” also refers to a fancy profile which has the shape of one phase of sine wave where the height of this phase is greater than, or equal to, the width of the base of this phase. Bouclé yarns may have other profiles which is similar to bouclé profiles, and they may be called either semi-bouclé profiles or bouclé-like profiles. International Journal of Textile and Fashion Technology (IJTFT) ISSN 2250-2378 Vol. 3, Issue 1, Mar 2013, 25-38 © TJPRC Pvt. Ltd.
Transcript
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THE QUALITY OF FANCY YARN: PART II: PRACTICAL EXPERIMENTS AND

APPLICATION

MALEK ALSHUKUR

School of Textiles and Design, Heriot-Watt University, Galashiels, the UK

Department of Textiles & Technology, Faculty of Mechanical and Electrical Engineering, Damascus University,

Damascus, Syria

ABSTRACT

The concepts, parameters of assessing the structure, appearance and quality of several types of fancy yarn were

presented in in Part I of this paper. Further, the methods, procedures and apparati needed to apply such concepts and

parameters were also detailed in Part I. In Part II of this paper, however, those methods were applied to account for the

structure and quality of several overfed fancy yarns, gimp yarns and bouclé yarns. The Area of Fancy Profile, the Number

of Fancy Profiles, the Shape Factor of Fancy Yarn (ShF), the Relative Shape of Fancy Yarn (RSI) and Circularity Ratio of

Fancy Profile (CR) were used to account for those types of fancy yarn. Based on those methods, it was possible to assess

the structure and quality of the fancy yarns and to arrange them in ascending (or descending) order in terms of their quality,

e.g. texture, structure, and fancy bulkiness. Further, a comparison between those methods and the traditional subjective

method of quality assessments of fancy yarns revealed high levels of agreement.

KEYWORDS: Overfed Fancy Yarn, Gimp Yarn, Bouclé Yarn, the Shape Factor of Fancy Yarn, the Relative Shape

Index of Fancy Yarn, the Area of Fancy Profile, the Number of Fancy Profiles, the Circularity Ratio of Fancy Profile.

INTRODUCTION

Gimp yarn is defined as: “a compound yarn consisting of a twisted core with an effect yarn wrapped around it so

as to produce wavy projections on its surface” (Gong & Wright, 2002). The effect component could be one or more strands

(Tortora & Merkel, 2005), but it is usually thicker and coarser than the core component(s) (Denton & Daniels, 2002;

Tortora & Merkel, 2005). Gimp yarns, bouclé yarns and loop yarns belong to the same group of fancy yarn. However,

whilst the effect on the surface of gimp yarns are semi-circular corrugations, they are irregular, semi-circular loops in

bouclé yarns and circular loops in loop yarns (Denton & Daniels, 2002). Regardless of the method of making them, gimp

yarns have a general structure as shown in Figure 1.

Figure 1: Gimp Yarn Structure, Adapted from (Gong & Wright, 2002)

Bouclé profiles take usually the shape provided in Figure 2 in which they are open projections but not circular

(Gong & Wright, 2002). The term “bouclé profile” also refers to a fancy profile which has the shape of one phase of sine

wave where the height of this phase is greater than, or equal to, the width of the base of this phase. Bouclé yarns may have

other profiles which is similar to bouclé profiles, and they may be called either semi-bouclé profiles or bouclé-like profiles.

International Journal of Textile and Fashion Technology (IJTFT) ISSN 2250-2378 Vol. 3, Issue 1, Mar 2013, 25-38 © TJPRC Pvt. Ltd.

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They are usually semi-twisted but not completely closed and may include U-shaped profiles; elongated loop profiles,

which may be semi-circular, closed profiles; and open-based, flexed bouclé profiles. Those semi-bouclé profiles may result

on the fancy yarn surface due to three reasons. The first reason is winding of the bouclé yarn on packages. The second

reason is internal stresses in the effect thread, e.g. when the effect thread(s) is an unbalanced ply yarn. The third reason is a

defective effect thread that has at least a point having relatively low value of bending stiffness which makes the thread

bends irregularly. Bouclé projections are the apparent bouclé profiles which protrude on the yarn surface and can be

identified readily. They need no further effort to make sure they exist. They usually attract the attention of an assessor of

bouclé yarns. The other types of bouclé profile which exist on the yarn surface, but they do not project over the yarn

surface are called unapparent bouclé profiles. Those unapparent bouclé profiles lie on the yarn surface because of the

winding process, unbalanced ply effect thread or due to defects in the effect thread(s) and they are not easily visible.

Due to their importance, this study will apply the objective methods, concepts and parameters suggested by the

author in Part I of this paper to assess the quality of gimp yarns, boucle yarns and overfed fancy yarns (Alshukur, 2013).

Figure 2: Structure of Bouclé Yarn, adapted from (Rameshkumar)

THE APPLICATION OF THE OBJECTIVE METHODS TO ASSESS THE STRUCTURE AND

QUALITY OF GIMP YARNS AND OVERFED FANCY YARNS

The Shape Factor of Fancy Yarns (ShF), measured in mm2/m, was used to assess the quality of the gimp yarns.

The ShF = N· A where N is the Number of Fancy Profiles, i.e. average number of the non-gimp profiles in a unit length of

the gimp yarn, (measured usually in m-1

for gimp yarns), and A is the Area of Fancy Profile, i.e. the average area (or size)

of non-gimp profile (measured usually mm2). To use the ShF to evaluate the structure and quality of gimp yarn, one needs

to follow the following procedures:

1. The normal structure of any gimp yarn is usually perfect sigmoidal as provided in Figure 1. Based on the methods

of Part I of this paper, this kind of structure needs no further measurement.

2. The value of the ShF=0 mm2/m for gimp yarns that have sigmoidal configuration of the structure.

3. Deviations from such a sigmoidal structure will appear on the surface of gimp yarn as a few non-gimp

projections.Those can be fancy projections of various shapes, i.e. bouclé profiles, arches, bunches, knots, etc., and

are described as abnormal projections on the gimp yarn surface.

4. Abnormal projections may be measured using the Number of Fancy Profiles, the Area of Fancy Profile, the Shape

Factor of Fancy Yarn and the Circularity Ratio of Fancy Profile.

5. The smaller the value of the ShF of those non-gimp profiles the better the quality of gimp yarns.

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The Quality of Fancy Yarn: Part 2: Practical Experiments and Application 27

6. Using the value of the ShF, the quality of gimp yarns may be excellent, very good, good, acceptable or poor. This

last category cannot be sold as a gimp yarn, but it can be sold as a general overfed fancy yarn which does not have

any specific commercial designation or name.

7. Finally, to compare the relative fancy bulkiness of several gimp yarns, one may use the value of the Relative

Shape Index of Fancy Yarn (RSI). The RSI is given by the formula RSI = ShF / Ttex where Ttex is the linear

density of the fancy yarn in tex.

Three experiments were conducted to show the applicability of the quality methods of Part I this paper to gimp yarns

and overfed fancy yarns. For all these experiments it was observed that some of the fancy yarns were overfed fancy yarns

and had no any other commercial description. Therefore, they were tested within the gimp fancy yarn group. The three

experiments were conducted as follows:

• Experiment I to make gimp yarns and overfed fancy yarn using various input yarns, machine settings and fancy

yarn structural parameters.

• Experiment II to make three groups of fancy yarns based on three groups of input yarns.

• Experiment III to make three group of fancy yarns based on three value of the overfeed ratio.

Materials and Machine Settings of Experiment I, Experiment II and Experiment III

Types and forms of the constituent threads were used to make the gimp yarns for Experiment I are provided in

Table 1.

Table 1: The Input Materials Used to Make the Gimp Yarns for Experiment I

Yarn Number Effect Component Core Component Binder

1 24s/3 bamboo 20s cotton polyester 167/34

2 30s/3 cotton 20s cotton polyester 167/34

3 24s/3 bamboo 20s cotton nylon 145/77

4 30s/3 cotton 20s cotton nylon 145/77

5 24s/3 bamboo 30s/2 cotton polyester 167/34

6 30s/3 cotton 30s/2 cotton polyester 167/34

7 24s/3 bamboo 30s/2 cotton nylon 145/77

8 30s/3 cotton 30s/2 cotton nylon 145/77

The gimp yarns were made on a hollow-spindle spinning machine Gemmill & Dunsmore 3 (i.e. fancy twister

G&D3). The machine settings, given in Table 2, were altered (from fancy yarn to another) so as to change the structural

parameters of the resultant gimp yarns.

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Table 2: Machine Settings and Main Structural Parameters Used to Make the Fancy Yarns of Experiment I

Yarn Number

Machine Settings Main Yarn Structural parameters

Supply Speed (m/min)

Delivery Speed (m/min)

Rotation Speed (rpm)

The Number of Wraps (wpm)

The Overfeed

Ratio (%)

Number of Core Threads

1 95 70 21000 300 135 2

2 95 60 16000 266.63 158 2

3 85 60 21000 350 141 2

4 85 70 16000 228.57 121 2

5 85 70 16000 228.57 121 1

6 85 60 21000 350 141 1

7 95 60 16000 266.63 158 1

8 95 70 21000 300 135 1

Types and forms of the constituent threads were used to make the gimp yarns for Experiment II are provided in

Table 3. In this experiment, modifications were made to the structure so as to change the structure and quality of the fancy

yarns. The yarns made were classified into three groups were each group of fancy yarn were made using the same input

threads. For this experiment the delivery speed of the hollow-spindle spinning machine was 60 m·min-1

.

Table 3: The Input Materials and Main Structural Parameters Used to Make the Gimp Yarns for Experiment II

Yarn

Number

The Overfeed

Ratio (%)

The Number of

Wraps (wpm)

Group of

Fancy

Yarn

Effect Component Core Component Binder

1 158 266.63

Group 1 24s/3 bamboo 30s/2 cotton nylon 14.5/77

2 158 330

3 120 276.6 Group 2

Super soft wool 2/11.3

Nm ( R177/2 tex)

Combed cotton

Ne=14s/3 (R126/3 tex) Polyester 16.7/34

4 130 300

5 125 300

Group 3 acrylic, Ne=16s/2

(R70/2 tex)

Cotton Ne=30s/2,

(R40/2 tex) Polyester 16.7/34 6 135 300

7 155 300

The input materials and the type of the constituent threads were used to make the gimp yarns for Experiment III

are provided in Table 4. In this experiment material type was not changed when making the gimp yarns but the yarn

structural parameters, i.e. mainly the overfeed ratio (η%) and the number of wraps(W), were altered. For this experiment

the delivery speed of the hollow-spindle spinning machine was 60 m·min-1

.

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The Quality of Fancy Yarn: Part 2: Practical Experiments and Application 29

Table 4: The Input Materials and Main Structural Parameters Used to Make the Gimp Yarns for Experiment III

Yarn Number The Number of Wraps (wpm)

The Overfeed Ratio (%)

Group of Fancy Yarn

Effect Component

Core Component Binder

1 225

130 Group 1

twisted ring-spun

cotton yarn,

Ne=16s/2

two parallel open-

end rotor-spun

cotton yarns

Ne=20s each

textured multi-

filament yarn,

167/34

2 325

3 225

140 Group 2

4 280

5 225

150 Group 3 6 315

7 350

The number of specimens sampled to measure the linear density of each yarn was 6. The number of specimens

used to measure the size of non-gimp profiles and their circularity ratio was 31. The number of specimens used to count the

number of non-gimp profiles was 16. The specimens were preconditioned then conditioned in a standard atmosphere, i.e.

temperature 20±2 Co and relative humidity RH=65±4, in accordance with ISO 139:2005 (BSI). The linear density were

measured in accordance with ISO 2060:1995 (BSI).

Experiment I: Results and Discussions

Images of the fancy yarns made for Experiment I are shown in Figure 3. Those yarns were tested and the results

are given in Table 5. Further, the subjective assessments of the same yarns, also given in the same table, was documented

against the calculations of the author’s objective method of quality assessment of fancy yarn. Although it is common to

obtain the viewpoints of a panel of experts when studying the aesthetics of textile materials, it was difficult to find more

than one expert in fancy yarn to consult them and ask them to rate the fancy yarns of this study.

Bearing in mind that the ShF was calculated to measure non-gimp profiles and other uneven projections of the

effect component on the surface of gimp yarns, so the smaller the value of the ShF the better the quality of gimp yarns.

When a comparison was conducted between the subjective method and the objective method, similar results were obtained.

However, the accuracy of the objective method over the subjective method was revealed when comparing those two

methods for fancy yarn 2 and fancy yarn 7. The expert, who was consulted, preferred the former over the latter. The expert

considered gimp yarn 2 to have an acceptable-quality while gimp yarn 7 was deemed to have “poor-quality”. However, the

calculations of the objective method, i.e. the value of the ShF, indicated the opposite. This is because the ShF = 322.79

mm2/m for fancy yarn 7, while it was greater for fancy yarn 2, i.e. 376.72 mm

2/m.

In terms of the relative fancy bulkiness of those fancy yarns regardless of material types, machine settings or

structural parameters, the values of the RSI was useful. Those values increased from 0 mm2/m·tex for yarn 1, yarn 3 and

yarn 5 up to 2.09 mm2/m·tex for yarn 2. This indicates that the order of those gimp yarns in terms of the non-gimp fancy

bulkiness was yarn 1, yarn 3, yarn 5, yarn 4, yarn 6, yarn 8, yarn 7 and finally yarn 2. It is important to state that this

ascending order of relative fancy bulkiness is for non-gimp profiles, i.e. for distortion of the gimp yarn structure.

Therefore, yarn 2 represented the gimp yarn which had the poorest quality.

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Yarn 1

Yarn 2

Yarn 3

Yarn 4

Yarn 5

Yarn 6

Yarn 7

Yarn 8

Figure 3: Images of the Fancy Gimp Yarns and Overfed Fancy Yarns Made for Experiment I

Table 5: The Results of Experiment I: The Objective Assessment and the Subjective Assessment

Yarn

Number

Linear Density

(tex)

Number of Non-

gimp Profiles

(m-1)

Size of non-

gimp Profiles

(mm2)

ShF

(mm2/m) RSI

(mm2/m·tex)

Subjective Assessment of Yarn Quality

1 188.99 1.40 Not applicable Approximately

0 0 excellent

2 179.98 66.80 5.64 376.72 2.09 acceptable

3 191.27 0.00 Not applicable 0 0 very good

4 150.85 7.60 4.43 33.66 0.22 very good

5 154.79 0.80 Not applicable 0 0 excellent

6 145.60 15.80 2.95 46.61 0.32 very good

7 178.70 62.80 5.14 322.79 1.80 poor

8 138.04 3.95 28.40 112.16 0.81 good

Experiment II: Results and Discussions

Images of the fancy yarns made for this experiment are given in Figure 4. Those yarns were tested and results are

given in Table 6.

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The Quality of Fancy Yarn: Part 2: Practical Experiments and Application 31

Yarn 1

Yarn 2

Yarn 3

Yarn 4

Yarn 5

Yarn 6

Yarn 7

Figure 4: Images of Fancy Gimp Yarns and Overfed Fancy Yarn Made for Experiment II

Table 6: The Results of Experiment II: The Objective Assessment and the Subjective Assessment

Yarn Number

Linear Density (tex)

Number of Non-gimp Profiles

(m-1)

Size of non-gimp

Profiles (mm2)

The Circularity

Ratio of Non-gimp Profiles

(%)

ShF (mm2/m)

RSI (mm2/m·tex)

Subjective Assessment of Yarn Quality

1 178.7 62.80 5.14 44 322.79 1.80 Poor

2 180.51 41 3.80 46 155.8 0.86 good

3 390.8 0 0 Not applicable 0 0 very good

4 413.23 0 0 Not applicable 0 0 very good

5 153 0 0 Not applicable 0 0 good

6 162.36 32 4.66 63 149.12 0.91 excellent

7 177.18 68.2 5.37 56 366.23 2.06 very good

Comparisons between yarn 1 & yarn 2, yarn 3 & yarn 4, and yarn 5 & yarn 6 & yarn 7 were followed. This table

indicates that the fancy yarns of each group were different in structure and quality. The overall quality of yarns improved

due to reductions in the number of non-gimp profiles. Further, the comparison between the objective method of the author

and the traditional, subjective method of assessment of fancy yarn indicated high level of agreement. For example,

although made using the same input materials, yarn 2 had better structure that yarn 1 because the value of ShF of yarn 2

was almost half that of yarn 1, i.e. 155.8 mm2/m versus 322.79 mm

2/m. Additionally, the subjective assessment indicates

that the quality improved from “poor-quality” into “good-quality” gimp yarn.

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In terms of accuracy, it was confirmed that the objective method suggested by the author is more accurate than the

subjective method. For example, when comparing yarn 5 & yarn 6 & yarn 7 using the value of the ShF, Table 6 shows that

the value of the ShF increased from 0 to 149.12 mm2/m to 366.23 mm

2/m respectively. This means that yarn 5 had the best

quality, then yarn 6 and finally yarn 7. However, the assessor ranked the gimp yarn of cone 6 as the “best-quality” gimp

yarn and appraised it to have “excellent-quality”, while yarn 5 was appreciated to have only “good-quality” gimp yarns. It

is also understood from Table 6 that:

• Yarn 5 did not have any non-gimp profiles on its surface. However, the assessor subjectively considered it to be a

“good-quality” gimp yarn because the assessor believed it had a structure which was nearly closed and wavy-shaped.

• Yarn 6 represents a gimp yarn which had on average 32 non-gimp fancy projections (which were in most cases bouclé

profiles) per meter on its surface, with an average size equalling 4.66 mm2. In spite of the existence of several non-

gimp projections, the assessor subjectively considered it to be an “excellent-quality” gimp yarn as the assessor

believed that the yarn structure was more open than the previous case. However, the value of the ShF for this yarn was

relatively high and therefore it cannot be considered to be an ‘excellent-quality’ gimp yarn.

• A disagreement between the objective assessment and the subjective assessment was clear for yarn 7. The assessor

ranked the yarn as a ‘very good’ gimp yarn because the assessor believed that the yarn structure was “open”. Using the

objective method of assessment, however, there were 68.2 non-gimp profiles per meter on average on the yarn surface,

with an average size of almost 5.37 mm2. Therefore, the ShF was 366.23 mm

2/m for this yarn. This meant that there

were 366.23 mm2 of distortion to the structure, distributed on each metre of the yarn. Accordingly, the yarn structure

was highly distorted from the standard structure of gimp yarns (Figure 1). Even though such a yarn is still

“considered” to be fancy yarn, its structure was a combination of several profiles, mainly gimp profiles, bouclé and

irregular bouclé profiles, loops, closed thin projections, closed loops, etc.

• Since there were no non-gimp profiles on the surface of yarns 3, 4 and 5, it was unpractical to calculate the value of

the ShF for these yarns. However, the assessor subjectively ranked the quality of these gimp yarns as “very good” or

“good” but not “excellent” as the assessor thought the yarn structure of them was “so closed. The assessor also thought

that they might be similar to simple wavy yarns while the resultant “closed” structure was due to the thick input

threads which were used to make these gimp yarns. It is important to know that gimp yarns are defined a form of wavy

yarns (Gong & Wright, 2002; Meadwell, 2004). Additionally, author of this paper also considers gimp yarns, wavy

yarns, ratiné and frisé yarns as different names for the same structure. Therefore, yarn 5 may be ranked as “excellent”

by the author of this paper.

Regarding the relative fancy bulkiness of the gimp yarns of Experiment II regardless of material types, machine

settings or structural parameters, the value of RSI was used. The interpretation of this parameter for gimp yarns is that the

higher the value of RSI the higher the abnormal bulkiness of gimp yarns and thus the lower the quality of the gimp yarn.

Therefore, Table 6 indicates that the values of RSI of those yarns increased from 0 mm2/m·tex for yarn 3, yarn 4 and yarn 5

up to 2.06 mm2/m·tex for yarn 7 “best-quality” gimp yarns were yarn 3, yarn 4 and yarn 5, then yarn 2 through yarn 6 and

yarn 1 while the lowest quality was for yarn 7.

Experiment III: Results and Discussions

The yarns made for Experiment III are shown in Figure 5. The results of the objective assessment and the

subjective assessment of them are given in Table 7. It is clear that only one obvious disagreement between these two

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The Quality of Fancy Yarn: Part 2: Practical Experiments and Application 33

methods was shown for fancy yarn 2. The assessor considered this yarn to be wavy yarn because the assessor indicated that

the structure of this fancy yarn was “closed”. However, as mentioned previously, gimp yarn is defined a form of wavy

yarns (Gong & Wright, 2002; Meadwell, 2004). Therefore, the author considers this fancy yarn to have an “excellent-

quality”.

Yarn 1

Yarn 2

Yarn 3

Yarn 4

Yarn 5

Yarn 6

Yarn 7

Figure 5: Images of Fancy Gimp Yarns and Overfed Fancy Yarn Made for Experiment III

The gimp yarns of this experiment were compared in terms of their structure and quality regardless of their

thicknesses (tex), raw materials, machine settings and structural parameters (i.e. η% and W) using the RSI. The lowest

values of the RSI, i.e. 0 mm2/m·tex, were for “excellent-quality” gimp yarns. The “very good-quality” gimp yarns had

slightly higher values of the RSI. Further, the quality of the gimp yarns diminished when the values of the RSI were high.

Therefore, the quality of those yarns decreases from yarn 2, through yarns 7, 1, 4, 5, to yarns 6 & 3 as the value of the RSI

increased respectively in the same order

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Table 7: The Results of Experiment III: The Objective Assessment versus the Subjective Assessment

Yarn Number

Linear Density (tex)

Number of Non-gimp Profiles

(m-1)

Size of non-gimp

Profiles (mm2)

The Circularity

Ratio of Non-gimp Profiles

(%)

ShF (mm2/m)

RSI (mm2/m·tex)

Subjective Assessment of Yarn Quality

1 182 14 5.397 50.6 75.558 0.41 good to very good

2 183.65 0 0 Not applicable 0 0 poor

3 185 24 6.27 53 150.48 0.81 acceptable

4 190.65 24.4 4.18 59 102.41 0.53 very good

5 195 26 5.718 48.5 148.66 0.76 poor

6 198.19 36.4 4.38 53 159.43 0.80 excellent

7 194.18 16 4.04 53 64.64 0.33 very good to

excellent

THE APPLICATION OF THE OBJECTIVE METHODS TO EVALUATE BOUCLÉ YARN

STRUCTURE AND QUALITY

Bouclé projections, bouclé profiles, semi-bouclé projections and semi-bouclé profiles were considered in this

study when they were not considered defects on the structure. It was possible to check the reason for obtaining the

unapparent bouclé profiles by a manual attempt to raise such profiles. The reason that they were there was the winding

process when those profiles did not collapse back to lie on the structure. Therefore, they were considered while counting

the bouclé profiles and measuring their size. However, when those profiles result from defects in the effect thread(s), they

normally return back to lie on the yarn surface. Those fancy profiles were not considered bouclé profiles. Subsequently,

they were excluded from counting and measurements.

The Shape Factor of Fancy Yarns (ShF), measured in mm2/m, was used to assess the quality of the bouclé yarns.

The ShF = N· A where N is the Number of Fancy Profiles, i.e. average number of the bouclé profiles in a unit length of the

gimp yarn, (measured usually in dm-1

or m-1

bouclé yarns), and A is the Area of Fancy Profile, i.e. the average area (or

size) of the bouclé profile (measured usually mm2).

Materials, Machine Settings and Yarn Structural Parameters for Experiment IV

Input materials of different types, forms and performance characteristics, were used to make the bouclé yarns

needed for Experiment IV. Table 8 shows the materials selected for the different levels of the experiment. Two similar

effect components in the form of ply yarns were used to make the final bouclé fancy yarns for it was unpractical to obtain

satisfactory structure for the bouclé yarn by using only one effect component. Additionally, one core yarn and a binder

were needed. The supply speed of the effect threads was 66 m/min, the delivery speed of the whole fancy yarn was 30

m/min and the rotational speed of the hollow spindle was 8400 rpm. Therefore, the overfeed ratio of the effect threads was

(66/30)×100=220% while the number of wraps of the binder was 8400/30=280 wrap per metre (wpm). Since the input

threads used for the effect components varied considerably in terms of their thicknesses, i.e. linear density, it was also

difficult to choose a number of wraps suitable to all thicknesses. Therefore, the number of wraps used was mostly suitable

for the finer and medium thicknesses rather than the thick effect components.

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The Quality of Fancy Yarn: Part 2: Practical Experiments and Application 35

Table 8: Materials Used to Make Bouclé Yarns for Experiment IV

Yarn Number Core Component Effect Component Binder

1 cotton, R72/3 tex flexible acrylic, R72/2 tex

polyester

Multi-

Filament,

R16.7/34

tex

2 cotton, R72/3 tex purewool, R120/2 tex

3 cotton, R72/3 tex acrylic multi-filament, 140 tex

4 cotton/lambswool, R120/2 tex flexible acrylic, R72/2 tex

5 cotton/lambswool, R120/2 tex purewool, R120/2 tex

6 cotton/lambswool, R120/2 tex acrylic multi-filament, 140 tex

7 acrylic multi-filament, 140 tx flexible acrylic, R72/2 tex

8 acrylic multi-filament, 140 tex purewool, R120/2 tex

9 acrylic multi-filament, 140 tex acrylic multi-filament, 140 tex

The number of specimens used to measure the linear density of the yarns was 6. The number of specimens used to

measure the size of non-gimp profiles and their circularity ratio was 30. The number of specimens used to count the

number of non-gimp profiles was 16. The specimens of the fancy yarns were preconditioned then conditioned in a standard

atmosphere, i.e. temperature 20±2 Co and relative humidity RH=65±4, in accordance with ISO 139:2005 (BSI). The linear

density were measured in accordance with ISO 2060:1995 (BSI).

Experiment IV: Results and Discussions

Images of the fancy yarns made for Experiment IV are given in Figure 6 and the results of testing procedure are

given in Table 9. All bouclé yarns which had the value of the Circularity Ratio of Fancy (Bouclé) Profile exceeding 0.60

was considered to have good quality, e.g. yarn 1, yarn 4, yarn 7 and yarn 8. The other yarns had inferior quality and yarn 6

had the poorest quality.

In terms of the absolute fancy bulkiness for these bouclé yarns, the value of the ShF indicated that this property

decreased starting from yarn 7 (the highest value of the ShF), to yarn 1, yarn 8, yarn 4, yarn 5, yarn 9, yarn 2, yarn 3 and

finally yarn 6. To account for the relative fancy bulkiness of these bouclé yarns, the value of the Relative Shape Index of

Fancy Yarn (RSI) was used and it indicated that the best result was obtained for yarn 1. The relative fancy bulkiness

decreased for yarn 7, yarn 4, yarn 8, yarn 2, yarn 5, yarn 3 and finally yarn 9 which had the lowest fancy bulkiness.

Using the previous calculations, it was confirmed that the selected values of the structural parameters of the

bouclé yarns proved to be suitable for the finer effect components, i.e. the flexible acrylic ply yarns R72/2 tex, because

they had the highest values of ShF, RSI, and CR. Conversely, the values of these three parameters were the lowest for the

thickest effect yarns, i.e. the acrylic multi-filament yarn that had the linear density 140 tex. These findings can be exploited

to improve the structure of bouclé yarns. This can be accomplished through modifying the values selected for the structural

parameters of the fancy yarn, mainly the overfeed ratio and the number of wraps, but this is outwith the scope of this study.

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Yarn 1

Yarn 2

Yarn 3

Yarn 4

Yarn 5

Yarn 6

Yarn 7

Yarn 8

Yarn 9

Figure 6: Images of Fancy Bouclé Yarns and Fancy Semi-Bouclé Yarns Made for Experiment IV

Table 9: Results of the Experiment IV: The Objective Assessment versus the Subjective Assessment

Yarn Number Linear Density

(tex) Circularity Ratio (%)

Size of Bouclé Profiles (mm2)

Number of Bouclé

Profiles (dm1) ShF (mm2/dm)

RSI (mm2/m.Tex)

1 411.27 60 10.29 20 205.800 5.004

2 636.03 55 11.93 12.7 151.511 2.382

3 697.46 56 14.98 9.6 143.808 2.061

4 457.31 61 9.83 16.6 163.178 3.568

5 687.19 57 10.59 15.2 160.968 2.342

6 757.67 49 14.15 9.9 140.085 1.848

7 491.53 61 12.03 20 240.600 4.894

8 713.02 64 10.24 17.8 173.056 2.427

9 792.03 55 13.15 11.8 155.170 1.959

It is important to mention that the author did not have equipment to make fancy yarns that have elongated fancy

profiles so as to compare their quality characteristics using the Actual Length of Elongated Fancy Profile (AL), the Total

Length of Elongated Fancy Profiles (TL) and the Fancy Length Index of Fancy Yarn (FLI). However, the application of

these quality concepts for fancy yarn with elongated fancy profiles should follow a similar approach.

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The Quality of Fancy Yarn: Part 2: Practical Experiments and Application 37

CONCLUSIONS

The objective methods of assessment of the structure, quality and appearance of fancy yarn were applied in Part II

of this paper to test, calculate, estimate and compare the quality of several gimp yarns, overfed yarns and bouclé yarns. The

values of mainly the Shape Factor of Fancy Yarn, the Relative Shape Index of Fancy Yarn and the Circularity Ratio of

Fancy Profile were used to define the gimp yarns and bouclé yarns which had the best quality, amongst others made for

this of research. Further, a comparison between the methods suggested in this research and the viewpoint of an expert in

fancy yarn proved a high degree of agreement. Furthermore, the yarns made in for this research were arranged in ascending

order of their relative fancy bulkiness. Moreover, the objective methods of in this research were more reliable and accurate

than any subjective assessment of the fancy yarns. This study indicates that it is possible use the scientific, objective

methods of this research to resolve disputes, related to fancy yarn structure and quality, which might arise between buyers

and manufactures or sellers of fancy yarns. Additionally, those methods can even be used to resolve disputes between

different experts in fancy yarn should they appear. It must be emphasised that the objective concepts, parameters and

methods of this research accounts for only the aesthetic, texture and structure of fancy yarns and do not solely cover or

give provision for all quality characteristics of fancy yarn such as handle, colour, etc.

REFERENCES

1. Alshukur, M. (2013). The Quality of Fancy Yarn: Part I: Methods and Concepts. International Journal of Textile

and Fashion Technology, 3(1), 11-24.

2. BSI. Textiles- Standard atmospheres for conditioning and testing BS EN ISO 139:2005 European Committee for

Standardization.

3. BSI. Textiles- Yarn from packages-Determination of linear density (mass per unit length) by the skein method BS

EN ISO 2060:1995 European Committee for Standardization.

4. Denton, M. J., & Daniels, P. N. (Eds.). (2002) (11 ed.). Manchester, The UK: The Textile Institute.

5. Gong, R. H., & Wright, R. M. (2002). Fancy yarns: Their manufacture and application. Cambridge, The UK:

Woodhead Publishing Limited.

6. Meadwell, E. S. (2004). An Exploration of Fancy Yarn Creation. Degree of Master of Science, North Carolina

State University, North Carolina.

7. Rameshkumar, C. Fancy Yarns for Fashion. Bannari Amman Institute of Technology, PSG College of

Technology. Coimbatore.

8. Tortora, P. G., & Merkel, R. S. (Eds.). (2005) (7th ed.). New York, The USA: Fairchild Publication.

ACKNOWLEDGEMENTS

The author is grateful to Dr. Alex Fotheringham and Andrew McCullough of Heriot-Watt University, the School of

Textile and Design for their help and support.

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