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The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4...

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80
Limbus Infantium for flute, harp, piano, and treble voice ©2004(21)
Transcript
Page 1: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

Limbus Infantium

for

flute, harp, piano, and treble voice

©2004(21)

Page 2: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

Text

Misericors Christe, dona animo paradisum aeternum a malo me tuere

a Satana me tuere integer sum peccatorum Christe, succurre mihi

Merciful Christ, grant my soul eternal paradise

protect me from evil protect me from Satan

I am pure of sin help me Christ

Harp

Fingernail buzz: Fingernail placed lightly against string.

Thunder slap: Open hand to strike strings & bounce off letting

strings resonate.

P.C. : Above the bridge pin.

Duration - 13mins

Page 3: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

Lento q = 50

Wayne Duncan(Children's Limbo)

Limbus Infantium

Flute

Treble

Harp

Piano

p

MNNMMMM

5

Fl.

Tr.

Hp.

Pno.

poco

Page 4: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

9

Fl.

Tr.

Hp.

Pno.

poco

mp

mf

13

Fl.

Tr.

Hp.

Pno.

p

sempre poco vib

simply

sim

p

p

loco

Page 5: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

17

Fl.

Tr.

Hp.

Pno.

mp

mf

p

mi

pp se

- - - - -

mp

p

mp

p

p

9

20

Fl.

Tr.

Hp.

Pno.

mf

p

ri

-

mf

cors

- - - - - mi

- se

p

- - -

mp

p

mp

p

9

Page 6: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

23

Fl.

Tr.

Hp.

Pno.

mp

ri

mp

- cors

-

Chri

p

- -

p

7 3

pp

sempre pedal

26

Fl.

Tr.

Hp.

Pno.

pp

p

pp

ste,

poco

- -

Chri

p

- - -

p

pp

3

3

3

Page 7: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

29

Fl.

Tr.

Hp.

Pno.

p

pp

ste,

mp

-

p

do

na- - -

slow

p

7

p

3 pp

3

3

32

Fl.

Tr.

Hp.

Pno.

mp

pp

mp

a

ni-

mo-

p

pa

- ra

di- -

poco f

slow

- - -

pp

p

mp

7 9

p

3

pp

3

3

Page 8: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

35

Fl.

Tr.

Hp.

Pno.

poco f

pp

sum- - - - - -

mp

ae

- - -

mf

mp

9

3

3

3

mf

3

3

pp

38 rall.

Agitated q = 104

Fl.

Tr.

Hp.

Pno.

mp

p

ter- num.-

pp

mp

MMLLMMM

p

p mp

5

Page 9: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

42

Fl.

Tr.

Hp.

Pno.

flutter

p

mp

mp

mp

(approx pitch)

mf

p mp

6

mp

48

Fl.

Tr.

Hp.

Pno.

mp mf

mp

mf

P.C.(high strings)

mp

tap with f.nailon most resonantpart of sound board

mp

mp

mf

mp

6

3

mp

mf

Page 10: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

52

Fl.

Tr.

Hp.

Pno.

pocof

con poco vib

f

sim

mf f

mf

l.v.

6

3

f

56

Fl.

Tr.

Hp.

Pno.

mp mf

f

mf f

mp

p

f

mp

mf 3

5

Page 11: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

59

Fl.

Tr.

Hp.

Pno.

mp

p

mp

p

3

mf

63

Fl.

Tr.

Hp.

Pno.

f

mf

mf

ah

mp

mp

p

Page 12: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

70

Fl.

Tr.

Hp.

Pno.

mp

mp

mp

75poco più mosso q = 108

Fl.

Tr.

Hp.

Pno.

ff mp

mp

ff

mf

ff

mp

Page 13: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

78

Fl.

Tr.

Hp.

Pno.

82

Fl.

Tr.

Hp.

Pno.

Page 14: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

86

Fl.

Tr.

Hp.

Pno.

mf

ff

mf

ff

90

Fl.

Tr.

Hp.

Pno.

pp

mf

mp

Page 15: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

95

Fl.

Tr.

Hp.

Pno.

ff

ff

100

Fl.

Tr.

Hp.

Pno.

flutter

pp

mf

mp

Page 16: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

105

Fl.

Tr.

Hp.

Pno.

pa

fra

- di

- sum

-

pp

f

mp

109poco meno mosso q = 104

Fl.

Tr.

Hp.

Pno.

p

mf

senza vib

p

ah

mp

mp

(approx pitch)

p

mf mp

Page 17: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

115

Fl.

Tr.

Hp.

Pno.

mf

mp

ah

mp

mp

p

P.C.

p

5

(tap)

p

p mp

5

p

mp

120

Fl.

Tr.

Hp.

Pno.

f

mp

mf

p

NMNMNLM

mp

mp

3

mp

p

p

3

Page 18: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

q = 52126

Fl.

Tr.

Hp.

Pno.

f

l.v. ff

5

mp

ff

f

ff

p

3

pp

7

5

ff

3

129

Fl.

Tr.

Hp.

Pno.

mfa

spokenfreely

ma

lo-

me tu e

- re-

a sa ta

- na- me

tu e- re

-

tu e

- re

-

pp

Page 19: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

132

Fl.

Tr.

Hp.

Pno.

f

ff

l.v.

MNLMMML

f ff

slowerp

accel

fast

f

tempo

6

3

134

Fl.

Tr.

Hp.

Pno.

mf

a

freely

ma lo- me

tu e

- re-

mp

continue groupings (fast)

f

Thunder slap(lowest strings)

sfz

l.v.

deliberately

3

pp

3 3

3

f.nail gliss in piano

3 3

Page 20: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

138

Fl.

Tr.

Hp.

Pno.

a sa

ta- na

- me tu e

- re-

a ma

lo-

a ma

lo-

non arp

mp

Cb

141

Fl.

Tr.

Hp.

Pno.

sa - ta na

-

p

sa ta- na

-

f

C#

f

ff

pp

6

5

Page 21: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

144

Fl.

Tr.

Hp.

Pno.

slowpp

accel

cont. bisb

very fast ff

5

5

accel

tempo

ff

decisive

3

146

Fl.

Tr.

Hp.

Pno.

6

f.nail gliss in piano

mp

Page 22: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

150

Fl.

Tr.

Hp.

Pno.

very freemp

Chri

spoken (with sadness)

ste,- suc cur

- re- mi hi-

3

p

3

3 p

3

154 Agitated q = 104Fl.

Tr.

Hp.

Pno.

Chri ste,- suc cur

- re- mi

hi

-

Chri ste-

MMLLMMM

p

p

5

Page 23: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

158

Fl.

Tr.

Hp.

Pno.

mp

key clicks mp f

mp

f

p

pp

mp

pp

f

mp

mp

163

Fl.

Tr.

Hp.

Pno.

p

mp

P.C.

mp

mf

mp

p

mp

(tap)

p

mf

p

mp

p

5

Page 24: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

167

poco rit.

Tempo

Fl.

Tr.

Hp.

Pno.

mp

p

mp

p

mp

f

5

mp

pp

mp

Gb

p

3 G§

p

(p)

mp

p

3

f

mf

mp

p

p

172poco rit. A tempo

Fl.

Tr.

Hp.

Pno.

mf

f

pp

mp

mp

p mp

6 6

5

mf 3

mp

p

Page 25: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

178

Fl.

Tr.

Hp.

Pno.

mp

p

mp p

sim

mp

mp

mp

3

mp

p

3

182

Fl.

Tr.

Hp.

Pno.

mp

mp

Cb

mp

mp

Page 26: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

185

q = 120accel.

Fl.

Tr.

Hp.

Pno.

ff

ff

ff

5

Lento q = 50187

Fl.

Tr.

Hp.

Pno.

pp

sempre senza vib p

pp

p

mi

with resigned sadness

se-

poco

ri

- - - - - -

MNNMMMM

p

p

mp

sempre pedalp

mp

p

Page 27: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

191

Fl.

Tr.

Hp.

Pno.

p

pp

mf

mp

pp

cors

Chri

p

mf

ste- - - - - - - -

pp

mp

9

3

3

mp

3

mp

p

mf

mp

194

Fl.

Tr.

Hp.

Pno.

p

pp

mp

p

mp

p

7

p

3

mp

p

mp

p

Page 28: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

197

Fl.

Tr.

Hp.

Pno.

p

(whisper,at high pitch)

mp

Chri

looking upward, then gradually bow head and close eyes by end of gliss

ste-

(indefinite low pitch)

mf

p

pp

pp

pp

pp

201

Fl.

Tr.

Hp.

Pno.

ppp

gliss using back of fingernailinside piano on high strings

ppp

Page 29: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

Nocturne

for brass sextet, percussion,

recorded text

©2005(22)

Page 30: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

Instrumentation 2 Trumpets in C (1 doubling Bb piccolo)

1 Horn in F

1 Trombone

1 Euphonium

1 Tuba

2 Percussion

(tam tam, large bass drum, 1 timpani, marimba

vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal

snare drum, 4 tom toms, mark tree)

• The text is recorded onto 3 tracks of a cd. The 1st track is to be played followed by a 2 second

pause before rehearsal mark ‘A’. The 2nd track is to be played with the percussion following

cues to synchronise with text. Rehearsal mark ‘B’ is to follow text immediately with no pause

between. The 3rd and final track is played with percussion and low brass. As with the previous

track, cues are marked to aid synchronisation of ensemble and text. Rehearsal mark ‘C’ is to

follow text immediately with no pause between. The text is the most important element in

these sections and the ensemble should always play below the volume of the text.

• The work is to be performed without expression, no vibrato unless marked otherwise.

• The following seating plan is recommended:

Percussion

Euphonium Tuba

Horn Trombone

1st Trumpet 2nd Trumpet

Text written by Wayne Duncan

Duration - 22mins

Page 31: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

Score in C Nocturne

©2005(22)

2'' pause between text and A

Wayne Duncan

Trumpet 1 in C

Trumpet 2 in C

Horn in F

Trombone

Euphonium

Tuba

Percussion

Recorded text: Track 1

* Adult's text, child's text

Darkness. To most just a simple word, a mood, a state of being,the night sky but with no stars, no light nor guidance or reassurance,

no direction, no sense, no life.

The inevitable night, is as cold as it has routinely shown its face sincethe very first sunset. But to me it was the terrifying nightmare, the

hunter on an unrelenting journey pursuing my mind.

It has wisdom, it bided its time, it hid and waited while the warmthof the daylight protected me, but it was there, I saw it in the

shadows as the day passed, its hunger grew, just you see.

I felt its presence, the deceitfulness as the shadows stretched longer.I sometimes saw it grinning as its awsome power pulsated, becoming

ever stronger.

*In the mind of a young child, my mind, this beast will never rest,never grow tired.

And as I wait for its coldness to once again arise, and I wait, andwait with unease at the setting of our bright star with tears in my

eyes.

For as I lay alone in my bed at night, darkness's grip around my bodygrows tight.

My fears, my thoughts inside my mind are spinning, as I cowerinto a little ball under my sheets, knowing this is just the

beginning.

1

Aq = 40

Moderato q = 108

* For clarity it is advised to use a C trumpet,

the fingering on the Bb trumpet is less desirable

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

pp

harmon mute, no stem

*trem

v.slow---------mod.-------v.slow

mp

trem sim

Tam tam

pp

scrape along edgeusing wire brush

pp

timp

wooden stick

Page 32: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

8

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

p

p

mp

v.s------mod.----------v.s

mp

v.s---------mod.------v.s

mp

s------mod.-------s

mp

harmon mute no stem

p

mp

mp

mp

mp

p

mute

mp

p

mp

harmon mute, no stem

pp

grad

slow

vibes, motor on

p vibes beater

pp

tam tam

pp

1 hand for timp other for vibes

Tam tampp

triangle beateron edge of t.t

3

15

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

s----------mod.---------------------s

mf

s------------mod.------------s

mp

v.s-------mod.---------v.s

mp

mp

mp p

mp

mp

mp

mp

pp

3

mp

3

p

mp

mp

grad

mp

soft sticks

pp

slow

Page 33: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

22

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

p

mp

s---------mod.------------s

mp

s-----mod.---------s

mf

s-------mod.fast---------s

mf

mf p

s-------mod.fast------s

mf

s--------mod.---------s

mf

p

mp

mp

mf

mf

mf

p

mf

mf

p

mf

mf

p

p

mf

3

p

mf

3

p

mf

mf

pp

wooden stick

t.t.

p mp

5

28

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

s----------mod.-----------s

mp

s---------mod.------------s

mp

s---------mod.---------s

mf

s---------mod.f---------s

mf

mf p

s-------------mod.f----------------s mf

mp

mp

mp

mf

mf

mf

mf

mp

p

mf

3

p mp

3

p

mf

mf

3

p

mf

pp

sim

p mf

3

5

Page 34: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

33

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

s-------------mod.f----------------s

mf

s--------------------mod.f-------------------------------------v.s mp

mp

p

s-------------mod.f--------------s

mp

3

mf

mp

mp

3

p

mf

3

mp

3

mp

mf

mf

mp

mp

p

3

p

mf

p

pp

38

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

s--------mod.f-------------s

mp

mp

s---------mod.f-----------s

mf mp

s------mod.f------------s

mf

mf mp

mf

mp

s-------mod.f-------s mf

35

mp

mp

mp

mf

mp

mf

mp mf

mp

mf mp

mf

3

mf

3

mp

3

mf

3

p

35

p

mp

mf

mp mf

p

p

mute

p

mute

scrape along edge

p

mf

mp

strike with side of fist

5

Page 35: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

43

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

p

s------------mod.--------s

mp

s-------------------mod.------------------------s

mp

mp

s-------mod.---------s

mf

mp

s---------mod.---------s

mf

flutter

mf

f

p

mp

mp

pp mp

mf

mf

flutter

f

6 5

mp

3

pp

3 mp

mf

mf

35 5

mp

mp

mp

mp

mf

6 3 3

mf

p

mf

p

p

pp

timp

49

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

mf

f

f

f

f

f mp

mf

f f

mf

f

f

mf

mp

mf

flutter

f

3

f

3

f

3

f

3

mf

mp

3

mf

flutter f

mf

f

mf

f

mf

f f

p

mf

mp

*f

p

mf

mp

*

f

long scrape along edge

mp

t.t

f

mp

strike with fist * - 3/4 sharp

- 1/4 sharp

tri. beatermp mf

fist 5

Page 36: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

54

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

mf

mp

p

mp

p mp

mf

p

mp

p mp

mf

3

mf

mf

p

mp

mp

mf

mf

p

slow

mp

f

p

mp

f

p

to marimba

59

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

p

6 6 6

p

5 5 5

p

pp

slow

senza sord.

pp

p

senza sord.

pp

p

senza sord.

pp

p

Marimba

p

cresc poco a poco

Page 37: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

62

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

6 6 6

5 6 5

5

mp

mp p

3 mf

3

p

mp

mp p

3 mf

3

p

mp

mp p

3

mf

3

p

64

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

gradually take out mute

mp

6 6

gradually take out mute

mp

6 5

gradually take out mute

mp

5 5 5

pocof

mp

3 f

mp

f mp

slow

pocof

mp

3 f

mp

f mp

pocof

mp

3

f

mp

f mp

Page 38: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

66

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

senza sord.

f

piercing

senza sord.

f

sfmf

sfmf

3

senza sord.

f

sfmf

3

sfmf

3

f

sfmf

3 sfmf

sfmf

3

f

sfmf

sfmf

3

sfmf

3

f

sfmf

3

sfmf

f

69

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

sfmf

3

sfmf

p

3

ff

sfmf

sfmf

3

p

3

ff

sfmf

3

sfmf

p

3

ff

sfmf

sfmf

3 p

ff

sfmf

3

sfmf

3 p

ff

Page 39: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

72

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

harmon mute

p

grad

mf

p

harmon mute

mp

grad

mf

mf

p

mf

mf

p

mf

p

mf

mf

75

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

p

sim

mf

p

p

p

sim

mf

mf

mf

mf

mf

mf

mf

mf

mf

mf

mf

flutter

ff

p

Page 40: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

78

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

p

mp

p

p

p

mp

p

mp

fmp

mp

mp

pp

mp pp

fmp

mp

mp

mp

mp pp

fmp

f

mf

82

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

f

senza sord.

fmp

mfp

lip gliss up 1/4 tone, at randomno more than 3 times p/bar

mf

mf

mp

6

p

mf p

mf p

mf mf p

mf

p mf p

mp

p

3 mf

pmf

3

p

mf

p

mf

p

3 mp p

mf

p

3

p

mf

p

mfp

mf

p

mfp

mp p

f mp

mf

mp

mp

Page 41: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

86

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

p

senza sord.

trem

s-----------------mod.---------------------s

mf

mp

pp

p

mf

p mp

p

mp

p

mp

pp

harmon mute

pp

slow

mf

mf

p

mp

p

st. mute

p

mf

st. mute

optp

mf

p

90

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

s--------------------mod.-----------------------s

mf

v.slow--------------mod.--------------v.slow

mp

v.slow-----------mod.---------------------------v.slow

mp

p

v.slow-----slow------v.slow

mf

mp

mp

p

mf

p

p

p

p

mp

Page 42: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

95

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

v.slow--------------slow----------------v.slow

mp p

mp

p

mp

3

p

3

p

mp

mp

mp

p

senza sord. mp

3

senza sord.

p

mp

100

q = 60

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

half valve

ppp

no defined pitch

slow

half valve

ppp

no defined pitch

slow

half valve ppp

no defined pitch

slow

half valve

ppp

no defined pitch

slow

senza sordno buzz, just blow air into instrumentall valves depressed

p

mf

p

mp

t.t.

soft t.t. stickhit on edge of rim

p to marimba

Page 43: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

q = 60

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

Recorded text: Track 2

My mother got angry when I ran to her, but my words, my fear,the grip of my small hands on her comforting body did little to

sympathise her with my distress. 'Go to bed!' she said, 'your just playing the fool, this being scared of the dark is nonsense, would

you like me to tell your friends at school?'

But she didn't understand it's not just a fear, something that's easily overcome, it's a phobia, a disease of my mind that unscrewed

my sanity undone.

The darkness's servants obeyed its command like foot soldiers of the night. Those terrifying monsters that live under my bed serve their master well as they play their little game running in and out

of my head.

And the strange floating faces looking down laughing at me, circle like starving vultures waiting to feed.

It is then that my body takes control with a mind of its own, a chain of events that begin with the shivers from head to toe.

No matter how much I want to move, to scream, and hide my eyes from what I fear, the trembling brings the

monsters ever near.

Sweat beaded on my burning forehead and ran down my cheeklike a tear from my mind. If only I could have moved,

escaped and left that room behind.

But the heat, thumping and pain in my head grew worse, pounding harder and harder like some sort of punishing curse.

Then after a while I started to get dizzy, the room starts to spin,and I realised then I had let the monsters in.

(cue) 'My mother got angry...'

play groups A-E in random order, with 4-5'' pause between each group. Stop on next cue & pause until vibes entry.

(cue) 'The darkness's servants...'

marimba

A

p

B

C

D

E

5 3

Perc.

vibesmotor on

(cue) 'Those terrifying monsters'

mp

p

3''

mp

p

3''

mp

p

2''

pp

mp

p

2''

(cue) '...it is then'

accel rit4x

mp

(cue) 'Sweat beaded....'

pp

3''

6

Perc.

(cue) '...cheek like a tear from my mind'

Play timp notes before each group allowing 2" pause between timp - group, and group - timp. Each group to be played on marimba observing group order and transpositions.

A D E C

timp same sticks

mp at pitch minor 9th higher than written

Perfect 5th higher than written

Augmented 11th higher than written

Page 44: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

107

Bq =88

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

pp

mf

st. mute

ff

pp

mf

st. mute

ff

pp

mp

pp

mp

pp

p

p

f

st. mute

ff

senza sord.

p

pp

mp

pp

mp

p

f

ff

st. mute

pp

mp

pp

mp

pp

p

2 bongoshard sticks

p

118

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

mp

p

mp

p

mp

p

mp

p

mp

p

mp

p

tam tam triange beater

p mp

p mp

Page 45: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

126

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

mp

p

mp

mp

p

mp

mp

st mute

secco

p

mp

p

mp

mp

130

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

mp

st. mute

secco

p

p

p

mp

p

p

t.t. tr. beaterp

Page 46: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

134

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

mp

st. mute

secco

p

mp

p

mp

mp

mp

p

mp

p

scrape along edge

mp

137

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

mp

mp

p

mp

p

mp

mp

p

p

mp

mp

use bongo sticks on t.t.

p

mp

Page 47: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

140

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

p

p

p

p

mp

p

p

143

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

mp

p

mp

p

mf

mf

3

mf

3

p

mf

3

mf

3

mp

p

3

mp

Page 48: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

146

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

mf

mp

mf

mp

mf

mp

3

mf

mp

3

mf

mp

3

mf

3

mp

3

mf

mp

mf

mp

3

149

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

mp

mf

mp

mf

p

mf

3

p

mf

3

mp

mf

3 3

p

mf

3

mf

mp

mf

mp

mp

3

Page 49: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

152

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

mp

poco f

mp

poco f

mp

pocof

3

mp

pocof

3

mp

poco f

3

mp

pocof

3

mp

f

mp

mp

3

mf

3

155

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

mf

mf f

mf

mf f

mp

3

f

mp

mp

3

f

mp

mf

mf

f

3

mp

3

f

mp

mp

f

mp

mf

Page 50: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

158

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

mf

f

mf

f

mf

f

senza sord.

f

mf f

mf f

mf f

f

senza sord.

mf

f

mf f

mp

mf

f

mf f

mp

mf

f

mf f

mf f

senza sord.

f

mf

f

mf f

mp

mp

mf

mp mf

mp mf

f

162

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

mf

f

mf

mf

f

mf

mf

f

mf

Page 51: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

165

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

f

f

f

3 3

f

flutterf

3

3

f

flutter

f

3

3

168

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

ff

ff

ff

f

ff

ff

ff

ff

sus cymff

Page 52: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

171

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

fff

fff

fff

fff

fff

fff

mf

fff

pp

3 33

meno mosso q = 76176

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

st. mute

mp

st. mute

mp

con sord

mp

mp

p

flutter

ff

mp

st. mute

mp

p

flutter

ff

mp

con sord.

p

at previoustempo

ff

3 tuned gongs

p

3

Page 53: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

179poco accel.

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

p ff

mp

p ff

mp

flutter

p

p

mute

182

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

p ff

sfz sfz

p ff

5

p ff

sfz sfz

p ff

5

3

3

3

Page 54: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

185 q = 88

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

sfz

mp

sfz

mp

mp

senza sord.

3

188

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

ff

mp

ff

mp

mf

mp

mf

senza sord.

mp

mf

mf

mf

mp

mf

4 tom toms

mp

hard sticks

Page 55: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

191

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

ff

mp

ff

mp

senza sord

mp

pocof

mp

poco

mp

poco

poco

mp

pocof

mp

poco

194

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

ff

mp

pocof

mf

mp

pocof

mf

mf

Page 56: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

196

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

mp

ff

mp

ff

mp

ff

mp

mf f

mp

mp

mf

poco

f

pocof

mf

poco

f

mp

pocof mp

mf poco

198

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

ff

mp

p

ff

mp

p

mp

senza sord.

f

poco

f

mf

poco

f

mf

poco

f

mp

f

mf

Page 57: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

200

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

f

f

f

f

f

202

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

Page 58: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

204

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

(st. mute)

ff

piercing

(st. mute)

ff

3

mf f

5 5

f

206

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

3

mf

f

3

3 3

3

mf f

mf f

9

9

mf f

mf f

5 5 5 5

Page 59: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

208

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

3 (1st t.o.) 3x

3 (1st t.o.)

f

rall

mf

accel

f

11

mf

f

f

rall

mf

accel

f

rall

3

3 3

3 3

3

3 3

mf f

mf

accel f

rall 9

9

mf f

mf

accel

f

rall

5 5

5

5

(1st t.o.)

ff

sus cymsoft sticks

p

(3rd t.o.)ff

l.v.

210

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

ff

st. mute, metal

5 67

7 6 5

ff

st. mute, metal

7 6 5 5 6

7

sim tempo & dynamics

11 11

sim tempo & dynamics 3

3

3 3 3

3

3 3

sim tempo & dynamics 9

9

sim tempo & dynamics

5 5 5 5

Page 60: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

212

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

pp

5 6 7 7 6

pp

7 6 5 5

f

p ffmp

ff

f

p ffmp

ff

f

p ffmp

ff

f

p ffmp

ff

f

accel rall accel rall accel

rall

11 11 11

215

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

p

6 7 6 7

p

7 6 7 6

p

no buzz, just blow air into instrument with flutter tongue, all valves depressed

f

mp

p

no buzz, just blow air into instrument with flutter tongue, all valves depressed

f

mp

3

3

3 p

Page 61: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

219poco piu mosso q = 96

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

5

6 5 5 5

5 3 3

mf

p

pp

sim, non flutter

mp

mf

p

pp

sim

mp

p

snare drumsnares off

mp

mf

223

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

p

ff

p

ff

pp

st. mute sim with flutter

ff

pp

st. mute sim with flutter

ff

ff

Page 62: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

q = 60

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

Recorded text: Track 3

(2nd t.o)

(cue) 'Like waves of...'

st. mute

p

mp

2nd time

mp

( 2nd time)

f

(cue) 'it's relentless...'

mp

(2nd t.o) p

st. mute

mp

2nd time

mpf

mp

(2nd t.o) p

st. mute

mp

2nd time

mpf

mp

timppp

s.d. sticks

mp

mf

9 10

mp

Like waves of infantry the powers of the darkness marched.They sensed their victory was near, the trophy within their grasp.

And as I looked along my body I saw their momentum through my veins,my heartbeat growing faster, the dark energy maintains.

It's relentless, irrisistable.

I gasped for air as if it was my last, it's so hard to breathe,their drummers beating out a rhythm that tightened

and started to squeeze.

Finally they made their charge, soldiers with bayonetsfixed stabbing in my stomach, like an ulcer,

cramping me.

Jabbing and jabbing my resistance was finally gone, I had succumbed,I was theirs now, the hunter and his army of shadows have won.

f

mf

mp

Tbn.

Euph.

Tba.

Perc.

mf

(cue) 'finally they made their charge...'

p

mf p

mf p

p f soft sticks

p

9 3 5

sus cym

mp

s.d. sticks secco

Page 63: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

227

Cwith fire q = 108

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

*

f brilliantly

senza sord. 6 6

*

f

senza sord.

brilliantly

6 6

p

*to stand at opposite end of stage from other trumpet (as far as poss.)

231

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

p

ff

f

p

ff

6 6

3 3 3

6

3 3 3

p

ff

f

p

ff

6

3 3 3 3 3

6

3 33

Page 64: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

235

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

ff

resolute

3

f

6 6

ff resolute

3 f

6 6

240

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

p mf

33

6

33

76

6

3 36

Page 65: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

244

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

f

6

66 6

6 6 3

mp mf

f

7

6 5

3

246

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

p

ff

7

66

66

3

p

ff

7

6 6

5

pp

senza sord.

pp

senza sord.

pp

senza sord.

pp

Page 66: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

250

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

f

mf

7

6

3 3 3 3 3

f

mf

7

7

33

63 3 3

mp

mp

mp

mp

253

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

ff

f

5

5

ff

f

p

f

p

f

p

f

p

f

mp

Page 67: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

257

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

6

6

5

6

6

6

6

6

6

260

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

ff

f

6

6

6

6

ff

f

6

Page 68: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

262

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

2 trumpets to return to seats in ensemble

6 6

6

p

f

f

p

p

f

f

p

p

f

f

p

p

f

f

p

p

pp

q = 124

più mosso

268

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

p

con sord.

ff

dim poco a poco

3

p

3

Page 69: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

275

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

st. mute

p

trem

st. mute p

st. mute

p

p

st. mute

ff

dim poco a poco

3

p

3

282

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

senza sord.

p

f

p

f

p

f

senza sord.

p

f

p

f

p

f

senza sord. p f

p

f

p f

p f

p

f

senza sord. p f

p

f

p f

p f

p

f

p

st. mute

p

ff

dim poco a poco

3

3

Page 70: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

287

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

p f

p

f

p

f

p f

p

f

p

f

p

f

p f

p

f

p

f

p f

p f

p

f

p

f

p

p

senza sord. f

p

f

p

p

senza sord. f

p

f

p

p

ff

291

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

p

f

p

ff

p

ff

p

ff

p

ff p

ffp

ff

p

f

p

ff

p

ff

p

ff

p

ff p

ff p

ff

p

f

p

ff

p

ff

f

p f

p

ff

p

ff

p ff

p

ff p

ff p

ff

f

p f

p

ff

p

flutter

ff

f

p f

p

ff

p

flutter

ff

dim poco a poco

3

p

3 3

Page 71: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

297

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

con sord.

p

leggiero

3

3

33 3 3

3

3

con sord.

p

leggiero

3 3 3 3 3 3

3

3

p

mf

con sord.

p

leggiero

33 3 3

p

mf

p mp

p mp

p mp

p

300

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

pp

3 3 3

3

3 3 3 33

3

3 3

33 3

3

3

p

mf

p

3 3

33

3

p

mf

p

mp

p mp

p mp

p mp

s.dsnares off

mp

p

3 3 3 3 3 3

Page 72: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

304

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

3

3 3 3 33

3

3

3

3 3

pp

3

3 3

3

3

33

3 3

3

3

3

pp

mp

pp

pp

3 3 3 3 3 3

pp

mp

pp

pp

p

mp

p

pp

3 3 3 3 3 3 3 3

pp

p

mp

p

pp

3 3 3 3 3 3 3 3

308

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

f

3

33 3 3

3

3

3 3

f

3 3

3

3

3

3 3

3 3

ff

piercing

3

f

3

3 3 33

ff

piercing

3

ff

piercing

3

pp

timp

ff

33 3

Page 73: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

312

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

3

3

3 3 3 3 3 3 3 33

3

3

3

3

3 3

3 3 3

3 3 3

3

3

3 3 3 3

3

3 3 33

3

3 3 3 3 3 3

3

3

317

more intense q = 1282 + 2 + 3

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

mf

mp

to piccolo trumpet

3 3 3 3 3

p

pp

3

3

3 3 3 3 3 3 3 3 3

mp

p

mp

senza sord

p

3 3 3 3 3

mp

p

mp

tom toms

p

mp

3 3 3 3 3

Page 74: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

323

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

piccolo trumpet ( sounding pitch) senza sord

ff

con vib

ritualistic

senza sord

p

mp

sfz

3 3 3

mp

sfz

3 3 3

mp

sfz

3 3 3

mp

sfz

3 3 3

mp

3 3 3 3 3

328

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

3

6

sfz

sfz

3 3 3 3 3 3

sfz

sfz

3 3 3 3 3 3

sfz

sfz

3 3 3 3 3 3

sfz

sfz

3 3 3 3 3 3

sfz

sfz

3 3 3 3 3 3

Page 75: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

334

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

6

3

3 33

sfz

sfz

3 3 3 3

sfz

sfz

3 3 3 3

sfz

sfz

3 3 3 3

sfz

sfz

3 3 3 3

sfz

sfz

3 3 3 3

338

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

slow

ff

33 3

ff

3 3 3

ff

3 3 3

ff

3 3 3

sfz

ff

ff

3 3 3

Page 76: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

341

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

to C trumpet

sfz

3 3 3

sfz

3 3 3

sfz

3 3 3

sfz

3 3 3

sfz

sfz

Mark tree

pgentle rustle

relentless q = 136

347

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

ff

C trumpet

ff

5

ff

5 ff

3

ff

5 6

ff

ff

3

ff

timp

ff

soft sticks

3

Page 77: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

351

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

5 6 3 3

6

3 3 3 3

3

7

3 3 3

3

5

6

7

3

3

354

accel.

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

ff

ff

ff

3 3 3

pp

ff

pp

ff

3

harmonic lip gliss

fff

as high as poss

3 3

3

pp

ff

pp

ff

33

harmonic lip gliss

fff

as high as poss

3 3

t.t.soft stick

pp

Page 78: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

q = 156357

Steadierq = 116

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

5 5

mp

f

ff

mp

f

mp

mp

f

vibesmotor on

p

ff

362

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

mp

pp

mp

mp

p

mp

mp

Page 79: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

367

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

p

p

ppp

mp

p

ppp

mp

p

pp

p

pp

pp

375

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

con sord, senza vib

p

no attack

con sord.

p

no attack

pp

pp

pp

p

no attack

pp

p

no attack

t.t.soft stick on rim

p

mp

Page 80: The University of Adelaide · vibraphone, 2 bongos, 3 tuned gongs, suspended cymbal snare drum, 4 tom toms, mark tree) • The text is recorded onto 3 tracks of a cd. The 1st track

385

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

p

p no attack

p

gong

p

394menacing q = 88

1 Tpt.

2 Tpt.

Hn.

Tbn.

Euph.

Tba.

Perc.

long

p

con sord.

long

p

con sord.

long

slow niente

long

pp

con sord.

mp

long

pp

con sord.

mp

long

bongo

p

hard sticks

p

b.drumsoft sticks

mp

pp

scrape along edgeusing wire brush

t.t.

pp


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