Tiffen Bfilt Broch 07 Std

7/30/2019 Tiffen Bfilt Broch 07 Std

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Tiffen optical filters are moreimportant then ever before,when shooting with your

digital camera. Save time and frustration in post-produc-

tion eliminate uncertainty and see the eectyou want immediately, not hours or days later.

Lens Protection Protect your lens rom mois-

ture, scratches and damage. Correction Bring the optical correction to a

known standard, leaving more latitude or digitaleects used later.

Contrast Control Our award-winning UltraContrast and Low Contrast ilters allow your digitalcamera to capture more shadow detail or lower

contrast evenly. Polarizers These ilter are ideal or color and

contrast enhancements, removing relections romwater and glass (impossible to do electronically)while adding richer, natural color saturation.

Color Enhancing Filter Makes vibrant all

colors "pop" without adversely aecting other colors.Diicult to easily do electronically.

Color-Grad Filters Add color selectively to theimage while keeping other portions unaected.

Why You Need Tiffen Optical FiltersThere is something to be said or creating images at the

moment o exposurethe way most o the worlds greatestpictures have been made. Tien optical ilters let you do justthat, by being able to preview the eect youll get when itmatters mostwhen youre behind the camera.

There is nothing wrong with using electronic plug-in ilterprograms that let you add eects or manipulate the image

ater its taken. But i you really want to own the inal imagesyou compose, theres no substitute or Tien optical ilters.Theyre simply unsurpassed when it comes to controllingcolor balance and special eects with precision, repeat-ability, and convenience.

Its important to remember that iltering the light, beoreit passes through the lens and strikes the image sensor orilm, has important advantages. It lets you match the bright-

ness range o the scene to the characteristics o the capturemedium, and get proessional quality results even undertough lighting conditions. Tien Polarizing ilters actuallypolarize the light to eliminate relections on glass and watersuraces while retaining sub-surace details. Neither o theseeects are possible with ater-the-act plug-in ilter systems,which can only provide ilter eects, not true light iltration.

Why Tiffen Filters Are SuperiorTien ilters are manuactured using ColorCore tech-

nology, a closely guarded proprietary process that entailspermanently laminating the ilter material in betweentwo pieces o optical glass that are ground lat to toler-ances o a ten-thousandth o an inch, then mounting them inprecision metal rings. The ColorCore process allows us

to control the color and density o Tien ilters, and thecharacteristics o special eects ilters with much greateraccuracy than typical dyed-in-the-mass ilters, which usuallyexhibit color and density variations.

When Tien ilters are ground and polished, theColorCore is unaected, so color and density remainuniorm. Indeed, when you hold a group o Tien ilters othe same type against a white sheet o paper, they all look

identicalbecause they are! Try this with our competitorsilters and youre likely to see slight variations.

Maybe thats why most top Hollywood motion picturestudios rely on Tien ilters or their multimillion-dollarproductions, or why we can custom-make an exact replace-ment or them i one breaks on the job. Thats consistency,and excellencetwo pretty good reasons why, when itcomes to ilters, you should rely on Tien too.

See the Difference Tiffen Filters MakeTien ilters make a big dierence indoors, outdoors, in

close-up portraits or milewide landscapes, in bright sun orshade, and in many other photo situationsthe right Tienilter delivers a great image instead o a snapshot. Whetheryoure shooting photos or video, in black and white or

color, Tien ilters oer a variety o subtle, special andspectacular eects to give you more enjoyment every timeyou use your camera or camcorder.


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The Tiffen Ten-Year WarrantyTien precision-made ilters are so superior, we back

them with a 10-year warranty against manuacturingdeects. Unlike ordinary batch-dyed glass ilters in whichcolor can be uneven, our unique lamination processallows complete control over color and density ormaximum consistency. Tien has been honored with twoTechnical Achievement Awards, and a Scientiic andEngineering Award rom the Academy o Motion PictureArts and Sciences or its lamination process and innova-tive product design. Tien has also been awarded an

Emmy, rom the Academy o Television Arts and Sciences,or its Engineering Excellence.

The Professionals ChoiceSuperior quality and design make Tien the over-

whelming choice o moviemakers, proessional photog-raphers and even NASA. Our ilters are used in almost

every major movie and TV production around the world.The cratsmanship these proessionals demand is parto every Tien ilter, whether or video, digital imaging,scientiic work, ilm or still photography. ShouldntTien be your ilter?

Helpful IconsAlso available in thin ilter rings designed

to help avoid vignetting on wide angle lenses.

Shows the recommended increase oexposure compensation (-stops) or certainilters (or manual camera setting).

Special eects ilters originally designed orthe TV and Movie industry, now available toall photographers and videographers.

PROTECTION/UV FILTERS 67

UVProtector 6

Sky1-A 6

Haze-1 6

Haze2A,UV17 7

DigitalUltraClear 7

WarmUV 7

POLARIZING FILTERS 89

Polarizer,CircularPolarizer 8

WarmPolarizer 8

WideAngleCircularPolarizer 8

COLOR CONVERSION FILTERS 1011

80A,80B 10

85,85B,85C 10

LIGHT BALANCING FILTERS 1215

81A,81B,81C,81EF 12

82A,82B 12

FL-B,FL-D 14

NeutralDensity3,6,9 14

SPECIALTY FILTERS 1620

812Warming 16

ENHANCING 16

Fog,DoubleFog,Sepia,Smoque 18

StarFilters 18

CloseUpLensSet 20

HotMirror 20

Infrared87 20

HOLLYWOOD/FX FILTERS 2231

Pro-Mist 22

WarmPro-Mist 22

BlackPro-Mist,WarmBlackPro-Mist 22

Black&GoldDiffusion/FX 24

CenterSpot&WarmCenterSpot 24

DigitalDiffusion/FX,HDTV/FX,Nude/FX 26

Soft/FX,WarmSoft/FX,Glimmerglass 28

UltraContrast 30

North,Hyper,Vector,HollywoodStars 30

Color-GradFilters 32

FILTERS FOR BLACK & WHITE PHOTOGRAPHY 3437

Yellow8,12,15 34

Orange16,21;Blue47,47B 34

Red23A,25,29;Green11,58 36

MULTIPLEFILTERKITS 3839 FILTERGUIDE 4043

OTHERTIFFENPRODUCTS 4347

FILTERSIZER 47

Cover Photos: Christie Spencer: Pro-Mist 2 (top) Stan Goldberg: Circular Polarizer (2nd from top) Jasper Johal: Gold Diffusion/FX 3 (3rd from top) Stan Goldberg: ENHANCING (4th from top) Kiersten A. Stein: Warm Black Pro-Mist 3 (bottom)

Some ilters are available in various densities (grades). As thedensity increases, the ilter eect becomes stronger. For thoseilters that combine a warming eect technology with any oseveral other eects in one ilter, the warming eect remainsthe same.

Please check the ilter sizer on page 47 to select the correct ilter

size or your camera.

5Due to variations in printing, results may not accurately reflect filter effects.


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Safeuard our lensand absorb UV liht

Film and video are more sensitive to UV light thanour eyes are. This oten shows up as a bluish castin images, especially shots rom high altitudes andlong distances, particularly over water. Ultra Violet

ilters are available in a variety o UV absorptionlevels. Protects your camera or camcorder lensagainst dust, moisture, ingerprints, scratches anddamage. These ilters can be kept on your cameraat all times.

UV ProtectorMostpopularprotectionilter.

ProvidesbasicreductionoUVlight.AvailableorWideAnglelenses.

Diital Ultra ClearMaderomthehighestqualityopticalglass.

Oersultimateprotection.

Maybekeptonlensatalltimes.

ForDigital,VideoandPhoto.

Sk 1-A FilterAbsorbsalmosthaloUVlight.

Populargeneraluseilter.

Pink-tintedoraddedwarmthandbettercolors.

Especiallyhelpulwhenshootinginoutdooropenshadeandonovercastdays.

AvailableorWideAnglelenses.

Haze-1ReducesexcessivebluebyabsorbingalmostthreequartersoUVlight.

BestgeneralpurposeUVcontrol.

EliminatesUVproblemsrommostsituationswhereincreasedhazetendstowashoutcolorandimageclarity.

AvailableorWideAnglelenses.

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Without Filter

Sky 1-A

SPECIAL UV FILTERS

Haze 2AAbsorbsvirtuallyallUVlight.

ReduceshazemorethanHaze-1.

Perectoruseinhighaltitudesandalongbodiesowater.Idealoraerial/mountain/marinescenes.

Maintainscolorandimageclarity.

UV-17/Warm UVForthetechnically-mindedimagemakerwhowantstoabsorbmostbutnotallUVlight.

AbsorbsslightlylessUVlightthanHaze2A.

CombinesbeneitsoUV17withTienexclusive812ColorWarmingFilteroraddedwarmth.

Haze-1RogerJ

.Waindle

Sky 1-AKennethSklute

UV Protector HazeSky 1-A Warm UV

Protecto/UV/Hze Cotrol

essentials

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www.tffe.com

Digital Ultra Clear


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Polarizer

Polarizers provide color and contrast enhance-ment. Relected light oten shows up as whitishglare that washes out color in an image. APolarizer corrects this problem producing deep,dramatically blue skies. It also removes glare romnon-metallic suraces, such as windows and water.Color saturation in general, especially outdoors,can be improved signiicantly.

PolarizerCircular PolarizerUltra PolEssentialgeneral-useoutdoorcolorilter.

Producesdeeperskiesandminimizesrelectionsinblackandwhiteandcolorphotography.

Canberotatedtoachievedesiredeect.

UltraPoloersmaximumpolarization.

A Circular Polarizer has the same eect as aPolarizer and is used on cameras with beam split-

ting metering systems commonly ound on autoocus SLRs (or most 35mm auto-ocus cameras see your camera manual).

Use the Tien Polarizing ilters with the enhanc-ing ilter or more dramatic eects.

Warm PolarizerDanielAu

bry

,NYC

Without Filter

Polarizer & ENHANCING

StanGoldberg

Warm Polarizer

Combines the beneits o the linear Polarizer withthe warming eect o the 812 Color Warming iltermaking it ideal or portraits and scenics.

Point your index finger at the sun. With

your thumb extended at a right angle (90),rotate it around the axis of the index finger.It will point out the band of deepest blue fromhorizon to horizon.

Area of sky most effectively polarized with aCircular Polarizer:

Warm PolarizerCircular PolarizerPolarizer

Polrz Flters

essentials

www.tffe.com

Without Filter

DavidSinger

Circular Polarizer

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Standard Polarizer

Ultra PolJasperJo

hal

UltraPol


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Color Coverso Flters

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85 SeriesUsing tungsten ilm in daylight will produce a bluishcast. The 85 Series will produce natural colors whenshooting with tungsten ilm outdoors. For best results usethe ilter that most accurately matches your ilm type.

85Produces slightly cooler results than the 85B.

85BConverts tungsten ilm to daylight.

85CUseul as creative warming eect with daylight ilm indaylight. Designed to produce cooler results with tung-sten ilm in daylight than the 85 or 85B.

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Without Filter

Sunlight, daylight, incandescent, luorescent, andother artiicial light sources all have color charac-teristics that vary signiicantly. Filters give you betterimages by adjusting or these light variations.

Film and video are rated or a particular colortemperature such as that o daylight or tungsten

light. Filters are used to correct dierences in colortemperature between the recording medium andthe light source.

80 SeriesGet the right colors with daylight ilm when shootingindoors, with tungsten lighting, and without a lash.

80ABalances daylight ilm or use with most standard tung-sten lighting, studio lighting and copy stand lighting.

80BBalances daylight ilm or use with photo lood lamps.

80A

IraTiffen

Without Filter

85B

HarryHofmann

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85 Series

Filter Conversion Exposure increase80A 3,200 to 5,500 K 2 stops80B 3,400 to 5,500 K 2 stops

85 5,500 to 3,400 K 2/3 stop85B 5,500 to 3,200 K 2/3 stop85C 5,500 to 3,800 K 1/3 stop

85 85B80A 80B 85C

www.tffe.com


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Lht Blc Flters

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81A, 81B, 81C

& 81EFThe 81 series ilters are useul with daylight correctedilm in cool light conditions. As letters advance, densityand warmth increases.

Createswarmertonesandbrightercolorsonovercastdaysorwhenshootingwithelec-troniclash.

Greatorimprovingleshtones.

81Aconvertstungsten3200Kilmto3400Klighting.

82A , 82BThe 82A and 82B reduce unnatural red tones in earlymorning or late aternoon light.

Preventsreddishcast.

Maintainsnaturalleshtones.Cancreatemoodocoolness.

82Aprovidesacoolereectwithtungstenilmunder3200Klamps.

Color Compensatin FiltersMagenta CC05M, CC10M, CC20M

CC30M, CC40M, CC50MMagenta ilters balance the color o excess green castand produce creative eects. Great or morning tint.These ilters can be combined to achieve more density.

Without Filter

81CRogerJ.Wa

indle

Filter Conversion Exposure increase

81A 3,400 to 3,200 K 1/3 stop81B 3,500 to 3,200 K 1/3 stop

81C 3,600 to 3,850 K 1/3 stop81EF 3,850 to 4,140 K 2/3 stop

82A 3,000 to 3,200 K 1/3 stop82B 2,900 to 3,060 K 2/3 stop

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81 Series

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82 Series

82B

82A

81C 81EF

82A 82B

81B81A

www.tffe.com


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Lht Blc Flters

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FL-B, FL-DProvides correct color, removing harsh green cast

caused by luorescent bulbs. Use FL-D with daylight ilmand FL-B with tungsten ilm.

Pleasingskintonesunderluorescentlightingwithoutlash.

True-to-liecolorrendition.

Essentialinanyenvironmentwhereambientlightsourceisluorescent.

Neutral Densit.3 , .6 , .9Neutral Density ilters reduce the amount o lightpassing through the camera lens without changing thecolor o the scene. Especially useul in bright light condi-tions to help prevent overexposure. Also allows properexposure at a wider lens opening or reduced depth-o-

ield to highlight a key subject by making the oregroundand/or background out o ocus.

Eliminatesoverlybright,washed-outimages.

Balancesexposure.

Controlsdepth-o-ield.

Allowsslowershutterspeedstoproduceblurredmotioneects.

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Neutral Density

FL-B

ND .9ND .3

FL-D

RobGoldman

FL-D

JasperJohal

ND.6

ND .6

www.tffe.com


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Wrm/EnHanCing

sp

eCialeffe

Cts

ENHANCINg FilterMakes reds, rust browns and oranges pop,with minimal eect on other colors. Perect or alloliage, earthtone rock ormations, architecture,woodwork, aded rustic barns and any photoswhere red, brown and orange subjects should beenriched or appear more intense.

ExclusiveTienilter.

Createsbrighter,moresaturatedreds,rustbrownsandoranges.

UsewithPolarizerordramaticoutdooreects.

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812 Warmin FilterThe 812 warming ilter, a Tien exclusive, improvesskintones and is ideal or portraits taken on a cloudyday or outdoors, in shade on a sunny day.

Idealorportraitsorscenics.

Absorbsbluecastotencausedbyelectroniclash.

Addswarmthtopalewashed-outleshtones.

WarmerresultsthanSky1-A.

SeetheHollywood/FXsectionor812iltereectcombinations.

812 Warming

BruceFurr

ENHANCINGSandieStern

Lou

isCantillo

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812 ENHANCING

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Speclty Flters

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Fog 3

FoThe Tien Fog ilter mimics the eect o natural og,creating a sot glow and lare and producing a warmromantic tone. Lighter grades take the edge o excesscontrast and sharpness. Heavier grades create unnatu-ral eects, as in a antasy sequence or a dreamlike aurao mystery.

Double FoThe Double Fog produces a more natural heavy ogeect where objects remain sharper and contrast issubstantially reduced.

Sepia 1

Sepia 2, 3Sepia ilters create a warm, brown glow oering turno the century nostalgia. Sepia #3 adds a light ogeect to soten mood.

Star EffectsGenerate photographic excitement with these dazzling

star eects created rom original point light sources orbright relections. Star eect will become more pro-nounced with a brighter, larger source. Filter may berotated or creative control.

SmoqueMechanical smoke generators are oten used toenhance realism where smoke is normally encountered.

This can be diicult, costly and less desirable to work ina smoke-illed environment.

Createsthelookosmokewithoutthecostandhassleosmokegenerators.

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Sepia 2

JohnSpoltore

WithoutFilter

4 point/2mm

6 point/2mmIraTiffen

Double Fog 3

JohnSpoltore

Sepia 1 Sepia 2 Sepia 3

Fog 3 Double Fog 3

Star 4 pt Star 6 pt Star 8 pt

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Smoque 3

www.tffe.com

Smoque


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Specl Flters & Leses

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Close Up +2

No Filter

Close Up +7

Close Up Lens SetThe easy-to-use solution or getting extra close.

Each lens maintains resolution and picture clarity whilemaximizing image size. Use lenses individually or incombination or maximum eect.

SPECIALTy FILTERS

Hot MirrorSome digital still cameras can have increasedsensitivity to inrared light that may cause colorrendition problems. The Tien standard Hot Mirror isdesigned to remedy this problem by relecting mostinrared light.

Infrared FiltersVarious ilters are used to reduce unwanted visible light.Total visible light absorption, transmitting only inrared,can be useul. Prior testing is recommended.

87For black and white inrared ilm only; no visible trans-

mission.

RogerJ.Waindle

Close Up +1

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Infrared 87

Infrared 87

Hot Mirror 87

+2 CU +4 CU +1 CU

87 InfraredMichaelGreer

www.tffe.com


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Hollywood/FX Flters

Hollywoo

d/fXf

ilters

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WithoutFilter

Pro-MistThis popular motion picture eect creates a specialatmosphere by sotening excess sharpness and con-trast. It generates a pearlescent halo around highlights.Lighter grades are useul in toning down the excessivesharpness and contrast o contemporary ilm and lenscombinations.

Greatorportraitsandscenics.Maintainsocus.

Warm Pro-MistCombines the beneits o the widely acclaimed Pro-Mistwith the Tien exclusive 812 ilter. Useul in outdooropen shade situations where there is excessive blue in

the image and when total control over lighting may notbe possible.

Greatorportraitsandscenics.

Addsnaturalwarmthtoskintones,exteriorshadeandhighlightareas.

Eliminatespale,washedoutskintonesotencausedbyelectroniclash.

Canalsohelpbalancecontrastingskintoneswithinonescene.

Neutralcolorsremainunaected.

Black Pro-MistOers all the beneits o the Pro-Mist ilter in a moresubtle orm. Highlight lares are controlled. Contrast islowered, but with less lightening o shadows or a more

delicate eect.

Createsasotlightpasteleect.

Delicateeectwithcontainedhighlightlare.Lowdensitiestonedownexcessivesharpnesstocreatea"FilmLook".

Warm Black Pro-MistOers the dramatic beneits o the Black Pro-Mist plus theTien exclusive 812 Filter.

Conveysawarm,romanticeeling.

Useulinoutdooropenshade.

Eliminatesbluecastorpleasingeect.

Pro-Mist3

Jay

B.S

iegel

Pro-Mist 3

Jay

B.S

iegel

Pro-Mist 3

Without Filter

Without Filter

Warm Pro-Mist 2KarenHart

Black Pro-Mist 3

Franz

Edson

,Inc.

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Pro-Mist

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Pro-Mist

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Pro-Mist

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www.tffe.com

KierstenA

.Stein

Warm Black Pro-Mist 3


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Hollywood/FX Flters

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ilters

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Black & gold Diffusion/FXMany techniques have been developed or diusing orsotening images, whether to create a mood in a land-scape or portrait or simply as an aid to make peoplelook glamorous.

These ilters produce silky-smooth textures, even in tightclose-ups without sacriicing image clarity. Each createsa diused image that doesn't look like it's been shotthrough a ilter.

Black Diffusion/FX

Doesspectacularjobosuppressingacialblemishesandwrinkles.

Maintainsclearocusedimage.

Eyesstayclearandsharp.

Virtuallyeliminatesunwanteddetailswithoutbeingdullor"uzzy".

Bareminimumohighlightlareisproduced.

Eectolightergradesissubtle,withhigher

gradesbecominggraduallymorenoticeable.

gold Diffusion/FXTakesBlackDiusion/FXastepurther.

Addssot,goldentinttoshadows.

Inusesimageswithaspecialwarmth.

Center SpotIsolatesthemainsubject,heldsharpintheclearcenter,whilediusingadistractingbackground.Idealorportraitorproductapplications.

Warm Center SpotAddsthewarmthothe812ilter.

Neutralcolorsappearminimallyaected.Coolcolorsandskintonesareslightlywarmedandsotened.

Center Spot

Black Diffusion/FX 3JasperJohal

Without Filter

Gold Diffusion/FX 3

JasperJohal

WithoutFilter

Without Filter

DanielAu

bu

ry,NYC

Black Diffusion/FX 3

Gold Diffusion/FX 3

www.tffe.com

Warm Center Spot

WarmCenter Spot


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Hollywood/FX Flters

Digital Diffusion/FXTheir unique optical constructionour most techni-cally advanced diusion ilter everdelivers extraor-dinary clarity o image without evidence o iltra-tion.

Smoothes and sotens acial imperections withalmost no highlight lare.

Maintains a clear, overall inocus image.

HDTV/FXWith the increase in HD production or both TVand Motion Pictures, HDTV/FX ilters address bothcontrast and sharpness issues associated with HD.

Creates a "Film Look" by reducing contrast.

Smoothes out unwanted detail.

Makes people look their best, especially whenshot on HD.

No evidence o iltration.

Combines Tiens award-winning Ultra ContrastFilter with the new Digital Diusion/FX ilter.

Althoughresultsmaybeverysubtlewithstillphotography,the

eectso theHDTV/FXareseenmoresubstantiallywithdigital

andvideoapplications.

Nude/FXThe Nude/FX ilters are a series o dierent skintone enhancing ilters that oer ultimate lexibilityand control in shooting skintones. Custom comple-ment a persons complexion or make-up or createa new look. Perect or headshots and close-ups.Combine with one o Tien's Diusion ilters orbeautiul, silky smooth skin without wrinkles andblemishes. Ideal approach or both digital, videoand still imaging.

Hollywoo

d/fXf

ilt

ers

www.tffe.com

Nude/FX 1Digital Diffusion/FX 3 HDTV/FX 3

Nude/FX 4

Nude/FX 2

Nude/FX 5Nude/FX 3 Nude/FX 6

Digital Diffusion/FX 5

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HDTV/FX 5

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Nude/FX 1

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Nude/FX 5

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Hollywood/FX Flters

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Soft/FXThe Sot/FX series has a pattern o tiny lenslets designedspeciically to put ine image elements, like wrinkles and

skin blemishes, out o ocus while leaving larger detailssuch as the eyes, sharp. Lighter densities are very subtle,producing virtually no lare rom highlights or reductionin contrast. The higher densities work harder to mini-mize acial imperections and provide a more pleasingportrait.

Idealportraitilter.

Sotensunwanteddetails.

Keepseyessharpandsparkling.

Warm Soft/FXCombines the innovative diusion technologyo the Sot/FX ilters with the exclusive 812 warmingilter, balancing contrasting skintones to make peoplelook their best.

Idealorall"people"photography.Twopopularportraiteectscombined.

Givesskinawarmhealthyglow.

glimmerlass& Bronze glimmerlassThis series o diusion ilters is both eective to look

at as well as to look through. People always want tolook their best. Here's another way Tien makes thathappen.

Sotensdetailsinauniquemanner,whileaddingamildglowtohighlights.

Glasshasadistinctsilver"sparkle".

Reducedcontrastproduceslookoenhancedbeauty.

Eectolightergradesmoresubtlewithhighergradesbecominggraduallymorenoticeable.

BronzeGlimmerglassaddsextrawarmthtoimage.

Glimmerglass 4IraTiffen

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Warm Soft/FX 3JasperJohal

Soft/FX 3 Warm Soft/FX 3

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Warm Soft/FX2

MonteZucker

www.tffe.com

Glimmerglass 3 Bronze Glimmerglass 3

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Bronze Glimmerglass 3

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Hollywood/FX Flters

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Controllin ContrastControlling contrast is diicult in bright sunlit

exteriors. Exposing or either highlights orshadows will leave the other severely under-orover-exposed.

Ultra Contrast FilterTien was recognized with a Technical AchievementAward rom the Academy o Motion Picture Arts &Sciences or the innovative design o this popularMotion Picture and TV ilter.

Workswithsurroundingambientlight.

Capturesdetailslostinshadows.

Lowerscontrastevenlythroughoutimage.

Nolareorhalation.Letsyou"see"more.

Hollwood/FX Star FiltersNorth,Hyper,Vector&HollywoodStars

Exciting and dazzling star eects generated rom origi-nal point or relected light sources with the added glitterand sparkle o these exclusive, natural looking asym-metrical designs and shapes. Great or water scenes,candle lames, street lights, and more!

Excitingarrayopatterns.

Limitlesscreativeoptions.

Rotatingmountallowsexactpositioningolightrays.

Canbeusedincombinationorremarkablycreativeeects.

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North Star

Hyper Star

Vector Star

Hollywood Star

Jay B. Siegel

Without Filter

Vector Star Hollywood Star Hyper Star North Star

Ultra Contrast 3

Ultra Contrast 3Franz

Edson

,Inc

www.tffe.com

Hollywoo

d/fXf

ilt

ers

Hollywood/FX Flterstffe com


17/24

Hollywood/FX Flters

Hollywood/fXf

ilt

ers

3332

Color-grad FiltersTransorm an average sunrise or sunset into somethingspectacular or convert a dull, washed-out sky to abreathtaking blue. No other ilter has done as muchto improve landscape photography as the graduated

ilter. Add color selectively while leaving the rest o thescene unaected.

Hal color, hal clear with a graduated density transitionor smooth blending into the scene, Tien Color-Gradilters are available in an array o colors and NeutralDensities .3, .6, and .9. Use in combination, with oneaecting the upper hal o the image, the other aectingthe lower hal.

Color-grad Neutral DensitFiltersOten, you want to balance light intensity between twoareas within a scene. This is important outdoors to allowmore sky detail while properly exposing the oreground.Exposing or the oreground will produce a washed-out,over-exposed sky. Exposing or the sky will leave theoreground dark, underexposed.

Color-Grad Neutral Density ilters are part clear, partneutral density, with a smoothly graded transitionbetween. A Color-Grad ND.6-to-clear is oten best orbalancing sky to oreground. Neutral gray appearance

drops exposure.

Without Filter

ND .3

Color-Grad ND.6

CharlesCampbell

BlueColor-grad

Filters

Without FilterColor-Grad Sunrise

DanielAu

bry

,NYC

ND .9

Sunrise

ND.6

Color-GradBlue

Color-GradSunrise

Color-GradND.6

Without Filter

JohnGittens

Color-Grad Blue

www.tffe.com

Blck & Whte imwww tffe com


18/24

Blck & Whte im

filtersfor

BlaCk&wHiteimag

ing

Orane 16Deeper than Yellow 15 or more dramatic eects.

Orane 21Absorbs blue and blue greens. Renders blue tonesdarker as in marine scenes.

3534

Filters for Black and WhiteImain

yellow 8This medium yellow ilter oers the most correct tonalrange contrast to produce natural clouds against blue

skies.

yellow 12Minus blue cuts haze in aerial work; reduces excessblue o ull moon in astrophotography. Recommendedas a basic ilter or use with Kodak Aero EktachromeInrared ilm.

yellow 15Enhances landscapes, marine scenes and aerial pho-tography with more dramatic eects than Yellow 8.

Deepyellowilter.

Rendersskydramaticallydarker.

Yellow 8

Without Filter

Yellow 15

RogerJ.Waindle

Filters for black and whitephotography perform a varietyof filtration effects including

contrast control, enhanced skin-tones, tonal corrections andmore dramatic landscapes.

Blue 47

Darkblueilterthataccentuateshazeandog.Usedordyetranserandcontrasteects.

Blue 47B

Darkblueilterthatlightensblueobjectsordetail.

Yellow 12

Orange 21

Blue 47 Blue 47B

0

10

20

30

40

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60

70

80

90

100

3 60 3 80 4 00 4 20 4 40 4 60 4 80 5 00 5 20 5 40 5 60 5 80 6 00 6 20 6 40 6 60 6 80 7 00


T

ransmittance(%T)

Yellow and Orange

Yellow 8

Yellow 12

Deep Yellow 15

Orange 16

Orange 21

Yellow 8 Yellow 15

Orange 16

0

10

20

30

4050

60

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Transmittance(%T)

Blue 47

Green 11

Red 23A

Green 58

Red25

Red 29

Red, Blue and Green

Althoughoriginallyintend-edorusewithblackand

whiteilm,theseilterscanalsobeusedasacreative

toolincolorimaging.

www.tffe.com

Blck & Whte imwww tffe com


19/24

Blck & Whte im

filtersfor

BlaCk&wHiteimag

ing

3736

Red 23ALight red ilter producing contrast eects that darken skyand water, as in more dramatic architectural photogra-

phy. Not recommended or lesh tones.

Red 25Create dramatic sky eects, emphasizing cloud contrastor landscapes. Simulate a moonlit scene at middaywith slight underexposure. Use with inrared ilm to yieldextreme contrast with skies, turn oliage white and cutthrough og and haze.Mediumredilter.Darkensblueskycreatingdramaticcontrastbetweenskyandclouds.

Createsgreatercontrastbetweenoliageandlowers.

Red 29Excellentcopyingilterorblueprints.Usedinscientiicphotography.UsewithPolarizerordramaticb&weects.

WithoutFilter

Red 25IraTiffen

green 11Ideal or more pleasing skintones outdoors. Especiallysuited or portraits photographed against the sky.Universal asset or all scenics. Greens are lightened toreveal more detail.

Darkensskyincontrasttoclouds.

Inoliage,greensarelightenedandredblossomsdarkened.

green 58Dark green ilter that produces very light oliage.

Without Filter

Green 11

Green 58

Red 29Red 25

Green 11

Red 23A

Without Filter/color film

www.tffe.com

CombineaPolarizer

withaRed25orincrediblydramatic

blackandwhite

landscapes.

Multple Flter Ktswww tffe com


20/24

Multple Flter Kts

multip

lefilterkits

3938

Kits/Twin PacksMore economical than individual ilter purchases,

these multiple ilter kits take the guesswork out ochoosing a variety o creative ilter eects. Pre-pack-aged assortments, with combinations o Tiens mostpopular ilters, provide a range o artistic possibili-ties or almost every application and budget.

Poto Essetils

Itro KitPicture Perfect Photos!UV Protector

812Color Warming FilterCircular Polarizer

4-Pocket Filter Pouch

Diitl

EnhancIng

KitMake colors POP!Digital Ultra Clear

812Color Warming FilterCircular Polarizer

ENHANCING Filter4-Pocket Filter Pouch

Diitl/VideoBsi KitLight BalancingUV Protector

Neutral Density .6FL-DFilter


Wide aleFilter Kit

For Wide Angle LensesUV Protector

Circular PolarizerENHANCING Filter4-Pocket Filter Pouch

clssi KitPerfect for Portraits

& ScenicsWarm Soft/FX3

Vector StarBlack Pro-Mist3Ultra Contrast 3


Diitl/Poto

EssetilsTwi Pk

#1 SellingFilter Kit

UV ProtectorCircular Polarizer

(Storage pouch included)

Diitl/Video

EssetilsTwi Pk

Recommended by mostCamcorder Manufacturers

UV ProtectorNeutral Density .6

(Storage pouch included)

Weddi &Portrit Kit

Create that Special MomentWarm Soft/FX3

Black Pro-Mist3

Warm Pro-Mist3


Hollywood/FX

DV EssetilsKit 3

Clear

Circular Polarizer*812 filter


Create a new look with the secret tools o the movieindustry! Tien brings you DV kits that take the guesswork

out o which ilter to use in a variety o shooting situations.These kits are designed primarily or proessional shootersusing prosumer DV cameras to produce results that aremore pleasing, less harsh and less brassy.

www.tffe.com

DV SeletKit 3

Neutral Density .6

Black Pro-Mist 1/4Circular Polarizer*


DVFilm Look

DV 3Digital Diffusion/FX 1

Soft/FX

1Black Pro-Mist 1/2


DV SeiEnhancIng

Kit 3Color-Grad Sunrise**

ENHANCING

filterColor Grad ND.6


Film LookDV Kit

Black Diffusion FX 1/2Black Pro-Mist 1/2

Warm Blk Diffusion FX 1/4Soft/FX 1


Speil EffetsDV Kit

Color Grad ND.6Pro-Mist 1/4

ENHANCING filter

Gold Diffusion FX 1/24-Pocket Filter Pouch

*ThesekitscontaintheUltraPolCircularPolarizerinsizes4x4,4x5.650and6.6x6.6**ThiskitcontainsColor-GradSunsetinsizes4x4,4x5.650and6.6x6.6

Video

EssetilsDV KitClear

Circular Polarizer*Warm UV


Diitl ProSLR Kit

Scenics & PortraitsDigital Ultra ClearColor-Grad ND.6

Pro-Mist 24-Pocket Filter Pouch

SPEcIaLTY KITS

See Mkers

KitTurns Day Into Night!Day for Night Filter

812Color Warming FilterCircular Polarizer*


Blk & WiteImi KitFor Contrast Control

Green 13Yellow 6Red 25


Flter gudeFlter gude


21/24

Flter gudeFlter gude

filt

ers

4140

PROTECTION AND UV ABSORBINg FILTERSDIGITAL ULTRA CLEAR

Protection ilter or digital and traditional lensesmade o ultra quality optical glass.

UV PROTECTORHelps protect lens from dust, moisture, scratches andbreakage. Provides basic reduction of UV light.SKY 1-APopular general use protection filter. Absorbs almosthalf of UV light. Slightly warm-tinted for better colors.Useful when shooting outdoors in shade and on overcastdays.HAZE-1Reduces excessive blue haze caused by absorbingalmost 3/4 of UV light.HAZE 2AAbsorbs all UV light; reduces haze; maintains color andimage clarity. Best for high altitude and marine scenes.UV 17Greater haze correction, reduces most but not allUV light.WARM UVCombines the warmth of the Tiffen exclusive 812 Filter

with the UV 17.

POLARIZINg FILTERSLINEAR POLARIZEREssential for outdoor imaging; deepens intensity ofblue skies; reduces or eliminates glare.CIRCULAR POLARIZERSame effects as Polarizer. For use on auto-focuscameras, digital cameras and DV camcorders asrecommended by the manufacturer.WARM LINEAR POLARIZERFor color imaging, a combination of Tiffen exclusive812 filter and linear Polarizing filter; warms skin-tones and scenics.ULTRA POL POLARIZERProvides maximum polarization.

COLOR CONVERSION80 Series: Use with daylight film to shoot indoors,with tungsten lighting, without a flash, and achievecorrect color in your image.

85 Series: For shooting tungsten corrected filmoutdoors. Produces natural colors in your images.

COLOR COMPENSATINg FILTERSMagenta CC05M, 10M, 20M, 30M, 40M & 50M: Balancesexcessive green cast and produces creative effects. Great for earlymorning tint. Can be combined to achieve more density.

LIgHT BALANCINg81 Series: Useful with daylight corrected film in cool light condi-tions.

82 Series: Reduces unnatural red tones in early morning or lateafternoon.FL-B, FL-D

Provides pleasing skintones and corrects color under fluorescentlighting. Use FL-D with daylight-corrected media; FL-B with tungsten-corrected media.

NEUTRAL DENSITy .3, .6, .9Provides balanced exposures and depth-of-field control. Eliminatesoverly bright, washed-out images. Great for video. Produces blurredmotion effects at slower shutter speeds.

SPECIAL EFFECTS812 WARMING FILTERExclusive Tiffen filter, improves color of all skintones; absorbs blue

cast often caused by electronic flash or outdoor shade. Addswarmth to pale, washed-out flesh tones. Ideal for portraits.

ENHANCING

Creates brighter, more saturated reds, browns and oranges withminimal effect to other colors. Ideal for fall foliage and enhancingred, orange and rust brown subjects.

FOGAdds drama to your scene by producing misty atmosphere.Lights flare, softens contrast and sharpness.

DOUBLE FOGCreates the natural look of fog, especially on overcast days.

SEPIACreates a warm brown tone (for color imaging) for that nostalgicfeeling. Grade 3 adds a light fog effect.

SMOqUE

Creates the look of smoke without the cost and hassle of smokegenerators.

STAR EFFECTSAchieve dazzling star effects from any direct or reflected point lightsource. Available in 4pt, 6pt and 8pt in 2mm grid pattern.

CLOSE-UP SET (+1, +2, +4)Single element diopter lenses enable lens focusing on subjects muchcloser than standard lens. Can be used individually or in combina-tion for added versatility.

HOT MIRRORDesigned to remedy color rendition problems in some digital still

cameras.INFRARED 87For black and white infra-red film only. No visible transmission.

Otherfltersinvariousdensitiesmaybe

availablecallcustomerserviceat1-800-645-2522(631-273-2500)

orinormation.

Flter gude Flter gude/accessores


22/24

Flter gude

filt

ers

4342

HOLLyWOOD/FX FILTERSPRO-MIST

Most popular motion picture effect. Creates specialatmosphere by softening excess sharpness and con-

trast; creates pearlescent glow around highlights. Greatfor portraits and landscapes.

WARM PRO-MIST

Combination of Pro-Mist and Tiffen exclusive 812 filter.Warms (for color imaging) and softens. Gives skin ahealthy, natural glow.

BLACK PRO-MISTSimilar characteristics to Pro-Mist, providing a moresubtle effect. Less lightening of shadows and reduction

of contrast.WARM BLACK PRO-MISTCombines Black Pro-Mist with 812 filter to include awarming effect (for color imaging).

GLIMMERGLASS &BRONZE GLIMMERGLASS

A new series of diffusion filters that soften fine details in aunique manner, while adding a mild glow to highlights.Filter has distinct silver sparkle. Bronze adds warmth.

BLACK DIFFUSION/FXGives a silky-smooth look to textured surfaces, sup-presses facial blemishes and wrinkles, while maintainingclear, focused image. Creates a diffused image thatdoesn't look like it's been shot through a filter.

GOLD DIFFUSION/FXCombines effect of Black Diffusion/FX with soft, goldentint to shadows and infuses images with added warmth.

CENTER SPOT

Clear central area for dramatic focus, surrounded byring of moderate diffusion to minimize distracting back-ground detail.

WARM CENTER SPOTCombines Center Spot with 812 warming filter. Warmsimage for more vibrant results (for color imaging).

DIGITAL DIFFUSION/FX

Creates a silky smooth look on textured suraces

and suppresses acial blemishes and wrinkles whilemaintaining a clear, overall in-ocus image withoutevidence o iltration. Creates a subtle version o "ilmlook" in video.

HDTV/FX

Addresses both contrast and sharpness issues associ-ated with HD. Creates "ilm look" and provides subtleimprovements in shadow detail.

NUDE/FX

A series o 6 skin tone enhancing ilters that oer lex-ibility and control in shooting skintones.

SOFT/FXIdeal portrait filter. Softens and minimizes facial imper-fections while retaining overall image clarity.

WARM SOFT/FXCombines Soft/FX and Tiffen exclusive 812 filter. Smoothes facialdetails while adding warmth to skintones (for color imaging).

ULTRA CONTRAST

Recognized with a Technical Achievement Award from the Academyof Motion Picture Arts and Sciences, this filter redistributes ambientlight to capture details that would be lost in shadows. Lowers con-trast evenly throughout image with no flare or halation.

LOW CONTRASTSpreads light from highlights to darker areas; leaves bright areasbright; lowers contrast, mutes colors. Makes videos look morelike film!

SOFT CONTRAST

Reduces contrast while allowing black areas to stay black;produces softer, less intense colors.

NORTH, HYPER, VECTOR & HOLLYWOOD STARSUnique combinations of asymmetrical designs with lines of differentlengths to create more natural, dramatic star excitement.

COLOR-GRAD FILTERSHalf color, half clear, with a smooth transition in between. Add colorselectively while leaving rest of scene unaffected.

COLOR-GRAD NEUTRAL DENSITY FILTER 3,6,9Part clear, part neutral density, with a smoothly graded transitionbetween. Balances sky to foreground.

Microfiber Optical Cleanin ClothSpecially designed to clean & polish optical lenses, camcorders,CDs, computer monitors, telescopes, binoculars, eyeglasses and

more without smearing or scratching. Oversized 7 x 7 cloth.

Pro-Tective Filter PouchesDurable padded, water-resistant pocket organizers help protectilters rom damage.

Step-Up/Step-Down RinsAllows use o dierent screw-in or series ilter sizes with oneparticular lens. Provides easy access to a wider selection o iltersizes and gives the photographer reedom to use a standard sizeilter on many lens sizes.

Series 9 Adapter RinsSeries 9 adapter rings allow use o one standard series size ilteron many lens sizes. They provide easy ilter access or harder to itlenses, a common problem with older camera lenses. Series-sizeilter, which has no threads, drops into series size adapter ring

and is held securely in place with the included retaining ring.Series 9 Screw-In 72M-9, 77M-9, 82M-9

Flter gude/accessores

www.tffe.com Stedcm


23/24

produ

Cts

4544

Flyer

Steadicam continues to be the industry leaderwith the aordable Flyer and F-24 .

Lightweight

415 poundcamera capacity

No-tools,dual articulated armwith 30" boom

Low mass gimbal

16:9/4:3 color7" LCD monitor

F24 high deinition ilmversion brings Flyer seriesto the next level.

The Flyer is ideal ordocumentaries, weddings,local cable origination,industrial training events& more.

Light, agile, seamlessshooting for today'svideographer.

For cameras rom.5 5 lbs.

Ultra LightUltra CompactUltra Aordable

The

STarTS here

Arm & Vest with Metal Gimbal

State-o-the-art lightweight stabilizer system designedespecially or today's lightweight cameras.

2 10 lb. camera capacity

Lightweight Iso-elasticarm with 28" boom range

True three axis gimbal

3.5" LCD color monitorupgradeable to 5.8"-16:9

Ultra low proile lightweight vest

Power and video through sled

The Steadicam PILOT is the perect comple-ment to the new technology lightweight videocameras weighing 10 pounds or less. Pilot isa new generation stabilizer oering some othe same eatures and benets as units used ormajor motion picture production. Pilot provideslow cost with no compromise in quality.

The lightweight, aordable Merlinjust got better - a new breakthroughin camcorder stabilization. Makes

extended shooting nearly eortless.Vest: Lightest, thinnest vest ever made!

Fits entire gamut o human sizes and shapes

Arm: Ultra-light, no-tools adjustment provides same

legendary perormance and fexibility

as its big brothers! Full Iso-elastic 28" liting range

For cameras between 2.5 and 7.5 lbs.

Products/Flter Szer

www.tffe.com


24/24

4746

E-ZFilter SizerThese inside threads line up with yourilter size. Ask your photo dealeror assistance.

Lineuptheinsideedge

ofyourlenswiththeinside

threadonzero0.

49mm

30.5mm

37mm

40.5mm

39mm

43mm

46mm

48mm

49mm

52mm

55mm

58mm

62mm

67mm

72mm

77mm

82mm

86mm

95mm

0

0

46

produ

Cts

Protective NeoporeneCamera Cases andAccessories.

47

Award-Winning VideoTripods or Field, Studio,Educational or IndustrialApplications

The onlysotware thatsimulates Tienoptical flters.And more!

Choose rom apalette o up to1,000 defnitivedigital flters andspecial eects.

Buy it once.Use it for a lifetime!

Selected or use by the WhiteHouse News Photographers' Association

Complete line of Flash Bracketsfor the professional photographer

Eliminates "red-eye"

Sotens harsh shadows

Pro-Lightweight TripodsPerect or Digital,Video & Still Cameras

Precision Rotary Trimmersbacked witha 5-YearWarranty

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