2

TO

MAESTRO JOSEPH CAULKINS ON HIS 10TH ANNIVERSARY SEASON!

“PEAK PERFORMANCES”

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Welcome Message

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Welcome Message

The famous quote, “A journey of a thousand miles begins with a single step,”

from Chinese philosopher Lao Tzu, are words often in my mind, whether

I am standing at the precipice of a great climb or opening the pages of a

masterwork for the first time. Both endeavors require an enormous amount of

preparation and planning – thousands of steps – until you stand at the summit

or enjoy an enthusiastic standing ovation.

For the past 10 years, I have enjoyed the privilege of leading Key Chorale as

its Artistic Director while also honing my skills as a technical mountaineer. I’ve

been fortunate to summit many iconic peaks: The Matterhorn (14,692’), Mont

Rainier (14,411’), Grand Teton (13,770’), Cathedral Peak (10,911’) in Yosemite’s

Tuolumne Meadows, Canada’s Mount Sir Donald and Bugaboo Spire, and Mont

Blanc (15,782’) the highest mountain in the Alps. I have also had many “Peak

Performances” with Key Chorale, with everything from commissions and world

premieres, to Cirque des Voix®, European concert tours, unique collaborations,

and plenty of Bach, Beethoven and Handel to fill my soul to overflowing.

Each of these accomplishments began with a single step, a sense of faith in

myself and those around me. Great art does not exist without those willing

to create, and those willing to appreciate its beauty. I like to believe these

10 years have been a journey we have taken together. We have been able to

share so many “Peak Performances,” and for that I am truly grateful.

Often, when I stand atop a summit, I enjoy gazing at the many peaks spread

before me, scanning the horizons for mountains I have climbed and those that

remain. For me, this anniversary season is like that, full of gratitude for the

many peaks that have been scaled, but an excitement for the adventures and

peaks that lie ahead.

— Joseph Caulkins

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Board of DirectorsLee Holden, President

Joel Morrison, Vice PresidentNancy Morris, Treasurer

Nancy Yost Olson, SecretaryAida ColemanClaire CollinsGlenn Darling

Judy EganRichard Lilley

Matthew MayperLorraine MurphyJudy Plerhoples

Kay Semrod

Artistic TeamJoseph Caulkins, Artistic Director

Stephen Fancher, Associate ConductorNancy Yost Olson, Accompanist

Administrative TeamM. Catherine Vernon, Executive Director

Donna De Poalo, External Relations Manager Kay Semrod, Grants Administrator

Madison Spahn, Administrative CoordinatorJoseph Waldron, Artistic Administrator

From The Executive Director

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A Message from our Board President “Life seems to go on without effort when I am filled with music.” – George Eliot

In his 10th anniversary, Maestro Joseph Caulkins continues to hold the baton, striving for Peak Performances. As Joe was quoted in a recent article, “I choose works that are challenging, both for me and for the singers and instrumentalists. That’s where great live music lives.” This is our core reason for existence. Key Chorale is doing so much more!

Key Chorale, with our wide network comprised of 110 singers and their households, provides collegial

connections among professionals and auditioned singers. Our singers also participate in other arts including orchestras, operas, choirs, theatres and other professional ensembles. And, they are also doctors, assemblers, retirees, teachers and home health care workers who interface with many other groups.

We base our community engagement on a belief of shared learning — we learn with other groups what can make life better for our wider community. Joe says “If the opportunity exists, I’ll choose adventure first.”

– Lee Holden, Board President

“Where words leave off, music begins.” – Heinrich Heine

It is an honor to serve as Executive Director of Key Chorale during this important 2016-17 season celebrating Maestro Joseph Caulkins tenth anniversary as Artistic Director. What amazing programs and events we have been able to plan in his honor! Our Maestro has achieved so many artistic accomplishments with the chorale, it is an easy story to celebrate. Whether climbing the highest peaks, or inspiring Key Chorale to move higher in its goals and artistic levels, Maestro Caulkins is a man of many talents. Over the past ten years

he has endowed Key Chorale with wonderful energy and performance quality, creating beautiful soaring sounds with the 100 voices of Key Chorale and the incomparable Key Chorale Orchestra. We thank and congratulate our Maestro for these past ten years of artistic leadership.

We are thankful as well for our concert patrons, and look forward to having you with us throughout this season of special programming. Each masterworks concert is accompanied by full orchestra, with soloists traveling in from near and far to sing under our Maestro’s baton. You won’t want to miss a single note of this season’s inspiring sounds!

– Catherine Vernon, Executive Director

From The Executive Director

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Season Sponsors

Cordelia Lee Beattie Foundation

s Scan the Code with a QR Reader App and Take our Audience Survey Or visit www.keychorale.org/survey to complete the survey at home.

7

Mozart with Mary WilsonSeason Sponsors

TITLE PAGE

Saturday, February 11, 2017 Season Sponsor, Ernest and Alisa Kretzmer Charitable Foundation of

the Gulf Coast Community FoundationConcert Co-Producer, Irwin E. Jones

Concert Sponsor, Woman’s Exchange, Inc. First Church, Sarasota, Florida

Key Chorale and OrchestraJoseph Caulkins, Conductor

Sponsored by Peter and Francine Gray and CAPSTAN Nancy Yost Olson, Accompanist

Mary Wilson, Soprano Sponsored by Marcia and Michael Corrigan

Meg Bragle, Mezzo-Soprano Sponsored by Marcia and Michael Corrigan

Chris Romeo, Tenor Sponsored by Judy and Jack Bloch

Dan Cartlidge, Baritone Sponsored by Ann Stephenson-Moe, Stefan Moe, and Christoph Moe

Vorrei Spiegarvi, oh Dio! K. 418 – Wolfgang Amadé Mozart

Mary Wilson, Soprano

Great Mass in C Minor, K. 427 (K. 417a) - Wolfgang Amadé Mozart

Sponsored by Ernest Werlin, and BMO Private Bank

Kyrie (soprano and chorus)Gloria Gloria in excelsis (chorus) Laudamus te (soprano) Gratias (chorus) Domine Deus (soprano duet) Qui tollis (chorus) Quoniam tu solus sanctus (trio) Jesu Christe (chorus) Cum Sancto Spiritu (chorus)

Credo Credo in unum Deum (chorus) Et incarnatus est (soprano)Sanctus Sanctus (chorus) Hosanna (chorus)Benedictus Benedictus (quartet) Hosanna (chorus)

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Key Chorale Singers

SopranoLorraine Murphy*

Lynn BarrettJanet Bell*Judith BlochMichelle Caulkins*Aida ColemanClaire CollinsMarcia Corrigan Cheyanne Cruz Mae DavisPatricia Eastep*Alix Giannini Angel Grewe Victoria GuentherLinda GuranKumiko Hampton*Naomi LinkousLouise MachinistCharlene McClainAdrienne McLaughlinMeredith McMillanDebra MillerCatherine MilneNancy MorrisKaren OlsonSandy ParentEmese PercySies RavestijnDebbie Rostad*†Winnie SchroederMadison Spahn*†Rebecca Taysi*Karen WhiteNancy Wittner

AltoMichelle Jessogne*

Louise Baar Jessica CarrierJulie Ciulla Amy Jo Connours*†Judi DayJan DorsettJudy EganKaren FraserBarbara HeistandAnna-May JacobsenLydia JohnstonGayle KingLynne LashCarmen LetelierPamela Letts Mary Maisel*Gretchen MasonCecilia McEnaney*Deanna NelsonBarbara NotoMarilyn Parry*†Judith Plerhoples Jane Randhawa Anita Sarno Kay SemrodKristen StantonLori TomlinsonBecky TracyEllen VanDolah*Catherine Vernon*Cynthia Wasdyke* Nancy Zarowin

TenorRob Davis* Jonathan Willis*

David BarnhartWilliam Cargo Stephen Fancher*†

Alex Friedlander* Christian Gimenez Rick HaymanRobert Henry*Phil Hoffman Barry LockardSamuel Lowry*†Daniel Michener*James MillerJoel MorrisonDonna Moughty*Linda Quarles Rob Quarles Stephen RemisPete RostadBarbara Roth-Donaldson

BassGlenn Breitzig*

Richard BaileyRobert Barr*†Allen BatchelderJon ChabraJohn DanielsPete DriscollPeter Gaess Tim GriffinDale Jensen*†Brice Jones*Richard LilleyLeon Miller Larry PattonJan RosenbaumFrank Roxby*Bill Smith*Claude TisonJoseph WaldronBob Wennberg*David Wicentowski

Bold = Section Leader

*Chamber Singer

†Professional Core Singer

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Maestro Joseph CaulkinsMaestro Caulkins is at home with music from classics to pops, and baroque to ballet. His work alongside pops legend Erich Kunzel, conducting icon Dale Warland, and master technician Helmuth Rilling at the Oregon Bach Festival, have shaped him into a sensitive and dynamic conductor.

For the past 10 seasons as Artistic Director, Joseph Caulkins has consistently delivered innovative concert experiences through adventurous programming, unique collaborations and performances of new and rarely heard works.

He has taken audiences to unexpected places including: the world premiere of The Lake Isle by Ola Gjeilo; a dramatic performance of Richard Einhorn’s dynamic oratorio, Voices of Light, written to accompany Carl Dreyer’s 1928 silent film classic The Passion of Joan of Arc, a collaboration with the Sarasota Opera and the Sarasota Film Society; an innovative program titled Mozart Meets Radiohead with edgy string quintet Sybarite5; the US premiere of James Whitbourn’s Annelies, a setting of the Diary of Anne Frank, which the Herald-Tribune called a “Triumph;” and the highly acclaimed Cirque des Voix®, an innovative concert experience with The Circus Arts Conservatory, Sarasota.

From 2001-2010, Joseph was the Associate Conductor/Director of Choruses for the Southwest Florida Symphony where he created the Stained Glass Series, led annual Messiah and Holiday Pops concerts and conducted on the Pops, Family, Chamber and Masterworks series. Prior to his arrival in Southwest Florida, he was Artistic Director/Conductor of the Bach Chamber Choir (Rockford, IL) and directed the St. Procopius Chamber Orchestra and Choirs at Benedictine University (Lisle, IL). With his choruses, Mr. Caulkins has produced/released numerous CDs, led European concert tours, conducted world and regional premieres and commissioned new works from Dale Warland, Eric Whitacre and Ola Gjeilo among others.

An experienced alpinist, Mountain Joe has climbed more than 200 peaks throughout the US, Canada, France, Switzerland and Italy including Mount Rainier, Grand Teton, Mont Blanc and the iconic Matterhorn.

Joseph is Artistic Director of Una Voce: The Gay Men’s Chorus of Tampa Bay and is a freelance writer and Music Columnist for Florida Weekly. He loves writing humorous short stories about life, his love of the mountains and growing up as a young boy in rural Iowa.

For more information, visit www.josephcaulkins.com

Key Chorale Singers

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Nancy Yost Olson Accompanist/OrganistNancy Yost Olson spent more than 32 years as a choral conductor, church organist, and organ recitalist in Pennsylvania, New Jersey, and Minnesota. She is a graduate of Westminster Choir College (now part of Rider University) where she majored in Organ Performance and sang in their

Symphonic Choir. She has done advanced studies in choral conducting and is a former finalist in the AGO National Organ Competition.

After moving to Florida in 2001 Nancy reestablished an old love for piano accompanying. She frequently collaborates with singers and choral groups in the Southwest Florida area and has accompanied Gloria Musicae, Belle Canto and others. Now in her eighth season as rehearsal and performance accompanist for Key Chorale, Nancy has accompanied the Chorale on two European tours and with them recorded a CD, taped a documentary and premiered many new choral works. Nancy also serves on Key Chorale’s Board of Directors and is a former singing member and Soprano Section Leader of the organization.

Violin 1Daniel JordanSamantha BennettMeghan JonesMargot Zarzycka

Violin 2Jennifer Best

ViolaSteven LaraiaNathan FrantzMichael McClelland

CelloNatalie HelmChristopher Schnell

BassEdward Paulsen

FluteBetsy Traba

OboeChristine Kim Nicholas Arbolino

BassoonFernando TrabaEvan Epifanio

HornJoshua HorneKatie Jordan

TrumpetMichael DobrinskiGregory Knudsen

TromboneDwight DeckerLaurie PenprazeMarc Morgan

TimpaniGeorge Nickson

OrganNancy Yost Olson

Key Chorale Orchestra

Carlann Evans

Anne ChandraFelicia BrunelleLaura Jenson-Jennings

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Mary Wilson SopranoSoprano Mary Wilson is acknowledged as one of today’s most exciting artists. Cultivating a wide-ranging career singing chamber music, oratorio, and operatic repertoire, her “bright soprano seems to know no terrors, wrapping itself seductively around every phrase.” (Dallas Morning News)

In highest demand on the concert stage, she has most recently appeared with Los Angeles Philharmonic, Philadelphia Orchestra, Cleveland Orchestra, St. Louis Symphony Orchestra, Cincinnati Symphony Orchestra, St. Paul Chamber Orchestra, Los Angeles Master Chorale, Detroit Symphony, Pacific Symphony, Colorado Symphony, Delaware Symphony Orchestra, San Antonio Symphony, Jacksonville Symphony, Virginia Symphony, Buffalo Philharmonic, National Symphony of Costa Rica, Dayton Philharmonic, VocalEssence, and at Carnegie Hall and the Hollywood Bowl. An exciting interpreter of Baroque repertoire, especially Handel, she has appeared with Philharmonia Baroque, Musica Angelica, American Bach Soloists, Boston Baroque, Portland Baroque, Grand Rapids Bach Festival, Bach Society of St. Louis, Baltimore Handel Choir, the Bach Festival Society of Winter Park, Brooklyn Academy of Music, Musica Festival Sacra de Quito Ecuador, the Casals Festival Puerto Rico, and the Carmel Bach Festival.

On the opera stage, Ms. Wilson is especially noted for her portrayals of Zerbinetta in Ariadne auf Naxos, Susannah in Le Nozze di Figaro, and Gilda in Rigoletto. She has created leading roles in North American and world-premiere performances of Dove’s Flight, Glass’ Galileo Galilei, and Petitgirard’s Joseph Merrick dit L’Elephant Man. She has appeared with Opera Theatre of St. Louis, Minnesota Opera, Boston Lyric Opera, Dayton Opera, Arizona Opera, Opera Memphis, Tulsa Opera, Southwest Opera, Brooklyn Academy of Music, and the Goodman Theatre. An accomplished pianist, Ms. Wilson holds performance degrees from St. Olaf College in Northfield, Minnesota, and Washington University in St. Louis, Missouri. She is an Assistant Professor of Voice at the University of Memphis, and currently resides in Memphis, Tennessee, with her husband, son and two dogs. Visit her at www.MaryWilsonSoprano.com.

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Meg Bragle Mezzo-SopranoWidely praised for her musical intelligence and “expressive virtuosity” (San Francisco Chronicle), Meg Bragle is quickly earning an international reputation as one of today’s most gifted mezzo-sopranos.

As a featured soloist with Sir John Eliot Gardiner and the English Baroque Soloists, she has made four recordings, including Bach’s Easter and Ascension Oratorios, her BBC Proms debut. She has performed as soloist with the Philharmonia Baroque Orchestra, Music of the Baroque, English Baroque Soloists, Orchestre Révolutionnaire et Romantique, Tafelmusik Baroque Orchestra, Orchestra of the Age of Enlightenment, Les Violons du Roy, Apollo’s Fire, and the Dunedin Consort.

Among her season highlights are the Milwaukee (Mozart’s Requiem) and Cincinnati (Bach’s Mass in B Minor) Symphonies, St. Paul Chamber Orchestra (Pergolesi’s Stabat Mater), American Bach Soloists (Handel’s La Resurrezione), Early Music Vancouver (Bach’s Magnificat) and the Winter Park and Carmel Bach Festivals.

Recent orchestral highlights include the Houston (Beethoven’s Mass in C Minor), Indianapolis (Mozart’s Requiem), Pacific (Handel’s Judas Maccabeus), and Colorado (Mendelssohn’s Elijah) Symphonies; the National Arts Center Orchestra (Handel’s Messiah) and a series of concerts with the Calgary Philharmonic including Messiah and Beethoven’s Symphony No. 9. She has sung the roles of Idamante (Mozart’s Idomeneo), Dido and the Sorceress (Purcell’s Dido and Aeneas), Dardano (Handel’s Amadigi), Amastre (Handel’s Serse), Speranza (Monteverdi’s L’Orfeo), Ippolita (Cavalli’s Elena), and Elpina (Vivaldi’s La Fida Ninfa).

Chris Romeo TenorChris Romeo, Tenor, is a graduate of the University of South Florida with his Masters in Vocal Performance. He has been performing in the Greater Tampa Bay area for the past 10 years with various opera companies, such as St. Petersburg Opera, Tampa Opera, and New Century Opera, along with

his own personal group Klassika (www.Klassikashow.com). Recently returning to the states after a very successful overseas tour of Ireland, Klassika is working on their next tour of South Africa. Currently Mr. Romeo is back in school studying music therapy with hopes to one day work in Hospice care and end of life process. Chris would like to thank all of his friends and family for all of their love and support.

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Dan Cartlidge BaritoneDaniel Cartlidge has been a mainstay in the Sarasota/Bradenton musical community since 1997, and is in demand as a soloist in musical genres spanning medieval to modern. He has been a soloist for many regional organizations including the Sarasota Orchestra, Anna Maria Island

Community Orchestra, Key Chorale, and the Southwest Florida Symphony.

Mr. Cartlidge has done many operatic roles including Germont in La Traviata, Silvio in Il Pagliacci, and Marcello in La Boheme. His oratorio resume is extensive and includes the Requiems of Fauré, Duruflé, Mozart, and Brahms. He has also performed Carmina Burana, Elijah, Messiah, and the Mozart C Minor Mass.

Mr. Cartlidge has studied voice under Monroe Olson, Steven Crawford (Metropolitan Opera), and Jason Stearns (Metropolitan Opera). He is cantorial soloist with Temple Emanu-El, and serves as soloist and associate choirmaster at Church of the Redeemer, Sarasota.

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Proud to support Key Chorale.Congratulations Maestro Caulkins on your 10th anniversary season.

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MAY 5, 2017 • 7:30 PMSINGLE TICKETS: $10

Hear more than 200 voices at Key Chorale’s fourth annual collaboration concert, Tomorrow’s Voices Today with the Sarasota County Schools. Joining Key Chorale under the direction of Maestro Joseph Caulkins will be the choirs of North Port, Pine View, and Venice High Schools.

Tickets@KeyChorale.org • 941.921.4845 • KeyChorale.org

Tomorrow’s Voices Today is sponsored in part by

CONCERT PROGRAM

The Cordelia Lee Beattie Foundation

Didn’t My Lord Deliver Daniel Jake Runestad

Seal Lullaby Eric Whitacre

The Awakening Joseph M. Martin

Healing Light Karl Jenkins

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The final and most ambitious setting of the mass text by Wolfgang Amadé Mozart is also that most shrouded in mystery. The “Great Mass in C Minor,” composed in Vienna in 1782, features some of Mozart’s most inspired melodies and vocal acrobatics. Sadly, it remained unfinished at his death. Many questions remain unanswered regarding this masterpiece, including this: why would Mozart, a freelance composer in a city with little demand for liturgical music, have composed a great mass at all?

Having left the Salzburg court in 1777, Mozart was free to compose secular music for the cosmopolitan Vienna audiences. It is interesting, then, that he would write an elaborate mass with no clear performance opportunity. One logical explanation is that he, having recently been exposed for the first time to Bach and Handel, wanted to pay homage to these masters. Another is more personal. In 1782, 22-year-old Mozart was newly engaged to Constanze Weber, of whom his father disapproved. After their engagement, Constanze fell seriously ill, and Mozart may have composed the mass in thanks for her recovery and as a means of introducing her to his family. Indeed, shortly afterward the couple traveled to Salzburg, where the Kyrie, Gloria, and Sanctus of the mass were premiered on October 26, 1783, likely spliced with movements from Mozart’s other masses. The performance took place at St. Peter’s Church, where Constanze premiered the soprano solo, “Et incarnatus est.”

It is unclear why Mozart never completed the mass, but upon his death a set of performance parts was assembled by the Salzburg choir master. The Kyrie and Gloria are fully complete, and the two extant movements of the Credo are complete but partially scored. Of the Sanctus and Benedictus, only partial scores remain, from which lost double choruses and string parts have been reconstructed. No trace of an Agnus Dei has been discovered. There are six widely recognized editorial reconstructions today, three of which, including that of Helmut Eder, used in today’s performance, aim only to fill in the missing parts of the scores that remain. Others, such as the 2004 reconstruction by Dr. Robert Levin, attempt to complete the mass by composing entirely new music based on Mozart’s contemporary works.

The music of the mass bears clearly the influence of Bach and Handel, with their German pomp and solemnity. Written in cantata style, in which each movement of the mass is set separately, it alternates between complex contrapuntal choruses and operatic-style arias, reflecting Mozart’s dedication to his predecessors but also his love for the expressivity of theater. The opening Kyrie, the only movement actually in C minor, combines the intensity of full orchestral color with a solemn, sighing melody. The Gloria, in contrast, displays joy and exuberance with the use of trumpet and drums over the full chorus. The two soprano solos indicate Constanze’s vocal skill, both for the virtuosic

Mozart Mass in C Minor Program Notes

continued next page...

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ornamentation of the “Laudamus te” and for the floating legato lines of the “Et incarnatus est,” the only movement to introduce the flute and a rare bassoon obbligato. The agonizing suspensions and chromaticism in the “Qui tollis” create tension as the double chorus alternates strong acclamations with the fragile pleading of the syncopated “miserere” section. The refined counterpoint of the “Domine Deus” duet and “Quoniam” trio suggests Baroque style, but Bach’s influence climaxes in the long melismas of the double fugue, “Cum sancto spiritu.”

The opening piece on today’s program, “Vorrei, spiegarvi, oh Dio,” is part of the 18th century “insertion aria” tradition, in which composers would write solos to replace the original arias of another composer’s opera. The aria was composed for Aloysia Weber, Constanze’s older sister, for insertion in Pasquale Anfossi’s opera “Il curioso indiscreto.” In the first half of the aria, featuring muted strings and a yearning duet between oboe and soprano, the singer, Clorinda, mourns her love for a Count promised to another woman. As she becomes more frantic and urges her lover to leave her for his betrothed, the tempo quickens and Mozart inserts wild vocal virtuosity over two octaves.

– Madison Spahn

Vorrei Spiegarvi, oh Dio! K. 418 – Wolfgang Amadé Mozart

Vorrei spiegarvi, oh Dio!Qual è l’affanno mio;ma mi condanna il fatoa piangere e tacer.

Arder non può il mio coreper chi vorrebbe amoree fa che cruda io sembri,un barbaro dover.

Ah conte, partite,correte, fuggitelontano da me;la vostra dilettaEmilia v’aspetta,languir non la fate,è degna d’amor.

Ah stelle spietate!nemiche mi siete.Mi perdo s’ei resta.

Partite, correte,D’amor non parlate,è vostro il suo cor.

Let me explain, oh God,What my grief is!But fate has condemned meTo weep and stay silent.

My heart may not pineFor the one I would like to loveMaking me seem hard-heartedAnd cruel.

Ah, Count, part from me,Run, fleeFar away from me;Your belovedEmilia awaits you,Don’t let her languish,She is worthy of love.

Ah, pitiless stars!You are hostile to me.I am lost when he stays.

Part from me, run,Speak not of love,Her heart is yours.

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Great Mass in C Minor, K. 427 (K. 417a) - Wolfgang Amadé Mozart

Kyrie

Kyrie eleison,

Christe eleison,

Kyrie eleison.

Gloria

Gloria in excelsis Deo.

Et in terra pax

hominibus bonae voluntatis.

Laudamus te. Benedicimus te.

Adoramus te. Glorificamus te.

Gratias agimus tibi

propter magnam gloriam tuam.

Domine Deus, Rex caelestis

Deus Pater omnipotens.

Domine Fili unigenite, Jesu Christe.

Domine Deus, Agnus Dei,

Filius Patris.

Qui tollis peccata mundi

miserere nobis.

Qui tollis peccata mundi,

suscipe deprecationem nostram.

Qui sedes ad dexteram Patris,

miserere nobis.

Quoniam tu solus sanctus.

Tu solus Dominus.

Tu solus Altissimus.

Lord have mercy,

Christ have mercy,

Lord have mercy.

Glory to God in the highest.

And on earth peace

to all those of good will.

We praise thee. We bless thee.

We worship thee. We glorify thee.

We give thanks to thee

according to thy great glory.

Lord God, Heavenly King,

God the Father almighty.

Lord Jesus Christ, the only begotten Son.

Lord God, Lamb of God,

Son of the Father.

Thou who takest away the sins of the

world, have mercy on us.

Thou who takest away the sins of the

world, receive our prayer.

Thou who sittest at the right hand of the

Father, have mercy upon us.

For Thou alone art holy.

Thou alone art the Lord.

Thou alone art the most high.

2222

Jesu Christe.

Cum Sancto Spiritu

in gloria Dei Patris. Amen.

Credo

Credo in unum Deum

Patrem omnipotentem,

factorem caeli et terrae,

visibilium omnium, et invisibilium.

Et in unum Dominum Jesum Christum,

Filium Dei unigenitum.

Et ex Patre natum ante omnia saecula.

Deum de Deo, lumen de lumine,

Deum verum de Deo vero.

Genitum, non factum,

consubstantialem Patri

per quem omnia facta sunt.

Qui propter nos homines,

et propter nostram salutem

descendit de coelis.

Et incarnatus est de Spiritu Sancto

ex Maria Virgine: Et homo factus est.

Sanctus

Sanctus, Sanctus, Sanctus,

Dominus Deus Sabaoth.

Pleni sunt caeli et terra

gloria tua.

Hosanna in excelsis.

Benedictus

Benedictus qui venit

in nomine Domini.

Hosanna in excelsis.

Jesus Christ.

With the Holy Spirit

in the glory of God the Father. Amen.

I believe in one God,

the Father Almighty,

maker of heaven and earth,

and of all things visible and invisible.

And I believe in one Lord, Jesus Christ,

the only begotten Son of God,

born of the Father before all ages.

God from God, Light from Light,

True God from true God.

Begotten, not made,

of one substance with the Father

by whom all things were made.

Who for us men

and for our salvation

came down from heaven.

And was incarnate by the Holy Spirit

of the Virgin Mary: And was made man.

Holy, Holy, Holy,

Lord God of Hosts.

Heaven and earth are full

of thy glory.

Hosanna in the highest.

Blessed is He who comes

in the name of the Lord.

Hosanna in the highest.

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Jesus Christ.

With the Holy Spirit

in the glory of God the Father. Amen.

I believe in one God,

the Father Almighty,

maker of heaven and earth,

and of all things visible and invisible.

And I believe in one Lord, Jesus Christ,

the only begotten Son of God,

born of the Father before all ages.

God from God, Light from Light,

True God from true God.

Begotten, not made,

of one substance with the Father

by whom all things were made.

Who for us men

and for our salvation

came down from heaven.

And was incarnate by the Holy Spirit

of the Virgin Mary: And was made man.

Holy, Holy, Holy,

Lord God of Hosts.

Heaven and earth are full

of thy glory.

Hosanna in the highest.

Blessed is He who comes

in the name of the Lord.

Hosanna in the highest.

2016-2017Twenty-first

SeasonOF SARASOOF SARASOOF SARASOTATATA

U n i q u e , l i v e m u s i c a l e v e n t s t h a tE n t e r t a i n , E n g a g e a n d I n s p i r e

More than 30 performances annually. For schedule, details and tickets visit

www.artistseriesconcerts.orgTICKETS & INFORMATION 941.306.1202 (M-F, 10-4)and online 24/7 – Group discounts available

PIANO | VOCAL | INSTRUMENTAL | POPS

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Off-Key Chorale is a partnership between Neuro Challenge Foundation, Inc., Key Chorale of Sarasota, and Artist Series Concerts

of Sarasota. Led by Artistic Director Joseph Caulkins, this choral group provides an opportunity for Parkinson’s patients to improve

and strengthen their voices through singing.

Please join us for a very special concert of the Chamber Singers, a group of Key Chorale singers selected through a second audition. “We Can Mend the Sky” will include music highlighting themes of hope, healing, and peace, with works by Latvian composer Eriks Esenvalds, Norwegian composer Kim André Arnesen, Welsh composer Karl Jenkins, and American composers Eric Barnum, Jake Runestad, and Keith Hampton.

We Can Mend the Sky April 30, 4:30 PM Church of the Redeemer 222 S Palm Ave, Sarasota, FL 34236 $25 Tickets for Purchase at www.keychorale.org/chamber

— CONCeRT PRODuCeRS — Season Producer

Ernest and Alisa Kretzmer Charitable Foundation of the Gulf Coast Community Foundation

Concert Co-ProducerMarcia and Michael Corrigan*

Irwin E. Jones Family FundAlice W. Rau Charitable Trust of Gulf Coast Community Foundation

— SeASON SPONSORS —

Maestro’s 10th Anniversary Sponsor ($3000+)CAPSTAN Financial Consulting Group

Peter and Francine Gray*Charlotte and Charles Perret*†

Key Chorale Donors

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*Indicates Donor in the 2016 Giving Challenge†Indicates Donor in the “Music by the Measure” Campaign

— CONCeRT PRODuCeRS — Season Producer

Ernest and Alisa Kretzmer Charitable Foundation of the Gulf Coast Community Foundation

Concert Co-ProducerMarcia and Michael Corrigan*

Irwin E. Jones Family FundAlice W. Rau Charitable Trust of Gulf Coast Community Foundation

— SeASON SPONSORS —

Maestro’s 10th Anniversary Sponsor ($3000+)CAPSTAN Financial Consulting Group

Peter and Francine Gray*Charlotte and Charles Perret*†

Key Chorale Donors

Deborah Beacham*†Jean EmeryNancy Jones

Vincent and Nancy Yost Olson*†Semrod Family Private Foundation

Richard Storm†

Associate Conductor’s Sponsor ($2000+)

Mr. and Mrs. Robert ArthurRoberta and Carl Benninghoff

Donor Advised Fund*Jack and Judy Bloch*†

BMO Private BankJorgen and Gudrun Graugaard

Albert and Marita MarshMazzone Oil

Judy and Bill Plerhoples*Ernest Werlin

Composer Sponsor ($1000+)

Susan Brainerd and Alan Quinby†Phillip and Candace Hoffman†

Barbara J. Lorry, PhDJames and Debra Miller*

Ron and Kay Semrod*†Ann Stephenson-Moe, Stefan,

and Christoph Moe*

Accompanist’s Sponsor ($500+)

Don and Lisa Gardner†Richard J. Lilley and Carmen Letelier*

Joel and Beverly Morrison*†

Concert Soloist Sponsor ($1500+)

As of 2/2/17

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*Indicates Donor in the 2016 Giving Challenge†Indicates Donor in the “Music by the Measure” Campaign

Edward and June LeBell Alley*Glenn Breitzig*†

Jonathan Chabra*Amy Connours*†Jean Craig FlynnTrevor CramerJohn Daniels*

Glenn Darling*Frederick Derr & Co., Inc.†

Stacy Dillard-Spahn*†Pete Driscoll†Sally Faron†

Josephine Franz and Russ Gill†Geier’s Sausage KitchenVictoria T. Guenther*†

Anne Harmon†Richard Hayman*†Barbara Heistand†Nancy Hutcheson†

Dolly Jacobs†Jelks Family Foundation

Joan N. JessogneBrice Jones*

George F. Keane†Sybil A. Levien

Naomi E. Linkous*†

William LudwigGerda MaceikonisDonald Malawsky†Gretchen Mason*Matthew Mayper*

Bert MaxwellE. Ann Maxwell

Adrienne McLaughlin*Sandra Montrone*

Nancy Morris*†Donna Moughty*†

Denny and Barbara NotoPeggy Olsen*

Robert Quarles*Stephen Remis*

Connice Reynolds*Pete and Debbie Rostad*†Barbara Roth-Donaldson†

Eleanor and Francis Roxby*†Ina Schnell†

Betty Schoenbaum†Deborah SeitlJeffrey Smith*

Kristen and Scott Stanton*†Nancy Zarowin*†

Donor ($100+)Donor ($100+)

Chorus of Support

Myrna and John BlumeClaire Collins*†

Lee Dougherty Ross*†Judy B. Egan*†

A. Leslie Holden and Lorraine Murphy*Mary Maisel*†

Claudette MayerThe Very Rev. and Mrs. Frederick A. Robinson

Joyce P. Schneider Victoria Sims*

Bill and Janet SmithAl and Betty Van Tieghem, Sr.

Joe and Cat Waldron*The Rev. and Mrs. Charleston D. Wilson

Catherine and David Vernon*†

Section Leader Sponsor ($250+)

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*Indicates Donor in the 2016 Giving Challenge†Indicates Donor in the “Music by the Measure” Campaign

Louise Baar*David Barnhart*†

Judith Bell*†Penelope Bodry-Sanders

Pauline Boston†Doug Bracy

Marilyn Brandt*Charlene B. Carstens

Chris Caswell†Michelle Caulkins*†

Julie Ciulla*†Aida Coleman*Judith Day*†

Raymond J. Doherty, MDPatricia F. Eastep*

Ruth Ellis*†Reba M. Foster*

Peter and Nancy Gaess*†Jeffrey GrohneLinda Guran*†

Kumiko M. Hampton*Allen and Stephanie Hochfelder

Family FoundationFrancis M. Howard

Dale Jensen*Michelle Jessogne*

Linda Johnston*Gayle King*†

Pamela Letts†Phyllis & Gordon Loewengart

Louise Machinist*†Mr. and Mrs. Joe Mallof†

Sheila MarkinCharlene and Dave McClain*

Paul Mccullough*Cecelia McEnaney*E. Lynne Meskey*

Michael and Gail Nagy†Karen Olson*†Larry Patton*

Carol Poteat-BuchananBeverly Putz*

Robert Reeves*Jan Rosenbaum*Barbara Staton*

Bill and Gert Terborg†Ky Thompson and Margaret Melun†

Becky Tracy*Linda Tripp*

Ellen VanDolah*†Cynthia Wasdyke*

David Wicentowski*Caroline Willms

Marlene Woodson HowardJoe Yore*

Friend ($50+)Friend ($50+)

Chorus of Support

Music by the Measure ($42)Music by the Measure ($42)Music by the Measure ($42)

Karen M. Bush†Mary Cochran-Gord†

Mary Dailey†Douglas W. Endicott†

Linda Kanner†

Will and Margo Lane†Veronica Miller†Nancy Roucher†

Kathleen Tarshus†

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Elizabeth Bergmann*Rev. Dr. William Cargo

Beverly Crawford*Amra Dillard Rickwa*

Donna Estevez*Stephen Fancher*

Robin Faucy*Alix Giannini*

Marilyn Goldman*Angela Grewe*

Karl and Hope Hein*Anna-May Jacobsen*

Barry Lockard*Samuel Lowry*

Raymond Maloni*Shelly L. Maxwell*Catherine Milne*

Sandra-Lee Parent*

Marilyn Parry*Josina Ravestijn*

Allison ReedAnita Sarno*

Winifred H. Schroeder*Joan Searles*

William Smith*Charlie Ann Syprett

Joanne Steiner*Katherine Stone*

Rebecca TaysiClaude Tison*

Jennifer Walker*Karen White*

Rhonda Yellin-Waldron*Sandra E. Werrell

Giving Challenge ($25+)Giving Challenge ($25+)

In Honor of Beth Bailey – Catherine and David Vernon - $126

In Memory of George Ball – Alix Giannini - $25

In Honor of Susan Brainerd E. Ann Maxwell - $200 Bert Maxwell - $200

In Honor of Carol Chabra – Jonathan Chabra - $100

In Memory of Gloria Clendenon – Marilyn Parry - $25

In Memory of Thelma M. Cohn – Jack and Judy Bloch - $210

In Memory of Jacoby Cotton – Pete Driscoll - $42

In Memory of Margaret Driscoll – Pete Driscoll - $42

In Memory of Tom Driscoll – Pete Driscoll - $42

In Honor of Christine Earp – Joan Searles - $25

In Memory of Wayne Foster Patricia F. Eastep - $50 Reba M. Foster - $50

In Memory of Molly Hardesty – Pete Driscoll - $42

P In Honor and In Memoriam Donations p

*Indicates Donor in the 2016 Giving Challenge†Indicates Donor in the “Music by the Measure” Campaign

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*Indicates Donor in the 2016 Giving Challenge†Indicates Donor in the “Music by the Measure” Campaign

In Memory of Henry G. Hood – Barry Lockard - $25

In Memory of Jean Howe Claire Collins - $20

Richard Lilley and Carmen Letelier - $20 Karen Olson - $25

Catherine Vernon - $25 Nancy Morris - $42

In Memory of Roy and Rosemary Hutcheson – Nancy Hutcheson - $210

In Memory of Charles Jessogne – Michelle Jessogne - $50

In Honor of Nancy Jones – Mary Dailey - $42

In Honor of Key Chorale – Linda Guran - $42

In Memory of Edward H. Maisel – Mary Maisel - $252

In Memory of Daniel Moe Rebecca Taysi - $25

Deborah Beacham - $100 Ann Stephenson-Moe, Stefan,

and Christoph Moe - $600

In Honor of Ella Mae Murphy – Lorraine Murphy - $125

In Honor of Lorraine Murphy and Lee Holden’s Marriage

Nancy Morris - $25 Catherine and David Vernon - $100

Judith Egan - $125 Nancy Yost Olson - $150

Claire Collins - $200 The Rev. and Mrs. Charleston

D. Wilson - $275

In Honor of Barbara Noto – Barbara Staton - $50

In Honor of Off Key Chorale – Robyn Faucy - $25

In Honor of Nancy Olson – Caroline Willms - $50

In Honor of Vince Olson – Nancy Yost Olson - $84

In Memory of Eileen Palermo – Francis Roxby - $100

In Honor of Rob and Linda Quarles – Bill and Gert Terborg - $50

In Memory of Gayle Reeves – Robert Reeves - $50

In Honor of Madison Spahn – Stacy Dillard-Spahn - $84

In Memory of Daniel J. Stone – Katherine Stone - $25

In Honor of Richard Storm – Deborah Beacham - $2,100

Charles and Charlotte Perret - $1,000

In Honor of Daniel Tarshus – Kathleen Tarshus - $42

In Memory of Mary Waller – Pete and Debbie Rostad - $42

In Honor of Susan Winters – Naomi Linkous - $100

In Memory of Susan Winters – Naomi Linkous - $42

In Memory of Minerva Turner and Anne Ryckman –

Victoria Guenther - $84

In Honor and In Memoriam Donations continued...

...always with Joy

RESORT CRUISE ISLAND

SOPHISTICATED STREET

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For the love of music.Proud to sponsor

Key Chorale

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