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TOBI, continued (continued) February 2, 2010 Languages! Polish2 Tagalog2 Urdu Spanish Afrikaans...

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TOBI, continued (continued) February 2, 2010
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Page 1: TOBI, continued (continued) February 2, 2010 Languages! Polish2 Tagalog2 Urdu Spanish Afrikaans Korean Gujarati Italian Russian Swedish Also: Perception.

TOBI, continued (continued)

February 2, 2010

Page 2: TOBI, continued (continued) February 2, 2010 Languages! Polish2 Tagalog2 Urdu Spanish Afrikaans Korean Gujarati Italian Russian Swedish Also: Perception.

Languages!Polish 2

Tagalog 2

Urdu

Spanish

Afrikaans

Korean

Gujarati

Italian

Russian

Swedish

Also:

Perception of palatalization in Irish

Developing phonemic inventory in an 18 month-old

Page 3: TOBI, continued (continued) February 2, 2010 Languages! Polish2 Tagalog2 Urdu Spanish Afrikaans Korean Gujarati Italian Russian Swedish Also: Perception.

Agenda1. Return homeworks.

2. Questions on course project?

3. The final pieces of the TOBI puzzle.

4. More transcription practice.

5. On Thursday, we will be in Craigie Hall D428.

• (the language lab)

Page 4: TOBI, continued (continued) February 2, 2010 Languages! Polish2 Tagalog2 Urdu Spanish Afrikaans Korean Gujarati Italian Russian Swedish Also: Perception.

Mystery Solved• The Mystery Tone Language was the Amoy dialect of Min Nan, which is spoken in southern China.

• There are five tones in Min Nan (the mystery language):

High Level 5-5 #3: #10:

Mid Level 3-3 #4: #7:

Low Falling 2-1 #5: #12:

High Falling 5-1 #1: #6: #9:

Low Rising 2-3 #2: #8: #11:

Page 5: TOBI, continued (continued) February 2, 2010 Languages! Polish2 Tagalog2 Urdu Spanish Afrikaans Korean Gujarati Italian Russian Swedish Also: Perception.

TOBI, so far1. Pitch Accents

• H* and L*

2. Phrase Accents

• H- and L-

3. Boundary Tones

• H% and L%

4. Break Indices

• 0, 1, 2, 3 and 4

5. Downstepping and Upstepping

Page 6: TOBI, continued (continued) February 2, 2010 Languages! Polish2 Tagalog2 Urdu Spanish Afrikaans Korean Gujarati Italian Russian Swedish Also: Perception.

Bitonal Pitch Accents• In addition to H* and L*, there are three bitonal pitch accents.

• Here are the first two:

• L + H*

• L* + H

• The starred element denotes the tone which is associated with the stressed syllable.

• L + H* = high peak on stressed syllable, preceded by a sharp rise in pitch.

• L* + H = low pitch target on stressed syllable, followed by a sharp rise in pitch.

Page 7: TOBI, continued (continued) February 2, 2010 Languages! Polish2 Tagalog2 Urdu Spanish Afrikaans Korean Gujarati Italian Russian Swedish Also: Perception.

H* vs. L + H*• Marianna won it.

H*

L + H*

Note: informative vs. contrastive function

Page 8: TOBI, continued (continued) February 2, 2010 Languages! Polish2 Tagalog2 Urdu Spanish Afrikaans Korean Gujarati Italian Russian Swedish Also: Perception.

L* vs. L* + H• Only a millionaire.

• Marianna made the marmalade.

H* L* + H L- H%

L* L* H-H%

Page 9: TOBI, continued (continued) February 2, 2010 Languages! Polish2 Tagalog2 Urdu Spanish Afrikaans Korean Gujarati Italian Russian Swedish Also: Perception.

L + H* vs. L* + H• There’s a lovely one in Bloomingdale’s.

L* + H

L + H*

Page 10: TOBI, continued (continued) February 2, 2010 Languages! Polish2 Tagalog2 Urdu Spanish Afrikaans Korean Gujarati Italian Russian Swedish Also: Perception.

Filling the Gap• Another feature of phrase accents is that they fill in the gap between the nuclear accent and the boundary of the intermediate phrase.

L* + H L- H%

1 0 1 1 4

Page 11: TOBI, continued (continued) February 2, 2010 Languages! Polish2 Tagalog2 Urdu Spanish Afrikaans Korean Gujarati Italian Russian Swedish Also: Perception.

More Downstepping• Bitonal pitch accents can also undergo downstepping.

L + H* L + !H* L + !H* L-L%

1 1 1 1 1 4

Page 12: TOBI, continued (continued) February 2, 2010 Languages! Polish2 Tagalog2 Urdu Spanish Afrikaans Korean Gujarati Italian Russian Swedish Also: Perception.

H + !H*• The final pitch accent in the TOBI inventory is H+!H*.

• This one often appears at the beginning of phrases.

Page 13: TOBI, continued (continued) February 2, 2010 Languages! Polish2 Tagalog2 Urdu Spanish Afrikaans Korean Gujarati Italian Russian Swedish Also: Perception.

Pitch-Accents Round-up• There are five pitch accents:

• H*

• L*

• L + H*

• L* + H

• H + !H*

• The * attaches to stressed syllables.

• The final pitch accent in an intonational phrase is the nuclear accent.

• Generally perceived as more prominent.

Page 14: TOBI, continued (continued) February 2, 2010 Languages! Polish2 Tagalog2 Urdu Spanish Afrikaans Korean Gujarati Italian Russian Swedish Also: Perception.

Practice Time…https://webdisk.ucalgary.ca/~swinters/public_html/ling441/TOBIlab3.html

Page 15: TOBI, continued (continued) February 2, 2010 Languages! Polish2 Tagalog2 Urdu Spanish Afrikaans Korean Gujarati Italian Russian Swedish Also: Perception.
Page 16: TOBI, continued (continued) February 2, 2010 Languages! Polish2 Tagalog2 Urdu Spanish Afrikaans Korean Gujarati Italian Russian Swedish Also: Perception.

A Chunking Reviewutterance

intonational phrase (intonational phrase) ...

intermediate phrase (intermediate phrase) ...

(pitch accent) nuclear accent

(stressed syllable) stressed syllable

Page 17: TOBI, continued (continued) February 2, 2010 Languages! Polish2 Tagalog2 Urdu Spanish Afrikaans Korean Gujarati Italian Russian Swedish Also: Perception.

Break Indices• 4 marks boundaries between intonational phrases

• associated with a boundary tone (H% or L%)

• sense of complete disjuncture

• 3 marks boundaries between intermediate phrases

• associated with a phrase accent (H- or L-)

• lesser sense of disjuncture

• 1 marks boundaries between words

• 0 marks phonetic coarticulation between words

• (2 marks uncertainties or apparent mismatches)

• rarely used

Page 18: TOBI, continued (continued) February 2, 2010 Languages! Polish2 Tagalog2 Urdu Spanish Afrikaans Korean Gujarati Italian Russian Swedish Also: Perception.

0 Level Boundaries• 0 level boundaries are marked wherever there is clear coarticulation across a word boundary

• Also for flaps across word boundaries, as in “got it”

0 1 1 4


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