41
Top 10 Classical Series - Vol. 3 VOCAL / KEYBOARD SCORE Wedding Solos The Top 10 Classical Vocal Solos
Top 10 Classical Series - Vol. 3
VOCAL / KEYBOARD SCORE
Wedding Solos
The Top 10 Classical Vocal Solos
1
In Voce Editions - Top Ten Classics Series
VOLUME 3
Wedding Solos
(High Voice) This Collection contains 10 of the “Top 10” Classical Wedding Music Selections chosen
for Preludes, Seating of Mothers, Signing of the Register and Reflections. The pieces are arranged for High Voice (Soprano or Tenor) with keyboard
accompaniments, which may be played on organ, piano or keyboard.
They range in difficulty from moderately easy to moderately difficult.
To play midi sound files for these pieces, click here www.ozemail.com.au/~bfk/Midis/TTMidis.html
1. Ave Maria …………………………………………. F.SCHUBERT 2 2. Ave Maria………………………………………….. C. GOUNOD 6 3. Panis Angelicus………………………………….. C. FRANCK 10 4. Bist du bei mir ………………………………….. J.S. BACH 14 5. O Perfect Love …………………………………… J. BARNBY 17 6. The Lord’s Prayer ………………………………. A.H. MALOTTE 19 7. Simple Gifts ……………………………………….Trad. SHAKER TUNE 24 8. Jesu joy of man’s desiring…………………… J.S.BACH 26 9. Nulla in mundo pax …………………………… A. VIVALDI 30 10. Allelujah- from Exultate jubilate …………………….. W.A. MOZART 35
Edition Copyright © 2008
2
e=66Molto lento
Ave Maria(medium - high voice) F. Schubert
Op.52
pp
6
6
6
6
6
6
6
6
A1.
p
ve- - - - Ma ri
-
- - - - -
A2.
ve- - - - Ma ri
-
- - - - -
p
aa
-
MaGra
p
ti
tera
- -- - -
Deple
--
-
3
i.na.
--
OMa
rari
--
proa- -
nogra
bis- pec
ti
-
caa
--
-
tople
ri-
busna,
- -
- OMa
rari
--
oa
- -
ragra
- proti
3
-noa
- ple
3
-
bisna,
-
OA
rave
--
O
f
raA
pro
ve
3
-noDo
mi
3
-
-
-
bisnus,
pecDo
cami
--
tonus
--
rite
- bus,cum.
--
nuncBe ne
mf
- -
4
etdic
inta
-
hotu
in
ramu
-li-
more
- ri-
tis,bus
-
-
inet
ho
be
ra
ne
- -
- -
mor
di-
tis
3
- no
3
strae,
ctus,
- -
-
in
et
hobe
rane
--
mordic-
tis,tus
--
morfru
tisctus
3
--
noven
strae,tris,
--
ven
intris
-
rit.
ho
tu
ra
i
- -
- -
mor
Je
tis
3
- no
3
strae.
sus.
- - -
-
pp
5
A tempo
A
ve- - - - Ma ri
-
- - - - -
A
ve- - - - Ma ri
-
- - - - -
a.
-
a.
-
2nd VerseDal Segno
pp
dim.
6
ModeratoAdaptation by Charles Gounod
of Prelude No.1 from "Das Wohltemperirte Klavier" by J.S. Bach
Ave MariaHigh Voice in G
p
A
ve
- - - -
Ma
-
pp
ri
a
- - - - - -
Gra
ti
- - - - a- ple
na,
- -
cresc. pp
7
Do
mi
- - nus- te
cum,
-
be
ne
- -
-
cresc. pp
cresc.
di
-
cta
- - - - tu
in
p
mu
li
- - - - e
ri- - bus
-
et
be
ne- dic
- tus
- -
cresc.
p
8
fru
ctus
cresc.
- - - ven
tris
- - -
cresc.
tu
i- Je
sus
-
San
cata
-
Ma
p
ri
a
-
San
cresc.cta
Ma ri
- a
-
f
Ma
cresc.molto
ri
a
-
o
ra
- - pro no
bis
-
pp
9
no
cresc.bis- - pec
molto
ca- to
ri- bus,
-
nunc
fet
in
cresc.
cresc. molto
f
ho
ff ra,
- - in ho
ra
- - mor
tis
- no
strae
-
ff
A
men.
- - - - - -
dim.
rit.
rit.
A
p
men.
- - - - - -
pp
10
Andante ma non troppo
Panis angelicus
Cesar Franck Text: St. Thomas Aquinas
Organ/Piano
p
poco rall.
A tempo
Pa
nis
- an
ge- li- cus
-
fit
pa
nis
- hom i- num
-
Dat
pa
nis
- cae
li- cus
- fi
gu
- ris- ter
mi
- num;
-
11
O
res
mi
ra- bi- lis
-
man
du
- cat
- Do mi- num
-
Pau
per,
-
pau
per
-
ser
fvus- et hu
mi- lis.
-
f
Paup
per
-
pau
cresc.
per
-
ser
f
vus,- et hu
mi- lis.
-
p
cresc.
f
poco rit. A tempo
Pa
nis
- an
-
mf
mf
12
Pa
Descant Voice or instrument
nis
- an
ge- li- cus
-
fit
pa
nis
- ho mi- num
-
ge li- cus
-
fit
pa
nis
- ho mi- num
-
f Dat
pa
nis
-
Datf
pa
nis
- cae
dim.
li- cus
- fi
gu
- ris- ter
mi
- num;
-
cae
li- cus
- fi
gu
- ris- ter
mi
- num;
-
O
res
mi
-
O
cresc.
res
mir
a- bi- lis
-
man
du
- cat
- Do mi- num
-
ra
cresc.
bi lis
- -
man
du
- cat
- Do mi- num:
-
f Pau
per-
f
13
Pau
per- et hu
mi
- lis,
-
pau
per
- ser
vus- et hu
mi- lis,
-
ff Pau
per-
cresc.
rall.
Pau
ff
per- - et hum
dim.
i
- - lis.
-
pau
per
- ser
dim.
vus- ser
vus- et hu
mi- - -
-
lis.p
p
14
AndanteOriginal composer
Gottfried Heinrich Stölzel (1690-1749)
Love song from the Anna Magdalena Songbook
Bist, Du bei mir collated by Johann Sebastian Bach (1685-1750)
Bist
mfDu
If thou art with me, then will I gladly go unto death and to my rest. Ah, how satisfying will my end be, as thy fair hands close over mine eyes!
bei mir,
geh'
ich
mit
Freu
den
-
mf
zum Ster
ben
- und
zu mei
ner
- Ruh,
Zum
Ster
ben- und
zu mei
ner-
Ruh.
Bist
Du bei
mir,
geh'
cresc.ich
mit
cresc.
Freu
den
-
Zum Ster
- ben
und
zu mei
ner
-
15
Ruh,
Zum
Ster
- ben
mei
ner- Ruh.
Ach,
fwie
ver
-
f
gnügt
Wär
so
mein En
de,,
-
Es
p
drück
ten
-
p
Dei ne- schö
nen
- Hän
de
- mir die
ge treu
- en- Au
gen- zu!
Ach
wie
ver gnügt
-
wär
so
mein
En
de,
-
16
Es drück
ten
- Dei
ne- schö
nen
- Hän
de
- Mir die
ge treu
- en- Au
gen-
zu!
Bist
f
Du bei
mir,
geh'
ich
mit
f
Freu
den
-
Zum Ster
ben
- und
zu mei
ner
-
Ruh
Zum
allargando
Ster
ben- und
zu mei
ner- Ruh.
p
allargando
p
17
AndanteJoseph Barnby (1838-96)
arranged by Bernard Kirkpatrick Text: Dorothy Frances Gurney
O Perfect Love
mf
dolce e espress.
3 3
3 3
mp
mf
f
1.2.3.
OO
Grant
perper
them
fectfect
the
--
life,love,
joy
beall
which
legato
3 3
3 3
3 3
3 3
3 3
3 3
hunowbright
theirman
ens
-
-full
thought
earth
astrans
ly
-sur
cend
sor
--
ranceing,
row,
--
-of
low
grant
tenly
them
-
derwe
the
-
3 3
3 3
3 3
3 3
3 3
3 3
charkneel
peace
iin
which
- ty
prayer
calms
- - and
be
all
steadfore
earth
-
fastyour
ly
- faith,
throne
strife,
3 3
3 3
3 3
3 3
3 3
3 3
18
ofthat
and
pa
theirs
to
tientmay
life's
- hope,be
day
andthe
the
quilove
glo
etwhich
rious
--
braveknows
un
enno
known
--
3 3
3 3
3 3
3 3
3 3
3
3
durend
mor
ance,ing
row
--
-
withwhom
that
childyou
dawns
likefor
up
- truste
on
-
thatver
e
-
fearsmore
ter
-
-
notnow
nal
-
3 3
3 3
3 3
3 3
3 3
3 3
painjoin
love
dim.
orin
and
death.one.
life.
Final time.
3 3
3 3
3 3
3 3
p
19
Lento, religioso
The Lord's Prayer(for High Voice)
Albert Hay MalotteSimplified accompaniment by
Bernard Kirkpatrick
ppp
Our
Fa
ther,
-
3
3
3
3
3
3
3
3
3
3
3
3
ppp
pp
which
art
in
heav
en,
-
3
3
3
3 3
3 3
3
pp
pp
Hal low- ed
3
- be
thy
rit.
3
3
3
3
3
3
3
3
rit.
20
Name.
a tempo
accel.
poco più mosso
p
Thy
king
dom
-
3
3 3
3 3
accel.
3 3
3
poco più mosso
3
3
3
3
a tempo
p
come.
mp
Thy
will
be
done
in
p
3
3 3 3
3
3
3
3
3
3
p
3
3
L.H
earth,
p
as it is
in
Hea
ven.
- -
3
3 3
3
pp
p
21
3 3 3 3 3
3
3
3
3
3
pp
molto espressivo e sempre legato
pp
Give
us
this
day
our
3
3
3
3
3
3
3
3
3
3
3
3
dai
p
ly
- bread.
And for
3
give
-
poco accel.
us
our
debts,tres
pas- ses
-asas
p
3
3
3
3
3
3
3
3
3
3
3
3
p
p
22
rall.
rall.A tempo
A tempo
we
we
for give
3
- those
for
who
3
3givetres
-
pass-oura
3
3debt
gainst
-
ors.us.
-
3
3
3
3
3
3
3
p
3 3
3
3
3
3
p
And
lead
us
3
not
in to- temp
3
ta
- tion,
-
but de
3
li
mf
- ver
3
- us
from
mp
3
3
mf
3
3 3
e
vil:
-
mf
For
Broadly
thine
fis
the
3
king
dom,
- and the
3
3
3
mf
3
f
3
3
3
3 3 3
23
pow
er
- and the
3
glo
ff
ry
- - -
for
3
3 3 3
ff
3 3 3 3
e
ver,
- - - - -
A
f 3 - - -
3 3 3 3
f
3
3 3 3
Tempo 1
Tempo 1 rall.
men.
p
mf
p
pp
ppp
24
Simple GiftsA traditional
American Shaker Tune c.1848
'Tis the gift to be simple
Joyfully
mp
'Tis the gift
to be sim
ple,- 'tis
the gift
to be free,
'tis the
gift
to
come
down
where
you ought
to be;
And
when
we find
our selves
in
the
place
just right
'Twill
be in
the
val
ley- of love
and
de light.
-
25
When
true
sim pli
- ci- ty
- is gained,
to
mf
bow
and to bend
we shan't
be
a shamed,
- to
turn,
turn
will be
our de light,
- till by
rall.
turn
ing,
- turn
ing
- we come
out
right.
26
AndanteJohann Sebastian Bach (1685-1750)
Church Cantata - BWV147 "Herz und Mund und Tat und Leben"Jesu, Joy of Man's Desiring
English text: Robert Bridges
p
3
3
3
3
3
3
3
3 3
3
3
3
3 3
JeThroughmf
p 1.
2.
su,the
- joy
way,
of
where
man'sHope
deis
sir
guid
- ing,
ing,
--
Ho
Hark,
ly
what
-
1st time p
2nd time mf
wispeace
-dom,
ful
- love
mumostsic
-
bright,rings,
27
Drawn
Where
by
the
Thee,
flock,
our
in
souls
Thee
as
con
pir
fid
-
-
ing,
ing,
-
-
Soar
Drink
to
of
un
joy
cre
from
- a
death
- ted
less
-
-
light.
springs.
cresc.
3
3
28
Word
Theirs
mf
of
is
God,
beau
our
ty's
-
flesh
fair
that
est
-
fash
plea
ion'd.
sure:
-
-
f
f
With
Theirs
the
is
fire
wis
-
of
dom's
life
ho
im
liest
-
pas
trea
- sion'd,
sure:
-
-
Stri
Thou
dim.
ving
dost
- still
ev
to
er
-
truth
lead
un
Thine
-
dim.
3 3
29
known,
own,
p
Soar
in
ing,
the
- dy
love
ing
of
- round
joys
Thy
un
-
3 3
3 3p
Throne.known.
dal segno
30
LarghettoAntonio Vivaldi (1678-1741)
Keyboard reduction: Bernard Kirkpatrick
Nulla in mundo pax sincera"Aria" from the Motet -RV630
f
There is no sincere peace in the world without bitterness. Amidst punishments and torments, the soul lives contented in the sole hope hope of chaste love.
mp
Nul - la
in mun
do
- pax
sin cer
- a
- si
ne-
p
31
fel
le;
- pu
ra
- et ve
ra,
- Dul
cis- Je
su,- est
in te.
f
Nul la
- in mun
do
- pax
sin ce
- ra
- Si ne
- fel
le;
-
p
pu ra
- et ve
ra
- dul cis
- Je
su
- est in
te.
f
32
Nul
la_in-
p
mun do- pax
sin ce
- ra- si
ne- fel
le;- pu
ra_et- ve
ra,- Dul
cis
Je
su,- - - - - - - - - - pu
ra_et-
ve ra,- Dul
cis Je
su,- est
in te.
Dul
cis
-
33
Je
su,- est
in te.
f
fine
In
ter- poe
nas- et
tor men
- ta,- et
tor
p
men ta- Vi
vit a
ni- ma
- con ten
- ta,- Vi
vit a
ni- ma
- con ten
- ta- Cas
ti- a- mo
ris,- cas
ti- a-
34
mo- ris so
la- spe.
Vi
vit- a
ni- ma
- con
-
p
ten ta,- In
ter- poe
nas- et
tor men
- ta,- et
tor men
- ta- Cas
ti_a-
mo
ris- so
la- spe,
In ter- poe
nas- et
tor men
- ta- vi
vit-
a
ni- ma
- con ten
- ta- Cas
ti_a- mo
ris- so
la- spe.
Da Capo
35
Vivace
Alleluja
W.A. Mozart
from "Exsultate, jubilate"
f
Al
Soprano
le- lu
- ja,
- Al
le
- lu
- ja,
-
al
le- lu
- ja,
- Al
le- lu
- ja.
-
p
Al
le- lu
ja,
- Al
le
- lu
- ja
-
al
le
- lu- ia,
- Al
le- lu
- ja.
-
Al
le
- lu
- ja,
-
Al
le
- lu
- ja,
-
f
p
f
p
36
al le
- lu
- ja,
- al
le
- lu- ja,
-
f
p
f
p
f
al le
- lu
- ja,
- al
le
- lu- ja,
-
f
p
f
p
f
al
le
- - lu- ja,
-
p
_
ja,
al le
- lu
-
ja
-
37
al
le- lu
- ja,
- al
le
- lu- ja,
-
al
le- lu
- ja,
- al
le
lu- ja
-
al le
- lu
- ja,
- al
-
le
lu
- ja,
- al
cresc.le
- lu
- ja
-
cresc.
f
al
- - - - - - - -
p
p
38
- - - - - - - - - - - - -
p
- - - - - - - - - - - - -
p
fp
fp
fp
le- - - - - - - - lu
- ja
-
f
p
al
le- lu
- ja,
- al
le- lu
- ja
-
39
f
al
le- lu
- ja,
- al
le- lu
- ja,
- al
le
- lu
- ja,
-
fp
fp
f
al
le- lu
- ja,
- al
le- lu
- ja,
- al
le
- lu
- ja,
-
fp
fp
f
al
le
- - lu
- - ja.
- -
