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Medieval Manuscripts
CHURCH HISTORY IN LITURGICAL ART
BY JUAN P. FLORES
TOP 8 MASTERPIECES IN
FRENCH DECRETUM GRATIANI1250 ADGratian
Opened book
The Decretum Gratiani, also known as the Concordia discordantium canonum or Concordantia
discordantium canonum, is a collection of Canon law compiled and written in the 12th century as a
legal textbook by the jurist known as Gratian.
Positive ecclesiastical laws, based directly or indirectly upon immutable divine law or natural
law, derive formal authority in the case of universal laws from the supreme legislator (i.e. the Supreme Pontiff), who possesses the totality of legislative, executive, and judicial power in his person, while
particular laws derive formal authority from a legislator inferior to the supreme legislator.
VIII
CODEX AUREUS OF ST. EMMERAM870 ADBro. Liuthard, Beringer
Sample Folios
The Codex Aureus of St. Emmeram (Munich, Bayerische Staatsbibliothek, Clm 14000) is a 9th-
century illuminated Gospel Book.
It was produced for the Holy Roman Emperor Charles II (the Bald) in 870 at his Carolingian Palace School.
Seven full-page miniatures show the four evangelists, Charles the Bald enthroned, the Adoration of the
Lamb and a Christ in Majesty. It also includes twelve canon tables, ten illuminated initials and incipits. The text is written in golden uncial letters, with each page framed. It measures 420 mm by 330 mm and has 126
vellum folios.
The cover is handmade of gold, and decorated with precious gemstones, sapphires, emeralds, and pearls. At the centre of the cover appears Christ in Majesty, in repoussé relief, seated on the globe of the world and holding on his knee a book inscribed with the words:
"I am the way, and the truth, and the life. No man cometh to the Father, but by me."
VII
CODEX AUREUS OF ST. EMMERAM870 ADBro. Liuthard, Beringer
Cover
The cover is handmade of gold, and decorated
with precious gemstones, sapphires, emeralds, and pearls.
At the centre of the cover appears Christ in
Majesty, in repoussé relief, seated on the
globe of the world and holding on his knee a
book inscribed with the words:
"I am the way, and the truth, and the life. No
man cometh to the Father, but by me."
VI
The adoration of the Lamb from the Codex Aureus of St. Emmeram.
LINDISFARE GOSPELS715 ADBro. Eadfrith
the Cover
Considered Insular or Hiberno-Saxon artBound colours with egg and fish glue
Gold used sporadicallyProduced in honour of St. Cuthbert
Eadfrith consecrated 698, died in 721
The Lindisfarne Gospels is a Christian manuscript, containing the gospels of
Matthew, Luke, Mark, and John and the life and teachings of Jesus Christ. The
manuscript was used for ceremonial purposes to promote and celebrate the
Christian religion and the word of God.
Some pigments were imported from the Mediterranean and Himalayas.
V
detail from Page
LINDISFARE GOSPELS715 ADBro. Eadfrith
the Interior Pages
Considered Insular or Hiberno-Saxon artBound colours with egg and fish glue Gold used sporadicallyProduced in honour of St. CuthbertEadfrith consecrated 698, died in 721
The Lindisfarne Gospels is a Christian manuscript, containing the gospels of
Matthew, Luke, Mark, and John and the life and teachings of Jesus Christ. The
manuscript was used for ceremonial purposes to promote and celebrate the
Christian religion and the word of God.
Some pigments were imported from the Mediterranean and Himalayas.
V
LINDISFARE GOSPELS715 ADBro. Eadfrith
the Interior Pages
Considered Insular or Hiberno-Saxon artBound colours with egg and fish glue Gold used sporadicallyProduced in honour of St. CuthbertEadfrith consecrated 698, died in 721
The Lindisfarne Gospels is a Christian manuscript, containing the gospels of
Matthew, Luke, Mark, and John and the life and teachings of Jesus Christ. The
manuscript was used for ceremonial purposes to promote and celebrate the
Christian religion and the word of God.
Some pigments were imported from the Mediterranean and Himalayas.
V
CODEX AUREUS OF CANTERBURY750 ADAnonymous
The beginning of the Gospel of Luke
Several Gospel Books from the 9th through 11th centuries were so heavily
illuminated with gold leaf that they were referred to as the Codex Aureus.
This one contains the text of the four Gospels in Latin written in an uncial
script on vellum leaves that alternately are dyed purple and undyed.
The illustration program includes two surviving evangelist portraits, six canon tables and seven large decorated initials. The manuscript is the oldest surviving example of initials decorated with gold
leaf. Its decoration combines Insular and Italian elements.
IV
CODEX AUREUS OF CANTERBURY750 ADAnonymous
Evangelist portrait of Saint John
IV
Several Gospel Books from the 9th through 11th centuries were so heavily
illuminated with gold leaf that they were referred to as the Codex Aureus.
This one contains the text of the four Gospels in Latin written in an uncial
script on vellum leaves that alternately are dyed purple and undyed.
The illustration program includes two surviving evangelist portraits, six
canon tables and seven large decorated initials. The manuscript is the oldest
surviving example of initials decorated with gold leaf. Its decoration combines
Insular and Italian elements.
BIBLE MORALISÉE DE VIENNE 25541215 ADAnonymous
The Creation
Moralized Bibles are expensive illuminated manuscripts of the thirteenth century.
The copy "Vienna 2554" made it to the Imperial Library in Vienna in 1783. It is the most familiar of the bibles with a famous
frontispiece.
There are scenes representing the Old and New Testament, with 8 scenes per page. It is
the only one entirely written in French. It was realized for a sponsor of the royal
family of France.
On the back of folio 1 is a miniature full page representing God, bent over a globe
with a compass in his hand, symbolizing the architect of the universe.
III
HORTUS DELICIARUM1185 ADSister Herrad
II
Herrad of Landsberg (c.1130 - July 25, 1195) was a 12th century Alsatian nun and abbess of
Hohenburg Abbey in the Vosges mountains. She is known as the
author of the pictorial encyclopedia Hortus deliciarum (The Garden of Delights). Herrad of Landsberg was born about 1130 at the castle of Landsberg, the seat
of a noble Alsatian family. She entered the Hohenburg Abbey in
the Vosges mountains, about fifteen miles from Strasbourg, at an early age. She became abbess
there in 1167 and continued in that office until her death.
HORTUS DELICIARUM1185 ADSister Herrad
Here will go an explanation.
II
Most of the manuscript was a compendium of 12th century knowledge containing poems, illustrations, and music; some
from classical and Arab writers.
Sister Herrad included some of her own musical poems in her
compilation.
There were 336 illustrations of theological, philosophical, and
literary themes
In 1870, the manuscript was burnt and destroyed when the library
housing it in Strasbourg was bombed during a siege on the city.
HORTUS DELICIARUM1185 ADSister Herrad
II
Most of the manuscript was a compendium of 12th century knowledge containing poems, illustrations, and music; some
from classical and Arab writers.
Sister Herrad included some of her own musical poems in her
compilation.
There were 336 illustrations of theological, philosophical, and
literary themes
In 1870, the manuscript was burnt and destroyed when the library
housing it in Strasbourg was bombed during a siege on the city.
HORTUS DELICIARUM1185 ADSister Herrad
Royal feast
II
Most of the manuscript was a compendium of 12th century knowledge containing poems, illustrations, and music; some
from classical and Arab writers.
Sister Herrad included some of her own musical poems in her
compilation.
There were 336 illustrations of theological, philosophical, and
literary themes
In 1870, the manuscript was burnt and destroyed when the library
housing it in Strasbourg was bombed during a siege on the city. Battle, Unknown
Mill Diagram
HORTUS DELICIARUM1185 ADSister Herrad
The Nativity
Herrad of Landsberg (c.1130 - July 25, 1195) was a 12th century Alsatian nun and abbess of
Hohenburg Abbey in the Vosges mountains. She is known as the
author of the pictorial encyclopedia Hortus deliciarum (The Garden of Delights). Herrad of Landsberg was born about 1130 at the castle of Landsberg, the seat
of a noble Alsatian family. She entered the Hohenburg Abbey in
the Vosges mountains, about fifteen miles from Strasbourg, at an early age. She became abbess
there in 1167 and continued in that office until her death.
II
The Creation
Harking Angels and Sheperds
Pentecost
HORTUS DELICIARUM1185 ADSister Herrad
II
Philosophy, the Queen, sits in the center of the circle. Three heads extending from her crown represent Ethics, Logic and Physics.
"All wisdom comes from God; only the wise can achieve what they desire."
Below Philosophy are Socrates and Plato.with writing on ethics, physics, and rhetoric
From Philosophy emerge seven streams, the seven liberal arts inspired by the Holy Spirit
"I, Godlike Philosophy, control all things with wisdom; I lay out seven arts which are
subordinate to me."
1185 ADSister Herrad
II
12:00 - Grammar "Through me all can learn what are the words, the syllables, and the letters."
2:00 - Rhetoric "Thanks to me, proud speaker, your speeches will be able to take strength."
4:00 - Dialectic "My arguments are followed with speed, just like the dog's barking."
5:00 - Music "I teach my art using a variety of instruments."
7:00 - Arithmetic "I base myself on the numbers and show the proportions between them."
9:00 - Geometry "It is with exactness that I survey the ground."
11:00 Astronomy "I hold the names of the celestial bodies and predict the future."
HORTUS DELICIARUM1185 ADSister Herrad
II
The large ring around the whole scene contains four aphorisms:
"What it discovers is remembered""Philosophy investigates the secrets of the elements and all things"
"Philosophy teaches arts by seven branches""It puts it in writing, in order to convey it to the students"
Below the circle are four men seated at desks, poets or magicians, beyond the
influence of Philosophy. According to the text they are guided and taught by impure
spirits and they produce is only tales or fables, frivolous poetry, or magic spells.
Black birds are speaking to them instead of the white dove, symbol of the Holy Spirit.
TRÈS RICHES HEURES DU DUC DE BERRY1412 AD
Limbourg Bros.
Sample page
Late International Gothic phase of the styleA collection of prayers to be said at the canonical hours
Made for John, Duke of Berry, who died in 1416The original manuscript was left unfinished
Embellished in the 1440s by an anonymous painter
I
Cover Astrological Man
TRÈS RICHES HEURES DU DUC DE BERRY1412 AD
Limbourg Bros.
Sample page
Late International Gothic phase of the styleA collection of prayers to be said at the canonical hours
Made for John, Duke of Berry, who died in 1416The original manuscript was left unfinished
Embellished in the 1440s by an anonymous painter
I
The Baptism of St. Augustine January
TRÈS RICHES HEURES DU DUC DE BERRY1412 AD
Limbourg Bros.
Sample page
Late International Gothic phase of the styleA collection of prayers to be said at the canonical hours
Made for John, Duke of Berry, who died in 1416The original manuscript was left unfinished
Embellished in the 1440s by an anonymous painter
I
Page
Detail
Detail
TRÈS RICHES HEURES DU DUC DE BERRY1412 AD
Limbourg Bros.
Late International Gothic phase of the style
I
TRÈS RICHES HEURES DU DUC DE BERRY1412 AD
Limbourg Bros.
Sample pageLate International Gothic phase of the styleA collection of prayers to be said at the canonical hours
Made for John, Duke of Berry, who died in 1416The original manuscript was left unfinished
Embellished in the 1440s by an anonymous painter
I
TRÈS RICHES HEURES DU DUC DE BERRY1412 AD
Limbourg Bros.
Sample pageLate International Gothic phase of the style
A collection of prayers to be said at the canonical hoursMade for John, Duke of Berry, who died in 1416
The original manuscript was left unfinishedEmbellished in the 1440s by an anonymous painter
I
TRÈS RICHES HEURES DU DUC DE BERRY1412 AD
Limbourg Bros.
Sample pageLate International Gothic phase of the style
A collection of prayers to be said at the canonical hoursMade for John, Duke of Berry, who died in 1416
The original manuscript was left unfinishedEmbellished in the 1440s by an anonymous painter
I
TRÈS RICHES HEURES DU DUC DE BERRY1412 AD
Limbourg Bros.
Sample pageLate International Gothic phase of the styleA collection of prayers to be said at the canonical hours
Made for John, Duke of Berry, who died in 1416The original manuscript was left unfinished
Embellished in the 1440s by an anonymous painter
I
TRÈS RICHES HEURES DU DUC DE BERRY1412 AD
Limbourg Bros.
Sample pageLate International Gothic phase of the styleA collection of prayers to be said at the canonical hours
Made for John, Duke of Berry, who died in 1416The original manuscript was left unfinished
Embellished in the 1440s by an anonymous painter
I
TRÈS RICHES HEURES DU DUC DE BERRY1412 AD
Limbourg Bros.
Sample pageLate International Gothic phase of the styleA collection of prayers to be said at the canonical hours
Made for John, Duke of Berry, who died in 1416The original manuscript was left unfinished
Embellished in the 1440s by an anonymous painter
I
TRÈS RICHES HEURES DU DUC DE BERRY1412 AD
Limbourg Bros.
Sample pageLate International Gothic phase of the style
A collection of prayers to be said at the canonical hoursMade for John, Duke of Berry, who died in 1416
The original manuscript was left unfinishedEmbellished in the 1440s by an anonymous painter
I
TRÈS RICHES HEURES DU DUC DE BERRY1412 AD
Limbourg Bros.
Sample pageLate International Gothic phase of the styleA collection of prayers to be said at the canonical hours
Made for John, Duke of Berry, who died in 1416The original manuscript was left unfinished
Embellished in the 1440s by an anonymous painter
I
CHURCH HISTORY IN LITURGICAL ARTBY JUAN P. FLORES
ReferencesIllumination from Hortus deliciarum
http://www.plosin.com/work/HortusDetails.html
Bible moralisée de Vienne 2554 https://fr.wikipedia.org/wiki/Bible_moralis
%C3%A9e_de_Vienne_2554
Très Riches Heures du Duc de Berry
https://en.wikipedia.org/wiki/Tr
%C3%A8s_Riches_Heures_du_Duc_de_Berry
Biblioteca Nacional de España http://www.bne.es/es/Micrositios/
Exposiciones/BNE300/documentos/300anos_60-61.pdf
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CHURCH HISTORY IN LITURGICAL ARTBY JUAN P. FLORES