TRINITY LUTHERAN CHURCH M.P. MÖLLER OPUS 7700...

TRINITY LUTHERAN CHURCH M.P. MÖLLER – OPUS 7700

RELOCATION AND RECONFIGURATION

Request for Proposals

1.0 General Information Page 2 2.0 Scope of Services Page 3 3.0 Responses Page 6 4.0 Evaluation Criteria Page 6 5.0 Submission of Proposals Page 7 6.0 Selection Page 7 7.0 General Provisions Page 7 8.0 Contract Provisions Page 8

Trinity Lutheran Church - RFP – Opus 7700 – Relocation & Reconfiguration

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1.0 GENERAL INFORMATION 1.1 INTRODUCTION This Request for Proposals (RFP) is issued by Trinity Lutheran Church of Fairview Village, Pennsylvania. 1.2 ISSUING ORGANIZATION Trinity Lutheran Church (TRINITY) of Fairview Village, Pennsylvania is an affiliate of the Evangelical Lutheran Church in America. Offerors are responsible for monitoring updates and amendments to this RFP at: http://trinityfairview.com/#/communication/rfp-information 1.3 INFORMATION AND INQUIRIES Updates and amendments to this RFP can be found at: http://trinityfairview.com/#/communication/rfp-information All inquiries regarding this RFP must be submitted in writing via email to: Michael S. Monaghan, Director of Liturgical Music: [email protected] Questions will be accepted through April 4, 2014. Questions and responses will be compiled and provided to all Offerors via amendments to this RFP by April 18, 2014. No contact with any other TRINITY personnel other than the authorized contact person is allowed until such time as an award (or awards) has (have) been made. 1.4 RESPONSE DATE RFP Due Date: Responses to this Request for Proposals must be received by May 16, 2014 [JUNE 27, 2014.] 1.5 AWARD AND REJECTION OF PROPOSALS This RFP does not commit TRINITY to award a contract, or to procure, or to contract for services or supplies. Notwithstanding any other provisions of this RFP, TRINITY reserves the right to award this contract to the Offeror(s) that best meet the requirements of the RFP, and not necessarily to the lowest Offeror. TRINITY reserves the right to accept or reject any or all proposals received as a result of this request; to negotiate with all qualified sources; or to cancel in part or in its entirety this RFP if it is in the interests of TRINITY to so do. TRINITY may require the selected Offeror to participate in negotiation and to submit any price, technical, or other revisions, or their proposals as a whole to those negotiations. 1.6 ADDENDA TO RFP Amendments to this RFP may be necessary before the closing date and will be furnished to all prospective Offerors. Failure to acknowledge receipt of amendments in accordance with the instructions contained in the amendment may result in the proposal not being considered. 1.7 PROPRIETARY INFORMATION TRINITY will not disclose any portion of the proposal except to members of our designated proposal evaluation team prior to a contract award. TRINITY retains the right to disclose the name of the successful Contractor, the amount of contract, and any other information in the technical proposal that is pertinent to the selection of the Contractor. 1.8 PRIMARY PROJECT RESPONSIBILITY Offerors responding to this RFP must clearly explain and identify, in detail, which company will be the lead party. It must be clearly understood that the lead party will enter into a contract with TRINITY. All other parties will be considered subcontractors or sub-consultants to the lead party. Regardless of which contractor performs the work, the lead party is ultimately responsible for the performance of all contract work.

http://trinityfairview.com/#/communication/rfp-information

http://trinityfairview.com/#/communication/rfp-information

mailto:[email protected]


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1.9 AVAILABILITY OF FUNDS The contract award under this RFP is contingent upon the availability of funds to TRINITY from the capital campaign for this project. TRINITY shall not advance any funding to the selected Contractor for the Contractor’s performance under this agreement. In the event that the funds are not available, any contract resulting from this RFP will become null and void and of no force and effect. 1.10 AMBIGUITY IN THE REQUEST FOR PROPOSALS (RFP) Prior to submitting the proposal, the Offeror shall be required to bring to TRINITY's attention any ambiguity in this RFP. Claims for clarification made less than four (4) weeks prior to the response date, as indicated in Section 1.4, or after the date of response submission, will not be entertained. A. Conflicts, Errors and Omissions (i) Any discrepancies in any of the documents comprising this RFP shall be promptly brought to the attention of TRINITY by notifying the authorized contact person listed in this RFP. TRINITY shall, at its discretion, determine the prevailing requirement. Offerors and potential Offerors will be notified of the discrepancy and the prevailing requirement. (ii) Omissions from this RFP or the errant description of anything contained herein which are necessary to carry out the work, or which are customarily performed, shall not relieve the Offeror from being obligated to perform such omitted work or errantly described work, but they shall be performed as if fully and correctly set forth and described in this RFP without additional compensation. 1.11 OWNERSHIP INFORMATION TRINITY shall have unlimited rights to use, disclose, or duplicate, for any purpose whatsoever, all information developed, derived, documented or furnished by the selected Contractor under any contract resulting from this RFP. All data collected and other documentation produced as part of the contract will become the exclusive property of the TRINITY and may not be copied or removed by the Contractor or any employee of the Contractor without written permission of TRINITY’S Pastor. 1.12 EQUAL OPPORTUNITY REQUIREMENTS The firm awarded the contract as a result of being pre-qualified under this RFP must meet all Municipal, State and Federal equal employment opportunity practices.

2.0 SCOPE OF SERVICES 2.1 PROJECT BACKGROUND

The Council of Trinity Lutheran Church, Norristown, signed a contract with the M.P. Möller Company in

1948 celebrating the congregation’s 100th anniversary and remembering those members who gave their

lives in World War II. The instrument that was delivered was Möller’s Opus 7700, a 3 manual, 83 rank

pipe organ of over 5000 pipes. Design and finishing of the instrument was done by Möller’s tonal director,

John Schleigh, former apprentice and assistant to Richard Whitelegg. That same instrument, with its

Whitelegg scalings and Schleigh voicing, graces this sanctuary today, moved with care from its original

home on Dekalb Street in Norristown. The restoration, curatorship and development of Opus 7700 is a

privilege that we’re proud to bear, a testament to the energy of Mathias Möller, the artistry of Richard

Whitelegg, the faithful ear of John Schleigh, and the celebratory vision of our own congregation 62 years

ago.


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2.2 PROJECT DESCRIPTION This RFP is issued in support of TRINITY’s plan to build a new sanctuary on our current campus at 1190 Valley Forge Road, Fairview Village, PA. The new building will provide our congregation with a larger venue appropriate to the growing liturgical needs of the parish. Groundbreaking is set for April 13, 2014. The goals of the project are as follows:

To respectfully preserve and develop the parish pipe instrument, Möller Opus 7700 (1948) To artfully and integrally redesign Opus 7700 into our new liturgical space To immediately provide Opus 7700 with a new control system To immediately provide Opus 7700 with a new tiered (French) custom console of the highest

quality designed to the specification of the TRINITY’s Director and including:

o Divisions: Four (Great, Swell, Antiphonal, Pedal) o Chambers: Two large elevated chambers at front of sanctuary, one at rear o Digital Voices: The tonal revision of Opus 7700 may include digital voices o Manuals: Two (2) or Three (3) o DrawknobTiers: Laid out on radius o Control System: Peterson Electro-Musical Products ICS 4000 or equivalent o Drawknobs: Harris Precision o Toe Pedals: Harris Precision (angled) o Keyboards and Thumb Pistons: P&S C-200 Top Resistance Electric Action Keyboards o Pedalboard: P&S D-100 (AGO) or equivalent o Rack Light: KK-Lichttecknik – CL-15 or equivalent o Bench: Adjustable Artist Bench o Console Materials: Custom woods, finishes and other materials TBD o Wind: In addition to the existing Laukhuff blower, an additional new blower is available

To fully engage the expertise and artistry of an AIO organbuilding firm in the revisioning of Opus

7700 as an extraordinary instrument for congregational accompaniment 2.3 PROJECT PHASES Proposals will be conceived in four phases:

1. Design, Planning and Preparation 2. New Console and Control System (Immediate) 3. Installation of revised instrument into new sanctuary on existing MPM chests 4. Ongoing development (chests, etc)

2.4 OVERRIDING LITURGICAL PURPOSE Founded in 1848 as a Norristown mission of the Lutheran Ministerium of Pennsylvania, Trinity Lutheran Church is deeply committed to exercising liturgical leadership through principle-driven excellence. Our new sanctuary has been designed with that mission in mind. It reflects our deep regard for early Christian practice while gracefully echoing our Lutheran commitment to constant, intelligent reform. Our 21

st century gathering space is simply conceived, a place whose primary fixtures of font, table and

ambo clearly define our purpose, creating the central axis of the sanctuary. Grounded in the rich soil of our heritage and willing to carry the art of Lutheran liturgy into the future, we weave our seasons together using a diverse pallet of music, environment and movement. The locations of our new altar and pulpit can be easily changed from season to season. Cantors and ensembles may minister from multiple places. The watchword for our new space is flexibility. We intend to select an console solution which will enable and support this overriding liturgical mission.


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2.5 CONTRACT TASKS The tasks listed below are considered by TRINITY to be critical to this project. 2.5.1 Review of 2012 Burton K. Tidwell Survey of Opus 7700 The selected Contractor will utilize the Tidwell report as a starting point and a guide for developing the instrument. 2.5.2 Continuous Interaction with Key Staff TRINITY’s Director of Liturgical Music and Assistant Director of Liturgical Music will be considered the key staff members for this project. The selected Contractor will be prepared to solicit and receive input from those staff members throughout the duration of the contract. 2.5.3 Initial Plan to the Directors The selected Contractor will issue an initial report to the Director within ten (10) business days after entering into the contract with TRINITY for this project. That report will include the Contractor’s proposed timeline for deliverables, along with a list of project details and options which require discussion and decision at the onset of the first phase of the project. 2.5.4 PHASE I - Console - Detailed Schematic The selected Contractor will provide a schematic diagram showing the proposed console layout including component detail within fifteen (15) business days of receiving a written response from the Director approving the Initial Plan, including any revisions resulting from discussion. 2.5.5 PHASE II - Chambers, Blowers, Chests and Pipes - Detailed Schematic The selected Contractor will provide a schematic diagram showing the proposed layout of the organ chambers including chests, winding and control system detail within thirty (30) business days of receiving a written response from the Director approving the Initial Plan, including any revisions resulting from discussion. 2.5.6 PHASE III – Additional Restoration, Revision and Development The selected Contractor will provide a justified and reasonable plan for the continued restoration, revision and development of Opus 7700, including but not limited to consideration of:

replacement or restoration of the MPM chests addition, revision or substitution of ranks and/or digital voices

2.5.7 Acquisition, Installation and Testing The selected Contractor will acquire, install and test all required components for the console within sixty (60) days of receiving written approval of the final console schematic from the Director, including any revisions resulting from discussion. 2.5.6 Tuning, Training and Support The Contractor will provide an initial voicing and tuning, and then provide ongoing support under the terms of the contract for a period of not less than three (3) years. 2.5.7 Summary of Deliverables All deliverables are due by the end of the period of performance.

1. Initial Plan, Design and Timetable 2. Ongoing Interaction with Key Staff 3. Phase I – Console Design, Approval, Construction and Delivery 4. Phase II – Opus 7700 Revision Installed in New Sanctuary 5. Phase III – Additional Restoration, Revision and Development


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3.0 RESPONSES Prospective Contractors are asked to submit responses in three parts:

1. Letter of Interest 2. Phased Technical Response 3. Phased Price Proposal

3.1 LETTER OF INTEREST The Letter of Interest must specify the following:

The name and address of the Contractor.

The name, title and telephone number of the individuals within the firm authorized to commit the company to this contract.

The name, title and telephone number of the individual TRINITY should contact regarding questions and clarifications.

The corporation name and the addresses of all proposed sub-Contractors.

A statement that the Contractor's offer will remain in effect for ninety (90) days after acceptance of the Contractor's proposal by TRINITY.

3.2 TECHNICAL RESPONSE The Technical Response must contain a description of the Contractor's proposed approach with specific reference to:

Project understanding and proposed approach to scope of services

Description of any unique services provided

Name and required services of any subcontractors

Proposed project schedule by phase

Resumes of key personnel proposed to work on the assignment

Three references from comparable types of projects (including contact information)

Pertinent examples of related work 3.3 PRICE PROPOSAL The price proposal shall contain the following:

Hardware, Software and Fabrication Costs (itemized)

Labor Costs

Ongoing Support / Service Contract Costs

Travel Perl/Diem (If Applicable) This section must summarize all estimated travel costs of project staff and the cost of food and lodging for the project staff required for the on-site work required under the Scope of Services.

Printing/Reproduction The costs of printing and reproducing all required reports and procedural material must be specifically identified and summarized.

Miscellaneous Any category of costs, tasks or subtasks not identified in response to the above paragraphs of this Section 3.3 must be specifically identified and summarized in this section.

Total Please provide a total price proposal including sub-totals for each major area of work.

4.0 EVALUATION CRITERIA The criteria to be used as guidelines in selecting prospective Contractor teams are:

Corporate experience & capacity

Understanding of work to be performed

Project organization & staff commitment

Professional expertise of team

Prior experience relative to project

Completeness, feasibility and quality of scope of services and project schedule

Thoroughness, creativity and clarity of suggested approach described in the technical response

Clarity and conciseness of presentation


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Fee schedule and cost

Completeness of Technical Response

5.0 SUBMISSION OF PROPOSALS Each Offeror must submit three (3) proposal copies in a sealed envelope bearing on the outside the name of each firm, full address, name of the project for which the proposal is submitted, and the date and time proposal is due. TRINITY must receive the proposal no later than May 16, 2014. [JUNE 27, 2014.] Proposals received after the date and time prescribed shall not be considered for contract award and shall be returned to the Offeror. 5.1 FORMAT OF RESPONSES Printed material only will be accepted (double-sided where possible). Pages must be numbered. All components must be bound and not more than 1" thick. Submissions containing loose items will not be accepted. 5.2 MAILING ADDRESS Proposals may be hand delivered or sent via U.S. Mail or UPS to the following address: Michael S. Monaghan, Director of Liturgical Music Trinity Lutheran Church 1190 Valley Forge Road P.O. Box 340 Fairview Village, PA 19409

6.0 SELECTION Offerors are asked to demonstrate expertise and experience in all skill areas that may be appropriate to the work contemplated by the Offeror. A recommendation of prospective firms to the Liturgical Design Committee will be made by a proposal evaluation team consisting of TRINITY personnel including the Pastor, the Directors of Music, the Chair of the Organ Committee and the Chair of the Music and Worship Committee. The Liturgical Design Committee will make a recommendation to the Steering Committee and the Council. No recommendation is final until approved by the Council of TRINITY Lutheran Church.

7.0 GENERAL PROVISIONS 7.1 PERFORMANCE STANDARDS

A. All work shall be performed in accordance with all federal, state, local laws and regulations.

B. The selected Contractor shall uphold the highest professional standards in all dealings with contractors, suppliers, vendors, engineers, other contractors, entity officials, church officials, public officials, legal counsel, TRINITY employees, and all others when representing TRINITY.

C. It is the intent of TRINITY Lutheran Church that all work be performed utilizing state-of-the art

hardware and software in economically effective ways. The selected Contractor shall perform all work giving due consideration to the complete integration of parish technology.

D. The selected Contractor shall be responsible for identifying, certifying and adhering to any changes in federal, state and local laws and/or provisions that occur throughout the term of the Contract issued pursuant to this RFP and the performance of the work.

E. The selected Contractor shall provide all necessary office space, office supplies, copy and fax

machines, communication devices, computer software, hardware and equipment, vehicles and any and all other items necessary to successfully complete the work contemplated in this RFP.


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7.2 PERFORMANCE STANDARDS The selected Contractor will be responsible for the entire contract performance. The Contractor must indicate in the RFP if it intends to propose a subcontractor or multiple subcontractors for any part of the work. If so, the Contractor shall identify each proposed subcontractor by name, business address and expertise, and must include the name(s) of the principal(s) of the proposed subcontracting entity. A full description of the tasks to be performed by the proposed subcontractor must be included. The Contractor will not be permitted to subcontract any part of the contract issued pursuant to this RFP or any of the rights and obligations there under without the prior written approval of TRINITY Council or the Pastor. The requirements set forth in this RFP shall also apply to any and all proposed subcontractors of any tier, if any. 7.3 DISCLAIMER TRINITY and its respective officers, directors, agents, members and employees make no representation or warranty and assume no responsibility for the accuracy of the information set forth in this RFP. Further, TRINITY does not warrant nor make any representations as to the quality, content, accuracy or completeness of the information, text, graphics, links or other facet of this RFP once it has been downloaded or printed from this or any server, and hereby disclaims any liability for technical errors or difficulties of any nature that may arise in connection with the Website on which this RFP is posted, or in connection with any other electronic medium utilized by Offerors or potential Offerors in connection with or otherwise related to the RFP. 7.4 EXAMINATION OF RECORD In submitting a proposal, the selected Contractor agrees that TRINITY shall have access to and the right to examine directly all pertinent documents, papers and records of the Contractor and/or any approved subcontractor as related to any contract and/or subcontract resulting from this RFP until six (6) years after final payment has been made pursuant to any contract awarded as a result of TRINITY’s acceptance of proposal. 7.5 NEGOTIATED CHANGES TRINITY intends to enter into contract negotiations with the firm or firms selected by the proposal evaluation team and Council, who shall be required to enter into a written contract with TRINITY in a form approved by legal counsel for TRINITY. This RFP and the proposal, or any part thereof, may be incorporated into and made a part of the contract issued pursuant to this RFP. The contract issued pursuant to this RFP may contain provisions not contained herein. TRINITY reserves the right to negotiate the terms and conditions of the contract issued pursuant to this RFP with the selected Contractor(s), if any. These negotiations could include all aspects of services and fees. Neither the selection of a vendor nor the negotiation of the contract with such vendor(s) shall constitute TRINITY’s acceptance of the proposal or a binding commitment on behalf of TRINITY to enter into a contract with such vendor(s), as any binding arrangement must be set forth in the contract signed by both parties and is subject to all requisite approvals.

8.0 CONTRACT PROVISIONS. The contract will contain the following provisions:

A. Administrative, contractual, or legal remedies in instances where contractors violate or breach contract terms, and provision for such sanctions and penalties as may be appropriate.

B. Termination for cause and for convenience by the grantee or subgrantee including the manner by which it will be effected and the basis for settlement.

C. Access by TRINITY or any of their duly authorized representatives to any books, documents, papers, and records of the contractor which are directly pertinent to that specific contract for the purpose of making audit, examination, excerpts, and transcriptions.

D. Retention of all required records for at least six (6) years after TRINITY makes final payments and all other pending matters are closed.


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E. Compliance with all applicable standards, orders, or requirements issued under section 306 of the

Clean Air Act (42 U.S.C. 1857 (h)), section 508 of the Clean Water Act (33 U.S.C. 1368), executive Order 11738, and Environmental Protection Agency regulations (40 CFR part 15).

F. Standards and policies relating to energy efficiency.

“You know, as I do, what our friends tolerate throughout Europe. They would sing their hymns

with full voices, but so many of their instruments are thin, harsh, suited for Baroque concerts

and museums, but unable to lead their congregations in full-throated song. Your skill is without

question, though I believe it may be somewhat under appreciated in your current situation.

Please be assured, sir, that, if you ever find yourself in need of change, my firm would welcome

your expertise warmly and without reservation.”

- Mathias P. Möller to Richard Whitelegg

Burton K. Tidwell Organbuilder LLCP.O. Box 147 ~ Marion KS 66861

___________________________________________________________________________________________________

General Assessment of M.P. Möller Opus 7700

Trinity Lutheran ChurchFairview Village, Pennsylvania

This report by design will be a frank assessment of an instrument that is to be repurposed foruse in the new sanctuary being planned for Trinity Church. It is a given that there are high sentimentsfor this organ's lineage. But the reality is that the organ was altered unsympathetically in its originallocation in Norristown, and then moved to the new facility in Fairview Village. In those two periods oftransition, the organ lost much of its original integrity and is well beyond the point of historicalrestoration. The goal therefore should be to incorporate as much of the organ as possible into a newlydesigned instrument appropriate for the new worship space with the realization that at today's costs, itwill be a substantial undertaking.

With the above in mind, this report will first take the form of commentary and pictures to offeran overview of the instrument's present state as a means of gaining a realistic perspective. From thatfoundation, it then will be possible to offer educated suggestions for how the organ may be renewed tomeet the needs of Trinity Church well into the future.

Present Condition and Installation

It is important, as noted above, to understand that Opus 7700 as it stands has been alteredsignificantly both tonally and mechanically. Regardless of the intentions, the results are questionable interms of mechanical and tonal integrity while still leaving enough of the organ basically unaltered topeel off the layers of change to see a clearer path toward moving it forward into the new building.

The printed stoplist clearly does not precisely reflect the 1948 specification, making it necessaryto speculate on some aspects of its original design. Fortunately it appears that most of the pipework is inexcellent condition and seems to be largely unaltered. The blower is relatively new and more thanadequate for the main instrument; the reservoirs are original and also appear to be in good condition.

Close inspection of the Gallery Organ, now temporarily installed, reveals obvious changes tothe original design, which are outlined herewith:

Great OrganTwelfth 2 2/3 ) origin uncertain; pipes marked as if a part of a mixtureFifteenth 2 ) not used originally at these two pitches. From the windchest it may be inferred that the Great most likely had a Grave Mixture IIMixture IV - a later addition on a separate chest. While a good decision in theory, in practice,

it does not blend with the existing pipework, being much to shrill and harshChimes Original electropneumatic action replaced with one of questionable design

Trinity Church ~ Page 2

Swell Organ

This division appears to be in original condition with the exception of the addition of the Trumpet 16', 12 pipeextension, which does not properly match the Möller Trumpet 8 in design or timbre: It should be a broad, rich,undergirding sound, quite unlike the rather unmusical results now heard: Retaining it would be questionable. It is quitepossible, although unknown, that the original organ had a Trumpet 16 playable in the Pedal, but it either was removed orlost. If so, the pipes would have been of much broader scale (relative diameters to length) to properly have carried theTrumpet into the Pedal division. The swell (expression) shades are new to the present building and unreliable in operation;mostly likely they could be used in a new configuration, but new 'engines' would be required.

Choir Organ

Appears to be in basically original condition, but with poor racking that has caused larger pipes to lean. The swell(expression) shades and mechanism are new as in the Swell Organ.

There is evidence of pipes being crushed at the top because of the old, brass tuning collars. New aluminum slidesshould be fitted to all pipes retained.

Two stops have been added to the Choir:Tierce 1 3/5Krummhorn 8Both stand together on a newer chest of inferior design to the original organ. Both are well-intentioned additions, and certainly the Tierce could be retained. An organ of 1948 vintage more likely would have had a much broader Clarinet stop vs. the Krummhorn although there is no evidence that such a stop was in this organ.

The Harp has suffered from having its action replaced, but retaining it would be a very low priority in meeting liturgical worship requirements: It was a period piece of limited usefulness, fully legitimately restored if the original action were intact but also at a high price. (Ultimately digital alternatives would be the best solution for the Harp and Chimes.)

Pedal Organ

Quite unusually, the Spitzprincipal 8 + 4, which is incorporated into the Great windchest, is the only independent pedal stop. The Diapason 16 and Bourdon 16+8 are both downward extension of the Great. Both stops are excellent and stand on their original windchests. An ideal recasting of the organ would make the Diapason 16 independent from the Great Principal/Diapason 8.

Based on this survey, the following statistics are known:Great Organ: 5 stops; 6 ranks + Chimes in 1948; now 7 stops, 10 ranksSwell Organ: 8 stops; 10 ranks in 1948 and at presentChoir Organ: 5 stops; 5 ranks + Harp in 1948; 7 stops; 7 ranks presentlyPedal Organ: 1 stop; 1 rank + extensions Total Stops in Gallery Organ (1948): 19 stops/22 ranks; (2012): 23 stops/28 ranks

The Chancel Organ's disposition is less easily determined because pipes were not accessible, with the exception ofthose noted below. My best guess is that it was about 14 stops/14 ranks playable on two manuals and Pedal.

Trinity Church ~ Page 3

Building preparations

Without full knowledge of the direction of the planning beyond the display renderings I saw,estimating space requirements of the possible scenarios presented later in this report can be onlysketchy. The limited planning advice I can safely offer in general terms is as follows:

1) If there is sufficient room, and there may not be, I would try to put the organ all on one side vs. dividing. This would simplify the installation and make it unnecessary to route windlines from the blower to two chambers. It also would ensure tuning stability.

2) Regardless, the chamber should be fully open floor to ceiling covered with acoustical cloth, walls well insulated and covered with no less than two layers of 3/4” drywall orother hard material to reflect the sound.

3) While larger pipes are mitred, the chamber ceiling should at least have the potentialto be as close to 16' in height as possible.

4) The space required for the organ mechanism and pipes will depend on the final disposition; new windchests, for example, could be configured to make more efficient useof the space.

5) The Great and Pedal divisions would require about a 10' x 10' space as a rough estimate,again dependent on the final design and layout. (This does not mean that the actualspace would be a strictly 10 x 10: one-hundred square feet is a good working area only; bass pipes, for example can be put along a wall.

6) Again, depending on the intended configuration of the space within the aesthetic design of the building, if there is room, the Swell division could be placed in roughly a 10' wideby 6' deep space within the chamber placing existing expression shades in the opening.

7) Not knowing the real scale of the room, it is very possible that indeed it will be necessarydivide the organ by providing two spaces at least equal to or similar to the Great. The difference in the second chamber would be that it would not be completely open, insteadhaving a solid front with expression shades set into the opening.

8) If the organ is divided, the blower will need to be centrally located and 8”-10” PVC windline run into each chamber.

9) The blower requires 240 VAC, three phase current, which must be controlled by a 24-volt contactor and a 'switch line' run to one of the chambers for the organ system toswitch on the blower.

10) Organ chambers should be properly lighted with fixtures not subject to rattles withplacement to be determined according to layout of the organ itself. Each chamber will require a dedicated 15 amp circuit for the organ power supply as well as several convenience outlets for ease in servicing the organ. If digital stops are added, more circuits will be required according to the system used and amplifier requirements.Finally, the console will need a dedicated 20 AMP circuit with twist-lock plug. Conduits from the console to each chamber would carry a standard Ethernet cable.

Note: Further, more refined information may be provided to the architect to cover any reasonablescenario for an organ installation upon inspection of concept plans.

Electro-Repulsion

Custom Draw Knobs and Laser Engraving

Along with our line of standard and custom draw knobs we laser engrave in various exotic and domestic hardwoods,

always as per our client’s wishes. We also offer custom builder plates in over 1,000 different fonts, and can reproduce most custom fonts requested as well as client logos, no matter how intricate a design.

The Original DK-1 Electro-repulsion draw stop solenoid with the new, more compact, DK-2 below

Assorted draw knob styles

Since introducing the Electro-repulsion Draw Stop System in 1982, Harris has produced over 250,000 assemblies for organ builders

worldwide. These units, along with the many other available products are all custom built

in our 12,000 sq. ft. facility in Whittier, California.

7047 South Comstock AvenueWhittier, California 90602

ph: (562) 693-3442fax: (562) 693-9381

email: [email protected]

MEMBER FIRM Associated Pipe Organ Builders of America www.apoba.com

www.apoba.com

Leading the industry in superior console performance

Harris products include:• Electro-repulsion draw stop solenoids• Electro-repulsion tilting tablet assemblies• Tilting tablet wiring manifolds• Fuse assemblies• Custom wiring services• Standard draw knob heads and stems• Special draw knobs made of exotic hardwoods• Thumb piston assemblies and kits• Toe pistons with black, chrome or brass heads• Toe pedals straight or angled style• Balanced swell & crescendo pedals• Slider seals & tracker action terminals

Harris’ Custom Work

The new Harris Console for St. Batholomew’s Episcopal Church in New York City was built entirely in-house utilizing Harris Precision Products components including almost 300 DK-1 solenoids with engraved heads

and stems, a 34 unit Electro-repulsion tilting tablet assembly, special LED indicator assemblies for the jambs and manual keyboard, five special keyboards fitted with check-pistons and manual thumb-piston assemblies, Swell and Crescendo pedals, straight-style toe levers, toe pistons with both black and chrome heads. The console case is made of white-oak and is fitted with both hand-carved moldings and custom marquetry. Harris utilized it’s laser-engraver to cut over 7,000 individual pieces for this project.

The organ, built by the Aeolian-Skinner Organ Company of Boston, Mass., is the largest pipe

organ in New York City with a total of 168 speaking stops, 225 ranks and 12,422 pipes. J. Douglass Hunt was the consultant for this project and is the curator of organs at St. Bart’s.

ST. BARTHOLOMEW’S CHURCHNew York City, New YorkFIve manuals, 168 stops, 225 ranks

Verkaufs-Preisliste 2014 (netto)

Modell Beschreibung Leistungsdaten Preis

Orgelleuchte, Pult-, Ambo-, Kanzelleuchte H 1,4 cm, T 25 cm

Messing poliert u. zaponiert,

Nickel matt gebürstet oder schwarz matt eloxiert

mit T2–Leuchtstofflampe, elektron.Vorschaltgerät

CL 01 Breite 24 cm, 6 Watt

Breite 34 cm, 8 Watt



CL 01 LED

445.- 458.-

483.-

509.-

mit Power-LED und 24 Volt Inverter Breite 26 cm, 1,35 Watt

Breite 36 cm, 2,25 Watt






625.-

638.-

663.-

689.-

714.-

739.-

764.-

große Orgelleuchte

H 1,6 cm, T 30 cm

mit T5-Leuchtstofflampe, elektron. Vorschaltgerät




608.-

633.-

659.-









CL 02 LED

445.- 458.-

483.-

509.-








625.-

638.-

663.-

689.-

714.-

739.-

764.-

große Orgelleuchte

H 1,6 cm, T 30 cm





608.-

633.-

659.-









CL 03 LED

445.- 458.-

483.-

509.-








625.-

638.-

663.-

689.-

714.-

739.-

764.-

große Orgelleuchte

H 1,6 cm, T 30 cm





608.-

633.-

659.-

Modell Beschreibung Leistungsdaten Preis

Orgelleuchte, Pultleuchte

H 45 cm, T 20 cm

Messing poliert u. zaponiert


+ 4 Befestigungselemente aus Buche

zum Anschrauben hinter dem Pult





486.-

512.-

547.-

mit Power-LED und 24 Volt Inverter

CL04 LED Breite 36 cm, 2,25 Watt






696.-

722.-

747.-

772.-

797.-

822.-

Orgelleuchte für Orgeln ab 3 Manuale zum Anschrauben auf dem Gehäusedeckel

H 53 cm, T 32 cm


Nickel matt gebürstet



559.-


große Orgelleuchte mit T5-Leuchtstofflampe, elektron. Vorschaltgerät

CL 05 LED Breite 56 cm, 4,05 Watt








769.-

794.-

819.-

844.-

869.-

658.-

683.-

709.-

Orgelleuchte zum Anschrauben auf dem Gehäusedeckel

H 53 cm, T 22 cm





552.-


CL 07 LED Breite 56 cm, 4,05 Watt





762.-

787.-

812.-

837.-

852.-

Stehleuchte

CL 08



Gesamthöhe 190 cm

gewinkelte Höhe 120 cm

4,05 Watt, Power-LED

+ integr. Inverter

1072.-

einseitige Orgelleuchte

CL 09



Höhe 46 cm, Power-

LED + Inverter



768.-

793.-

Beleuchtungen (aus Holz) Bezeichnung Maße / Leistungsdaten roh lackiert

Pult- oder Flügelleuchte

FL 1

H 21 cm, B 26 cm, T 28 cm

2 x 5 Watt PL-Lampe

alle Holzarten

282.-

289.-

Pult- oder Flügelleuchte

FL 2

H 14 cm, B 34 cm, T 26 cm

11 Watt PL-Lampe

alle Holzarten

243.-

249.-

Orchester-Pultleuchte

PU 2

H 14 cm, B 34 cm, T 26 cm

11 Watt PL-Lampe

Holz und Stahl in schwarz matt

243.-

249.-

Orchester-Pultleuchte

PU 2 elec

H 20 cm, B 28 cm, T 23 cm

9 Watt 4-Pin PL-Lampe

Holz, Stahl in schwarz matt

230 V oder 24 VDC, dimmbar

298.-

304.-

Klavierleuchte

KS 1

H 24 cm, B 26 cm, T 31 cm

2 x 5 Watt PL-Lampe

alle Holzarten

299.-

308.-

Orgel-, Klavierleuchte

KS 2

H 25 cm, B 34 cm, T 36 cm

11 Watt PL-Lampe

alle Holzarten,

schwarz oder weiß poliert

264.-

272.-

Leuchtengehäuse

LG 2

H 4 cm, B 34 cm, T 7 cm

11 Watt PL-Lampe

alle Holzarten mit Messing-

Drehgelenk oder "Schwanenhals"

198.-

204.-

doppelseitige Orgelleuchte

OD 1

H 6 cm, B 13 cm, T 31 cm

2 x 5 Watt PL-Lampe

alle Holzarten

302.-

314.-

einseitige Orgelleuchte

OE 1

H 6 cm, B 16 cm, T 31 cm

7 Watt PL-Lampe, alle Holzarten

224.-

182.-

Orgelleuchte

OL 1 (a)

H 44 cm, B 26 (32) cm, T 31 cm

2 x 5 (2 x 7) Watt PL-Lampe

alle Holzarten

(2 x 7 Watt mit 10.- Aufpreis)

297.-

309.-

Orgelleuchte

OL 2

H 47 cm, B 34 cm, T 33 cm

11 Watt PL-Lampe

alle Holzarten

278.-

289.-

Orgelleuchte

OS 1 (a)

H 44 cm, B 26 (32) cm, T 31 cm

2 x 5 (2 x 7) Watt PL-Lampe

alle Holzarten


323.-

338.-

Orgelleuchte

OS 2

H 47 cm, B 34 cm, T 33 cm

11 Watt PL-Lampe

alle Holzarten

292.-

306.-

Orgelleuchte

WL 1 (a)

H 6 cm, B 26 (32 cm, T 33 cm

2 x 5 ( 2 x 7) Watt PL-Lampe

alle Holzarten


289.-

299.-

Pedalleuchte

PL 1

H 6 cm, B 15 cm, T 6 cm

2 x 5 Watt PL-Lampe

Eiche, Fichte, Buche

209.-

215.-

Lichtschiene

LS 1

H 3 cm, T 1,7 cm

B 24 cm, 34 cm, 44 cm oder 54 cm

6, 8, 11 oder 13 Watt T2-Lampe

+ Elektronik / Aluminiumschiene

Alternativ:

Power-LED Version 60 cm breit

138.-

370.-

Beheizungen (für Orgeln) Bezeichnung Maße / Leistungsdaten Preis

Klaviatur-Heizung für 1.Manual

HZ 35

B 750 mm, T bis 35 mm, H 2,6 mm

30 VA, incl. elektron. Regler, 24 Volt-Trafo

Temperatur-Sensor PT 100, Frequenzfilter

898.-

Zusatzheizfolie ab 2.Manual

FO 35

B 750 mm, T bis 35 mm, H 2,6 mm

30 VA

459.-

Stellwand

WP 01

Stellfüße

1 Feld, Breite 67 cm, 400 Watt

1 Paar aus Massivholz, 30 cm lang

519.-

39.-

Wärme-Paravent

WP 02

2 Felder, Breite 1,33 m, 800 Watt

Aluminiumfelder in weiß, Rahmen in Fichte

784.-

Wärme-Paravent

WP 03



1069.-

Wärme-Paravent

WP 04



1410.-

Orgelbank-Heizung

OH 80

H 1 cm, B 80 cm, T 22 cm

80 Watt, 60°C geregelt

411.-

Pedal-Heizung

PH 77

H 1 cm, B 80 cm, T 48 cm


498.-

Pedal-Heizung

PH 97

H 1 cm, B 100 cm, T 48 cm


518.-

Zubehör Bezeichnung Maße / Leistungsdaten roh lackiert

Notenpult-Halterung

senkrecht für CL 04

Messing poliert, Nickel matt

H 41 cm, B 2,5 cm, T 6 cm

12 mm, mit 4 Gleitern

318.-

Notenpult-Halterung

waagerecht für CL 04

Messing poliert, Nickel matt

H 40 cm, B 2,5 cm, T 6 cm

12 mm, mit 4 Gleitern

305.-

Orgelspiegel

SP 15

H 15 cm, B 20 cm, T 20 cm

nur in Eiche

111.-

116.-

Orgelspiegel

SP 20

H 20 cm, B 26 cm, T 20 cm

nur in Eiche

122.-

127.-

Stativspiegel

SS 15

H 46 cm, B 20 cm, T 20 cm

mit Sockel in Eiche

227.-

239.-

Stativspiegel

SS 20

H 49 cm, B 26 cm, T 20 cm

mit Sockel in Eiche

238.-

251.-

Stativspiegel

SM 15

H 39 cm, B 20 cm, T 20 cm

mit Sockel in Messing oder Nickel

278.-

283.-

Stativspiegel

SM 20

H 42 cm, B 26 cm, T 20 cm

mit Sockel in Messing oder Nickel

289.-

294.-

Messing-Halterungen

13 mm, T 18 cm

Messing poliert, Chrom, schwarz

23,90

Leuchtmittel

6, 8, 11 oder 13 Watt T2-Lampe

5, 7, 9 oder 11 Watt PL-Lampe

21,00

9,00

Das Kleingedruckte!

Preise: Alle Preise sind Nettopreise und enthalten damit noch nicht die zum Zeitpunkt der Rechnung gültige Mehrwertsteuer.

Versandkosten: Ab einem Warenwert von 1.100.- EUR werden die Transport- und Verpackungskosten von uns getragen.

(ausgenommen Paravents)

Zahlungsziele: 2 % Skonto innerhalb von 10 Tagen, oder 30 Tage netto.

Eigentumsvorbehalt: Bis zur Erfüllung sämtlicher Forderungen bleibt die gelieferte Ware unser Eigentum.

Entsprechend den gesetzlichen Bestimmungen nehmen wir den erweiterten Eigentumsvorbehalt ausdrücklich in Anspruch.

KK – LICHTTECHNIK - Dr .Klaus G. Knoechel (dipl.-ing.) Postfach 2708 - D - 89017 Ulm

Tel.: 0731 / 35 891 - Fax: 0731 / 35 888 [email protected] - www.kk-lichttechnik.de

mailto:[email protected]

http://www.kk-lichttechnik.de/

Date post:	21-Mar-2021
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