OUTSIDE FRONT COVERPLACEHOLDER

TRU PS2 final6.qxd:TRU PS2 v 12/11/08 2:03 PM Page i

GETTING STARTED . . . . . . . . . . . . . . . . . . . . . . . . . 2MEMORY CARD (8MB)(for PlayStation®2) . . . . . . . 2

STARTING UP . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

LARA CROFT . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

GAME CONTROLS . . . . . . . . . . . . . . . . . . . . . . . . 5CONTROLLING LARA . . . . . . . . . . . . . . . . . . . . . . 5OTHER BASIC CONTROLS . . . . . . . . . . . . . . . . . . 5FLAIR MOVES . . . . . . . . . . . . . . . . . . . . . . . . . . . 5SWIM CONTROLS . . . . . . . . . . . . . . . . . . . . . . . . . 6PORTABLE OBJECTS . . . . . . . . . . . . . . . . . . . . . . . 6CHIMNEY JUMP . . . . . . . . . . . . . . . . . . . . . . . . . . 6THE GRAPPLE . . . . . . . . . . . . . . . . . . . . . . . . . . . 6BASIC GRAPPLE . . . . . . . . . . . . . . . . . . . . . . . . . . 7GRAPPLE RAPPEL . . . . . . . . . . . . . . . . . . . . . . . . 7GRAPPLE WALL RUN . . . . . . . . . . . . . . . . . . . . . . 7

COMBAT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7COMBAT CONTROLS . . . . . . . . . . . . . . . . . . . . . . . 7DUAL TARGETING . . . . . . . . . . . . . . . . . . . . . . . . 7COMBAT MOVEMENT CONTROLS . . . . . . . . . . . . . 8ADRENALINE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8HEALING LARA . . . . . . . . . . . . . . . . . . . . . . . . . . 8

FIELD ASSISTANCE . . . . . . . . . . . . . . . . . . . . . . . 8

ALL-TERRAIN MOTORBIKE . . . . . . . . . . . . . . . . . . 9FAST START . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

PDA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9AREA INFO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9INVENTORY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9FIELD ASSISTANCE . . . . . . . . . . . . . . . . . . . . . . . 9REVISIT LOCATION . . . . . . . . . . . . . . . . . . . . . . . 9

TREASURES . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

SAVING & LOADING . . . . . . . . . . . . . . . . . . . . . . 10SAVING THE GAME . . . . . . . . . . . . . . . . . . . . . . 10LOADING THE GAME . . . . . . . . . . . . . . . . . . . . . 10

CREDITS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

GETTING STARTED . . . . . . . . . . . . . . . . . . . . . . . . . 2MEMORY CARD (8MB)(for PlayStation®2) . . . . . . . 2

STARTING UP . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

LARA CROFT . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

GAME CONTROLS . . . . . . . . . . . . . . . . . . . . . . . . 5CONTROLLING LARA . . . . . . . . . . . . . . . . . . . . . . 5OTHER BASIC CONTROLS . . . . . . . . . . . . . . . . . . 5FLAIR MOVES . . . . . . . . . . . . . . . . . . . . . . . . . . . 5SWIM CONTROLS . . . . . . . . . . . . . . . . . . . . . . . . . 6PORTABLE OBJECTS . . . . . . . . . . . . . . . . . . . . . . . 6CHIMNEY JUMP . . . . . . . . . . . . . . . . . . . . . . . . . . 6THE GRAPPLE . . . . . . . . . . . . . . . . . . . . . . . . . . . 6BASIC GRAPPLE . . . . . . . . . . . . . . . . . . . . . . . . . . 7GRAPPLE RAPPEL . . . . . . . . . . . . . . . . . . . . . . . . 7GRAPPLE WALL RUN . . . . . . . . . . . . . . . . . . . . . . 7

COMBAT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7COMBAT CONTROLS . . . . . . . . . . . . . . . . . . . . . . . 7DUAL TARGETING . . . . . . . . . . . . . . . . . . . . . . . . 7COMBAT MOVEMENT CONTROLS . . . . . . . . . . . . . 8ADRENALINE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8HEALING LARA . . . . . . . . . . . . . . . . . . . . . . . . . . 8

FIELD ASSISTANCE . . . . . . . . . . . . . . . . . . . . . . . 8

ALL-TERRAIN MOTORBIKE . . . . . . . . . . . . . . . . . . 9FAST START . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

PDA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9AREA INFO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9INVENTORY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9FIELD ASSISTANCE . . . . . . . . . . . . . . . . . . . . . . . 9REVISIT LOCATION . . . . . . . . . . . . . . . . . . . . . . . 9

TREASURES . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

SAVING & LOADING . . . . . . . . . . . . . . . . . . . . . . 10SAVING THE GAME . . . . . . . . . . . . . . . . . . . . . . 10LOADING THE GAME . . . . . . . . . . . . . . . . . . . . . 10

CREDITS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

CONTENTSWARNING: PHOTOSENSITIVITY/EPILEPSY/SEIZURES

READ BEFORE USING YOUR PLAYSTATION®2 COMPUTER ENTERTAINMENT SYSTEM.A very small percentage of individuals may experience epileptic seizures or blackouts when exposed to certain light patterns or flashing lights. Exposure to certain patterns or backgrounds on a television screen or when playing video games may trigger epileptic seizures or blackouts in these individuals. These conditions may trigger previously undetected epileptic symptoms or seizures in persons who have no history of prior seizures or epilepsy. If you, or anyone in your family, has an epileptic condition or has had seizures of any kind, consult your physician before playing. IMMEDIATELY DISCONTINUE use and consult your physician before resuming gameplay if you or your child experience any of the following health problems or symptoms:• dizziness • disorientation• altered vision • seizures• eye or muscle twitches • any involuntary movement or convulsion• loss of awarenessRESUME GAMEPLAY ONLY ON APPROVAL OF YOUR PHYSICIAN. _____________________________________________________________________________

Use and handling of video games to reduce the likelihood of a seizure• Use in a well-lit area and keep as far away as possible from the television screen.• Avoid large screen televisions. Use the smallest television screen available.• Avoid prolonged use of the PlayStation®2 system. Take a 15-minute break during each hour of play.• Avoid playing when you are tired or need sleep._____________________________________________________________________________

Stop using the system immediately if you experience any of the following symptoms:lightheadedness, nausea, or a sensation similar to motion sickness; discomfort or pain in the eyes, ears, hands, arms, or any other part of the body. If the condition persists, consult a doctor.

WARNING TO OWNERS OF PROJECTION TELEVISIONS:Do not connect your PlayStation®2 system to a projection TV without first consulting the user manual for your projection TV, unless it is of the LCD type. Otherwise, it may permanently damage your TV screen.

HANDLING YOUR PLAYSTATION®2 FORMAT DISC:• This disc is intended for use only with PlayStation®2 consoles with the NTSC U/C designation.• Do not bend it, crush it or submerge it in liquids.• Do not leave it in direct sunlight or near a radiator or other source of heat.• Be sure to take an occasional rest break during extended play.• Keep this compact disc clean. Always hold the disc by the edges and keep it in its protective

case when not in use. Clean the disc with a lint-free, soft, dry cloth, wiping in straight lines from center to outer edge. Never use solvents or abrasive cleaners.

TRU PS2 final6.qxd:TRU PS2 v 12/11/08 2:03 PM Page ii

2 3

open button

on/standby/reset button

IR receiver

USB connectors

disc cover

controller port 1controller port 2

memory card slot 1

memory card slot 2

button

button

button

button

directionalbuttons

left analog stick(L3 button when pushed down)

SELECT buttonANALOG mode buttonSTART buttonright analog stick (R3 button when pushed down)

L2 button

L1 button

R2 button

R1 button

DUALSHOCK®2 ANALOG CONTROLLER CONFIGURATIONS

Set up your PlayStation®2 computer entertainment system according to the instructionssupplied with your system. Check that the system is turned on (the on/standby indicatoris green). Insert the TOMB RAIDER: UNDERWORLD disc in the system with the labelside facing up. Attach game controllers and other peripherals as appropriate. Followthe on-screen instructions and refer to this manual for information on usingthe software.

MEMORY CARD (8MB) (for PlayStation®2)To save game settings and progress, insert a memory card (8MB)(for PlayStation®2)into MEMORY CARD slot 1 of your PlayStation®2 system.

You can load saved game data from the same memory card or from any memory cardcontaining previously saved games.

Before starting play, connect the DUALSHOCK®2 analog controller to controller port 1.

You can turn the controller’s vibration function on/off from the Options Menu.When vibration is on, the controller vibrates in response to game events.

NOTES• This title autoloads saved data on boot up.

• This title does not support the digital controller.

STARTING UPGETTING STARTED

TRU PS2 final6.qxd:TRU PS2 v 12/11/08 2:03 PM Page 2

4

left analog stick Walk / Jog / RunClimb up / down / left / rightShimmy left / right

right analog stick Rotate camera

R3 button Reset camera behind Lara

S button Jump

A button Crouch (walking) / Roll (running) / Drop from ledges(climbing) / Release held object

D button Interact: Pick up object / Safety grab (prevent Lara fromfalling off ledges or losing her balance) / Fast traverse(speed up Lara’s movement on ledges, ladders, etc.)

CONTROLLING LARA

F button Fire grapple

D button Pull grapple line (when connected)

A button Retract grapple (if connected)

START button Pause Menu

SELECT button PDA Menu

• Lara’s utility light will turn on/off automatically when necessary.

OTHER BASIC CONTROLS

• Pressing theS button and then quickly pressing theA button causes Larato perform a swan-dive.

• Pressing theS button while Lara is rolling (non-combat) causes her to performa somersault.

FLAIR MOVES

5

GAME CONTROLSLARA CROFT

At the age of nine, Lara survived a plane crashin the Himalayan Mountains that led to her mother’smysterious disappearance.

After miraculously surviving a ten-day solotrek to Kathmandu, Lara spent the rest of herchildhood under the close tutelage of herarchaeologist father, the late Earl of Abbingdon,Richard Croft.

At 18, following the death of her father,Lara inherited the Croft estates and becameCountess of Abbingdon. Since then shehas been credited with the discoveryof numerous archaeological sites ofinternational significance in her effortsto uncover the secrets of the ancientcivilization that underlies all officiallyrecorded history.

Lara Croft has been hailed as bothan archaeological wunderkind anda glorified treasure hunter. Countlessrumors surround her exploits,invariably involving the unexplainedor outright unbelievable.

Lady Croft herself is rarely availablefor comment, further adding to thefog of mystery that surrounds herlife and work. Consequently, Lara

continues to be the focus of wildspeculation and intense debate.

Idealized and vilified in equal measure,she is perhaps one of the most fascinatingand enigmatic figures of our time.

TRU PS2 final6.qxd:TRU PS2 v 12/11/08 2:03 PM Page 4

6 7

left analog stick * Swim in directioncamera is pointing

left analog stick $ / ^ Turn left / right

right analog stick Rotate camera

S button Swim upward

A button Dive

• When Lara swims underwater without Diving Gear, sheuses up air and her Breath Meter decreases. If the meterempties completely, this directly affects her Health level;she must surface for air or risk drowning.

PORTABLE OBJECTSLara will find objects that she can pick up and carry in herhand or arms throughout her adventures. These can be usedin a variety of ways.

When Lara is close enough, she can pick up objectsby pressing theD button.

• Press theA button to place the object on the floor.

• Press theR button to throw the object.

CHIMNEY JUMPLara can perform an athletic chimney jump when twosuitable opposing walls are close enough for her to jumpfrom one to the other.

• Jump toward a wall by pressing theS button.

• When Lara connects with the wall, quickly presstheS button. Lara will jump back off the wall.

• Press theS button repeatedly to have Lara bounceupward between the walls.

NOTE: A single jump off a nearby wall can allow Lara to grabonto ledges or poles she wouldn’t be able to reach directly.

THE GRAPPLELara can use her grapple in a number ofdifferent ways: to attach to moveable objectsand drag them toward her, to swing acrossgaps, and to climb up and down.

Once attached to a grapple point, Lara caneither pull on the point that the grapple isattached to, or bend the grapple line aroundobjects and then pull on the object aroundwhich the grapple line is bent.

BASIC GRAPPLE• Stand facing a suitable ring and press theF button to connect the grapple line.

• Press theD button after connecting to pull the grapple line.

• Press theA button to detach and retract the grapple line.

GRAPPLE RAPPELThe grapple can also be used to allow Lara to climb up or down walls and cliffs.Attach the grapple as usual, and then:

• To rappel down, move Lara off the platform she’s on by walking or jumping herover the edge.

• To climb up, position Lara under the grapple point and press theS button to hangfrom the grapple line.

• Hold theD button and move the left analog stick * / @ to move Lara up / down.

GRAPPLE WALL RUNLara can use the grapple on a wall-mounted ring to run along the wall itself.

• Attach the grapple as usual, and then swing her left/right with the left analog stick.

• To jump away from the wall, move the left analog stick in the direction you wantto jump, and press theS button.

SWIM CONTROLS

COMBAT

Q button Draw weapon(s)/Lock camera onto target (enemiesand shootable objects)

E button Fire weapon(s)

R button Throw grenade

COMBAT CONTROLS

DUAL TARGETINGWhen Lara is faced with two or more enemies,press theE button and move the leftanalog stick to have her fire upon twoenemies (when it is possible for Lara to do so).

TRU PS2 final6.qxd:TRU PS2 v 12/11/08 2:03 PM Page 6

Lara can use a powerful high-performancemotorcycle that can be adapted for use acrossdifferent terrains.

• Press theD button to mountor dismount the vehicle.

• Use the left analog stick to steer.

• Press theQ button to accelerate.

• Press theR orW button to brake.

• Press theW button to reverse.

• Press theR button and use the leftanalog stick to perform a Quick Turn.

• Press theE button to fire the weaponmounted on the motorbike.

FAST STARTTo perform a fast start:

• Hold theR button to brake.

• Press theQ button to rev the engine.

• Release theR button.

• To perform a stationary quick-turn, repeat the steps and steer hard left or right.

ALL-TERRAIN MOTORBIKE

FIELD ASSISTANCE

If you get stuck in any section of the game and cannotprogress in the adventure, you will always have accessto Field Assistance:

• Press the SELECT button to activate Lara’s PDA.

• Select FIELD ASSISTANCE.

• Press theS button to see what to focus on (hint).

• Press theE button to see what to do (task).

8 9

HoldQ button:

+ left analog stick +S button Somersault forward /back / left / right

+ left analog stick +A button Multi-directional roll

COMBAT MOVEMENT CONTROLS

ADRENALINESudden, dangerous situations automatically trigger Lara’sAdrenaline. In this mode, time slows down and Lara’sresponses are heightened.

• When Adrenaline is activated, use the standard controlsto avoid danger.

HEALING LARALara’s health will automatically regenerate after she hastaken damage from falling or during combat.

PDA

Activate Lara’s PDA by pressing the SELECT button.

AREA INFOArea Info reports the number of Treasures you have found in the area you arecurrently exploring.

INVENTORYView information on the items in Lara’s inventory, including essential equipment,weapons, and key objects currently in her backpack.

FIELD ASSISTANCEIf you need help, access FIELD ASSISTANCE, where you can get a hint or a more explicittask that will help you progress.

REVISIT LOCATIONComplete the adventure to unlock this option and allow Lara to collect any importantitems she might have missed on her first visit.

TRU PS2 final6.qxd:TRU PS2 v 12/11/08 2:03 PM Page 8

TREASURES

There are various Treasures in TOMB RAIDER:UNDERWORLD to be discovered and collected.

• You can revisit a location you have previously visitedto search it for any uncollected Treasures. To do this,use the REVISIT LOCATION option in Lara’s PDA.

SAVING THE GAMEEvery level in the game has a number of checkpointsto pass. When Lara passes a checkpoint, the wordCHECKPOINT appears on-screen.

To save your progress:

• Press the START button to open the Pause Menu.

• Select SAVE GAME.

• Highlight a slot to save into (or overwrite), and presstheS button.

IMPORTANT: There is no automatic save when you leavethe game. However, if Lara loses all health and dies, shewill automatically restart at the last checkpoint passed,regardless of whether you have saved the game at that point.If you quit a game without saving, you will lose all progressmade since the last saved checkpoint.

LOADING THE GAMEIf you have a game in progress and data saved, the STARTGAME option in the Main Menu will be replacedby RESUME GAME.

• Select RESUME GAME to resume your latest saveor LOAD GAME to choose a separate save.

Note that the save file most recently made becomesyour current save and will be selected when you chooseto RESUME GAME, even if this does not representthe furthest progress you’ve made in the game.

You can also load any game from within the Pause Menuby choosing a save slot (save details appear on-screenfor each save slot).

10 11

SAVING & LOADING

CREDITS

SENIOR PRODUCERAlex Jones

CREATIVE DIRECTOREric Lindstrom

LEAD PROGRAMMERRob Pavey

ENVIRONMENT ARTDIRECTORPatrick Sirk

LEAD ENVIRONMENTARTIST

Daniel Neuburger

LEAD DESIGNERHarley White-Wiedow

LEAD ANIMATORPrimo Navidad

LEAD CHARACTER ARTISTKam Yu

EXECUTIVE PRODUCERMatthew Guzenda

ART TEAM

ENVIRONMENT ARTISTSMatthew AbbottScott AndersonMatthew Bein

Inna CherneykinaSimon CragheadJeremy French

Yu GuJeff JohnsrudeBrian KefferSteve Kody

Justin LamperskiEdward J. Lee

Roberto MorenoEli Robles

Cassie SandineCaleb StraussChris Sturgill

Jacob TaiChris Webb

TECHNICAL ARTRobert ChengRick GillilandDavid SuroviecDavid Lewis

ANIMATORSSuna Kang

Ben HarrisonJake SpenceNelson Tam

ADDITIONAL ANIMATIONBrandon Fernández

Jeff Wilcox

CHARACTER ARTISTSChris AndersonCheryl Austin

EXTERNAL ART DIRECTORMurphy Michaels

DESIGN TEAM

LEAD LEVEL DESIGNERKyle Mannerberg

ASSISTANT LEADLEVEL DESIGNERStephen McManus

LEVEL DESIGNJeremy BredowJesse Johansen

Stephen McManusJeff Wajcs

Ray YeomansSteve Yoshimura

LEAD CAMERA DESIGNRiley Cooper

CAMERA DESIGNJim Conrad

Mario Di Pesa

LEAD SYSTEMS DESIGNERSteve Goodale

SYSTEMS DESIGNDaniel BrynerAlex VaughanJohn Hsia

Casey HoltzJoe Quadara

Jason Weesner

PUZZLE TEAM

LEAD TECHNICAL DESIGNMatt Roberts

TECHNICAL DESIGNWilliam Gahr

LEAD OBJECT ARTISTGarin Mazaika

OBJECT ARTDavid GustlinShao Wei LiuMarc Senteney

Tai TangJesse Warren

James Yamaoka

PRODUCTION TEAM

PRODUCERSDan AtkinsArnab BasuKari HattnerRandy HauserJuli LogemannAdam PhillipsElio RutiglianoBenny VenturaSan Vuong

PROGRAMMING TEAM

LEAD COMBATPROGRAMMER

Mark Botta

LEAD PLAYER PROGRAMMERMatthew Gaston

LEAD RENDERPROGRAMMERSean Skelton

PROGRAMMERSSteve Austin

Ke-Tien ChangBradley “Be-Rad” Johnson

Ergin DervisogluTom Fong

Nathan FrostAndrew Hynek

Jay McKeeDave ModianoSteve PerezAdam Rogers

ADDITIONAL GAMEPROGRAMMING

BY BUZZ MONKEYSOFTWAREPatrick BrottDaniel KoozerBenjamin LemerDave MerrillJon MilnesEldon RiversN. Alex Scott

BUILD ENGINEERJason Johnson

BUILD TESTINGMatt TrudellRich Dezinno

CRYSTAL DYNAMICS

TRU PS2 final6.qxd:TRU PS2 v 12/11/08 2:03 PM Page 10

12 13

ENGINE TEAMPRODUCTION

SENIOR PRODUCERSam Newman

PRODUCERSCorinne CrowleySteve GonzalezJarrett Jamili

Eric Chung Tak Tam

LEAD PROGRAMMERS

TEAM LEADJason Bell

AUDIO LEADSean Gugler

WORLD LEADScott Krotz

ANIMATION & PHYSICSLEAD

Gary Snethen

NIXXES LEADJurjen Katsman

CORE TOOLS LEADPatrick Den Bekker

RENDERING LEADTim Van Klooster

TECH ART LEADJoe Stinchcomb

PROGRAMMINGIan Clarke

Villads Bønding EinfeldtDarrell DenniesMike GonzalesThomas HagenKomei HaradaSylvester Hesp

David HofSjors JansenTed Johnson

Parashar KrishnamachariDavid LewisAndy LorinoJim OffermanTim Pease

Brian PickrellCarsten Sørensen

Larry ReedAnthony Thibault

SUPPORTNorman MorsePhilip BloomJames Hui

Katie BieringerNeal Kaplan

BRAND TEAM

SENIOR BRAND MANAGERKathryn Clements

CREATIVE SERVICES TEAM

CREATIVE SERVICESMANAGER

Troels Folmann

PRODUCERSForest Swartout LargeRosaura Sandoval

CINEMATICS

CINEMATICS DIRECTORToby Gard

CINEMATIC ANIMATORSShaun Budhram

Catherine Feraday MillerRyan GoldsberryPhil Kauffold

TECHNICAL ANIMATORKelvin Chu

VISUAL EFFECTS

EFFECTS LEADGavin Wood

EFFECTS ARTISTSJoe Allen

Brandon BickfordMike Oliver

AUDIO

AUDIO LEADKarl Gallagher

SOUND DESIGNERMike Peaslee

AUDIO ENGINEERSBrian Sharp

Gregg Stephens

ADDITIONAL SOUNDDESIGN

Burke Trieschmann

MUSIC COMPOSED BYColin O’MalleyTroels Folmann

ART

CONCEPT ARTISTSJoel BoucquemontSeamas GallagherJens Holdener

Angie LaiChristian Piccolo

ADDITIONAL CONCEPT ARTBrenoch Adams

UI DESIGNED BYPat Guarino

AV SUPPORTED BYEstuardo Sandoval

Jae Shin

DIGITAL ASSETS LIBRARIANHeather Polubinski

SHARED DESIGN TEAM

PRODUCERDaniel Kim

LEAD EXTERNAL DESIGNERVance Wallace

DESIGNERBryan Enriquez

QUALITY ASSURANCE TEAM

QA MANAGERChristopher Bruno

QA LEADSDavid PoganIan JohnsonJoseph GreerJosh HicksKen Chua

Christopher "C-Bug" Morgan

QA ASSISTANT LEADSAudrey SpoorEdgar LanderosMandy DraegerMitch DoranBrian Randall

QA TECHNICIANSJohnny “Crash” AllenMichael R. Murray

Phaedren LeeJoseph Njoku Obi III

David GordilloAndrew West Horton

Jon BrownBen StoddardAlice Grunstra

John-Paul LungaroJason Randall

The TOMB RAIDER: UNDERWORLD development team would liketo thank our families, husbands, wives, children, significant others

and everyone else who helped us during the making of TOMB RAIDER:UNDERWORLD. We could not have made it without you!

CRYSTAL DYNAMICSSTUDIO

GENERAL MANAGERSean Vesce

DIRECTOR OF ARTDarrell Gallagher

DIRECTOR OF DESIGNNoah Hughes

DIRECTOR OF TECHNOLOGYJohn Pursey

SENIOR HR MANAGERMichael Wharton

HR REPRESENTATIVEJoveth Gonzalez

EXECUTIVE ASSISTANTVictoria Vitalie

FINANCELuis BansonWilliam Qin

LEGAL & BUSINESSAFFAIRS MANAGER

Clint Waasted

IT DIRECTORBrian Venturi

IT DEPARTMENTRichard CampbellRobert Fitzpatrick

Barnaby GoRobert HernandezPatrick Laciste

Andre RodriguezTravis Rogers

PAYROLL & BENEFITSADMINISTRATOR

Dee Edwards

FACILITIESClaire LaikeTilo Ortega

RECEPTIONISTLiz Adelman

PRODUCTION BABIESChloe Jane AustinDylan Cole AustinEliza Irene Bell

Jonas William BellAmelia Rose FernándezMiriam Cecelia Folmann

Oisin GallagherJin Apollo Gard

Kian William GoldsberryMillie Belle Goldsberry

Martin GuzendaDylan David KefferGemma Maria KrotzTroy Isaac McKee

Maxton Aaron NewmanGabriella Perez

Dashiell Keith PickrellAlexia Anne SnethenGary Elliot SnethenJack Duggan Spence

Grayson Benicio VenturaLila Mei VesceBrennen Vuong

Lucy Bea White-WiedowJessica Hui Chen Yu

SINCEREST THANKSWilliam BeachamJohn ChowanecNick FergusonMorgan GrayLulu LaMerTim Longo

Lucas MachadoAnna Marsh

Sarah Van RompaeyAndrew Wood

SPECIAL THANKSJohn Bautista

Gabriel BetancourtJavier BurgosNick CooperPhil Defreitas

Leif EstesMike FudgeOmar JamalBen Shafer

Logan StarkenburgWilliam Stoneham

Paul SullivanJake WenadlerDavid WittersDavid Yoon

CRYSTAL DYNAMICS (continued)CRYSTAL DYNAMICS (continued)

TRU PS2 final6.qxd:TRU PS2 v 12/11/08 2:03 PM Page 12

1514

DESIGN DEPARTMENT

DESIGN DIRECTORMarshall Gause

LEAD DESIGNERDuncan McPherson

LEAD LEVEL DESIGNERTed Brown

DESIGNERSTroy JacobsonDerek ManningJake MartinStan Patton

Greg ReinmuthKevin Wienecke

TECHNICAL DESIGNERSJoseph CannonMiranda Smith

DESIGN INTERNSElijah HamovitzRobert Hrouda

ENGINEERINGDEPARTMENT

TECHNICAL DIRECTORBrian Apgar

LEAD ENGINEERSMike KrazanowskiBenjamin Lemer

ENGINEERSPatrick Brott

Joseph CannonSteve CordonAlex Harper

Michael MackDave McClurgDave MerrillEldon RiversN. Alex ScottMiranda Smith

Tim StairJoel Van Eenwyk

Jacob VollDon Wells

ENGINEERING INTERNSean Sanders

ADDITIONAL ENGINEERINGDaniel KoozerDerick Wiant

VISUAL ARTS DEPARTMENT

STUDIO ART DIRECTORBarry Drew

ART DIRECTORBrian Schmitt

ART PRODUCTIONMANAGERSMike Jahnke

Damon Mitchell

LEAD CHARACTER ARTISTEric Blondin

ENVIRONMENT ARTISTSDoug BrashearAnna Brunoe

Anthony BrunoeHoward Day

Chad DoriguzziJustin GerbrachtDerek JensonJohn King

Matthew MorgaineMasashi Otake

Jody SolJosh Sturgis

Marek Vymazal

CHARACTER ARTISTSAaron GainesBonnie O’Clair

Jon Rush

TECHNICAL ARTISTSChris BirkeJason Ford

Marek Vymazal

ANIMATIONDerrik McGinnis

AUDIO DEPARTMENT

AUDIO DESIGNERKen Rogers

PRODUCTION DEPARTMENT

EXECUTIVE PRODUCERSRandy Thompson

Mike Wallis

PRODUCERJared W. Eden

ADDITIONAL PRODUCTIONNels Bruckner

QUALITY ASSURANCEDEPARTMENT

TEST LEADGarrett Turner

TESTERSEd AlexanderScott Woolley

STUDIO MANAGEMENTSteve CordonBarry DrewJon Milnes

Randy Thompson

IT SUPPORTRyan Skaar

Dave Stambaugh

ADMINISTRATIVE SUPPORTCari Poissant

BUZZ MONKEY SOFTWARE

. . .

PROGRAMMINGDavid Miles

Frank Hickman

BABELFLUX LLC

EXECUTIVE VICE PRESIDENTOF SALES & MARKETING

Robert Lindsey

CHIEF FINANCIAL OFFICERMalcolm Dunne

SENIOR DIRECTORHUMAN RESOURCES

Lisa Dennis

MARKETING DIRECTORKarl Stewart

SENIOR MARKETINGMANAGERMatt Knoles

SENIOR PR MANAGEROonagh Morgan

PR SPECIALISTStanley Phan

CREATIVE SERVICESPROJECT ADMINISTRATOR

Julie Moretti

SENIOR GRAPHIC DESIGNERMike Cala

GRAPHIC DESIGNERConnie Cheung

ASSOCIATE WEB PRODUCERJohn Lerma

WEB DESIGNERKelly Xu

REGIONAL SALES MANAGERHolly Robinson

SALES & MARKETINGSERVICES MANAGER

Ilana Budanitsky

CHANNEL MARKETINGSPECIALISTRafal Dudziec

OPERATIONS MANAGERGregory Wu

OPERATIONS ANALYSTLisa Sakurai

U.S. MASTERING &SUBMISSIONS SUPERVISOR

Jordan Romaidis

EVENT SPECIALISTRudy Geronimo

U.S. MANUALHanshaw Ink & Image

SPECIAL THANKSDavid BambergerMatt Dahlgren

Diane EngRob FitzpatrickBill GardnerMatt GormanDanny JiangTom NguyenRick ReynoldsJames SongMikael Tran

Roderick Van Gelder

EIDOS U.S.

QA MANAGERIan Rowsell

QA SUPERVISOREmmanuel-Yvan Ofoé

QA LEAD TESTERSAnne-Marie PelletierJonathan Larouche

QA TESTERSAlexandre GarneauAlexandre LeblancAlexandre ZengaBasil M. Pesin

Blaise Boileau-FournierBlake MarshBrent Tighe

Fabien MorissonFrédéric Comtois

Guillaume Fortin-DebigaréJacob YoungJames O'Neill

Jean-François Gauthier

Joey Di ZazzoJoseph SerraoJustin Bulman

Marc-André ChérilusMartin FrappierMathieu FairfieldMichael St-Denis

Paul GordonPhilip Grohe

Philippe CadieuxSimon LaverdièreStefan HorvathWalter HerreraYan Chayer

EIDOS MONTREAL

. . .

TRU PS2 final6.qxd:TRU PS2 v 12/11/08 2:03 PM Page 14

16

Tomb Raider: Underworld © Eidos Interactive Limited 2008. Developed by Crystal Dynamics Inc. Co-published by Eidos,Inc. and Warner Bros. Interactive Entertainment, a division of Warner Bros. Home Entertainment Inc. Tomb Raider,Tomb Raider: Underworld, Crystal Dynamics, the Crystal Dynamics logo, Eidos, and the Eidos logo are trademarks of EidosInteractive Limited. Buzz Monkey® is a registered trademark of Buzz Monkey Software, LLC. Uses Bink Video. Copyright© 1991-2008 by RAD Game Tools, Inc. The rating icon is a registered trademark of the Entertainment Software Association.All other trademarks are the property of their respective owners. All rights reserved.

For warranty claims and product support, pleasecontact us at support.eidosinteractive.com (orwww.eidosinteractive.com) or (650) 421-7670. OurCustomer Services Department personnel are availablebetween the hours of 9:00 a.m. and 4:00 p.m. (Pacifictime) Monday through Friday (except holidays). You areresponsible for all toll charges. Customer SupportRepresentatives will not provide game hints, strategies,or codes.To initiate a warranty return, you will need an RMA#(“Return Merchandise Authorization”) from our CustomerServices Department. (Any materials not containing anRMA# sent to Eidos may be returned unprocessed.) Inmany cases, return and replacement of a RecordingMedium or Manual isn’t the best solution for theproblem(s) you may be experiencing or replacement maynot be covered under the foregoing limited warranty.Our Customer Services Department personnel can helpyou determine if replacement is necessary and coveredunder warranty.

In the event the Recording Medium or Manual is confirmedto be defective and replacement is subject to the foregoinglimited warranty, you will need to return, postage prepaid,the Recording Medium/Manual (along with its packaging,unless advised to the contrary by Eidos Customer ServiceDepartment personnel) together with a copy of youroriginal sales receipt (dated no earlier than 90 dayspreceding the date of your return), and a statementcontaining a brief description of the difficulty you areexperiencing, the applicable RMA# you have been issued,your first and last name, return address, email address andphone number to Eidos Customer Service at the followingaddress to receive warranty replacement:

Eidos, Inc.RMA# (state your authorization number here)

1300 Seaport Boulevard, Suite 100Redwood City, CA 94063

WARRANTY CLAIMS & PRODUCT SUPPORT

Register online atwww.eidosregistration.com

The medium (i.e., disc/cartridge) on which an Eidos gamesoftware product is recorded (“Game Disc”) is warrantedto the original purchaser of the product to be free fromdefects in materials and workmanship for a period ofninety (90) days from the original date of purchase. If theGame Disc is found to be defective in materials andworkmanship within 90 days from the date of purchase,Eidos agrees to replace the Game Disc to the originalpurchaser thereof, free of charge, upon receipt of theGame Disc and required proof of purchase. The foregoingreplacement remedy is the sole and exclusive remedy forbreach of the foregoing limited warranty, and Eidos shallhave no obligation to provide such remedy (i.e., free GameDisc replacement) with respect to (i) any recordingmedium damaged by abuse, mistreatment or neglect (e.g.,cracks, scratches, damage from application of chemicals),(ii) any defect arising after ninety (90) days from theoriginal date of purchase of the corresponding product or(iii) in instances where the original purchaser cannotproduce a copy of the original sales receipt dated noearlier than 90 days preceding the date of return.

This limited warranty is in lieu of all other warranties,whether oral or written, express or implied, including,without limitation, any warranty of merchantabilityor fitness for a particular purpose, and no otherrepresentation of any nature shall be binding on orobligate Eidos. If any such warranties are incapable ofexclusion, then such warranties applicable to an Eidossoftware product are limited to the 90-day perioddescribed above. In no event will Eidos be liable for anyspecial, incidental or consequential damages resultingfrom possession, use or malfunction of an Eidos softwareproduct, including damage to property, and to the extentpermitted by law, damages for personal injury, even whenEidos has been advised of the possibility of such damages.Some jurisdictions do not allow limitation as to how longan implied warranty lasts and/or exclusions or limitationof incidental or consequential damages so the abovelimitation and/or exclusion of liability may not apply toyou. In such jurisdictions, Eidos’ liability shall be limitedto the fullest extent permitted by law.

EIDOS LIMITED WARRANTY

WBIE LOGO, WB SHIELD: ™ & © Warner Bros. Entertainment Inc.(s09)

MOTION CAPTURE STUDIO

GIANT STUDIOSGreg Philyaw

MOTION CAPTURE ACTORSLara

Heidi MoneymakerDana Reed

Chrissy Weathersby

Amanda/AmeliaHelena Barrett

NatlaTate Hanyok

DoppelgangerStacey Carino

ZipJai Cortland

AlisterCrispin Freeman

WinstonAdam Clark

STUNT COORDINATORSNoon OrsattiDan Lemieux

HEAD STUNT RIGGERDan Flannigan

STUNT RIGGERJon Arthur

SET AND PROP DESIGNERRyan Adams

VOICE OVER STUDIOS

SALAMI STUDIOSSIDE UK

VOICE OVER DIRECTORKris Zimmerman

VOICE TALENT

LaraKeeley Hawes

AmandaKath Soucie

NatlaGrey DeLisle

ZipAlex Désert

Alister & MercenaryGreg Ellis

WinstonAlan Sherman

STUDIOS

STORY

Eric LindstromToby Gard

SCREENPLAY

Eric Lindstrom

ADDITIONAL STORY

The Freeman Group

. . .

For Kyle

. . .

TRU PS2 final6.qxd:TRU PS2 v 12/11/08 2:03 PM Page 16

OUTSIDE BACK COVERPLACEHOLDER

TRU PS2 final6.qxd:TRU PS2 v 12/11/08 2:03 PM Page 18