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For Connoisseurs & Conscious Living
This magazine is called
TWELVE to note it’s
monthly presence, only
TWELVE times a year.
Also, and more impor-
tantly, TWELVE is a symbol
of time. So it represents
timely information and the
central point by which life
events are measured. And
of course, time pieces are
part of the finer things,
perfect for our core read-
ers in pursuit of sophisti-
cated living.
Welcome to TWELVE.
3
Welcome to No. VI!
It’s finally June. We’ve been waiting for this.
School’s out, the weather’s nice, vacation
plans are being executed. Plenty to celebrate
including Father’s Day and Juneteenth too.
This month is also Black Music Month. Con-
sidering that, you’ll find articles highlighting
some of our talent and treasures making a
name for themselves, and Kansas City, nation-
wide. We’ve got much more in store for
you. After all, this isn’t just a magazine. It’s a
movement!
As always, we highlight the people to watch,
key tips and places to go. So enjoy the fea-
tures.
Remember, this is your magazine. You have an opportunity to contribute to the content by
writing, submitting story suggestions, and of course, attending the launch events and more.
Contact us at [email protected] to get involved and send us feedback too!
Sincerely,
Ken L
BLACK MUSIC MONTH
COVER
Anthony Saunders
DON’T MISS
Visit KCSoul.com for the
Summer Guide
INSIDE
Our Music 6
CONNECTED 13
Shani INSPIRED 24
Dads & Daughters 28
Kerwin from PE 32
Anthony Saunders
40
VOLUME 50
JUNE 2013 Volume I, Issue VI
Though a lifestyle publication isn’t unique, TWELVE evolves the genre. It’s the only magazine
that you both read and live. We set out to create more than a literary piece. We’ve merged
both the online world and the live event into the “magazine experience”. Once a month, we
release a new issue of the magazine. The release is paired with a live launch event on First
Fridays, where the feature elements and characters of our magazine are brought to life for
you to touch, taste, feel and experience. The live experience becomes part of gathering
ground of additional stories, photos, and more for the final written magazine.
What’s Different? Read It & Experience it Live
kcsoul.com #TWELVEKC
TWELVE Magazine is
part of the kcsoul.com
network. Owned by
H.G.E. Marketing, LLC.
4
CLOSER TO MY DREAMS Plan now for Spring Graduation! Establish a Gift page today for the graduating student. Enable friends and family to easily make a contribution to salute their well-deserved ac-complishment. Help toward future expenses such as travel plans, a new car, or a new suit for interviews or jobs. Chances are a little extra money toward the tuition bill would be useful too! It’s FREE to start your page. Log on today.
Where The Nation Goes to Give
GIFT PAGES PROVIDE:
Real-time direct payments
Customized donation amounts
Goal meter option for tracking
Social media sharing
Email & contact invitations
Personalized gift page urls
Picture & video additions
Reporting
Specials & bonuses
Because sometimes they need it. Other times they deserve it.
5
SPECIAL THANKS
To all of Our Writers, Designers,
Planners, Contributors,
Advertisers & Supporters of
TWELVE!
Ken L.
Join the team: Email: [email protected] W. Sarah Fletcher
DJ Franklin
Raye Jackson
Danielle Jones
Clarence Lomax
Iman Lott
Sherry Lumpkins
LeAndrea Mack
Randi McCreary
Gary Mitchell
Casie Murff
Earl Smith
Michele Watley
Jessikha Williams
Christopher White
Salute To:
AEH Photography
Blue Symphony, LLC
BLACK MUSIC MONTH
6
Music
ansas City is rich in talented and revered music but when Kansas Citians hear the word “local” what’s the in-
sinuation? Does local equate to inferior, defining a sound that doesn’t warrant taking a few seconds to check
out the music? Or do many individuals just not know how to engage in a local artist’s project? After all, KC has
become accustomed to the limits of what the radio airs and what programs like MTV, VH1 and BET expose. However,
this city abounds with talent that has never been heard and KC has also lost out on untold talent because of the ane-
mic opportunities for exposure. TWELVE Magazine is answering the call! In addition to bringing Kansas City excep-
tional individuals, connoisseurs, and encouraging a conscious lifestyle, we will bring you talent!
LEE LANGSTON Talents such as Lee Langston, a local independent artist, who produces his own shows and gives genuinely entertain-
ing performances. Coming a long way from the boy band that he started with in his early years, Lee Langston’s memo-
rable voice, original style, and distinguished material has become a staple in the urban art culture of Kansas City.
(Continued on page 8)
By LeAndrea Mack
Photos: Jessikha Williams
K
7
Lee Langston One of KC’s Top Voices
twelvekc.com
8
His genres include a distinct fusion of tradi-
tional R&B, Neo-Soul, and new age rhythm
and blues. Whatever the style, he has always
chased his passion for his God-given talent:
singing. Langston, who is finishing a project
to be released later this year, admits that
performing in Kansas City is difficult but says,
“This is the show-me state and Kansas City
holds true to that! You have to do what you
love and when you are pursuing your pur-
pose, the connection is so strong it enve-
lopes your spirit.”
Langston has parlayed his passion into a full-
time profession. Kansas City has come to
know and love his soulful music and per-
formances like his popular Tribute Series dur-
ing which he performs songs by popular art-
ists to sold out crowds.
ADRIAN RAY’MON SMITH Another artist who is making a lot of incisive
noise in the Kansas City area is Adrian
Ray’mon Smith, known in Kansas City as
Adrian Truth, a charming R&B artist with
Npursuit Alliance Records that just released an
album called, “Euphoria.” The album flows
seamlessly along a strong R&B theme, includ-
(Continued from page 6)
(Continued on page 23)
twelvekc.com
ADRIAN RAY’MON SMITH
Ready to Be Next
Photo: Jessikha Williams
9
10
ne in three children are living in the United
States without the presence of their biological
fathers. Many are young boys, just starting out
in life; trying to adapt to a challenging world. Realities
like these give reason to celebrate those fathers that
are unwaveringly present. Moments where grandfa-
ther, son and grandson can be together show a great
line of heritage and what loving family dynamics can
do.
There is nothing like being a father. It is a responsibil-
ity, a blessing and a challenge all rolled up into one
purposeful experience. It serves a vast and essential
purpose--to develop well rounded men that can pros-
per and contribute in the world with confidence and
drive. This of course, is taught in the midst of love
and the presence of family. The end result ? An un-
forgettable collection of human beings that know they
are laying a foundation and watching a legacy unfold.
Edward Lamothe was close to his father Andrew
growing up. He wants the same experience with his
son. He considers one of his blessings to be that his
son can still spend time with grandfather in Kansas
City. Now living in Virginia, Edward contributes the
good relationship to the lessons, morals and values
that his father passed down to him.
“ My dad taught me how to survive and how to take care
of my home. As a result I believe I was able to succeed
on my own and deal with adversity, “ Edward says. “ My
Here’s to the Dads And The Memories They Create.
O
Gil Lowe wants to maintain a strong relationships
with his boys..
By: Randi McCreary
11
goal is to show my son what it means to be a man.
Teach him to respect others, to compete, win or lose,
how to survive, how to tie a bow tie….overall the
goal is to arm him with the information and skills
that he can use for the rest of his life”.
Gil Lowe, a resident of Chicago, has memories
and lessons from his father that come with en-
couragement and participation.
“One project I remember the most was building a
basketball blackboard and goal from scratch with
wood from Sutherlands. We poured the cement and
drilled the holes for the goal. Every time the basket-
ball goal would get wear and tear or be torn down
we would always be fixing it. I spent many hours
playing ball and staying close to home because of
this”.
Today, Gil has an amazing relationship with his
two sons Greyson and Lawson, who love spend-
ing time with their grandfather in Kansas City.
“ My dad taught me how to
survive and how to take care
of my home. …”
Edward
Lamothe Knows a fa-
ther’s role is
to be there.
12
LOVE STARTING WITH YOURSELF
W. SARAH FLETCHER
W. Sarah Fletcher Photograph: Raye Jackson
twelvekc.com
W. Sarah Fletcher twelvekc.com
13
When it comes to National
Music, Kansas City is well-connected!
They make the stars! [Partial List]
Anthony Saunders
Songwriter/Producer
Bishop
Singer/Songwriter
Brian Kennedy
Musician/Producer
Charmelle Coffield
Songwriter/Vocalist
D. Baker
Producer
Damon Thomas Producer
Dewain Whitmore, Jr.
Songwriter/Vocalist
DJ Pooh
Producer/Filmmaker
Earl “Punch” Wight
Choreographer
George Forte
A&R, Cash Money
Janelle Monae
Singer
Jo Blaq
Singer/Producer
K Stylis
Rapper
K. Briscoe
Producer/Songwriter
Kerwin Young
Producer/Composer
Lance Alexander
Producer/Songwriter
LaShawnna Stanley
Model Talent Management
Lil Ronnie
Producer
Prof T
Songwriter/Producer
Richard “Swoop” Whitebear
Choreographer
Saisha Beecham
Celebrity Make-Up Artist
Tech N9ne
Hip-Hop Artist
Tone Henderson
Record/Artist Promotions
Warnae Watkins
Booking Agent
Prof T, Producer
“The industry is pretty transparent.
Art as a whole is struggling, but
especially Black music. There’s
good music out there, the problem
is that it’s all the same. That’s
what we need to change.”
Warnae, Watkins,
Booking Agent
“Artists need to manage to their
market sometimes to make
money. You can’t outprice your-
selves, not considering the mar-
ket .”
Tone Henderson, Promotions
“Henderson Entertainment
Artists have to market themselves.
You can’t rely totally on the internet.
You have to get back in the streets,
to make more money.”
D.Baker, Producer
“Artist Development is lacking.
Labels are not spending to prepare
an artists. The sweet spot in this
industry is film scores.”
Anthony Saunders, Producer
“When it comes to music, “Style is
going to change.” Genres are ongoing
and evolving.”
Saisha Beecham, Make-up Artist
“Record labels cut budgets which im-
pacted promotion features like music
videos for artists. Back in the day, if there
was song, the music video made you listen
to song. Now, music videos are limited.
Everything’s about reality TV shows.
George Forte, A&R
“Today, the marketing budgets are lower. A
lot of artists get signed for Singles vs. full con-
tracts. “Stick and Move” is the name of the
game. Record labels want to see how well
you’ll do. They limit their exposure to lower
budgets, maybe $250,000 where years ago it
would have been a two million dollar deal.”
i Industry
ROUNDTABLE
We held an industry roundtable with a few of our industry experts and all-stars. Below are just a few highlights on the state of the industry.
NATIONAL MUSIC INDUSTRY \ HEAVY HITTERS FROM KC
Check The List of Artists
They’ve Worked With on
Page 48.
14
When you ask Karam “Ashot” Johnson what
the hip hop sound was when he first discov-
ered music he can’t help but smile. As a
young artist and music lover growing up in
Kansas City, Missouri, hip-hop was raw and
unfiltered.
“You had to have your own direction,” he recalls.
That love led to the discovery that he had his
own gift for performing. By the age of fifteen
Ashot knew that he was ready to battle with
the best of them. The early nineties sound
gave way to a conscious vibe and lyrical con-
tent with more awareness and eventually op-
portunities for himself and his group “The
Hungry Coterie”. By the early nineties Ashot
was opening for artists like Keith Murray.
Today’s hip -hop sound is much different than
the vibe brought by artists like Murray.
Techno beats, dance tracks and lyrics that are
missing what was once a powerful message,
cause emcees like Ashot to get it back to
where it was. This doesn’t mean he can’t ap-
preciate the evolution. After all, music has a
tendency to reciprocate and take on a new art
form while still revisiting the past.
In addition to being an emcee, Ashot is an
emerging visual artist with work to be fea-
tured on his upcoming album. The portrait,
which doubles as the title for his new project
Anti-Everything explores the social, economi-
cal and moral plague of our society. It speaks
to the youth and the elders. It uncovers that
which is often pacified. All in ten hard hitting
tracks that are, most fittingly, raw and unfil-
tered.
His former project “Streetlights for Dark
Blocks”, includes songs like 4Dem and Hunger
Pains that shadow the content of Anti-
Everything. Ashot is an independent artist
whose music can be found on Bandcamp.com,
YouTube, and itunes.com. For inquiries about
his work he can be reached at facebook.com/
karamashotjohnson.
Ashot By Randi McCreary | Photo Jessikha Williams
15
twelvekc.com
16
Sound Off
17
18
Saisha Beecham
By Randi McCreary
19
f you’ve ever watched The Real Housewives of At-
lanta and wondered how Kenya Moore gets those
billowing eyelashes , or Kandi Buress’s complexion
seems to remain smudge free all of the credit goes
to celebrity stylist and makeup artist Saisha Beecham.
Saisha, a Kansas City native, has been a heavyweight in
the styling industry for over ten years.
“I was always the designated friend to do everyone’s makeup
when going out, even in high school so I guess I knew I had
somewhat of a gift at a young age but never once thought it
would be my destiny, “ explains Beecham.
Saisha continues to wow audiences and makeup lovers
around the country with her accessible trends and go-to
tips. With her wealth of knowledge, Saisha has even had
the privilege of seeing some of her clients like Nia Long
and Janelle Monae walk the red carpet. She describes
the experience as feeling like a proud mother.
At this stage of the game Saisha is accustomed to getting
a last minute call to pack her bags and head half way
around the world to work on a project. The freedom of
being creative and making her own schedule keep her
satisfied and allows her to keep the inside track on what
is trending in makeup.
The summer season proves no different. With women
wondering exactly what makeup trends will land them
on the hot list, Saisha guarantees that the key word for
summer is color.
“The trend right now is bright color lips! This trend is sticking
around, only this time, the lips aren't glossy. Try it matte or
with a light sheen in colors like coral, orange, pink, hot pink,
and even bright purple!”
For women that want more makeup advice than how to
shade their lips, Saisha provides some makeup basics
that will keep any woman looking beautiful and feeling
sexy.
“Three essential items that a woman should always have are
a great lip moisturizer, a great mascara and a great blush or
bronzer. I love Kinerase Ultimate Volume Lip Conditioner.
With this, your lips are being moisturized and they also have
a shiny lip gloss look! You can never go wrong with
Smashbox Bionic Mascara in Jet Black. This will really open
your eyes and make you look finished even if you didn’t have
time to do much! For blush or bronzer try NARS Orgasm.
This is a classic that never fails!!
I
Saisha puts those finishing
touches on Gladys Knight
By Randi McCreary
20
Lonnie & Gina McFadden.
Music is in the blood.
“I was always around musi-
cians. My father taught us
how to tap dance before I
even knew what that was.”
21
ansas City’s rich music heritage is recog-
nized across the country for its true
musicians. The sound is so distinctive
that it gives listeners pause. No matter
the form - jazz, blues, R&B, rap or other
- Kansas City’s music style is unique and
trained ears always pick up on it.
Integrated within the very fabric of our musical
history and culture were legends and iconic
figures that would all pass through, playing and
jamming in the 18th & Vine district. Kansas City
still has many living legends among us and the
McFadden’s are a part of that legacy.
The McFadden family is and has been an integral
part of our musical history, passing on musical-
ity, showmanship, and pure passion and love for
the art from generation to generation. The McFadden Brothers, continue to wow
crowds with their jazz performances. Lonnie
plays the trumpet and Ronald plays the alto
saxophone. Both brothers sing and tap dance.
However, it is no longer just the brothers shar-
ing an intense love of music, but also, Lonnie’s
daughters, Gina and Chloe, are singers pursuing their
own dreams and touching lives through music.
Lonnie McFadden credits his gifts and love of music to
God and his father, Jimmy McFadden, who danced with
the best big bands of the ‘20‘s, 30‘s and 40‘s. Dizzy Gil-
lespie asked Jimmy and his group to perform with his
band, in addition to performing with Louie Armstrong
and Nat “King” Cole. As a tap dancer, Jimmy danced in
Kansas City during the 20‘s and ‘30‘s when jazz was big
in Kansas City.
Influenced by his father’s friends Count Basie, Lester
Young, Mary Lou Williams, Charlie Parker, and very
close friend Sammy Davis, Jr., Lonnie remembers that
he was immersed in the arts. “I was always around mu-
sicians. My father taught us how to tap dance before I
even knew what that was.”
Lonnie equates doing what you love to living and
breathing your passion. He is intensely grateful for all of
his experiences including his world travels. In many
ways, he feels he is not just living his dream but a dream
filled with second chances. From touring the world, he
found that others held Kansas City in high regard. He’s
humbled to be such an intricate piece in the scene and
sound of Kansas City jazz and music. When Lonnie talks
about his passion and love for music he is joyful and
very much like a kid in a candy store. However, when
he starts to talk about his daughters, his whole being
radiates and beams. He swells with the pride found in
the pure simplicity of being a dad.
In awe of his girls, Lonnie feels their talents exceed his
each in her own right. Gina, with the notes she hits and
her vocal range and Chloe, with her natural ability to
entertain. The McFadden girls have performed locally
and in other cities with their father for as long as they
can remember. Gina’s passion for music and the oppor-
tunity to make a difference in the lives of others thor-
ough song is what inspires her. A singer since the age of
4, Gina is accustomed to being on stage. She sang at her
high school graduation, competed on American Idol,
and still sings locally. She says she wasn’t pushed into
music, but knew at a very early age that she wanted to
sing. A blended vocal styling of R&B, blues, and jazz,
Gina loves the R&B blended style. And, sometimes love
hurts. “Music broke my heart when I didn’t make
[American] Idol. I auditioned three times. It broke my
heart again when I didn't [win]. I stopped singing but I
still love music. I’m married to R&B.”
Gina is often amazed and overwhelmed by the love and
support she feels from her hometown. While she
knows her family is a part of Kansas City music history,
she doesn’t often see herself in that light. At the begin-
ning of the day, “I’m just a girl who loves to sing, purs-
(Continued on page 27)
Ronald McFadden on sax.
K
twelvekc.com
22
twelvekc.com
TONE HENDERSON Photo: Jessikha Williams
23
ing a hit song, “Vice”, that local fans
are raving over. Like Langston,
Adrian Truth recognizes the strug-
gles that local KC artists endure
but his love for music is rooted so
deeply, that the struggle is but a
mere distraction. As a matter of
fact, it was a driving force to get
him to where he is now. Reflecting
on his efforts to hone his craft
locally, Adrian says, “This is my
city and I love to bring it music
that we can all relate to and hon-
estly, Kansas City has shown me
that they love to hear it, too.”
TONE HENDERSON
Kansas City’s local music has seri-
ous connections to key players in
the industry on a national level.
Even when KC overlooks our own
talent, heavy hitters are noticing,
including Tone Henderson, a for-
mer A&R and Marketing represen-
tative for seven years at LaFace
Records and plaques from super-
stars including Usher, TLC, and
Donnell. Henderson, who now
owns the lucrative Henderson
Entertainment, working with all
of the major record labels, was
raised right here in KC and visits
often. Living in Atlanta now, Hen-
derson says he is still very con-
nected to Kansas City and will
continue to seek out talent from
this region. As a former DJ, he
feels that the radio is an important
outlet for artists but reminds them
that it is not the only one. Sup-
porters of local artists have the
power to launch them into to star-
dom.
TWELVE Magazine is proud to
be an avenue through which con-
noisseurs find gems in their own
community. Local artists will once
again propel our city into the ma-
jor hub that it once was.
(Continued from page 8) Tone has been hard at work., a force behind mak-
ing the stars you know and love today..
24
Shani Tate Developing Sprint Center
& Touching Lives
25
Radiant. Passionate. Driven. Shani Tate is a con-
nector, creator, a facilitator, if you will, of what we
most treasure: our dreams and memories.
As Vice President of Marketing, Communication and Ticket Sales at
the Sprint Center, she has been integral in the revitalization process
and growing pains of Kansas City through music & entertainment. For
the last five years, Tate has brought a host of big names and attrac-
tions to the Sprint Center; an arena which she says belongs to the
people of Kansas City; an arena that, against all odds and widespread
doubt of success, has ranked among the top arenas, both nationally
and internationally for the last five years, and currently is ranked third
nationally and 11th globally. Clearly, under Tate’s leadership, she and
her team specialize in making memories and dreams come true for all
who see the world-renowned names and performances hosted at the
Sprint Center.
A native of Kansas City, Shani Tate has traveled the world and has
had opportunities to live in other cities across the country, yet, it is
her love for Kansas City that keeps her here. Grounded in her faith
and centered by family, friends, and mentors, it’s easy to understand
Tate’s passion and success, after spending a little time with her.
Xii: Shani, Thanks for taking time to meet with us and allowing us this
opportunity to learn more about you. First, what’s your purpose in both life
and career?
Tate: My personal purpose is to be a Connector. Whether through
entertainment, life, sports, etc., life is about making connections, so I
(Continued on page 26)
Building A Better World
twelvekc.com
By W. Sarah Fletcher Photo: AEH Photography
26
Page 26
kcsoul.com
SUCCESS
am very privileged that in my job, I get to see peo-
ple’s dreams come true when they come here.
Xii: Nice, and your passion?
Tate: I’m passionate about service. Whether it is
service to others or service in the smallest way, but
really serving each other; really knowing who you
are and your place in the universe and world. When
you are personally centered, you have a better idea
of how you can be a better asset to the world.
Xii: Does your purpose and passion get you out of bed
each morning or is there something extra?
Tate: My passion is seeing people’s dreams come
true and that gets me out of bed every single morn-
ing. It doesn’t matter if it’s seeing people spend their
hard earned money to come here and see Tina
Turner or to see Garth Brooks or who whomever
(Continued from page 25) their favorite artists may be. Quite honestly,
when I see fathers and daughters dressed up in
tuxedos and princess outfits for Disney on Ice,
(Continued on page 51)
Tate helps host some of the
biggest artists in the world.
“When you are
personally cen-
tered, you have
a better idea of
how you can be
a better asset
to the world.”
27
ing my passion, and chasing my
dream. I still see me on stage,
winning Grammys but more im-
portantly touching the lives of
other little girls.” “I’ll be known
as the girl who didn’t give up,
who didn’t let go of her dream.”
It’s clear that the McFadden leg-
acy, a legacy richly intertwined in
the fabric of Kansas City, is being
passed like a torch, from genera-
tion to generation, with one very
important note. “I just want my
girls to do what they love”, said
Lonnie. “I want them to be suc-
cessful.” He beams, “I’m just
proud to be their dad.”
(Continued from page 21)
You haven’t experienced the
McFadden Brothers until you’ve
seen them tap dance. Lonnie
McFadden pictured here.
twelvekc.com
28
Dance With My Father
When there’s a bond like
this between Dads and
Daughters…it’s something
to sing about.
Photo: AEH Photography
twelvekc.com
29
LOTT of LOVE “Inseparable, that’s what we are…” sings Tucker Lott. “
I think that would be a song I would use to describe
you, parts of it at least”. I smile at the thought of my
dad knowing that even though one day I will move on
and start my own family, he and I, his little girl, will al-
ways be inseparable.
From the day daughters are born we each become the
apple of our father’s eye. They watch us grow and de-
velop into young women and hesitate to let us go when
they walk us down the aisle. They pick us up when we
fall and mend our broken hearts after the first of many
times it will break. They offer wise counsel and lay the
foundation for what we hope our future husbands will
be like. My dad is my hope.
“Daughters, in particular, are always in the foremost
part of your mind. We fathers want to give them every-
thing they need.” he says, “Foundation starts by setting
an example in your home. It was my responsibility to
be present, to be a good and effective parent”. That he is. What I admire most about my father is that
he was always there to pick up the pieces of the abso-
lute mess I was. He always seemed to know exactly
what to do or say. Everything seemed better and
brighter after one of his hugs.
“The affection that you give a daughter changes when
she becomes an adult. At least it did for me. When
you were younger I think I gave more hugs and kisses,
however, when you grew older that changed and I wish
it didn’t. I believe my children know I love them I just
wish I would’ve been more affectionate longer”. I wonder how he could think that. To me, there was
no wrong he could do. His hugs inspired me to be bet-
ter, to forgive, to keep moving.
“Ain’t no stopping us now…” I hum in my head.
“I think if I had to pick a song for us I would say ‘Ain’t
no stopping us now’ by McFadden and Whitehead” my
By Iman Lott
30
By LeAndrea Mack
H. Ervin Photography
AEH Photography
Read It.
Wear It.
Dream It.
father blurts out unexpectedly.
“Dad! That is exactly what I was just thinking!”
“Confirmation.” We nod our heads in agree-
ment.
I’m sitting on my parents’ living room couch
beginning to get into what I call my “writing
zone” when I hear my dad walking towards me.
He’s reading something out loud that sounds
familiar.
“ ‘Many nights we prayed with no proof anyone
could hear; in our hearts a hope for a song we
barely understood. Now we are not afraid,
although we know there's much to fear, we
were moving mountains long before we knew
we could. There can be miracles, when you
believe’. This depicts what I think about you in
terms of faith. You believe in miracles. Your
life is a miracle. I encourage you continue to
live your life this way; Believing and achieving.”
He does it again without even knowing it. I’m
immediately encouraged. I grin. My dad is still
my hope.
LAMBERTS...BETTA
WATCH THOSE TWO “Kristen is hard working and dedicated. One of
the things I taught my children was if you have
the desire to achieve something you stick with
it. She absolutely exhibits that.” states Charles
Lambert about his daughter Kristin Lambert. Kristin smiles warmly in complete admiration as
her father talks about his one and only girl.
“That’s definitely something I got from my dad:
the ability to trust in myself and the decisions
that I make. If you know it’s something you
want, go for it. I appreciate him for instilling
that in me”.
Mr. Lambert seems to blush as Kristin ex-
pounds on the philosophy she inherited from
him.
“I think it’s easy to quit when something is
hard or appears hard to achieve but my dad
never did. He’s overcome so much. His ability
to adapt is admirable. I’ve never seen him
(Continued on page 38)
31
magazine
32
HUDSON & JANE
Velvet Blazer, Pants,
Shirts, and Pocket Square.
BANANA REPUBLIC
Boots
HALLS
Pin
LOVE
t the next concert you attend in town, the MC
might say, “When I say Legendary Hip-Hop you say Kansas City!” Or maybe this one, “Put one fist in the
sky like this, and if you’re Public Enemy fan, say DJ drop the
Mozart.” Confused? You’d be wisest among men to figure out the connec-
tion…but here it is…Kerwin Young. KC now has claim to one of the
foremost producers in Hip-Hop, Mr. Kerwin Young of the legendary Bomb
Squad, the groundbreaking producers for Public Enemy (PE) whose mem-
bers included pioneers Hank Shocklee, Keith Shocklee, Chuck D, Eric
"Vietnam" Sadler, Gary G-Wiz along with the man himself, Kerwin "Sleek"
Young. We find today, that Young’s music interests and capabilities have
no bounds and are definitely not limited to Hip-Hop.
When it comes to Kerwin’s music, legendary is the appropriate descrip-
A
twelvekc.com
33
Kerwin Young
ROCKSTAR STATUS
34
35
tion. He’s got at least 25 years in the game and now, he
shares in one of the most laudable honors in the music
industry with Public Enemy’s induction into the Rock and
Roll Hall of Fame on April 18, 2013 in Los Angeles.
Though outside of the traditional realm of “Rock”, the
Hip-Hop and R&B influence on music in general and Rock
in particular is being acknowledged as demonstrated by
PE’s induction along with fellow 2013 inductee, power-
house, Quincy Jones. Now, the world is taking notice.
Contributors like Kerwin should be proud.
Heavyweight
Kerwin holds an impressive discography. He’s been a
ghostwriter with his music featured in the first season of
the TV drama, New York Undercover and during the
second season of reality series, Flavor of Love. His work
extends to the silver screen, appearing in hit movies like
Sister Act 2 and The Green Card. And of course, he’s
earned numerous production credits from working with
top names ranging from his East coast cohorts of PE to
the West Side with Ice Cube and Dr. Dré. With national
hit music, TV and movie placements, the presumption is
that if he’s in Kansas City, he must be a guest professor
or lecturer, right? No. Kerwin actually came to UMKC to
learn.
Back in the Day
Let’s go back. We start back in 1989 in Roosevelt, a
community in Long Island, NY, home of Kerwin, Chuck D,
and Flavor Flav. There, Kerwin cites that baseball was
really his first love. He had dreams of going to the pros
and had actually been in training at baseball camp in Mid-
land, MO for a few years. However, a bad shoulder injury
in high school forced him to redirect his energy to his
other interest, music. “After I messed up my shoulder, I
started DeeJaying and selling tapes in school,” says Young.
At only 18, Young got a gig as a backup DJ. “I worked
Wednesday through Sunday, 7:30pm to 4:00am, at a club
in East Meadow Long Island, the Spectrum Café. I was
underage. It was a 23 & older club,” says Young, reminisc-
ing. Every Thursday, for Ladies Night, I’d see Bomb Squad
members like Keith Shocklee, and Drew from the S1W’s
(Security First World), PE’s Security team. “In addition to
DeeJaying, I was also in the NAACP Youth council. I met
two guys in through there who were from British Guiana.
They had a session at Public Enemy’s studio in early sum-
mer of ’87 with Eric Satler from Bomb Squad, so I started
going to the studio with them.”
Young developed an insatiable thirst for music and the
studio experience. He recalls walking the three-mile
roundtrip to and from the studio nearly every day from
17 to age 24. By the time he was 19, you would even find
Young sleeping overnight at the studio.
Starting from the Bottom
First, I watched and sat around. The studio was owned by
Dr. Gant, a dentist. The studio was on the 2nd floor. In
early ’89, they’d have me go get food or tell me to push a
button here or there for production. When they were
doing “Fear of a Black Planet”, Ice Cube came with Jinx to
do their album, AMERIKKKAS Most Wanted, so I worked
on that. I was in charge of keeping the sample log.”
“(Professor) Griff had been kicked out in ’89. I went
down to Miami with him to produce Pawns in the Game.
But still I worked on every Public Enemy album from Fear
of a Black Planet, except Apocalypse in ’91. I was asked
to, but Bomb Squad had broken up. Hank Shocklee and
Eric Sadler had “a thing”. I was loyal to Eric, so I didn’t
work on that. Instead, I worked on Eric B. & Rakim’s
album, Don’t Sweat The Technique (1992). “I stayed busy
with PE full time,” says Young, and got demo projects, like
for the Gravediggaz and Mobb Deep’s first album.”
Learned Behavior
Young’s father was a musician and his mother was also a
performer, so he was well groomed in the arts. “I could
always read music. I started playing the sax when I was
nine years old. I taught myself how to write music. I was
only familiar with treble clef growing up so I had to learn
alto, tenor clef, bass clef, and then learn all the ranges of
all the instruments. I learned that on my own. In New
Kerwin Young
Came to UMKC to
Master music!
36
York, I would go to Adelphi Univer-
sity and Hofstra University. I’d visit
the library or the bookstore and buy
books, then I’d go home and study
and teach myself.”
He continued his self-study he moved
to Atlanta in 1999 where Chuck D
had established a new studio. Young’s
trip to Atlanta began as a visit. He
stayed for 10 years. “I would hang
out at Spelman or Clark University all
day in the library and going through
music scores.”
KC, Here I Come
Young’s quest for learning was driven
by his belief that he hadn’t realized his
full potential. He’d learned a lot on
his own through books and hands-on
training and had made real contribu-
tions, but, he dreamed of bigger
(Continued from page 35)
Congratulations to Public Enemy
on their induction into the Rock
and Roll Hall of Fame.
twelvekc.com
“I worked on every Public Enemy album from Fear of a Black Planet, except Apoca-
lypse in ’91.”
“I’m writing a percussion
concerto about this Black
Korean who was the first
or second Shogun.”
37
things, more money, and making a bitter impact with his
music. Orchestration, film score work, those were to
be his future, but he felt those heights required more
formal training.
“In 1994 I started writing music, on my own, without
training. By 2002 I felt confident enough to apply for
schools to fine tune my work. In Atlanta, I was meeting
members of the Atlanta Symphony. I met with the li-
brarians, the one’s that prepare the music, edit and pre-
pare the parts. I’d have them review and critique my
compositions and they didn’t find anything wrong. Even
without software or computer 22”x24” staff paper…
everything by hand.” With that, I applied to the Paris
Conservatory, and they told me I was too old, and that’s
after I paid the application fee.”
Not one to be deterred, Young took his search online
which led him to Professor Chen Yi at UMKC’s top-
rated conservatory. “I met Chen Yi on MySpace. She’s
like the top female composer in the world,” exclaims
Young. I emailed her about visiting UMKC to study or-
chestration for one month.” The conservatory was im-
pressed with Young’s résumé and convinced him to offi-
cially enroll. Now, a few years, later, he has his Bache-
lor’s degree and has moved to on the graduate program.
Making Music and Knowing Music…There is a
Difference
Hearing Young describe music, you realize there’s a
depth and sophistication in music much greater than an
understanding of a bass line and a hook. He credits his
former days of being a DJ and knowing what to play for
his ability to create music today. Now he’s mastering
techniques. “I can hear when something’s wrong. But
being in the music conservatory, you have to be able to
hear the exact interval. If the note is wrong is it sharp
or flat? You have to be able to tell a musician, you
played C sharp and it’s a C natural. I don’t have that skill
yet. But that’s why I’m taking classes.
Young always considered himself a musician, but pulling
samples and playing one-handed chords are a long way
from what he’s doing at the conservatory. “We have to
play four semesters of piano. Here man, its two hands
and sight reading at a specific tempo. It’s Bach, Mozart,
and Hayden. I had to take one course twice.”
Young goes on to describe symphonies and concertos
that are part of his program. “It could take anywhere
from a week to ten years to write. It depends on the
number of movements. Most of mine take six to eight
months to write. It could involve a story line, subject
matter, current events or a person, so you have to re-
search the person, find the sound, draft out sound. I’m
writing a percussion concerto about this Black Korean
who was the first or second Shogun, Sakanouye Tamu-
ramaro, from the 8th Century. It will be music that fits
that period but speaks now, infusing Afro-Asiatic steel
drum and winds.”
Where to Go From Here
What’s the ultimate goal for the man who’s done it all?
That’s a pretty quick answer for Young, “Teach compo-
sition and orchestration on a collegiate level, score ma-
jor films, and get commissions for orchestration. We’re
sure, with his skill set, all of that will be realized in the
short term. Go head on…Rock Star. Bach Star.
PE’s own, Flavor Flav & Chuck D, the legends.
38
‘Cause Women Love A Well-dressed man!
sweat. I have a ring tone for my dad. James brown ‘I feel good’. He personifies that song. He has always shown
me that it’s okay to live.
You got God. You are alive. Feel good about it. Life’s a party with my pop!” Kristin exclaims, “Because of that
we would get in a lot of trouble with mom!” The two share a robust laugh.
“Celebrate good times, come on!”
The song begins to resonate from his IPad. They begin to move as though the music has put a spell on them.
Shoulders bounce and feet tap.
“Ahhh ‘Celebration’ by Kool and the Gang “ Kristin smiles, “Yeah, this would be our theme song since mom
says we never acted right when she left the room. She swears up and down that we got into trouble every-
time”.
Mr. Lambert laughs in agreement at more shared memories between the two.
Now is the time to celebrate fathers, protecting us through the bad times and cheering us through the
good times.
(Continued from page 30)
By Danielle Jones
People of Color are often less aware
that while their risk of developing
skin cancer from over exposure to
the sun is lower than that of Whites,
the rate of death is higher because
often times when the disease is diag-nosed it is already at an advanced
stage. While the melanin in our skin
is our front line barrier to UVA/UVB
rays there are several steps we can
take to minimize our risk even fur-
ther.
Apply a broad spectrum SPF 30-50 at
least 15-30 minutes before going
outside and reapply every two hours
if possible. Wear protective clothing like a hat
and sunglasses.
When protecting children, adults
should spray the sunscreen onto
their hands first before applying it to
kids' faces.
Ensure your sunscreen is stored
properly. The protective ingredients
can degrade if left in a hot environ-
ment such as a car or lose its effec-
tiveness if frozen. Also the majority
of sunscreens are only good for up
to 2 years so check your products
expiration date.
It’s Summer.
Watch The
Rays.
Dads & Daughters
39
Look forward
not at the
ground.
Keep your chin
parallel to the
ground.
Gently tighten
your stomach
muscles.
Walk smoothly,
rolling your foot
from heel to toe.
Hold you
Head high.
Move your
Shoulders
Naturally.
Keep your
back straight
not arched
forward or
backward
Swing your
arms freely
with a slight
bend in your
elbows.
Reference: Mayo Foundation for Medical Education and Research
Walking Technique
40
Anthony Saunders is a producer, songwriter, singer and pianist whose music knows no limits. Saunders, a native of
Kansas City, KS comes from a family rich in musical history dating all the way back to the time of Duke Ellington,
Count Basie, and Lionel Hampton. His Great-uncles, both accomplished percussionists, can be seen on countless clas-
sic jazz albums of the 1930’s and 40’s. Anthony’s parents, both accomplished musicians in their own right, encouraged
and coached Anthony at a very early age to develop his love of all things music and perfect his gift of singing writing
and playing various musical instruments. As a kid, Anthony was well known in school as well as the community for his
musical abilities.
After graduation, Anthony embarked on his musical journey traveling across the country to work with some of the
best of the best in the business. Some of them would include artistic, writing, and production powerhouses like
Grammy winning songwriter Adonis, Grammy winning producer Bangladesh, Grammy winning songwriter/production
duo The Messengers, Singer-Songwriter Mario, and up-and-coming Songwriter Melanie Fontana as well as many oth-
ers. Those lessons and experiences have made way for him to score major credits with the likes of artists in many
genres. His credits include Pop sensation Justin Bieber’s “Fairytale” and “Just Like Them,” R&B legend Joe’s “Tonight,”
and the song “Gone” for Brandy and Ray-J’s A Family Business, and 3 songs with smooth jazz artist Julian Vaughn “Be
my girl”, “Always be together”, ”I’ll do it”. Anthony, an eclectic musician inspired by legends such as Prince, Stevie
Wonder, Marvin Gaye, Michael Franks, Quincy Jones and Harry Connick, Jr. is in a class all his own, equipped with an
appreciation for all forms of music that in turn shaped him into the musical brainchild he is today.
Anthony Saunders HE’S GOT THAT STAR POWER
KINDA MUSIC
twelvekc.com
Photo: Raye JJackson
41
42
Sat 05/18 KCKS Delta Sigma Theta Sorority, Inc.
2013 Jabberwock Pageant Event type: Fundraiser Venue: Ritz Charles: 9000 W. 137th
Street Overland Park KS Time: 7:00 PM - 9:30 PM Producer: Kansas City KS Alumnae
Chapter of Delta Sigma Theta Sorority Contact: KCKS Deltas Email: kcksdel-
[email protected] Phone: Web: www.KCKSDeltas.org Sun 05/19 Wild N Out Comedy Tour Event type: Comedy Venue: The Juke House : 1700 E 18th
Street Kansas City MO Time: 7:00 PM - 2:00 AM Producer: StanDaMan Prod & CoEd Inc Contact: Stanley Taylor Email: standa-
[email protected] Phone: Sun 06/09 The Mountain Top Event type: Fundraiser Venue: The Unicorn Theater: 3828 Main
St Kansas City MO Time: 6:00 AM - 10:00 PM Producer: Elite Performance for Alpha
Kappa Alpha Sorority, Inc. Mu Om
Contact: Camille May Email: [email protected] Phone: 816-820
-3117 Tue 06/11 2nd Annual NETWORK with the 100 Event type: Networking Venue: CBE at SPRINT CENTER: 1401
Grand Kansas City MO Time: 5:30 PM - 8:30 PM Producer: 100 Black Men of Greater KC Contact: Email: [email protected] Web: network100.kcsoul.com Sat 06/15 Taste of Art Event type: Community Action Venue: Negro League Museum: KCMO Time: 6:00 PM - 10:00 PM Producer: Alpha Kappa Alpha Sorority,
Inc.- Xi Tau Omega Chapter Contact: Jamie Braden Email: ja-
[email protected] Phone: Fri 06/21 NPHC-KC Party KC Greek Picnic Wknd Event type: Party Venue: Club Rain: 8015 Troost KCMO Time: 9:00 PM - 1:30 AM Producer: NPHC-KC KC Greek Picnic
Sat 06/22 Bold.New.Poets | Poetry The Soul of
Kansas City | The Writers Place | Event type: Fundraiser Venue: THE WRITERS PLACE: 3607
Pennsylvania, Kansas City, Missouri MO Time: 6:00 PM - 9:30 PM Producer: T.L.WILLIAMS Contact: terance williams Email: [email protected] Phone:
8166127640 www.themusicandmorefoundation.org Sat 06/22 NPHC Flag Football *& KC Greek Picnic Event type: Fundraiser Venue: Swope Park - Shelter 2: KCMO Time: 12:00 PM - 3:00 PM Producer: National Pan-Hellenic Council
KC & KC Greek Picnic Contact: Joseph Jones Email: jterrell-
kcsoul.com KCs Urban Source. Add Your Events!
Just a snapshot of events from
the nonprofit calendar.
For complete listings, visit
kcsoul.com
Malcolm X
Add your upcoming events and more to kcsoul.com. Just create a login or use your Facebook log-in.
JUNE 20-23, 2013 PARTIES | STEPSHOW | PICNIC
Details and Tickets: kcsoul.com
VISIT NOW
43
44
45
t’s an age old tradition for new fathers to
hand out cigars with the birth of a child.
Some trace the origin back to the Ameri-
can Indians who provided gifts and smoked at
the birth of a child and other special occa-
sions. This tradition was later adopted by
the English and early American settlers when
they arrived. Other references claim its
roots may be in the fact that men weren’t
always allowed in the birthing room, so cigar
smoking, an extracurricular activity domi-
nated by men, became an opportunity for
them to bond outdoors while still marking
the occasion.
We may never know all of the facts, but we
can agree on it’s purpose—a gift of cigars
marks an occasion to celebrate.
We stopped by Qudos to get some tips on the
art of smoking cigars.
Finish
Cigar smoking is about the flavor. Hickory taste with a
spice finish. Cherry infused, blueberry, especially a treat
for ladies.
Ring gauge
This is the girth or circumference of a cigar. 35”, 50”
and 60” are some common sizes. The larger tend to
yield a longer smoke 45minutes to 1.5hours. Take in the
moment with a nice conversation, drink and lounge
chair.
Pairing
Similar to pairing wine with a meal, you can pair a cigar
with a drink. One popular pairing at Qudos is the Ro-
meo y Julita with a Remy Martin V.S.O.P.
Humidors
Help retain the moisture in cigars to ensure a savory
smoke.
Lighting
You can use a lighter, but cigar enthusiasts will tend to
use a wooden match. Light it holding it up and down
when lighting so the sugars in the cigar flow to the tip.
Experience
Don’t inhale. Savor without taking the smoke into your
lungs, which experts claim makes cigar smoking healthier
than cigarettes.
Women Too
Not just bonding opportunity for men anymore.12% of
cigar smokers are women. Join the experience. Cele-
brate the moment.
Celebrating
Fatherhood
It’s Tradition
I
46
Chris Jones with the 100 Black Men connects
with guests at the 100 table.
Let the networking begin!
Tonight’s event was also the official presentation affair for TWELVE Maga-
zine’s Success Guide. TWELVE Magazine’s Iman Lott (l) and W.Sarah
Fletcher (r) along with Andrea Hendricks, Ed.D, SVP of UMB (c)
47
48
Thank You Kansas City
On Behalf of Music Superstars Everywhere...
Jill Scott, Jordin Sparks, Ariana Grande, LeToya
Luckett, B5, Al, Oceana, Snoop Dogg, Wiz
Khalifa, Justin Bieber, Joe, Scotty McCreery,
Lupe Fiasco, Trey Songz, R. Kelly, Brittney
Spears, Mary J Blige, T.I., Usher, Bow Wow,
T Pain, Ginuwine, Tupac, Ciara, Jennifer Hud-
son, Rihanna, Chris Brown, Faith Hill, Nick
Jonas, Jordin Sparks, Young Jeezy, Jacob Latti-
Producers and Writers from Kansas City Make the Hits For the World’s Largest Artists.
49
Thank You Kansas City
more, Lionel Richie, Omarion, J. Valentine,
Justin Timberlake, Donell Jones, Olivia, Mario,
JoJo, Mario Vasquez, Stacie Orrico, Jordin
Sparks, Ruben Studdard, Fantasia, Katharine
McPhee, Aretha Franklin, Jay Z, Timbaland, Keri
Hilson, New Edition, Earth Wind & Fire, Jessica
Simpson, Janet Jackson, Shanice Wilson, Alexan-
der O’Neal, and Johnny Gill, to name a few.
Producers and Writers from Kansas City Make the Hits For the World’s Largest Artists.
50
Thank you. Thank you for the hits.
Kansas city GETS volume
T
STAFF CALL 12Mag MOVEMENT
We call it a movement
because it’s massive—
the written magazine,
live events, videos,
web, products and ser-
vices and our overall
reach.
Become an OFFICIAL mem-
ber of our TWELVE Magazine
staff. Writers, event plan-
ners, graphic artists, models,
publicists, stylists, and more.
It doesn’t take a full-time
commitment, just a little time
each month. Or, sign up to
be a one-time or periodic
contributor. JOIN TODAY!
[email protected] KC’s not new to the national scene.
Bloodstone, with hits like “Natural High” are worldwide favorites.
hank You KC! Producers and songwriters of Kansas
City, on behalf of superstars everywhere, we say
51
Take a look at
page 48. The
concept we
envisioned
was a page
depicting all of
the stars, out-
side of jazz,
touched by
producers and
songwriters
from Kansas
City, BUT
WE RAN
OUT OF ROOM!
However, I’m sure you get the idea! Take the col-
lective portfolio of “Kansas City’s Own” and you’ll
realize our influence is massive. Even beyond stan-
dard urban genres of R&B and hip-hop, our talent
has produced the pop, rock and country hits, too.
The net is that hundreds of artists per year benefit
from “Kansas City’s Own.”
We’re not just behind the scenes. We’ve also got
our own national performing celebrities for sure.
Janelle Monae is really blazing the charts and stages
around the country. Let’s not forget the number
one independent artist in the country, Tech N9ne.
We also recognize that our star power resides in
other industry positions, beyond the music creators.
They too, deserve credit. Whether it’s the market-
ing and promotions pros that bring the awareness
or those who manage the style and look, KC is well-
represented.
Yet, we can’t help but wonder, can we do more?
Can we make more hits, create more superstars?
Of course we can. This music issue of TWELVE is
just the first piece of a new campaign we call VOL-
UME to do just that. We’re about to turn
things up!
or little kids first experience Sesame Street Live,
those are the kinds of things that are most gratifying
and rewarding, because it is not so much about the
show, as it is making those family connections.
Whether you’re with family or your friends, we
make memories here. You can’t take that away and
neither can I.
Xii: What’s important about being a woman and leader
in corporate America?
Tate: I think it is very important to realize who you
are, to surround yourself with positivity, and to be
willing to accept criticism. Identify mentors and be
willing to hear the difficult things that people say,
that you may not be ready to hear. A wise person
once told me just because you feel like saying it,
doesn’t mean that people are ready to hear it.
Xii: How has that served you?
Tate: Especially being a type A personality, you
have to realize what people are able to digest,
knowing your environment, knowing your situation,
and figuring out what is the best use of my talent
and skill in this particular moment and space.
Xii: What do you love about KC?
Tate: It’s located in the middle of the country. I
think it is a great place to not only raise a family but
also, a great place to grow up. It’s a great place to
have a foundation, to go out and experience the
world, and to come back and reinvest.
Xii: You have roots here and you continue dig deeper...
Tate: And it’s a choice for me to live here. AEG is
a worldwide company. There are opportunities here
that can’t be duplicated in other markets. I think
there is a uniqueness here, and element of hospital-
ity that we share in terms of passion. No one does
hospitality like Kansas City. And, having traveled
around the world I see it, making those connections
are so meaningful here. For example, when I go to
shows in other cities that I’ve seen play in our build-
ing; those shows have been completely different.
Shows that play in our building don’t want to leave;
shows in other cities are shorter than here and
(Continued from page 26)
(Continued on page 53)
52
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53
that’s because artists feed off the love from
fans. The passion that’s here, the knowledgeable
fans, it just means so much in Kansas City and
you can’t buy that.
Xii: What are you involved in outside of work?
Tate: I am part of Event and Arena Marketers,
I am a Jackson County Link. Because I work 80
hours a week, spending time with family and
friends is especially important. It’s so important
to make those meaningful connections. We are
in times where we have
social media, but how do
you make and maintain
those meaningful connec-
tions, throughout life
changes, when you haven’t
talked with your best
friend? When I’m not at
work it’s really about con-
necting.
Xii: List three key character-
istics that have helped you
get where you are.
Tate: Humility, Tenacity,
Creativity.
Xii: How so?
Tate: Humility in terms of knowing what you
can do, what your skills are, realizing how to
place your skill set in the environment you are
in. In sports and entertainment, degrees aren’t
necessarily valued, but achievement is. Your
personal achievement is, but also realizing that
others may not value that. Realizing what your
personal contribution is and being willing to do
something. There is nothing I would ask a mem-
ber of my staff to do that I haven’t already
done. It’s easy to see where you are now, but
my first job, I was paid a whopping zero dollars,
and I started off as an intern. You make the
sacrifices so you can grow and elevate your
game, but also rise to the top.
Xii: 80 hours a week, what keeps you centered?
(Continued from page 51) Tate: Oh, working out, loved ones, spending
time, and really knowing when to say when.
Everything is not always a “yes”. Making those
difficult decisions…It may or may not be worth-
while for you to commit to something in that
space and time.
Xii: That’s beautiful.
Tate: That’s serious. All money is not good
money.
Xii: What are words of wisdom or a quote that you
live by, something someone has told
you or that you love?
Tate: Really, that quote that my
mentor said: just because you feel
like saying something doesn’t
mean that someone is ready to
hear it. A lot of times we teach
our women, especially our
younger women of color, that we
have to be the voice and always
be heard. There is a time to be
heard and seen and to let your
voice speak volumes. But often-
times we underestimate silence.
It’s your times of silence that
make your words more powerful.
That’s something that we don’t - I
didn’t necessarily get, until I was
much older.
Xii: You work around music all day. How does it
inspire you?
Tate: Music is really what makes the world go
round. It sounds cliché, but I think about my
first concert. My first concert was Michael Jack-
son when I was 5. It wasn’t so much about him
or the Jacksons, or Dianna Ross who was also
on that show, but about the fact I went with my
parents. It was about the fact that my dad took
off work to take me to see New Edition at
Worlds of Fun. Music and the ability to play
instruments really transcends color; it tran-
scends race, transcends creed, and it really is
(Continued on page 54)
“But oftentimes
we underestimate
silence. It’s your
times of silence
that make your
words more pow-
erful.”
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the ultimate unifier. You can’t take that away.
When you appreciate good music, it is the ultimate.
Xii: Why do you think that this arena is so important
to Kansas City?
Tate: At the time of the groundbreaking in 2005, a
lot of people believed this building wouldn’t come
to fruition. When we opened people said we
wouldn’t be busy. We’ve been amongst the top
arenas in the world every year since opening. But,
that’s not about the Sprint Center or Sprint Center
operations per se, it’s because the Sprint Center
building belongs to everyone in the city. And the
thing we are most proud of is the diversity of our
programming. Whether you are coming here to
see rock, Latin, hip-hop, urban, it’s all here for you.
If you are coming to see a family show, if you want
to the Globetrotters or the Miami Heat, whatever
floats your boat, we look to try to book it here in
Kansas City. The best part is that artists appreciate
that.
Xii: What are some challenges and obstacles you’ve
had so far in your career, and how have you overcome
them?
Tate: I think being centered in your faith is very
important. A lot of time it is very easy to let too
much pride get in the way; but understanding that a
rising tide lifts all ships and one person can’t do
anything alone is important. Also, it’s important to
meet people where they are. It may not be where
you are, but meeting people where they are, so
that you can figure out what the commonality is,
that common ground where everyone can work
together to achieve common goals. It’s not rocket
science.
Xii: I love that you say it’s not rocket science. But it
feels like it is rocket science.
Tate: It can.
Xii: Why is that?
Tate: Because I feel like people aren’t cognizant of
the importance of making personal connections. If
you make personal connections with people, most
(Continued from page 53)
people will do whatever you need. It’s human na-
ture, we want to help people, we want to move
the ball across the line. We all want to succeed. If I
see a child a trip over his own feet, like I did yes-
terday, fall on the concourse, and spill his popcorn
and soda, it doesn’t really cost anything for me to
replace that - $5 dollars. His mom may not have
that, but it just saved that little kid from devasta-
tion. How can you move the ball forward? What-
ever your playing field is, how can you move the
ball forward down the field?
Xii: Last question. What would you attribute your suc-
cess to?
Tate: A total team effort. My success really isn’t
about me. I'm fortunate to have a supportive hus-
band and family, mentors and friends, all of which
aren't afraid to provide honest feedback, even
when it may not be the counsel I'm seeking. It’s a
sum total of hard work, and there are a lot of peo-
ple I don’t want to let down. I’m very cognizant
that when I look at this industry, there aren’t too
many people that look like me, I have a responsibil-
ity and obligation to open doors and I take it very
seriously.
Xii: Beautiful. Thank you.
Shani Tate’s passion for music and making memo-
ries is a gift she continues to give not just to Kansas
City, but to all who enter our Sprint Center, as
they experience, firsthand, the magic of memories
to treasure. It’s no wonder our Sprint Center is
ranked third in the country and 11th globally. With
a driving force so focused, balanced with passion
and grounded in faith and family, the imprint Shani
Tate is making on Kansas City, our nation and
globe, is only just beginning to be felt.
Xii would like to offer a very special thank
you to Shani for taking time to meet with us
and share with our readership.
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