Final Exam - Advanced - Page 1 of 10
UMT - COMPLETE MUSIC THEORY COURSEFINAL EXAM - ADVANCED RUDIMENTS Total Score: ____
100
b) Invert the above intervals in the Treble Clef. Use whole notes. Name the inversions.
__________ __________ __________ __________ __________
1. a) Name the following intervals.
__________ __________ __________ __________ __________
___ 10
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d) Invert the above intervals in the Bass Clef. Use whole notes. Name the inversions.
__________ __________ __________ __________ __________
Major 7 Perfect 12 Augmented 9 minor 10 Major 3
c) Write the following harmonic intervals below the given notes. Use whole notes.
Name: _______________________________ UMTS Number: ____________
Final Exam - Advanced - Page 2 of 10
UMT - COMPLETE MUSIC THEORY COURSEFINAL EXAM - ADVANCED RUDIMENTS
___ 10
2. For each of the following seventh chords, name: a) the key to which it belongs. b) the type of seventh chord (Dominant seventh or diminished seventh).
a) ____________ ___________ ___________ ___________ ___________
b) ____________ ___________ ___________ ___________ ___________
c) Write the following seventh chords in the Bass Clef. Use the correct Key Signature and any necessary accidentals. Use whole notes.
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i. The diminished seventh chord of g sharp minor in root positionii. The Dominant seventh chord of B flat Major in 3rd Inversion.iii. The Dominant seventh chord of E Major in 2nd inversion.iv. The Dominant seventh chord of e flat minor in 1st inversion.
v. The diminished seventh chord of b flat minor in root position.
i. ii. iii. iv. v.
Final Exam - Advanced - Page 3 of 10
___ 10
UMT - COMPLETE MUSIC THEORY COURSEFINAL EXAM - ADVANCED RUDIMENTS
Key: ____________
Key: ____________
The following melody is written for French Horn in F. c) Name the key in which it is written. d) Transpose it to concert pitch, using the correct Key Signature. Name the new key.
3. The following melody is written for Clarinet in B flat. a) Name the key in which it is written. b) Transpose it to concert pitch, using the correct Key Signature. Name the new key.
Key: ____________
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Key: ____________
Final Exam - Advanced - Page 4 of 10
4. Write the following scales and modes ascending and descending one octave. Use accidentals. Use whole notes.___ 10
UMT - COMPLETE MUSIC THEORY COURSEFINAL EXAM - ADVANCED RUDIMENTS
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a) Relative Major scale of b flat minor in the Alto Clef.
b) Tonic minor scale, natural form, of C sharp Major in the Treble Clef.
c) Enharmonic Tonic minor scale, melodic form, of d sharp minor in the Bass Clef.
d) Phrygian mode starting on C sharp in the Treble Clef.
e) Mixolydian mode starting on A flat in the Tenor Clef.
Final Exam - Advanced - Page 5 of 10
5. For each of the following melodic fragments: a) Name the key. b) Write a cadence in Keyboard Style below the bracketed notes. c) Name the type of cadence (Perfect, Imperfect or Plagal).
UMT - COMPLETE MUSIC THEORY COURSEFINAL EXAM - ADVANCED RUDIMENTS
___ 10
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___________________Key: ____________
___________________Key: ____________
d. Complete the following chart by providing the new key names for each transposition.
Original Key Name Interval of Transposition New Key Name
B flat Major Up a Major 6
D Major Down an Augmented 2
d sharp minor Up a minor 3
G Major Up a diminished 4
Final Exam - Advanced - Page 6 of 10
UMT - COMPLETE MUSIC THEORY COURSEFINAL EXAM - ADVANCED RUDIMENTS
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6. For each of the following chords: a) Name the chord type as: triad, Dominant seventh chord, diminished seventh chord, cluster or quartal chord. b) Rewrite the chord in the specified type of open score. c) Name each voice/instrument in the open score. Do not use abbreviations.
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Chord Type:
_______________________
Chord Type:
_______________________
Open Score for String Quartet
Modern Vocal Score
________________
________________
________________
________________
________________
________________
________________
________________
Final Exam - Advanced - Page 7 of 10
7. a) Add rests below each bracket to complete each measure.
UMT - COMPLETE MUSIC THEORY COURSEFINAL EXAM - ADVANCED RUDIMENTS
___ 10
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b) Add the correct Time Signature at the beginning of each of the following excerpts.
c) Add bar lines to complete each of the following rhythms.
Final Exam - Advanced - Page 8 of 10
UMT - COMPLETE MUSIC THEORY COURSEFINAL EXAM - ADVANCED RUDIMENTS
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8. For each of the following triads, name: a) the root. b) the quality/type (Major, minor, Augmented or diminished). c) the position (root pos, 1st inv or 2nd inv).___ 10
e) Add accidentals where necessary to form the following triads.
a) _____________ _____________ _____________ _____________
b) _____________ _____________ _____________ _____________
c) _____________ _____________ _____________ _____________
d) Identify the name of the scale which contains all of these triads.
A Major scale
E Major scale
c sharp minor harmonic scale
f sharp minor harmonic scale
i) the Leading note triad of e minor melodic.
ii) the Dominant triad of a flat minor harmonic
iii) the Submediant triad of D Major
Final Exam - Advanced - Page 9 of 10
UMT - COMPLETE MUSIC THEORY COURSEFINAL EXAM - ADVANCED RUDIMENTS
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9. a) Match each musical term with its English definition. (Not all definitions will be used.)
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Term Definition
molto
sempre
senza
sopra
pesante
arco
tacet
troppo
subito
sostenuto
_____ b)
_____ c)
_____ d)
_____ e)
_____ f)
_____ g)
_____ h)
_____ i)
_____ j)
_____ k)
always
with
suddenly
sustained
much, very
above
too much
loud
without
weighty, with emphasis
l) for stringed instruments: resume bowingafter a pizzicato passage
a) be silent
b) Give the English definition for each of the following musical signs.
%ma15
Sz
fp
______________________________________________________________
______________________________________________________________
______________________________________________________________
______________________________________________________________
______________________________________________________________
Final Exam - Advanced - Page 10 of 10
UMT - COMPLETE MUSIC THEORY COURSEFINAL EXAM - ADVANCED RUDIMENTS
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10. Analyze the following excerpt by answering the questions below.
a) Name the key of this excerpt. ____________________________________________
b) Explain the tempo of this excerpt. _________________________________________
c) Add the Time Signature directly on the music.
d) Give the term for the relationship between the notes at the letters A and B. __________________________________________
e) For the triad at C, name: Root: ____ Type/Quality: ________ Position: _________
h) Identify the number of: Ties: _________ Slurs: _________ Triplets: __________
i) Give the technical degree name of the root of the triad at G: ____________________
The Lonely Willow___ 10
j) Locate and circle a Tritone. Name the interval. ______________________________
S. McKibbon
Adagio e dolenteA B
D
CF
E
f) Give the term for the relationship between the notes at the letters D and E. __________________________________________
g) For the triad at F, name: Root: ____ Type/Quality: ________ Position: _________
G