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8/3/2019 UNIT: Shape and Value
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DRAWING WITH
SHAPE and VALUE
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DRAWING WITH SHAPES AND VALUES
step 1 Fill in the VALUE SCALE below using a pencil. Leave the FIRST box blank,then fill in the LAST box completely, making it as dark as you can. (Trypushing down harder on your pencil to get darker values). Then, gradually fillin the boxes to make a smooth scale, from very light, to very dark, so there isa gradation from the first white box to the last very dark box.
step 2 Choose seven different colored markers, then outline each of your squaresabove in a different color.
step 3 Identify areas in the drawing below which match the value of the darkest boxin your value scale, then outline those areas with the corresponding marker
color. Once you have identified all the areas with that value, repeat theprocess for each value in your value scale!
Shane Henderson, Art 1, 2008
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step 2
Choose seven different colored markers, then outline each of your squares
above in a different color.
step 3 Identify areas in the drawing below which match the value of the darkest boxin your value scale, then outline those areas with the corresponding markercolor. Once you have identified all the areas with that value, repeat theprocess for each value in your value scale!
8/3/2019 UNIT: Shape and Value
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step 2
Choose seven different colored markers, then outline each of your squares
above in a different color.
step 3 Identify areas in the drawing below which match the value of the darkest boxin your value scale, then outline those areas with the corresponding markercolor. Once you have identified all the areas with that value, repeat theprocess for each value in your value scale!
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step 2
Choose seven different colored markers, then outline each of your squares
above in a different color.
step 3 Identify areas in the drawing below which match the value of the darkest boxin your value scale, then outline those areas with the corresponding markercolor. Once you have identified all the areas with that value, repeat theprocess for each value in your value scale!
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step 2
Choose seven different colored markers, then outline each of your squares
above in a different color.
step 3 Identify areas in the drawing below which match the value of the darkest boxin your value scale, then outline those areas with the corresponding markercolor. Once you have identified all the areas with that value, repeat theprocess for each value in your value scale!
8/3/2019 UNIT: Shape and Value
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step 2
Choose seven different colored markers, then outline each of your squares
above in a different color.
step 3 Identify areas in the drawing below which match the value of the darkest boxin your value scale, then outline those areas with the corresponding markercolor. Once you have identified all the areas with that value, repeat theprocess for each value in your value scale!
8/3/2019 UNIT: Shape and Value
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step 2
Choose seven different colored markers, then outline each of your squares
above in a different color.
step 3 Identify areas in the drawing below which match the value of the darkest boxin your value scale, then outline those areas with the corresponding markercolor. Once you have identified all the areas with that value, repeat theprocess for each value in your value scale!
8/3/2019 UNIT: Shape and Value
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step 2
Choose seven different colored markers, then outline each of your squares
above in a different color.
step 3 Identify areas in the drawing below which match the value of the darkest boxin your value scale, then outline those areas with the corresponding markercolor. Once you have identified all the areas with that value, repeat theprocess for each value in your value scale!
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step 2
Choose seven different colored markers, then outline each of your squares
above in a different color.
step 3 Identify areas in the drawing below which match the value of the darkest boxin your value scale, then outline those areas with the corresponding markercolor. Once you have identified all the areas with that value, repeat theprocess for each value in your value scale!
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step 2
Choose seven different colored markers, then outline each of your squares
above in a different color.
step 3 Identify areas in the drawing below which match the value of the darkest boxin your value scale, then outline those areas with the corresponding markercolor. Once you have identified all the areas with that value, repeat theprocess for each value in your value scale!
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step 2
Choose seven different colored markers, then outline each of your squares
above in a different color.
step 3 Identify areas in the drawing below which match the value of the darkest boxin your value scale, then outline those areas with the corresponding markercolor. Once you have identified all the areas with that value, repeat theprocess for each value in your value scale!
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step 2
Choose seven different colored markers, then outline each of your squares
above in a different color.
step 3 Identify areas in the drawing below which match the value of the darkest boxin your value scale, then outline those areas with the corresponding markercolor. Once you have identified all the areas with that value, repeat theprocess for each value in your value scale!
8/3/2019 UNIT: Shape and Value
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step 2 Choose seven different colored markers, then outline each of your squares
above in a different color.
step 3 Identify areas in the drawing below which match the value of the darkest boxin your value scale, then outline those areas with the corresponding markercolor. Once you have identified all the areas with that value, repeat theprocess for each value in your value scale!
8/3/2019 UNIT: Shape and Value
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step 2 Choose seven different colored markers, then outline each of your squares
above in a different color.
step 3 Identify areas in the drawing below which match the value of the darkest boxin your value scale, then outline those areas with the corresponding markercolor. Once you have identified all the areas with that value, repeat theprocess for each value in your value scale!
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DRAWING WITH
SHAPE and VALUE
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VOCABULARY
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VOCABULARY
Line
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VOCABULARY
Line a point extended in both directions
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VOCABULARY
Line
Shape
a point extended in both directions
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VOCABULARY
Line
Shape
a point extended in both directions
lines combined to create an enclosed space
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VOCABULARY
Line
Shape
Value
a point extended in both directions
lines combined to create an enclosed space
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VOCABULARY
Line
Shape
Value
a point extended in both directions
lines combined to create an enclosed space
the lightness or darkness of something
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VOCABULARY
Line
Shape
ValueForm
a point extended in both directions
lines combined to create an enclosed space
the lightness or darkness of something
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VOCABULARY
Line
Shape
ValueForm
a point extended in both directions
lines combined to create an enclosed space
the lightness or darkness of something
combining shape and value to create the
illusion of three dimensions on a flat surface
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Line
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Line
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Line
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Line Shapeto
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Line Shapeto
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Line Shapeto
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Line Shapeto
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Shape starting to become 3-D
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Shape starting to become 3-D
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Shape starting to become 3-D
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Shape starting to become 3-D
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Shape starting to become 3-D
(erasing lines we don’t need)
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Shape starting to become 3-D
(erasing lines we don’t need)
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Shape
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Shape Value
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Shape Value
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Shape Value
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Shape Value
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Shape Value
S
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Shape Value
Sh V l
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Shape Value
Sh V l
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Shape Value
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Shape
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Shape +
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Shape Value+
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Shape Value+ =
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Shape Value+ =
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Shape Value+ =
S
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Shape Value+ =
Sh V l
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Shape Value+ =
Sh V l
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Shape Value+ =
Form
Sh V l
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Shape Value+ =
Form
combining shape & value tocreate the illusion of being3-D on a flat surface
LIGHT SOURCES
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LIGHT SOURCES
LIGHT SOURCES
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LIGHT SOURCES
LIGHT SOURCES
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LIGHT SOURCES
LIGHT SOURCES
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LIGHT SOURCES
LIGHT SOURCES
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LIGHT SOURCES
Gi i M di
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Giorgio Morandi
Gi i M di
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Giorgio Morandi•
1890-1964
Gi i M di
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Giorgio Morandi•
1890-1964• Italian
Gi i M di
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Giorgio Morandi•
1890-1964• Italian
• simplified forms tojust shape and value
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-big shapes
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-big shapes
-value
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-big shapes
-value-layers
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-big shapes
-value-layers
• what shapes?
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-big shapes
-value-layers
• what shapes?
• what values?
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-big shapes
-value-layers
• what shapes?
• what values?
•where are the lines?
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-big shapes
-value-layers
• what shapes?
• what values?
•where are the lines?
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-big shapes
-value-layers
• what shapes?
• what values?
•where are the lines?
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-big shapes
-value-layers
• what shapes?
• what values?
•where are the lines?
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-big shapes
-value-layers
• what shapes?
• what values?
•where are the lines?
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-big shapes
-value
-layers
• what shapes?
• what values?
•where are the lines?
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-big shapes
-value
-layers
• what shapes?
• what values?
•where are the lines?
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-big shapes
-value
-layers
• what shapes?
• what values?
•where are the lines?
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-big shapes
-value
-layers
• what shapes?
• what values?
•where are the lines?
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-big shapes
-value
-layers
• what shapes?
• what values?
•where are the lines?
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-big shapes
-value
-layers
• what shapes?
• what values?
•where are the lines?
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-big shapes
-value
-layers
• what shapes?
• what values?
•where are the lines?
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-big shapes
-value
-layers
• what shapes?
• what values?
•where are the lines?
What we will learn
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How to create form by combining shape and value.
you need:-pencil
-table folders
Practice using only shape and value when drawing
What we will do
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Look for shapes of values
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Look for shapes of values
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Instead of a line, put 2 shapes againsteach other to make an edge
Look for shapes of values
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Instead of a line, put 2 shapes againsteach other to make an edge
Look for shapes of values
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Instead of a line, put 2 shapes againsteach other to make an edge
Look for the darkest values
Look for shapes of values
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Instead of a line, put 2 shapes againsteach other to make an edge
Look for the darkest valuesThen the lightest
Look for shapes of values
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Instead of a line, put 2 shapes againsteach other to make an edge
Look for the darkest valuesThen the lightest
Then the values in the middle
Look for shapes of values
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Instead of a line, put 2 shapes againsteach other to make an edge
Look for the darkest valuesThen the lightest
Then the values in the middle
-Look for shapes of values
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p
-Instead of a line, put shapes
against each other to makeedges
-Look for shapes of values
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p
-Instead of a line, put shapes
against each other to makeedges
-Look for shapes of values
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-Instead of a line, put shapes
against each other to makeedges
-Look for shapes of values
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-Instead of a line, put shapes
against each other to makeedges
-Look for shapes of values
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-Instead of a line, put shapes
against each other to makeedges
-Look for shapes of values
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-Instead of a line, put shapes
against each other to makeedges
-Look for shapes of values
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-Instead of a line, put shapes
against each other to makeedges
-Look for shapes of values
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-Instead of a line, put shapes
against each other to makeedges
-Look for shapes of values
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-Instead of a line, put shapes
against each other to makeedges
-Look for shapes of values
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-Instead of a line, put shapes
against each other to makeedges
-Look for shapes of values
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-Instead of a line, put shapes
against each other to makeedges
-Look for shapes of values
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-Instead of a line, put shapes
against each other to makeedges
-Look for shapes of values
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-Instead of a line, put shapes
against each other to makeedges
-Look for shapes of values
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-Instead of a line, put shapes
against each other to makeedges
-Look for shapes of values
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-Instead of a line, put shapes
against each other to makeedges
-Look for shapes of values
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-Instead of a line, put shapes
against each other to makeedges
without a strong light source
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with a strong light source
(woo!)
So, there are 3 different
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,
things going on here:
So, there are 3 different
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,
things going on here:1. drawing from OBSERVATION
So, there are 3 different
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,
things going on here:1. drawing from OBSERVATION
2. thinking about COMPOSITION inour drawings
So, there are 3 different
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,
things going on here:1. drawing from OBSERVATION
2. thinking about COMPOSITION inour drawings
3. drawing with SHAPES & VALUES
1 d i f OBSERVATION
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1. drawing from OBSERVATION
1 d wi f OBSERVATION
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1. drawing from OBSERVATION
(I will show you some tricks!)
1. drawing from OBSERVATION
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1. drawing from OBSERVATION
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?
“Sighting”
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“Sighting”
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using your writing implement to help youfigure out
accurate angles
“Sighting”
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using your writing implement to help youfigure out
accurate angles
“Sighting”
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using your writing implement to help youfigure out
accurate angles
“Sighting”
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using your writing implement to help youfigure out
accurate angles
“Sighting”
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using your writing implement to help youfigure out
accurate angles
“Sighting”
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“Sighting”see this
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“Sighting”see this
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“Sighting”see this
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“Sighting”see this
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“Sighting”see this
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draw this
“Sighting”see this
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draw this
“Sighting”see this
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draw this
“Sighting”see this
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draw this
“Sighting”see this
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draw this
“Sighting”see this
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draw this
“Sighting”see this
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draw this
“Sighting”see this
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draw this
“Sighting”see this
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draw this
“Sighting”see this
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draw this
“Sighting”see this
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draw this
“Sighting”see this
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draw this
“Sighting”see this
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draw this
“Sighting”see this
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draw this
“Sighting”see this
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draw this
“Sighting”see this
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draw this
“Sighting”see this
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draw this
“Sighting”see this
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draw this
“Sighting”see this
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draw this
“Sighting”see this
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draw this
“Sighting”see this
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draw this
“Sighting”see this
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draw this
“Sighting”see this
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draw this
“Sighting”see this
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draw this
2. thinking about COMPOSITION inour drawings
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our drawings
2. thinking about COMPOSITION inour drawings
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our drawings
these are sortof boring.
2. thinking about COMPOSITION inour drawings
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our drawings
these are sortof boring.
2. thinking about COMPOSITION inour drawings
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our drawings
these are sortof boring.
2. thinking about COMPOSITION inour drawings
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our drawings
these are sortof boring.
2. thinking about COMPOSITION inour drawings
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our drawings
these are sortof boring.
2. thinking about COMPOSITION inour drawings
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our drawings
these are sortof boring.
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2. thinking about COMPOSITION inour drawings
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our drawings
2. thinking about COMPOSITION inour drawings
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if you want to show the whole thing, try something like this:
our drawings
2. thinking about COMPOSITION inour drawings
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if you want to show the whole thing, try something like this:
our drawings
2. thinking about COMPOSITION inour drawings
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2. thinking about COMPOSITION inour drawings
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but remember, when you consider size, view,and placement, there are LOTS of ways tomake your composition interesting!
2. thinking about COMPOSITION inour drawings
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g
but remember, when you consider size, view,and placement, there are LOTS of ways tomake your composition interesting!
2. thinking about COMPOSITION inour drawings
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g
but remember, when you consider size, view,and placement, there are LOTS of ways tomake your composition interesting!
2. thinking about COMPOSITION inour drawings
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g
but remember, when you consider size, view,and placement, there are LOTS of ways tomake your composition interesting!
2. thinking about COMPOSITION inour drawings
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g
but remember, when you consider size, view,and placement, there are LOTS of ways tomake your composition interesting!
2. thinking about COMPOSITION inour drawings
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g
but remember, when you consider size, view,and placement, there are LOTS of ways tomake your composition interesting!
2. thinking about COMPOSITION inour drawings
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g
but remember, when you consider size, view,and placement, there are LOTS of ways tomake your composition interesting!
2. thinking about COMPOSITION inour drawings
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g
but remember, when you consider size, view,and placement, there are LOTS of ways tomake your composition interesting!
2. thinking about COMPOSITION inour drawings
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g
but remember, when you consider size, view,and placement, there are LOTS of ways tomake your composition interesting!
2. thinking about COMPOSITION inour drawings
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g
but remember, when you consider size, view,and placement, there are LOTS of ways tomake your composition interesting!
2. thinking about COMPOSITION inour drawings
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g
but remember, when you consider size, view,and placement, there are LOTS of ways tomake your composition interesting!
2. thinking about COMPOSITION inour drawings
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g
but remember, when you consider size, view,and placement, there are LOTS of ways tomake your composition interesting!
2. thinking about COMPOSITION inour drawings
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g
but remember, when you consider size, view,and placement, there are LOTS of ways tomake your composition interesting!
2. thinking about COMPOSITION inour drawings
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g
but remember, when you consider size, view,and placement, there are LOTS of ways tomake your composition interesting!
2. thinking about COMPOSITION inour drawings
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g
but remember, when you consider size, view,and placement, there are LOTS of ways tomake your composition interesting!
2. thinking about COMPOSITION inour drawings
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but remember, when you consider size, view,and placement, there are LOTS of ways tomake your composition interesting!
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it could be like this:
3. drawing with SHAPES & VALUES
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try to break down what you’re looking at into
simple shapes of value. try to AVOID line when
you draw!
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EXAMPLE FINAL PROJECT
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