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REPORT.TECHNICAL TECHNICAL REPORT.
1
REPORT.TECHNICAL
AR:533DANIELA REED
“URBAN”
CONTENTS01 - SITE ANALYSIS02- SOLAR ANALYSIS03 - ACCOMMODATION STRATEGY04 - HEATING & COOLING05 - VENTILATION06 - LIGHTING07 - ACOUSTIC08 - ENVELOPE09 - ENVELOPE10 - GRAVITY11 - LATERAL12 - COST PLAN & RISK ASSESSMENT
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TECHNICAL REPORT.SITEANALYSIS.Lille has been an important town since 1066 when it was called L’Isla (meaning the island) given its name as it was located on an island in the middle of a marsh. Lille is a city in the centre of France’s fourth-largest metropolis containing 1.2 million people. It has a history of industrial and textile industry decline that caused huge numbers of unemployment, but more recently is much more involved in the service sector.
LOCAL SCALE.
HISTORY.
CITY SCALE.
SUN PATH.Orange: 17 MarchGreen: 21 JuneBlue: 21 December
Angles of the sun during both winter and summer seasons.
Solar shading and the placement of my building will be dependant on creating a comfortable environment in both the sun and shade and during all hours.
This wind rose (left) shows that the prevailing wind in Lille mainly comes from the South West. This should be taken into consideration when designing my building for ventilation strategies.
WIND ROSE.
TECHNICAL REPORT.
3
ANALYSIS.SOLAR
SUMMER SOLSTICE 9am
SUMMER SOLSTICE 12pm
SUMMER SOLSTICE 5pmWINTER SOLSTICE 5pm
WINTER SOLSTICE 12pm
WINTER SOLSTICE 9am
From conducting a solar analysis the diagrams show shadows cast on the site and different times of the day throughout the year.
From the site analysis the sun angles can be and strategies can be formed from this.
The site is in full sunlight during the majority of the day throughout the summer period. In Winter the western side of the site has a couple of hours of sunlight in the middle of the day. I considered this when designing the public outdoor spaces in my scheme.
I wanted to have a naturally lit auditorium space and therefore placed it on the southern part of the site.
Louvre detail showing how the summer sun is prevented from entering the building and how the winter sun is permitted. Louvres can be adjusted to optimise light passing through and the view.
SOLAR STRATEGY.
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TECHNICAL REPORT.STRATEGY.ACCOMMODATION
Schedule Min Area
Max Area
Loud-ness
Public Private Naturally Lit
Artificially Lit
Invite only
Common Access
Temperature Direct Access Outside
Reception 150 200 192 Bed Flat 85 150 24Auditorium 295 350 16Bar 75 100 15Cloakroom 30 40 16Toilets (ALL) 100 120 16Dressing Room 50 80 16Storage 107 200 13Dance Studio 150 300 15Changing rooms
60 100 16
Music Studio 70 140 15Control Room 15 30 15Recording 50 100 15Graffiti Area 200 300 13Outdoor Graffiti
150 300 10
Offices 125 200 16Services 105 200 15TOTAL: 1817 2910
Catagorising each space within the brief in order to understand and accommodate for each need within the building according to the space requirements.
ADJACENCY STUDIES.
210 3
1
1 - Reception2 - Auditorium3 - Flat4 - Offices5 - Dance Studios6 - Music Studios7 - Graffiti Workshop
54
6
2
7
3
Reception/cafe
OfficesFlat OfficesFlat
Auditorium
Dance
Auditorium
Music
Auditorium
The adjacency study shows how I have designed the different spaces to connect efficiently and smoothly. The reception is open on the ground floor connecting both streets either side of the site. Each individual space holds its own between 3 and 9 metres above ground level.
Offices
-1
DanceGraffiti
Offices
Graffiti
TECHNICAL REPORT.
5
HEATING & COOLING.ENVIRONMENT
Offices
SUMMER NIGHT.SUMMER DAY.Warm air is filtered
through and the area is ventilated to keep the required temperature
inside.
WINTER & MHVR SYSTEM.
Heat is stored in thermal mass concrete and is
released.
Space is warmed aswell as cool air regulating the
temperatures inside.
Earth tubes - cool air is drawn through the earth tubes and warmed by surrounding earth.
Underground spaced are kept warm due to surrounding earth storing heat.
MHVR recycles heat from exhaust air to warm fresh air entering the building. Efficient insulation in the building and walls increases
the thermal comfort within.
Openings (i.e windows) in the ceilings and walls are closed in order to keep heat in.
Heat gain - Lower sun angle means the lower glazed areas receive daylight.
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TECHNICAL REPORT.VENTILATION.ENVIRONMENT
Auditorium ventilated from cool air outside tempered in a chamber below and out under seats inside.
Vents in changing room ceiling allows for
ventilation in nearly windowless rooms.
Ventilation through
openable sky light.
Rooms ventilated by natural
convection.
Fresh air easily accessed by all
rooms.
Cross ventilation on ground floor flat benefitting from
prevailing winds.
Fresh air brought in underground and stale air removed by pipes and air-air exchanger.
PREVAILING WIND DIAGRAM.
GRAFFITI VENTILATION.
SHORT SECTION.
LONG SECTION.Ventilation cowl
allows graffiti gasses to escape
easily.
TECHNICAL REPORT.
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LIGHTING.ENVIRONMENT
NATURAL LIGHTING.Making the most of the natural lighting is key especially when designing for various purposes on the site.
ARTIFICIAL LIGHTING.To help lighting during the day and at night, artificial lights are used.
Daylight allowed to diffuse through covered walkway.
Cantilever on southern side shades glazed ground floor
entrance lobby.
Natural daylight enters through horizontal louvres
in ceiling.
Lights mounted in ceiling provide the space with extra lighting when natural
lighting cannot be solely used.
Special lasers and downlighting for special effects are mounted in the
auditorium.
North light.
OVERHEAD ROOF PLAN WITH ROOFLIGHTS.
Northern light enters dance and graffiti studios.
Artificial lighting used in underground music studios
for acoustic purposes.
Adjustable spotlights to be used in thedance and graffiti studios to display artwork and allow for performances.
Moulded flange for rooflight.
Support steelwork.
Light entering roof light.Corridor within Dance Studio.
Glazed walkways to Dance/Graffiti Studios.
Glazed Vertical Circulation.
Auditorium Rooflights.
AUDITORIUM ROOF LIGHT DETAIL.
Roofs Plans.
Rooflights.
KEY.
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TECHNICAL REPORT.ACOUSTIC.ENVIRONMENT
128 seater auditorium located in the southern part of the site raised 3 metres above ground level acessed by staircase or lift. Maximising the acoustic quality within the performance auditorium is key. Acoustic panels have been incorporated in my design to help redirect soundwaves from the performer to the audience.
Large amounts of concrete is used in the construction which absorbs a certain amount of outdoor noise and therefore enhancing the experience within.
Concrete walls surrounding the auditorium stop vibrations.
REFRACTION AUDITORIUM PLAN.
REFRACTION AUDITORIUM SECTION.
MUSIC STUDIO ACOUSTIC SECTION.
Box in Box Construction - Music Studios1:20
Box in Box Construction - Music Studios1:200
Angle Brackets
Sway Braces & Wall Ties
Concrete Floor Supported on Elastomeric Springs
Duct Hangers
Ideally a 200mm air gapCeiling support wires
Acoustic Ceiling TileSteel Ceiling Grid
Caulk
Fiberglass Bats
Ceiling Hanger
Duct Hangers
ACOUSITC CEILING DIAGRAM.
TECHNICAL REPORT.
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ENVELOPE.EXTERNAL
LONG SECTION - INITIAL ENVELOPE IDEAS.
High Noise Levels
High Noise Levels
Water TightRemoval of Water Vapour
High Ventilation Needed
BASEMENT DETAIL.
WATER PROOF SURFACE TREATMENT ON OUTER FACE
200mm BLOCK WALL FILLED SOLID
20mm RENDER
GROUND
BOTTOM COURSE IN CONCRETE
100mm TILE DRAIN TO SOAKAWAY
CONCRETE SLAB
TIMBER FINISH & THERMAL INSULATION
180mm CORRUGATED STEEL DECK
20mm CONCRETE BLOCKS
300mm SECONDARY BEAM
SERVICE PIPE WORK
ELECTRICAL AND DATA SERVICES HORIZONTAL CONDUIT
300mm PRIMARY I-BEAM
FLOOR AND WALL CONSTRUCTION DETAIL.
SHORT SECTION - INITIAL ENVELOPE IDEAS.
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TECHNICAL REPORT.ENVELOPE.EXTERNAL
Ribbed Texture Formliner Concrete
Windows
400mm Concrete Slab
Rubber Bearing PadBearing Connection
Precast Hollow Core
Foundation WallConcrete Footing
Concrete Slab & Insulation
Double Glazed Window
200mm Insulation
Window Head
Interior Lining
FLOOR TO CEILING SECTION THROUGH FOYER & BACKSTAGE ROOMS
TECHNICAL REPORT.
11
GRAVITY.STRUCTURE
The plan of my building consistents of a shallow plan and therefore reqires few columns. The primary beams take the main loads and transfer the load to the thicker columns down the structure to the pile foundations.
GRAVITY LOAD BEARING STRUCTURE.
The main span is the auditorium which spans 18 metres meaning a beam of 900mm is necessary to support the free from column structure.
1:200
GROUND FLOOR PLAN SHOWING COLUMN LOCATIONS.Primary load bearing structure are the columns entirely made of Aluminium.
Some colums serve as services such as drain piping whereas others are purely structural.
The majority of the load bearing structure is supported by the 210mm and 180mm columns. The extra smaller columns allow for a reduced beam size.
PRIMARY STRUCTURE.
SECONDARY STRUCTURE.
Primary beams within the graffiti and dance studios are based on a gird system of 2400mm between each column which are rigidly connected at both the top and bottom for support.
STRUCTURAL GRID SYSTEM.
TECHNICAL REPORT.LATERAL.STRUCTURE
A rigid structure is enhanced with cross bracing reinforcement.Where the span is more than 6 metres a reinforcement column has been placed in the middle for added support.
LATERAL STABILITY SECTIONAL DIAGRAM.
In plane wind force
Straps on faces of the studs form vertical cross bracing
Resistance to wind uplift
Columns are connected to the concrete foundations at the bottom and at the top they are connected to steel floor beams.
There is a high level of pre-assembly and simple efficent assembly at the building site during construction.
STRUCTURAL SYSTEM OF THE BUILDING.
HORIZONTAL DISPLACEMENT.The column dimentions consist of the larger load bearing ones at 210mm down to 180mm and the last columns at a diameter of 150mm.
An inclination of 5 and 10 degrees on some of the columns simulates the same effect as cross bracing, for lateral stability.
5 DEGREE ANGLED COLUMN
10 DEGREE ANGLED COLUMN
STRAIGHT COLUMN
STEEL I-BEAM
BOLTED BEAM-COLUMN CONNECTION SECTION.
Floor plan consists of primary beams of 2400m distance apart.
The supporting columns not on the 2400m grid are bolted to a steel I-Beam underneath the primary spanning beams.
PRIMARY BEAM.
SECONDARY BEAM.
12CONCRETE PILE FOUNDATIONS
TECHNICAL REPORT.
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COST PLAN.RISK ASSESSMENT
BUILDING COSTS.Using data from SPON’s Architect and Builder Price book and look at precedents in the UK and France similar in size and material use, a prediction of the total building cost was made.
COMPONENT COST £/m2SUBSTRUCTURE 450
SUPERSTRUCTURE 1200FURNISHES 550SERVICES 820
Budget produced by the King Kong design for the Maison du Folie Hip Hop Centre is between 8.5 and 10.2 million euros, therefore my estimation seems relatively accurate.
Building Area: 2,470m2
2470 x 3020
TOTAL CONSTRUCTION COST = £7.46M = €8.7M
Total cost per m2: £3020
RISK ASSESSMENT.CONSTRUCTION
Working at height- Pecautions to prevent falling when working at height.
- Work equipmnetn to prevent falls.
- Minimise the distance and consequences if someone was to fall.
- Scaffolds, nets, soft landing systems.
- Harness (Personal Protection Measures)- Weather conditions
- If any work can be done beforehandand then lifted
IN - USE
- As part of the outdoor graffiti space is located on the roof of the graffiti studios, there is a risk during use for people to climb over the protective balustrades.
- Due to the graffiti studios being 6 metres above ground working at height is an issue in most stages of the life of the building.
- The dance studios are placed on numerous columns which may result in settling problems in the foundations or movement of the whole building due to this particular use.
- The design and construction of the building must be thought out extremely carefully.
DEMOLITION
- Because the steelwork can be re-used after use in my current design the careful de-construction is important.
- Use of a crane to remove the steelwork from a height of 3-6 metres down to ground level is crucial.
- Being aware of pedestrians and residents surrounding the site when demolition is extremely important not only for safety but health issues too.