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URBAN: Technical Report

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REPORT. TECHNICAL 1 REPORT. TECHNICAL AR:533 DANIELA REED “URBAN” CONTENTS 01 - SITE ANALYSIS 02- SOLAR ANALYSIS 03 - ACCOMMODATION STRATEGY 04 - HEATING & COOLING 05 - VENTILATION 06 - LIGHTING 07 - ACOUSTIC 08 - ENVELOPE 09 - ENVELOPE 10 - GRAVITY 11 - LATERAL 12 - COST PLAN & RISK ASSESSMENT
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Page 1: URBAN: Technical Report

REPORT.TECHNICAL TECHNICAL REPORT.

1

REPORT.TECHNICAL

AR:533DANIELA REED

“URBAN”

CONTENTS01 - SITE ANALYSIS02- SOLAR ANALYSIS03 - ACCOMMODATION STRATEGY04 - HEATING & COOLING05 - VENTILATION06 - LIGHTING07 - ACOUSTIC08 - ENVELOPE09 - ENVELOPE10 - GRAVITY11 - LATERAL12 - COST PLAN & RISK ASSESSMENT

Page 2: URBAN: Technical Report

2

TECHNICAL REPORT.SITEANALYSIS.Lille has been an important town since 1066 when it was called L’Isla (meaning the island) given its name as it was located on an island in the middle of a marsh. Lille is a city in the centre of France’s fourth-largest metropolis containing 1.2 million people. It has a history of industrial and textile industry decline that caused huge numbers of unemployment, but more recently is much more involved in the service sector.

LOCAL SCALE.

HISTORY.

CITY SCALE.

SUN PATH.Orange: 17 MarchGreen: 21 JuneBlue: 21 December

Angles of the sun during both winter and summer seasons.

Solar shading and the placement of my building will be dependant on creating a comfortable environment in both the sun and shade and during all hours.

This wind rose (left) shows that the prevailing wind in Lille mainly comes from the South West. This should be taken into consideration when designing my building for ventilation strategies.

WIND ROSE.

Page 3: URBAN: Technical Report

TECHNICAL REPORT.

3

ANALYSIS.SOLAR

SUMMER SOLSTICE 9am

SUMMER SOLSTICE 12pm

SUMMER SOLSTICE 5pmWINTER SOLSTICE 5pm

WINTER SOLSTICE 12pm

WINTER SOLSTICE 9am

From conducting a solar analysis the diagrams show shadows cast on the site and different times of the day throughout the year.

From the site analysis the sun angles can be and strategies can be formed from this.

The site is in full sunlight during the majority of the day throughout the summer period. In Winter the western side of the site has a couple of hours of sunlight in the middle of the day. I considered this when designing the public outdoor spaces in my scheme.

I wanted to have a naturally lit auditorium space and therefore placed it on the southern part of the site.

Louvre detail showing how the summer sun is prevented from entering the building and how the winter sun is permitted. Louvres can be adjusted to optimise light passing through and the view.

SOLAR STRATEGY.

Page 4: URBAN: Technical Report

4

TECHNICAL REPORT.STRATEGY.ACCOMMODATION

Schedule Min Area

Max Area

Loud-ness

Public Private Naturally Lit

Artificially Lit

Invite only

Common Access

Temperature Direct Access Outside

Reception 150 200 192 Bed Flat 85 150 24Auditorium 295 350 16Bar 75 100 15Cloakroom 30 40 16Toilets (ALL) 100 120 16Dressing Room 50 80 16Storage 107 200 13Dance Studio 150 300 15Changing rooms

60 100 16

Music Studio 70 140 15Control Room 15 30 15Recording 50 100 15Graffiti Area 200 300 13Outdoor Graffiti

150 300 10

Offices 125 200 16Services 105 200 15TOTAL: 1817 2910

Catagorising each space within the brief in order to understand and accommodate for each need within the building according to the space requirements.

ADJACENCY STUDIES.

210 3

1

1 - Reception2 - Auditorium3 - Flat4 - Offices5 - Dance Studios6 - Music Studios7 - Graffiti Workshop

54

6

2

7

3

Reception/cafe

OfficesFlat OfficesFlat

Auditorium

Dance

Auditorium

Music

Auditorium

The adjacency study shows how I have designed the different spaces to connect efficiently and smoothly. The reception is open on the ground floor connecting both streets either side of the site. Each individual space holds its own between 3 and 9 metres above ground level.

Offices

-1

DanceGraffiti

Offices

Graffiti

Page 5: URBAN: Technical Report

TECHNICAL REPORT.

5

HEATING & COOLING.ENVIRONMENT

Offices

SUMMER NIGHT.SUMMER DAY.Warm air is filtered

through and the area is ventilated to keep the required temperature

inside.

WINTER & MHVR SYSTEM.

Heat is stored in thermal mass concrete and is

released.

Space is warmed aswell as cool air regulating the

temperatures inside.

Earth tubes - cool air is drawn through the earth tubes and warmed by surrounding earth.

Underground spaced are kept warm due to surrounding earth storing heat.

MHVR recycles heat from exhaust air to warm fresh air entering the building. Efficient insulation in the building and walls increases

the thermal comfort within.

Openings (i.e windows) in the ceilings and walls are closed in order to keep heat in.

Heat gain - Lower sun angle means the lower glazed areas receive daylight.

Page 6: URBAN: Technical Report

6

TECHNICAL REPORT.VENTILATION.ENVIRONMENT

Auditorium ventilated from cool air outside tempered in a chamber below and out under seats inside.

Vents in changing room ceiling allows for

ventilation in nearly windowless rooms.

Ventilation through

openable sky light.

Rooms ventilated by natural

convection.

Fresh air easily accessed by all

rooms.

Cross ventilation on ground floor flat benefitting from

prevailing winds.

Fresh air brought in underground and stale air removed by pipes and air-air exchanger.

PREVAILING WIND DIAGRAM.

GRAFFITI VENTILATION.

SHORT SECTION.

LONG SECTION.Ventilation cowl

allows graffiti gasses to escape

easily.

Page 7: URBAN: Technical Report

TECHNICAL REPORT.

7

LIGHTING.ENVIRONMENT

NATURAL LIGHTING.Making the most of the natural lighting is key especially when designing for various purposes on the site.

ARTIFICIAL LIGHTING.To help lighting during the day and at night, artificial lights are used.

Daylight allowed to diffuse through covered walkway.

Cantilever on southern side shades glazed ground floor

entrance lobby.

Natural daylight enters through horizontal louvres

in ceiling.

Lights mounted in ceiling provide the space with extra lighting when natural

lighting cannot be solely used.

Special lasers and downlighting for special effects are mounted in the

auditorium.

North light.

OVERHEAD ROOF PLAN WITH ROOFLIGHTS.

Northern light enters dance and graffiti studios.

Artificial lighting used in underground music studios

for acoustic purposes.

Adjustable spotlights to be used in thedance and graffiti studios to display artwork and allow for performances.

Moulded flange for rooflight.

Support steelwork.

Light entering roof light.Corridor within Dance Studio.

Glazed walkways to Dance/Graffiti Studios.

Glazed Vertical Circulation.

Auditorium Rooflights.

AUDITORIUM ROOF LIGHT DETAIL.

Roofs Plans.

Rooflights.

KEY.

Page 8: URBAN: Technical Report

8

TECHNICAL REPORT.ACOUSTIC.ENVIRONMENT

128 seater auditorium located in the southern part of the site raised 3 metres above ground level acessed by staircase or lift. Maximising the acoustic quality within the performance auditorium is key. Acoustic panels have been incorporated in my design to help redirect soundwaves from the performer to the audience.

Large amounts of concrete is used in the construction which absorbs a certain amount of outdoor noise and therefore enhancing the experience within.

Concrete walls surrounding the auditorium stop vibrations.

REFRACTION AUDITORIUM PLAN.

REFRACTION AUDITORIUM SECTION.

MUSIC STUDIO ACOUSTIC SECTION.

Box in Box Construction - Music Studios1:20

Box in Box Construction - Music Studios1:200

Angle Brackets

Sway Braces & Wall Ties

Concrete Floor Supported on Elastomeric Springs

Duct Hangers

Ideally a 200mm air gapCeiling support wires

Acoustic Ceiling TileSteel Ceiling Grid

Caulk

Fiberglass Bats

Ceiling Hanger

Duct Hangers

ACOUSITC CEILING DIAGRAM.

Page 9: URBAN: Technical Report

TECHNICAL REPORT.

9

ENVELOPE.EXTERNAL

LONG SECTION - INITIAL ENVELOPE IDEAS.

High Noise Levels

High Noise Levels

Water TightRemoval of Water Vapour

High Ventilation Needed

BASEMENT DETAIL.

WATER PROOF SURFACE TREATMENT ON OUTER FACE

200mm BLOCK WALL FILLED SOLID

20mm RENDER

GROUND

BOTTOM COURSE IN CONCRETE

100mm TILE DRAIN TO SOAKAWAY

CONCRETE SLAB

TIMBER FINISH & THERMAL INSULATION

180mm CORRUGATED STEEL DECK

20mm CONCRETE BLOCKS

300mm SECONDARY BEAM

SERVICE PIPE WORK

ELECTRICAL AND DATA SERVICES HORIZONTAL CONDUIT

300mm PRIMARY I-BEAM

FLOOR AND WALL CONSTRUCTION DETAIL.

SHORT SECTION - INITIAL ENVELOPE IDEAS.

Page 10: URBAN: Technical Report

10

TECHNICAL REPORT.ENVELOPE.EXTERNAL

Ribbed Texture Formliner Concrete

Windows

400mm Concrete Slab

Rubber Bearing PadBearing Connection

Precast Hollow Core

Foundation WallConcrete Footing

Concrete Slab & Insulation

Double Glazed Window

200mm Insulation

Window Head

Interior Lining

FLOOR TO CEILING SECTION THROUGH FOYER & BACKSTAGE ROOMS

Page 11: URBAN: Technical Report

TECHNICAL REPORT.

11

GRAVITY.STRUCTURE

The plan of my building consistents of a shallow plan and therefore reqires few columns. The primary beams take the main loads and transfer the load to the thicker columns down the structure to the pile foundations.

GRAVITY LOAD BEARING STRUCTURE.

The main span is the auditorium which spans 18 metres meaning a beam of 900mm is necessary to support the free from column structure.

1:200

GROUND FLOOR PLAN SHOWING COLUMN LOCATIONS.Primary load bearing structure are the columns entirely made of Aluminium.

Some colums serve as services such as drain piping whereas others are purely structural.

The majority of the load bearing structure is supported by the 210mm and 180mm columns. The extra smaller columns allow for a reduced beam size.

PRIMARY STRUCTURE.

SECONDARY STRUCTURE.

Primary beams within the graffiti and dance studios are based on a gird system of 2400mm between each column which are rigidly connected at both the top and bottom for support.

STRUCTURAL GRID SYSTEM.

Page 12: URBAN: Technical Report

TECHNICAL REPORT.LATERAL.STRUCTURE

A rigid structure is enhanced with cross bracing reinforcement.Where the span is more than 6 metres a reinforcement column has been placed in the middle for added support.

LATERAL STABILITY SECTIONAL DIAGRAM.

In plane wind force

Straps on faces of the studs form vertical cross bracing

Resistance to wind uplift

Columns are connected to the concrete foundations at the bottom and at the top they are connected to steel floor beams.

There is a high level of pre-assembly and simple efficent assembly at the building site during construction.

STRUCTURAL SYSTEM OF THE BUILDING.

HORIZONTAL DISPLACEMENT.The column dimentions consist of the larger load bearing ones at 210mm down to 180mm and the last columns at a diameter of 150mm.

An inclination of 5 and 10 degrees on some of the columns simulates the same effect as cross bracing, for lateral stability.

5 DEGREE ANGLED COLUMN

10 DEGREE ANGLED COLUMN

STRAIGHT COLUMN

STEEL I-BEAM

BOLTED BEAM-COLUMN CONNECTION SECTION.

Floor plan consists of primary beams of 2400m distance apart.

The supporting columns not on the 2400m grid are bolted to a steel I-Beam underneath the primary spanning beams.

PRIMARY BEAM.

SECONDARY BEAM.

12CONCRETE PILE FOUNDATIONS

Page 13: URBAN: Technical Report

TECHNICAL REPORT.

13

COST PLAN.RISK ASSESSMENT

BUILDING COSTS.Using data from SPON’s Architect and Builder Price book and look at precedents in the UK and France similar in size and material use, a prediction of the total building cost was made.

COMPONENT COST £/m2SUBSTRUCTURE 450

SUPERSTRUCTURE 1200FURNISHES 550SERVICES 820

Budget produced by the King Kong design for the Maison du Folie Hip Hop Centre is between 8.5 and 10.2 million euros, therefore my estimation seems relatively accurate.

Building Area: 2,470m2

2470 x 3020

TOTAL CONSTRUCTION COST = £7.46M = €8.7M

Total cost per m2: £3020

RISK ASSESSMENT.CONSTRUCTION

Working at height- Pecautions to prevent falling when working at height.

- Work equipmnetn to prevent falls.

- Minimise the distance and consequences if someone was to fall.

- Scaffolds, nets, soft landing systems.

- Harness (Personal Protection Measures)- Weather conditions

- If any work can be done beforehandand then lifted

IN - USE

- As part of the outdoor graffiti space is located on the roof of the graffiti studios, there is a risk during use for people to climb over the protective balustrades.

- Due to the graffiti studios being 6 metres above ground working at height is an issue in most stages of the life of the building.

- The dance studios are placed on numerous columns which may result in settling problems in the foundations or movement of the whole building due to this particular use.

- The design and construction of the building must be thought out extremely carefully.

DEMOLITION

- Because the steelwork can be re-used after use in my current design the careful de-construction is important.

- Use of a crane to remove the steelwork from a height of 3-6 metres down to ground level is crucial.

- Being aware of pedestrians and residents surrounding the site when demolition is extremely important not only for safety but health issues too.


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