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Home > Documents > USC School of Cinematic Artscinema.usc.edu/assets/098/15801.pdf · like Genette's, I will, like...

USC School of Cinematic Artscinema.usc.edu/assets/098/15801.pdf · like Genette's, I will, like...

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Page 1: USC School of Cinematic Artscinema.usc.edu/assets/098/15801.pdf · like Genette's, I will, like O'Hara, use "queer" language and invoke "queer" narratives— hence my reference to

Page 2: USC School of Cinematic Artscinema.usc.edu/assets/098/15801.pdf · like Genette's, I will, like O'Hara, use "queer" language and invoke "queer" narratives— hence my reference to

Page 3: USC School of Cinematic Artscinema.usc.edu/assets/098/15801.pdf · like Genette's, I will, like O'Hara, use "queer" language and invoke "queer" narratives— hence my reference to

Page 4: USC School of Cinematic Artscinema.usc.edu/assets/098/15801.pdf · like Genette's, I will, like O'Hara, use "queer" language and invoke "queer" narratives— hence my reference to

Page 5: USC School of Cinematic Artscinema.usc.edu/assets/098/15801.pdf · like Genette's, I will, like O'Hara, use "queer" language and invoke "queer" narratives— hence my reference to

Page 6: USC School of Cinematic Artscinema.usc.edu/assets/098/15801.pdf · like Genette's, I will, like O'Hara, use "queer" language and invoke "queer" narratives— hence my reference to

Page 7: USC School of Cinematic Artscinema.usc.edu/assets/098/15801.pdf · like Genette's, I will, like O'Hara, use "queer" language and invoke "queer" narratives— hence my reference to

Page 8: USC School of Cinematic Artscinema.usc.edu/assets/098/15801.pdf · like Genette's, I will, like O'Hara, use "queer" language and invoke "queer" narratives— hence my reference to

Page 9: USC School of Cinematic Artscinema.usc.edu/assets/098/15801.pdf · like Genette's, I will, like O'Hara, use "queer" language and invoke "queer" narratives— hence my reference to

Page 10: USC School of Cinematic Artscinema.usc.edu/assets/098/15801.pdf · like Genette's, I will, like O'Hara, use "queer" language and invoke "queer" narratives— hence my reference to

Page 11: USC School of Cinematic Artscinema.usc.edu/assets/098/15801.pdf · like Genette's, I will, like O'Hara, use "queer" language and invoke "queer" narratives— hence my reference to

Page 12: USC School of Cinematic Artscinema.usc.edu/assets/098/15801.pdf · like Genette's, I will, like O'Hara, use "queer" language and invoke "queer" narratives— hence my reference to

Page 13: USC School of Cinematic Artscinema.usc.edu/assets/098/15801.pdf · like Genette's, I will, like O'Hara, use "queer" language and invoke "queer" narratives— hence my reference to

Page 14: USC School of Cinematic Artscinema.usc.edu/assets/098/15801.pdf · like Genette's, I will, like O'Hara, use "queer" language and invoke "queer" narratives— hence my reference to

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