of 13
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FionaHallContemporary artist
Fiona Hall is one of Australias most respected and celebrated contemporary artists. Over a prolific careerbeginning in the 1970s, her art has gently unraveled and boldly rewoven the fabric of contemporary life,intimately intertwining nature and culture, the local and the global, obsolete artefacts and imperilledhabitats. Peering into her sardine cans or walking through her fern garden, we see, feel and think anewabout the big questions of our time: sexual desire and its perils, consumerism and its discontents,
colonisation and its consequences, the human species and its endangered habitat
A unique mixture of technical inventiveness, conceptual and emotional depth has brought Halls workpublic acclaim as well as many professional accolades, including the National Gallery of Victoriasprestigious Contempora 5 award in 1997. Her work is widely represented in national, state and regionalgalleries throughout the country, and her exhibits are hugely popular at home and overseas. Last yearsretrospective at Sydneys Museum of Contemporary Art set a new record for attendances and enrolmentsin the gallerys education groups.
Halls creative investigations have long coexisted with a strong commitment to arts education. Between1983 and 1997, she lectured in photo studies at the South Australian School of Art, and has since heldfellowships and residencies at among other places - the Canberra School of Arts and the South
Australian Museum. She has also served on the Advisory Council of the Australian National UniversitysCentre for the Mind. Between 1999 and 2005 she held a Lunuganga Asialink Fellowship in Sri Lanka.
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FionaHallLinkstoTeachingResources
RoslynOxley9Gallerywebsite
FHsartistsprofileandcurriculumvitae,withlinkstoimagesfromallofhermajorexhibits.
http://www.roslynoxley9.com.au/artists/17/Fiona_Hall/profile/
*
Australian
Federal
Government
Culture
Portal
DetailedbiographicalinformationonFH.
http://www.cultureandrecreation.gov.au/articles/fionahall/
*
ScreenAustralia,HiddenTreasures
5minutevideoclipshowcasingFHworksheldattheNationalGalleryofAustralia.Aimedatearlyhighschool
students,presentedbyBettyChurcher.
*
ArtlinkMagazine
Article:TheArtofFionaHall
http://www.artlink.com.au/articles.cfm?id=2280
*
SculptureGarden
ShortessayonFHsFernGardenattheNGAbyHarijsPiekains.
http://nga.gov.au/sculpturegarden/fern.cfm
http://www.roslynoxley9.com.au/artists/17/Fiona_Hall/profile/http://www.cultureandrecreation.gov.au/articles/fionahall/http://www.artlink.com.au/articles.cfm?id=2280http://nga.gov.au/sculpturegarden/fern.cfmhttp://nga.gov.au/sculpturegarden/fern.cfmhttp://www.artlink.com.au/articles.cfm?id=2280http://www.cultureandrecreation.gov.au/articles/fionahall/http://www.roslynoxley9.com.au/artists/17/Fiona_Hall/profile/8/14/2019 VADEA Speakers
3/13
ElizabethAnnMacgregorDirector, Museum of Contemporary Art, Sydney
Over a distinguished and groundbreaking career in arts administration, Elizabeth Ann Macgregor has beenimpelled by a desire to bring contemporary art to the widest possible audience. This quite literally driving passion was ignited early, during a formative stint as curator of the Scottish Art Councils travellinggallery. Getting a heavy vehicle licence to accompany her MA (Hons) in Art History (Edinburgh) and herDiploma in Museum and Gallery Studies (Manchester), the young Macgregor took art to the public by thevan full, from highland villages to inner-city council estates, and from hospitals to prisons.
Subsequent positions included four years working with the British Arts Council, during which she helped toshift the emphasis of regional galleries towards the education of new audiences and support of livingartists, and a decade as Director of the prestigiousIkon gallery, where she furthered the work ofaccessibility and outreach with offsite projects and touring exhibits.
Appointed Director of Sydneys Museum of Contemporary Art in 1999, Macgregor has overseen a decade-long revolution marked by a burgeoning in that institutions public profile and a three-fold increase in itsvisitor numbers. By inaugurating free entry, establishing a permanent collection and securing Stategovernment funding, Macgregor has laid the foundations for the MCAs continuing growth. By initiating anartist employment program in conjunction with businesses in Western Sydney, and by furtheringpartnerships with regional galleries, she has ensured that this growth will take the Museums programs wellbeyond Australian arts traditional inner-urban enclave.
Macgregor has been awarded the Centenary Medal for services to the Australian public and contemporaryart. In 2007 she won the Significant Innovation category in the Equity Trustees Not for Profit CEO awards.In 2008, she was awarded the 2008 Veuve Clicquot Business Woman Award and participated in the PrimeMinisters 20/20 Summit.
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ElizabethJaneMacgregorLinkstoTeachingResourcesMCASite
EJMsofficialbiography.
http://www.mca.com.au/default.asp?page_id=73
*
AGNSW,SitesofCommunicationConference
EJMsspeakerprofile.
http://www.artgallery.nsw.gov.au/sites2/speakers/other/elizabeth_ann_macgregor
*
TimeOutSydneyMagazineProfileandInterviewwithEJM
http://www.timeoutsydney.com.au/arts/profile/elizabethannmacgregor.aspx
http://www.timeoutsydney.com.au/checkout/stylecouncil/elizabethannmacgregor.aspx
*
SydneyMorningHeraldArticleonrecentsuccessesattheMCA.
http://www.smh.com.au/news/national/bluesaregoneasburgeoningmuseumgetsbackinthe
black/2005/09/02/1125302746456.html?from=moreStories
*
ABCTelevision,QandAEJM
responds
to
audience
questions
on
the
issues
of
the
day.
http://www.abc.net.au/tv/qanda/txt/s2281323.htm
*
ABCRadioNationalArtworksProgram
EJMdiscussesBrookAndrewsinstallation,Loop.
http://www.abc.net.au/rn/artworks/stories/2009/2489746.htm
http://www.mca.com.au/default.asp?page_id=73http://www.mca.com.au/default.asp?page_id=73http://www.artgallery.nsw.gov.au/sites2/speakers/other/elizabeth_ann_macgregorhttp://www.artgallery.nsw.gov.au/sites2/speakers/other/elizabeth_ann_macgregorhttp://www.timeoutsydney.com.au/arts/profile/elizabeth-ann-macgregor.aspxhttp://www.timeoutsydney.com.au/arts/profile/elizabeth-ann-macgregor.aspxhttp://www.timeoutsydney.com.au/arts/profile/elizabeth-ann-macgregor.aspxhttp://www.timeoutsydney.com.au/arts/profile/elizabeth-ann-macgregor.aspxhttp://www.timeoutsydney.com.au/arts/profile/elizabeth-ann-macgregor.aspxhttp://www.timeoutsydney.com.au/arts/profile/elizabeth-ann-macgregor.aspxhttp://www.timeoutsydney.com.au/checkout/stylecouncil/elizabeth-ann-macgregor.aspxhttp://www.timeoutsydney.com.au/checkout/stylecouncil/elizabeth-ann-macgregor.aspxhttp://www.timeoutsydney.com.au/checkout/stylecouncil/elizabeth-ann-macgregor.aspxhttp://www.timeoutsydney.com.au/checkout/stylecouncil/elizabeth-ann-macgregor.aspxhttp://www.timeoutsydney.com.au/checkout/stylecouncil/elizabeth-ann-macgregor.aspxhttp://www.timeoutsydney.com.au/checkout/stylecouncil/elizabeth-ann-macgregor.aspxhttp://www.smh.com.au/news/national/blues-are-gone-as-burgeoning-museum-gets-back-in-the-black/2005/09/02/1125302746456.html?from=moreStorieshttp://www.smh.com.au/news/national/blues-are-gone-as-burgeoning-museum-gets-back-in-the-black/2005/09/02/1125302746456.html?from=moreStorieshttp://www.smh.com.au/news/national/blues-are-gone-as-burgeoning-museum-gets-back-in-the-black/2005/09/02/1125302746456.html?from=moreStorieshttp://www.smh.com.au/news/national/blues-are-gone-as-burgeoning-museum-gets-back-in-the-black/2005/09/02/1125302746456.html?from=moreStorieshttp://www.smh.com.au/news/national/blues-are-gone-as-burgeoning-museum-gets-back-in-the-black/2005/09/02/1125302746456.html?from=moreStorieshttp://www.smh.com.au/news/national/blues-are-gone-as-burgeoning-museum-gets-back-in-the-black/2005/09/02/1125302746456.html?from=moreStorieshttp://www.smh.com.au/news/national/blues-are-gone-as-burgeoning-museum-gets-back-in-the-black/2005/09/02/1125302746456.html?from=moreStorieshttp://www.smh.com.au/news/national/blues-are-gone-as-burgeoning-museum-gets-back-in-the-black/2005/09/02/1125302746456.html?from=moreStorieshttp://www.smh.com.au/news/national/blues-are-gone-as-burgeoning-museum-gets-back-in-the-black/2005/09/02/1125302746456.html?from=moreStorieshttp://www.smh.com.au/news/national/blues-are-gone-as-burgeoning-museum-gets-back-in-the-black/2005/09/02/1125302746456.html?from=moreStorieshttp://www.smh.com.au/news/national/blues-are-gone-as-burgeoning-museum-gets-back-in-the-black/2005/09/02/1125302746456.html?from=moreStorieshttp://www.smh.com.au/news/national/blues-are-gone-as-burgeoning-museum-gets-back-in-the-black/2005/09/02/1125302746456.html?from=moreStorieshttp://www.smh.com.au/news/national/blues-are-gone-as-burgeoning-museum-gets-back-in-the-black/2005/09/02/1125302746456.html?from=moreStorieshttp://www.smh.com.au/news/national/blues-are-gone-as-burgeoning-museum-gets-back-in-the-black/2005/09/02/1125302746456.html?from=moreStorieshttp://www.smh.com.au/news/national/blues-are-gone-as-burgeoning-museum-gets-back-in-the-black/2005/09/02/1125302746456.html?from=moreStorieshttp://www.smh.com.au/news/national/blues-are-gone-as-burgeoning-museum-gets-back-in-the-black/2005/09/02/1125302746456.html?from=moreStorieshttp://www.smh.com.au/news/national/blues-are-gone-as-burgeoning-museum-gets-back-in-the-black/2005/09/02/1125302746456.html?from=moreStorieshttp://www.smh.com.au/news/national/blues-are-gone-as-burgeoning-museum-gets-back-in-the-black/2005/09/02/1125302746456.html?from=moreStorieshttp://www.smh.com.au/news/national/blues-are-gone-as-burgeoning-museum-gets-back-in-the-black/2005/09/02/1125302746456.html?from=moreStorieshttp://www.smh.com.au/news/national/blues-are-gone-as-burgeoning-museum-gets-back-in-the-black/2005/09/02/1125302746456.html?from=moreStorieshttp://www.smh.com.au/news/national/blues-are-gone-as-burgeoning-museum-gets-back-in-the-black/2005/09/02/1125302746456.html?from=moreStorieshttp://www.smh.com.au/news/national/blues-are-gone-as-burgeoning-museum-gets-back-in-the-black/2005/09/02/1125302746456.html?from=moreStorieshttp://www.abc.net.au/tv/qanda/txt/s2281323.htmhttp://www.abc.net.au/tv/qanda/txt/s2281323.htmhttp://www.abc.net.au/rn/artworks/stories/2009/2489746.htmhttp://www.abc.net.au/rn/artworks/stories/2009/2489746.htmhttp://www.abc.net.au/rn/artworks/stories/2009/2489746.htmhttp://www.abc.net.au/tv/qanda/txt/s2281323.htmhttp://www.smh.com.au/news/national/blues-are-gone-as-burgeoning-museum-gets-back-in-the-black/2005/09/02/1125302746456.html?from=moreStorieshttp://www.smh.com.au/news/national/blues-are-gone-as-burgeoning-museum-gets-back-in-the-black/2005/09/02/1125302746456.html?from=moreStorieshttp://www.timeoutsydney.com.au/checkout/stylecouncil/elizabeth-ann-macgregor.aspxhttp://www.timeoutsydney.com.au/arts/profile/elizabeth-ann-macgregor.aspxhttp://www.artgallery.nsw.gov.au/sites2/speakers/other/elizabeth_ann_macgregorhttp://www.mca.com.au/default.asp?page_id=738/14/2019 VADEA Speakers
5/13
AndrewFrostArt critic & ABC TV The Art Lifepresenter
Art critic, journalist and broadcaster, Andrew Frost is first and foremost a gadfly, gleefully stinging the broadbuttocks of a staid and snobbish Australian arts establishment. After studying and producing video art,Frost rose to notoriety in Sydney art circles in 2004, when he was outed as the culprit behind the scabrousArtlife weblog, a forum for anonymous comment and criticism that gave a deserved shove to many of thelocal academys sacred cows. His uncompromising judgements and pithy soundbites (e.g. The ArchibaldPrize is Sydneys very own monument to stupidity) hit home. The blog quickly became required reading forcritics, curators and creators, and soon counted its readership in the thousands.
Always quick to recognise a thoughtful iconoclast, the ABC soon invited Frost to put together a three partseries surveying the current state of Australian art. He later presented two special episodes A Year in TheArt Life and The Art Life At The Biennale of Sydney 2008.
Alongside his continued online endeavours, Frost regularly contributes criticism in print media andcontributes to local and overseas journals, including Art in Australia, Australian Art Collector,Runway and Contemporary.
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AndrewFrostLinkstoTeachingResources
TheArtLifeBlog
TheblogwhichAFcofoundedandedits:
http://www.artlife.blogspot.com/
ABConline AndrewFrostUnleashed
Three,typicallyprovocative,essaysbyAF.
http://www.abc.net.au/unleashed/stories/s2259581.htm
SydneyMorningHeraldBadBoyBloggerNowAuntysFavourite
BriefprofileofAFanddiscussionoftheArtLifeshow.
http://www.smh.com.au/news/tvradio/badboybloggernowauntysfavourite/2007/06/07/1181089238764.html
ABCTV,TheArtLifeProgramWebpage
http://www.abc.net.au/tv/guide/netw/200706/programs/DO0612H001D12062007T220000.htm
OhMrCullen...whatamess!
AFtalkattheAGNSW,reflectingonthepracticeofhisfriendandcontemporary,AdamCullen.
http://www.artgallery.nsw.gov.au/events/multimedia/andrew_frost
The New Matilda, All Froth and No Bubble
AF reflects on the state of Australian culture.http://newmatilda.com/2008/12/19/allfrothandnobubble
http://www.artlife.blogspot.com/http://www.artlife.blogspot.com/http://www.abc.net.au/unleashed/stories/s2259581.htmhttp://www.abc.net.au/unleashed/stories/s2259581.htmhttp://www.smh.com.au/news/tv--radio/badboy-blogger-now-auntys-favourite/2007/06/07/1181089238764.htmlhttp://www.smh.com.au/news/tv--radio/badboy-blogger-now-auntys-favourite/2007/06/07/1181089238764.htmlhttp://www.smh.com.au/news/tv--radio/badboy-blogger-now-auntys-favourite/2007/06/07/1181089238764.htmlhttp://www.smh.com.au/news/tv--radio/badboy-blogger-now-auntys-favourite/2007/06/07/1181089238764.htmlhttp://www.smh.com.au/news/tv--radio/badboy-blogger-now-auntys-favourite/2007/06/07/1181089238764.htmlhttp://www.smh.com.au/news/tv--radio/badboy-blogger-now-auntys-favourite/2007/06/07/1181089238764.htmlhttp://www.smh.com.au/news/tv--radio/badboy-blogger-now-auntys-favourite/2007/06/07/1181089238764.htmlhttp://www.smh.com.au/news/tv--radio/badboy-blogger-now-auntys-favourite/2007/06/07/1181089238764.htmlhttp://www.smh.com.au/news/tv--radio/badboy-blogger-now-auntys-favourite/2007/06/07/1181089238764.htmlhttp://www.smh.com.au/news/tv--radio/badboy-blogger-now-auntys-favourite/2007/06/07/1181089238764.htmlhttp://www.smh.com.au/news/tv--radio/badboy-blogger-now-auntys-favourite/2007/06/07/1181089238764.htmlhttp://www.smh.com.au/news/tv--radio/badboy-blogger-now-auntys-favourite/2007/06/07/1181089238764.htmlhttp://www.abc.net.au/tv/guide/netw/200706/programs/DO0612H001D12062007T220000.htmhttp://www.abc.net.au/tv/guide/netw/200706/programs/DO0612H001D12062007T220000.htmhttp://www.artgallery.nsw.gov.au/events/multimedia/andrew_frosthttp://www.artgallery.nsw.gov.au/events/multimedia/andrew_frosthttp://newmatilda.com/2008/12/19/all-froth-and-no-bubblehttp://newmatilda.com/2008/12/19/all-froth-and-no-bubblehttp://newmatilda.com/2008/12/19/all-froth-and-no-bubblehttp://newmatilda.com/2008/12/19/all-froth-and-no-bubblehttp://newmatilda.com/2008/12/19/all-froth-and-no-bubblehttp://newmatilda.com/2008/12/19/all-froth-and-no-bubblehttp://newmatilda.com/2008/12/19/all-froth-and-no-bubblehttp://newmatilda.com/2008/12/19/all-froth-and-no-bubblehttp://newmatilda.com/2008/12/19/all-froth-and-no-bubblehttp://newmatilda.com/2008/12/19/all-froth-and-no-bubblehttp://newmatilda.com/2008/12/19/all-froth-and-no-bubblehttp://www.artgallery.nsw.gov.au/events/multimedia/andrew_frosthttp://www.abc.net.au/tv/guide/netw/200706/programs/DO0612H001D12062007T220000.htmhttp://www.smh.com.au/news/tv--radio/badboy-blogger-now-auntys-favourite/2007/06/07/1181089238764.htmlhttp://www.abc.net.au/unleashed/stories/s2259581.htmhttp://www.artlife.blogspot.com/8/14/2019 VADEA Speakers
7/13
GarySangsterLecturer, School of Art History & Education, COFA UNSW
Gary Sangster is an art historian, curator, writer and museum director who has organized over 100museum exhibitions in Australia and overseas, all reflecting the key concerns of his career: collaborativeendeavour, artistic diversity and audience access. At the broadest level, Sangsters curatorial intention is toreveal the true value of new cultural experience and exchange for individuals and societies.
Sangsters commitment to these principles has placed him at the cutting edge of inclusive and culturally-pluralist movements in contemporary art, embodied by such landmark collaborative achievements as
1985s contemporary urban Aboriginal project, Two Worlds Collide, and SNAPSHOT, 2000the largestexhibition ever produced in North America, including more than 1,500 artists. In 2001, he curated JudithBarry's Grand Prizewinning U.S. exhibition at the 8th International Biennale, Cairo, Egypt, in 2001.
After commencing his career in Sydney, with appointments in art history, film and museum studies,Sangster was based in the United States from 1990. This American sojourn included periods serving as acurator at the New Museum of Contemporary Art in New York, executive director of the ContemporaryMuseum, Baltimore and Dean of the Art Institute of Boston. Before returning to Australia to take up alectureship at the College of Fine Arts, Sangster was Executive Director of the Headlands Center for theArts in California, an artists-in-residency program in which artists worked in an environment ofinterdisciplinary exchange and peer-to-peer learning.
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GarySangsterLinkstoTeachingResourcesCaliforniaCollegeoftheArts
ProfileofGSatthe
http://www.cca.edu/academics/faculty/gsangster
*
BaltimoreContemporaryMuseum
DescribestheSnapshotphotographyexhibit.
http://www.contemporary.org/past_2000_01.html
*
ClevelandArt
DescribestheUrbanEvidenceexhibit,Cleveland,1996.
http://www.clevelandart.org/exhibit/urban/index.html
FrankPrattle
Gary
Sangster
Interview
AmericanradiointerviewwithGSonhisworkattheHeadlandsCentreandbroaderquestionsofthevalueplacedon
artandcultureincontemporarysociety.
http://frankprattle.wordpress.com/2008/01/24/garysangsterandkenfosterjanuary24th2008/
http://www.cca.edu/academics/faculty/gsangsterhttp://www.cca.edu/academics/faculty/gsangsterhttp://www.contemporary.org/past_2000_01.htmlhttp://www.contemporary.org/past_2000_01.htmlhttp://www.clevelandart.org/exhibit/urban/index.htmlhttp://www.clevelandart.org/exhibit/urban/index.htmlhttp://frankprattle.wordpress.com/2008/01/24/gary-sangster-and-ken-foster-january-24th-2008/http://frankprattle.wordpress.com/2008/01/24/gary-sangster-and-ken-foster-january-24th-2008/http://frankprattle.wordpress.com/2008/01/24/gary-sangster-and-ken-foster-january-24th-2008/http://frankprattle.wordpress.com/2008/01/24/gary-sangster-and-ken-foster-january-24th-2008/http://frankprattle.wordpress.com/2008/01/24/gary-sangster-and-ken-foster-january-24th-2008/http://frankprattle.wordpress.com/2008/01/24/gary-sangster-and-ken-foster-january-24th-2008/http://frankprattle.wordpress.com/2008/01/24/gary-sangster-and-ken-foster-january-24th-2008/http://frankprattle.wordpress.com/2008/01/24/gary-sangster-and-ken-foster-january-24th-2008/http://frankprattle.wordpress.com/2008/01/24/gary-sangster-and-ken-foster-january-24th-2008/http://frankprattle.wordpress.com/2008/01/24/gary-sangster-and-ken-foster-january-24th-2008/http://frankprattle.wordpress.com/2008/01/24/gary-sangster-and-ken-foster-january-24th-2008/http://frankprattle.wordpress.com/2008/01/24/gary-sangster-and-ken-foster-january-24th-2008/http://frankprattle.wordpress.com/2008/01/24/gary-sangster-and-ken-foster-january-24th-2008/http://frankprattle.wordpress.com/2008/01/24/gary-sangster-and-ken-foster-january-24th-2008/http://frankprattle.wordpress.com/2008/01/24/gary-sangster-and-ken-foster-january-24th-2008/http://frankprattle.wordpress.com/2008/01/24/gary-sangster-and-ken-foster-january-24th-2008/http://frankprattle.wordpress.com/2008/01/24/gary-sangster-and-ken-foster-january-24th-2008/http://www.clevelandart.org/exhibit/urban/index.htmlhttp://www.contemporary.org/past_2000_01.htmlhttp://www.cca.edu/academics/faculty/gsangster8/14/2019 VADEA Speakers
9/13
BenQuiltyandLisaSlade
Lisa Slade is a Lecturer in Art History and Theory at the University of Newcastle, and a curatorial
consultant to Newcastle Region Art Gallery. She was part of the team who created the very successful
MOVE Video Art in Schools film series for the Department of Education and Training. Her academic
research interests include the cultural history of curiosity cabinets.
Slade curated the first comprehensive survey of Ben Quiltys paintings, entitled Ben Quilty Live!, now
showing at the University of Queensland, and soon to tour regional galleries around the country.
An artist known for his brash style and vigorous use of paint, Ben Quilty established his reputation in 2002,when he was awarded the Brett Whiteley Travelling Art Scholarship. Since then, he has since beenrepresented in over 15 solo and many more group exhibitions in Australia and overseas. His work hasbeen represented in the Archibald prize several times. This years contribution, There But For The GraceOf God Go I No. 2 a portrait of Jimmy Barnes - won the Doug Moran National Portrait Prize.
Over the course of his career, Quiltys work has often returned to certain key concerns, particularly thecodes of Australian masculinity and the iconography of the bloke. Inspired by an essay on traumatizedmanhood in indigenous society, Quilty recently curated an exhibition entitled On Rage, currently showingat the Jan Murphy Gallery.
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10/13
BenQuiltyandLisaSlade- LinkstoTeachingResources
BenQuilty artistswebsite
Curriculumvitae,imagesandlinkstoseveralessaysontheartist
http://www.benquilty.com/home.html
Mirrorimages
of
male
rage
from
The
Australian
21/5/09
BQonfeminismandartbymenaboutmen
http://www.theaustralian.news.com.au/story/0,25197,255129125013571,00.html
Quilty articlefromTheAustralian,1/5/09
http://www.theaustralian.news.com.au/story/0,25197,254118905013571,00.html
Hotseat:BenQuilty,SMHprofile,2007
http://www.smh.com.au/news/arts/thehotseatbenquilty/2007/03/16/1173722723863.html
JanMurphyGallerywebsite
BQsartistsprofileandcurriculumvitaeandlinkstoworks
http://www.janmurphygallery.com.au/artists.php?aid=22
BenQuiltyLive!CuratedbyLisaSlade
Generalinformationaboutthetouringexhibition,BQandLS
http://www.uq.edu.au/maynecentre/enews/UQArtMuseumEnews9.html
MediaKit
http://www.theaustralian.news.com.au/story/0,25197,25512912-5013571,00.htmlhttp://www.theaustralian.news.com.au/story/0,25197,25512912-5013571,00.htmlhttp://www.theaustralian.news.com.au/story/0,25197,25512912-5013571,00.htmlhttp://www.theaustralian.news.com.au/story/0,25197,25512912-5013571,00.htmlhttp://www.theaustralian.news.com.au/story/0,25197,25411890-5013571,00.htmlhttp://www.theaustralian.news.com.au/story/0,25197,25411890-5013571,00.htmlhttp://www.theaustralian.news.com.au/story/0,25197,25411890-5013571,00.htmlhttp://www.theaustralian.news.com.au/story/0,25197,25411890-5013571,00.htmlhttp://www.smh.com.au/news/arts/the-hot-seat-ben-quilty/2007/03/16/1173722723863.htmlhttp://www.smh.com.au/news/arts/the-hot-seat-ben-quilty/2007/03/16/1173722723863.htmlhttp://www.smh.com.au/news/arts/the-hot-seat-ben-quilty/2007/03/16/1173722723863.htmlhttp://www.smh.com.au/news/arts/the-hot-seat-ben-quilty/2007/03/16/1173722723863.htmlhttp://www.smh.com.au/news/arts/the-hot-seat-ben-quilty/2007/03/16/1173722723863.htmlhttp://www.smh.com.au/news/arts/the-hot-seat-ben-quilty/2007/03/16/1173722723863.htmlhttp://www.smh.com.au/news/arts/the-hot-seat-ben-quilty/2007/03/16/1173722723863.htmlhttp://www.smh.com.au/news/arts/the-hot-seat-ben-quilty/2007/03/16/1173722723863.htmlhttp://www.smh.com.au/news/arts/the-hot-seat-ben-quilty/2007/03/16/1173722723863.htmlhttp://www.smh.com.au/news/arts/the-hot-seat-ben-quilty/2007/03/16/1173722723863.htmlhttp://www.janmurphygallery.com.au/artists.php?aid=22http://www.janmurphygallery.com.au/artists.php?aid=22http://www.uq.edu.au/maynecentre/e-news/UQArtMuseumE-news9.htmlhttp://www.uq.edu.au/maynecentre/e-news/UQArtMuseumE-news9.htmlhttp://www.uq.edu.au/maynecentre/e-news/UQArtMuseumE-news9.htmlhttp://www.uq.edu.au/maynecentre/e-news/UQArtMuseumE-news9.htmlhttp://www.uq.edu.au/maynecentre/e-news/UQArtMuseumE-news9.htmlhttp://www.uq.edu.au/maynecentre/e-news/UQArtMuseumE-news9.htmlhttp://www.uq.edu.au/maynecentre/e-news/UQArtMuseumE-news9.htmlhttp://www.janmurphygallery.com.au/artists.php?aid=22http://www.smh.com.au/news/arts/the-hot-seat-ben-quilty/2007/03/16/1173722723863.htmlhttp://www.theaustralian.news.com.au/story/0,25197,25411890-5013571,00.htmlhttp://www.theaustralian.news.com.au/story/0,25197,25512912-5013571,00.html8/14/2019 VADEA Speakers
11/13
http://www.uq.edu.au/maynecentre/docs/BenQuiltyLive_MEDIA%20KIT.doc
BenQuiltyLive!CataloguewithessaysbyLisaSlade,JacquelineMillner,DonWalkerandClareLewis.
https://www.qag.qld.gov.au/secure/gallery_store?cid=30&pid=1811
http://www.uq.edu.au/maynecentre/docs/BenQuiltyLive_MEDIA%20KIT.dochttp://www.uq.edu.au/maynecentre/docs/BenQuiltyLive_MEDIA%20KIT.dochttps://www.qag.qld.gov.au/secure/gallery_store?cid=30&pid=1811https://www.qag.qld.gov.au/secure/gallery_store?cid=30&pid=1811https://www.qag.qld.gov.au/secure/gallery_store?cid=30&pid=1811http://www.uq.edu.au/maynecentre/docs/BenQuiltyLive_MEDIA%20KIT.doc8/14/2019 VADEA Speakers
12/13
KerryThomas
Senior Lecturer, School of Art History and Art Education, College of Fine Arts,
University of New South Wales
Dr Kerry Thomas has had a distinguished career as an art educator and been a passionate advocate for
art education for over thirty years. She has been an art teacher, acting head teacher, Regional Visual Arts
Consultant K-12 (Department of Education), Curriculum Officer for Visual Arts and Inspector, Creative Arts
(NSW Board of Studies). In these roles she has made a highly significant contribution to the development
of the Visual Arts syllabuses and support documents, examination specifications and marking standards
which have, in turn, shaped our thinking and the generative possibilities offered to students through our
programming and assessment. Kerry has also held positions that include Chair of the Visual Arts Syllabus
Committee, Chair of the HSC Visual Arts Examination Committee, Supervisor of HSC Visual Arts Practical
Marking, Assistant Supervisor of HSC Written Marking, a member of the ARTEXPRESS management
committee and represented NSW in the early-mid 1990s in discussions about the then National Curriculum.
Since 2002 Kerry has turned her attention to teaching prospective art and design teachers, artists and
designers in the university sector at COFA. Her recently completed PhD thesis is concerned with a
sociology of creativity in art education. In this study she has researched the proposition that in the making
of art, creative origination occurs as a function of the social reasoning that takes place in the pedagogicalexchanges between art teachers and their students.
Kerry is the VADEA Vice-President State/National Issues and Special Projects.
8/14/2019 VADEA Speakers
13/13
KerryThomas- LinkstoTeachingResources
StaffProfileatCOFA
http://www.cofa.unsw.edu.au/staff/profiles/kerrythomas/
*
2007,PESAConferencepaperCanCreativitybetaughtorlearned?
http://www.pesa.org.au/html/documents/2007papers/Thomas,%20K.pdf
*
ACUADS2006ConferencepaperThinkingtheFuture:Art,DesignandCreativity
CreativityasaMisrecognised Investment in theTransactionsBetweenArtStudentsandTheirArtTeachers in the
FinalYearsofSchooling,KerryThomas
http://www.acuads.com.au/conf2006/papers_refereed/thomask.pdf
http://www.cofa.unsw.edu.au/staff/profiles/kerrythomas/http://www.cofa.unsw.edu.au/staff/profiles/kerrythomas/http://www.pesa.org.au/html/documents/2007-papers/Thomas,%20K.pdfhttp://www.pesa.org.au/html/documents/2007-papers/Thomas,%20K.pdfhttp://www.pesa.org.au/html/documents/2007-papers/Thomas,%20K.pdfhttp://www.pesa.org.au/html/documents/2007-papers/Thomas,%20K.pdfhttp://www.acuads.com.au/conf2006/papers_refereed/thomas-k.pdfhttp://www.acuads.com.au/conf2006/papers_refereed/thomas-k.pdfhttp://www.acuads.com.au/conf2006/papers_refereed/thomas-k.pdfhttp://www.acuads.com.au/conf2006/papers_refereed/thomas-k.pdfhttp://www.acuads.com.au/conf2006/papers_refereed/thomas-k.pdfhttp://www.pesa.org.au/html/documents/2007-papers/Thomas,%20K.pdfhttp://www.cofa.unsw.edu.au/staff/profiles/kerrythomas/
