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Vedic Cafe23-09-2013

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These are articles that I have authored and deal with the subject of Vedic influence on world civilizations.
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    Monday, 23 September 2013

    INDIA & SOUTH AMERICA - ANCIENT WORLDMAP & THE RAMAYANA CONNECTION

    In today's world we are conditioned to look at the world

    'north side up' but there really is no up or down.

    In Valmiki Ramayana when Sugriva describes the route to

    the 'vanaras' headed east in search of the abducted Sita, he

    tells them that after reaching Shalmali Dvipa (identified as

    Australia), and further after crossing 5 oceans, they will

    reach a land where they will see 'Ananta' - , the celestial

    serpent balancing the world on its head.

    The other view of the world. India at the centre of a land mass. The Puranas say that 'Jambhudvipa' (Bharata) is at the centre of the world.

    South America is the Celestial Snake 'Ananta' described in the Ramayana and the Puranans. With a '1000 heads and a narrow tail',

    it supports the world on its head from 'Patala' (the world under).

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    Sugriva then directs the Vanaras to head northwards

    (towards Peru). He tells them that from the sea is visible a

    'three branched golden palm tree' engraved on a mountain.

    That, Sugriva tells them, is the pointer that they have

    reached the 'Udaya' (Andes) mountains.

    On route from Chile to Peru is Mt. Parinacota. The

    'vanaras' must then have seen Mt. Parina-cota from the

    coast of Chile, its summit is at a height of 20,000 feet.

    'Kuta'() is Sanskrit for 'mountain'. The Ramayana also

    names a lake by the name 'Sudarshana'.

    The ancient shining Paracas (Prakash)Trident of PeruThe Puranas describe the 'Trident' engraved on a mountain as the

    'Vajra' of Indra. The Ramayana describes it as the 'three branched golden palm tree' engraved on the 'Udaya' (Andes) mountains.

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    In the ancient Ayanmara language 'Parin' means 'flamingo'

    and 'cote' means a' lake' . In Sanskrit 'Parnin' () means

    'winged' or 'with plumes', 'kuta' () means 'mountain'.

    Hence, the Sanskrit 'kuta' is more appropriate and explains

    the word 'cote' better than Ayanmara where it means

    'lake'.

    Could the name 'Chungara' be derived from the Sanskrit

    'Sudarshana' - the lake that Valmiki describes in the

    Ramayana. Lake Chungaro is a scenic lake located at a

    height of about 4600 meters. It is the 29th highest lake in

    the world. In literal Sanskrit 'Sudarshan' means 'good to

    look at' or 'beautiful'. (Another lake that the Ramayana

    designates as 'Sudarshan' is one that it says is locatedin

    Shalmali Dvipa. As per ancient Indian texts Shalmali Dvipa

    includes Australia and New Zealand.

    Other places in Chile which may have names of Sanskrit

    origins in forgotten antiquity include the River Salila. 'Salila'

    means 'water'. The tribe that populated the tip of South

    America called themselves the 'yamana'. 'Yaman' () is

    Parincota (Parinkuta) on the Chungara Lake inChile, South America. 'Kuta' is Sanskrit for 'mountain'. 'Parina' has many meanings

    in Sanskrit including 'abundance'. 'Pakshin' means 'bird'.The Ramayana mentions a lake described as 'Sudarshana' (Beautiful) in the region.

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    the name of a Hindu God. 'Yamuna' () is the name of a

    major river in India.

    In the Ramayana, Sage valmiki writes that what is inland

    beyond the Udaya (Andes) is not known, except that it was

    frequented and inhabited by the 'celestials'. The

    'vanaras' headed east from India reach Chile

    and Peru. They return from the Andes, never

    crossing the Andes mountain range.

    Saturday, 21 September 2013

    PIEDRAS NEGRAS, GUATEMALA & INTI RAYMIFESTIVAL, PERU - THE RAMAYANACONNECTION

    Sir William Jones (1744 - 1794) states in his papers

    published by the the Asiatic Society that the Incan festival

    'Rama-Sitva' celebrated on the Winter Solstice Day gets its

    name from the Hindu God King, Sri Rama and his wife,

    Goddess Sita. The Winter Solstice Day is celebrated in

    June in Peru. (Peru lies in the southern Hemisphere and

    the winter solstice day falls in June).

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    The festival that William Jones referred to as 'Rama Sitva'

    is also known as 'Inti-Raymi'. It is said that the name 'Inti

    Raymi' comes from the ancient South American Quechua

    language and means 'resurrection of the sun'. According to

    Incan mythology, Inti was the Sun god, son of Vira-

    cocha(- ), creator of civilization. In the Hindu tradition

    Virochana () is the name for 'Sun' and also 'Sun God'.

    As an adjective 'virochana' in Sanskrit means 'illuminating',

    'brightening' or 'shining'.

    But are there any historical (often dismissed as

    mythological) pointers that connect Guatemala and Peru to

    India. There are of course many ancient Peruvian sites that

    are known to derive their names from Sanskrit (discussed

    elsewhere on this blog site). Also many historical and

    archaeological facts have emerged since the time of Sir

    William Jones that establish the connection between the

    Incan civilizations of South America and India.

    One of the most remarkable finds has been the deciphering

    of what is the archaeological sculpture 'Panel 3 of Piedras

    Negras' in Guatemala.

    Panel No. 3 of Piedras Negras, Guatemala,depicts the coronation of the 'HeroTwins' of 'Popul Voh'. Their story has a remarkable likeness to the story of 'Luv and Kush', the twins of 'Ramayana'. In the panel, the two young boys

    on the right could be 'Luv' and 'Kush'. In the centre is Sri Rama. On the left are Lakshman, Bharat and Shatrugna.

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    Scholars generally accept that this glyph is a

    representation of Yax Balam (or Xbalanqu, one of the

    Hero Twins) from the Popol Vuh. Popol Vuh (Book of

    Community) is a corpus of historical narratives of the

    ancient Incan kingdoms of Guatemala and its surrounding

    areas, and as is customary, this narrative too is dismissed

    as myth by mainline historians.

    Popul Voh features among other stories, description of the

    'creation of the world', a description of the 'great flood', the

    epic tales of the Hero Twins named Hunahpu and

    Xbalanque, and the genealogies of the God Kings of

    ancient lands that include present day Guatemala, Peru,

    Mexico, Honduras, Bolivia and Belize. To those who have

    read the Indian Epic Valmiki Ramayana, the above

    mentioned list of descriptions and stories are the same as

    that contained in Book-I (Bala Kanda) of the Ramayana.

    In the context of the Popul Voh, the text in Panel No. 3 of

    Piedras Negras has been interpreted as the depiction of the

    throne accession or coronation ceremony of the Hero

    Twins, the description of the palace and those attending

    the ceremony. For more on the interpretation of the text

    inscribed on the many sculpture panels of Piedras Negras

    click here.

    The Ramayana however sheds more light. If we were to

    interpret 'Piedras Negras Panel No. 3' as the depiction of

    the coronation of the Hero Twins, the twins of Popul Voh

    might just be the equivalent of Luva & Kush of the

    Ramayana. On the panel (see picture above) they can be

    identified as the two young boys standing on the right hand

    side. Just behind them are seen two lady attendants. In the

    centre, seated on the throne is Sri Rama, and on the left

    hand side are three men, identified as Lakshman with

    folded arms, with Bharat in the centre and Shatrugana on

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    the outer-left.

    This interpretation gets credence from the fact that there

    are other indicators that point to the fact that in ancient

    times, there was contact between India and the ancient

    civilizations of South America.

    Ancient Indian texts have mapped the world from different

    perspectives. For example, the Bramha Purana describes

    the world geography from the perspective of the four

    directions. It says that the world is divided into seven

    islands (continents) divided by seven seas. One of the

    islands is Jambudvipa (India) which is at the center. To the

    east of Jambudvipa is Ketumala, to the north is Uttarakuru,

    to the west lies Bhadravarsha and to the south lies

    Ramyakavarsha.

    Many scholars have identified 'Ketumala' with Guatemala.

    Though the sceptics do not accept this argument, but it is a

    fact that a place by the name 'Ketumala', spelled

    'Chetumala' does exist in Mexico today. The Vishnu Purana

    mentions that Ketumala is situated to the far west of

    Jambudvipa.

    The Bramha Purana also describes the world in terms of

    'above the surface' and the 'world under' called 'Patala' that

    is present day South America.

    In the Ramayana, Goddess Sita is said to be 'Dharti Putri'

    born of 'Mother Earth', and, as the story of Ramayana

    closes, Sita returns to the fold of 'Mother Earth'. It may just

    have been that Sita belonged to 'Patala' which was

    interpreted as 'world under', but really pointed towards the

    mighty kingdoms of the ancient South America.

    In fact in the Ramayana, there is a host of indicators that

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    point towards a connection with Peru and its neighbouring

    countries. The most remarkable of this is Sugriva's

    description of the route map to the 'vanara commando

    brigade' going east from India. They go far enough in the

    eastern direction, crossing oceans and reaching all the way

    to the 'Udaya' (identified as the Andes) mountains via

    'Shalmali Dvipa' (Australia). For more on the 'vanara route'

    from 'New Zeland to Peru' click here. For more on the

    'vanara route' from India to Australia click here. The

    account of this route as described in the Valmiki Ramayana

    is fascinating. Fascinating!

    Then there is the ancient 'Howler Monkey God' sculpture of

    Copan in Honduras. This sculpture has been equated with

    the Hindu God Hanuman.

    Ancient 'Monkey God' SculptureCopan, Hondurus.

    Because of his stance and the macein his hand, he has been equated with

    Sri Hanuman of Ramayana

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    Coming back to the Incan God Vira-cocha and the Vedic

    Sun God Virochana, there is an interesting story in the

    Bhagwat Purana that indicates that the story of Vira-cocha

    and Virochana might be two different versions of the life-

    story of the same entity, albeit with some discrepancies.

    Many scholars regard the Incan God Vira-Cocha the

    equivalent of the Vedic Lord Indra. The myths and stories

    about the two are close. Vira-cocha is the 'King of Gods'

    just as Lord Indra is. Vira-cocha also wields the

    'Thunderbolt', like Indra does.

    In the Bhagwat Purana there is a very interesting link

    between Lord Indra and an 'asura' by the name Virochana,

    the son of Prahalad and the father of Bali. In short, the story

    goes that both Indra and Virochana vie with each other to

    impress Brahma with their knowledge about 'Atman' or

    'Supreme Consciousness'. Bramha promises to grant

    control of the universe to the one who proves his

    knowledge about 'Atman'. Could Virochana the son of

    Prahalad mentioned in the Bhagwat Purana be the 'Vira-

    cocha' of the Peruvians. Could the lightening rod of the

    Peruvian 'Vira-cocha' be the 'Vajra' of Indra. Who finally

    wins control in the story depends on which version one

    reads. In Indian texts it is Indra who establishes control

    Sri HanumanNotice that the stance and the mace

    are the same in the Copan Monkey God Sculpture as Sri Hanuman.

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    which is passed on to him by Brahma.

    The son of Virochana who is named 'Bali' is killed by his

    own brother 'Sugriva'. Sugriva and Bali are 'monkey gods'.

    What is interesting is that in the Ramayana it is Sugriva

    who is shown as being well versed with the global map and

    it is he who directs the 'vanaras' (monkey commandos) in

    all directions, including the brigade that travels right upto

    the 'Udaya' (Andes) mountains in search of Sita. The

    Hondurus Monkey-God sculpture of Copan is therefore no

    surprise.

    Earlier blogs on this site have discussed the details about

    the Paracas Trident of Peru and its connection to the

    Ramayana. Click here and here for more on this subject.

    Suggested Links:

    1. The Puranas

    2. A brief History of Piedras Negras

    3. Flying Machines from Valmiki Ramayana

    Monday, 16 September 2013

    PUMA PUNKU, BOLIVIA - THE SANSKRITCONNECTION

    Puma Punku also called 'Puma Pumku' or 'Puma Punchu', is

    part of a large temple complex at Tiwanaku (Tiahuanacu) in

    Bolivia. In the Native American Aymara language , 'Puma

    Punku' means, 'The Door of the Puma (Lion)'.

    Here is a look at the name 'Puma Punku' through the

    Sanskrit lens. If we were to look at the names of other

    ancient observatories that measure solstices in Peru and

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    Boliva such as 'Sacsay-huaman' and 'Inti-huatana' we find

    that the words 'huaman' and 'huatana' are probably

    distortions of the same word. What might that word be?

    In Sanskrit 'ayana' () is the word for 'solstice'. 'Ayana'

    also means 'half year' or 'precession (of the equinox)'.

    'Hayana' () means 'that which repeats every year' in

    the context of astronomy. It is quite possible that the

    Sanskrit 'hayana' that distorts to 'huaman' in 'Sacsay-

    huaman' and to 'huatana' in 'Inti-huatana', shows up as

    'puman' instead of 'huaman' or 'hayana' in the name 'Puman

    Punchu'. For more on the Sanskrit connection to the name

    'Sacsay-huaman' click here and for the Sanskrit connection

    to the name 'Inti-huatana' click here. The Sanskrit word

    'hayana' occurs as 'huayana' in yet another name of an

    ancient observatory of Peru - 'Huayana Picchu' (located

    close to the more famous 'Macchu Picchu). Click here to

    read about Huayana Picchu and its links to Sanskrit.

    What about the Sanskrit connection to 'Punku' or 'Panchu'

    then. A close cognate of 'Panchu' is 'Pancha' (). 'Pancha'

    has many meanings in Sanskrit - the most common is 'five',

    but 'pancha' also means 'measure'. In fact the Vedic

    calender is known as 'panchanga' () . The

    'panchanga' measures the movement of the sun and moon.

    The literal translation of 'pancha is 'five' and 'anga' () is

    part. In a calender, 'pancha' refers to the five measures of

    time - the lunar day of a waxing or waning moon fortnight

    (tithi), day of the week (vara), lunar mansion (nakshatra),

    luni-solar day (yoga) and half -lunar day (karana).

    In the ancient Vedic calenders of India, which are used

    commonly in India even today, the name 'Pancha' occurs

    repeatedly. A lunar fortnight (15 days of waxing moon, or

    15 days of waning moon) is known as Paksha, but is also

    referred to as 'Panchadasa' () ['Pancha' = 5, 'dasa' =

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    10] meaning 'Fifteen'.

    If Puma Punku is an observatory which measures the

    'solstices', then its name may well be a distortion of words

    related to the Sanskrit 'hayana' and 'panchanga'. In fact the

    temple of Kalasasaya in Puma Punku is also a stone-

    calender that is aligned with the solstices. It is not

    surprising that here too there is a Sanskrit connection -

    'Kala' )means 'time'.For more on this click here.

    So where might the link to the Ayamara 'Door of the Lion'

    translation of 'Puma Punku' have evolved from. In Sanskrit

    Lord Shiva is known as 'Pancha-anana' () or 'Five-

    Faced'- where four of the five faces represent, the four

    directions, and, one face points towards the sky. However

    what is interesting is that 'Pancha-anana' also means 'Lion'

    in Sanskrit, which connects it to the Ayanmara meaning of

    'Puma Punku'. The 'lion' is known by many other names in

    Sanskrit were the word 'pancha' repeatedly occurs -

    namely Pancha-Mukha (), Pancha-nakha (),

    Panchasya (), Panchavaktra (), and

    Panchashikha (). Other cognates such as

    Palamkasha () also meaning 'lion'.

    Puma PunkuSolistice Observation PointCourtesy: http://subharanjangupta.wordpress.com

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    The other structures in the complex are named 'Kala-

    sasaya', 'Akapana', 'Keri-kala' etc. discussed elsewhere on

    this blogsite.

    Suggested Links:

    1. Macchu Picchu - The Sanskrit Connection

    2. The Sun Temple of KoriKancha - The Sanskrit Connection

    3. Chankillo and Huayana Piccha, Peru - The Sanskrit Connection

    4. Ollantaytambo, Peru - The Sanskrit Connection

    5. The Paracas Trident, Peru - The Sanskrit Connection

    6. The Temple of Araqhama, Peru -The Sanskrit Connection

    7. Ayamara Language

    8. The Unsolved Mysteries of Puma Punku

    The Face on the Gateway of the Sunat Puma Punku

    The face has been interpreted both as the Sun and Lion

    Sunday, 15 September 2013

    'SERENDIPITY' - THE SANSKRIT CONNECTION,AND MORE...

    Horace Walpole (1717-1797) first used the word

    'serendipity' in the English language in a letter dated 28th

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    January 1754 to Horace Mann. Walpole said that he had

    formed the word from a Persian Fairy Tale called 'The

    Three Princes of Serendip'. The hero of the book was

    constantly making discoveries 'by accident and sagacity

    and chancing upon things they were not in quest of' and

    Warpole's word 'serendipity' entered the dictionary with

    this meaning.

    The Three Princes of Serendip, is a tale concerning the

    deductive powers of the sons of the philosopher-king of

    Serendip. The tale 'Three Princes of Serendip' was

    published in Venice in 1557 by an enterprising printer

    called Michele Tramezzino. Richard Boyle who reviewed a

    sociological paper by the name 'The Travels and

    Adventures of Seredipity' written by Robert K. Merton and

    Elinor Barber says, "When Horace Walpole committed the

    word serendipity to paper Tramezzino was himself the

    compiler of the various tales, which were probably of

    ancient origin, mostly Indian", hence indicating the Persian

    tale 'The Three Princes of Svarnadvipa' also had an Indian

    origin. And sure enough 'The three Prices of Svarnadvipa'

    has a the Panchatantra kind of twist to the story. To read a

    gist of the story click and scroll down on the page here.

    Etymological dictionaries accept that the name 'Serendip'

    stems from the Sanskrit 'Svarnadvipa' (), meaning

    the 'Golden Island', an old name for Sri Lanka. The Arabs

    'Svarnadvipa' pronounced it as Sarandib. (Some trace the

    etymology of serendipity to Sanskrit 'Simhadvipa' which

    literally translates to 'Island of Lions').

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    Serendipity! The meaning of the word has however since

    changed to 'a pleasant accident' from its original meaning.

    It's a bizarre but wonderful feeling, to arrive dead center of

    a target you didn't even know you were aiming for. Lois

    McMaster Bujold.

    Suggested links:1. Serendipity- How the Vogue word became Vague

    2. The Three Prices of Suvrnadvipa

    Sri Lanka came to be known as 'Suvarnadvipa' (Golden Island)

    from which the word 'Serendipity' is derived. In ancient Hindu scriptures

    Sri Lanka was known as 'Suvarna Lanka' (Golden Lanka).

    Tuesday, 10 September 2013

    SRI RAMA'S BIRTH DATE AND NASA'SPLANETARIUM SOFTWARE

    This blog in no manner claims that the birth of Sri Rama

    occurred on the date that has been calculated by the

    Planetarium Software of NASA. But this blog does uphold

    the view that Sri Rama could not have been born on any

    date later than that calculated by Planetarium Software.

    Here's why.

    According to Valmiki Ramayana, Sri Rama was born on the

    9th day or the ninth tithi, also known as Navami, of the

    waxing moon fortnight, otherwise known as 'Shukla Paksh',

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    in the month of Chaitra, sometime in antiquity.

    The other pointers to the planetary positions at the time of

    Sri Rama's birth in Valmiki Ramayana are that Sri Ram's

    birth ascendant was Cancer, the day was advancing which

    indicates that the birth happened between 12 noon and 1

    pm, that five of the seven planets were exalted.It also says

    that Moon was placed with Jupiter. In saying that the

    presiding deity is Aditi, Rishi Valmiki indicates that Sri

    Rama was born in the Punarvasu Nakshatra.

    This also indicates that Moon had to be located between 0

    degrees to 3.20 degrees of Cancer, since it is only between

    0-3'20 degrees of Cancer, when Moon is associated with

    Cancer in the Punarvasu Nakshatra.

    In one shot Rishi Valmiki describes all the planetary

    positions we need to calculate Sri Rama's birth chart. Here

    is the verse from Valmiki Ramayana:

    |

    || --

    |

    || --

    |

    || --*

    By deduction we also know that Sun was in Aries, Mars in

    Capricorn, Jupiter in Cancer, Venus in Pisces and Saturn in

    Libra. Sun and Venus are always within 47 degrees of each

    other and that condition is fulfilled if Sun is in Aries and

    Venus is in Pisces. If Sun and Venus are exalted, Mercury

    cannot be exalted because Mercury is always within 28

    degrees of the Sun. Is Sun is in Aries, Mercury cannot be in

    its exaltation sign Virgo. Aries and Virgo are too far apart.

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    Since Moon and Jupiter are together in Cancer in the first

    house or ascendant, it caused one of the best forms of Gaj

    Kesari Yoga. Jupiter is exalted, and Moon is in its own sign

    in Cancer. What could be better than that! And five exalted

    planets made him an divine, an emperor who's fame has

    refused to fade away. But we are looking at Lord Rama's

    planetary positions here from a point of view of astronomy,

    and not astrology! Though both are intricately tied up with

    one another!!

    This planetary data was fed into the Planetarium Software,

    a software which is now declassified, (it was earlier not

    available to public) and was used by NASA to calculate the

    exact position of planets for any given date - past, present

    or future, within a limit (unknown). The closest date from

    today into the past, for which the planetary data of Lord

    Rama's birth fits in, is 10th January, 5114 BC. Since then

    this combination has never occurred in the skies which

    implies Sri Ram was born no later than 5114 BC.

    On January 10th 5114 BC, Sun is exalted in Aries, exalted Jupiter and Moon

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    So why does Sri Ram's birth in 5114 BC fall in the month of

    January and not in March-April as it does in today. In other

    words why does lunar month Chaitra coincide with March-

    April and not with January as it did in 5114 BC. This is due

    to the shift in the precession of the equinox.

    A note on the Shift of the Precession of the Equinox: The

    positions of the Equinoxes move westward along the

    ecliptic compared to the fixed stars on the celestial sphere.

    This annual motion is about 1 degree every 71.6 years. A

    complete Precession cycle covers a period of 25,765 (71.6 *

    360) years, during which time the equinox regresses over

    360. This journey over 25,765 years covers the 12 zodiacs

    of the sky so that the sun rises on the vernal equinox in the

    same zodiac for about 2,150 years.

    Today, the Sun rises in the background of Pisces on the

    vernal equinox. We are almost at the end of this cycle, the

    Sun will rise in the background of Aquarius from 2150 AD

    onward. 2150 years back (calculated from 2150 AD) that is

    from 1 AD to 2150 BC, the Sun rose with Aries in the

    background of vernal equinox, another 2150 years before

    that , that is, 4300-2151 BC,in Taurus and from 6450 - 4300

    BC in Gemini! This almost 4 sign shift in the precession of

    the equinox accounts for the roughly 4- month shift from

    January to April in Sri Ram's birth day month of Chaitra.

    But one cannot jump to any conclusions with the results of

    this calculation. To prove exactly when Sri Rama walked

    the earth in a human avatar all other details mentioned by

    Valmiki must be analysed.

    One such detail is the mention of the four-tusked elephant

    are in Gaj Kesari Yoga in Cancer, Saturn is exalted in Libra, Mars is exalted in Capricorn, Venus is exalted in Pisces,

    but Mercury is debilitated in Pisces.Calculations as per the Planetarium Software

    Courtesy: Hindu Traditions weblog

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    that Sri Hanuman sees at Ravana's palace at Lanka. The

    four-tusked elephant lived from 12 million to 1.6 million

    ago when it became extinct.

    Given this time frame, measuring the antiquity of the

    Ramayana in terms of the 'yugas' that the Rishis

    have mentioned is far more scientific than the few

    thousand years we are allowed to think by mainline

    historians.And to pass off facts, only because they are

    beyond our comprehension, as myths is the biggest

    disservice that we do to our own history. ______________________________________________________________________

    * Translation of the verses:

    tataH yaj~ne samaapte = then, ritual, on completion;

    R^ituuNaam SaT sam atyayuH = seasons, six, well, passed by;

    tataH = then; dvaadashe maase = in twelfth, month;

    chaitre naavamike tithau = chaitra month , ninth, day;

    nakshatre aditi daivatye = star of the day [Punarvasu,] whose presiding deity is

    aditi;

    panchasu graheSu swa uccha samstheshu = of five, planets, in their own, highest,

    positions - in their own ucCha sthAna-s in their own exalted positions - meSha,

    Research and studies are going on around the world onthe extinct four-tusked elephant

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    makara, karkaTa, mIna, tula - rAshI-s;

    chandra yukta guru karkaTa lagne proudyamane;

    karkaTe lagne = in Cancer [of Zodiac];

    vaak patiH= when Speech's, Lord [Jupiter];

    indunaa saha = Moon, along with;

    pra udyamane = advancing daytime

    ________________________________________________________________________

    Monday, 9 September 2013

    THE COSMIC DANCE OF SHIVA AND THE BIRTHOF SANSKRIT

    Dr Fritjof Capra, an eminent American Physicist, who wrote

    the book 'The Tao of Physics' in 1975, connects the

    rhythmic pulsation of the subatomic particle with the

    Cosmic dance of Lord Shiva. He says, Every subatomic

    particle not only performs an energy dance, but also is an

    energy dance, a pulsating process of creation and

    destruction, without end. For the modern physicists, then

    Shiva's dance is the dance of subatomic matter...... Modern

    physics pictures matter, not as passive and inert, but as

    continuously dancing and vibrating. This is very much like

    the Eastern mystics description of the world. Both

    emphasize that the universe has to be grasped dynamically.

    It structures are not static, rigid ones, but should be seen in

    terms of dynamic equilibrium.

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    Lord Shiva performs the Tandava Nritya ( ) which

    is a divine dance. Rudra Tandava is described as a

    vigorous dance that is the source of the cycle of creation,

    preservation and dissolution. The Rudra Tandava marks the

    destruction of one cycle of creation followed by the

    beginning of a new cycle.

    At the end of His Cosmic Dance,

    Shiva, the Lord of Dance,

    with a view to bless the sages Sanaka and so on,

    played on His Damaru fourteen times,

    from which emerged the following fourteen Sutras,

    known as Shiva Sutras or Maheshwara Sutras.

    The new beginning is marked by Shiva playing his 'damru'

    from which the first sounds appear in the newly born

    universe. The sound is popularly known as Maheshwara

    Sutra. Amazingly the fourteen verses of Maheshwara

    Sutrathat emanate from Shiva's Damru at the beginning of

    the new cycle of Creation are also the phonemes of the

    Sanskrit language. A phoneme is a basic unit of a

    language's phonology, which is combined with other

    The Cosmic Dance of ShivaStatue presented by Indian Government in June 2004 to

    CERN (European Centre for Research in Particle Physics), Geneva, SwitzerlandCERN is the seat of the Hadron Collider

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    phonemes to form meaningful units such as words.

    Thus, as per the Rig Veda, the Maheshwara Sutra is the first

    organized sound on earth. To listen to it click here.

    Hence, it is believed that the sound of Sanskrit words and

    the science of Sanskrit grammar (much like mathematics)

    has existed eternally. The ancient Vedic grammarians

    Panini, Katyayana and many more conceived and

    visualized Sanskrit grammar and merely re-established the

    revealed knowledge in their treatises.

    The mouth of the Hadron Collider, Geneva

    An Interpretation

    Courtesy: 'AboveTopSecrets.com'

    Saturday, 7 September 2013

    EMERALD - THE SANSKRIT CONNECTION

    It is very rare for Western writers to trace the origin of an

    English word directly to Sanskrit, except if it is a word that

    is linked to New Age beliefs or Yoga. Examples of such

    words include Chakra, mandala, nirvana, pundit etc.

    The Dictionary of Gems and Gemology. (Springer, 2005

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    (2nd), says on page 879, "Emerald in Sanskrit is called

    smarakata or marakata. .... The Greek name 'smaragdos' is a

    corruption of the Sanskrit smarakata. From Greek word

    smaragdos with the time, language and country derived the

    term esmerauld, esmaragd and emerald. The alteration from

    Sanskrit-Iranian (s)marakata-zumurrud to smaragdos-

    emerald suggests a common origin, because the name and

    gem have been imported together from Izumrud in Scythian

    or Bactria." Manutchehr-Danai, M. (Dr. Mohsen).

    In the Manx Missecellenis containing The Emerald Vernicle

    of the Vatican (extracted from The Archaeological Journal,

    Volume 27, 1870) we find that the author C.W King writes,

    "Smaragdus, which is itself a corruption of the Sanscrit

    'Smarakata', the gem of this name having been imported

    from Bachtria into Europe by the Traders of that race."

    More on the subject of Gems:

    1. Topaz - The Sanskrit Connection

    2. Diamond - The Sanskrit Connection

    Other Suggested Links:

    1. Katyayana's Sarvanukramani

    2. Kautilya's Arthashastra in the Light of rnodern science & technology

    3.The Emerald Vernicle of the Vatican

    4. Personal & Geographical Names in the Gupta Inscriptions


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